KING OF NEW JERSEY FT. ALBEE AL | RTM PODCAST | EP. 27 - Realer Than Most Podcast

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:36):
We'll see you next time.
Rilla the Moose Podcast, solisten.
Today we got a special specialguest in the building.
Man, how you want to do this,white boy, I'm going to let you
do this rundown man.

Speaker 2 (00:49):
Oh man, Do this, right man.

Speaker 1 (00:52):
Okay, okay, okay, Okay.
So you know like it's the realof the most podcast.
Wait, wait wait, wait, how youfeeling I feel amazing bro.
Yeah, yeah, I'm coming off oflike being sick, a little bit
Tired and shit Right, but yeah,we good, alright, alright, yeah,

(01:12):
how about you?
How you feeling I'm good man,the Eagles, we going to the
Super Bowl, man, no question,you know what I'm saying.
So I feel, I feel spectacularright now, you know what I'm
saying how you feeling, Alvear.

Speaker 2 (01:26):
Easy on him, man.
You know me man.
Yeah, easy style man.

Speaker 1 (01:30):
Yeah, we need quiet y'all.

Speaker 2 (01:31):
What's up?
Poe man, this motherfucker, howy'all niggas feeling man?
Oh man, I know y'all feelinggood, y'all boys back in that.

Speaker 1 (01:45):
Yeah, yeah, we could go for that.
You know what I'm saying.
We need that in the city.

Speaker 2 (01:48):
Absolutely Right.

Speaker 1 (01:49):
Absolutely.
That's heavy.
Let's do this rundown.
So really the most podcast.
You feel me?
We've been working and we'vebeen rolling and we've been
running across.
You know, like some, some ofthe realest people, you feel me.

Speaker 2 (02:04):
That's the whole point of this.

Speaker 1 (02:07):
That's our whole job.
You feel me?
The whole point of this is toget the people that we consider
and that the people considerrealer than most.

Speaker 2 (02:21):
I fit the description of that.

Speaker 1 (02:26):
Heavy.
We had to go and get posts gaywe had to yeah man door.
We had man door we had to, wehad to and your name been coming
up a lot yeah, soundless allphones your name been coming up
a lot, your name been coming upa lot, so I'm like damn, like

(02:46):
it's only right who I wastalking to and I made the call
right after I talked to him soso the culture project they are,
they are folks that's big,that's my home.
Yeah, yeah, we just was that, wejust getting a little picture
of how we got to you yeah, wejust was in queens with them
chilling and I mean we just waslike damn we we gonna hit it.

(03:07):
I mean just, get it done yeah,yup, so that's what we did.
You know, I'm saying shout outthe sb shout the sb, shout the
culture project.
They are brothers over there,bro, there's love.

Speaker 2 (03:19):
I fuck with them, niggas they're heavy.

Speaker 1 (03:21):
Yeah, good people, them niggas heavy like no cat
yeah I was on.

Speaker 2 (03:24):
I was on motherfucking miami.
Them niggas hit like no cow.
Yeah, I was on.
I was on motherfucking Miami.
Them niggas hit me up and waslike Yo, we got an Airbnb car,
whatever you want.
I'm like fuck I Easy style.
You heard Fuck with that love.

Speaker 1 (03:34):
Nah, they good people .
Yeah, they good people yougotta respect genuine love.

Speaker 2 (03:38):
That shit come rare.
They definitely come rare,seriously.

Speaker 1 (03:41):
So you know you know what I'm saying Holding it down
for the light-skinned niggas.
I got my fucking boy in thebuilding you feel me, skate, you
feel me we ain't know anything.

Speaker 2 (03:50):
We on it, we on it, we up today we up today.
We up today.

Speaker 1 (04:01):
You got it running the most, baby.
You got power in the building.
Yeah, yeah, yeah, yeah, yeah,you got power to build it.
Y'all might know him as I'll BeOut, okay, okay, okay.
So we're going to get into afew things today, because it's
only right what they know him as.
Go do the rundown all the way,man.
Come on, man, it's.

Speaker 2 (04:20):
I'll Be.
Out man, we marrying projectsman, there we go, jersey City.

Speaker 1 (04:25):
There you go, you guys, hey.
So you know we're just going.
You know I mean run down, we'regoing to get into it today,
let's do it.
So, um, I'll be you from jersey, jersey city, marion projects.
You know I'm saying, uh, jerseyCity, marrying projects.
You know what I'm saying andthe people know you know what I

(04:47):
mean.
You come from like a notoriousfamily.
So you know, coming up in themenvironments, we got influences
and these influences be likeeither right in the crib or like
right outside the door.

(05:07):
Give me a few of them, likeearly on, like when you coming
up and marrying and all that.

Speaker 2 (05:13):
Like in my projects, it always was like, like we
wanted to be like.
We wanted to be like the uh,like the motherfucking like what
we seen outside.
We ain't see celebrities andshit unless we was watching TV.
So that was cool.
So when I started seeing likeniggas, like Cash Money, it was
Cash Money for me.
I started seeing them niggasbecause they was like dirty

(05:35):
trench baby niggas.
When you first seen them niggas, you seen it Like them.
Niggas is just like us, withchains on you know what.
I'm saying so, I'm like thatmotivated me.
It's nothing crazy, becauseThen I look out my window, go to
my hood, my projects.
It was like you wanted to beLike the local nigga that was
getting that bread.
He had the baddest bitch.
You know, what I'm saying.
He had the flyers whipped,flyers closed.

(05:56):
So that shit just motivated meand I'm like, oh, I gotta do
something.
I I got to get to this paper,however you feel me.
So the influences, it was likejust seeing negative shit, but
it was all like it was positiveto us because that's all we knew
, you know what I'm saying,Right, right right.
So that shit was like all right,this is how we got to do it.
I get some money.
The bitch is going to fuck withyou.

(06:17):
All right, get some money, getsome jewels, get some clothes,
clothes, all that shit.
You feel me Right and that'show I go.
Heard that.

Speaker 1 (06:24):
So like with you growing up and marrying and then
you having like a notoriousfamily, Mm-hmm.
So like, so he was born in it.
Yeah, when you born in it, Isworn in.
It's a little different.

Speaker 2 (06:42):
Yeah, no doubt, no doubt.

Speaker 1 (06:43):
So like they All born and I sworn and there's a
little different.
So like they all right.

Speaker 2 (06:46):
So your uncle, he, he was a part of bringing the
whole heroin tree to mygrandfather, your grandfather,
my grandfather was like you know, that's crazy because I was
speaking on that somewhere elseand and uh, all the old heads
from like out that way it waslike yo, we just so glad.
This like putting light on thatshit you feel me.
Rob Markman.

(07:06):
Right, rob Markman, because,like my background, crazy, like
my grandfather, he one of thefirst niggas.
That's like put the hair ontrade back in the 70s, like when
Frank and them niggas wasgetting bread off.
Rob.

Speaker 1 (07:14):
Markman Right right, right right.

Speaker 2 (07:22):
Rob Markman.
So he one of them niggas thathad the mean line, all that shit
, this old motherfucker.
You see this nigga right now.
You gotta stick on him.
He still on that he's probablyabout 80.
But he's still on that, though,like not even on no, but he
just, it's just hischaracteristic.
You know what I mean.
Like right now I'm like I likegraduated, you feel me?

(07:43):
Like I'm still on that, butit's like you got it's levels to
this shit.
You got to beat the board.
You know what I mean, robMarkman, no, no question, lil
Jon.
So I beat them boards.
So when I was, when I was stillout there trying to figure it
out, I remember I ran into mygrandfather.
I seen my grandfather and I'mon it with him and said he

(08:03):
backed out.
He's like, yeah, I still got myshit, yeah, that shit was great
so, so what?

Speaker 1 (08:12):
you coming from, like a family that's already like in
it and, like you know, likethese environments, it'd be like
we'll as soon as we come offthe step.
It's like what we come into.
It's like the step, it's likewhat we come into, it's like
what we know, it's like firstnature for real, for real.
So for you to even just wantingto get some money, it's already
in your house.
Come right out, you see it.

(08:33):
It's your grandpa, your dad,moms, grandmoms.
So it's like what the fuck?

Speaker 2 (08:41):
What can I do?
You know what I mean, nah, nodoubt.
Who am I to?

Speaker 1 (08:44):
fuck tradition up.

Speaker 2 (08:45):
You know what I mean?
Yeah, that shit be in your facealready.
My mom's going to tell you astory when I was a kid, probably
about four or five, type shitPolice blitzing the projects and
our project doors.
They so sturdy, you know what?
I'm saying, yeah, they got thehammer.

(09:06):
They trying to break in thatmotherfucker because they doing
the raid, I was raid.
They can't even get in thatshit.
How old was you around thistime?
Like four or five type shit.
Yeah, I was older than four orfive.
My mom, I remember this shitoff images.
Don't get it fucked up, but mymom's gonna tell you the story
like heavy on it, like man.

(09:27):
My baby boy was like he.
I'm yelling at the door like mymom's flushing that shit, like
you know what I'm saying theycoming they coming, you heard
like you know what I'm saying.
So that's the.
It ain't even like no shit.
The highlight where it's,though, like that's the first
time, like, because she wasalready getting money.
You know what I'm saying?
So when they, when the policeblitz that shit and she and she
flushed every day and themotherfucking police came,
whatever, they took her.
But that was her first timeLike, that was her 360 in her

(09:50):
life.
You feel me?
Because they took her.
Then the system Tried to takeus.
You feel me Tried to take herkids, so she locked up and they
like yo, yeah, you going to jail, we taking your kids.
So she just did a whole 360 andleft the streets alone, and was
like yo, I got a kick up for mykids.
I can't leave my kids that'sgangsta.

Speaker 1 (10:08):
Yeah, so that's that was.
That was a 360 like oh bro,that's fire so with that like,
and then you know you got pops.
He, he um, a pioneer and um anda music culture in the 80s, so
let's talk about that a littlebit.

Speaker 2 (10:24):
Oh, yeah, yeah, yeah, yeah, that's how you got your
name right yeah.
I got my name.
My grandfather was Big Albie.
My pops was a junior to him,Okay Okay, and I posted being a
junior to my pops.
But my mom, she's such a sharkshe wasn't going for me having
that last name she's, she likenah, nigga, you gonna be over
here.
So I got his first name, hislast name, but I don't got his.

(10:47):
I mean his first name, hismiddle name, but I don't got his
last name.
My mother wasn't going for thatshit, she just like, nigga, you
a Robinson, my Robinson family.

Speaker 1 (10:54):
Yeah.

Speaker 2 (10:57):
It's a lot more, but my pops he was doing that.
He come from the 80s and allthat shit.
That's good, we good y'all.
But my pops he was doing thatLike he come from like the 80s
and all that shit.

Speaker 1 (11:08):
That's good, we good.
Y'all Got some hotel bangers inhere, we good.

Speaker 2 (11:13):
Yeah, so the motherfucking, basically like my
pops, is a pioneer.
That shit nigga that ran withDoug E Fresh and all them niggas
like all the old school niggasand shit.
You feel me Like legendaryJersey shit.

Speaker 1 (11:24):
Yeah.

Speaker 2 (11:25):
He's out, hey, hey, everyone interview.
Come on, come sit down.
God damn, hey, he's my niggas,bro Pond up.

Speaker 1 (11:34):
It's your niggas too.
Yeah, get him, get him, it's us.
Let's get it, let's get it.

Speaker 2 (11:43):
Yeah, you know what I mean.
My pops was with that shit,though he died when I was so
young.
You feel me, so I ain't reallyknow nothing.
I'm just off the knowledge Ofwhat the streets told me.
Okay, and I remember I did myfirst adult bid.
When I did my first adult bid,like all the old heads Like they
heard my name and shit, so allthe old heads that knew my pops,
they was just gravitating to me, just grabbing me up in the
county and just like nigga, youknow your father, like giving me

(12:06):
history and beatdowns andstories on who my father was.

Speaker 1 (12:08):
He had to be a dope individual.

Speaker 2 (12:10):
Like they couldn't wait to tell me that shit.
Like man, your pops did thisfor me.
Your pops.

Speaker 1 (12:13):
I mean.

Speaker 2 (12:16):
So I'm like this nigga, a real official nigga you
heard, and the whole time Likenigga, where the fuck was you at
?

Speaker 1 (12:21):
Right.

Speaker 2 (12:21):
In his fault though, but it's like he died when I was
so young, but it's likeresenting that shit.
But as I grew up, I'm like damn, these niggas respect my father
.
I got to hold him up.

Speaker 1 (12:29):
Right, right, right, right.
No, that's dope I mean,especially, like you know, by
him dying so young.
Yeah, and then Nah, they rudeup, oh man.

Speaker 2 (12:41):
Hell yeah, they be proud of that shit, like when I
speak on that nigga.
It bring the streets back withthat, like the old niggas they
be like.

Speaker 1 (12:49):
Yeah.

Speaker 2 (12:49):
Them niggas.
They love my pops, like forreal them old bitches like right
, you go see little, I go seebitches and shit go in crib and
shit.

Speaker 1 (13:00):
They be like oh yeah, I go see a bitch for her crib.

Speaker 2 (13:03):
Introduce her to myself like boom boom, this my
mother, boom boom my name Albee.
Who the fuck what?
Who your father, my father,done been there with her moms or
something?
It's crazy, rob Markman.

Speaker 1 (13:15):
Wait, wait, wait.
So like Rob Markman.
Full circle, rob Markman, Nowthat you a man, now you when
your father, and like kind ofunderstand how he was outside
it's so much maturity in mewhere I get it down me.

Speaker 2 (13:26):
Before, when I was young, wow, I ain't get it.
Like I'm like man, I don'tunderstand this like I would
just be holding resentment, likeI said.
But now I get it like I'm likedamn, I feel this like pain.
So I'll be trying to hold thisup, man.
That's why we get on theseinterviews, these podcasts.
I want them to know my popbefore that, it wouldn't be like
that, right, I'm like man,whatever.
That nigga wasn't there?

Speaker 1 (13:46):
straight stubborn shit you know what I'm saying?

Speaker 2 (13:47):
yeah, yeah not knowing ain't his fault.
Now, now, my reality is as Imature like nigga.
If he was here, it'd be, it'dbe lit, you're so yeah let's get
into, so okay, okay.

Speaker 1 (14:00):
so when you coming off the step, like you, cause I
know, I know that you always rap, so like what you all right,
that's how I want to put it.
All right, cause we Philly andyou could, you could pull a
nigga grandmom car.
She might got 16.

Speaker 2 (14:16):
Jersey.
Down there the same way.

Speaker 1 (14:18):
So I know everybody get busy in Jersey, but when you
coming off and like, right, I'mgonna take this rap serious,
what about?
What around?
What age was that?

Speaker 2 (14:33):
I think when I came home from my like, my like, my
first adult bid, I came from myphone.

Speaker 1 (14:38):
Was that four years?

Speaker 2 (14:38):
yeah, like no, no, I did.
I did two years.
Two years, first adult bid.
I did like two years but I wasthe, the way shit was going in
that motherfucker, likeeverybody turned their back on
me, everybody left me and shit.
I ain't had nobody riding withme but all I had was like like
bars and my aggression RightLike my name, niggas respect me
because I was like in thatmotherfucker, motherfucker, like

(15:08):
standing on it.

Speaker 1 (15:08):
Yeah, no, you know how it isfor a light skin nigga with
light eyes.

Speaker 2 (15:10):
It's either you gonna be a hoeor you gonna be that.
You got that push.
So it's like, so like people,be like, oh, light skin, like
it's two.
It's two light skin niggas,that light skin that's gonna
allow that, and it's that lightskin that had to grow up the
whole time and be like you crazy, as is going down.
So I was that where it's likeI'm on that.
So when I was in, when I was injail and all that start with me
heavy and then I'll be rappingtoo, so I'll be playing around

(15:32):
and they just start heating upin the cell like you're yeah
yard time.
I'm spitting in the yard and I'mlike, hold on.
Now we start battling for moneyfood all that like for real,
like block of empty, so I needthat.
So I'm battling with a food.
I started out as that on somebattle rapping okay, okay, so
every jail I went to.

(15:52):
Yeah, you feel me.
Every jail I went to I had Ihad the yard, like meaning
having the yard mean that youthe best in the whole prison,
you feel me.
So every job I went to I had ayard.
I'm like 18.
You know what I'm saying okayso I got the jills.
So I'm like Yo, I could probablyDo this shit.
So when I came home, I'm likeit was just that.
But I always knew how to rap.
But when I was in the studioOne time I had my family in

(16:14):
there and I did a song Justtalking about my life.
And the members how theyreacted to it.
They like it.
Like one of my cousins startedtearing up and shit Like yo,
it's crazy, you talking aboutthis shit and my big brother
rest in peace.
He was on some shit like nigga,that's your lane, don't go away
from that.
That pain, nigga, you got togive him that every time you

(16:34):
come.
And I'm like, yeah, yeah, he'slike, fuck that, give him that
pain, you know what I'm sayingwith that, so that's my lane.
So once I seen that that's thebar, start coming alive for real
, for real.
Right, it was over after that,bro.

Speaker 1 (16:50):
Yeah so you would say you, yeah, you basically made
your name in jail, yeah, yeahjail was my biggest distribution
, even to this day on some likebecause it'd like this.

Speaker 2 (17:03):
I'm so hard in jail that it's a nigga that's in jail
.
He going to call out there tosomebody that never heard of me
Rob Markman.
Yeah, rob Markman, and he belike.
You heard the Al Bial song.
Who the fuck is Al Bial?
So now he putting you on, orwhen a nigga writing a letter,
you put the song on the top.
Rob Markman that's cuz.
Back then, rob Markman, youfeel in the car with four of
your niggas who never heard ofme.
But your bro told you to listento that, or same shit for the

(17:24):
females.
Your nigga told you to listento that.
Now you fucking with it.

Speaker 1 (17:27):

Speaker 2 (17:28):
So jail always been my distribution.
I got lit off jail even from mycity, Whereas though niggas
from my city going down to jailand they telling other niggas
you got to hit Albie.
You got here Albie.
So now them niggas coming homebecause they wrapping my shit
down, jamesburg U-Files and allthat shit.
Come home, niggas, like you gotmy semester man, niggas tapping
in.

Speaker 1 (17:48):
So what you was doing in jail, what you was doing in
jail for your name to bowl socrazy, I mean you know the
gladiator come from jail thoughRight like we was just standing
on shit Couple scuffles.
Yeah, you feel me.
Yeah, yeah, yeah, Like we hadto stand on shit, bro.

Speaker 2 (18:06):
Like niggas know me bro.
Like niggas, po-po, strappingshit up from the door.
Like you know what I'm sayingFrom the door.
Like I wish my little bro Jujuwas here.
Like Juju from Jersey orwhatever right, his little bro,
he's telling you the same story,but like I walk on the max 10
niggas all locked up for bodiesand shit I need from this County
.
So that's like like it's sayingthis ain't a Philly cam, I'm

(18:28):
gonna hold another area, thewhole other.
County, like these niggas don'tHurt of me cuz I got a little
buzz and all that shit, but it'sprobably thinking like he
probably is a rapper.
You know, I said soon as I walkon that say I see how the phone
movement going boom, it's twois three phones but niggas just
back-to-back sharing the phones.
Soon, as I walked in that tentI'm like nigga, hold on, turn
the TV off.

(18:48):
If I don't got an ex on thephone, niggas got to get it.
Fuck all that, you feel me,because there ain't no way in
hell Drew will tell you thatsame shit, bro.
Soon as I came in thatmotherfucker on the max.
If I don't got an on that phone, we got to get it.
It's too much movement.
Who got next?
You jumped up because all thepoppy niggas had they phone.
Rob Markman, right, rob Markman.
The poppy gangs and all thatshit Like yo, yo, no, no, no,

(19:09):
you ain't got Fuck with thisshit.

Speaker 1 (19:10):
You good bro, everybody all right man, Because
I already know how it go.

Speaker 2 (19:30):
I had like a crazy like all the niggas in jail was
motivating me, right.
And some shit happened with oneof them niggas, with my, conrad
.
That was part of my team, right.
So some niggas had dissed him,you feel me.
So some niggas had dissed himand shit.
So I knew the niggas who dissedhim.
I got the whole backgroundcheck.
I'm locked up with niggas that.
So niggas telling me all thisinformation, so niggas telling

(19:50):
me all this information, I putthe shit together, I start
putting that pen to pad.
I'm like all right, bet I getout that bitch.
I pop out First song I do whenI get in the stew and shit.
I'm like yo.
So I get in the stew, I'm likethey turn the beat on.
I walk that bitch, but I'meating them niggas up Like
stealing them, like you knowthat shit before viral, was
viral.
It went viral.

(20:10):
So everything.
And after that it was over.
Niggas was like I was like thehood journalist.
What beat was that?
400 Degrees, that juvie shit,juvie shit, mmhmm, I heard that
400 Degrees.
That's why I murdered that shit.
That's my beat.
I heard that.

Speaker 1 (20:27):
So when you Okay, okay, okay, okay, okay, okay,
400 degrees now, all right, nowI'll be out.
You coming in front of Jersey,you waving a flag, you got the
bars, you coming, all right now,you, like I got to step in the

(20:48):
big leagues, I got to kind ofcome out with a tape.
Now, when you're getting yourtape together, are you really
like thinking to get a bigfeature, or are you just like
I'm just doing me.
Cowboy style.

Speaker 2 (21:00):
I'm just doing me.
It was never about no feature.
To me it was more like I ain'tknow where this shit could go.
I ain't see that far.
It was more so like, like Isaid, I was a hood journalist.
So everybody from my hood wasfucking with it Like, as far as
this stuff, my whole city wasbehind it.
So I'm just like the city justwaiting on me to drop again.
Like it's like a newspaper.
You feel me Like what else yougot to say?
So now I'm just like feedingthem.

(21:21):
I'm just kept feeding them,feeding them, and my name is
just kept getting big.
But In my city I was asuperstar, right, like don't get
it.
Like I was a superstar and youbuilt it up.
Yeah, yeah, I was a superstarin my city, but then I went to
jail.
So when I went to jail, I wentto jail like two years later
because I was still outside inthe streets and niggas knew I

(21:41):
was like be outside in thestreets and I'm rapping about
the shit that I'm into.

Speaker 1 (21:47):
So when I record label Flatline.

Speaker 2 (21:50):
Yeah, that's what we were pushing, hell yeah.

Speaker 1 (21:52):
That's you right.

Speaker 2 (21:52):
Hell yeah, that's the squad right there.
That's where it all started, atthat.

Speaker 1 (21:56):
Flatline shit.

Speaker 2 (21:57):
Right, we was young niggas just popping our shit and
that shit went crazy.
So when I dropped that, Idropped two mixtapes.
It went crazy, but then I wentto jail.
So when I went to jail, themusic like got bigger because it

(22:18):
was it's crazy, sad to say.
They felt like, yeah, they'relike yo, he's living.
That's right now I'm followingyou know what I'm saying like,
wow, no, he's living.
That, yeah.
So I don't even know that I'm,I'm.
I I've never seen it that Icould be this person.
So, while I'm in jail.
I'm seeing come up to me and andthey're like your song out
there.
I've been locked up for liketwo years already.
Like me, you, what you got itout there in the streets.
I'm like, ah, nigga, I've beengone for two years, nigga you
got, it, you got it Nigga.
Now I'm locked up for threeyears.
Nigga's like what man?
You make it back out here.
Oh, it's over for you.

(22:38):
So now I'm like, now I'm reallyright in the hell, I'm like, oh
, I'll probably make it out.
This bitch, you know what I'msaying.
Beat my case, but I had a guncharge.
I had a gun charge.
I was fighting already, so Ihad to sit for five years.
So I did five years.
But when I came home it's likeeverybody I made an Instagram as
soon as I came home.

(22:59):
I had no followers Instagram.
I got 10,000 followers my firstday just cause I made a gram.

Speaker 1 (23:05):
I'm like oh, this shit can do something as soon as
I made a gram first day firstday got 10 10k followers.

Speaker 2 (23:11):
Like I was made a grand.

Speaker 1 (23:12):
I'm like oh, 10k followers I'm like that's gonna
show how everybody really why.

Speaker 2 (23:17):
This is really something it was bubbling so I'm
like all right, 10 000 peoplewith a, he get paid in this.
You feel yeah, yeah that's,that's that's so wait when you
when?

Speaker 1 (23:29):
when was the first time you got paid in this?

Speaker 2 (23:31):
I got paid, I came, I came home your first chat.
Yeah, I remember my first timeuh paid me for for a, a
performance.
They could pay me forperformance.
Uh, I probably was home forlike my first of my home okay,
and it was his birthday party hepaid me for, like uh.
So I came home june 13th I hada show, probably like june 28th
or some okay, they could pay me.
I'm like, oh wow, it was notcrazy Like two bands or some

(23:53):
shit.

Speaker 1 (23:53):
So how far from when you came home to you meeting
Wartenberg?

Speaker 2 (23:59):
Wartenberg already knew.
That's what I'm telling you hewas one of them niggas that knew
In jail.
Oh, he knew because it waseither I was going to get life
in jail or I was going to comehome.
I need him.
I'm fine, exactly so.
Walton Bird was like as soon asI came home.
He was like Walton Bird, thefirst nigga Put me in the studio
when I came home.
Now that I think about thatshit he, the first one that put

(24:20):
me in the studio when I camehome.
He was like you know what I'msaying, do me in the studio.
When I was just in therecooking, I probably made like
Five Bro Hell, yeah, yeah, yeah.
2000, 2015.

Speaker 1 (24:32):
It was Dustin.
All you had to do Was just comehome, that's it.
That's all it was.
It's always like that, though.

Speaker 2 (24:37):
Like right now, this shit going crazy For a nigga
Because I got longevity Rightnow.

Speaker 1 (24:42):
Yeah, I'm always getting my wings clipped.
No, and you got a.
And you got a cooker Right now.

Speaker 2 (24:45):
Yeah, right, bro, you know what I'm saying, right now
, you got a cooker, I got, andthen is like I'll be home long
enough to show his strength yeahI'm always getting clipped off,
as always, every time I startgoing up something happened.

Speaker 1 (24:59):
Tell me this why you think when, um, when whartenberg
went on this crazy atlantic run, why you think you ain't
working that system at that timewhat?

Speaker 2 (25:07):
he told me.
He told me.
He said how they scared of you.
It's like it's an investment.
They didn't think I was theright investment as far as, like
, they seen the talent.

Speaker 1 (25:15):
But they was just like, or they see what he seen.
Like either you gonna go up oryou gonna go to jail, yeah, you
feel me.

Speaker 2 (25:21):
So it was just like they was like nah, they was
scared to invest in me On someshit, like, and they gonna go
back to jail.
But if the niggas, yeah Right,you didn't give me the right
check, so I'm still out here inthese streets.

Speaker 1 (25:31):
So what?
You hearing that Like, how,like, how was your approach then
?
Cause I know you probably hadto like Hearing that you might
wanna switch up A few things.
Yeah, it disappointed me, itpushed me to the streets hard.

Speaker 2 (25:43):
Right it pushed me to the streets real hard.
So I had to.
I had to get outside and justit out, but that shit fucked me
up where it though, because allthe niggas that he he had, he
introduced me to he's signinghim so I'm like I ain't getting
signed, like what the fuck like?
What's going on.
I'm still outside, but he gotthese niggas.
I'm stamping these niggas likeyou feel me out here in jersey,

(26:05):
I'm letting them like you'recoming to my hood.
It's being around me, everybodyfucking with it, like he.
Like he was trying his hardestto give me some.
I'm not gonna say he wasn't,but he was trying his hardest to
get me signed.
I'm not going to say he wasn't,but he was.
He did a lot for me and Iappreciate that shit.
You know what I'm saying,because niggas don't do nothing
for a nigga you know what I'msaying so I don't give a fuck
what you do.
I'm always going to appreciategenuinely love Because that shit
is rare bro nigga like that,like I respect that, you know I

(26:34):
mean, but I understand the factthat these niggas was trying to
fuck with the gangsta you feelme so.

Speaker 1 (26:36):
Was it that they thought you was a hothead or
something?

Speaker 2 (26:39):
yeah, okay, maybe maybe more to that, be like yo
cuz like maybe thinking ofpeople on my butt, on my back,
they give me all this money.
I'm again, I'm gonna go to jail.
It's just, it's this mybackground, my background really
, that I be thinking they'd bewanting that shit.
Where's though, like I don'twant a nigga.

Speaker 1 (26:54):
That's really how they do, but they don't.
They don't, they wanted to be.

Speaker 2 (27:03):
They don't really want no sharks.

Speaker 1 (27:08):
The Arsenal Fetty Wap link up when that I to lie like
when y'all had that going.
That's when I'm like that Albiemight be like that shit really
opened up.

Speaker 2 (27:20):
That shit was opening up for you at that time.
That's that jersey.

Speaker 1 (27:22):
How you felt in that time, like in that moment, like
with all y'all getting together,linking up, that's a good bop
right there.

Speaker 2 (27:29):
Like, yeah, we felt like I'd say me and Oz, bro, we
both felt like Like it was time.
So we was, we was gonna usethat To our advantage.
You know what I'm saying but itwas just.
It, just my nigga Wap bro Hisshit, his time was fading out.

Speaker 1 (27:42):
Yeah.

Speaker 2 (27:43):
Like they was trying to Pushhim out the game.
So we couldn't really Donothing too crazy or whatever
Couldn or whatever couldn'treally go to the next level, how
we wanted to go to the nextlevel type in but we, it was the
, we had the perfect team,perfect, it was ready.
But it was ready, but just likeit was fetty, what fetty watt.

Speaker 1 (28:01):
Being that like the end, and then like with his team
doing everything that they wasdoing on a shy steve tip, it
kind of like pushed him towardsthe streets.

Speaker 2 (28:11):
That's how I feel.
That's exactly what happened.

Speaker 1 (28:15):
So by them doing that , it put him in a crazy
situation.
Like I'm back on some track tip.

Speaker 2 (28:22):
And you on the tip.

Speaker 1 (28:24):
I already know you on the tip.
Like bro, I'm trying to go upand they be really on me because
I am who I am, I don't evenneed that Around me.

Speaker 2 (28:33):
For real, for real, bro you drooling, for real, for
real Yo that's crazy.
You bugging Cause.
Like you, zoo, I'm fucking withyou, my dog, like the love.
One thing about that nigga heshow genuine love, bro, he take
care Too many niggas, bro.
He got no problem taking careof niggas and that's that was.
That was his downfall.
So when, yeah, when he hit theground, nobody was taking care

(28:56):
of him.
Yeah, so at the end of the day,before he, before this rap came
out, he was a trapper.
You feel me he'd get money.
So, ah, you get.
I watched his name go to dubaifor two shows, get 700 000.
So what you think he gonna dowith that 700 000?
Right, because, because,because, the seven hundred likes
, that's just seemed like somuch money.
But when you get, when, whenyou win this league and you,

(29:17):
that's seven hundred thousand tobe gone in five months.

Speaker 1 (29:19):
Yeah cuz you done build up you accumulated bills
exactly, and I'd like to knowthat that cost that money
absolutely.
So it's like.

Speaker 2 (29:27):
It's like so I already know.
So like I wasn't seeing thattype of bread.
Now, now I'm getting crazybread.
Already know, like I bet, yeah,seeing that type of bread.
Now, now I'm getting crazybread.
I already know, like I bet,yeah, that shit don't mean
nothing.
So at the time, a nigga, anigga, a hood nigga.
So imagine that you got hoodniggas thinking, oh yeah, he
ain't taking care of the team.
When it's like, oh, he gettingthis type of money, oh, what I'm
gonna do with that money?
You got a nigga that playingwith that money and the money

(29:48):
ain't is vanishing.
So what the fuck you think youabout to do with it?
Oh, I'm investing.
Invest in what.
So what he did was he investedin that work and he started
pushing Dang.
He was getting to it for real.
You know what I'm saying, bro.

Speaker 1 (30:02):
He had a number oh my God, it's just crazy that you
was able to even tell him likeyo you bugging, yo you bugging.

Speaker 2 (30:09):
Nah, I told that nigga straight in his face.
You know what's up, bro.
One thing about me he gonnaremember that shit Until death.
Do us part, bro.
That nigga gonna know like nah,poe, I, because I ain't.
No, yes, man, I'm gonna tellyou when you wrong.
Yeah, I'm one of them niggas,that's always gonna tell you
what it is or how I feel about asituation.
I'm not trying to slime you outbackdoor.

(30:32):
You, I'm not from thatgeneration.
I'm going to tell you what itis head on.

Speaker 1 (30:36):
Like bro, you're bugging the fuck out.
Yeah, he was bugging.
You know what I'm saying he wasbugging, bro, you had a top
billboard hit.

Speaker 2 (30:42):
You're tripping, you know what I mean.

Speaker 1 (30:45):
He was tripping bro.
Yeah, I mean for real, for realclosing, yeah, yeah.

Speaker 2 (30:51):
I was closing in, it's like what I'm gonna do, I'm
gonna go to what I know, whatyou used to Getting bread, so
you, I, got all this money.
I bet I don't know when my nextcheck on Chuck come.
He's so used to that type ofmoney going away.
Yeah, but niggas ain't used tothat type of money going away.

Speaker 1 (31:10):
But you got to be on that level, to know that that
type of money could go like thisyeah, so now he's like you know
what I'm gonna flip this bro.
He knew what he needed to order.
He's like flip this man, flipit no.

Speaker 2 (31:19):
He turned to Watt, turned into a fucking
money-making bitch out there.
Nigga said Watt pulled up tothe hood with $600,000 in the
trunk.
Stop playing with him like 600in the trunk it hurt up like he
was really.

Speaker 1 (31:35):
He was really getting it so he was geeking, really
getting it just ass told him onthat man his little run, his
little like three hits, fourhits yeah cooked them, mm-hmm,
mm-hmm they I was corny man zoogot a classic album no features,
no major features, all him itwas his team.

Speaker 2 (31:52):
Right now, zoo got a classic album, no features, no
major features, all him.
It was his team.

Speaker 1 (31:56):
Jersey.

Speaker 2 (31:56):
I respect that.
You can't fuck with that Niggas.
Go get other niggas and turnthem up.
Nah, that nigga, that's aJersey nigga.

Speaker 1 (32:02):
I see you work with less features than a lot of
people too, though, and thenwhen you do do features, it be
like certified niggas.
That's my type of style rightthere For sure, so I respect
that.

Speaker 2 (32:15):
You got to match my shit, man.

Speaker 1 (32:16):
A lot of niggas be scared to fuck with me too.

Speaker 2 (32:18):
A lot of rappers be scared to get in that booth with
the gangsta too.
Niggas be yeah, niggas be allyeah.

Speaker 1 (32:26):
Niggas ain't who they say they are man, yeah, no.
No we do know that, but I'mjust saying, like you know, like
the top of the top, like niggasshould be wanting to get in
there with him, yeah, yeah, Iain't know what I mean.

Speaker 2 (32:40):
It's a popularity contest.
Where it's, though, like I'mpopping in the streets.
You can't go to one street onewhole period.
They don't know who fuck AlbiAl was Like the streets fucking
with me the jails fucking withcontests where it's like nah,
I'm trying to get next toBossman.
That's cornball shit, though.

Speaker 1 (32:53):
That's how they rocking.

Speaker 2 (32:54):
The niggas who think that matter, they doing it.

Speaker 1 (32:56):
That's cornball shit though I don't like niggas like
that, though there's reallystuff like that that happens you
know what I mean, but I ain'tno.

Speaker 2 (33:10):
That's how they got him.
It's a different type of rap.
That's why we want.
It's a different type of rap.
Yeah.

Speaker 1 (33:15):
I'm not looking for Boss man D-Lo Out of Albie you
feel me I need Poe.

Speaker 2 (33:21):
Yeah, that's the whole point.
Come get me for that.

Speaker 1 (33:25):
You feel me and that's exactly why we Need
people like Albie out on thisshow.
It's crazy Cause when the thenigga start going up.

Speaker 2 (33:32):
The nigga boss man start going up.
I'm fucking with the niggabecause he popping that shit,
right.
So so my manager, she runs intohis DJ.
She sees the nigga DJ and she'slike yo, what's up, what's up,
talk him out on the features,all the other shit.
So son was like it.
So someone's like it's me goingup.
He's like you want 40?
Dang.
So he's like you want 40 forthe feature.

(33:53):
I never paid for a feature inmy life, bro, I probably never
will, let alone 40 grand.
Right, you feel me Like come?

Speaker 1 (33:59):
on.
Why am I doing?

Speaker 2 (34:00):
that shit.
So I'm like I ain't going to mypocket.
I got a big budget on the label.
I say yo look boom motivates meinto like yo, all right, boom
entertain the conversation I hada show in um orlando on, say, I
had a show on orlando on theseventh.
This nigga had a show inorlando on the eighth.
So his dj, he in contact withher and he's like yo, just come

(34:23):
out there, we can knock thefeature out, boom, boom.
So he's like, oh, why are youlike?
All right, cool, I'm like, buttell son, tell son, he got a.
Uh, he got you got.
We got to get in the studio.
Don't think I'm about to justsend you the track.
Yeah, yeah, yeah, yeah.
It's 40 grand.
We talking with I don't give afuck how much money.
Nigga, we had nothing yourapping about when you had
nothing.

Speaker 1 (34:43):
I'm not about to just give you 40 grand for you to go
in there and say what you feellike you want to say Right,
right, right to go in there andmake a hit.

Speaker 2 (34:49):
We're gonna go in there, goball for ball, we're gonna make
some records.
You know I'm saying make, makesome.
That.
The like.
I don't know the was like.
He just backed out like, saidhe watched my gram, all type of
weird, but I don't know, it wasjust like.
I don't, I don't want to be inthis like booth with that watch
it really like yeah, these weirdbro, I don't he.
no, I don't give a about none,none of that.

(35:10):
Shit bro, not tough Sunny,tough Tony, rough Ricky, shit,
I'm really that you know whatyou like.
It's 40 grand, but I never gavea man 40 great.
Who the fuck you crazy?

Speaker 1 (35:21):
tie you up for that.

Speaker 2 (35:22):
You know I'm saying yeah, so it's like if I'm
sitting here telling you mylabel by to push the button and
give you $40,000 to do a songwith a gangster, and you talk
about something that's crazy.

Speaker 1 (35:36):
What type of nigga is you?
That's a little crazy.
What type of nigga is you?
Like what you talking about?
That's a little crazy.
I ain't even gonna give youthis shit, but I'm trying I'm
trying to push my career yeahfurther and further like.
All right, let's get that.
That is a little crazy.
As you talk about like, whywould I like when this shit come
out.

Speaker 2 (35:51):
He probably spinning like man.
I don't know who nigga is.
Nigga, you know what's up,nigga.
If you don't know what's up,ask the toughest nigga you will.
He know who the fuck I am.
Nigga.
We on that For real.
Nigga, like man.
What the fuck you talking about?

Speaker 1 (36:02):
nigga Ew Straight up.

Speaker 2 (36:03):
Ew, play like that.
I was so mad Cause I'm going toget us a 40 grand man.
You feel me, I'm playing if Iget mad 40 grand.

Speaker 1 (36:15):
They want to send a record over.

Speaker 2 (36:16):
Yeah, send a record over.

Speaker 1 (36:17):
No nigga if I give you $40,000,.

Speaker 2 (36:20):
I want to see you pull up.
We going to cook.

Speaker 1 (36:22):
Yeah, who the fuck?

Speaker 2 (36:23):
you think you is nigga Right?
Yeah, you go.

Speaker 1 (36:26):
Just 40.

Speaker 2 (36:28):
You just started.
It's like four months at thetime, so I turn you up, I'm
trying to go higher, like areyou?
I caught the wave, I'm jumpingon the way.
I respect the ground, you know.
But I wasn't coming out mypocket, it was my budget.
I got big budget.
Yeah, yeah, I got you.
Let me know what's it over.
I said, now we not say it over,so he getting the studio.

Speaker 1 (36:47):
I Was working with Ghazi.
I like Ghazi, ghazi man LikeGhazi.
Cool bro, I like Ghazi, I like.

Speaker 2 (36:53):
Ghazi.
I like Ghazi and he respectbars, he respect rap.
Yeah, you know what I'm saying.
He respect the gangsters too,so he appears.
He appears when it comes to thehip-hop.
Yeah, bro, that nigga officialmaniggas had a song called

(37:16):
Follow the Leader, but he wasjust like yo, you could bring
that, you could bring thatfeeling back, type shit you know
what.
I'm saying but God, you dowhat's homework, you know what
I'm saying, and shout out toWartenberg, wartenberg, yo, this
nigga Wartenberg was trying toget me signed to everybody, like
he's like.
Wow, I think I reached out toGucci man for you, bro, he got

(37:39):
to receive.
He fucked with the gangsters.
He got to fuck with you.
Negative.
I've reached out to Yo Gottifor you.
Now you're oh, let's gotnothing to do with the podcast,
but y'all about to get this shit.
Yo check this shit out cut.
I'm talking to my man.
This nigga bro.

Speaker 1 (37:56):
Oh my God, yeah, that's my boy Bruh Moneybagg yo.

Speaker 2 (38:01):
So what the fuck happened with Moneybagg yo?
This nigga told uh who?
Oh yeah, I had to remember Meand you.
This is my brother right here,cb we.
Oh yeah, I had to remember meand you.
This my brother, right here, cbwe go.
Had a meeting with the managerof CMG Tom Square.
We had a meeting with CMG, themanager, all of a jail free the
gangsters, the jail nigga wasjust locked up with one of them

(38:21):
niggas.
You feel me, and he was like yo,I know the nigga.
He say he really one of themniggas, yo he really the manager
.
Da, da, da.
So we meet up with the RedLobster.
We don't even eat Red Lobster,so look.

Speaker 1 (38:32):
Red.

Speaker 2 (38:32):
Lobster, right With this nigga, right, boom, we in
Red Lobster.
The nigga said Bring him somebud.
I'm like, alright, cool Boy,this nigga always got the bud.
Shout out to Lil Uzi, alwaysgot the bud.
So, bruh, let me tell you CauseI'm glad I'm telling him,
because I didn't tell him thatthe 2B continued.
But what happened with thatmeeting?
So we go sit down with theniggas from CMG, right, uh-huh,

(38:52):
we go sit down with the niggasright Now.

Speaker 1 (38:54):
I fuck with them, niggas, you feel me it's the
relative most podcast y'all.

Speaker 2 (38:56):
Niggas listening to their music cut.
We goes there, we sit down.
He's like yo, boom, boom,talking about something.
Yeah, al the nigg, you, thatnigga, you're gonna tap in with
you, you're gonna do what we'regonna do and if you fuck, we

(39:17):
fucking with it.
I'm about to tell god he's andshit, we gonna around sign you.
I'm like all right, cool, Idon't even need to be signed,
nigger, nigger, caked up forreal.
But I'm just like I connect thedots, whatever.
Whatever you feel me, because Iseen my mozzie go over there for
album I'm like, get in asituation like that because I'm
not about to be locked in withyou, niggas.
Right, I'm the leader of my ownempire.
You feel me Cut.
We ain't hear back from them,niggas, because of this, don't

(39:38):
you know that 2017, that 2017,when this nigga Moneybagg Yo got
booked for a show in Jersey,this nigga think I shot him and
robbed him.
What Jersey I got?
First of all, boy ain't gotnothing to do with that shit.

(40:00):
But so look, second of all this, what happened to this shit cut
?
So I'm getting my hair done inthe salon.
Shout out the um Cut creators,make I'm getting my head done.
So the nigga who sat in thewhole show up he one of the
partners in the show theybooking bag you feel me?
He hit me up and he like yo.
He like yo because the ticketsain't moving.

(40:23):
He like yo, if we throw you onthis shit, how much you going to
want for this shit?
I'm like how much I gave thatnigga.
That's how I be coming.
I'm like, nigga, you ain'tabout to penny pinch me and you
pay this OT.
Nigga, all this bread, you feelme?
This home base, I need my check.
He's like come on, al man, showme some love, this ain't a dirt
.
Boom, boom, boom.
I said how much you gave thatnigga.
You gave that nigga, like Isaid, all right, well, give me

(40:50):
10.
I'll take 10, because it's late.
I need to sell this shit out intwo weeks.
Boom, no, that week they needto sell it out that week.
The nigga, he pays me thedeposit.
He gives me the deposit.
Five grand, right there, I'llbe right back.
Give me the deposit.
I go to the.
So now I send the picture forthe flyer.
They put me on the flyer.
I post this soon.

(41:11):
As I post this.
Shows canceled jersey, jerseypolice.
Like hell, no, I guess.
When I was banned I was yeah,they banned me from jersey lb.
Hey, cancel good dessert.
So money bag.
Yo coming to town.
They come do the performance,but the show is canceled.
So I guess the that booked him.
They like yo, we need our moneyback.

(41:31):
Our shit is canceled.
Right, and he wasn't going forthat Niggas followed him up.
The fucking turnpike ripped onhim.
His man got hit in the head.
All type of shit.
This nigga said I'll be out ofthat shit.
So that's what that nigga said.
That's what bro said Like yo,out to you because they, they

(41:55):
sent money back yo, thank you,you got him hit like what the I
just got on the show, two daysbefore the show even happened
like I got nothing to do withthe show.

Speaker 1 (41:59):
Wow, like, what the, what the I do that people put
stuff on your name though.
Like, like, crazy, like, andthis ain't no cloud or nothing.

Speaker 2 (42:03):
It's just like you know, I ain't know.
I got them clouded up already.
What you talking about?
What you talking about?
Ask my name bro with this, butthat's crazy.
Right there, though, like youreally like, all you had to do
was ask a nigga or whatever, bro.

Speaker 1 (42:15):
Yeah.

Speaker 2 (42:19):
Like damn, like a nigga slammed on you.
If I slammed on you, bro, youwould have never came back to
Jersey and got another bag.
I promise you, bro, you can'tcome back.
If I say that, bro, like realshit, what I'm going to slam on
you and not continue to keepgoing on you.
All right, it's cool.
All right, I think you're goingto come out here and do a show.
It's over, you feel me.
But it wasn't that.
Ain't no smoke with you, bro,ain't no beef with you, bro, and
whoever you had beef with thattime that's who you had beef

(42:46):
with.
I got no beef with you, man,throw it up.

Speaker 1 (42:48):
Yeah, this the realest and most podcast.
Make sure y'all share, like,subscribe, comment If you don't
use a motherfucker.

Speaker 2 (42:54):
Why?
Because?

Speaker 1 (42:55):
it's free.
Y'all already know, man.
We got Al Bial in the building,man yeah man, this shit is
special.

Speaker 2 (43:01):
Shout out to CMG man.
You got to keep it all the waythrough, man, Rob Markman 2
Chainz.
And Heartless is one of myfavorite albums, man.

Speaker 1 (43:11):
You just dang on that man.
Rude up Rob Markman 2 Chainz.
When they speak of your namethey be like damn.
You heard of Kobe.

Speaker 2 (43:31):
Kobe, kobe, that shit go crazy, you know that shit go
crazy.

Speaker 1 (43:36):
Like coming up with that, like give me, like when
you came up with that, like whenyou first coming up with that,
like the thought process Allright, I'm ready.
It's like you don't want to saysavage, I'm cool that that, bro
.

Speaker 2 (43:50):
That's how I felt.
I felt like Cobra bro, I feltlike I was being loyal to people
that wasn't respecting myloyalty.
I felt like only my kindmattered.
If you wasn't thinking how Iwas thinking or moving how I was
moving.
You was in the way Because myloyalty was being unnoticed.

(44:11):
Okay, people wasn'tappreciating it.
From that shit come from my, my, my, my niggas, my hood, all
that shit, like I think it's.
I think it's really watching mypockets like crazy.
I think it's really looking atme like I think.
I think start forgetting thatI'm, that you know what I'm
saying.
It's because, like the yeah, soit was like I had to remind
them niggas, bruh, and it wasjust like that Cobra shit, that

(44:31):
shit has really had me in my bag, really had me in it, and that
was the perfect title for thisshit.
Because that's just how I feltLike niggas ain't respect my I
don't know man, I lost myself inthat one.

Speaker 1 (44:42):
That's some of your best work to date.

Speaker 2 (44:43):
That's why I'm Rob Markman 2Chainz and Lil Boi-N.
Rob Markman 2 Chainz and LilBoi-N.
Rob Markman 2.

Speaker 1 (44:47):
Chainz and Lil Boi-N.
Rob Markman.
2 Chainz and Lil Boi-N.
Rob Markman.
2 Chainz and Lil Boi-N.
Rob.

Speaker 2 (44:51):
Markman 2 Chainz and Lil Boi-N Rob Markman 2 Chainz
and Lil Boi-N Rob.
Markman 2 Chainz.
So everybody that like, sinceI've been home, you know what
I'm saying.
I've been home for two yearsnow.
I dropped four projects.

(45:12):
The Cobra Comet album streamlike that shit did the best out
of all my projects that Idropped, so far.
So, like the niggas know, theymissed that right there.

Speaker 1 (45:21):
But I'm back on that though I'm back outside.
I'm back outside, so coming upwith Hood Olympics like Alright.
So when you first get the beatright, you like Crazy man who
the first person like, beforeyou even thought of putting
anybody on it.
Who was the first person youthought of Like who was the

(45:44):
first like I could hear who youcould like?
I could hear somebody on thisjoint.

Speaker 2 (45:48):
You know, that's the remix.
I know, I know.

Speaker 1 (45:50):
I'm talking about the original, like before you put
anybody on a remix.
Now I took, that's the remix.
I know I'm talking about theoriginal, before you put anybody
on a remix.

Speaker 2 (45:54):
I took that to the neck I was going to try to share
that.
I sipped that one slow rightcut.

Speaker 1 (46:02):
How you think about the remix.

Speaker 2 (46:03):
Yeah, so the remix when the song dropped, it picked
up so much Like everybody wassaying that was their favorite
song on this, and then I droppedthe clip on the gram of me in
the studio, like when I just didthis, okay, and it was this
like mad raw and that went viralhard bro, so when it dropped.
Everybody was like waiting onthat.
That was the song they wasrushing to, because they only
got the clip you know, what I'msaying.

(46:23):
So I'm like I bet I got this outright, like and like, you need
a remix for that.
So once that we start thinkingremix, we in the studio huddled
with that like remix.
I'm like let me go through myroll of decks see what I got in
there.
I'm like Kiss, yeah, I sentthat bitch to Kiss that nigga's,
like hard, sent that shit toFree, free like man.

(46:46):
I'm about like it's over, likeniggas.
Niggas wanted that shit.
You know, I mean, what's sospecial about the shit is that
like, if you know rapping rightnow it's only 12 bars.
You know I'm saying they alwaysspend 12 bars nowadays.
All them niggas spent 24s.
It's like they were just.
They just respected it, likethey knew they had their kid.
That's one of them and Irespect that shit now and I
appreciate that.
I didn't tell none of themniggas how long they should rap

(47:07):
none of that shit.
You feel me them niggas allspit 24s bro.
They all went crazy and then itwas just like I remember when
Motherfucking so none of themknew they was on the song.
Nobody knew, until it was out,what Until it was out.

Speaker 1 (47:20):
That's crazy.
Nobody knew they was trying toBless the track.

Speaker 2 (47:24):
Yeah, bro, them niggas.
But they knew niggas was coming.

Speaker 1 (47:26):
They knew, they knew something.

Speaker 2 (47:27):
So when Free did this shit, free called me like yo, I
don't know who you putting onthis joint, but like they better
come with that shit because I'mcoming, you feel me?
Yeah, I'm like aight say thater it up.
But everybody came with thatshit, you know what I mean.
I remember when Kits called mehe got like 12 bars in.
I'm getting the shape of thebarbicane in me.
Right, yo, it's too hard, man,I can't stop man, like you mind

(47:51):
if I keep going.
I'm like fuck, you feel me.
Like what you talking about.

Speaker 1 (47:58):
That's probably arguably like the hottest song
this year.
Yeah, no cap okay, that'sreally really really like one of
the ones and I don't careyesterday what I told matt yeah,
when the video dropped like Itold mac I said yo, if you would
have been on this drawing.

Speaker 2 (48:14):
That was it oh my god , matt kiss, I'll be y'all beans
come on, man, you know someone,one of my old head next to my
project said to me yesterdayright because he's in the hood
last night said to me he waslike yo.
He said what you think aboutdoing a remix to the remix?
I'm like what you mean?

(48:36):
He like what out you get.
He said for philly, you get,you get matt.
He said, if a con for uh, forfor benny, you get conway, and
and for jada, you go get styles.
That'd be crazy, that'd be crazywow bro, I say yo hey, yo
that's too crazy, right therethat's too sad, that's too crazy

(48:57):
.
That's all right, that'sflipping a coin for no, that'd
be mean right there.

Speaker 1 (49:02):
Yeah, that's special I ain't on front.
I took his heat.

Speaker 2 (49:05):
I take heat to that, though I'm gonna put a song
together just like that.
Don't even worry about it, staytuned, that's fire.

Speaker 1 (49:14):
That'd be like I ain't going front.
That'd be like crazy yeahespecially like the double bet,
because that's really like thehottest song this year, bro.

Speaker 2 (49:27):
I play that song every day multiple times a day
that's just like really one ofthem songs that's like and the
beat go crazy.

Speaker 1 (49:32):
The beat goes so crazy it's like it definitely
could go for in another run.
How, how's your?
Uh, you got any type ofrelationship with surf yeah,
yeah, yeah, jersey man surf thelegend man yeah, sir, we with
sir he locked up with myright-hand man.

Speaker 2 (49:51):
right now they on Hamilton.
It seemed like you was going.

Speaker 1 (49:55):
Surf was out here holding it down.

Speaker 2 (49:57):
Yeah, I fuck with Surf.

Speaker 1 (49:58):
Surf gone, you pop right back out holding it down
for Jersey.
Yeah, that's crazy.

Speaker 2 (50:04):
Yeah, I came home when I came home, 2022, and shit
, surf was having a littlesituation with this.
Nobody ass nigga that he had nobusiness rocking with.
They had a little situation andshit.

Speaker 1 (50:15):
Yeah.

Speaker 2 (50:15):
So I wasn't jacking that because like I wasn't
feeling that nigga or whateverand shit.
But me and Sirt were way ahead.
I believe we were rocking witheach other, like you know what
I'm saying yeah, all that shit.
Like yo free him all that shit.
So when I came home so I camehome, we got in the studio, we

(50:37):
put some pressure out.
It's a song called damn.
I forgot the name of that shit.
Remember that shit?
What's the name of me?
And Serf's song, that shit fire.
Though I forgot we.
I forgot we got some shit,whatever this shit.
So when I came home, this shit.

Speaker 1 (50:52):
Track.

Speaker 2 (50:53):
Yeah, yeah, yeah, track that shit, go crazy.

Speaker 1 (50:55):
Yeah.

Speaker 2 (50:55):
So we did that shit when I first came home and but
but when I came home Back homethis time, this shit, he was on,
he was on the run.
So when he was on the run, thisshit, he had hit me up.
He was like Yo, you need averse, this shit, I'm like I bet
, say that, my man.
But I'm like I was giving himadvice on how to duck them
people.
I'm like you hit me on the gram.

(51:15):
You got to get off this gram.

Speaker 1 (51:17):
That's what he doing, that.

Speaker 2 (51:18):
GPS, nigga that iCloud, they coming for that.
That's how they got bro.

Speaker 1 (51:23):
Whatever, that was it ain't life.
It ain't long man.
Free the wave, free the wave.
All right Boy.
So what you like, what youhaving the success of Hood
Olympics, what you think I'll beout, what you think you need
next.

Speaker 2 (51:40):
I think I got it.
I got it.
I got a record.
I'm about to drop Shit, aboutto change the world when I drop
this shit.
Yeah, is everybody going to beable to relate to this shit?
I'm just thinking about how I'mabout to shoot the video.
Once I shoot the video, Ishould get that shit to niggas
like February.
I'm just gonna let that shitsit for a minute.
I ain't even gonna rush to dropnone of those.
Let that bitch sit for likethree months.

(52:01):
Let that shit just build up.
Yeah, do what it do.
Watch me hit that shit when ydrop and it's just me on it.
Hit me up, man, let me knowwhat you think for sure?

Speaker 1 (52:13):
no, you know, we really listen to it.
It's, it's like you know cobracoming yeah, we be waiting for
that type shit.
Nah, no cap.
Okay, it's rare we get it.
I mean because now sometimes,like people chase waves, right,

(52:34):
you know what I mean.
You're one of the ones that'llbe original, like.
We'll be looking forward tothat.

Speaker 2 (52:38):
Yeah.

Speaker 1 (52:39):
Yeah, so triangle offense Crazy.

Speaker 2 (52:44):
Yeah, good looking, Rudy.

Speaker 1 (52:47):
How y'all put that together.
Was y'all in the studiotogether?
Nah, nah.

Speaker 2 (52:51):
I ain't been in the studio with a rapper in a long
time.
I'm a cop, nah, I don't know.
Why is that?

Speaker 1 (52:57):
I don't know.
I don't know Dang, it's becausehow they see you.

Speaker 2 (53:02):
I don't know.
How the image is, I guess Idon't know Y'all going to get me
started.
I don't know Y'all can get us astudio.

Speaker 1 (53:12):
You got somebody.
Oh man, what happened, man?

Speaker 2 (53:15):
It's okay, bro.
Let's get a studio with me, bro, it's all right.
It's all right, man, it's allright, bro, I'm tired of sending
records, let's just cook.
Let's just cook, bro.

Speaker 1 (53:28):
Let's go bar for bar I don't know what's going on,
because rappers really becracking me up.
I feel like you, the rapperthat people aim to be.
You feel me Right, appreciatethat, somebody that make it
through their trials andtribulations and still able to

(53:51):
shine.
You feel me Able to put theirchain on, able to put their
watch on, able to rap about histrials and tribulations and put
his music together.
So if I was a rapper doing good, getting that bag, I'd be like
yeah, let me make sure he eat,yeah.

Speaker 2 (54:09):
You feel me Like, why not?

Speaker 1 (54:12):
Right, I'll be like, yeah, let me make sure he eat.
You feel me Like, why not Ain'tgoing to stop nobody else from
making money?
There's a million rappers outhere, but you know how these
guys are.
Like they be it, be like Idon't know.
They own B1, gus Gibb a nigga.
They jump, they shine type timeLike I don't know.

Speaker 2 (54:25):
It's a popularity concept.

Speaker 1 (54:27):
Or a take from them.
A take from them.
A take from them To like helpthem.
Is it a take from them?

Speaker 2 (54:32):
You gotta think of it like this, right?
This is how I put it together,right?
It's a popularity contest,right?
Where, like, I seen some shitwhere Academic said he was like
the stream is the new rappers.
Now he's like the stream is thenew rappers now.
Like they fucking the samebitches.
They fucking all of this.
I'm like the streamers, the newrappers now like they fucking

(54:54):
the same bitches, they fuckingall of this.
I'm like you got to understandthis, bro.
These bitches going to fuckwhoever popping.
Bro, you know what I'm saying.
They're going to fuck youbecause you popping my nigga,
but it's the nigga that theyfucking when he ain't popping.
Because they see the growth,they see what he going to be.
I was a nigga ain't had nobread, no, nothing, but I was
the realest nigga bitches.
I'm the baddest bitches thatdon't money, don't money, never
made real.
So how do you see he's sayingthe streamers is popping.

(55:17):
The streamers is popping.
All right, cool, do your thing.
But who the sitting there?
What real you know about towatch this man get in the shower
.
I'm about to watch you all day,so you can't even.
That's a different world that areal nigga ain't living in.

Speaker 1 (55:30):
So you can't go against that.

Speaker 2 (55:32):
Yeah, you know what I'm saying.
Like so, so he's like oh, howthe fuck the streamers.
Like, oh, I respect Everythingthey doing and I might say
Something right now when theymight try To shoot my career
down Because they can't matchthis real shit.
You feel me?
Like, oh, why you fucking you?
They gonna fuck you cause youlit Nigga.
I was lit since high school.
Like you know what I'm saying.
If Instagram explode today,social media explode today,

(55:54):
bitches gonna fuck me, cause I'ma solid, I'm a hunnit, I'm a
good nigga.
They fucking you because yousuch and such the streamer and
bitches is like you lit.

Speaker 1 (56:03):
Over that.

Speaker 2 (56:04):
Not because of who you are.
That's like money your fame isgiving you right they gonna me
if I, because I'm him yeah thatroom you gonna, you can feel it.
It's a different aura you gottaget around this to fill this.
You know what I'm saying andreal know that and a lot of
these out here just looking forcome up and you, the dumb ass,
this goofy ass, whoever thestreamer is he going to?

(56:27):
He, the goofy ass, that thisbitch, and guess what she gonna
do?
All she doing is the same withthe basketball players.
So she just oh, I fucked him.
Now he on child support, paying50 grand a month.

Speaker 1 (56:38):
Yeah, cause that was her whole plan, but guess what
she?
Did.

Speaker 2 (56:41):
Got her bag, came back and fucked a gangster,
nigga.
The fuck is you talking about,nigga?
That same bitch that you donecrashed out over she on my dick
now, because that's what's goingon, bro.
So-.

Speaker 1 (56:51):
Rob Markman.
What's exactly going on, LilJon, Get the fuck out of there
with that shit.
I seen that shit.

Speaker 2 (56:54):
Rob Markman Bullshit bitches.
Lil Jon, you got me hot Likewhat, Nigga.
You wanted to be your turn.
How Y'all dressing like us, the.
I wanted to be like the streetnigga.
I started dressing like MoneyMakin' Mitch and them niggas.
That's where hip-hop come from.

(57:15):
It come from the streets.
So how dare you sit there andsay y'all the new niggas.
And then they say when youpress them niggas, they like, oh
, he ain't no street nigga, butwhy you saying gang Streamers
should Listen gang?
Don't say gang nigga, you ain'tno street nigga.
Gang me, you want it.
Don't say gang, bro man, getthe fuck out.

Speaker 1 (57:43):
Bro, cuz it's like come on, bro, it's like that's
what we up against, though youknow, that's how about to say
that to the words.
Oh yeah, internet is just likea way of life.

Speaker 2 (57:50):
Like I seen that's happen To my little nigga TJ.
You feel me, I'm like yo, I'mlike that shit.
I'm like the streamers Coming,like the LGB community, out this
bitch, like they all, every oneof them, bashing, like why
would you do that?
Why would you do that, nigga?
Why you let him do that.

Speaker 1 (58:02):
Yeah.

Speaker 2 (58:03):
Nobody answer that part, though, right, if it's
that serious.

Speaker 1 (58:08):
If you can't smoke in your spot, you let them.

Speaker 2 (58:09):
You let them blow smoke in your face If you on
that.
Oh, we bullying you now.
Oh, all right, so now y'allbullying.
Then y'all start talking abouta little bro getting shot or
that type of shit.
So y'all want to talk streetshit.
Now we all just complainingabout street shit, Saying a
nigga bullying you.
So now, but that's the type ofnigga, the average person,

(58:31):
that's watching this shit,that's watching that type of
shit that's going on is done,the type of people we going
against.
You got like Carson and themniggas.
They be having like 500, 300people watching at the same time
for 24 hours.
You ain't move away from thiscomputer.

Speaker 1 (58:44):
For a week.

Speaker 2 (58:48):
From this man for a week.
I don't even want that type ofperson around me.
What are you?
Watching Another man get in theshower, watch another man play
a video game For seven daysstraight, and ain't nothing
wrong with you.
Get your freaky ass out of hereLike I don't give a fuck.

Speaker 1 (59:03):
I'm going to say that because that's not my kind
Picture one of us in thereWatching another man stream All
day long.

Speaker 2 (59:11):
That's crazy.
If I'm going to watch thisstream, I'm going to try to get
the game Hell.

Speaker 1 (59:12):
Picture one of us in there watching another man
stream all day long.
That is crazy.
That's cutting.

Speaker 2 (59:13):
If I'm going to watch this stream, I'm going to try
to get the game from this shitand be like oh, it's a hustle If
I get you niggas to watch meall day.
Oh, I bet you're out of time,people.

Speaker 1 (59:21):
I'm still not spending all of my hours on it,
though.
That's too many fucking hours.

Speaker 2 (59:26):
Niggas be watching niggas sleep.

Speaker 1 (59:28):
Nah, real shit yeah.

Speaker 2 (59:30):
Word up.
They watch niggas get in theshower, watch niggas eat, play
video games, sleep all that shit24 hours.

Speaker 1 (59:38):
Hell, no, nigga, yeah no.
They took that shit to anotherlevel.
They took it to a whole notherlevel.
I don't have a problem withthem, niggas.
Yeah, man, that's not whole newera man, yeah, they got that.
Like outside is kind ofdifferent, right now, it's scary
out there.

Speaker 2 (59:56):
No, for real, though.

Speaker 1 (59:57):
So when you came home , like right, not the first time
, this time right when you camehome, like how you looked at
everything, like phones and howpeople was moving, was
everything moving fast than thelast time when you went in?

Speaker 2 (01:00:13):
Nah, nah, nah was I jumped right in and caught right
on.
Like I jumped right in andcaught right on, I had my motion
.
Everything was everything waswhat I expected right, right.
I didn't take no time I ain'tplaying with it at all if I
could do it over.
I think I feel like I rushed.
I think I rushed a little bit.
I I should have took my time,like you know what I mean.
I got the deal, got the deal,whatever, whatever and shit.

(01:00:35):
But I think I dropped too muchmusic, like I think I should
have just like, let one songjust sit and let that shit play
out for like until the yearended out and then drop
something else.
I mean by you dropping as much,though that's like a catalog,
Rob Markman, I mean because youknow you get Rob.

Speaker 1 (01:00:50):
Markman, by you dropping as much, though that's
like a catalog yeah, it is RobMarkman.
So like Ghazi could've lookedat that like, alright, he got X
amount of work.

Speaker 2 (01:00:59):
So like that just showed consistency.

Speaker 1 (01:01:01):
Rob Markman and that mean he got it in the chamber
too.

Speaker 2 (01:01:06):
Yeah, it's there, rob Markman, when you you so?
It's like when you, when youdrop an album, it's like, oh why
you gave him everything.
But if you just would, if I was, would I just drop the single.
I'd have them feeding it formore okay so whenever, when they
looking for new music for me,think about that like they're
looking for new music for me,all they got is that one song
that they running up constantly,but what else they doing is the

(01:01:27):
new fans that keep hearingabout me.
They going back to my catalogyeah so now they listen to my
old.
They're catching on to me like,oh why yeah, but they're
fiending for the new.

Speaker 1 (01:01:35):
I think that's what make you you poke.
I'm trying to say because, like, if it because I don't think
you would be it would be thesame if you got one song no it's
the, it's the body of work, iscobra is how you carry it all
the way through your career.

Speaker 2 (01:01:51):
If you give me one song saying that, because all my
say that like that ain't yourstyle, be like yo.
I'm like man.
I'm about to start doing thatraw wave, like as far as like,
like, like my song about to beone minute and 30 seconds, my is
like what?
that ain't your style, no, no,no, I'm like, but that's what's
best was turning up because it'slike it's attention, exactly.
So now what you saying to me Islike it's stamping everything

(01:02:12):
that my nigga's been trying totell me.
Like what you saying, likenigga, that ain't you Nigga keep
doing what you do.

Speaker 1 (01:02:16):
Yeah, po, cause, look Cause, it's the feeling.

Speaker 2 (01:02:20):
Yeah, absolutely.
And you can't beat the feel.
I agree.
I agree with you, bro.

Speaker 1 (01:02:24):
So yeah, uh huh, oh, you got to give them like you
got to.
It's the pain, bro, and that'swhere that's where that's where
they fail at.
We got to keep the authenticityOur people that we love and the
ones that that that mean themost to us.

(01:02:44):
We got to push that to theforefront and keep the
authenticity.
Keep that shit as real aspossible.
Let's get into these games.
Man, you ready?
You already know, hey, this isthe Real of the Most podcast.
Make sure y'all share, like,subscribe, comment.
If you don't do somemotherfucking hate it.
Why?
Because it's free.

Speaker 2 (01:03:02):
Y'all already know man, I'm dead.

Speaker 1 (01:03:06):
They be acting crazy.
It's free, free, 99.
Still working Crazy, it's free,it's free, 99.
Go to thewwwrelativemostpodcastcom.
Go get some merch and we'regoing to upload the videos this
week.
Yep, a bunch of them, let's getit All right.
So on Relative Most, we play acouple games.
Ain't nothing too crazy.
The first one, called FastTrack, is where I just say two

(01:03:27):
things and you just pick one.
We're going to start off withuh, do the classic version all
right, yeah, we can do that,yeah, um state property of major
figures, state prop.

(01:03:53):
Okay, diplomats, a g unit unit,all right you said g unit,
though hell yeah, I said again.
Diplomats, or G-Unit, g-unit,all right.
You said G-Unit, though.
Hell yeah, I'll say it againAll right, g-unit, all right,
let me go Go ahead.

Speaker 2 (01:04:04):
Katie.

Speaker 1 (01:04:05):
Kiss Beanie Segal Back then.
No longevity, it don't evenmatter, Whatever you talk.

Speaker 2 (01:04:08):
It's your pick.
I'm going to take a, a shot.
I'm passing on that one.
Yo, I'm passing on that one.

Speaker 1 (01:04:18):
Damn Yo Yo.
My man said, I'm gonna pass,you can pick any one.
Nah, I ain't picking that both.
Matt Boom man them niggas.

Speaker 2 (01:04:27):
Them niggas shaped my career.
I love them niggas yeah.

Speaker 1 (01:04:31):
Real one man.
Go ahead, you go ahead, boy.
The hottest man they like, topof the top, yeah man.

Speaker 2 (01:04:37):
I love when they was going at it and I hate to say it
but it's like that was like.
That was like you know what I'msaying Classic.
Yeah, that's like Goat.
Can't believe my is hurtingeach other like that yeah that's

(01:05:00):
funny, is uh you be uh with uhjoe you?
Talk to joe who joe button?
Oh yeah, I just yeah.
Um, I just seen joe.
Uh, one of them strip clubs isjoe cool, he cool no, he be.

Speaker 1 (01:05:05):
He always bring you up on the pod a lot yeah, I just
wanted to.
I wonder how I I wonder howyour relationship is that's
what's up?
Yeah.

Speaker 2 (01:05:12):
Shout out Joe Button.
Shout out to Mouse man.
What's up fool?

Speaker 1 (01:05:16):
Alright, Monica Keisha Cole.

Speaker 2 (01:05:21):
Monica yeah, I said Monica Motherfucker Cause I know
girls they love Keisha Behitting that button.
But Monica did some things forme.

Speaker 1 (01:05:33):
Monica, different.
Yeah, yeah, never meant tocause you no pain Damn, I just
wanna go back To being the sameDamn.

Speaker 2 (01:05:47):
That's my bitch.

Speaker 1 (01:05:50):
GZ Yo Gotti Jeezy.
Yo Gotti or Jeezy Young Okay.

Speaker 2 (01:06:00):
Young man.

Speaker 1 (01:06:03):
All the way man TI Gucci YFN Lil Baby or Dirt.

Speaker 2 (01:06:13):
Oh, smurf.

Speaker 1 (01:06:21):
Thug or Future.

Speaker 2 (01:06:22):
Future.

Speaker 1 (01:06:24):
I fuck with.

Speaker 2 (01:06:25):
Thug, though, but Future, I think Future top five.
Yeah, me too, alright.

Speaker 1 (01:06:30):
I'm gonna go left Wild Cluff, lauryn Hill, lauryn
Hill Jersey top five, yeah metoo, I'm gonna go left field
wild clef, lauren hill, laurenhill jersey.
You know wild club jersey too,yeah, but lauren hill jersey,
red man, joe buttons, damn damnyeah, I'm gonna, I'm gonna I
think, I think joe would sayredman, so Redman.

(01:06:51):
Okay.

Speaker 2 (01:06:53):
Redman, he still be busting ass.

Speaker 1 (01:07:00):
He go crazy.
That's a good one.
What you?

Speaker 2 (01:07:04):
want to do I got to go Arsenal or shotgun shit I
forgot about them.

Speaker 1 (01:07:08):
I forgot about them.

Speaker 2 (01:07:10):
Oh sure, I thought we should.
But Ars, all the way I set Arsup in front of any one of these
niggas.

Speaker 1 (01:07:18):
Damn Okay.

Speaker 2 (01:07:20):
What's the boy name I like?

Speaker 1 (01:07:21):
T-Rock over Arsenal.

Speaker 2 (01:07:22):
Nah, t-rock be popping it right.

Speaker 1 (01:07:24):
I like T-Rock over Arsenal, bro I told you T-Rock.

Speaker 2 (01:07:27):
I think T-Rock nigga though.

Speaker 1 (01:07:29):
Telling you, bro, Nah T-Rock.

Speaker 2 (01:07:31):
T-Rock, crazy T-Rock, that nigga, that rap shit, he
that nigga.
I think it's T-Rock.
I think, nobody fucking withT-Rock.

Speaker 1 (01:07:38):
It ain't, it ain't.

Speaker 2 (01:07:39):
Yeah, free surf though.

Speaker 1 (01:07:41):
Nah, free the wave, Free the wave.
Nah free the wave For sure.

Speaker 2 (01:07:49):
I think the GOAT is, of course, is Murder Mook and
Loaded Lux.

Speaker 1 (01:07:56):
But the GOATs, the GOATs like I think T-Rock gonna
give them a long night.

Speaker 2 (01:07:59):
T-Rock gonna give anybody a long night.

Speaker 1 (01:08:00):
No, for sure.

Speaker 2 (01:08:02):
Yeah, I fuck with T-Rock, t-rock.

Speaker 1 (01:08:05):
T-Rock go hard, mm-hmm.

Speaker 2 (01:08:09):
But when Loaded Lux do his homework, you gotta
listen to that nigga.
He be confident, he like ascientist.

Speaker 1 (01:08:15):
He get crazy.
Alright, one gotta go.
This is a little different.
We gonna say four names.
Wait wait, wait.
Did we do this generation?
Let's do this generation offemales real quick.
Like industry Real quick.
One gotta go Not before.
One gotta go Fast track.

Speaker 2 (01:08:37):
Let's say Glowrilla Sexy.
Damn One gotta go.

Speaker 1 (01:08:49):
Yeah, no, just pick one or the other Fast track
still.

Speaker 2 (01:08:54):
Oh I who I fuck with or who I been up, it don't
matter.

Speaker 1 (01:08:58):
Fast track, click one .

Speaker 2 (01:09:00):
So I'm bending up Glo right now, glo bending her back
.

Speaker 1 (01:09:04):
I like Glo, I know she a bitch bro Part so.
I like Glo.
All right, read one more.
I like Glo.
I spice Lotto.

Speaker 2 (01:09:13):
And spice the lost, that cheek God, he lotto Lotto
for sure.

Speaker 1 (01:09:20):
Lotto for sure.
All right, so one got to go.
I'm going to name four namesand one got to go.
All right, wait Before you saythat, though.
Like break it down.
When they go, who theyconnected to go?
Also, Whatever they had goingon music wise, is it's going to?
Yeah, you just wiping them outyeah.

(01:09:41):
All right.
So let's do one guy go Gucciman Jeezy yo Gotti, lord Wayne,
one gotta go, all right, butlook, all right, this is thing
right what you mean he means hemade.

Speaker 2 (01:09:59):
He made a bunch of millionaires I understand that
what you talking about gz ain'tmake no millionaires that's
cheesy, though, gz.
Gz did a lot for me in my lifehe did.
He did for me too yeah, like youknow what I'm saying.
I mean glow gone then, like not.
Like I'm saying somebody elseprobably saw her, she was was
fated fate, it's gonna happen.
So all right.
So I'm what I'm saying Somebodyelse probably saw her, she was
fate is fate, it's going tohappen.
So all right.

(01:10:19):
So I'm saying I'm saying damnhold on Running down again.

Speaker 1 (01:10:23):
Yeah, running down again One more time.
You say it Because you reallygot to think about what you're
about to do.
Gucci man, lil Wayne.

Speaker 2 (01:10:30):
Young.

Speaker 1 (01:10:30):
Jeezy and Yo Gotti.

Speaker 2 (01:10:38):
One got to go go.
They all accomplish things.
I don't know if I had the rightanswer because I'm saying I
mean damn, they hold somethingabout what they did everything.
Oh, yeah, yeah, yeah, yeah,yeah.
Damn man, I got he hard, thoughwe got him oh yeah, now he is,
though.

Speaker 1 (01:10:58):
Who god with god Gotti, doing everything To the
culture he supposed to be doing,gotti done, built a whole Crazy
Millionaire, billionaire label,damn man.

Speaker 2 (01:11:07):
Nah, gotti hard bro.
Gotti, gotti, gotti better thanGucci man.

Speaker 1 (01:11:13):
Definitely.

Speaker 2 (01:11:14):
Gotti Gucci made the whole south.

Speaker 1 (01:11:15):
Definitely Gotti over Gucci, he goes, future he
really.
Alright, damn bro, how we gonnaSouth.
Definitely Gotti over Gucci, hegoes, he really.

Speaker 2 (01:11:19):
Alright, damn bro, how we gonna.
So it's Gotti Jeezy.

Speaker 1 (01:11:23):
Lil Wayne and Gucci man Lil.

Speaker 2 (01:11:24):
Wayne never gonna go.
Lil Wayne is Is hip hop.
He the reason these niggas gotface tats?
Yeah, motherfucking.
He the reason niggas useauto-tune?
He did it with T-Pain, but when?

Speaker 1 (01:11:37):
Lil Wayne did it in school.

Speaker 2 (01:11:38):
Alright, got it, you got it.

Speaker 1 (01:11:43):
Okay Alright, let me do one real quick Slime, future
Beak Mill, future Meek Mill.
Your one guy goes be skinny.

(01:12:06):
It do it.
Do so what they be all over theplace.
Future Meek Mill.
Young Thug G Herbo.
Whoa, I'm just throwing them inthere, you make it easy when
you do it that way, swerve,swerve will gotta go.
Alright, you go, alright.

(01:12:26):
Alright, it's supposed to havebeen Future Thug Baby and Dirk,
future Right Thug Right Baby andDirt Lil Baby.
Yeah, yeah, one gotta go.

Speaker 2 (01:12:47):
Baby.

Speaker 1 (01:12:50):
That's respectable Glorilla Lotto.
Sexy Red Meg Thee Stallion, onegotta go.

Speaker 2 (01:13:02):
Meg Stallion.

Speaker 1 (01:13:03):
Alright, swap, take Meg out, cause she a rat anyway.
I don't even know why I saidher.

Speaker 2 (01:13:08):
I knew he was gonna say that he said.
He didn't even think about it.

Speaker 1 (01:13:13):
I don't even know why I said her Take Meg out,
alright, so Sexy Red about it.
I don't even know why I saidher take meg out and who?
All right, so, um, sexy red,lotto, glorella, ice spice damn
one gotta go, damn One gotta go.

Speaker 2 (01:13:34):
Nah, y'all have no One gotta go.
They done.

Speaker 1 (01:13:37):
Yup, I'm keeping all them bitches bruh One got Damn
you said sexy red lotto glow andspice.

Speaker 2 (01:13:41):
Whoever you pick will be mad at you.
Yup, one gotta go.
Whoever you pick, will be madat you when they see you.
I know I'm never going to hearfucking bitches.
Man, y'all just closing it upfor me.
I might be on their hit list.
You know what I'm saying, Nahwe'll pass on that.

(01:14:05):
Yo, I know it's in there for me.
You got a bright future I knowit's in there for me.
It's crazy.
It's in there for me, bro wascrazy what they're there for me,
bro.
Y'all about to fuck my, y'allabout to stop me from being a
real nigga.

Speaker 1 (01:14:28):
Yo, yo yo.

Speaker 2 (01:14:30):
These niggas?

Speaker 1 (01:14:32):
know some bullshit.

Speaker 2 (01:14:36):
Hell, no, i'ma catch it.
I'll be booked with them.
We'll be doing, you know what Imean.
Powerhouses.
They about to have me backstageLooking like Damn, I can't get
in when I fit in.

Speaker 1 (01:14:49):
Alright, here we go, let me do, let me do one more.

Speaker 2 (01:14:52):
No, no, no, wait, wait, wait.

Speaker 1 (01:14:54):
This is going hard, though Watch this Kodak Black.
See you busting my jaw on that.
Go ahead, go ahead, no, no, nono, no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,no, no, no, no, no, no, no no no
, no, no, no, no, no no no, no,no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no,no, no, no, no, no, no, no, no,
no, no.
That came out at that time.
Kodak Black.

(01:15:15):
Lil Uzi Shit Bro, kodak Black.

Speaker 2 (01:15:22):
You messed with me Kodak Black.
I had my list together.

Speaker 1 (01:15:25):
Kodak Black A Boogie Damn.

Speaker 2 (01:15:28):
Fetty.

Speaker 1 (01:15:29):
Wap Kodak Black, a Boogie Fetty Wap PNB Rock.
One gotta go A.

Speaker 2 (01:15:36):
Boogie, okay, a Boogie, fetty Wap.

Speaker 1 (01:15:38):
PNB Rock One gotta go A Boogie.
Okay, a Boogie, all right, aBoogie.
Say it again real quick.
Pnb Rock Kodak Black.

Speaker 2 (01:15:56):
I had Rock in the Project that's my dog.

Speaker 1 (01:15:59):
And um yeah, rip Rock .

Speaker 2 (01:16:02):
A Boogie.

Speaker 1 (01:16:04):
Yeah, that's a good pick, though A Boogie, alright.
Do the executives man UmAlright.
So listen, it's's nothingpersonal, you know what I'm
saying.
So no, diddy, you know what.

Speaker 2 (01:16:23):
I mean.
Like none of that matter.
No personal, go ahead.

Speaker 1 (01:16:28):
Jay-Z, dr Dre, birdman, diddy, one gotta go.

Speaker 2 (01:16:35):
Diddy, not because of his cases, none of that shit.
He know who I was and he ain'ttry to sign a gangsta.
Nigga, listen to.
My old shit Said my shit fire.
He ain't try to sign me.
I guess he knew I wasn't goingfor that weird shit.

Speaker 1 (01:16:52):
Damn, damn, diddy, diddy.

Speaker 2 (01:16:56):
Biggie, yeah, I mean.
Big damn, daddy, daddy.

Speaker 1 (01:17:03):
Biggie, yeah, I mean biggie going, the locks gone,
mary j blige, mary j blige goingmary j blige discovered a lot.

Speaker 2 (01:17:14):
Think about that facts really yeah, for sure, for
sure for niggas.
They somewhere in my heart.

Speaker 1 (01:17:25):
No, mary definitely Discovered the locks.

Speaker 2 (01:17:28):
For sure, yeah, yeah.

Speaker 1 (01:17:31):
X took him to Mary man.

Speaker 2 (01:17:32):
Yeah, I gotta tell you.
You said Diddy, you said Diddy,jay Motherfucking.

Speaker 1 (01:17:37):
Dr Dre Dr.

Speaker 2 (01:17:37):
Dre who the other nigga.

Speaker 1 (01:17:40):
Bird man.

Speaker 2 (01:17:41):
Yeah, definitely Diddy, I'm standing on that.

Speaker 1 (01:17:46):
You ain't getting rid of Hov.

Speaker 2 (01:17:48):
I want to, but no, it's because Hov was supposed to
be a project nigga.

Speaker 1 (01:17:53):
He ain't tapping with the projects All his shit is
all hood connections to his life.
I take that shit personally,but ain't no way in hell you
ain't tapping with the projects.
All his shit is all hoodconnections to his life.
I take that shit personally butain't no way in hell you ain't
hear about me bro, hey, yo makesure y'all value this guy.
Man, I'm telling you For real,man Ain't no way in hell.

Speaker 2 (01:18:07):
He one of them man.
He value the hood man I'm alittle bit into buying you that
cereal.

Speaker 1 (01:18:13):
man, yo let everybody know where they can reach you,
how they can find you, what yougot coming out next, whatever
you got.

Speaker 2 (01:18:20):
You know me, man, I'm a Tri-State monster man.
I'll be out of Gladiator man,jersey man, born on this gangsta
shit.
You know what's up, man, yougonna stand on this shit.
I'm a nigga, that I ain't no.
Tough Tony, rough Ricky nigga.
I'm saying Live by that, die bythat.
You know what?

Speaker 1 (01:18:33):
I mean yeah.

Speaker 2 (01:18:38):
I'll be out 201.
Everywhere you gon' find thatshit.
You already let's take thatshit in, man, I'm going on a
tour in Europe.
Yeah, first international tourin Europe.
In April.
What's going on?
Shout out to that.

Speaker 1 (01:18:53):
That's heavy super happy.

Speaker 2 (01:18:55):
So yeah, we coming out there.

Speaker 1 (01:18:56):
It's going up, you know what I mean motioned up out
this moment coming deluxe isout now coming deluxe going.

Speaker 2 (01:19:08):
You know all dsps hot olympics stay tuned, man.

Speaker 1 (01:19:09):
Let's with the games.
Yeah, y'all already know y'allalready know man it's the real
of the most.
It's the real of the most.
Podcast.
I'm Rilla, I'm white boy D2A.

Speaker 2 (01:19:17):
Oh, free AR app.
Man Know why we rock.
Oh, my nigga just texted me.

Speaker 1 (01:19:19):
Oh, free the men, free the guys.

Speaker 2 (01:19:21):
Hey my guy be the sex me today, bro, I can show you
this shit.
Y'all wanna zoom in on that?

Speaker 1 (01:19:24):
Free the men, that's my nigga.
You know what I'm saying yeah,you fuck with the nigga yeah.

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KING OF NEW JERSEY FT. ALBEE AL | RTM PODCAST | EP. 27

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}KING OF NEW JERSEY FT. ALBEE AL | RTM PODCAST | EP. 27