Episode Transcript
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Speaker 1 (00:39):
We'll see you next time Rilla the Most.
Speaker 2 (00:41):
Podcast.
Yeah, what's up?
Speaker 1 (00:43):
man.
Come on man, how you feeling,white boy, you know we.
Speaker 2 (00:47):
Getting to work, man.
Speaker 1 (00:49):
I want you to do this walk down real quick.
Speaker 2 (00:51):
We got to.
Speaker 1 (00:53):
It's a special person in the building.
Speaker 2 (00:54):
So we got to.
We got to do it right.
Speaker 1 (00:56):
Yeah, it got to be a good walk down, because If you
don't do it right, I'm going tojump in there.
Speaker 2 (01:02):
God, come on man.
Speaker 1 (01:03):
Alright, let's go ahead.
Let's do it.
Right, I'm going to jump inthere, god, come on man.
All right, let's go ahead,let's do it.
Speaker 2 (01:11):
All right.
So we're going to start offright.
It's really the most right.
So, like, one of the reasonslike we got you in here is
because, like your talents yougot crazy talent.
You know what I'm saying.
You look good, you're a greatdresser.
So, like, coming out ofphiladelphia, you know, like
(01:32):
it's like a hard place to likemake it out of.
You know I mean yeah.
So like with everything goingon and then with everything that
you got going on, you know wewant, you know we want to get up
to date with things.
So you know, like everythingthat we see and I'm saying that
(01:57):
like a star should have you got.
Speaker 1 (02:03):
We want to know what's the hold up well, I'm
actually about to drop, not yet.
We got AP in the building.
Speaker 3 (02:10):
First off.
Speaker 1 (02:12):
Let me get a round of applause For AP Also.
She been working on music for awhile and she been in and out,
you know, taking her breaks.
Speaker 2 (02:28):
Yeah.
Speaker 1 (02:29):
You know what I'm saying, but when she works she
be putting in her work Facts.
Speaker 2 (02:33):
You know what I'm saying?
Speaker 1 (02:33):
It's definitely noticed.
So now you could go ahead andtell us what you working on,
what you got coming out.
You dropping something?
Speaker 4 (02:42):
Okay, yeah, so I'm actually about to drop a single.
It's called aha.
I'm gonna drop my ep infebruary and I know you
mentioned stuff about the breaks, but you know, like I have been
rapping for a while, I've beentaking breaks because you know,
everybody go through little shitand I went through like little
shit, like so just like we'regonna get into it yeah, so some
(03:05):
you know mental health breaksand shit you know some people
need just to tap into differentthings when they're going
through different situations.
Speaker 1 (03:12):
So like yeah, no I get that, speaking on the mental
health, you've been doing a lotof mental health online and
other places.
I'm really not too sure how faryou go with it but I'm gonna
get into it.
Speaker 2 (03:27):
We gotta get into all that so all right, you said.
You said aha management.
Speaker 1 (03:32):
You said yeah, so let's, let's get into the single
.
I'm connect the road caster.
Hold on, let's get into it realquick.
(03:56):
Turn it up, my boy.
I got a call coming through.
(04:19):
Hold on, y'all.
Speaker 2 (04:22):
I got to get him from downstairs.
Speaker 1 (04:24):
Yo, my boy, All right , somebody coming to get you
right now.
No, don't kick the door.
Somebody downstairs at the door.
Can you go grab him?
Speaker 2 (04:40):
Thank you five.
Speaker 1 (04:41):
It's our next interview.
All right, continuing fromthere.
Let me finish playing the song.
I'm going to text you thenumber.
Speaker 3 (04:54):
Yeah.
Speaker 1 (04:58):
My audience.
Speaker 2 (04:59):
let's get back into A-Ha by AP Can you hear it,
mm-hmm, take it off, so we canhear it.
Speaker 1 (05:05):
Take the headphones off, play it loud, turn it up.
We got AP in the building andact like it, and we got glizzy
gang in the back.
They back there, oh.
Speaker 3 (05:47):
God, that's as nigga hell.
I want him too.
I don't give a fuck about whathe got and what he do for you
Pussy super good.
Yeah, grip, he keep comin'through.
If I say I want it, he gon' getit.
Yeah, I need it new.
I ain't from the hood, I'm fromthe birds.
I'm his bougie boom.
Kick his dog ass to the curblike he's scooby-doo.
Ride a nigga dick in the circlelike a hula hoop.
Need to top down two-seaterlike a little cool.
(06:09):
You told him to leave my number, but the nigga, he gon' call me
back.
Bitch, I'm playing defense likeI'm Howard.
You know cornerback and I keepthem twins, zach and Cody, where
the butler at you be talkingshit.
Don't say no name.
I don't like the shoe, I onlydunk it like I'm Shaq Homie on
(06:47):
my page.
She think that she a troll.
I fucked a nigga and let herknow that dick was weak, but the
head was super cold.
Bitch, you gonna tweet.
I'm gonna fuck his ass somemore.
Your nigga all up on my pussy.
He said that shit be super good.
She be like I love you, I loveyou I love you, I love you.
Speaker 2 (07:14):
That was crazy.
Speaker 3 (07:14):
She crazy.
Speaker 1 (07:27):
She popping it.
You gotta pop it like that,though, like for real.
If you gonna rap, you gotta popit.
Speaker 4 (07:35):
I was trolling, you was trolling, yeah, for sure.
Speaker 1 (07:40):
One of your comrades, somebody you be with.
I'm really about that, Likethat's really me.
Speaker 3 (07:53):
Real shit, that's how y'all be Look real shit, some
trolls Uh-huh.
Speaker 4 (08:02):
I'll fuck your life up with my trolling.
I ain't going to lie.
Psycho Is that where the psychocome from, up with my trolling,
I ain't gonna lie Psycho.
Speaker 1 (08:06):
Is that where the psycho come from?
Speaker 4 (08:08):
No.
Speaker 1 (08:09):
The trolling.
Speaker 4 (08:10):
Mm-mm.
Speaker 1 (08:11):
Where the psycho come from.
Speaker 4 (08:13):
Psycho.
It's not no long story, but acop gave me my name.
Speaker 3 (08:17):
Yeah, Mm-hmm, a cop gave me my name.
Speaker 4 (08:21):
I was getting locked up one day and I think I was
kicking the back of their windowlike let me the fuck out.
And he was like, what's yourname?
What's your name?
I'm like AP.
And he was like, what's yourfirst name?
What's your real name?
I'm like AP, let me the fuckout.
He was like, yeah, ap, thepsycho.
And I just ran with that shit.
Speaker 2 (08:37):
Fire Damn.
Speaker 4 (08:46):
Damn, I'm like damn.
I went back and told my brotherand he was like that's your
name yeah, I'm like, yeah,that's my name fuck they talking
about that's
Speaker 2 (08:51):
kind of fire, all right, so I'm gonna let white
boy do it all right.
So we got AP in the building.
That's really the most, so wegotta do it right.
You feel me like I know peoplebe knowing, but like we're going
to really let them know today.
I'm saying so like with you,Philadelphia, you come from
(09:13):
North, right, you grew up inNorth.
Philly.
Speaker 1 (09:15):
No, I come from Uptown.
Uptown, all right, for sure.
Speaker 2 (09:17):
So growing up in Uptown.
It's not, it's not, it's not aum, it's not an easy place just
to be coming up out of.
Like let's talk about yougrowing up.
Like you coming up like give mea few of your influences, not
like, not like rappers, likepeople that's maybe like in your
(09:38):
house or maybe like rightoutside your door.
Like let's start there okay.
Speaker 4 (09:41):
Well, I kind of like I always looked up to men for
some reason, I don't know why,but it was like the, the people
that I always looked up to.
It was like my uncle and it wasmy cousin.
My uncle was like he just wassuper smart, he was a lawyer,
and my cousin he was in the nfl,like okay even though I didn't
(10:01):
want to play football, like itwas just like I looked up, like
when I looked, when I when Iseen them, I'm like I gotta get
money, these people, they justyou know, I'm like, yeah, all
right.
Speaker 2 (10:14):
So with you growing up in Uptown and men being early
influences, give me some ofyour early musical influences.
What's some of them coming up?
Like like when you first starthearing music.
Or like when you first start,when you could like think of,
like when you first went to gobuy your first cd or something.
Speaker 4 (10:34):
Give me that um, I didn't really like music like I
did, but it was more so like Ithink I like beanie seagull.
That was the only rapper that Iused to listen to like yeah, it
was just him cuz he was so hardand I wasn't used to the hard
shit, so when I heard it I likedit.
Speaker 2 (10:52):
Yeah.
Yeah that's crazy, right there,that's crazy.
Speaker 4 (10:57):
That's crazy Like he made me feel like damn, like I
ain't had no pop in my life,like I'm yeah, I'm on it I'm
gangster and I was never aheadof my dad and everything.
So it was just like I liked howhe made that shit feel.
It's just like damn.
You made me feel like I was inyour position, so that's why I
liked him so much Like yeah,Real shit though.
Like he made me feel that shit.
Like damn that had my whole pophe talking about something.
(11:24):
His dad wasn't around, he wassmacking his mom and shit.
I'm like oh, shit my dad Fuckmy dad Whole time.
My dad in the crib, like my dadin the crib, giving me whatever
I want.
So that's why I like him.
Speaker 2 (11:33):
I'm like he made me feel like that, yeah, I fuck
with him.
Speaker 1 (11:50):
No, you was on some gangster shit.
Speaker 3 (11:51):
Yeah, like you was some super gangster.
Yeah, real good.
That's what I'm saying.
I wasn't used to this.
Speaker 2 (11:55):
It's crazy.
Speaker 4 (11:56):
My dad was definitely a cop Yo.
He over here talking all thisshit, all right, no, just had a
good life.
Speaker 2 (12:16):
I don't remember no like you, like the gangster shit
though but that's the thing.
Speaker 4 (12:24):
That's the thing, though, cop kids, be the worst
fucking kids.
Speaker 3 (12:30):
They be the worst kids teachers, lawyers they got
the worst kids they say that I'mlike we good, we got this.
Speaker 4 (12:42):
I'm like what's up, officer?
Speaker 3 (12:44):
look, she know all the procedures, because it's
really all about approach.
I'm like we good, we got this.
I'm like what's up, officer,what am I getting?
Speaker 1 (12:45):
pulled over, for Look , she know all the procedures.
Speaker 2 (12:48):
Because, it's really all about approach.
Speaker 4 (12:49):
Yeah, it's about approach.
You can't be scared with thesecops, because if they smell that
shit, they're going to takeadvantage.
Yeah, like what's up theystraight.
Let me go Go ahead.
Yeah, I know I'm going yeah.
Speaker 2 (13:02):
They don't feel like that.
Speaker 4 (13:03):
Well, that's what it seemed like to me.
Speaker 2 (13:05):
You can't scare me what the fuck?
I'm scared for.
I'ma let her go.
Speaker 4 (13:08):
Let her go yeah go ahead, bunch of business.
I don't want to hear all that.
Everything legit, what's upwhat you want, why you pull me
over.
Speaker 2 (13:13):
So, with Mac being your early influence in music, I
didn't expect for you to sayMac, I ain't.
Speaker 1 (13:19):
Me either, because where?
Speaker 2 (13:21):
you take it from there.
That's crazy.
You got to figure that out.
Okay, so like.
She was living wild With him aslike Playing.
Speaker 3 (13:29):
Mac.
Speaker 2 (13:33):
When you start playing around with music, when
music sparked for you to likeI'm going to write music.
I'm writing music.
Speaker 4 (13:39):
Well, that shit was always in me, because I didn't
even originally rap, I was asinger, I used to sing.
Okay, they was playing my musicon the loudspeaker in high
school.
So it was just like, yeah, likethey'll play my music in the
morning and you know what I'msaying.
They'll do that like damn nearevery week.
So it was just like I wassinging, I was writing love
songs about my nigga and highschool, yeah, and middle school
(14:06):
too.
Speaker 2 (14:06):
I was.
I was singing in middle schooldang, so you was like.
Speaker 4 (14:07):
So everybody in school like knew that you did
music everybody knew my songokay, man, that's crazy, so like
I used to sing on people answermachine message for my friends.
They used to be like yo can youcall my boyfriend to sing that
song you made?
Speaker 2 (14:20):
I was like yeah for how old was you?
Speaker 4 (14:23):
I was like like 13.
Speaker 2 (14:24):
Like seventh grade, eighth grade I used to get they
boyfriends back.
Damn, that's crazy, yeah.
So you started off in likedoing music early, so you was
recording music back then too.
Speaker 4 (14:38):
I was just writing songs and just singing in front
of people and stuff.
Speaker 2 (14:41):
Okay, so you would be comfortable like doing music in
front of a cow early yeah andthat's, that's dope.
You know people be shy,especially like females, and in
front of a crowd of people it'dbe hard.
That's like something that gottagrow yeah, that's kind of dope
to hear like you've been doingthat shit since a teenager with
(15:02):
um, so what you doing music as ateenager and then like you
working your way on the hip-hopscene in philly, like tell me
like that process of you likecoming out of high school and
then like going into makingmusic and then hopping on the
hip-hop scene well, I stopped.
Speaker 4 (15:22):
Well, I stopped singing like 2011 and I started
rapping 2011.
Speaker 2 (15:30):
Okay.
Speaker 4 (15:31):
And like I wasn't recording 2011,.
But like I was like just like Ijust made this freaky ass song
and I just was like I want torap.
I don't like singing no more.
Okay, like.
So I just started rapping likesince 2011 and just was like it
was like a fun thing for me.
I knew how to write music, soit was just like really fun.
And then my first song I kindof wrote it was about my my, uh,
(15:55):
about a man I I was dealingwith and he had got locked up
and shit like that.
And then I took it to my folksand they was like this shit, hot
, let me write some shit for you.
So once he started writing shitfor me, it was like that's what
I was on and I'm really arapper now.
Speaker 2 (16:10):
Okay, so um what like ?
So give me like the time whenum like, cause I know you had
like a relationship with rock,like how, like, how was your
relationship?
And like when y'all came aboutmaking this song, how did that
come about?
Speaker 4 (16:26):
Rock was my dog.
We both from uptown, so Rockwas my dog.
We originally start.
He tried to talk to me and thenhe found out who my baby dad
was, and he was like all right,if y'all don't want to talk to
me, it's cool, I fuck with youthough.
So me and him had got cool, andthen I think, um, I had.
(16:50):
I had wrote a post on instagramlike who should I put on
psychos in love?
and everybody was um just at andp and b, because me and him was
supposed to bend to a song okay, okay but I was always like
bullshitting, so like everybodystarted adding them and he was
like the fat lady song, and thenme and him just linked and just
we just always just stayedlinking and he was like let's do
that song and we did it andthen that was there.
Speaker 2 (17:11):
That was the who came up with the idea for the video.
Speaker 4 (17:13):
Yeah, I did.
Speaker 2 (17:14):
You did.
Speaker 4 (17:15):
I come up with all my ideas.
Speaker 2 (17:16):
All the treatments.
Speaker 4 (17:17):
Well, yeah, me and my brother what used to.
Speaker 2 (17:20):
Okay.
So like early on, right, Likein saying rock, did you like you
knew he would be like, did yousee the star in him early?
Because it was a little earlywhen you was working, probably
like around R&B two or three orsomething like that?
Speaker 4 (17:35):
Yeah, I did see it.
I always thought that rock washot.
We was kind of like on the sameteam, kind of like my like my
folks back then was like lockedin with his folks, so everywhere
he went yo you.
Yeah, it was like all right, wetogether we got shows out here,
we got shows here.
We was like doing it togetherat one point in time.
Speaker 3 (17:54):
Yeah.
Speaker 4 (17:55):
So we both was kind of like yeah, we both was kind
of like on that wave togetherand I stopped.
Speaker 2 (17:59):
So y'all got to perform y'all song together on
stage and we actually didn't.
We didn't.
Yeah, I ain't gonna lie like Ithink I, um, I think I saw that
on.
I think hip-hop since 1987 usedto post the song that's how I
came across it, but I used to oh, I still listen to it like
probably like a couple times ayear.
I still think it's dope and likethe way like rock voice was
(18:19):
then it was raw, it was likeeven you, because you like your
voice elevated as well, like itwas probably like 10 years ago
that was.
So it's like for for like to seelike the elevation of like how
it could be like a person goingfrom that to like where y'all,
where he would be now and whereyou at now, is like dope to see.
(18:40):
You know what I'm saying.
That's why I asked you about itwhen I said like well, well, we
wasn't getting into like noneof your old stuff, but I just
think that was one of like thepinnacles of your career,
especially like early on.
That we could talk about that,you know I mean so like coming
off of that, give me likeworking on the music and then
coming like to your tape, toyour first tape, and and like
(19:01):
getting ready to put that outlike give me that run my first
tape, because I do have one tapeout that like I like don't
never listen to, but that waskind of like um, just like a put
the way through a throwawaykind of tape, like it was just
like all right, ap out therelet's, let's do it.
Warm you up, yeah, and I think Iwould have.
Speaker 4 (19:21):
I would have been doing more tapes and doing more
if I didn't just up and move toAtlanta.
Okay, Like without my teamperiod, like I didn't you know
it was just more so like if myteam was with it then I would
have been cool.
Speaker 1 (19:32):
Right.
Speaker 4 (19:33):
But it didn't happen that way.
It was like they wanted me intheir face.
Speaker 2 (19:37):
Yeah.
Speaker 4 (19:38):
My team that I had then.
Speaker 1 (19:39):
Okay, so did you up and move from music?
Speaker 4 (19:43):
I mean no, actually I started doing music down in
Atlanta, and that's when I metSlime and YSL.
Speaker 1 (19:49):
Okay, okay, let's talk about that connection.
Speaker 4 (19:53):
Let's talk about that connection right there.
When I moved to Atlanta I justwas doing a lot of networking
and it just seemed like everyroom I walked in they wanted me
to stay.
So the first person I met wasUnfun, which is um, that's Young
Thug brother, his blood brother, and me and him became like
best friends.
And then I met somebody namedGuapa Tarantino, that's future
cousin.
So I met future and thembecause of him.
(20:14):
They wanted me to be free bandsbut it was like my style was
more so YSL and it was like theybecame my family.
Like once I was with Unfunk,when I was around Thug and Yak
and Keed and all of them.
It was just like they made mefamily, like they didn't want me
to leave, and it was like meand Thug had a conversation
about a deal before my baby dadgot killed, my brother died, his
(20:37):
baby mom, his brothers, and itwas just like a lot going on.
So like a lot, of a lot of thatgot kind of like messed up.
Speaker 1 (20:44):
Did, like the whole situation with him interfere.
What when he got locked up?
Speaker 4 (20:49):
Yeah, it interfere with everything.
I had my own shit going on.
My peoples died, so it was likethat's one of my breaks that I
took.
My brother and my baby dad diedthree weeks apart, so it was
just like that's a hard pillyeah.
So it was, and it was like hisbaby mom died, his two friends
(21:11):
died, he went through a lot,yeah.
Yeah, like then, it's like hedied.
It was like we wasn't worriedabout none of that shit.
I didn't even give a fuck abouta deal, Like I wasn't worried
about that.
Speaker 1 (21:22):
That makes sense.
That makes sense, that fall inline.
Speaker 4 (21:26):
Yeah.
Speaker 1 (21:28):
Damn.
With that being said, I meanwould you continue with music,
are you?
Speaker 4 (21:32):
are you thinking of reconnecting with everybody and
I've already did okay, you know,I got my team, you know my
management and you know, slimejust came home.
I was just with him, I was justwith little baby, I was just
with everybody that I've beenwith, you know, everybody that
I've been around when I was inatlanta, like they be they my
family.
So it's just like I'm justwaiting to connect my team with
them so that we can make it makesense right, right, right,
(21:55):
right.
Speaker 2 (21:56):
So so so like what you know what you having those
like um, what you having thoserelationships and um, and
everybody like, because babyjust dropped thug come home.
So like it's like it's lookinglike they about to gear up to
put, you know, go on a run.
Now my whole thing is like like, with or without them, I still
(22:19):
would want to see you go on yourrun.
Speaker 4 (22:21):
No for sure, I got a team.
That's what I'm saying, yeah.
Speaker 2 (22:24):
So, like, all right, after that project that you
barely listen to, right orwhatever, you just throw away.
Like, give me like you workinginto the next thing after that,
like the next, the next, uhsingle after that and gearing up
for that you're talking about,as far as right right now, no,
like after the uh.
Cycles in love, yeah, no, no,no, not cycles and love the uh,
(22:44):
your first project what firstproject are you talking about?
The project we just was talkingabout.
Oh, aha no, no, that's, that'snew.
I'm talking about the onebefore that.
Speaker 3 (22:54):
Psychos in Love.
Speaker 1 (22:55):
Oh, that-.
The one that you put out, thatyou said your show ain't like
the first one you said when youput it out, you said you was
just giving it to the people.
Speaker 4 (23:04):
Oh, you talking about ?
Oh, it was called Dear Alex.
Speaker 2 (23:06):
Oh, dear Alex, yeah, it was about my kid's dad.
He was locked up and I wasbasically talking to him through
a song and you know, I just hada new, fresh baby, so it was
just like yeah, so like,basically, you really like talk
about real life situations.
Speaker 4 (23:24):
Yeah, real, life situations.
Speaker 2 (23:25):
Yeah, so I think that's like why I like some of
your fans and be like they likewant the music and be like into
it because, like you really talkabout life situations and
that's what it be like.
That's how you build your fanbase, because if one fan feel
how you feel, they be a fanforever, just off of that, you
know I mean that's why I got.
Speaker 4 (23:44):
I got a lot of the same fans because they know me
from their alex and cycles andlove and they, just like you
know- carried along like,because that's what that's,
that's how you maintain a corefan base, I mean, and they'll
follow you through your wholecareer.
Speaker 3 (23:59):
Yeah.
Speaker 2 (24:00):
So like bring us up to speed, like give us, like you
popping outside and you comingoutside, Sound new, new, new,
new project.
Everything getting, theeverything seeming like is
falling into place.
New team, so it's like youcoming outside, let's talk about
that Popping it.
Speaker 4 (24:19):
I feel like.
Speaker 1 (24:20):
This energy is crazy.
What's up?
Speaker 4 (24:24):
I feel like my new team now.
They got me working way more,so we're just like I really like
my new team.
We more active, you know knowlike I'm working more right, I'm
in the studio all the time youknow like so we're just like, we
just really on some droppingshit.
(24:44):
We try and drop like we try anddrop and put that shit in
people's faces.
That's it.
We ain't taking no breaks.
We don't got time for no breaksnow.
Speaker 2 (24:52):
Yeah, so like basically the game built off a
content catalog, so like that'swhere I think you could kill
them at you just got tocontinuously do it.
That's what the people bewanting.
It's just content, content,content and for real, for real.
It be like simple shit day inthe life you feel me.
They want to see what youeating and shit like that they
want to see what you wearingwhen you're playing in the back.
(25:15):
They want to see you gettingyour hair done, getting your
lashes put on.
That's just what the fans bewanting.
Speaker 4 (25:19):
I mean they want to see content.
It's just content.
Speaker 2 (25:22):
I mean it's really running a world, so like if, if
you can maintain a good sense ofcontent, and like build your
catalog as well, it's like you.
I mean the stars.
That's how I see it.
Speaker 4 (25:34):
Yeah, I feel like that's what we're working on now
.
Like you know, we getting morecontent together, so we can drop
it.
Speaker 2 (25:40):
Like you come up with AHA.
Speaker 4 (25:43):
I think I'm coming trim.
I think I'm trim on that shit.
I'm trolling, you know.
I'm letting bitches know whatit is.
Speaker 2 (25:54):
Like, yeah, I don't give a fuck, if that's your
nigga, I want them too.
Period, that dropped already.
That's how.
Speaker 4 (25:57):
That's how it ain't dropped, yet it's about to drop.
Speaker 1 (25:59):
It's about to drop all right, look on the creative
side of things, right?
You used to sing.
You don't sing no more, right?
Speaker 4 (26:05):
I do a little bit, but not not really like.
Speaker 1 (26:09):
It's kind of like you don't mix some of?
Speaker 4 (26:11):
my songs be like having little melodies in it.
Yeah, like I got this onecalled poland.
Speaker 1 (26:13):
It's kind of like you don't mix it.
Some of my songs be like havinglittle melodies in it.
Speaker 4 (26:14):
Yeah, like I got this one called Poland.
It's kind of like melodic.
Speaker 1 (26:17):
Okay.
Speaker 4 (26:17):
And then yeah.
Speaker 1 (26:18):
You ain't give that to the people yet I ain't give
it to the people yet.
Speaker 4 (26:21):
I feel like I'm going to like give them.
I'm going to give it to themwhen they ready.
Speaker 1 (26:34):
Like they not.
Okay, you can't confuse thepeople.
You gotta always understand.
Speaker 4 (26:35):
You cannot.
You gotta, yeah, put them inthe direction where you're going
.
Once you got they hurt and yougot all the attention in their
heart, then you can give themwhatever you want to give them,
because they already fiends,they're not.
You're not going to lose them.
Speaker 2 (26:42):
They love you talk, pop it that's cool, I, I think,
all right.
So sometimes, like how I'll belooking at it is like, like I
just said, the catalog.
So you give them layers of you.
Yeah, yeah, you got your poppyspace, but then you got your
polling space.
Speaker 3 (26:58):
You feel me yeah.
Speaker 2 (26:59):
Because we human.
Yeah, that's what I am.
You feel me, and that's thewhole thing.
People like to put music in abox or a habit, whereas though
you can only do one thing or beone person, or it's like they
typecast you I agree with that Iagree with that.
Speaker 1 (27:16):
They know they do, but kanye like the only one that
like you gotta do it he do whathe wants and drake and drake.
I feel like, not like on akanye level to 808s and then go
do watch the drone like that boygo make me confused.
Speaker 2 (27:34):
No, he's just the biggest artist in the world for
the last 15 Exactly.
Speaker 4 (27:36):
That's why he could do what he want.
He the biggest artist in theworld.
Speaker 2 (27:38):
I don't think he could do what he want.
Speaker 4 (27:40):
I think so he ain't did nothing and he ain't make no
money, yet I ain't going to sayyou were saying, though, I
totally agree with you.
Speaker 2 (27:51):
So I just think that's why you should give them
layers of you like don't thinkthat you could, but I am.
That's what.
Speaker 4 (27:55):
I'm saying, I'm gonna give them.
Poland.
But as far as me making a wholesong where I'm singing, I'm not
giving them that yet.
Speaker 2 (28:00):
Yeah, okay.
That don't make sense, justdoing a whole full singing song.
Yeah yeah, yeah no.
Speaker 4 (28:10):
I feel that hell yeah no.
Speaker 1 (28:11):
I feel that I get it, I get it, I get what you saying
.
Speaker 4 (28:14):
It's like the.
Speaker 1 (28:15):
Slime shit.
You know how they be raping andsinging.
I'll give y'all a bonus track.
It might be in the bonus, Mightbe in the bonus or something so
like is there anybody that youdidn't collab with that you
would like to collab with.
Speaker 4 (28:28):
Like as far as celebrity wise or like.
Speaker 2 (28:30):
Anybody.
Speaker 4 (28:32):
I want to collab with Slime.
I didn't collab with him yet.
I want to collab with PostMalone.
Speaker 3 (28:42):
I like White Iris.
Speaker 4 (28:43):
That's crazy, that you said that I like her, I love
him.
Speaker 2 (28:46):
I be listening to her .
Speaker 4 (28:47):
Yeah, I want to collab with.
I want to collab with somefucking rock stars.
I want to collab with somefucking rock stars.
I want to collab with Uzi.
I want to collab with fuckingBillie.
Eilish Travis Scott, what's herlocal?
I don't know.
I want to collab with peoplelike that.
Speaker 1 (29:09):
I want to collab with .
Speaker 4 (29:11):
JT.
I fuck with her I like JT, Ilike Sexy.
Reed, I fuck with her.
Yeah, you know I like sexy reed.
Speaker 1 (29:15):
I I fuck with her she dope no, I ain't gonna do that
to her.
Go ahead, what go ahead?
No, I was gonna ask her no goahead.
Speaker 4 (29:24):
No, ask me what you doing, no who you?
Speaker 1 (29:26):
who would you collab with locally?
Speaker 4 (29:28):
locally.
I feel like people that arethat I wanted to collab with, I
collabed with.
I collabed with K Glizzy yeah,we on the same motherfucking
team.
You feel me.
I collabed with Leaf Ward,skrilla Lights Me and him got
songs.
Who else?
Speaker 1 (29:49):
You definitely got a catalog.
I collabed with yeah, what's upwith Kwani?
Do like kwani.
He's hot, but I didn't collabwith him, huh she's cool.
Speaker 4 (30:02):
Yeah, I like, I like her.
But the people that I wouldwant to collab with right, um, I
collab with you feel me.
Speaker 1 (30:11):
I can see y'all making some though.
Speaker 4 (30:13):
Yeah, she hot, I fuck with her yeah.
But like I don't really likehonestly, I'm not even gonna lie
to you, I don't really likecollabs.
I like who I like, like and thepeople that I got on my collabs
, that's the people that I like.
Speaker 2 (30:25):
Hitler.
Other than that I be cool, yougot Hitler.
Yeah, yeah, you personally likewho you can I like who I like.
Speaker 4 (30:32):
I feel like the energy is there.
They had a to me um so thatsounds good, you to do, yeah,
yeah.
Speaker 1 (30:39):
What about reaching out to you for a collab how you
like you?
Speaker 4 (30:43):
you easy to um, yeah, I'm open to collabs.
Speaker 2 (30:46):
Yeah, like, oh, so say if somebody wanted to do us
all with ap.
Like how, like tell them theway to go about, yeah like, hit
my DM.
Speaker 4 (30:54):
If it makes sense, we on it hey man right from real
of the most hit her up make surey'all share, like, subscribe
comment if you don't use a muffhater.
Speaker 2 (31:03):
Why?
Speaker 1 (31:04):
because it's free all right, no man, we got AP in the
building.
White boy, you already knowwhat we about to do, about to
wrap this up in a second, butshe got to get these games out
the way, all right.
Speaker 2 (31:20):
So before we get the games out the way, right, I want
to do this Because, like, wegot to let them know fully
exactly how you come in and whenyou come in.
So, ap, you bought the drop.
I want you to tell the peoplewhat's coming next and when it's
(31:40):
coming, and give them the date,or if you got a date on a
project and when it's coming allright, you just shot a video to
write yeah, I'm gonna give themwhen that's coming as well my
video dropping soon.
Speaker 4 (31:54):
It's called aha.
Um, my project is dropping infebruary.
Not, I don't have the date fory'all right now, but just know
that it's dropping in february.
Um, you know me and kate lizzieworking on some shit.
We got a couple songs togetherwe dropping, you feel me, um,
yeah, and then I got this shitthat I do on psycho on sundays.
(32:16):
It's called psycho sunday.
Speaker 2 (32:17):
So it's like talk about that too yeah.
Speaker 4 (32:19):
So it's like it's some mental health shit.
You feel me.
Yeah, so it's like it's forpeople that have been following
me and the people that just thatjust follow me.
They know that, like I careabout I'm not just a rapper, you
feel me, I care about peoplebecause, like I've been through
some so it was like I rememberwhen I I didn't have anybody
right, so it was like, as far asthat, like I feel like I care
(32:40):
about people mental.
So it was like if, if y'allfollowing me, y'all with me,
even if y'all don't y'allwatching, so y'all gotta with me
some some type of way.
So it's like I'll be on somelike checking on everybody
mental and they write me, dm me,and I get them right like
listen y'all need help writethem back, and all that uh-huh
that's dope yeah.
So if they need help, they needresources, they need to talk.
(33:00):
They don't have nobody to talkto.
I'm near.
I don't give a fuck if I gottasit on the phone for an hour or
two like that's gonna save.
That's gonna save somebody life, then I'm doing it.
You do this every sunday.
Speaker 2 (33:11):
I do it every sunday some sundays I may miss if I
have things going on right there.
Speaker 3 (33:15):
That a non-profit right he is non-profit is in my
bio, that's fire like I reallypeople really be needing people
to talk to and I'm always in thedm talking to people, like
people, really.
Speaker 4 (33:25):
This, don't this not no fake shit, this some real
shit people.
Can I please call you?
Yes, call me right now what yougood no, I'm not good.
What's up, what you need me todo.
You all right, I need you totalk to me.
I'm here and anytime you needme I'm going to be there.
I'm not never going to leaveyour side.
If you need me, I'm there.
That's just what it is, BecauseI remember when I ain't had
(33:50):
nobody.
Speaker 2 (33:50):
Yeah, I think that's dope.
I ain't really never hearnobody say they did nothing like
that.
Speaker 4 (33:55):
That's what I'm on and it's genuine.
Speaker 1 (33:57):
That's real, genuine.
Speaker 4 (33:59):
Yeah.
Speaker 2 (34:01):
That's dope, I think.
Speaker 1 (34:04):
What made you come up with that?
Speaker 4 (34:06):
Everything that I've been through when I have friends
, that sometimes people theykind of judge you off of how
many times you went throughthings.
Like, oh, you know, sometimespeople, um, like they kind of
like judge you off of how manytimes you went through things.
Like, oh, you always goingthrough something.
Or you know, like I don't wantto be the friend that, oh, let
me call my friend and like haveto talk.
No, like I don't want to.
Like sometimes my friends isnot who I want to talk to as a
(34:28):
stranger.
Yeah, because you can't evenjudge me or you know.
So it was like I just rememberbeing that person that didn't
have nobody.
Speaker 2 (34:35):
I ain't going to lie.
I think, like, I really thinklike more artists should open up
a line to their fans like thatI know people get crazy, but
that's like super dope, becausepeople really do be going
through out here, yeah, and likeif they could like talk to the
their favorite artists about itand things like that.
Like maybe might like reallylike save them from jumping off
a roof yeah, I saved so manypeople.
Speaker 4 (34:57):
I did.
I saved a lot of people and Ifeel like you know what go with
my whole, my whole thing.
My name, ap the Psycho for areason.
So it was just like it justdidn't like the cop gave me the
name, but it's like it's deeper,deeper than that, like it's
real shit prior to that.
So it's just like you don'tever know what people have been
through or going through.
Speaker 2 (35:16):
Right, I agree, I agree.
I just think it's dope that youdo that, you know what I'm
saying so we getting the musicsoon.
Speaker 4 (35:24):
Yeah, you are.
Speaker 2 (35:26):
We getting the video soon.
Yep, we getting a project aswell, right?
Speaker 4 (35:33):
Yep, you are.
Speaker 2 (35:35):
Y'all hear the hero and really the most.
Speaker 1 (35:37):
So wait before you continue past that, you would
give out the information forpeople to reach out to you on
the mental health side of thingsyou could just hit my page.
Speaker 4 (35:46):
It's ap to psycho all right the o at the end there we
go and you know you gotta dm me.
I do psycho sundays.
Every sunday I check oneverybody mental health.
They can write in a box.
If you don't want to writenothing in the box, you could
just say check your dm, I'm, I'min your dm.
Speaker 1 (36:00):
Check your dm, I'm, I'm in your dm dang there he
does fire.
There you go, man.
Speaker 2 (36:07):
Make sure you tap man all right, so 12 sundays, so on
, rather than most right.
We play a couple games beforewe get out of here, one called
fast track, it's not too crazy,you just pick one or the other,
okay and advantage, though wefrom philly I I like I like to
start with this one even thoughI already know where you
probably gonna go, but majorfigures of state property.
Speaker 4 (36:29):
State property.
You already know what stateproperty is.
Speaker 2 (36:37):
Biggie or Tupac?
Speaker 4 (36:38):
Biggie.
Speaker 1 (36:45):
Jay-Z or.
Speaker 2 (36:45):
Nas Jay Z, you're too gangster man, rough Riders or
Rockefeller.
Speaker 4 (36:55):
Rockefeller.
Speaker 1 (37:00):
Damn.
Speaker 2 (37:01):
Come on, coral, you got it.
Speaker 1 (37:03):
I'm going to go a little up to date.
I'm going to say Leaf Ward OdesRyder.
Speaker 4 (37:12):
Leaf.
Speaker 2 (37:13):
Tor Cor.
Speaker 4 (37:16):
Tor.
Speaker 2 (37:18):
Skrilla Otis Ivequani .
Speaker 3 (37:21):
That's a good one, you can.
Speaker 2 (37:28):
Skrilla ot sub aquani slime of future man, come on,
I'm always to the mother, my badCome on man.
Speaker 4 (37:41):
That ain't even a question.
Speaker 1 (37:44):
That was crazy.
Speaker 3 (37:46):
Slime all day.
Speaker 2 (37:48):
Lord, baby or Dirk.
Speaker 4 (37:50):
Damn.
Come on what it get like that.
Dirk, I ain't gonna lie.
Speaker 2 (37:57):
Meek Mill or Drake.
Speaker 4 (37:59):
Meek Mill.
I can't go against my fuckingcity, that's right.
Damn Balenciaga or Prada.
Speaker 2 (38:02):
Balenciaga, balenci, meek Mill, I can't go against my
fucking city, that's right.
Speaker 4 (38:08):
Balenciaga or Prada Balenciaga.
Speaker 2 (38:12):
Yeah, celeste, or Brooklyn Chophouse Celeste,
because I like the name BeijingChicken be hitting.
Speaker 1 (38:21):
What did we say earlier?
Rye?
Speaker 2 (38:24):
Weave PNB and Ride Wave.
Speaker 3 (38:28):
PNB.
Speaker 1 (38:29):
I already knew they was going to do that.
Speaker 4 (38:31):
I fuck with Ride though I fuck with Ride Real
shit.
Definitely the fuck with RideWave, but definitely PNB.
Speaker 2 (38:38):
We paid for junkies, for sure, we don't ride waves.
Beyonce or Rihanna.
Speaker 1 (38:45):
Rih-Rih I'm going to bring Skrilla.
Speaker 4 (38:48):
Skrilla.
Speaker 1 (38:50):
Uzi.
Speaker 4 (38:52):
Skrilla.
Speaker 1 (38:53):
All right.
Speaker 2 (38:56):
I think Uzi should go with like with little.
Travis.
Speaker 1 (38:59):
Scott, I'm trying to keep it Philly though, but like
I don't, know, because I'm goingto keep picking Philly over.
Speaker 2 (39:03):
But like I don't know , Because I'm going to keep
picking Philly over anybody Like, that's just what it is.
It is what it is.
I fuck with Skrilla, all right.
Speaker 1 (39:13):
We're going to do the other game.
One guy go.
Speaker 3 (39:17):
Okay.
Speaker 2 (39:18):
All right.
So in this game right, it'slike the opposite.
We're going to say four people,one gotta go, and when we say
they gotta go, they wholeexistence go okay, so everything
like they never was here.
Speaker 1 (39:32):
So everything, yeah, so, and it's not on the personal
side of things either, likewhatever they personal life, we
ain't talking about that.
They music catalog, how theyrap, all that stuff yeah, all
right, so one gotta go who theysign um do the state property
john, first then you do it, thenI don't all right, uh, freeway
(39:56):
beans, oh skin though oh, so youknow already all right, wait,
wait, I'm gonna do it again then.
Oh, so you know already Allright, wait, wait, wait, I'm
going to do it again.
Then I'm going to do it again.
Speaker 2 (40:04):
No, because O, really , o took himself out the prop
anyway, o took himself out theprop.
You are all messed up, no see.
Speaker 1 (40:11):
O is all messed up.
Speaker 2 (40:12):
He out the prop he not in the prop O going to see
this and he going to be on us.
Speaker 1 (40:29):
No, O don't want to associate that anyway.
Speaker 4 (40:32):
So look beans free.
Oh, he did say that I meanbeans free crack or chris.
Speaker 3 (40:35):
He says but he gotta go.
That's the only thing I knew isyeah crack guy go.
Yeah, he gotta go.
That's the only thing I knew ofhim Crack gotta go.
Speaker 4 (40:44):
He gotta get the fuck on All right, man, come on.
Speaker 1 (40:48):
All right.
All right, y'all out of five,because everybody else, like I,
knew more.
I can't shut his mouth.
He gotta go bro.
I think I'm reeking a littlebit.
Speaker 2 (40:55):
All right, one gotta go Gucci.
Speaker 1 (41:09):
Shout out the prop Gucci, ti, jeezy and Wayne we
talking about they music TIdefinitely.
Speaker 4 (41:13):
He definitely got to go.
Ti a good business man, but hegot to go.
Speaker 2 (41:18):
I told you he's never going to die, so all right we
got to do it like this, then no,we got to.
Speaker 3 (41:23):
He's a gonna die, so alright we gotta do it like this
, then?
No, we gotta.
He's a good business guy.
Speaker 1 (41:28):
That's it it gotta be , Alright, do that one more time
, because everybody we ask thatquestion really say TI.
But TI really just had a moment.
We just gonna say that becausehe's a good actor.
Speaker 4 (41:45):
He's a good actor and a good business guy.
Ti is good for that.
That's it.
Speaker 2 (41:50):
All right, so Gucci, so Gucci, gucci.
Yo Gotti, gucci, yo Gotti,wayne, wayne and Jeezy Wayne,
you got to say Well, honestly,wayne and Jeezy Wayne, you got
to say y'all.
Speaker 4 (42:06):
Well, honestly, I say you said what you saying.
Say it again.
Speaker 2 (42:12):
Gucci.
All right, it's Gucci.
Wayne, Yo Gotti.
Speaker 4 (42:17):
All right, so Wayne, no, not Wayne.
Gucci, he got to go, gucci, Ifuck with everybody else.
Gucci got to go yeah.
Speaker 1 (42:25):
Gucci man.
Speaker 4 (42:27):
Yeah, because his old shit was cool.
But that was then.
Speaker 1 (42:30):
You know, when you let Gucci go, you letting Thug
go.
Speaker 4 (42:34):
No, I'm not.
Thug is a whole different niggathan Gucci.
Speaker 1 (42:38):
Ask Thug his story.
He gonna tell you Gucci man.
Speaker 4 (42:41):
No, that's what Thug want.
I want Gucci man to get the outof here.
I with gucci, but no, he gottago all right.
Speaker 1 (42:48):
So you get rid of gucci.
You know you're getting rid of,like the whole south.
No, he discovered, hediscovered almost every artist
in the south.
Thank you, man.
These is greater than these arebetter than you.
Speaker 4 (43:00):
Now what I'm trying to tell you is you're getting
rid of a whole the South ispopping in right.
(43:21):
Gucci been a rapper then a lotof people got got the south pop
in.
He's not, but he's not doing itnow.
Speaker 1 (43:29):
No, what I'm trying to say is all right, listen he's
saying, he's saying, he'ssaying he just see, if you
eliminate, I know that thatblossom right, but when he died,
they still gonna be popping.
Speaker 4 (43:37):
So that's, somebody else gotta be deceived, and
that's, and that's.
Speaker 3 (43:40):
That's slime.
Speaker 4 (43:45):
That was them.
Speaker 1 (43:47):
Yeah, yeah, you ain't getting the rules of the game.
So what's the rules of the game?
All right, the rules of thegame is I break rules.
The rules of the game?
Yeah, you definitely breakingthem.
I know the rules of the game is, once you pick the person, no
matter matter who they sign,they hold non-existence, they
music everything, the peoplethey connected with.
Speaker 4 (44:09):
All that never happened so you mean, they gotta
they, they did, yeah, they did,they gone what that mean.
Speaker 1 (44:16):
There's no.
Speaker 4 (44:17):
There's no existence over there, because that means
I'm killing the people that Ilike.
That don't make sense, exactly.
Speaker 1 (44:23):
There we go.
All right, so say the namesover.
All right, let's do it again.
Speaker 2 (44:27):
All right, gucci, yeah, wayne.
Speaker 3 (44:30):
Mm-hmm.
Speaker 2 (44:31):
Yo Gotti.
Speaker 4 (44:33):
Mm-hmm.
Speaker 2 (44:35):
Jeezy.
Speaker 4 (44:37):
Jeezy.
Who did Jeezy make?
Hot Jeezy didn't make nobody.
Hot Jeezy didn't make nobodyhot.
Speaker 2 (44:41):
He was just hot.
That's a fact.
Speaker 4 (44:43):
Yeah, gotti got a whole label.
I mean he did kind of bring.
Speaker 2 (44:46):
YG out though.
Speaker 4 (44:46):
But that's only one person.
Gotti didn't bring so manypeople out.
Gucci didn't got the y'all hearthe seed Fucking.
Speaker 1 (44:53):
I don't know, jeezy gave me 10 years of my life.
Speaker 4 (45:00):
Yeah, he gave you, though, but listen, because
Jeezy music age, it don't age,it don't age.
Speaker 1 (45:07):
His shit, don't age.
Speaker 4 (45:07):
That's why I can't get rid of him, all right.
So listen, y'all, not playingfear in there.
And it don't make sense Becauseat the end of the day we got to
think about what y'all else on.
Speaker 1 (45:15):
So it was like he's not, I'm not killing nobody.
Speaker 4 (45:25):
If I, if I pick Jeezy , I'm only killing him.
So it was like he gotsacrificed.
Nigga, you gotta be thesacrifice.
What's the ball?
Freddie Gibbs?
I don't even know him.
We don't give a fuck aboutFreddie Gibbs.
We don't even know Bulls.
Yeah, like I don't know.
Speaker 2 (45:42):
Bulls.
Speaker 4 (45:43):
I'm gonna do Freddie Gibbs like that?
Yeah, but listen, art, you know, you already know.
I don't even gotta explain thisshit.
Speaker 1 (45:52):
Give him four more.
All right, man, two more.
No, no, no, no, I don't knowshe want to do industry.
Speaker 2 (46:04):
Yeah, it could do it could be anything, I don't know.
She want to do industry.
Speaker 1 (46:07):
Yeah, it could be anything.
All right, glow Sexy, lottoMegan.
Speaker 4 (46:15):
Megan could go.
Speaker 1 (46:17):
I knew she was going to say that she ain't going to.
Speaker 4 (46:18):
She can get the fuck on.
Speaker 2 (46:19):
Hold on she a rant anyway.
Sexy who you say.
Speaker 1 (46:24):
Sexy glow Glow, sexy glow Lotto, the fuck, hold on,
hold on anyway, sexy, who yousay?
Speaker 2 (46:26):
well, I should switch sexy glow, sexy glow lotto and
and uh, who was the?
Who was the last one?
You?
Said man yeah meg is out ofhere, yeah, y'all honestly,
y'all honestly, exactly, oh no,no, we not, not like that, not
(46:47):
like that, not like that.
Speaker 1 (46:49):
It's not like that.
We got our man five in thebuilding.
He.
Speaker 3 (46:56):
This shit is easy, but we got five in the building
y'all, he said, make it a littletough so we about to.
Speaker 1 (47:02):
We about to turn it up in here.
Speaker 2 (47:03):
All right, here we go , One gotta go oh y'all crazy
man One gotta go.
Woo Jay-Z, uh-huh Diddy, uh-huhBirdman, yeah.
Speaker 1 (47:20):
What.
Speaker 2 (47:21):
Who?
The last one?
You said Birdman, Birdman,Diddy Dr Dre.
Speaker 4 (47:29):
Diddy's a fucking freak.
Speaker 1 (47:31):
Nah, no personal, none of this personal.
Nah, we talking about catalogand signing people?
Speaker 4 (47:36):
Well, say it again then Because Diddy can't go,
then Because he was in the wholeera with the bass shit.
Speaker 1 (47:41):
Yeah, so he got everybody from Mary J Blige,
French Montana, all them people.
All right, so say the namesagain.
Speaker 2 (47:49):
Diddy, jay-z, dr Dre and Birdman.
One got to go.
Damn, that's a hard one.
Speaker 1 (47:55):
Now you get the game.
Now you get the game Shit.
Speaker 4 (48:00):
You said Master P right?
No, What'd?
You say I said Diddy JayeezyBirdman and Dr Dre, damn Fuck
Birdman, he done put a lot ofthem.
Speaker 1 (48:12):
He put Slime.
What Nikki Dre Wayne?
Speaker 4 (48:14):
Damn.
Then you said fucking Diddy.
Diddy was the whole fucking erawith the fuck.
He was Biggie Jay-Z.
Speaker 1 (48:22):
Mary J, Mary Jane.
Speaker 4 (48:25):
Then you said then you said who the fuck else?
Again?
Dr Dre Eminem 50 Cent NWA.
And then you said somethingabout y'all.
Speaker 1 (48:38):
We said Birdman, Dr Dre, Jay-Z.
Speaker 2 (48:42):
And Diddy.
Speaker 1 (48:43):
And.
Speaker 4 (48:43):
Diddy.
Who was Dr Dre?
Jay-z and Diddy.
Speaker 1 (48:44):
And Diddy Jay-Z who was Dr Damn.
I think that Jay-Z had Yeezy.
I ain't going to lie.
Speaker 2 (48:48):
I think, dr Dre might have to go.
So like I ain't going to lie,like all right, look.
So like how I be, like weighingthis one.
Speaker 4 (48:57):
She going to know who she like the most.
Speaker 2 (49:04):
No, I got Riri, look he got.
See, that's how I be carrying.
Speaker 1 (49:05):
That's how I carry it too for hoes.
Speaker 2 (49:06):
That's how I carry it .
I be like y'all got hoes hecan't go.
Speaker 1 (49:08):
That's how I carry it , I said.
I said I can name two people.
Speaker 4 (49:09):
That's Drake.
I said Dr Drake going to haveto go.
Speaker 2 (49:17):
Because I and not that he ain out the west coast
yeah I can go without the westcoast I'm where I'm at you're
acting crazy I could go withoutthe west coast, shit that's just
me me too, yeah, so it's justlike like I just listen to them,
for sure.
I just listen to burt thepeople that, yeah, you ever
drove in a six.
Speaker 1 (49:37):
Four the people, that the people that I ain't from LA
, I don't be bippin' on that.
You can't do that, bro, sothat's what.
Speaker 2 (49:44):
I'm saying, Like all them other people, I listen to
them and everybody under them.
Speaker 1 (49:47):
Wait till you get in the 6'4".
Speaker 3 (49:49):
You over on Roselle's vibe and all that Out of
everybody.
Speaker 1 (49:51):
You want to hear that Kali Music?
That's a hard question, bro.
All right, well, you got to godo that first.
Speaker 2 (50:06):
No, don't like.
I like somewhere, I likecertain nwa, but I could just
get off the block.
No, I could just go without thelas.
Yeah, I could go without ifthey up against that three
you're talking about kendrick webeing, rather than we on rather
than most.
Bro, yes, we talk about them,me personally.
You're talking about why.
Speaker 4 (50:17):
Are you all right, let's talk about why.
Let's talk about that let'stalk about that.
Speaker 1 (50:21):
Let's talk about that yeah.
So you wasn't dancing to mynigga and all that.
Speaker 4 (50:27):
Listen, no, no Y'all got to stop.
He hot and all he smart and allthat shit, but we're not
bumping his shit, dj Mustard.
No, it's an acquired taste.
We're not bumping his shit.
Speaker 1 (50:38):
I'm just saying the West Coast got something awesome
.
Speaker 4 (50:40):
I've never really heard his shit in a club.
Speaker 1 (50:41):
That's a fact.
That's all I was saying, forsure.
That's the crazy thing aboutthat joke is because I'm about
to go live.
Speaker 2 (50:51):
You get rid of Dr Dre .
Speaker 1 (50:53):
It's the whole West Coast.
Speaker 2 (50:56):
That's the whole.
Speaker 1 (50:57):
West Coast Snoop Dogg .
Speaker 2 (50:59):
I'm talking about everybody.
Speaker 1 (51:00):
Everybody.
Speaker 2 (51:01):
Everybody that's like hot Gone and then we got
Everybody that's like hot GoneGone.
And then we got other people,that's hotter, that's still
there, I ain't going to lie.
That Snoop dropping like aSnoop dropping like it's hot
with Pharrell.
I love that joint.
Speaker 4 (51:13):
I ain't going to lie that joint, that joint timeless.
Speaker 2 (51:15):
I love that joint, that joint timeless.
Speaker 3 (51:18):
I love that joint.
Speaker 2 (51:19):
When I had the boost drawn, that was my ringtone
dropping like this.
Speaker 4 (51:22):
That was my ringtone.
I'm dead.
Speaker 2 (51:25):
On the next tail tip.
Speaker 1 (51:27):
Ain't nobody bumping 50 cents in?
None of them, dudes, though.
Speaker 4 (51:31):
Uh-uh, I still listen to many me, though I ain't
going to lie.
Speaker 1 (51:35):
Many men and 21 questions.
Yeah, yeah.
Speaker 4 (51:38):
They the only ones that's still like art, but I
could go without it.
Speaker 1 (51:45):
So you can't go without nobody else on the list,
right?
No, all right.
So by dr dre, you gotta go,gotta go bags, man sorry yeah,
man, it's the real of the mostpodcast.
Man you gotta go, dre gotta go.
You got ap in the building.
She said drake out of here yeah, he gotta go so look um.
Is there any producers you'reworking on in your project right
(52:06):
now?
Speaker 4 (52:07):
Yeah, I'm working with Brizzy now.
Speaker 2 (52:11):
Okay, that's dope.
That's what's up.
Shout out.
Speaker 3 (52:12):
Brizzy, shout out, brizzy.
Speaker 4 (52:14):
He sent me some fire shit, yeah, that's family.
I'm working with some guy fromout of the country.
His name Mikey.
Speaker 2 (52:21):
Mikey.
Speaker 4 (52:22):
Mikey.
He sent me some fire, they bethe ones, uh-huh, the ones out
of the country they be the onesyou gotta hit them on.
Speaker 2 (52:30):
What's that?
Yeah, they be the ones, bro,these ain't even that hot yeah,
they be the ones, they be theones we gotta link you up with
Nas yeah, we gotta, we gotta getyou with Nas and Nas T, I think
.
I think, I think someone askedyou and Nas and Nas T.
Speaker 4 (52:44):
Yeah, I fuck with that.
I need some beats anyway,because I'm real picky when it
comes to my beats.
Speaker 2 (52:48):
Okay.
Speaker 4 (52:50):
I like a lot of drops and shit.
Speaker 2 (52:51):
They going to craft it right for you.
Speaker 1 (52:53):
For sure.
So listen what we expect to seefrom AP in the next few.
I say months or weeks, so wegoing to give it.
Speaker 2 (53:03):
We going to, because the weather cracking price 60
days, 70 days, like.
When is you like?
Come on?
Speaker 4 (53:10):
well, I'm.
You should expect to see allgas, because that's what the
fuck we given.
What is the do?
Speaker 1 (53:22):
you shout out your rollouts and everything they
gonna be expect to see from youa so, yes, you just let them
know everything they expect tosee from you, because we bought
the clothes out.
Speaker 4 (53:37):
And give them where they could find you when you can
find me on instagram.
A Peter psycho, you feel meLike I said before we giving
them all gas.
You know we got Gigi, we lockthe fuck in and we got my
management.
We got Buck.
We got Fat Boy, we got Rico.
You know that's my team rightthere.
Speaker 1 (53:57):
Right.
Speaker 4 (53:57):
So it's like that's what we giving them, like we
ain't giving them nothing lessthan fucking gas.
Speaker 2 (54:02):
That's what we on Like we ain't giving them
nothing less than fucking gas.
Speaker 4 (54:04):
That's what we on and we got AHA on the way right.
Speaker 3 (54:06):
We got AHA on the way Tapping the.
Speaker 4 (54:07):
Psycho Sundays because I care about my
motherfucking people Type in atap in y'all.
If you don't got nobody, youknow you got the motherfucking
psycho.
Speaker 1 (54:15):
And that's on everything.
Y'all heard it here on Real orthem Moves.
Listen, if I could do an APSunday Cycle Sunday on Real of
the Most, let's see if we canget that done.
We can do that.
Where everybody can call you,contact you.
We can go live, do something.
Let's collab and see if we cando something like that.
Speaker 2 (54:35):
That'll be fun.
Speaker 1 (54:37):
I'll fuck with that.
It's Real of the Most Podcast.
Y'all heard it first here.
Ap gave us her first pod.
That's your first pod.
Gave us our first pot.
That's your first pie, right,yeah, her first pod man, hey yo,
that's what I'll be trying wedoing?
We doing it a little bit peoplethat sit on this couch you're
gonna see her on other pods,though.
After this though, probably afew for real.
They're gonna be reaching outto you.
(54:58):
They ain't gonna be really themost though hey man, it's the
really the most podcast.
Make sure you share, like,subscribe, comment, if they
don't use them up.
And why?
Because it's free.
You already know, man, we out.
We'll see you next time Rilla the Most.
Speaker 2 (00:41):
Podcast.
Yeah, what's up?
Speaker 1 (00:43):
man.
Come on man, how you feeling,white boy, you know we.
Speaker 2 (00:47):
Getting to work, man.
Speaker 1 (00:49):
I want you to do this walk down real quick.
Speaker 2 (00:51):
We got to.
Speaker 1 (00:53):
It's a special person in the building.
Speaker 2 (00:54):
So we got to.
We got to do it right.
Speaker 1 (00:56):
Yeah, it got to be a good walk down, because If you
don't do it right, I'm going tojump in there.
Speaker 2 (01:02):
God, come on man.
Speaker 1 (01:03):
Alright, let's go ahead.
Let's do it.
Right, I'm going to jump inthere, god, come on man.
All right, let's go ahead,let's do it.
Speaker 2 (01:11):
All right.
So we're going to start offright.
It's really the most right.
So, like, one of the reasonslike we got you in here is
because, like your talents yougot crazy talent.
You know what I'm saying.
You look good, you're a greatdresser.
So, like, coming out ofphiladelphia, you know, like
(01:32):
it's like a hard place to likemake it out of.
You know I mean yeah.
So like with everything goingon and then with everything that
you got going on, you know wewant, you know we want to get up
to date with things.
So you know, like everythingthat we see and I'm saying that
(01:57):
like a star should have you got.
Speaker 1 (02:03):
We want to know what's the hold up well, I'm
actually about to drop, not yet.
We got AP in the building.
Speaker 3 (02:10):
First off.
Speaker 1 (02:12):
Let me get a round of applause For AP Also.
She been working on music for awhile and she been in and out,
you know, taking her breaks.
Speaker 2 (02:28):
Yeah.
Speaker 1 (02:29):
You know what I'm saying, but when she works she
be putting in her work Facts.
Speaker 2 (02:33):
You know what I'm saying?
Speaker 1 (02:33):
It's definitely noticed.
So now you could go ahead andtell us what you working on,
what you got coming out.
You dropping something?
Speaker 4 (02:42):
Okay, yeah, so I'm actually about to drop a single.
It's called aha.
I'm gonna drop my ep infebruary and I know you
mentioned stuff about the breaks, but you know, like I have been
rapping for a while, I've beentaking breaks because you know,
everybody go through little shitand I went through like little
shit, like so just like we'regonna get into it yeah, so some
(03:05):
you know mental health breaksand shit you know some people
need just to tap into differentthings when they're going
through different situations.
Speaker 1 (03:12):
So like yeah, no I get that, speaking on the mental
health, you've been doing a lotof mental health online and
other places.
I'm really not too sure how faryou go with it but I'm gonna
get into it.
Speaker 2 (03:27):
We gotta get into all that so all right, you said.
You said aha management.
Speaker 1 (03:32):
You said yeah, so let's, let's get into the single
.
I'm connect the road caster.
Hold on, let's get into it realquick.
(03:56):
Turn it up, my boy.
I got a call coming through.
(04:19):
Hold on, y'all.
Speaker 2 (04:22):
I got to get him from downstairs.
Speaker 1 (04:24):
Yo, my boy, All right , somebody coming to get you
right now.
No, don't kick the door.
Somebody downstairs at the door.
Can you go grab him?
Speaker 2 (04:40):
Thank you five.
Speaker 1 (04:41):
It's our next interview.
All right, continuing fromthere.
Let me finish playing the song.
I'm going to text you thenumber.
Speaker 3 (04:54):
Yeah.
Speaker 1 (04:58):
My audience.
Speaker 2 (04:59):
let's get back into A-Ha by AP Can you hear it,
mm-hmm, take it off, so we canhear it.
Speaker 1 (05:05):
Take the headphones off, play it loud, turn it up.
We got AP in the building andact like it, and we got glizzy
gang in the back.
They back there, oh.
Speaker 3 (05:47):
God, that's as nigga hell.
I want him too.
I don't give a fuck about whathe got and what he do for you
Pussy super good.
Yeah, grip, he keep comin'through.
If I say I want it, he gon' getit.
Yeah, I need it new.
I ain't from the hood, I'm fromthe birds.
I'm his bougie boom.
Kick his dog ass to the curblike he's scooby-doo.
Ride a nigga dick in the circlelike a hula hoop.
Need to top down two-seaterlike a little cool.
(06:09):
You told him to leave my number, but the nigga, he gon' call me
back.
Bitch, I'm playing defense likeI'm Howard.
You know cornerback and I keepthem twins, zach and Cody, where
the butler at you be talkingshit.
Don't say no name.
I don't like the shoe, I onlydunk it like I'm Shaq Homie on
(06:47):
my page.
She think that she a troll.
I fucked a nigga and let herknow that dick was weak, but the
head was super cold.
Bitch, you gonna tweet.
I'm gonna fuck his ass somemore.
Your nigga all up on my pussy.
He said that shit be super good.
She be like I love you, I loveyou I love you, I love you.
Speaker 2 (07:14):
That was crazy.
Speaker 3 (07:14):
She crazy.
Speaker 1 (07:27):
She popping it.
You gotta pop it like that,though, like for real.
If you gonna rap, you gotta popit.
Speaker 4 (07:35):
I was trolling, you was trolling, yeah, for sure.
Speaker 1 (07:40):
One of your comrades, somebody you be with.
I'm really about that, Likethat's really me.
Speaker 3 (07:53):
Real shit, that's how y'all be Look real shit, some
trolls Uh-huh.
Speaker 4 (08:02):
I'll fuck your life up with my trolling.
I ain't going to lie.
Psycho Is that where the psychocome from, up with my trolling,
I ain't gonna lie Psycho.
Speaker 1 (08:06):
Is that where the psycho come from?
Speaker 4 (08:08):
No.
Speaker 1 (08:09):
The trolling.
Speaker 4 (08:10):
Mm-mm.
Speaker 1 (08:11):
Where the psycho come from.
Speaker 4 (08:13):
Psycho.
It's not no long story, but acop gave me my name.
Speaker 3 (08:17):
Yeah, Mm-hmm, a cop gave me my name.
Speaker 4 (08:21):
I was getting locked up one day and I think I was
kicking the back of their windowlike let me the fuck out.
And he was like, what's yourname?
What's your name?
I'm like AP.
And he was like, what's yourfirst name?
What's your real name?
I'm like AP, let me the fuckout.
He was like, yeah, ap, thepsycho.
And I just ran with that shit.
Speaker 2 (08:37):
Fire Damn.
Speaker 4 (08:46):
Damn, I'm like damn.
I went back and told my brotherand he was like that's your
name yeah, I'm like, yeah,that's my name fuck they talking
about that's
Speaker 2 (08:51):
kind of fire, all right, so I'm gonna let white
boy do it all right.
So we got AP in the building.
That's really the most, so wegotta do it right.
You feel me like I know peoplebe knowing, but like we're going
to really let them know today.
I'm saying so like with you,Philadelphia, you come from
(09:13):
North, right, you grew up inNorth.
Philly.
Speaker 1 (09:15):
No, I come from Uptown.
Uptown, all right, for sure.
Speaker 2 (09:17):
So growing up in Uptown.
It's not, it's not, it's not aum, it's not an easy place just
to be coming up out of.
Like let's talk about yougrowing up.
Like you coming up like give mea few of your influences, not
like, not like rappers, likepeople that's maybe like in your
(09:38):
house or maybe like rightoutside your door.
Like let's start there okay.
Speaker 4 (09:41):
Well, I kind of like I always looked up to men for
some reason, I don't know why,but it was like the, the people
that I always looked up to.
It was like my uncle and it wasmy cousin.
My uncle was like he just wassuper smart, he was a lawyer,
and my cousin he was in the nfl,like okay even though I didn't
(10:01):
want to play football, like itwas just like I looked up, like
when I looked, when I when Iseen them, I'm like I gotta get
money, these people, they justyou know, I'm like, yeah, all
right.
Speaker 2 (10:14):
So with you growing up in Uptown and men being early
influences, give me some ofyour early musical influences.
What's some of them coming up?
Like like when you first starthearing music.
Or like when you first start,when you could like think of,
like when you first went to gobuy your first cd or something.
Speaker 4 (10:34):
Give me that um, I didn't really like music like I
did, but it was more so like Ithink I like beanie seagull.
That was the only rapper that Iused to listen to like yeah, it
was just him cuz he was so hardand I wasn't used to the hard
shit, so when I heard it I likedit.
Speaker 2 (10:52):
Yeah.
Yeah that's crazy, right there,that's crazy.
Speaker 4 (10:57):
That's crazy Like he made me feel like damn, like I
ain't had no pop in my life,like I'm yeah, I'm on it I'm
gangster and I was never aheadof my dad and everything.
So it was just like I liked howhe made that shit feel.
It's just like damn.
You made me feel like I was inyour position, so that's why I
liked him so much Like yeah,Real shit though.
Like he made me feel that shit.
Like damn that had my whole pophe talking about something.
(11:24):
His dad wasn't around, he wassmacking his mom and shit.
I'm like oh, shit my dad Fuckmy dad Whole time.
My dad in the crib, like my dadin the crib, giving me whatever
I want.
So that's why I like him.
Speaker 2 (11:33):
I'm like he made me feel like that, yeah, I fuck
with him.
Speaker 1 (11:50):
No, you was on some gangster shit.
Speaker 3 (11:51):
Yeah, like you was some super gangster.
Yeah, real good.
That's what I'm saying.
I wasn't used to this.
Speaker 2 (11:55):
It's crazy.
Speaker 4 (11:56):
My dad was definitely a cop Yo.
He over here talking all thisshit, all right, no, just had a
good life.
Speaker 2 (12:16):
I don't remember no like you, like the gangster shit
though but that's the thing.
Speaker 4 (12:24):
That's the thing, though, cop kids, be the worst
fucking kids.
Speaker 3 (12:30):
They be the worst kids teachers, lawyers they got
the worst kids they say that I'mlike we good, we got this.
Speaker 4 (12:42):
I'm like what's up, officer?
Speaker 3 (12:44):
look, she know all the procedures, because it's
really all about approach.
I'm like we good, we got this.
I'm like what's up, officer,what am I getting?
Speaker 1 (12:45):
pulled over, for Look , she know all the procedures.
Speaker 2 (12:48):
Because, it's really all about approach.
Speaker 4 (12:49):
Yeah, it's about approach.
You can't be scared with thesecops, because if they smell that
shit, they're going to takeadvantage.
Yeah, like what's up theystraight.
Let me go Go ahead.
Yeah, I know I'm going yeah.
Speaker 2 (13:02):
They don't feel like that.
Speaker 4 (13:03):
Well, that's what it seemed like to me.
Speaker 2 (13:05):
You can't scare me what the fuck?
I'm scared for.
I'ma let her go.
Speaker 4 (13:08):
Let her go yeah go ahead, bunch of business.
I don't want to hear all that.
Everything legit, what's upwhat you want, why you pull me
over.
Speaker 2 (13:13):
So, with Mac being your early influence in music, I
didn't expect for you to sayMac, I ain't.
Speaker 1 (13:19):
Me either, because where?
Speaker 2 (13:21):
you take it from there.
That's crazy.
You got to figure that out.
Okay, so like.
She was living wild With him aslike Playing.
Speaker 3 (13:29):
Mac.
Speaker 2 (13:33):
When you start playing around with music, when
music sparked for you to likeI'm going to write music.
I'm writing music.
Speaker 4 (13:39):
Well, that shit was always in me, because I didn't
even originally rap, I was asinger, I used to sing.
Okay, they was playing my musicon the loudspeaker in high
school.
So it was just like, yeah, likethey'll play my music in the
morning and you know what I'msaying.
They'll do that like damn nearevery week.
So it was just like I wassinging, I was writing love
songs about my nigga and highschool, yeah, and middle school
(14:06):
too.
Speaker 2 (14:06):
I was.
I was singing in middle schooldang, so you was like.
Speaker 4 (14:07):
So everybody in school like knew that you did
music everybody knew my songokay, man, that's crazy, so like
I used to sing on people answermachine message for my friends.
They used to be like yo can youcall my boyfriend to sing that
song you made?
Speaker 2 (14:20):
I was like yeah for how old was you?
Speaker 4 (14:23):
I was like like 13.
Speaker 2 (14:24):
Like seventh grade, eighth grade I used to get they
boyfriends back.
Damn, that's crazy, yeah.
So you started off in likedoing music early, so you was
recording music back then too.
Speaker 4 (14:38):
I was just writing songs and just singing in front
of people and stuff.
Speaker 2 (14:41):
Okay, so you would be comfortable like doing music in
front of a cow early yeah andthat's, that's dope.
You know people be shy,especially like females, and in
front of a crowd of people it'dbe hard.
That's like something that gottagrow yeah, that's kind of dope
to hear like you've been doingthat shit since a teenager with
(15:02):
um, so what you doing music as ateenager and then like you
working your way on the hip-hopscene in philly, like tell me
like that process of you likecoming out of high school and
then like going into makingmusic and then hopping on the
hip-hop scene well, I stopped.
Speaker 4 (15:22):
Well, I stopped singing like 2011 and I started
rapping 2011.
Speaker 2 (15:30):
Okay.
Speaker 4 (15:31):
And like I wasn't recording 2011,.
But like I was like just like Ijust made this freaky ass song
and I just was like I want torap.
I don't like singing no more.
Okay, like.
So I just started rapping likesince 2011 and just was like it
was like a fun thing for me.
I knew how to write music, soit was just like really fun.
And then my first song I kindof wrote it was about my my, uh,
(15:55):
about a man I I was dealingwith and he had got locked up
and shit like that.
And then I took it to my folksand they was like this shit, hot
, let me write some shit for you.
So once he started writing shitfor me, it was like that's what
I was on and I'm really arapper now.
Speaker 2 (16:10):
Okay, so um what like ?
So give me like the time whenum like, cause I know you had
like a relationship with rock,like how, like, how was your
relationship?
And like when y'all came aboutmaking this song, how did that
come about?
Speaker 4 (16:26):
Rock was my dog.
We both from uptown, so Rockwas my dog.
We originally start.
He tried to talk to me and thenhe found out who my baby dad
was, and he was like all right,if y'all don't want to talk to
me, it's cool, I fuck with youthough.
So me and him had got cool, andthen I think, um, I had.
(16:50):
I had wrote a post on instagramlike who should I put on
psychos in love?
and everybody was um just at andp and b, because me and him was
supposed to bend to a song okay, okay but I was always like
bullshitting, so like everybodystarted adding them and he was
like the fat lady song, and thenme and him just linked and just
we just always just stayedlinking and he was like let's do
that song and we did it andthen that was there.
Speaker 2 (17:11):
That was the who came up with the idea for the video.
Speaker 4 (17:13):
Yeah, I did.
Speaker 2 (17:14):
You did.
Speaker 4 (17:15):
I come up with all my ideas.
Speaker 2 (17:16):
All the treatments.
Speaker 4 (17:17):
Well, yeah, me and my brother what used to.
Speaker 2 (17:20):
Okay.
So like early on, right, Likein saying rock, did you like you
knew he would be like, did yousee the star in him early?
Because it was a little earlywhen you was working, probably
like around R&B two or three orsomething like that?
Speaker 4 (17:35):
Yeah, I did see it.
I always thought that rock washot.
We was kind of like on the sameteam, kind of like my like my
folks back then was like lockedin with his folks, so everywhere
he went yo you.
Yeah, it was like all right, wetogether we got shows out here,
we got shows here.
We was like doing it togetherat one point in time.
Speaker 3 (17:54):
Yeah.
Speaker 4 (17:55):
So we both was kind of like yeah, we both was kind
of like on that wave togetherand I stopped.
Speaker 2 (17:59):
So y'all got to perform y'all song together on
stage and we actually didn't.
We didn't.
Yeah, I ain't gonna lie like Ithink I, um, I think I saw that
on.
I think hip-hop since 1987 usedto post the song that's how I
came across it, but I used to oh, I still listen to it like
probably like a couple times ayear.
I still think it's dope and likethe way like rock voice was
(18:19):
then it was raw, it was likeeven you, because you like your
voice elevated as well, like itwas probably like 10 years ago
that was.
So it's like for for like to seelike the elevation of like how
it could be like a person goingfrom that to like where y'all,
where he would be now and whereyou at now, is like dope to see.
(18:40):
You know what I'm saying.
That's why I asked you about itwhen I said like well, well, we
wasn't getting into like noneof your old stuff, but I just
think that was one of like thepinnacles of your career,
especially like early on.
That we could talk about that,you know I mean so like coming
off of that, give me likeworking on the music and then
coming like to your tape, toyour first tape, and and like
(19:01):
getting ready to put that outlike give me that run my first
tape, because I do have one tapeout that like I like don't
never listen to, but that waskind of like um, just like a put
the way through a throwawaykind of tape, like it was just
like all right, ap out therelet's, let's do it.
Warm you up, yeah, and I think Iwould have.
Speaker 4 (19:21):
I would have been doing more tapes and doing more
if I didn't just up and move toAtlanta.
Okay, Like without my teamperiod, like I didn't you know
it was just more so like if myteam was with it then I would
have been cool.
Speaker 1 (19:32):
Right.
Speaker 4 (19:33):
But it didn't happen that way.
It was like they wanted me intheir face.
Speaker 2 (19:37):
Yeah.
Speaker 4 (19:38):
My team that I had then.
Speaker 1 (19:39):
Okay, so did you up and move from music?
Speaker 4 (19:43):
I mean no, actually I started doing music down in
Atlanta, and that's when I metSlime and YSL.
Speaker 1 (19:49):
Okay, okay, let's talk about that connection.
Speaker 4 (19:53):
Let's talk about that connection right there.
When I moved to Atlanta I justwas doing a lot of networking
and it just seemed like everyroom I walked in they wanted me
to stay.
So the first person I met wasUnfun, which is um, that's Young
Thug brother, his blood brother, and me and him became like
best friends.
And then I met somebody namedGuapa Tarantino, that's future
cousin.
So I met future and thembecause of him.
(20:14):
They wanted me to be free bandsbut it was like my style was
more so YSL and it was like theybecame my family.
Like once I was with Unfunk,when I was around Thug and Yak
and Keed and all of them.
It was just like they made mefamily, like they didn't want me
to leave, and it was like meand Thug had a conversation
about a deal before my baby dadgot killed, my brother died, his
(20:37):
baby mom, his brothers, and itwas just like a lot going on.
So like a lot, of a lot of thatgot kind of like messed up.
Speaker 1 (20:44):
Did, like the whole situation with him interfere.
What when he got locked up?
Speaker 4 (20:49):
Yeah, it interfere with everything.
I had my own shit going on.
My peoples died, so it was likethat's one of my breaks that I
took.
My brother and my baby dad diedthree weeks apart, so it was
just like that's a hard pillyeah.
So it was, and it was like hisbaby mom died, his two friends
(21:11):
died, he went through a lot,yeah.
Yeah, like then, it's like hedied.
It was like we wasn't worriedabout none of that shit.
I didn't even give a fuck abouta deal, Like I wasn't worried
about that.
Speaker 1 (21:22):
That makes sense.
That makes sense, that fall inline.
Speaker 4 (21:26):
Yeah.
Speaker 1 (21:28):
Damn.
With that being said, I meanwould you continue with music,
are you?
Speaker 4 (21:32):
are you thinking of reconnecting with everybody and
I've already did okay, you know,I got my team, you know my
management and you know, slimejust came home.
I was just with him, I was justwith little baby, I was just
with everybody that I've beenwith, you know, everybody that
I've been around when I was inatlanta, like they be they my
family.
So it's just like I'm justwaiting to connect my team with
them so that we can make it makesense right, right, right,
(21:55):
right.
Speaker 2 (21:56):
So so so like what you know what you having those
like um, what you having thoserelationships and um, and
everybody like, because babyjust dropped thug come home.
So like it's like it's lookinglike they about to gear up to
put, you know, go on a run.
Now my whole thing is like like, with or without them, I still
(22:19):
would want to see you go on yourrun.
Speaker 4 (22:21):
No for sure, I got a team.
That's what I'm saying, yeah.
Speaker 2 (22:24):
So, like, all right, after that project that you
barely listen to, right orwhatever, you just throw away.
Like, give me like you workinginto the next thing after that,
like the next, the next, uhsingle after that and gearing up
for that you're talking about,as far as right right now, no,
like after the uh.
Cycles in love, yeah, no, no,no, not cycles and love the uh,
(22:44):
your first project what firstproject are you talking about?
The project we just was talkingabout.
Oh, aha no, no, that's, that'snew.
I'm talking about the onebefore that.
Speaker 3 (22:54):
Psychos in Love.
Speaker 1 (22:55):
Oh, that-.
The one that you put out, thatyou said your show ain't like
the first one you said when youput it out, you said you was
just giving it to the people.
Speaker 4 (23:04):
Oh, you talking about ?
Oh, it was called Dear Alex.
Speaker 2 (23:06):
Oh, dear Alex, yeah, it was about my kid's dad.
He was locked up and I wasbasically talking to him through
a song and you know, I just hada new, fresh baby, so it was
just like yeah, so like,basically, you really like talk
about real life situations.
Speaker 4 (23:24):
Yeah, real, life situations.
Speaker 2 (23:25):
Yeah, so I think that's like why I like some of
your fans and be like they likewant the music and be like into
it because, like you really talkabout life situations and
that's what it be like.
That's how you build your fanbase, because if one fan feel
how you feel, they be a fanforever, just off of that, you
know I mean that's why I got.
Speaker 4 (23:44):
I got a lot of the same fans because they know me
from their alex and cycles andlove and they, just like you
know- carried along like,because that's what that's,
that's how you maintain a corefan base, I mean, and they'll
follow you through your wholecareer.
Speaker 3 (23:59):
Yeah.
Speaker 2 (24:00):
So like bring us up to speed, like give us, like you
popping outside and you comingoutside, Sound new, new, new,
new project.
Everything getting, theeverything seeming like is
falling into place.
New team, so it's like youcoming outside, let's talk about
that Popping it.
Speaker 4 (24:19):
I feel like.
Speaker 1 (24:20):
This energy is crazy.
What's up?
Speaker 4 (24:24):
I feel like my new team now.
They got me working way more,so we're just like I really like
my new team.
We more active, you know knowlike I'm working more right, I'm
in the studio all the time youknow like so we're just like, we
just really on some droppingshit.
(24:44):
We try and drop like we try anddrop and put that shit in
people's faces.
That's it.
We ain't taking no breaks.
We don't got time for no breaksnow.
Speaker 2 (24:52):
Yeah, so like basically the game built off a
content catalog, so like that'swhere I think you could kill
them at you just got tocontinuously do it.
That's what the people bewanting.
It's just content, content,content and for real, for real.
It be like simple shit day inthe life you feel me.
They want to see what youeating and shit like that they
want to see what you wearingwhen you're playing in the back.
(25:15):
They want to see you gettingyour hair done, getting your
lashes put on.
That's just what the fans bewanting.
Speaker 4 (25:19):
I mean they want to see content.
It's just content.
Speaker 2 (25:22):
I mean it's really running a world, so like if, if
you can maintain a good sense ofcontent, and like build your
catalog as well, it's like you.
I mean the stars.
That's how I see it.
Speaker 4 (25:34):
Yeah, I feel like that's what we're working on now
.
Like you know, we getting morecontent together, so we can drop
it.
Speaker 2 (25:40):
Like you come up with AHA.
Speaker 4 (25:43):
I think I'm coming trim.
I think I'm trim on that shit.
I'm trolling, you know.
I'm letting bitches know whatit is.
Speaker 2 (25:54):
Like, yeah, I don't give a fuck, if that's your
nigga, I want them too.
Period, that dropped already.
That's how.
Speaker 4 (25:57):
That's how it ain't dropped, yet it's about to drop.
Speaker 1 (25:59):
It's about to drop all right, look on the creative
side of things, right?
You used to sing.
You don't sing no more, right?
Speaker 4 (26:05):
I do a little bit, but not not really like.
Speaker 1 (26:09):
It's kind of like you don't mix some of?
Speaker 4 (26:11):
my songs be like having little melodies in it.
Yeah, like I got this onecalled poland.
Speaker 1 (26:13):
It's kind of like you don't mix it.
Some of my songs be like havinglittle melodies in it.
Speaker 4 (26:14):
Yeah, like I got this one called Poland.
It's kind of like melodic.
Speaker 1 (26:17):
Okay.
Speaker 4 (26:17):
And then yeah.
Speaker 1 (26:18):
You ain't give that to the people yet I ain't give
it to the people yet.
Speaker 4 (26:21):
I feel like I'm going to like give them.
I'm going to give it to themwhen they ready.
Speaker 1 (26:34):
Like they not.
Okay, you can't confuse thepeople.
You gotta always understand.
Speaker 4 (26:35):
You cannot.
You gotta, yeah, put them inthe direction where you're going
.
Once you got they hurt and yougot all the attention in their
heart, then you can give themwhatever you want to give them,
because they already fiends,they're not.
You're not going to lose them.
Speaker 2 (26:42):
They love you talk, pop it that's cool, I, I think,
all right.
So sometimes, like how I'll belooking at it is like, like I
just said, the catalog.
So you give them layers of you.
Yeah, yeah, you got your poppyspace, but then you got your
polling space.
Speaker 3 (26:58):
You feel me yeah.
Speaker 2 (26:59):
Because we human.
Yeah, that's what I am.
You feel me, and that's thewhole thing.
People like to put music in abox or a habit, whereas though
you can only do one thing or beone person, or it's like they
typecast you I agree with that Iagree with that.
Speaker 1 (27:16):
They know they do, but kanye like the only one that
like you gotta do it he do whathe wants and drake and drake.
I feel like, not like on akanye level to 808s and then go
do watch the drone like that boygo make me confused.
Speaker 2 (27:34):
No, he's just the biggest artist in the world for
the last 15 Exactly.
Speaker 4 (27:36):
That's why he could do what he want.
He the biggest artist in theworld.
Speaker 2 (27:38):
I don't think he could do what he want.
Speaker 4 (27:40):
I think so he ain't did nothing and he ain't make no
money, yet I ain't going to sayyou were saying, though, I
totally agree with you.
Speaker 2 (27:51):
So I just think that's why you should give them
layers of you like don't thinkthat you could, but I am.
That's what.
Speaker 4 (27:55):
I'm saying, I'm gonna give them.
Poland.
But as far as me making a wholesong where I'm singing, I'm not
giving them that yet.
Speaker 2 (28:00):
Yeah, okay.
That don't make sense, justdoing a whole full singing song.
Yeah yeah, yeah no.
Speaker 4 (28:10):
I feel that hell yeah no.
Speaker 1 (28:11):
I feel that I get it, I get it, I get what you saying
.
Speaker 4 (28:14):
It's like the.
Speaker 1 (28:15):
Slime shit.
You know how they be raping andsinging.
I'll give y'all a bonus track.
It might be in the bonus, Mightbe in the bonus or something so
like is there anybody that youdidn't collab with that you
would like to collab with.
Speaker 4 (28:28):
Like as far as celebrity wise or like.
Speaker 2 (28:30):
Anybody.
Speaker 4 (28:32):
I want to collab with Slime.
I didn't collab with him yet.
I want to collab with PostMalone.
Speaker 3 (28:42):
I like White Iris.
Speaker 4 (28:43):
That's crazy, that you said that I like her, I love
him.
Speaker 2 (28:46):
I be listening to her .
Speaker 4 (28:47):
Yeah, I want to collab with.
I want to collab with somefucking rock stars.
I want to collab with somefucking rock stars.
I want to collab with Uzi.
I want to collab with fuckingBillie.
Eilish Travis Scott, what's herlocal?
I don't know.
I want to collab with peoplelike that.
Speaker 1 (29:09):
I want to collab with .
Speaker 4 (29:11):
JT.
I fuck with her I like JT, Ilike Sexy.
Reed, I fuck with her.
Yeah, you know I like sexy reed.
Speaker 1 (29:15):
I I fuck with her she dope no, I ain't gonna do that
to her.
Go ahead, what go ahead?
No, I was gonna ask her no goahead.
Speaker 4 (29:24):
No, ask me what you doing, no who you?
Speaker 1 (29:26):
who would you collab with locally?
Speaker 4 (29:28):
locally.
I feel like people that arethat I wanted to collab with, I
collabed with.
I collabed with K Glizzy yeah,we on the same motherfucking
team.
You feel me.
I collabed with Leaf Ward,skrilla Lights Me and him got
songs.
Who else?
Speaker 1 (29:49):
You definitely got a catalog.
I collabed with yeah, what's upwith Kwani?
Do like kwani.
He's hot, but I didn't collabwith him, huh she's cool.
Speaker 4 (30:02):
Yeah, I like, I like her.
But the people that I wouldwant to collab with right, um, I
collab with you feel me.
Speaker 1 (30:11):
I can see y'all making some though.
Speaker 4 (30:13):
Yeah, she hot, I fuck with her yeah.
But like I don't really likehonestly, I'm not even gonna lie
to you, I don't really likecollabs.
I like who I like, like and thepeople that I got on my collabs
, that's the people that I like.
Speaker 2 (30:25):
Hitler.
Other than that I be cool, yougot Hitler.
Yeah, yeah, you personally likewho you can I like who I like.
Speaker 4 (30:32):
I feel like the energy is there.
They had a to me um so thatsounds good, you to do, yeah,
yeah.
Speaker 1 (30:39):
What about reaching out to you for a collab how you
like you?
Speaker 4 (30:43):
you easy to um, yeah, I'm open to collabs.
Speaker 2 (30:46):
Yeah, like, oh, so say if somebody wanted to do us
all with ap.
Like how, like tell them theway to go about, yeah like, hit
my DM.
Speaker 4 (30:54):
If it makes sense, we on it hey man right from real
of the most hit her up make surey'all share, like, subscribe
comment if you don't use a muffhater.
Speaker 2 (31:03):
Why?
Speaker 1 (31:04):
because it's free all right, no man, we got AP in the
building.
White boy, you already knowwhat we about to do, about to
wrap this up in a second, butshe got to get these games out
the way, all right.
Speaker 2 (31:20):
So before we get the games out the way, right, I want
to do this Because, like, wegot to let them know fully
exactly how you come in and whenyou come in.
So, ap, you bought the drop.
I want you to tell the peoplewhat's coming next and when it's
(31:40):
coming, and give them the date,or if you got a date on a
project and when it's coming allright, you just shot a video to
write yeah, I'm gonna give themwhen that's coming as well my
video dropping soon.
Speaker 4 (31:54):
It's called aha.
Um, my project is dropping infebruary.
Not, I don't have the date fory'all right now, but just know
that it's dropping in february.
Um, you know me and kate lizzieworking on some shit.
We got a couple songs togetherwe dropping, you feel me, um,
yeah, and then I got this shitthat I do on psycho on sundays.
(32:16):
It's called psycho sunday.
Speaker 2 (32:17):
So it's like talk about that too yeah.
Speaker 4 (32:19):
So it's like it's some mental health shit.
You feel me.
Yeah, so it's like it's forpeople that have been following
me and the people that just thatjust follow me.
They know that, like I careabout I'm not just a rapper, you
feel me, I care about peoplebecause, like I've been through
some so it was like I rememberwhen I I didn't have anybody
right, so it was like, as far asthat, like I feel like I care
(32:40):
about people mental.
So it was like if, if y'allfollowing me, y'all with me,
even if y'all don't y'allwatching, so y'all gotta with me
some some type of way.
So it's like I'll be on somelike checking on everybody
mental and they write me, dm me,and I get them right like
listen y'all need help writethem back, and all that uh-huh
that's dope yeah.
So if they need help, they needresources, they need to talk.
(33:00):
They don't have nobody to talkto.
I'm near.
I don't give a fuck if I gottasit on the phone for an hour or
two like that's gonna save.
That's gonna save somebody life, then I'm doing it.
You do this every sunday.
Speaker 2 (33:11):
I do it every sunday some sundays I may miss if I
have things going on right there.
Speaker 3 (33:15):
That a non-profit right he is non-profit is in my
bio, that's fire like I reallypeople really be needing people
to talk to and I'm always in thedm talking to people, like
people, really.
Speaker 4 (33:25):
This, don't this not no fake shit, this some real
shit people.
Can I please call you?
Yes, call me right now what yougood no, I'm not good.
What's up, what you need me todo.
You all right, I need you totalk to me.
I'm here and anytime you needme I'm going to be there.
I'm not never going to leaveyour side.
If you need me, I'm there.
That's just what it is, BecauseI remember when I ain't had
(33:50):
nobody.
Speaker 2 (33:50):
Yeah, I think that's dope.
I ain't really never hearnobody say they did nothing like
that.
Speaker 4 (33:55):
That's what I'm on and it's genuine.
Speaker 1 (33:57):
That's real, genuine.
Speaker 4 (33:59):
Yeah.
Speaker 2 (34:01):
That's dope, I think.
Speaker 1 (34:04):
What made you come up with that?
Speaker 4 (34:06):
Everything that I've been through when I have friends
, that sometimes people theykind of judge you off of how
many times you went throughthings.
Like, oh, you know, sometimespeople, um, like they kind of
like judge you off of how manytimes you went through things.
Like, oh, you always goingthrough something.
Or you know, like I don't wantto be the friend that, oh, let
me call my friend and like haveto talk.
No, like I don't want to.
Like sometimes my friends isnot who I want to talk to as a
(34:28):
stranger.
Yeah, because you can't evenjudge me or you know.
So it was like I just rememberbeing that person that didn't
have nobody.
Speaker 2 (34:35):
I ain't going to lie.
I think, like, I really thinklike more artists should open up
a line to their fans like thatI know people get crazy, but
that's like super dope, becausepeople really do be going
through out here, yeah, and likeif they could like talk to the
their favorite artists about itand things like that.
Like maybe might like reallylike save them from jumping off
a roof yeah, I saved so manypeople.
Speaker 4 (34:57):
I did.
I saved a lot of people and Ifeel like you know what go with
my whole, my whole thing.
My name, ap the Psycho for areason.
So it was just like it justdidn't like the cop gave me the
name, but it's like it's deeper,deeper than that, like it's
real shit prior to that.
So it's just like you don'tever know what people have been
through or going through.
Speaker 2 (35:16):
Right, I agree, I agree.
I just think it's dope that youdo that, you know what I'm
saying so we getting the musicsoon.
Speaker 4 (35:24):
Yeah, you are.
Speaker 2 (35:26):
We getting the video soon.
Yep, we getting a project aswell, right?
Speaker 4 (35:33):
Yep, you are.
Speaker 2 (35:35):
Y'all hear the hero and really the most.
Speaker 1 (35:37):
So wait before you continue past that, you would
give out the information forpeople to reach out to you on
the mental health side of thingsyou could just hit my page.
Speaker 4 (35:46):
It's ap to psycho all right the o at the end there we
go and you know you gotta dm me.
I do psycho sundays.
Every sunday I check oneverybody mental health.
They can write in a box.
If you don't want to writenothing in the box, you could
just say check your dm, I'm, I'min your dm.
Speaker 1 (36:00):
Check your dm, I'm, I'm in your dm dang there he
does fire.
There you go, man.
Speaker 2 (36:07):
Make sure you tap man all right, so 12 sundays, so on
, rather than most right.
We play a couple games beforewe get out of here, one called
fast track, it's not too crazy,you just pick one or the other,
okay and advantage, though wefrom philly I I like I like to
start with this one even thoughI already know where you
probably gonna go, but majorfigures of state property.
Speaker 4 (36:29):
State property.
You already know what stateproperty is.
Speaker 2 (36:37):
Biggie or Tupac?
Speaker 4 (36:38):
Biggie.
Speaker 1 (36:45):
Jay-Z or.
Speaker 2 (36:45):
Nas Jay Z, you're too gangster man, rough Riders or
Rockefeller.
Speaker 4 (36:55):
Rockefeller.
Speaker 1 (37:00):
Damn.
Speaker 2 (37:01):
Come on, coral, you got it.
Speaker 1 (37:03):
I'm going to go a little up to date.
I'm going to say Leaf Ward OdesRyder.
Speaker 4 (37:12):
Leaf.
Speaker 2 (37:13):
Tor Cor.
Speaker 4 (37:16):
Tor.
Speaker 2 (37:18):
Skrilla Otis Ivequani .
Speaker 3 (37:21):
That's a good one, you can.
Speaker 2 (37:28):
Skrilla ot sub aquani slime of future man, come on,
I'm always to the mother, my badCome on man.
Speaker 4 (37:41):
That ain't even a question.
Speaker 1 (37:44):
That was crazy.
Speaker 3 (37:46):
Slime all day.
Speaker 2 (37:48):
Lord, baby or Dirk.
Speaker 4 (37:50):
Damn.
Come on what it get like that.
Dirk, I ain't gonna lie.
Speaker 2 (37:57):
Meek Mill or Drake.
Speaker 4 (37:59):
Meek Mill.
I can't go against my fuckingcity, that's right.
Damn Balenciaga or Prada.
Speaker 2 (38:02):
Balenciaga, balenci, meek Mill, I can't go against my
fucking city, that's right.
Speaker 4 (38:08):
Balenciaga or Prada Balenciaga.
Speaker 2 (38:12):
Yeah, celeste, or Brooklyn Chophouse Celeste,
because I like the name BeijingChicken be hitting.
Speaker 1 (38:21):
What did we say earlier?
Rye?
Speaker 2 (38:24):
Weave PNB and Ride Wave.
Speaker 3 (38:28):
PNB.
Speaker 1 (38:29):
I already knew they was going to do that.
Speaker 4 (38:31):
I fuck with Ride though I fuck with Ride Real
shit.
Definitely the fuck with RideWave, but definitely PNB.
Speaker 2 (38:38):
We paid for junkies, for sure, we don't ride waves.
Beyonce or Rihanna.
Speaker 1 (38:45):
Rih-Rih I'm going to bring Skrilla.
Speaker 4 (38:48):
Skrilla.
Speaker 1 (38:50):
Uzi.
Speaker 4 (38:52):
Skrilla.
Speaker 1 (38:53):
All right.
Speaker 2 (38:56):
I think Uzi should go with like with little.
Travis.
Speaker 1 (38:59):
Scott, I'm trying to keep it Philly though, but like
I don't, know, because I'm goingto keep picking Philly over.
Speaker 2 (39:03):
But like I don't know , Because I'm going to keep
picking Philly over anybody Like, that's just what it is.
It is what it is.
I fuck with Skrilla, all right.
Speaker 1 (39:13):
We're going to do the other game.
One guy go.
Speaker 3 (39:17):
Okay.
Speaker 2 (39:18):
All right.
So in this game right, it'slike the opposite.
We're going to say four people,one gotta go, and when we say
they gotta go, they wholeexistence go okay, so everything
like they never was here.
Speaker 1 (39:32):
So everything, yeah, so, and it's not on the personal
side of things either, likewhatever they personal life, we
ain't talking about that.
They music catalog, how theyrap, all that stuff yeah, all
right, so one gotta go who theysign um do the state property
john, first then you do it, thenI don't all right, uh, freeway
(39:56):
beans, oh skin though oh, so youknow already all right, wait,
wait, I'm gonna do it again then.
Oh, so you know already Allright, wait, wait, wait, I'm
going to do it again.
Then I'm going to do it again.
Speaker 2 (40:04):
No, because O, really , o took himself out the prop
anyway, o took himself out theprop.
You are all messed up, no see.
Speaker 1 (40:11):
O is all messed up.
Speaker 2 (40:12):
He out the prop he not in the prop O going to see
this and he going to be on us.
Speaker 1 (40:29):
No, O don't want to associate that anyway.
Speaker 4 (40:32):
So look beans free.
Oh, he did say that I meanbeans free crack or chris.
Speaker 3 (40:35):
He says but he gotta go.
That's the only thing I knew isyeah crack guy go.
Yeah, he gotta go.
That's the only thing I knew ofhim Crack gotta go.
Speaker 4 (40:44):
He gotta get the fuck on All right, man, come on.
Speaker 1 (40:48):
All right.
All right, y'all out of five,because everybody else, like I,
knew more.
I can't shut his mouth.
He gotta go bro.
I think I'm reeking a littlebit.
Speaker 2 (40:55):
All right, one gotta go Gucci.
Speaker 1 (41:09):
Shout out the prop Gucci, ti, jeezy and Wayne we
talking about they music TIdefinitely.
Speaker 4 (41:13):
He definitely got to go.
Ti a good business man, but hegot to go.
Speaker 2 (41:18):
I told you he's never going to die, so all right we
got to do it like this, then no,we got to.
Speaker 3 (41:23):
He's a gonna die, so alright we gotta do it like this
, then?
No, we gotta.
He's a good business guy.
Speaker 1 (41:28):
That's it it gotta be , Alright, do that one more time
, because everybody we ask thatquestion really say TI.
But TI really just had a moment.
We just gonna say that becausehe's a good actor.
Speaker 4 (41:45):
He's a good actor and a good business guy.
Ti is good for that.
That's it.
Speaker 2 (41:50):
All right, so Gucci, so Gucci, gucci.
Yo Gotti, gucci, yo Gotti,wayne, wayne and Jeezy Wayne,
you got to say Well, honestly,wayne and Jeezy Wayne, you got
to say y'all.
Speaker 4 (42:06):
Well, honestly, I say you said what you saying.
Say it again.
Speaker 2 (42:12):
Gucci.
All right, it's Gucci.
Wayne, Yo Gotti.
Speaker 4 (42:17):
All right, so Wayne, no, not Wayne.
Gucci, he got to go, gucci, Ifuck with everybody else.
Gucci got to go yeah.
Speaker 1 (42:25):
Gucci man.
Speaker 4 (42:27):
Yeah, because his old shit was cool.
But that was then.
Speaker 1 (42:30):
You know, when you let Gucci go, you letting Thug
go.
Speaker 4 (42:34):
No, I'm not.
Thug is a whole different niggathan Gucci.
Speaker 1 (42:38):
Ask Thug his story.
He gonna tell you Gucci man.
Speaker 4 (42:41):
No, that's what Thug want.
I want Gucci man to get the outof here.
I with gucci, but no, he gottago all right.
Speaker 1 (42:48):
So you get rid of gucci.
You know you're getting rid of,like the whole south.
No, he discovered, hediscovered almost every artist
in the south.
Thank you, man.
These is greater than these arebetter than you.
Speaker 4 (43:00):
Now what I'm trying to tell you is you're getting
rid of a whole the South ispopping in right.
(43:21):
Gucci been a rapper then a lotof people got got the south pop
in.
He's not, but he's not doing itnow.
Speaker 1 (43:29):
No, what I'm trying to say is all right, listen he's
saying, he's saying, he'ssaying he just see, if you
eliminate, I know that thatblossom right, but when he died,
they still gonna be popping.
Speaker 4 (43:37):
So that's, somebody else gotta be deceived, and
that's, and that's.
Speaker 3 (43:40):
That's slime.
Speaker 4 (43:45):
That was them.
Speaker 1 (43:47):
Yeah, yeah, you ain't getting the rules of the game.
So what's the rules of the game?
All right, the rules of thegame is I break rules.
The rules of the game?
Yeah, you definitely breakingthem.
I know the rules of the game is, once you pick the person, no
matter matter who they sign,they hold non-existence, they
music everything, the peoplethey connected with.
Speaker 4 (44:09):
All that never happened so you mean, they gotta
they, they did, yeah, they did,they gone what that mean.
Speaker 1 (44:16):
There's no.
Speaker 4 (44:17):
There's no existence over there, because that means
I'm killing the people that Ilike.
That don't make sense, exactly.
Speaker 1 (44:23):
There we go.
All right, so say the namesover.
All right, let's do it again.
Speaker 2 (44:27):
All right, gucci, yeah, wayne.
Speaker 3 (44:30):
Mm-hmm.
Speaker 2 (44:31):
Yo Gotti.
Speaker 4 (44:33):
Mm-hmm.
Speaker 2 (44:35):
Jeezy.
Speaker 4 (44:37):
Jeezy.
Who did Jeezy make?
Hot Jeezy didn't make nobody.
Hot Jeezy didn't make nobodyhot.
Speaker 2 (44:41):
He was just hot.
That's a fact.
Speaker 4 (44:43):
Yeah, gotti got a whole label.
I mean he did kind of bring.
Speaker 2 (44:46):
YG out though.
Speaker 4 (44:46):
But that's only one person.
Gotti didn't bring so manypeople out.
Gucci didn't got the y'all hearthe seed Fucking.
Speaker 1 (44:53):
I don't know, jeezy gave me 10 years of my life.
Speaker 4 (45:00):
Yeah, he gave you, though, but listen, because
Jeezy music age, it don't age,it don't age.
Speaker 1 (45:07):
His shit, don't age.
Speaker 4 (45:07):
That's why I can't get rid of him, all right.
So listen, y'all, not playingfear in there.
And it don't make sense Becauseat the end of the day we got to
think about what y'all else on.
Speaker 1 (45:15):
So it was like he's not, I'm not killing nobody.
Speaker 4 (45:25):
If I, if I pick Jeezy , I'm only killing him.
So it was like he gotsacrificed.
Nigga, you gotta be thesacrifice.
What's the ball?
Freddie Gibbs?
I don't even know him.
We don't give a fuck aboutFreddie Gibbs.
We don't even know Bulls.
Yeah, like I don't know.
Speaker 2 (45:42):
Bulls.
Speaker 4 (45:43):
I'm gonna do Freddie Gibbs like that?
Yeah, but listen, art, you know, you already know.
I don't even gotta explain thisshit.
Speaker 1 (45:52):
Give him four more.
All right, man, two more.
No, no, no, no, I don't knowshe want to do industry.
Speaker 2 (46:04):
Yeah, it could do it could be anything, I don't know.
She want to do industry.
Speaker 1 (46:07):
Yeah, it could be anything.
All right, glow Sexy, lottoMegan.
Speaker 4 (46:15):
Megan could go.
Speaker 1 (46:17):
I knew she was going to say that she ain't going to.
Speaker 4 (46:18):
She can get the fuck on.
Speaker 2 (46:19):
Hold on she a rant anyway.
Sexy who you say.
Speaker 1 (46:24):
Sexy glow Glow, sexy glow Lotto, the fuck, hold on,
hold on anyway, sexy, who yousay?
Speaker 2 (46:26):
well, I should switch sexy glow, sexy glow lotto and
and uh, who was the?
Who was the last one?
You?
Said man yeah meg is out ofhere, yeah, y'all honestly,
y'all honestly, exactly, oh no,no, we not, not like that, not
(46:47):
like that, not like that.
Speaker 1 (46:49):
It's not like that.
We got our man five in thebuilding.
He.
Speaker 3 (46:56):
This shit is easy, but we got five in the building
y'all, he said, make it a littletough so we about to.
Speaker 1 (47:02):
We about to turn it up in here.
Speaker 2 (47:03):
All right, here we go , One gotta go oh y'all crazy
man One gotta go.
Woo Jay-Z, uh-huh Diddy, uh-huhBirdman, yeah.
Speaker 1 (47:20):
What.
Speaker 2 (47:21):
Who?
The last one?
You said Birdman, Birdman,Diddy Dr Dre.
Speaker 4 (47:29):
Diddy's a fucking freak.
Speaker 1 (47:31):
Nah, no personal, none of this personal.
Nah, we talking about catalogand signing people?
Speaker 4 (47:36):
Well, say it again then Because Diddy can't go,
then Because he was in the wholeera with the bass shit.
Speaker 1 (47:41):
Yeah, so he got everybody from Mary J Blige,
French Montana, all them people.
All right, so say the namesagain.
Speaker 2 (47:49):
Diddy, jay-z, dr Dre and Birdman.
One got to go.
Damn, that's a hard one.
Speaker 1 (47:55):
Now you get the game.
Now you get the game Shit.
Speaker 4 (48:00):
You said Master P right?
No, What'd?
You say I said Diddy JayeezyBirdman and Dr Dre, damn Fuck
Birdman, he done put a lot ofthem.
Speaker 1 (48:12):
He put Slime.
What Nikki Dre Wayne?
Speaker 4 (48:14):
Damn.
Then you said fucking Diddy.
Diddy was the whole fucking erawith the fuck.
He was Biggie Jay-Z.
Speaker 1 (48:22):
Mary J, Mary Jane.
Speaker 4 (48:25):
Then you said then you said who the fuck else?
Again?
Dr Dre Eminem 50 Cent NWA.
And then you said somethingabout y'all.
Speaker 1 (48:38):
We said Birdman, Dr Dre, Jay-Z.
Speaker 2 (48:42):
And Diddy.
Speaker 1 (48:43):
And.
Speaker 4 (48:43):
Diddy.
Who was Dr Dre?
Jay-z and Diddy.
Speaker 1 (48:44):
And Diddy Jay-Z who was Dr Damn.
I think that Jay-Z had Yeezy.
I ain't going to lie.
Speaker 2 (48:48):
I think, dr Dre might have to go.
So like I ain't going to lie,like all right, look.
So like how I be, like weighingthis one.
Speaker 4 (48:57):
She going to know who she like the most.
Speaker 2 (49:04):
No, I got Riri, look he got.
See, that's how I be carrying.
Speaker 1 (49:05):
That's how I carry it too for hoes.
Speaker 2 (49:06):
That's how I carry it .
I be like y'all got hoes hecan't go.
Speaker 1 (49:08):
That's how I carry it , I said.
I said I can name two people.
Speaker 4 (49:09):
That's Drake.
I said Dr Drake going to haveto go.
Speaker 2 (49:17):
Because I and not that he ain out the west coast
yeah I can go without the westcoast I'm where I'm at you're
acting crazy I could go withoutthe west coast, shit that's just
me me too, yeah, so it's justlike like I just listen to them,
for sure.
I just listen to burt thepeople that, yeah, you ever
drove in a six.
Speaker 1 (49:37):
Four the people, that the people that I ain't from LA
, I don't be bippin' on that.
You can't do that, bro, sothat's what.
Speaker 2 (49:44):
I'm saying, Like all them other people, I listen to
them and everybody under them.
Speaker 1 (49:47):
Wait till you get in the 6'4".
Speaker 3 (49:49):
You over on Roselle's vibe and all that Out of
everybody.
Speaker 1 (49:51):
You want to hear that Kali Music?
That's a hard question, bro.
All right, well, you got to godo that first.
Speaker 2 (50:06):
No, don't like.
I like somewhere, I likecertain nwa, but I could just
get off the block.
No, I could just go without thelas.
Yeah, I could go without ifthey up against that three
you're talking about kendrick webeing, rather than we on rather
than most.
Bro, yes, we talk about them,me personally.
You're talking about why.
Speaker 4 (50:17):
Are you all right, let's talk about why.
Let's talk about that let'stalk about that.
Speaker 1 (50:21):
Let's talk about that yeah.
So you wasn't dancing to mynigga and all that.
Speaker 4 (50:27):
Listen, no, no Y'all got to stop.
He hot and all he smart and allthat shit, but we're not
bumping his shit, dj Mustard.
No, it's an acquired taste.
We're not bumping his shit.
Speaker 1 (50:38):
I'm just saying the West Coast got something awesome
.
Speaker 4 (50:40):
I've never really heard his shit in a club.
Speaker 1 (50:41):
That's a fact.
That's all I was saying, forsure.
That's the crazy thing aboutthat joke is because I'm about
to go live.
Speaker 2 (50:51):
You get rid of Dr Dre .
Speaker 1 (50:53):
It's the whole West Coast.
Speaker 2 (50:56):
That's the whole.
Speaker 1 (50:57):
West Coast Snoop Dogg .
Speaker 2 (50:59):
I'm talking about everybody.
Speaker 1 (51:00):
Everybody.
Speaker 2 (51:01):
Everybody that's like hot Gone and then we got
Everybody that's like hot GoneGone.
And then we got other people,that's hotter, that's still
there, I ain't going to lie.
That Snoop dropping like aSnoop dropping like it's hot
with Pharrell.
I love that joint.
Speaker 4 (51:13):
I ain't going to lie that joint, that joint timeless.
Speaker 2 (51:15):
I love that joint, that joint timeless.
Speaker 3 (51:18):
I love that joint.
Speaker 2 (51:19):
When I had the boost drawn, that was my ringtone
dropping like this.
Speaker 4 (51:22):
That was my ringtone.
I'm dead.
Speaker 2 (51:25):
On the next tail tip.
Speaker 1 (51:27):
Ain't nobody bumping 50 cents in?
None of them, dudes, though.
Speaker 4 (51:31):
Uh-uh, I still listen to many me, though I ain't
going to lie.
Speaker 1 (51:35):
Many men and 21 questions.
Yeah, yeah.
Speaker 4 (51:38):
They the only ones that's still like art, but I
could go without it.
Speaker 1 (51:45):
So you can't go without nobody else on the list,
right?
No, all right.
So by dr dre, you gotta go,gotta go bags, man sorry yeah,
man, it's the real of the mostpodcast.
Man you gotta go, dre gotta go.
You got ap in the building.
She said drake out of here yeah, he gotta go so look um.
Is there any producers you'reworking on in your project right
(52:06):
now?
Speaker 4 (52:07):
Yeah, I'm working with Brizzy now.
Speaker 2 (52:11):
Okay, that's dope.
That's what's up.
Shout out.
Speaker 3 (52:12):
Brizzy, shout out, brizzy.
Speaker 4 (52:14):
He sent me some fire shit, yeah, that's family.
I'm working with some guy fromout of the country.
His name Mikey.
Speaker 2 (52:21):
Mikey.
Speaker 4 (52:22):
Mikey.
He sent me some fire, they bethe ones, uh-huh, the ones out
of the country they be the onesyou gotta hit them on.
Speaker 2 (52:30):
What's that?
Yeah, they be the ones, bro,these ain't even that hot yeah,
they be the ones, they be theones we gotta link you up with
Nas yeah, we gotta, we gotta getyou with Nas and Nas T, I think
.
I think, I think someone askedyou and Nas and Nas T.
Speaker 4 (52:44):
Yeah, I fuck with that.
I need some beats anyway,because I'm real picky when it
comes to my beats.
Speaker 2 (52:48):
Okay.
Speaker 4 (52:50):
I like a lot of drops and shit.
Speaker 2 (52:51):
They going to craft it right for you.
Speaker 1 (52:53):
For sure.
So listen what we expect to seefrom AP in the next few.
I say months or weeks, so wegoing to give it.
Speaker 2 (53:03):
We going to, because the weather cracking price 60
days, 70 days, like.
When is you like?
Come on?
Speaker 4 (53:10):
well, I'm.
You should expect to see allgas, because that's what the
fuck we given.
What is the do?
Speaker 1 (53:22):
you shout out your rollouts and everything they
gonna be expect to see from youa so, yes, you just let them
know everything they expect tosee from you, because we bought
the clothes out.
Speaker 4 (53:37):
And give them where they could find you when you can
find me on instagram.
A Peter psycho, you feel meLike I said before we giving
them all gas.
You know we got Gigi, we lockthe fuck in and we got my
management.
We got Buck.
We got Fat Boy, we got Rico.
You know that's my team rightthere.
Speaker 1 (53:57):
Right.
Speaker 4 (53:57):
So it's like that's what we giving them, like we
ain't giving them nothing lessthan fucking gas.
Speaker 2 (54:02):
That's what we on Like we ain't giving them
nothing less than fucking gas.
Speaker 4 (54:04):
That's what we on and we got AHA on the way right.
Speaker 3 (54:06):
We got AHA on the way Tapping the.
Speaker 4 (54:07):
Psycho Sundays because I care about my
motherfucking people Type in atap in y'all.
If you don't got nobody, youknow you got the motherfucking
psycho.
Speaker 1 (54:15):
And that's on everything.
Y'all heard it here on Real orthem Moves.
Listen, if I could do an APSunday Cycle Sunday on Real of
the Most, let's see if we canget that done.
We can do that.
Where everybody can call you,contact you.
We can go live, do something.
Let's collab and see if we cando something like that.
Speaker 2 (54:35):
That'll be fun.
Speaker 1 (54:37):
I'll fuck with that.
It's Real of the Most Podcast.
Y'all heard it first here.
Ap gave us her first pod.
That's your first pod.
Gave us our first pot.
That's your first pie, right,yeah, her first pod man, hey yo,
that's what I'll be trying wedoing?
We doing it a little bit peoplethat sit on this couch you're
gonna see her on other pods,though.
After this though, probably afew for real.
They're gonna be reaching outto you.
(54:58):
They ain't gonna be really themost though hey man, it's the
really the most podcast.
Make sure you share, like,subscribe, comment, if they
don't use them up.
And why?
Because it's free.
You already know, man, we out.
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