November 14, 2024 • 59 mins
Join us for an enthralling session as we welcome the remarkable music producer, JNAT Beats, who has worked with industry heavyweights such as Lil Uzi Vert, and Chris Brown. We celebrate the creative energy of Philadelphia and the power of collaboration while diving into themes of personal growth and mental health. Surrounded by friends and family in the studio, we embrace the joy and chaos that fuels our creative spirits and reminds us to cherish each day.
Our conversation heats up as we tackle the current dynamics of the hip-hop scene, spotlighting Kendrick Lamar's recent triumphs at the BET Awards. We dive into the artistry that propels Kendrick to the forefront, challenging the stronghold of artists like Drake. As we navigate the competitive landscape, we ponder the roles of Pusha T and J. Cole, delving into the evolution of hip-hop and the yearning for the raw, fearless energy of past legends. The discussion naturally unfolds into the intricacies of music production and the journey from church choir rooms to the bustling studio atmosphere.
We wrap up with a reflection on the music producer's journey from securing his first major placement to becoming a celebrated name in the industry. This episode is a tribute to resilience, consistency, and the support of local figures like Dominicus and Buzzworthy. Through playful debates and insightful anecdotes, we invite you to immerse yourself in the vibrant tapestry of music, creativity, and podcasting. Tune in and celebrate the endless possibilities that lie in the world of hip-hop and beyond.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:16):
We'll see you next time.
I'm out of world.
Okay, white boy D2E.
Speaker 2 (00:40):
We got Jada in the building, y'all.
Speaker 1 (00:43):
We got Jada in the building.
Speaker 2 (00:44):
We did this shit all wrong.
Speaker 1 (00:47):
Keep it rolling, yo fuck it, fuck it.
Speaker 5 (00:49):
It should be crazy shit, man.
Speaker 1 (00:51):
That's what it like this is a fun episode, man we
got family in here today.
Speaker 5 (00:55):
We got family in front of the camera, all behind
the camera.
Speaker 1 (00:59):
Oh man we had a great time for a real long time
before shooting the episode, sodon't mind us man.
Speaker 2 (01:07):
Listen, listen, this person we got sitting down with
us man.
This guy been working man foryears.
He been out here.
Man, j-net, been working with alot of people man, oh man, sure
I could go in right.
Speaker 5 (01:23):
Yeah, I mean you want to.
I don't care, you know what I'msaying.
Speaker 4 (01:28):
He worked with some of your favorites.
Speaker 2 (01:30):
He got the Uzis out there.
He got the Meek Mills out there, he got the Diamond Cuts out
there.
Speaker 5 (01:37):
Nah, you know what I'm saying.
I ain't doing too much.
Speaker 2 (01:39):
Come on, man, he got the Chris Brown out there.
Beans, beans.
Speaker 5 (01:45):
Yeah, chris Brown, out there, beans, beans, let's
talk.
I'm sure you know like he canname a few.
I could name a few, but I'll betrying to, like you know some
of the work that I do is now.
Some of the stuff don't evencome out, so I want to say that
I did some what's down.
Speaker 3 (01:58):
I mean, you ain't do it though.
No, you know what he's doing.
Speaker 2 (02:01):
He.
He's trying to be my notfinished yet, he's still working
.
You know what?
I'm saying you know, whensomebody's still like I ain't
there, yet y'all.
I'm trying to get to a certainpoint before I brag and all that
.
Like bro, we ain't trying tohear that man?
We ain't trying to hear that weshowing our love to all our
Philly artists, producers,comedians, et cetera, man,
(02:26):
fashion designers Like if youdoing it, you doing it bro.
Because, he could be doinganything he could be out here
doing anything yeah right Rightright, right, you know what I'm
saying.
Speaker 1 (02:36):
Not being a college kid, and all that.
That's what I'm saying I got myhigh school diploma, you got
university on right now.
Speaker 5 (02:43):
Bro, listen, I ain't go to this college, y'all just
got the city from somewhere else.
Somebody shout out to thatperson that gave it to me Yo.
But anyway, you know, listen, Ithink it's like Shout out to
the person who gave it to me.
Listen bro, right, you don'teven remember.
Speaker 1 (03:03):
I don't know who gave it to me when the fuck is
Robert Morris at man I don'teven know, I think it's in
Pennsylvania, though?
Speaker 3 (03:09):
No, it ain't.
No, it's not, it's in Jersey.
Speaker 4 (03:13):
Bro, that's the college off of fucking Drumline.
Speaker 5 (03:16):
Oh, all right, you know.
Speaker 3 (03:18):
You don't remember Drumline, Robert Morris.
Speaker 5 (03:19):
Yeah.
Speaker 1 (03:21):
Oh yeah, oh yeah, that shit fire then.
Oh yeah, that hoodie, that's awhole new look now, that's fire.
Speaker 4 (03:25):
That's fire.
Speaker 2 (03:26):
Oh yeah, that's fire, so all right look, look, look,
I ain't gonna lie man, jnapbeats man.
Speaker 5 (03:32):
Yeah.
Speaker 2 (03:33):
We gonna get into who JNAP beats is, but for right
now we gonna start the show offlike this man how you feeling
white boy.
Speaker 3 (03:41):
I feel good, man.
You know what I'm saying.
Gaining progress in the pod.
You know what I'm saying.
Speaker 2 (03:46):
Right.
Speaker 3 (03:46):
You know we moving forward, Loving this feeling.
You know what I mean.
The space is open.
We smashing on these.
Speaker 2 (03:52):
Where you at.
Mentally, though, I'm good bro,you sure.
Yeah, hell, yeah, all right, myguy.
Speaker 1 (04:08):
How you feeling Cash?
I'm feeling great, man.
I'm just getting ready to startthis physical health journey.
Man, I'm about to start eating.
Right, I see you got the fitgear on, yeah man.
Speaker 2 (04:20):
So what you like on your workout now.
Speaker 1 (04:23):
Yeah, starting tomorrow that healthy cash.
Speaker 2 (04:28):
I'd love to see that, Bro, is it bad, what bro?
I'd love to see that hey Rube,can you hand me that cup right
there?
Speaker 1 (04:36):
Starting tomorrow.
Speaker 2 (04:37):
I'm going to try Shout out to my boy, ruben,
who's been helping us out sinceday one man holding it down.
Speaker 1 (04:41):
You know what I mean Shout out, rube, I'm a child,
though, rob Markman Jr, y'allsee Ruben out in the mix.
Speaker 2 (04:46):
Man, make sure y'all show Ruben, love he the reason
really the most, still movingaround like this.
You know what I'm saying I'm achild.
Speaker 1 (04:54):
I'm a child and I don't like using the word child,
so I'ma do that shit, man, andmentally I'm just.
You know, I understand this dayby day stuff now.
So that's what I'm doing, andit's all good for me, man good,
I appreciate that.
Speaker 2 (05:12):
I mean you letting us know how you feel and
everything.
Speaker 5 (05:14):
Absolutely jaynette, how you feeling right now, man
oh man, you know, just waking upevery morning, that's just a
blessing itself.
You know, yeah, I mean, there'ssome.
You know, just waking up everymorning, that's just a blessing
itself you know yeah.
You know what I mean.
You know some people don't wakeup every morning.
You know they don't get achance to Right.
So I'm thankful for that.
So I'm just going to say,morally, you know how I'm
(05:35):
feeling, I'm feeling thankful.
You know what I'm saying, damnPaul Crazy.
You know what I mean.
But you know, yeah, I feelthankful today.
You know what I'm saying.
Like you know, yeah, that's it.
Speaker 2 (05:51):
All right, All right, that's my guy.
Man that's family man that's myguy.
I'm going to just say, man, I'mhappy that I got J-Net up here
right now.
You know what I'm saying?
Like that ain't normal.
You know what I mean?
I need a round of applause justfor J-Net coming through.
Yeah, Shout out J-Net.
Speaker 1 (06:09):
Yeah, yeah, shout out J-Net.
You not going to see him on?
No podcast.
Speaker 2 (06:14):
You not going to see him doing no interviews?
Speaker 5 (06:17):
Ain't not really, he don't be at no music videos, no
more.
I mean, you know, I don't.
I ain't gonna say I don't comeoutside.
I be outside.
But if I go outside, like youknow, I'm trying to get some
money.
You know what I'm saying.
And you know I just had a child.
You feel me and stuff like that, but you know, outside ain't.
(06:38):
You know, I'm older, so outsideain't really for me it's these
young boys, you know.
Right you know, trying to fucksome bitches.
You know, do what they do.
You know what I'm saying.
I mean even these young boys.
They need to chill and gooutside.
Y'all need some bitches,Because y'all young boys be
wildin'.
Let me just say that, first ofall, like y'all, it's not, it's
(06:58):
not.
Don't be scared to fall in lovemy guy.
Go get your girl you know whatI'm saying?
Go.
You know what I mean.
Chill, stop trying to bethorough around your niggas when
you know you're going to arguewith your bitch tonight, because
you're trying to be thorough infront of her.
That's why she be like youalways want to beat y'all.
Just do the right thing myniggas If you don't want to
(07:19):
argue, just listen to your bitchsometimes.
Speaker 4 (07:21):
You know what I'm saying.
Speaker 5 (07:23):
But anyway, you know that's one thing.
You know what I mean.
But other than that I bechilling man and I do be outside
.
Just, you know I don't be ineverybody's face.
You feel me?
If I fuck with you, yeah, I'm abust it up.
You know all that type of shit,but if you ain't, you know what
I mean.
Like partner, like that shitover Party's done, shout out to
(07:46):
my man Twine.
Speaker 2 (07:50):
Party done, party's done yeah.
Speaker 5 (07:52):
Yeah, yeah.
Speaker 2 (07:54):
That's that shit.
Speaker 5 (07:55):
That's that shit We've been saying that shit for
like five, 10 years there now,man, i'ma say 10.
That shit over yeah.
Speaker 2 (08:04):
Party's done.
Speaker 1 (08:04):
There's all this South Philly inside joke shit
going on right now and I don'tknow what the fuck going on.
Speaker 4 (08:10):
This shit been happening for like three hours
and I don't know who these namesis.
Speaker 5 (08:16):
I'm going to keep it real.
I don't know.
Let me get this straight rightnow.
People are going to be like ohJay, you ain't no fuck from
South Philly.
I know that I ain't from SouthPhilly you know, but I got you
might as well say, I got familyin South Philly Family ties.
And not only that, not there upnorth, west, southwest yeah,
you know what I mean.
(08:37):
All parts, man.
You know, niggas, fuck with meyou gave you your South.
Philly, I don't know what typeof time you on.
Speaker 3 (08:43):
We gave you your South Philly Shahada, especially
if you got money and you don'tfuck with me, you crazy.
Speaker 5 (08:48):
We gave you your how you got more money than me, but
you hate.
Speaker 3 (08:50):
We gave you your South Philly Shahada.
Speaker 1 (08:52):
What the fuck is wrong with these niggas South.
Speaker 5 (08:55):
Philly.
Speaker 1 (08:56):
Shahada South Philly.
Shahada no no, no, oh OK, if,if, if I know you eat pork, I
know you eat pork.
Speaker 5 (09:06):
Who me you?
Speaker 1 (09:06):
a fucking pork chopper.
Speaker 5 (09:07):
No, I don't eat pork, no, I don't eat pork.
Speaker 2 (09:09):
You don't eat pork, Leenat.
No, I don't eat pork.
Speaker 1 (09:11):
So look right, I don't eat pork.
It's all, felicia Hottis, thatyou eat.
Speaker 5 (09:19):
I used to.
I ain't never eaten something.
Speaker 1 (09:21):
What was your favorite?
Speaker 5 (09:21):
Bacon.
No, it was some Haitian shit.
I'm Haitian y'all, so I used toeat something called griot.
All right, oh, griot, griot,that shit was oh man, what's
that?
It's like some deep fried porkor something like that.
Oh, all right, you know what Imean, but after that, just
knowing what it do to you andwhat it is like, no, I ain't.
Speaker 2 (09:44):
But what I been tell you though, Huh, what I been
tell you about that, Like man, Itell you like don't, don't,
Stop eating that shit.
Speaker 5 (09:52):
I ain't never eat it, man.
What the fuck did you say, youcrazy?
He trying to catch you.
He is just crazy.
He trying to catch you, duh.
You never heard me do that.
Speaker 1 (10:04):
Fuck that.
Hey, yo listen man Bro.
Speaker 5 (10:08):
It's funny, man, let's get right into it, bro,
y'all my niggas, yeah, youalready know.
Speaker 1 (10:12):
Kendrick Lamar just won every award that he was in.
Speaker 3 (10:15):
On BET right.
Speaker 1 (10:17):
Every joint.
Speaker 3 (10:18):
Should have known that.
Speaker 4 (10:19):
Best hip hop artist.
Speaker 1 (10:21):
Not like us.
Won like five new single besthip-hop artist.
Speaker 4 (10:26):
Best best video best video the best lyricist he just,
he just made a clinic.
Speaker 1 (10:34):
He just just, he just like cleaned up no tour this
year, no for a house.
Real rap no tour no album thisyear, none of that, it's just
they not like us.
That's it.
That's all it took.
Yup, yup.
Speaker 5 (10:53):
I'm going to keep it real.
It's like that.
That's not what's that song.
Not Like Us, but that just showhow many niggas don't fuck with
Drake.
For real, for real.
Speaker 3 (11:03):
No, I don't really think it's that Shout out to
K-Dot man, I ain't say Drake.
Speaker 5 (11:07):
Listen, I like both of the artists.
I think it's Drake.
I think it's Drake.
Speaker 3 (11:12):
Drake been winning for a long time and they just
wanted to see somebody else inthat spot.
Speaker 1 (11:16):
Exactly that's what he did.
That's the same thing For real,oh I don't know.
Speaker 3 (11:21):
He said he say they mean, like he was saying, like
they like Drake, like people.
No, I don't think they don'tlike Drake, I just think that
Drake just been number one forso long.
Speaker 2 (11:33):
Yeah, that's true, it's the same thing, like with
me.
You know, I mean they want tosee you.
Take that.
Oh, you know, I mean theyanxious to see you.
I mean go down.
Speaker 3 (11:41):
I want you to go out like that 50 and 0.
Speaker 5 (11:44):
They don't want that at all.
You got to listen.
I'm undefeated for real.
You ain't nothing.
Oh, I could do this.
They feel like they could dothe same thing you're doing.
They could.
Speaker 1 (11:54):
I ain't going to lie though, bro.
I'm going to keep it real.
See, this is what I said rightwhen Pusha T and Drake was going
through they whole jaw.
Speaker 2 (12:07):
My fault.
My fault for the FD Spray.
Make sure everybody phones onsilent FD Spray.
Speaker 1 (12:12):
FD Spray.
It's in the fridge.
Pusha T did what he did toDrake.
You know what I mean.
He ain't drop story or add adime and become what Kendrick
becoming.
Speaker 4 (12:24):
So it's, I think it's part.
Speaker 1 (12:26):
People keep saying things like it's not Kendrick,
though.
Speaker 3 (12:29):
Oh no, it's Kendrick for sure.
Speaker 1 (12:31):
Yeah, like it got to be who you are like, still Like
he is his.
Remember when our first episodethat we ever put out, I say yo
that boy Kendrick going,remember Y'all remember that
shit.
Speaker 4 (12:46):
No, I remember yeah.
Speaker 1 (12:48):
That was the first episode we ever put out
Motherfuckers laughing at me.
I knew what it was becauseDrake never even pushing out
like Kendrick.
Speaker 5 (12:58):
Like it's different, bro.
Right right, right, right.
Speaker 1 (13:00):
It was either going to be Kendrick, I said it was,
either going gonna be Kendrick,I said it was, either gonna be
Kendrick.
Push it to, but it just it'sjust later in his career, right
now.
But there's a couple peoplethat, like you could just tell
Drake didn't wanna they saidthat it was a white boy they
(13:23):
said it was thank you.
Speaker 3 (13:25):
They said that no problem.
They said that it was um jayprince that was telling drake to
pull back off a pusher youbelieve that?
I'm just saying that's whatthey say because of the, uh, the
disc or whatever it was toocrazy or something, bro.
You heard that, though, right Iheard that.
Speaker 1 (13:42):
But I right, I heard that but I feel like Be, careful
with the mic, my bad.
Speaker 2 (13:45):
You're making a lot of noise, yeah.
Speaker 3 (13:49):
I just think that Drake had that number one spot
for so long that the masseswanted to see at least him be at
battle with somebody that cantake the spot like Kendrick did.
Speaker 1 (14:03):
Yeah, right, right.
Speaker 3 (14:04):
You know what I'm saying.
So it did have to take anartist like Kendrick to get the
people of the masses.
Speaker 1 (14:11):
Yeah.
Speaker 3 (14:12):
Because I still, like you saying, Pusha is a
well-rounded artist.
He's one of my favoritepersonally, but I still don't
think he yeah, he couldn't have-.
Speaker 1 (14:25):
No, he either could have been Kendrick or Cole, but
I still don't think he canKendrick or Cole, but Cole.
Speaker 4 (14:32):
Yeah, about to say Cole move flaky flaky flaky.
Speaker 1 (14:38):
No, I'm cool, he flaky.
Kendrick, kendrick, I'm tellingyou, bro, is how he's how he
did it.
Speaker 3 (14:49):
Kendrick said F that unapologetically right at him.
Real shit, that's how theywanted to see it, bro, ain't.
Nobody wanted to keep sayingsubliminal nigga, pull back.
Speaker 4 (14:55):
Subliminal moonwalk out, he's my brother.
Speaker 2 (14:58):
I ain't gonna lie Subliminal.
Next, thing, you know, they ona song together.
Speaker 5 (15:01):
They on a song together.
Drake is the king of subliminal.
Speaker 3 (15:04):
No, bro Drake is the king.
Kendrick went right at him.
I don't fuck with you no, Jay-Zis.
I don't.
But Drake taking that spot nowI don't fuck with you.
I'm not fucking with you.
You got all these weird likeyou know what I'm saying Start
pointing out things around himLike nigga you, that's what the
people wanted to see.
(15:24):
Yeah, you know what I mean?
Nobody really knew it was justgoing to be Kendrick.
Speaker 1 (15:28):
I think um.
Speaker 2 (15:30):
Hold on, hold on.
Before you continue, make surey'all share, like.
Subscribe comment.
Speaker 3 (15:35):
If you don't, you're a motherfucking hater.
Speaker 2 (15:37):
Why?
Because it's free y'all.
Yeah, look, and J-Net y'all.
We letting y'all know thisright now he is not a regular
guest up here.
He is really like our brotherfor real Don't look at it like
oh, y'all not questioning theball, or this not how it?
Normally go.
Speaker 5 (15:56):
No, this is fan shit, this is like regular shit.
Speaker 1 (15:59):
We just mobbing right now, but I wanted to get
through this because I know wewant to do a little shorter
today.
Kendrick was obviously going tobe always the one for the last
decade to do what he did toDrake.
That's why Pusha shit was somuch of a surprise, because
everybody knew it was going tobe Kendrick.
(16:21):
So Pusha doing that shit firstwas just like damn, but Kendrick
is the one to do it.
Take 10 home 10 awards, get aSuper Bowl.
We all knew all that type ofshit was going to be, Kendrick.
And on top of that we could getright into the cold.
We could get right into thecold shit because cuz I ain't
(16:43):
fucking with him.
Speaker 3 (16:45):
No, listen, I mean that been that way, since that
Like you feel me Right, right,right, like we said we was
talking off camera or whatever.
So like why the fuck you gonna,how the fuck you throw a shot,
you back out of it and then,after this shit is over with,
you, want to talk about it.
Speaker 1 (17:03):
Why you want to hear that that shit don't make no
sense bro.
Speaker 4 (17:05):
Why you burning me out bro?
He's just being a man.
Speaker 3 (17:09):
I ain't going to lie, bro the modern day rappers, bro
, they burns me out, bro, theybe burning me out, bro.
And then they soft as shit, bro, because look, because it be
taking me back to, like when Ibe first getting into hip hop,
right, and I be first, like damnBeanie, siegel, jay-z, all
(17:31):
right bet.
And like Biggie Smalls, like webe invested, like these, be the
people that we be invested to.
That made us love hip hop andy'all the top three, yeah.
Bro, it's lyrical warfare, bro,ain't nobody going to put, made
us love hip hop and y'all thetop three.
Bro, it's lyrical warfare, bro.
Ain't nobody going to put abomb on your house, it's only
fucking raps.
Speaker 2 (17:52):
Why would you moonwalk out?
Why you moonwalk?
You already got the.
You feel me.
Speaker 1 (17:57):
Bro J Cole be in New York riding a bike.
Speaker 2 (17:59):
So the fuck what?
Ordering from a loud point, youone of the best.
Speaker 1 (18:02):
no, what he trying to say, no, what I'm trying to say
is that's how free he is likefree going to happen to you, bro
, but this is this is look, bro,so look, and jayman, I want you
to burn me out.
Speaker 3 (18:15):
Can you imagine my bad?
Can you imagine going tocollege and growing up off of j
cole like him, being your numberone rapper and and he do some
shit like that?
Speaker 1 (18:23):
Yeah, yeah, college kids man, and I want everybody
to know that we hear what y'allsaying in the comments.
Speaker 2 (18:30):
We're going to try to like shape up the show a little
bit better.
Man, we paying attention, youknow what I'm saying.
But we definitely Philadelphia.
You know what I'm saying, wePhilly.
Speaker 1 (18:41):
Listen, fuck that for right now.
J Cole, you want some bitch assshit, bro.
I ain't trying to hear none ofthat, bro.
Speaker 4 (18:49):
You want some bitch ass shit bro.
Speaker 1 (18:51):
This is hip hop.
Fuck, is you talking about?
This?
Is not Big Meech and LarryHoover and them bro.
This is hip hop, bro, real rap.
And then if you leaves up, weall know y'all always cool.
So if you want to answer that,all cool.
Even if he wouldn't answer andput this song out, he damn cold
(19:19):
really a rip.
Speaker 3 (19:19):
You put out a song first of all.
Speaker 1 (19:20):
You started it because you know we big three
before great, yeah, kendrickwent at you and then you put out
a fucking album Going atKendrick Hold discography, then
took the shit back.
Speaker 2 (19:31):
He the one that made Kendrick go win Come on bro.
Speaker 1 (19:34):
Everybody know Kendrick really wanted Smoke
with Drake.
That's why he was.
Speaker 2 (19:38):
But come on, bro.
Once he heard that J Cole, heprobably was ready.
Speaker 1 (19:42):
So this is what I'm saying you can't, never.
I don't give a fuck, cause Jcole is like an excellent a plus
to the max rapper, but he can'tbe the best rapper how you, the
best rapper, when you sendwarning shots it's chinks in his
armor bro that said he waslosing sleep.
Speaker 5 (20:03):
I feel like, I feel like you know, I feel like he
was just trying to be a man, butbecause he just knew the smoke
was coming, he ain't reallywanted, because he ain't.
That's not who he is, you know.
You gotta understand drake, Imean not drake, uh j cole, he
ain't.
Do you consider him a street?
Speaker 3 (20:21):
you're saying about no street.
Speaker 5 (20:22):
No, I'm just saying he probably look at it like that
and he don't want to think it'sserious.
Speaker 2 (20:27):
Because it's really serious between Drake and
Kendrick right now.
Yeah, that shit serious, it'sreally serious.
Speaker 5 (20:33):
Like niggas could die off of this shit and he's not
ready for that.
So you know what.
He already knew what was goingto happen.
Speaker 1 (20:50):
So a I think that J Cole knew Kendrick was going to
be talking all this PDF file.
Speaker 5 (20:53):
Shit on.
Not Like Us.
That's what I think.
Speaker 3 (20:53):
He heard the record.
Speaker 1 (20:54):
I mean he heard yeah he knew he was going to be on
something he heard the record.
Yeah, and that's when he backedout.
But still, bro, this hip hop,you shouldn't never Heard the
record, bro.
You putting a song on iTunesand taking it off is like the
worst shit a rapper can ever.
True, rob.
Speaker 4 (21:11):
Markman Jr, that's that.
Speaker 1 (21:12):
like that, that's bullshit, bro.
Speaker 5 (21:15):
Like that's the iron True but you go guess who else
did some shit like that, andthat's like one of my rappers
who, Jay-Z did that withJadakiss and he put beans on
them.
You feel me Like.
Speaker 2 (21:29):
Jay and Jadakiss what song was that that he took down
?
Speaker 5 (21:32):
I forgot, but damn, I ain't forget, but I know
something.
Speaker 1 (21:35):
Hold what you say.
It's just Jay-Z and Jadakisswhat you say.
Speaker 5 (21:40):
What you say Jay-Z and Jadakiss was really first
origin with Jay-Z and Jadakiss.
Speaker 3 (21:44):
Right.
Speaker 5 (21:45):
And he threw Beans in the mix and they turned into
they.
You know what I'm saying.
Speaker 2 (21:49):
They turned into they beef.
I remember that happening likethat.
You feel me.
Speaker 5 (21:51):
Because certain niggas know, like it's only
certain niggas that come.
It could come at Dre and hisand Pusha T is one yeah.
And Kendrick is one, and J Cole, because they really are
well-respected in the music andrap game.
You could be hot as shit, butif niggas don't look at you like
(22:14):
that, top nigga you ain't.
You could say some hot ass shitcoming at Drake but you just
ain't that to me.
Speaker 3 (22:21):
Look at who they gunning at.
Speaker 5 (22:23):
But you just ain't that to me.
Look at who they gunning atNiggas.
Don't listen to rap no more.
You even said it earlier, youfeel me.
Speaker 3 (22:26):
Look who they gunning at.
Speaker 2 (22:27):
You know what I'm saying they gunning at the
number one person, so Well, I'mgoing to say this but the go-at
drink, you need to know how torap.
Speaker 5 (22:37):
Yeah, I think, and.
Speaker 3 (22:38):
You ought to know how to rap on a high level.
Yes, very high level.
Speaker 2 (22:41):
Yes, you ought to be elite.
Speaker 1 (22:43):
Yes, that's what's making me even more mad at J
Cole, Like he's like.
Speaker 3 (22:50):
He's kind of perfect for the job.
But yeah, not backing out likethat though.
Speaker 2 (22:55):
That's the only thing your heart got to be in it.
Speaker 5 (22:58):
I feel like he backed up because he ain't a street
them.
So he know, and this shit isreal, man, bro, boy, guess what
Niggas try to drop?
Uh, niggas was, they was, uh,I'm sorry y'all, I keep saying
niggas, so please you know whatI mean.
You feel me, yes, you killin'us, but you know, uh, when Rick
(23:18):
Ross, you know they startbeefing what they try to do with
Rick Ross and his DJ, they beatthem the fuck up.
Speaker 3 (23:26):
Wow, that's my jaw right, you know what I mean,
because it's serious.
You think?
Speaker 5 (23:30):
J Cole want to get jumped and beat up right now.
Speaker 3 (23:32):
Can you imagine Cole, 10th grade, 11th grade, lord
Wayne and the beef and he throwa shot and then and then
moonwalk out of the situation,right, can you imagine that, bro
?
Speaker 2 (23:51):
he did it well jelly, y'all remember when, when, uh
little wayne, birdman deletetimeout.
Speaker 3 (23:59):
I'm about to eat this on worse.
Speaker 2 (24:01):
He came to philly.
He had a.
He had a.
He had to do a appearance at aclub.
Bro, he didn't show up left,hopped on a tour bus and hopped
back on the road he did brogillian was in there yeah I know
, but I'm just saying that's thethat's damn near the same shit,
(24:22):
that's something like streetshit involved but that's how we
looked at that back I'm talkingabout the rap, just rapping but
right there, we looked at itlike that.
You, though, back then you feelme, though.
Speaker 3 (24:34):
Can you imagine that if he backed out on some rapping
?
Speaker 4 (24:36):
shit.
He was like oh, he ain't go tothe club.
Speaker 1 (24:37):
And you talk about you, the greatest rapper alive
and all that.
Speaker 5 (24:41):
Oh shit Dillion and that who Back then oh.
Speaker 3 (24:45):
We all knew that he wasn't that who, who.
Speaker 5 (24:50):
I couldn't stand it with Gilly, but guess what?
Speaker 2 (24:53):
But Birdman though.
Speaker 5 (24:54):
Well it ain't that you right.
If you got a nigga behind you,that's straight.
Speaker 1 (24:59):
It don't matter.
Hand me that John Go ahead youheard what Kanye said.
Speaker 5 (25:04):
Right, he told a story where a nigga tried to rob
him somewhere in the dinerright.
Speaker 3 (25:09):
In the beans.
Speaker 5 (25:11):
Somebody trying to rob him at a diner.
Guess who he called.
He called Beans.
Speaker 3 (25:17):
He put a two-way out.
He's not about that, so hecalled Beans.
He put a two-way out and Beansthe only one that responded.
Speaker 5 (25:22):
Exactly, he put out a whole emergency.
Speaker 3 (25:26):
To the whole Rockefeller and Beans showed up
On a two-way Matt the only onethat showed up and he slide.
Speaker 5 (25:30):
And they already know Matt the only one that showed
up and he slide and they alreadyknow.
If you didn't know Beans, youknew him then and now.
Speaker 2 (25:37):
But that got nothing to do with this rap shit, though
it don't.
I feel, like when you're arapper man, you got to stand
your ground.
You know what I'm saying.
Speaker 4 (25:48):
I don't care if you're a backpack rapper.
Speaker 1 (25:55):
I don't care if you came out yesterday with songs.
That's really part of being ahip hop artist.
Speaker 2 (25:56):
I feel like, as an artist, you got to stand your
ground, bro.
Speaker 3 (25:59):
That's one of the elements, bro.
People be losing sight of theelements of hip hop.
That's because they don't beknowing what they be a part of.
They be just singing songs.
Speaker 5 (26:09):
Right, right.
Speaker 4 (26:10):
Yeah, and if you can't stand, the heat, get the
fuck out the kitchen.
Speaker 1 (26:14):
I'm not feeling him, though I'm not feeling Cole bro.
Speaker 3 (26:16):
Yeah, I agree.
Speaker 2 (26:18):
Point blank period I grew up off this shit, alright
Cole, so look this the end ofthis.
I still fuck with you, ColeReal, of the most said you gotta
do something extravagant for usto even be like damn Cole wants
some shit Classic album orsomething.
Speaker 3 (26:29):
You gotta do something.
Speaker 1 (26:30):
Even with a classic album, bro, I ain't fucking with
him bro.
Speaker 5 (26:33):
I'll fuck with you, Cole.
Speaker 1 (26:35):
You don't do that in hip-hop, bro.
I understand you ain't donothing to run in hip-hop,
because I don't want to hear.
Speaker 5 (26:41):
all right, I don't want to hear if he drops
something crazy and niggasbopping like oh shit.
Speaker 2 (26:46):
No, he definitely going to drop something crazy.
Because everybody alreadybopping to what he got right but
stay out of that lane, don't goback in there.
No, he learned.
Speaker 5 (26:54):
That's why he put that song out.
He let you know I was, I wasout of pocket, even though
everybody tell me do this and dothat.
But you know what?
I did this and I'm I'm I'm realalliterating to say I apologize
again, because I should never.
But in the same time, drake ismy guy and he looked out for me.
(27:16):
You know what I'm saying.
It could have been music,everything in life.
He looked out for him.
So he got you never bite thehand that feeds you.
You know what I'm saying.
So they got a different type ofrelationship.
But in the same time, he messedwith Kendrick, and Kendrick
guess what?
Kendrick ain't gonna come atyou and say, oh, if they don't
feel like that, we should notfeel like that All right man,
(27:36):
Because it's the type of theygot history and everybody know
each other behind the scene ofrapping.
It's different a lot of things.
You know what I'm saying?
Speaker 4 (27:44):
Mm-hmm.
Speaker 5 (27:44):
That's what I feel like you know what I mean.
Speaker 2 (27:46):
Don't listen to me, Don't listen to me what you was
about to say, paul.
I want to ask J Nat,producing-wise, how art on a
producer's tip?
Because you make all type ofbeats.
(28:07):
I see R&B, rap, pop, all thatright.
So now, when it come down tomusic, I'm switching it up a
little bit.
Y'all.
I'm going off of the Kendrick.
Y'all done with Kendrick, allright.
When it come down to the music,man, what's your process of
getting down in the studio Likehow you start off with your
(28:33):
music process.
Speaker 5 (28:35):
I mean, I start off.
First of all.
You got to have your product.
You know what I mean.
Whatever you use to make music,you know what I mean.
It could be a keyboard,whatever you record on your
laptop, your program, whatever.
But when I'm in the studio myprocess is all about vibe.
I'm going to keep it real.
If I'm having a bad day orwhatever, you might catch me
(28:56):
sometimes might put it on thebeat and just make something or
produce something real quick.
But most of the time I'm alwaysin a good mood.
But if I'm not in a good mood,I mostly time don't do it.
I go off my vibe how I'mfeeling at the time and I just
lay something down.
Some people different, they allgo in there and make 10, 20
(29:17):
beats, but I consider you know,quality over quantity.
You know what I'm saying.
It don't matter if you make 15beats to like three beats.
It's all about quality to me.
You know what I'm saying.
I'm not rushing the process,I'm trusting the process, you's
it.
But whatever floats your boat,don't listen to me.
(29:37):
Whatever you like to do as aproducer, whatever that's what
you do, just be comfortable withwhat you like doing.
Speaker 2 (29:45):
Right, so how you get into producing.
Speaker 5 (29:48):
Man how I get into producing.
You know what I'm saying.
It all started to keep it real.
It started all in the.
It all started to my guy.
His name's C man.
Shout out to C man, you know,you know like he was, like Mr
Miyagi to me, you know, and hewas just teaching me, you know,
and I just from there, just likemusic, and it always started in
(30:13):
the day it started for me whenI used to go to church.
I just had people playing drumsand piano and stuff like that,
and I just like music from there, like you know what I'm saying,
and from there I always wantedto play piano and drums and
everything my pops used to sendme to school, even though he
used to give me the money andnot spend the money and get
(30:34):
video games or clothes orsomething.
He whooped my ass for that too,because he caught me.
I wasn't going to school.
But guess what?
I teach my own self because Ijust wanted them to know the
basics.
Once I knew the basics, Ilearned everything myself.
That's it.
And you know, I mean, like Isaid, my old head showed me how
to make music and stuff likethat, and I went from there Rob
Markman.
Speaker 2 (30:54):
So who?
Some of the people you know,anybody that Saint worked with
before.
Speaker 5 (30:58):
Lil Jon.
He worked with a lot of people.
You know what I'm saying.
You know he was doing his thing.
You know a lot of people.
You know I ain't gonna say noname.
They already know who they is.
You know what.
Speaker 2 (31:08):
I'm saying Rob Markman Is.
Speaker 5 (31:10):
Just say it was big artists in the city.
That's it.
I've been around.
I ain't new to this.
You know what I'm saying.
I already know everybody.
Everybody know me.
And for you niggas that knowfor real who I am, man, stop
acting like y'all don't knownobody.
It ain't just for me, it's foreverybody else.
Y'all got to stop acting weird.
You know what?
I'm saying Because we all knoweach other.
(31:38):
We all know each other.
Speaker 4 (31:39):
Let's get some money, man stop stopping this bad,
because you and your feelingstake a shot of julio and get
loose.
Speaker 1 (31:44):
No daddy he said and get loose hey, jayden jayden,
you're gonna lie.
Speaker 5 (31:54):
Don't want me to get money though.
Speaker 2 (31:56):
Why you say that.
Speaker 5 (31:57):
Because niggas already know I ain't going to
and the crazy thing, I ain't thenigga.
When I get money I'm going tobe talking crazy and snapping.
It's just the vibe man, thesquad like us.
You know what I mean.
You give us the paper we'regoing to turn up, we're going to
put real niggas on.
Niggas gonna understand westanding on business.
Speaker 4 (32:17):
Hey yo, hey, yo, hey, yo, hey, yo, hey, yo hey yo hey
, yo hey, yo Shit.
Speaker 1 (32:32):
Oh we should've man.
Speaker 5 (32:34):
Hey Rube.
I hope you recorded this joint.
Last time you fucked up thebaddest.
Speaker 4 (32:38):
Well, fuck y'all.
Speaker 5 (32:43):
I'm talking to the camera man.
Hey, yo, hey, hey, hey.
Speaker 4 (32:45):
Hey, make sure y'all share like subscribe comment.
Speaker 2 (32:56):
If you don't, you're a motherfucking hater.
Speaker 1 (32:58):
Subscribe to Real or the.
Speaker 5 (32:59):
Most.
Speaker 1 (33:02):
That was an inside joint, y'all don't get it, that
was an inside joint.
Speaker 5 (33:06):
That's called hard work and dedication, Like blood,
sweat and tears.
Man, you niggas don'tunderstand.
Everybody be laughing and allthat.
Speaker 1 (33:14):
Yeah, we laugh, but you know it's a lot of guys,
there's a lot of these dudes gohard, hard, real right.
I'm talking about hardships, alot of texan group texting and
meetings and, for sure, for sure, like all types of stuff, man,
before we even get in thisbuilding, turn cameras on and
(33:39):
talk about what we talking aboutthere's a lot of things that go
on and go into this stuff yeah.
Speaker 5 (33:45):
So hey, gilly, let me get one of them.
Uh, mule them, perk 30, uh,whatever, no, no, no, no,
whatever you got look look, lookat that weed.
Speaker 1 (33:55):
No, I'm glad you said that, look at some of that,
guys.
I'm really glad you said thatwe can sponsor you over here.
We can sponsor you.
Speaker 2 (34:04):
Just give us some of the.
Speaker 5 (34:04):
Bud.
Speaker 2 (34:05):
We're going to smoke it right on there.
Get that shit right to us.
Speaker 5 (34:10):
We're going to act like we're talking your shit
when we smoke your bud.
That's a crazy commercial.
Speaker 2 (34:14):
You turn into Gilly.
You smoking a weed, you knowwhat I'm saying.
Speaker 5 (34:17):
You turn into Gilly you know what I'm saying?
You, a nut ass nigga, get thaton the girl.
A-c, a-c, a-c.
One of us like, get that on thegirl.
Speaker 3 (34:30):
A-C, a-c, a-c.
Speaker 2 (34:32):
One of us like get down on the girl A-C, a-c.
Speaker 3 (34:36):
Yeah, get down on the fucking girl.
Speaker 5 (34:37):
He's a nut ass.
Nigga, he's a hey Gil, I'llfuck with you.
I'll fuck with you.
Speaker 2 (34:42):
Gil Finley man, I don't really know.
Speaker 3 (34:43):
Wilder like that you already know man.
You know what I mean.
Man a long time ago.
Speaker 2 (34:51):
Yeah, yeah, yeah, gil and EA came down to 7th Street.
Speaker 5 (34:55):
Oh, shout out to my man, ea man all day the Philly
Uncut down there Okay okay.
Speaker 2 (35:01):
I was one of the first people Gilly did an
interview with man.
Yeah, it was fire, Real talk.
Yeah, Gilly always.
Speaker 5 (35:06):
Right after that.
Speaker 2 (35:08):
I haven't stopped seeing Gilly on the camera.
Speaker 5 (35:11):
Fire man talk shout out to gilly man.
Shout out the wild.
Speaker 2 (35:20):
I just want to say how do it feel to hear yourself
on a radio when, for your firsttime and what song was it?
Speaker 3 (35:27):
hold on hold on, hold , on, hold on, hold on hold on.
So you went from Hold on, soyou went from creating, so you
went right on the radio.
Speaker 5 (35:39):
Yeah, you know I was on the radio.
You know what I'm saying.
No, but I was on the radio.
I had a song.
It was DJ Drama's song.
You know it was called Wish it.
You know it was a single.
It was Chris Drama's song.
You know it was called Wish it.
You know it was a single.
It was Chris Brown on it.
Drama, two artists, la Quinnand Skin.
Speaker 3 (36:01):
That was your first placement.
Speaker 5 (36:03):
Yeah, you could say that you know major placement.
You know, okay, okay, I hadplacement, but that was like my
first major placement in amainstream radio.
I mean, last thing, I know itwent dead, went gold.
You know, thank god for that.
But for real, for real, likeyou know, that's one of my
proudest moments right there.
You know what I'm saying whatwas that movie?
Speaker 2 (36:24):
when they heard, they saw from the radio and they
started going crazy.
Five rb, oh man, when you like,that night yeah, I was like
this is crazy.
Speaker 5 (36:28):
I was like no, I wasn't even like that for real
I'm gonna keep it real.
I was like this shit is crazy.
I was like, no, I wasn't evenlike that For real.
I'm going to keep it real.
I was like it's supposed tohappen.
I worked my butt off for this.
You know what I'm saying.
I ain't going to hold you.
I'll say what's next, eventhough I know a lot of people
looking at me.
Yeah, I'm drawn my bad.
You know what I'm saying.
(36:49):
We I'm, you know, we're goingto check back to reality.
You know what I'm saying.
But you know, I just couldn'tknew that was going to happen.
I mean, I had visions and stufflike that and I still have
great visions.
I just got to.
You know, like they say, yougot to manifest your dreams.
You know what I'm saying.
Speaker 2 (37:07):
Say that again.
Speaker 5 (37:08):
You got to manifest your dreams, oh yeah, and you
got to work hard.
You, yeah, and you got to workhard.
You know what I mean.
Consistency is key.
You know what I mean.
You can't really take a day offand if you take a day off, it's
a day that is that day feltlike you still work, if you
understand what I'm saying.
Yeah, you know what I mean.
Speaker 2 (37:28):
OK, you know what I mean.
Speaker 3 (37:30):
I know, exactly what you're talking about.
Speaker 5 (37:31):
That's it.
That day off feel like it'sstill work and it's crazy so.
Speaker 2 (37:35):
Because I'm going to wind up doing something else.
Speaker 3 (37:38):
So, exactly so.
So so would you, would you landin that placement right?
And what year are you?
What year, what year are yousaying?
Speaker 2 (37:50):
This might get JN another shot, yeah, oh that's me
.
Speaker 5 (37:54):
Oh, my shot, yeah, oh , my man got me Appreciate it
Lil Jon.
Speaker 3 (37:56):
He good, you said what year was that.
Speaker 5 (37:59):
What?
When I did that?
Speaker 3 (38:01):
When you landed that placement.
Speaker 5 (38:02):
I think damn, I'm sorry, I don't, it's probably
2000, what's it?
How long 2023.
Okay, times in 23.
Okay, probably like 15 or 16maybe more, maybe 14, 30s, I
don't know.
Speaker 3 (38:16):
Um.
So how long was you likecreating and making beats up
until that point?
Speaker 5 (38:21):
I've been doing this since I was 15.
You know, I mean, like I said,I started, you know, playing in
church first.
You know playing music, but Ihad an old head that showed me
how to do that.
And from 15, my little first,actually my first, you know
placement was like a Christianrapper song, whatever, boom,
(38:41):
boom.
And when I did that drum, mysecond drum, I forgot what it
was but I started getting intoit because you know, I started
messing with a lot of stuff.
You know artists and stuff likethat.
But back in the day it was more, I'll say, when it was my turn,
when I was under him, it wasmainly him doing his thing and I
was just learning Rob Markman.
Speaker 2 (39:01):
You was one of them.
Dudes that make the beats he belike.
Let me get that.
I can fix it up for you, TJ.
Speaker 5 (39:04):
Exactly.
He'll take over and do theother process.
And then once I got older, pastmy 21 years.
You know what I'm saying.
I am not 40, and I'm not.
I'm less than 35, but you know,I'm just letting y'all know.
You know what I mean.
Speaker 3 (39:20):
Nigga 50, man, nigga 50, man After I turn 20 years
old.
Speaker 5 (39:24):
That's when I start doing my own thing.
Speaker 2 (39:25):
I'm not 40, and I'm less than 35.
Speaker 3 (39:27):
Nigga 50, man.
Speaker 2 (39:35):
Nigga 50.
Yeah, I heard I ain't 50.
Shit, I ain't 50.
But look though, I want to gointo pretty much the grind mode.
You know, like the part before,like how you know you was Ari,
like how you knew the beats, wasit Like what type of people was
taking music from you sayingJ-Nat, you got it?
Speaker 5 (39:53):
Listen, I've been to her, I just needed the
opportunity.
Speaker 2 (39:57):
Who gave you that opportunity?
And the opportunity, what wasthe first?
Speaker 3 (40:01):
hot.
Speaker 5 (40:01):
Shout out to my man, dominicus, and Buzzworthy
Dominicus, a girl, you know whatI'm saying that's my nigga too.
You feel me she is a queen now.
Sorry, Dominicus.
Speaker 2 (40:10):
You a queen.
Speaker 5 (40:16):
Who?
Who was the hottest local butDominicus, and Buzzworthy shout
to them cause he was the firstpeople to like.
Really you know what I mean.
I do have my squad hold on realquick.
Speaker 1 (40:22):
Real quick was Wishing on that classic drama in
Chris Brown's song like thereal classic drama where he's
sitting down in the chair.
What that drama called.
Speaker 5 (40:34):
Wishing.
Speaker 1 (40:36):
No, no, no.
The CD.
Speaker 2 (40:38):
Oh, I don't know about the CD.
Speaker 3 (40:40):
It was on a drama album.
I think it was a drama album.
It was a drama album, hissecond album.
Speaker 4 (40:45):
He dropped, he got two albums, that's all he got.
Speaker 5 (40:49):
Well, he got three.
Now Gangsta.
Speaker 1 (40:50):
Grills, what was your album?
No, that's mixed.
Speaker 4 (40:53):
Gangsta grills mixed it.
Speaker 2 (40:54):
Oh all right, oh all right he may drop like a major
album.
Speaker 5 (40:56):
This was on Drop.
Speaker 2 (40:58):
What was your first local hottest artist?
Yeah, yeah, what?
Speaker 3 (41:01):
was that, Joe, your first local hottest artist?
Speaker 4 (41:04):
My first local artist .
Speaker 3 (41:06):
That rapped on your joint.
Speaker 5 (41:08):
Frick Lucas Art.
I'm going to keep in mind myman Korp, right here.
You know, my man's been showingme love, he not?
Speaker 2 (41:15):
trying to give up no tape.
I'm about to run his resumedown y'all oh man.
He ain't giving up.
Speaker 3 (41:21):
No tape you did Rico Havoc.
John, right yeah.
Speaker 5 (41:24):
Oh yeah, I did, rico.
Oh man, shout out to my man,rico, yo y'all, I'm sorry,
everybody that's watching andknow J Night.
Speaker 2 (41:32):
Y'all know he cool.
Speaker 5 (41:33):
Hold up.
Listen.
I'm sorry y'all, I'm likelisten, you did.
I think you did Frank, I loveall y'all man, I ain't nobody
that I'm talking about.
Speaker 3 (41:41):
You did Lucas, you did Lucas right.
Speaker 5 (41:44):
No.
Speaker 3 (41:48):
No.
Speaker 5 (41:49):
I ain't do Lucas.
We did a.
Remember is hot damn.
Um, it's a couple of drones wedid.
You know that was playing onradio and we got videos for we
was killing rico, have it.
I did a joint with uzi what wasthat?
Speaker 2 (42:01):
john, so we could go.
Speaker 5 (42:02):
It was his first mixtape that he ever, the real
uzi that he ever dropped one,right you know what I'm saying.
Track one, the intro, I didthat mel love young poo mel,
young, poor the bloodhounds.
You know what I'm saying.
I do got a joint joint withMeek, but something happened
where somebody wasn't right Tell.
Speaker 2 (42:19):
Meek Holler at you.
Speaker 5 (42:20):
He'll be watching hey listen Meek, already know man.
Speaker 2 (42:22):
He better stop playing what you going to say to
Meek if he watching you?
Speaker 5 (42:24):
Listen, all I got to say is the day when me and Meek
do something we're going to havea platinum diamond record.
Speaker 2 (42:35):
Put that on everything.
He ain't lying.
He ain't lying the day we dosomething.
It's going to be a plan.
He might need a couple turns togo in with him, but he going to
get that shit.
Speaker 1 (42:41):
We just got to lock in.
That's it.
He going to get it out who wejust was listening to on your
beat Huh, who we just waslistening to.
We was listening to.
Beanie Sigel, right you knowwhat I ain't got to say?
No more, you know.
Speaker 5 (42:54):
Listen me, call at me , stop playing.
You got your fitted on tootight.
Say that, or Let me stopplaying Me.
Let me chill.
Speaker 3 (43:05):
Because you like all right man.
You know he like the bust.
Yeah, man.
Speaker 4 (43:09):
You know he like the bust.
Speaker 2 (43:12):
I'm going to go with bus.
He like the bus.
He probably got it my gosh cuz.
I know you, I know you.
Speaker 5 (43:17):
You know he like the bus.
I know you Grab me up cuz Tellme y'all cuz do the cut.
Speaker 3 (43:21):
Cuz see everything.
Speaker 1 (43:23):
Cuz do the breeze back for a reason man Cuz see
everything Cuz got wisdom.
Speaker 5 (43:28):
Y'all think he dumb Cuz is smart what.
Speaker 1 (43:30):
He's smart, he's smart, he's smart, he's smart,
everybody be thinking like heknow what he doing.
Speaker 5 (43:36):
He do it for a reason , so he too smart.
Speaker 3 (43:37):
Cuz ain't no dickhead , bro.
Speaker 5 (43:39):
Cuz is far from that, hey cuz I feel you Do you Fuck
these niggas?
You feel me, I feel you Cuz.
That's how I feel now Cuz lookCuz you still got your fitted
tights, Because look though whocan you name?
Speaker 1 (44:01):
We not going to do Noel Smith type of.
Speaker 5 (44:04):
But who can?
Speaker 1 (44:05):
you name from Philly, with his longevity, that's all
because, of how he be moving.
Speaker 3 (44:11):
Carrying it and how he thinking.
Speaker 5 (44:13):
He took Quilly words Carry.
Speaker 3 (44:15):
Bro the nigga befriended a billionaire, Became
his damn best friend.
Carrying it, he carrying it.
How, he thinking he took QuillyWords carry.
Bro the nigga befriended abillionaire, became his damn
best friend Billionaires.
Went in the business with thenigga, and this all from 20th
and Snyder Billionaires.
Speaker 5 (44:26):
Like people who got more money than Hoes is closer
than them.
You feel me.
Speaker 3 (44:33):
To Robert Kraft and.
Michael Rubin, one at auh, youfeel me.
To Robert Kraft and Michael Rea, you got Hope in the back
pocket.
Speaker 5 (44:37):
You got Rube in your back pocket.
You messing with the owner ofRobert Kraft that made cheese in
your back pocket.
You at the Met Gala.
You at the Ruben that makecheese?
Yeah, no, what is wrong withthis, robert?
Speaker 1 (44:49):
It's a business called Kraft that makes cheese,
not Robert Kraft.
Speaker 5 (44:54):
He own a Patreon bro.
Speaker 1 (44:57):
He's the one that made cheese.
Speaker 5 (44:59):
No, he not.
Speaker 2 (44:59):
No he not Yo Jay, dat might be right, because he be
right.
Go look him up.
He might be right, though, bro,go look him up why you think
they calling Kraft Robert Kraft.
Speaker 3 (45:11):
Bro, no, it's not Do Robert Kraft own the cheese bro?
Speaker 5 (45:16):
No, that's not the point.
I hope you ain't going off halfcocked on this podcast.
If it's wrong.
Speaker 1 (45:22):
Cut me out on this podcast.
Speaker 3 (45:24):
No, we ain't cutting you out, nigga, don't go off
half cocked on this podcast.
Speaker 1 (45:29):
No, that's the owner of the.
Speaker 4 (45:30):
Patriots bro.
Speaker 1 (45:34):
He's the owner of the Patriots bro.
He own the Patriots bro.
He's the owner of the Patriots,bro.
Speaker 5 (45:36):
He own the Patriots, but he own the Chiefs coming
first.
Speaker 2 (45:40):
Stop, stop, you got to know what you're talking
about.
Stop, all right Stop it OK.
It's crazy because niggas likehim be frightened about wearing
stuff like that.
Speaker 3 (45:50):
Yo, that's why I Google it.
Yo, you try to fuck this up.
I'm going to be like what Yo?
Speaker 5 (45:55):
I ain't going to lie, don Julio.
My man, I'm drunk.
Take a seat, yo.
If y'all could rewind, put thisshit back Yo.
This nigga is a weirdo.
I ain't meant to do that.
That's what happens when youcan drink.
Yo, yo, yo yeah it can't be myfault, yeah, other type of
(46:19):
niggas said the nigga got shot,he outside.
Speaker 3 (46:22):
I said you said the nigga got cheese.
Speaker 5 (46:24):
No, my bad, my bad.
You know how you just be hype,trying to move a point.
Yo Don't get it twisted.
Speaker 1 (46:32):
Don't get me wrong, me and Karr looked at this dude.
Speaker 5 (46:34):
I was just hype at point I was drinking my bad.
Speaker 1 (46:36):
Yo, I was drinking my bad, so hold up my bad.
Speaker 5 (46:40):
So to clear it up, right, I was drinking my bad yo.
Speaker 1 (46:43):
You know Krave, krave , macaroni and cheese.
Ah, he thought that.
Speaker 4 (46:48):
He thought Robert Krave, my bad, what Yo that shit
just killed me bro.
Speaker 5 (47:01):
My bad, yo that just killed me bro.
He just put that shit togetherin his room one day that was
crazy.
Speaker 1 (47:08):
He look up shit.
He just heard Robert Kraft likecheese.
Speaker 3 (47:12):
He said yo, yo, yo yo .
He said he got cheese, yo yohomemade cheese.
Speaker 5 (47:17):
And I never looked it up because it said a real ass,
dick crab.
And then he really, oh man,every interviewer say he's a
real man.
I'm like yo man, I'm a real man, I'm a real man, I'm a real man
, I'm a real man, I'm a real man, I'm a real man, I'm a real man
, I'm a real ass, dick crab, andhe really.
Speaker 3 (47:36):
Oh, you're kidding man.
You're kidding man.
That's what every interviewersay.
He's doing a big thing.
Speaker 5 (47:40):
My bad.
Y'all.
Yo my bad, that was my bad.
Yo you're hanging up on me, bro.
Yo, I was drinking, I wasdrinking, make sure you like,
subscribe and.
I just thought about this shitright now.
Speaker 3 (47:53):
Bro, this is a broadcast bro, my bad.
Speaker 5 (47:56):
I'm on a podcast, my bad.
Yes, Listen what I just say,right, that's why they say do
not drink.
Do not drink y'all.
If you can't listen, I cancontrol it, but it's just, I'm
all up in here, you got to relax.
You know what I mean my bad, mybad, my bad, y'all my bad.
Speaker 2 (48:13):
Woo, let's do the games man.
Speaker 5 (48:15):
It was a good laugh, though I feel like the camera's
going cocoa man.
What time?
Speaker 2 (48:19):
is it?
Speaker 4 (48:20):
Let's go, man, let's hurry up man, let's do the games
man.
Speaker 5 (48:23):
My bad.
My bad y'all, my bad y'all.
Speaker 3 (48:25):
Ladies, gays, it's called Fast Track or Fast crazy.
You just pick one or the other,because we in philly we gonna
start off with major figures ofstate property this poor, crazy
you heard anything, man?
Speaker 5 (48:48):
I think you see robin craig silly man.
Speaker 3 (48:53):
You're silly man, damn.
You said, the nigga got cheeseand shit.
Speaker 5 (48:58):
My bad.
I'm sorry, I'm just thinkingabout that shit.
My bad.
Say that question again.
My bad, my bad.
So it's fast track.
Speaker 1 (49:05):
You pick which one you favor, all right.
All right.
So state property or majorfigures?
Speaker 5 (49:10):
Damn state property you going to go?
Speaker 2 (49:12):
Why you going with state Park?
Speaker 5 (49:14):
Let us know I don't know it, just maybe to me.
Not saying major figures, don'tdo their thing and shout out to
Ab Lava, you know what I'msaying?
Y'all don't even know, man, abLava Not saying nobody like Bump
Jack.
Shout out to my man Bump Jack,I fuck with Bump Jack.
You know what I'm saying?
Fuck with Bump Jack.
You know what I'm saying?
(49:34):
Fuck with Dutch.
Speaker 2 (49:35):
Hey Gil, you already know why you got to curse him.
Man, Come on.
Speaker 5 (49:37):
My bad, it's just emphasis.
You know what I'm saying, butyou know I mess with them.
You know what I'm saying.
My man, Gil Nina Ross, Shoutout to her.
Speaker 3 (49:52):
Nina Ross ain't part of Major Figures, bro.
Like, what are you talkingabout?
I don't know she already withthem.
Speaker 5 (49:54):
Slicka, keep going.
Speaker 2 (49:56):
I was in.
Speaker 1 (49:56):
Youngboy when they came out.
Bianca, bro, bianca.
Speaker 5 (49:58):
Bianca.
Speaker 4 (49:59):
Bianca, I'm sorry, you can talk about Nina.
Speaker 3 (50:01):
Raw, but no, shout out to Nina Raw.
Shout out to Nina Raw.
He said stay proper.
Speaker 5 (50:09):
Bianca, Bianca, All right come on, I'm sorry.
So if you hear me, but I shoutout to everybody.
Pharrell or Timbaland, bro, noI did, I did, I picked State
Prop and he asked me why.
Speaker 3 (50:22):
And you named the whole major figure.
Speaker 5 (50:23):
No, I'm just I'm trying to say shout out to them.
But Ab Lava, that's my guy, youknow what I'm saying.
Like y'all don't even know hewrite for Dr Dre, bro.
Speaker 1 (50:32):
You know what I'm saying he right for Kanye too I
mean he hitting it.
Speaker 2 (50:36):
So why did you pick State Prop?
That was my answer.
What did?
Speaker 5 (50:39):
you mean Rockefeller is like, that's my spot.
Jay Nack came under State Prop.
Saint man came up under.
Speaker 4 (50:45):
State Prop too.
I came up with State Prop.
Speaker 5 (50:51):
He ain't want to tell y'all all that Saint man used
to make all the beats for StatePride.
He ain't even make one beat yet.
Speaker 3 (50:56):
Chad.
Speaker 5 (50:56):
West.
I'm like he did stuff.
But yeah, chad West White Bull,right, you know what I mean.
That was one of the Bulls.
Speaker 4 (51:07):
Then you got Kanye.
Speaker 5 (51:07):
Just Blaze.
You know Sink was a part ofhistory, but those dudes were
like more.
So shout out to them Pharrellor Timbaland.
Timbaland.
All right, pharrell, I bangwith you, but Timbaland, mm-mm.
Aaliyah, come on, missy Aaliyah.
Yeah, you know what I mean.
Justin Timberlake, justinTimberlake, yeah, jay-z, the
(51:33):
catalog, everything he wasdropping.
You know what I'm saying?
Yes, shout out to Danger.
If y'all don't know, you'regoing to know now.
Speaker 2 (51:38):
I got one for you, cam or Phat.
Speaker 5 (51:45):
Shit, that was hard.
I ain't going to hold you.
I'll take a shot for that one.
Speaker 3 (51:54):
Ain't no shot, nigga you.
You gotta pick one, drinkchamps.
Speaker 2 (51:57):
What the fuck is you talking about?
I know they ain't drink champs.
I know it's not.
Speaker 5 (52:03):
Drink champs but in the same time, you know, shout
out to every podcast that'sdoing it.
But this is really the most.
You know what I'm saying.
Speaker 2 (52:12):
Answer it.
That's why you gotta answer it.
It's hard, you know what I'msaying, but if answer it, that's
why you got to answer it.
Speaker 5 (52:15):
It's hard.
You know what I'm saying, butif I had to go, I'm going to
keep it real.
I'm going with Cam.
Why Cam talking shit?
Man Fab talking shit, but Camis my guy.
Speaker 2 (52:29):
What's crazy is y'all still asleep?
That's what's crazy, fab crazy,that's his last door that's
just dropped what's crazy isy'all still sleep.
Speaker 5 (52:40):
That's what's crazy jermaine, dupree or diddy no,
diddy so cool no no, diddy, Iain't gonna lie no but you know
what I?
Ain't gonna say no diddy.
I ain't gonna lie no.
But you know what?
I ain't gonna say no Diddy,I'll pick Diddy because he had
them classics.
I ain't gonna lie, Diddy hadthem classics.
Diddy had them classics.
Speaker 3 (53:00):
They don't lie.
Speaker 4 (53:01):
So Jermaine.
Speaker 5 (53:02):
Dupri is an animal, but no, Jermaine got some crazy
stuff, but NH or Joey Jad.
Speaker 2 (53:08):
Yeah, turn it up NH Beans or Jadakiss Beans.
Speaker 3 (53:13):
Styles or DMX.
Speaker 5 (53:15):
This nigga's style DMX, dmx.
Speaker 3 (53:21):
Coogee Rapper King.
Speaker 5 (53:25):
Oh, you got it.
You know what I'm saying.
Yeah, what you talking about.
Speaker 4 (53:29):
Bro, first it.
Speaker 5 (53:31):
That's Kool C, bro.
Oh Kool C.
My, bad, my, bad, I fuck withKool C, though.
Oh, cool C.
My bad, my bad, I fuck withcool C, though Fuck them niggas.
Speaker 1 (53:38):
All right, all right.
Speaker 2 (53:42):
All right, hey, yo One got to go.
Speaker 5 (53:46):
One got to go, man.
Cool J, cool J.
I hope y'all laughing though DJDrama, or DJ Khaled.
Dj Drama, he gave me theopportunity.
What's up?
Speaker 1 (53:55):
Oh, yeah, all right, all right, bad, bad.
Speaker 2 (53:58):
I like that, Nat yeah .
Speaker 1 (53:59):
Bank or Don Cannon.
Speaker 5 (54:05):
Don Cannon.
Speaker 3 (54:06):
Clue or Flex.
Speaker 5 (54:09):
Flex, what I ain't know.
Flex put in work Flex.
He did Flex put in work Flex.
He did Flex put in work Coolyeah he did too.
He did, but flex is crazy.
Speaker 2 (54:23):
Flex is crazy, though .
Speaker 5 (54:24):
Yeah, they both crazy but flex put in work All right,
all right.
Speaker 1 (54:29):
So we going to do one Got to go now Hold on, hold on.
Speaker 2 (54:31):
I ain't done yet, yay , or for real.
Speaker 5 (54:34):
Yay.
Speaker 2 (54:35):
One more Come on.
Speaker 1 (54:43):
We're going to go producers.
All right, alchemist.
Speaker 5 (54:56):
I'm just going to say Alchemist, I don't going to say
Alchemist.
Speaker 1 (54:58):
I don't care who you say Damn.
That's how I be.
It'd be hard.
Speaker 2 (55:01):
It's hard to do that Like you can't ever really you
can't really like you got to getsomebody else that go in like
him.
Speaker 3 (55:07):
But it'd be hard to like.
Speaker 5 (55:09):
The only person I can keep up with him is Jay Dilla.
Speaker 3 (55:13):
OK.
Speaker 5 (55:14):
That's it.
Speaker 1 (55:18):
Still Alchem.
Up with him is jay dilla.
Okay, that's still alchemist tome all right, so we gonna do?
Um, let's do the classic one.
Speaker 5 (55:33):
Yeah, let's do the classic one that everybody be um
asking about uh Timbaland orSwizz Timbaland Timbaland.
Speaker 3 (55:40):
Ah, yeah, timbaland, Timbaland, zone, zone, zone,
zone All right, we're going todo some singers real quick.
Zone zone Rihanna or Beyonce, Iain't going front.
That's hard, bro.
It's Rihanna for me.
I ain't going front, bro, butdance for me.
Speaker 2 (56:01):
I ain't gonna write, bro, but dance for me, bro, you
say beyonce all right, I suretrade songs.
Speaker 3 (56:10):
I sure trade songs, rihanna I love you too damn,
especially when she died I ain'tgonna lie.
Speaker 5 (56:14):
That's your story.
Speaker 1 (56:14):
Trey.
Trey, trey I'm going to keep ita, b, it's Trey for me Trey no.
Speaker 3 (56:17):
What.
Speaker 2 (56:18):
Y'all getting on my nerves up here.
Speaker 3 (56:20):
I'm going to keep it real though.
Speaker 2 (56:22):
I love.
Speaker 1 (56:22):
Trey but Usher is bull bro.
Speaker 4 (56:23):
You know what I've been playing the last week,
though.
Speaker 3 (56:26):
Fumble.
Speaker 1 (56:29):
That shit Passion, pain and Pleasure.
And Ready is the best two R&Balbums I ever heard.
Speaker 5 (56:37):
The only album Usher had was Confessions.
I ain't going to lie, usher hadhis jewels Confessions,
confessions, confessions 87.01.
Speaker 3 (56:45):
No, nothing 87.01.
Yeah.
Speaker 1 (56:47):
Yeah, but Ready Like every kid that's about to be a
dub was going off there.
Speaker 5 (56:56):
What my man said.
Speaker 1 (56:58):
I wish I never hit it .
I wish.
Speaker 5 (57:02):
That's my shit.
I don't know what's going on.
Bro, that's my shit.
Trey is.
Speaker 3 (57:07):
That is not.
That was not the lyrics.
It wasn't Actually.
It was the lyrics.
Speaker 5 (57:12):
But I just don't know .
That's my shit.
Speaker 4 (57:16):
All right.
Speaker 1 (57:17):
You said all right.
So.
Speaker 2 (57:18):
Oh, on that part, I love the part you're talking
about we can't be friends, yeah.
Speaker 5 (57:23):
Everybody go through that.
All right, do one gotta goy'all.
Speaker 2 (57:26):
We probably got a couple minutes left man to wrap
this up, man.
Speaker 4 (57:29):
Make sure y'all share like subscribe.
Speaker 2 (57:31):
Comment man, we got JNAT.
Beats up here on Real of theMost Podcast.
Y'all know he keep it real Allthe way.
Let's go, man.
Speaker 1 (57:40):
One guy go.
One guy go.
This, the opposite.
I'm going to say four thingsand then one guy get the fuck
about it.
All right, all right, see what?
All right.
Nh Reed Hattie.
Speaker 3 (57:54):
Meek One guy gotta go Hattie.
Speaker 2 (57:58):
Damn.
That's the first time I heardthat.
Speaker 3 (58:01):
No, somebody picked Hattie yesterday.
Speaker 5 (58:03):
Hattie gotta go why?
Speaker 2 (58:05):
Hattie gotta go.
Speaker 5 (58:06):
Just Reed.
Reed is animal, meek, he doingit.
You know what I'm saying.
And NH is one of my underdog offavorite rappers.
Mine's too yeah.
Speaker 1 (58:19):
Okay, okay, okay.
Speaker 3 (58:23):
That is a hard four.
Speaker 2 (58:25):
Hattie, I fuck with Hattie bro, that is a hard four,
that's a hard four.
Speaker 4 (58:28):
Yeah.
Speaker 1 (58:30):
No personal stuff.
Speaker 2 (58:31):
Shout out to all of them too.
Speaker 1 (58:32):
No personal stuff, like you know it yeah, you feel
me, no personal stuff.
It's just everything they everdid, gotta gotta get out of here
.
All right once you say they go.
All right, diddy dr dre.
Uh, diddy dr dre.
Birdman and jay-z birdman andJZ Birdman.
Speaker 3 (58:57):
Drake, that's Drake Wayne.
We gonna wrap this up.
Yeah, cause we gonna wrap thisup.
Yeah, this interview done and Ithink he doing this shit on
purpose, but it's cool it's therealest and most podcast
Speaker 2 (59:09):
we not even gonna talk right now what you mean we
not talking?
Speaker 1 (59:13):
I'm realer, I'm realer.
Cash.
I'm whiteula, I'm.
Speaker 3 (59:15):
Rula Cash, I'm White Boy.
D2a.
Speaker 2 (59:18):
Yeah man, we out here y'all.
Speaker 3 (59:20):
We out Rula the most.
Speaker 5 (59:21):
Yo, I'm Taylor Burman .
Fuck is you talking about you.
We'll see you next time.
I'm out of world.
Okay, white boy D2E.
Speaker 2 (00:40):
We got Jada in the building, y'all.
Speaker 1 (00:43):
We got Jada in the building.
Speaker 2 (00:44):
We did this shit all wrong.
Speaker 1 (00:47):
Keep it rolling, yo fuck it, fuck it.
Speaker 5 (00:49):
It should be crazy shit, man.
Speaker 1 (00:51):
That's what it like this is a fun episode, man we
got family in here today.
Speaker 5 (00:55):
We got family in front of the camera, all behind
the camera.
Speaker 1 (00:59):
Oh man we had a great time for a real long time
before shooting the episode, sodon't mind us man.
Speaker 2 (01:07):
Listen, listen, this person we got sitting down with
us man.
This guy been working man foryears.
He been out here.
Man, j-net, been working with alot of people man, oh man, sure
I could go in right.
Speaker 5 (01:23):
Yeah, I mean you want to.
I don't care, you know what I'msaying.
Speaker 4 (01:28):
He worked with some of your favorites.
Speaker 2 (01:30):
He got the Uzis out there.
He got the Meek Mills out there, he got the Diamond Cuts out
there.
Speaker 5 (01:37):
Nah, you know what I'm saying.
I ain't doing too much.
Speaker 2 (01:39):
Come on, man, he got the Chris Brown out there.
Beans, beans.
Speaker 5 (01:45):
Yeah, chris Brown, out there, beans, beans, let's
talk.
I'm sure you know like he canname a few.
I could name a few, but I'll betrying to, like you know some
of the work that I do is now.
Some of the stuff don't evencome out, so I want to say that
I did some what's down.
Speaker 3 (01:58):
I mean, you ain't do it though.
No, you know what he's doing.
Speaker 2 (02:01):
He.
He's trying to be my notfinished yet, he's still working
.
You know what?
I'm saying you know, whensomebody's still like I ain't
there, yet y'all.
I'm trying to get to a certainpoint before I brag and all that
.
Like bro, we ain't trying tohear that man?
We ain't trying to hear that weshowing our love to all our
Philly artists, producers,comedians, et cetera, man,
(02:26):
fashion designers Like if youdoing it, you doing it bro.
Because, he could be doinganything he could be out here
doing anything yeah right Rightright, right, you know what I'm
saying.
Speaker 1 (02:36):
Not being a college kid, and all that.
That's what I'm saying I got myhigh school diploma, you got
university on right now.
Speaker 5 (02:43):
Bro, listen, I ain't go to this college, y'all just
got the city from somewhere else.
Somebody shout out to thatperson that gave it to me Yo.
But anyway, you know, listen, Ithink it's like Shout out to
the person who gave it to me.
Listen bro, right, you don'teven remember.
Speaker 1 (03:03):
I don't know who gave it to me when the fuck is
Robert Morris at man I don'teven know, I think it's in
Pennsylvania, though?
Speaker 3 (03:09):
No, it ain't.
No, it's not, it's in Jersey.
Speaker 4 (03:13):
Bro, that's the college off of fucking Drumline.
Speaker 5 (03:16):
Oh, all right, you know.
Speaker 3 (03:18):
You don't remember Drumline, Robert Morris.
Speaker 5 (03:19):
Yeah.
Speaker 1 (03:21):
Oh yeah, oh yeah, that shit fire then.
Oh yeah, that hoodie, that's awhole new look now, that's fire.
Speaker 4 (03:25):
That's fire.
Speaker 2 (03:26):
Oh yeah, that's fire, so all right look, look, look,
I ain't gonna lie man, jnapbeats man.
Speaker 5 (03:32):
Yeah.
Speaker 2 (03:33):
We gonna get into who JNAP beats is, but for right
now we gonna start the show offlike this man how you feeling
white boy.
Speaker 3 (03:41):
I feel good, man.
You know what I'm saying.
Gaining progress in the pod.
You know what I'm saying.
Speaker 2 (03:46):
Right.
Speaker 3 (03:46):
You know we moving forward, Loving this feeling.
You know what I mean.
The space is open.
We smashing on these.
Speaker 2 (03:52):
Where you at.
Mentally, though, I'm good bro,you sure.
Yeah, hell, yeah, all right, myguy.
Speaker 1 (04:08):
How you feeling Cash?
I'm feeling great, man.
I'm just getting ready to startthis physical health journey.
Man, I'm about to start eating.
Right, I see you got the fitgear on, yeah man.
Speaker 2 (04:20):
So what you like on your workout now.
Speaker 1 (04:23):
Yeah, starting tomorrow that healthy cash.
Speaker 2 (04:28):
I'd love to see that, Bro, is it bad, what bro?
I'd love to see that hey Rube,can you hand me that cup right
there?
Speaker 1 (04:36):
Starting tomorrow.
Speaker 2 (04:37):
I'm going to try Shout out to my boy, ruben,
who's been helping us out sinceday one man holding it down.
Speaker 1 (04:41):
You know what I mean Shout out, rube, I'm a child,
though, rob Markman Jr, y'allsee Ruben out in the mix.
Speaker 2 (04:46):
Man, make sure y'all show Ruben, love he the reason
really the most, still movingaround like this.
You know what I'm saying I'm achild.
Speaker 1 (04:54):
I'm a child and I don't like using the word child,
so I'ma do that shit, man, andmentally I'm just.
You know, I understand this dayby day stuff now.
So that's what I'm doing, andit's all good for me, man good,
I appreciate that.
Speaker 2 (05:12):
I mean you letting us know how you feel and
everything.
Speaker 5 (05:14):
Absolutely jaynette, how you feeling right now, man
oh man, you know, just waking upevery morning, that's just a
blessing itself.
You know, yeah, I mean, there'ssome.
You know, just waking up everymorning, that's just a blessing
itself you know yeah.
You know what I mean.
You know some people don't wakeup every morning.
You know they don't get achance to Right.
So I'm thankful for that.
So I'm just going to say,morally, you know how I'm
(05:35):
feeling, I'm feeling thankful.
You know what I'm saying, damnPaul Crazy.
You know what I mean.
But you know, yeah, I feelthankful today.
You know what I'm saying.
Like you know, yeah, that's it.
Speaker 2 (05:51):
All right, All right, that's my guy.
Man that's family man that's myguy.
I'm going to just say, man, I'mhappy that I got J-Net up here
right now.
You know what I'm saying?
Like that ain't normal.
You know what I mean?
I need a round of applause justfor J-Net coming through.
Yeah, Shout out J-Net.
Speaker 1 (06:09):
Yeah, yeah, shout out J-Net.
You not going to see him on?
No podcast.
Speaker 2 (06:14):
You not going to see him doing no interviews?
Speaker 5 (06:17):
Ain't not really, he don't be at no music videos, no
more.
I mean, you know, I don't.
I ain't gonna say I don't comeoutside.
I be outside.
But if I go outside, like youknow, I'm trying to get some
money.
You know what I'm saying.
And you know I just had a child.
You feel me and stuff like that, but you know, outside ain't.
(06:38):
You know, I'm older, so outsideain't really for me it's these
young boys, you know.
Right you know, trying to fucksome bitches.
You know, do what they do.
You know what I'm saying.
I mean even these young boys.
They need to chill and gooutside.
Y'all need some bitches,Because y'all young boys be
wildin'.
Let me just say that, first ofall, like y'all, it's not, it's
(06:58):
not.
Don't be scared to fall in lovemy guy.
Go get your girl you know whatI'm saying?
Go.
You know what I mean.
Chill, stop trying to bethorough around your niggas when
you know you're going to arguewith your bitch tonight, because
you're trying to be thorough infront of her.
That's why she be like youalways want to beat y'all.
Just do the right thing myniggas If you don't want to
(07:19):
argue, just listen to your bitchsometimes.
Speaker 4 (07:21):
You know what I'm saying.
Speaker 5 (07:23):
But anyway, you know that's one thing.
You know what I mean.
But other than that I bechilling man and I do be outside
.
Just, you know I don't be ineverybody's face.
You feel me?
If I fuck with you, yeah, I'm abust it up.
You know all that type of shit,but if you ain't, you know what
I mean.
Like partner, like that shitover Party's done, shout out to
(07:46):
my man Twine.
Speaker 2 (07:50):
Party done, party's done yeah.
Speaker 5 (07:52):
Yeah, yeah.
Speaker 2 (07:54):
That's that shit.
Speaker 5 (07:55):
That's that shit We've been saying that shit for
like five, 10 years there now,man, i'ma say 10.
That shit over yeah.
Speaker 2 (08:04):
Party's done.
Speaker 1 (08:04):
There's all this South Philly inside joke shit
going on right now and I don'tknow what the fuck going on.
Speaker 4 (08:10):
This shit been happening for like three hours
and I don't know who these namesis.
Speaker 5 (08:16):
I'm going to keep it real.
I don't know.
Let me get this straight rightnow.
People are going to be like ohJay, you ain't no fuck from
South Philly.
I know that I ain't from SouthPhilly you know, but I got you
might as well say, I got familyin South Philly Family ties.
And not only that, not there upnorth, west, southwest yeah,
you know what I mean.
(08:37):
All parts, man.
You know, niggas, fuck with meyou gave you your South.
Philly, I don't know what typeof time you on.
Speaker 3 (08:43):
We gave you your South Philly Shahada, especially
if you got money and you don'tfuck with me, you crazy.
Speaker 5 (08:48):
We gave you your how you got more money than me, but
you hate.
Speaker 3 (08:50):
We gave you your South Philly Shahada.
Speaker 1 (08:52):
What the fuck is wrong with these niggas South.
Speaker 5 (08:55):
Philly.
Speaker 1 (08:56):
Shahada South Philly.
Shahada no no, no, oh OK, if,if, if I know you eat pork, I
know you eat pork.
Speaker 5 (09:06):
Who me you?
Speaker 1 (09:06):
a fucking pork chopper.
Speaker 5 (09:07):
No, I don't eat pork, no, I don't eat pork.
Speaker 2 (09:09):
You don't eat pork, Leenat.
No, I don't eat pork.
Speaker 1 (09:11):
So look right, I don't eat pork.
It's all, felicia Hottis, thatyou eat.
Speaker 5 (09:19):
I used to.
I ain't never eaten something.
Speaker 1 (09:21):
What was your favorite?
Speaker 5 (09:21):
Bacon.
No, it was some Haitian shit.
I'm Haitian y'all, so I used toeat something called griot.
All right, oh, griot, griot,that shit was oh man, what's
that?
It's like some deep fried porkor something like that.
Oh, all right, you know what Imean, but after that, just
knowing what it do to you andwhat it is like, no, I ain't.
Speaker 2 (09:44):
But what I been tell you though, Huh, what I been
tell you about that, Like man, Itell you like don't, don't,
Stop eating that shit.
Speaker 5 (09:52):
I ain't never eat it, man.
What the fuck did you say, youcrazy?
He trying to catch you.
He is just crazy.
He trying to catch you, duh.
You never heard me do that.
Speaker 1 (10:04):
Fuck that.
Hey, yo listen man Bro.
Speaker 5 (10:08):
It's funny, man, let's get right into it, bro,
y'all my niggas, yeah, youalready know.
Speaker 1 (10:12):
Kendrick Lamar just won every award that he was in.
Speaker 3 (10:15):
On BET right.
Speaker 1 (10:17):
Every joint.
Speaker 3 (10:18):
Should have known that.
Speaker 4 (10:19):
Best hip hop artist.
Speaker 1 (10:21):
Not like us.
Won like five new single besthip-hop artist.
Speaker 4 (10:26):
Best best video best video the best lyricist he just,
he just made a clinic.
Speaker 1 (10:34):
He just just, he just like cleaned up no tour this
year, no for a house.
Real rap no tour no album thisyear, none of that, it's just
they not like us.
That's it.
That's all it took.
Yup, yup.
Speaker 5 (10:53):
I'm going to keep it real.
It's like that.
That's not what's that song.
Not Like Us, but that just showhow many niggas don't fuck with
Drake.
For real, for real.
Speaker 3 (11:03):
No, I don't really think it's that Shout out to
K-Dot man, I ain't say Drake.
Speaker 5 (11:07):
Listen, I like both of the artists.
I think it's Drake.
I think it's Drake.
Speaker 3 (11:12):
Drake been winning for a long time and they just
wanted to see somebody else inthat spot.
Speaker 1 (11:16):
Exactly that's what he did.
That's the same thing For real,oh I don't know.
Speaker 3 (11:21):
He said he say they mean, like he was saying, like
they like Drake, like people.
No, I don't think they don'tlike Drake, I just think that
Drake just been number one forso long.
Speaker 2 (11:33):
Yeah, that's true, it's the same thing, like with
me.
You know, I mean they want tosee you.
Take that.
Oh, you know, I mean theyanxious to see you.
I mean go down.
Speaker 3 (11:41):
I want you to go out like that 50 and 0.
Speaker 5 (11:44):
They don't want that at all.
You got to listen.
I'm undefeated for real.
You ain't nothing.
Oh, I could do this.
They feel like they could dothe same thing you're doing.
They could.
Speaker 1 (11:54):
I ain't going to lie though, bro.
I'm going to keep it real.
See, this is what I said rightwhen Pusha T and Drake was going
through they whole jaw.
Speaker 2 (12:07):
My fault.
My fault for the FD Spray.
Make sure everybody phones onsilent FD Spray.
Speaker 1 (12:12):
FD Spray.
It's in the fridge.
Pusha T did what he did toDrake.
You know what I mean.
He ain't drop story or add adime and become what Kendrick
becoming.
Speaker 4 (12:24):
So it's, I think it's part.
Speaker 1 (12:26):
People keep saying things like it's not Kendrick,
though.
Speaker 3 (12:29):
Oh no, it's Kendrick for sure.
Speaker 1 (12:31):
Yeah, like it got to be who you are like, still Like
he is his.
Remember when our first episodethat we ever put out, I say yo
that boy Kendrick going,remember Y'all remember that
shit.
Speaker 4 (12:46):
No, I remember yeah.
Speaker 1 (12:48):
That was the first episode we ever put out
Motherfuckers laughing at me.
I knew what it was becauseDrake never even pushing out
like Kendrick.
Speaker 5 (12:58):
Like it's different, bro.
Right right, right, right.
Speaker 1 (13:00):
It was either going to be Kendrick, I said it was,
either going gonna be Kendrick,I said it was, either gonna be
Kendrick.
Push it to, but it just it'sjust later in his career, right
now.
But there's a couple peoplethat, like you could just tell
Drake didn't wanna they saidthat it was a white boy they
(13:23):
said it was thank you.
Speaker 3 (13:25):
They said that no problem.
They said that it was um jayprince that was telling drake to
pull back off a pusher youbelieve that?
I'm just saying that's whatthey say because of the, uh, the
disc or whatever it was toocrazy or something, bro.
You heard that, though, right Iheard that.
Speaker 1 (13:42):
But I right, I heard that but I feel like Be, careful
with the mic, my bad.
Speaker 2 (13:45):
You're making a lot of noise, yeah.
Speaker 3 (13:49):
I just think that Drake had that number one spot
for so long that the masseswanted to see at least him be at
battle with somebody that cantake the spot like Kendrick did.
Speaker 1 (14:03):
Yeah, right, right.
Speaker 3 (14:04):
You know what I'm saying.
So it did have to take anartist like Kendrick to get the
people of the masses.
Speaker 1 (14:11):
Yeah.
Speaker 3 (14:12):
Because I still, like you saying, Pusha is a
well-rounded artist.
He's one of my favoritepersonally, but I still don't
think he yeah, he couldn't have-.
Speaker 1 (14:25):
No, he either could have been Kendrick or Cole, but
I still don't think he canKendrick or Cole, but Cole.
Speaker 4 (14:32):
Yeah, about to say Cole move flaky flaky flaky.
Speaker 1 (14:38):
No, I'm cool, he flaky.
Kendrick, kendrick, I'm tellingyou, bro, is how he's how he
did it.
Speaker 3 (14:49):
Kendrick said F that unapologetically right at him.
Real shit, that's how theywanted to see it, bro, ain't.
Nobody wanted to keep sayingsubliminal nigga, pull back.
Speaker 4 (14:55):
Subliminal moonwalk out, he's my brother.
Speaker 2 (14:58):
I ain't gonna lie Subliminal.
Next, thing, you know, they ona song together.
Speaker 5 (15:01):
They on a song together.
Drake is the king of subliminal.
Speaker 3 (15:04):
No, bro Drake is the king.
Kendrick went right at him.
I don't fuck with you no, Jay-Zis.
I don't.
But Drake taking that spot nowI don't fuck with you.
I'm not fucking with you.
You got all these weird likeyou know what I'm saying Start
pointing out things around himLike nigga you, that's what the
people wanted to see.
(15:24):
Yeah, you know what I mean?
Nobody really knew it was justgoing to be Kendrick.
Speaker 1 (15:28):
I think um.
Speaker 2 (15:30):
Hold on, hold on.
Before you continue, make surey'all share, like.
Subscribe comment.
Speaker 3 (15:35):
If you don't, you're a motherfucking hater.
Speaker 2 (15:37):
Why?
Because it's free y'all.
Yeah, look, and J-Net y'all.
We letting y'all know thisright now he is not a regular
guest up here.
He is really like our brotherfor real Don't look at it like
oh, y'all not questioning theball, or this not how it?
Normally go.
Speaker 5 (15:56):
No, this is fan shit, this is like regular shit.
Speaker 1 (15:59):
We just mobbing right now, but I wanted to get
through this because I know wewant to do a little shorter
today.
Kendrick was obviously going tobe always the one for the last
decade to do what he did toDrake.
That's why Pusha shit was somuch of a surprise, because
everybody knew it was going tobe Kendrick.
(16:21):
So Pusha doing that shit firstwas just like damn, but Kendrick
is the one to do it.
Take 10 home 10 awards, get aSuper Bowl.
We all knew all that type ofshit was going to be, Kendrick.
And on top of that we could getright into the cold.
We could get right into thecold shit because cuz I ain't
(16:43):
fucking with him.
Speaker 3 (16:45):
No, listen, I mean that been that way, since that
Like you feel me Right, right,right, like we said we was
talking off camera or whatever.
So like why the fuck you gonna,how the fuck you throw a shot,
you back out of it and then,after this shit is over with,
you, want to talk about it.
Speaker 1 (17:03):
Why you want to hear that that shit don't make no
sense bro.
Speaker 4 (17:05):
Why you burning me out bro?
He's just being a man.
Speaker 3 (17:09):
I ain't going to lie, bro the modern day rappers, bro
, they burns me out, bro, theybe burning me out, bro.
And then they soft as shit, bro, because look, because it be
taking me back to, like when Ibe first getting into hip hop,
right, and I be first, like damnBeanie, siegel, jay-z, all
(17:31):
right bet.
And like Biggie Smalls, like webe invested, like these, be the
people that we be invested to.
That made us love hip hop andy'all the top three, yeah.
Bro, it's lyrical warfare, bro,ain't nobody going to put, made
us love hip hop and y'all thetop three.
Bro, it's lyrical warfare, bro.
Ain't nobody going to put abomb on your house, it's only
fucking raps.
Speaker 2 (17:52):
Why would you moonwalk out?
Why you moonwalk?
You already got the.
You feel me.
Speaker 1 (17:57):
Bro J Cole be in New York riding a bike.
Speaker 2 (17:59):
So the fuck what?
Ordering from a loud point, youone of the best.
Speaker 1 (18:02):
no, what he trying to say, no, what I'm trying to say
is that's how free he is likefree going to happen to you, bro
, but this is this is look, bro,so look, and jayman, I want you
to burn me out.
Speaker 3 (18:15):
Can you imagine my bad?
Can you imagine going tocollege and growing up off of j
cole like him, being your numberone rapper and and he do some
shit like that?
Speaker 1 (18:23):
Yeah, yeah, college kids man, and I want everybody
to know that we hear what y'allsaying in the comments.
Speaker 2 (18:30):
We're going to try to like shape up the show a little
bit better.
Man, we paying attention, youknow what I'm saying.
But we definitely Philadelphia.
You know what I'm saying, wePhilly.
Speaker 1 (18:41):
Listen, fuck that for right now.
J Cole, you want some bitch assshit, bro.
I ain't trying to hear none ofthat, bro.
Speaker 4 (18:49):
You want some bitch ass shit bro.
Speaker 1 (18:51):
This is hip hop.
Fuck, is you talking about?
This?
Is not Big Meech and LarryHoover and them bro.
This is hip hop, bro, real rap.
And then if you leaves up, weall know y'all always cool.
So if you want to answer that,all cool.
Even if he wouldn't answer andput this song out, he damn cold
(19:19):
really a rip.
Speaker 3 (19:19):
You put out a song first of all.
Speaker 1 (19:20):
You started it because you know we big three
before great, yeah, kendrickwent at you and then you put out
a fucking album Going atKendrick Hold discography, then
took the shit back.
Speaker 2 (19:31):
He the one that made Kendrick go win Come on bro.
Speaker 1 (19:34):
Everybody know Kendrick really wanted Smoke
with Drake.
That's why he was.
Speaker 2 (19:38):
But come on, bro.
Once he heard that J Cole, heprobably was ready.
Speaker 1 (19:42):
So this is what I'm saying you can't, never.
I don't give a fuck, cause Jcole is like an excellent a plus
to the max rapper, but he can'tbe the best rapper how you, the
best rapper, when you sendwarning shots it's chinks in his
armor bro that said he waslosing sleep.
Speaker 5 (20:03):
I feel like, I feel like you know, I feel like he
was just trying to be a man, butbecause he just knew the smoke
was coming, he ain't reallywanted, because he ain't.
That's not who he is, you know.
You gotta understand drake, Imean not drake, uh j cole, he
ain't.
Do you consider him a street?
Speaker 3 (20:21):
you're saying about no street.
Speaker 5 (20:22):
No, I'm just saying he probably look at it like that
and he don't want to think it'sserious.
Speaker 2 (20:27):
Because it's really serious between Drake and
Kendrick right now.
Yeah, that shit serious, it'sreally serious.
Speaker 5 (20:33):
Like niggas could die off of this shit and he's not
ready for that.
So you know what.
He already knew what was goingto happen.
Speaker 1 (20:50):
So a I think that J Cole knew Kendrick was going to
be talking all this PDF file.
Speaker 5 (20:53):
Shit on.
Not Like Us.
That's what I think.
Speaker 3 (20:53):
He heard the record.
Speaker 1 (20:54):
I mean he heard yeah he knew he was going to be on
something he heard the record.
Yeah, and that's when he backedout.
But still, bro, this hip hop,you shouldn't never Heard the
record, bro.
You putting a song on iTunesand taking it off is like the
worst shit a rapper can ever.
True, rob.
Speaker 4 (21:11):
Markman Jr, that's that.
Speaker 1 (21:12):
like that, that's bullshit, bro.
Speaker 5 (21:15):
Like that's the iron True but you go guess who else
did some shit like that, andthat's like one of my rappers
who, Jay-Z did that withJadakiss and he put beans on
them.
You feel me Like.
Speaker 2 (21:29):
Jay and Jadakiss what song was that that he took down
?
Speaker 5 (21:32):
I forgot, but damn, I ain't forget, but I know
something.
Speaker 1 (21:35):
Hold what you say.
It's just Jay-Z and Jadakisswhat you say.
Speaker 5 (21:40):
What you say Jay-Z and Jadakiss was really first
origin with Jay-Z and Jadakiss.
Speaker 3 (21:44):
Right.
Speaker 5 (21:45):
And he threw Beans in the mix and they turned into
they.
You know what I'm saying.
Speaker 2 (21:49):
They turned into they beef.
I remember that happening likethat.
You feel me.
Speaker 5 (21:51):
Because certain niggas know, like it's only
certain niggas that come.
It could come at Dre and hisand Pusha T is one yeah.
And Kendrick is one, and J Cole, because they really are
well-respected in the music andrap game.
You could be hot as shit, butif niggas don't look at you like
(22:14):
that, top nigga you ain't.
You could say some hot ass shitcoming at Drake but you just
ain't that to me.
Speaker 3 (22:21):
Look at who they gunning at.
Speaker 5 (22:23):
But you just ain't that to me.
Look at who they gunning atNiggas.
Don't listen to rap no more.
You even said it earlier, youfeel me.
Speaker 3 (22:26):
Look who they gunning at.
Speaker 2 (22:27):
You know what I'm saying they gunning at the
number one person, so Well, I'mgoing to say this but the go-at
drink, you need to know how torap.
Speaker 5 (22:37):
Yeah, I think, and.
Speaker 3 (22:38):
You ought to know how to rap on a high level.
Yes, very high level.
Speaker 2 (22:41):
Yes, you ought to be elite.
Speaker 1 (22:43):
Yes, that's what's making me even more mad at J
Cole, Like he's like.
Speaker 3 (22:50):
He's kind of perfect for the job.
But yeah, not backing out likethat though.
Speaker 2 (22:55):
That's the only thing your heart got to be in it.
Speaker 5 (22:58):
I feel like he backed up because he ain't a street
them.
So he know, and this shit isreal, man, bro, boy, guess what
Niggas try to drop?
Uh, niggas was, they was, uh,I'm sorry y'all, I keep saying
niggas, so please you know whatI mean.
You feel me, yes, you killin'us, but you know, uh, when Rick
(23:18):
Ross, you know they startbeefing what they try to do with
Rick Ross and his DJ, they beatthem the fuck up.
Speaker 3 (23:26):
Wow, that's my jaw right, you know what I mean,
because it's serious.
You think?
Speaker 5 (23:30):
J Cole want to get jumped and beat up right now.
Speaker 3 (23:32):
Can you imagine Cole, 10th grade, 11th grade, lord
Wayne and the beef and he throwa shot and then and then
moonwalk out of the situation,right, can you imagine that, bro
?
Speaker 2 (23:51):
he did it well jelly, y'all remember when, when, uh
little wayne, birdman deletetimeout.
Speaker 3 (23:59):
I'm about to eat this on worse.
Speaker 2 (24:01):
He came to philly.
He had a.
He had a.
He had to do a appearance at aclub.
Bro, he didn't show up left,hopped on a tour bus and hopped
back on the road he did brogillian was in there yeah I know
, but I'm just saying that's thethat's damn near the same shit,
(24:22):
that's something like streetshit involved but that's how we
looked at that back I'm talkingabout the rap, just rapping but
right there, we looked at itlike that.
You, though, back then you feelme, though.
Speaker 3 (24:34):
Can you imagine that if he backed out on some rapping
?
Speaker 4 (24:36):
shit.
He was like oh, he ain't go tothe club.
Speaker 1 (24:37):
And you talk about you, the greatest rapper alive
and all that.
Speaker 5 (24:41):
Oh shit Dillion and that who Back then oh.
Speaker 3 (24:45):
We all knew that he wasn't that who, who.
Speaker 5 (24:50):
I couldn't stand it with Gilly, but guess what?
Speaker 2 (24:53):
But Birdman though.
Speaker 5 (24:54):
Well it ain't that you right.
If you got a nigga behind you,that's straight.
Speaker 1 (24:59):
It don't matter.
Hand me that John Go ahead youheard what Kanye said.
Speaker 5 (25:04):
Right, he told a story where a nigga tried to rob
him somewhere in the dinerright.
Speaker 3 (25:09):
In the beans.
Speaker 5 (25:11):
Somebody trying to rob him at a diner.
Guess who he called.
He called Beans.
Speaker 3 (25:17):
He put a two-way out.
He's not about that, so hecalled Beans.
He put a two-way out and Beansthe only one that responded.
Speaker 5 (25:22):
Exactly, he put out a whole emergency.
Speaker 3 (25:26):
To the whole Rockefeller and Beans showed up
On a two-way Matt the only onethat showed up and he slide.
Speaker 5 (25:30):
And they already know Matt the only one that showed
up and he slide and they alreadyknow.
If you didn't know Beans, youknew him then and now.
Speaker 2 (25:37):
But that got nothing to do with this rap shit, though
it don't.
I feel, like when you're arapper man, you got to stand
your ground.
You know what I'm saying.
Speaker 4 (25:48):
I don't care if you're a backpack rapper.
Speaker 1 (25:55):
I don't care if you came out yesterday with songs.
That's really part of being ahip hop artist.
Speaker 2 (25:56):
I feel like, as an artist, you got to stand your
ground, bro.
Speaker 3 (25:59):
That's one of the elements, bro.
People be losing sight of theelements of hip hop.
That's because they don't beknowing what they be a part of.
They be just singing songs.
Speaker 5 (26:09):
Right, right.
Speaker 4 (26:10):
Yeah, and if you can't stand, the heat, get the
fuck out the kitchen.
Speaker 1 (26:14):
I'm not feeling him, though I'm not feeling Cole bro.
Speaker 3 (26:16):
Yeah, I agree.
Speaker 2 (26:18):
Point blank period I grew up off this shit, alright
Cole, so look this the end ofthis.
I still fuck with you, ColeReal, of the most said you gotta
do something extravagant for usto even be like damn Cole wants
some shit Classic album orsomething.
Speaker 3 (26:29):
You gotta do something.
Speaker 1 (26:30):
Even with a classic album, bro, I ain't fucking with
him bro.
Speaker 5 (26:33):
I'll fuck with you, Cole.
Speaker 1 (26:35):
You don't do that in hip-hop, bro.
I understand you ain't donothing to run in hip-hop,
because I don't want to hear.
Speaker 5 (26:41):
all right, I don't want to hear if he drops
something crazy and niggasbopping like oh shit.
Speaker 2 (26:46):
No, he definitely going to drop something crazy.
Because everybody alreadybopping to what he got right but
stay out of that lane, don't goback in there.
No, he learned.
Speaker 5 (26:54):
That's why he put that song out.
He let you know I was, I wasout of pocket, even though
everybody tell me do this and dothat.
But you know what?
I did this and I'm I'm I'm realalliterating to say I apologize
again, because I should never.
But in the same time, drake ismy guy and he looked out for me.
(27:16):
You know what I'm saying.
It could have been music,everything in life.
He looked out for him.
So he got you never bite thehand that feeds you.
You know what I'm saying.
So they got a different type ofrelationship.
But in the same time, he messedwith Kendrick, and Kendrick
guess what?
Kendrick ain't gonna come atyou and say, oh, if they don't
feel like that, we should notfeel like that All right man,
(27:36):
Because it's the type of theygot history and everybody know
each other behind the scene ofrapping.
It's different a lot of things.
You know what I'm saying?
Speaker 4 (27:44):
Mm-hmm.
Speaker 5 (27:44):
That's what I feel like you know what I mean.
Speaker 2 (27:46):
Don't listen to me, Don't listen to me what you was
about to say, paul.
I want to ask J Nat,producing-wise, how art on a
producer's tip?
Because you make all type ofbeats.
(28:07):
I see R&B, rap, pop, all thatright.
So now, when it come down tomusic, I'm switching it up a
little bit.
Y'all.
I'm going off of the Kendrick.
Y'all done with Kendrick, allright.
When it come down to the music,man, what's your process of
getting down in the studio Likehow you start off with your
(28:33):
music process.
Speaker 5 (28:35):
I mean, I start off.
First of all.
You got to have your product.
You know what I mean.
Whatever you use to make music,you know what I mean.
It could be a keyboard,whatever you record on your
laptop, your program, whatever.
But when I'm in the studio myprocess is all about vibe.
I'm going to keep it real.
If I'm having a bad day orwhatever, you might catch me
(28:56):
sometimes might put it on thebeat and just make something or
produce something real quick.
But most of the time I'm alwaysin a good mood.
But if I'm not in a good mood,I mostly time don't do it.
I go off my vibe how I'mfeeling at the time and I just
lay something down.
Some people different, they allgo in there and make 10, 20
(29:17):
beats, but I consider you know,quality over quantity.
You know what I'm saying.
It don't matter if you make 15beats to like three beats.
It's all about quality to me.
You know what I'm saying.
I'm not rushing the process,I'm trusting the process, you's
it.
But whatever floats your boat,don't listen to me.
(29:37):
Whatever you like to do as aproducer, whatever that's what
you do, just be comfortable withwhat you like doing.
Speaker 2 (29:45):
Right, so how you get into producing.
Speaker 5 (29:48):
Man how I get into producing.
You know what I'm saying.
It all started to keep it real.
It started all in the.
It all started to my guy.
His name's C man.
Shout out to C man, you know,you know like he was, like Mr
Miyagi to me, you know, and hewas just teaching me, you know,
and I just from there, just likemusic, and it always started in
(30:13):
the day it started for me whenI used to go to church.
I just had people playing drumsand piano and stuff like that,
and I just like music from there, like you know what I'm saying,
and from there I always wantedto play piano and drums and
everything my pops used to sendme to school, even though he
used to give me the money andnot spend the money and get
(30:34):
video games or clothes orsomething.
He whooped my ass for that too,because he caught me.
I wasn't going to school.
But guess what?
I teach my own self because Ijust wanted them to know the
basics.
Once I knew the basics, Ilearned everything myself.
That's it.
And you know, I mean, like Isaid, my old head showed me how
to make music and stuff likethat, and I went from there Rob
Markman.
Speaker 2 (30:54):
So who?
Some of the people you know,anybody that Saint worked with
before.
Speaker 5 (30:58):
Lil Jon.
He worked with a lot of people.
You know what I'm saying.
You know he was doing his thing.
You know a lot of people.
You know I ain't gonna say noname.
They already know who they is.
You know what.
Speaker 2 (31:08):
I'm saying Rob Markman Is.
Speaker 5 (31:10):
Just say it was big artists in the city.
That's it.
I've been around.
I ain't new to this.
You know what I'm saying.
I already know everybody.
Everybody know me.
And for you niggas that knowfor real who I am, man, stop
acting like y'all don't knownobody.
It ain't just for me, it's foreverybody else.
Y'all got to stop acting weird.
You know what?
I'm saying Because we all knoweach other.
(31:38):
We all know each other.
Speaker 4 (31:39):
Let's get some money, man stop stopping this bad,
because you and your feelingstake a shot of julio and get
loose.
Speaker 1 (31:44):
No daddy he said and get loose hey, jayden jayden,
you're gonna lie.
Speaker 5 (31:54):
Don't want me to get money though.
Speaker 2 (31:56):
Why you say that.
Speaker 5 (31:57):
Because niggas already know I ain't going to
and the crazy thing, I ain't thenigga.
When I get money I'm going tobe talking crazy and snapping.
It's just the vibe man, thesquad like us.
You know what I mean.
You give us the paper we'regoing to turn up, we're going to
put real niggas on.
Niggas gonna understand westanding on business.
Speaker 4 (32:17):
Hey yo, hey, yo, hey, yo, hey, yo, hey, yo hey yo hey
, yo hey, yo Shit.
Speaker 1 (32:32):
Oh we should've man.
Speaker 5 (32:34):
Hey Rube.
I hope you recorded this joint.
Last time you fucked up thebaddest.
Speaker 4 (32:38):
Well, fuck y'all.
Speaker 5 (32:43):
I'm talking to the camera man.
Hey, yo, hey, hey, hey.
Speaker 4 (32:45):
Hey, make sure y'all share like subscribe comment.
Speaker 2 (32:56):
If you don't, you're a motherfucking hater.
Speaker 1 (32:58):
Subscribe to Real or the.
Speaker 5 (32:59):
Most.
Speaker 1 (33:02):
That was an inside joint, y'all don't get it, that
was an inside joint.
Speaker 5 (33:06):
That's called hard work and dedication, Like blood,
sweat and tears.
Man, you niggas don'tunderstand.
Everybody be laughing and allthat.
Speaker 1 (33:14):
Yeah, we laugh, but you know it's a lot of guys,
there's a lot of these dudes gohard, hard, real right.
I'm talking about hardships, alot of texan group texting and
meetings and, for sure, for sure, like all types of stuff, man,
before we even get in thisbuilding, turn cameras on and
(33:39):
talk about what we talking aboutthere's a lot of things that go
on and go into this stuff yeah.
Speaker 5 (33:45):
So hey, gilly, let me get one of them.
Uh, mule them, perk 30, uh,whatever, no, no, no, no,
whatever you got look look, lookat that weed.
Speaker 1 (33:55):
No, I'm glad you said that, look at some of that,
guys.
I'm really glad you said thatwe can sponsor you over here.
We can sponsor you.
Speaker 2 (34:04):
Just give us some of the.
Speaker 5 (34:04):
Bud.
Speaker 2 (34:05):
We're going to smoke it right on there.
Get that shit right to us.
Speaker 5 (34:10):
We're going to act like we're talking your shit
when we smoke your bud.
That's a crazy commercial.
Speaker 2 (34:14):
You turn into Gilly.
You smoking a weed, you knowwhat I'm saying.
Speaker 5 (34:17):
You turn into Gilly you know what I'm saying?
You, a nut ass nigga, get thaton the girl.
A-c, a-c, a-c.
One of us like, get that on thegirl.
Speaker 3 (34:30):
A-C, a-c, a-c.
Speaker 2 (34:32):
One of us like get down on the girl A-C, a-c.
Speaker 3 (34:36):
Yeah, get down on the fucking girl.
Speaker 5 (34:37):
He's a nut ass.
Nigga, he's a hey Gil, I'llfuck with you.
I'll fuck with you.
Speaker 2 (34:42):
Gil Finley man, I don't really know.
Speaker 3 (34:43):
Wilder like that you already know man.
You know what I mean.
Man a long time ago.
Speaker 2 (34:51):
Yeah, yeah, yeah, gil and EA came down to 7th Street.
Speaker 5 (34:55):
Oh, shout out to my man, ea man all day the Philly
Uncut down there Okay okay.
Speaker 2 (35:01):
I was one of the first people Gilly did an
interview with man.
Yeah, it was fire, Real talk.
Yeah, Gilly always.
Speaker 5 (35:06):
Right after that.
Speaker 2 (35:08):
I haven't stopped seeing Gilly on the camera.
Speaker 5 (35:11):
Fire man talk shout out to gilly man.
Shout out the wild.
Speaker 2 (35:20):
I just want to say how do it feel to hear yourself
on a radio when, for your firsttime and what song was it?
Speaker 3 (35:27):
hold on hold on, hold , on, hold on, hold on hold on.
So you went from Hold on, soyou went from creating, so you
went right on the radio.
Speaker 5 (35:39):
Yeah, you know I was on the radio.
You know what I'm saying.
No, but I was on the radio.
I had a song.
It was DJ Drama's song.
You know it was called Wish it.
You know it was a single.
It was Chris Drama's song.
You know it was called Wish it.
You know it was a single.
It was Chris Brown on it.
Drama, two artists, la Quinnand Skin.
Speaker 3 (36:01):
That was your first placement.
Speaker 5 (36:03):
Yeah, you could say that you know major placement.
You know, okay, okay, I hadplacement, but that was like my
first major placement in amainstream radio.
I mean, last thing, I know itwent dead, went gold.
You know, thank god for that.
But for real, for real, likeyou know, that's one of my
proudest moments right there.
You know what I'm saying whatwas that movie?
Speaker 2 (36:24):
when they heard, they saw from the radio and they
started going crazy.
Five rb, oh man, when you like,that night yeah, I was like
this is crazy.
Speaker 5 (36:28):
I was like no, I wasn't even like that for real
I'm gonna keep it real.
I was like this shit is crazy.
I was like, no, I wasn't evenlike that For real.
I'm going to keep it real.
I was like it's supposed tohappen.
I worked my butt off for this.
You know what I'm saying.
I ain't going to hold you.
I'll say what's next, eventhough I know a lot of people
looking at me.
Yeah, I'm drawn my bad.
You know what I'm saying.
(36:49):
We I'm, you know, we're goingto check back to reality.
You know what I'm saying.
But you know, I just couldn'tknew that was going to happen.
I mean, I had visions and stufflike that and I still have
great visions.
I just got to.
You know, like they say, yougot to manifest your dreams.
You know what I'm saying.
Speaker 2 (37:07):
Say that again.
Speaker 5 (37:08):
You got to manifest your dreams, oh yeah, and you
got to work hard.
You, yeah, and you got to workhard.
You know what I mean.
Consistency is key.
You know what I mean.
You can't really take a day offand if you take a day off, it's
a day that is that day feltlike you still work, if you
understand what I'm saying.
Yeah, you know what I mean.
Speaker 2 (37:28):
OK, you know what I mean.
Speaker 3 (37:30):
I know, exactly what you're talking about.
Speaker 5 (37:31):
That's it.
That day off feel like it'sstill work and it's crazy so.
Speaker 2 (37:35):
Because I'm going to wind up doing something else.
Speaker 3 (37:38):
So, exactly so.
So so would you, would you landin that placement right?
And what year are you?
What year, what year are yousaying?
Speaker 2 (37:50):
This might get JN another shot, yeah, oh that's me
.
Speaker 5 (37:54):
Oh, my shot, yeah, oh , my man got me Appreciate it
Lil Jon.
Speaker 3 (37:56):
He good, you said what year was that.
Speaker 5 (37:59):
What?
When I did that?
Speaker 3 (38:01):
When you landed that placement.
Speaker 5 (38:02):
I think damn, I'm sorry, I don't, it's probably
2000, what's it?
How long 2023.
Okay, times in 23.
Okay, probably like 15 or 16maybe more, maybe 14, 30s, I
don't know.
Speaker 3 (38:16):
Um.
So how long was you likecreating and making beats up
until that point?
Speaker 5 (38:21):
I've been doing this since I was 15.
You know, I mean, like I said,I started, you know, playing in
church first.
You know playing music, but Ihad an old head that showed me
how to do that.
And from 15, my little first,actually my first, you know
placement was like a Christianrapper song, whatever, boom,
(38:41):
boom.
And when I did that drum, mysecond drum, I forgot what it
was but I started getting intoit because you know, I started
messing with a lot of stuff.
You know artists and stuff likethat.
But back in the day it was more, I'll say, when it was my turn,
when I was under him, it wasmainly him doing his thing and I
was just learning Rob Markman.
Speaker 2 (39:01):
You was one of them.
Dudes that make the beats he belike.
Let me get that.
I can fix it up for you, TJ.
Speaker 5 (39:04):
Exactly.
He'll take over and do theother process.
And then once I got older, pastmy 21 years.
You know what I'm saying.
I am not 40, and I'm not.
I'm less than 35, but you know,I'm just letting y'all know.
You know what I mean.
Speaker 3 (39:20):
Nigga 50, man, nigga 50, man After I turn 20 years
old.
Speaker 5 (39:24):
That's when I start doing my own thing.
Speaker 2 (39:25):
I'm not 40, and I'm less than 35.
Speaker 3 (39:27):
Nigga 50, man.
Speaker 2 (39:35):
Nigga 50.
Yeah, I heard I ain't 50.
Shit, I ain't 50.
But look though, I want to gointo pretty much the grind mode.
You know, like the part before,like how you know you was Ari,
like how you knew the beats, wasit Like what type of people was
taking music from you sayingJ-Nat, you got it?
Speaker 5 (39:53):
Listen, I've been to her, I just needed the
opportunity.
Speaker 2 (39:57):
Who gave you that opportunity?
And the opportunity, what wasthe first?
Speaker 3 (40:01):
hot.
Speaker 5 (40:01):
Shout out to my man, dominicus, and Buzzworthy
Dominicus, a girl, you know whatI'm saying that's my nigga too.
You feel me she is a queen now.
Sorry, Dominicus.
Speaker 2 (40:10):
You a queen.
Speaker 5 (40:16):
Who?
Who was the hottest local butDominicus, and Buzzworthy shout
to them cause he was the firstpeople to like.
Really you know what I mean.
I do have my squad hold on realquick.
Speaker 1 (40:22):
Real quick was Wishing on that classic drama in
Chris Brown's song like thereal classic drama where he's
sitting down in the chair.
What that drama called.
Speaker 5 (40:34):
Wishing.
Speaker 1 (40:36):
No, no, no.
The CD.
Speaker 2 (40:38):
Oh, I don't know about the CD.
Speaker 3 (40:40):
It was on a drama album.
I think it was a drama album.
It was a drama album, hissecond album.
Speaker 4 (40:45):
He dropped, he got two albums, that's all he got.
Speaker 5 (40:49):
Well, he got three.
Now Gangsta.
Speaker 1 (40:50):
Grills, what was your album?
No, that's mixed.
Speaker 4 (40:53):
Gangsta grills mixed it.
Speaker 2 (40:54):
Oh all right, oh all right he may drop like a major
album.
Speaker 5 (40:56):
This was on Drop.
Speaker 2 (40:58):
What was your first local hottest artist?
Yeah, yeah, what?
Speaker 3 (41:01):
was that, Joe, your first local hottest artist?
Speaker 4 (41:04):
My first local artist .
Speaker 3 (41:06):
That rapped on your joint.
Speaker 5 (41:08):
Frick Lucas Art.
I'm going to keep in mind myman Korp, right here.
You know, my man's been showingme love, he not?
Speaker 2 (41:15):
trying to give up no tape.
I'm about to run his resumedown y'all oh man.
He ain't giving up.
Speaker 3 (41:21):
No tape you did Rico Havoc.
John, right yeah.
Speaker 5 (41:24):
Oh yeah, I did, rico.
Oh man, shout out to my man,rico, yo y'all, I'm sorry,
everybody that's watching andknow J Night.
Speaker 2 (41:32):
Y'all know he cool.
Speaker 5 (41:33):
Hold up.
Listen.
I'm sorry y'all, I'm likelisten, you did.
I think you did Frank, I loveall y'all man, I ain't nobody
that I'm talking about.
Speaker 3 (41:41):
You did Lucas, you did Lucas right.
Speaker 5 (41:44):
No.
Speaker 3 (41:48):
No.
Speaker 5 (41:49):
I ain't do Lucas.
We did a.
Remember is hot damn.
Um, it's a couple of drones wedid.
You know that was playing onradio and we got videos for we
was killing rico, have it.
I did a joint with uzi what wasthat?
Speaker 2 (42:01):
john, so we could go.
Speaker 5 (42:02):
It was his first mixtape that he ever, the real
uzi that he ever dropped one,right you know what I'm saying.
Track one, the intro, I didthat mel love young poo mel,
young, poor the bloodhounds.
You know what I'm saying.
I do got a joint joint withMeek, but something happened
where somebody wasn't right Tell.
Speaker 2 (42:19):
Meek Holler at you.
Speaker 5 (42:20):
He'll be watching hey listen Meek, already know man.
Speaker 2 (42:22):
He better stop playing what you going to say to
Meek if he watching you?
Speaker 5 (42:24):
Listen, all I got to say is the day when me and Meek
do something we're going to havea platinum diamond record.
Speaker 2 (42:35):
Put that on everything.
He ain't lying.
He ain't lying the day we dosomething.
It's going to be a plan.
He might need a couple turns togo in with him, but he going to
get that shit.
Speaker 1 (42:41):
We just got to lock in.
That's it.
He going to get it out who wejust was listening to on your
beat Huh, who we just waslistening to.
We was listening to.
Beanie Sigel, right you knowwhat I ain't got to say?
No more, you know.
Speaker 5 (42:54):
Listen me, call at me , stop playing.
You got your fitted on tootight.
Say that, or Let me stopplaying Me.
Let me chill.
Speaker 3 (43:05):
Because you like all right man.
You know he like the bust.
Yeah, man.
Speaker 4 (43:09):
You know he like the bust.
Speaker 2 (43:12):
I'm going to go with bus.
He like the bus.
He probably got it my gosh cuz.
I know you, I know you.
Speaker 5 (43:17):
You know he like the bus.
I know you Grab me up cuz Tellme y'all cuz do the cut.
Speaker 3 (43:21):
Cuz see everything.
Speaker 1 (43:23):
Cuz do the breeze back for a reason man Cuz see
everything Cuz got wisdom.
Speaker 5 (43:28):
Y'all think he dumb Cuz is smart what.
Speaker 1 (43:30):
He's smart, he's smart, he's smart, he's smart,
everybody be thinking like heknow what he doing.
Speaker 5 (43:36):
He do it for a reason , so he too smart.
Speaker 3 (43:37):
Cuz ain't no dickhead , bro.
Speaker 5 (43:39):
Cuz is far from that, hey cuz I feel you Do you Fuck
these niggas?
You feel me, I feel you Cuz.
That's how I feel now Cuz lookCuz you still got your fitted
tights, Because look though whocan you name?
Speaker 1 (44:01):
We not going to do Noel Smith type of.
Speaker 5 (44:04):
But who can?
Speaker 1 (44:05):
you name from Philly, with his longevity, that's all
because, of how he be moving.
Speaker 3 (44:11):
Carrying it and how he thinking.
Speaker 5 (44:13):
He took Quilly words Carry.
Speaker 3 (44:15):
Bro the nigga befriended a billionaire, Became
his damn best friend.
Carrying it, he carrying it.
How, he thinking he took QuillyWords carry.
Bro the nigga befriended abillionaire, became his damn
best friend Billionaires.
Went in the business with thenigga, and this all from 20th
and Snyder Billionaires.
Speaker 5 (44:26):
Like people who got more money than Hoes is closer
than them.
You feel me.
Speaker 3 (44:33):
To Robert Kraft and.
Michael Rubin, one at auh, youfeel me.
To Robert Kraft and Michael Rea, you got Hope in the back
pocket.
Speaker 5 (44:37):
You got Rube in your back pocket.
You messing with the owner ofRobert Kraft that made cheese in
your back pocket.
You at the Met Gala.
You at the Ruben that makecheese?
Yeah, no, what is wrong withthis, robert?
Speaker 1 (44:49):
It's a business called Kraft that makes cheese,
not Robert Kraft.
Speaker 5 (44:54):
He own a Patreon bro.
Speaker 1 (44:57):
He's the one that made cheese.
Speaker 5 (44:59):
No, he not.
Speaker 2 (44:59):
No he not Yo Jay, dat might be right, because he be
right.
Go look him up.
He might be right, though, bro,go look him up why you think
they calling Kraft Robert Kraft.
Speaker 3 (45:11):
Bro, no, it's not Do Robert Kraft own the cheese bro?
Speaker 5 (45:16):
No, that's not the point.
I hope you ain't going off halfcocked on this podcast.
If it's wrong.
Speaker 1 (45:22):
Cut me out on this podcast.
Speaker 3 (45:24):
No, we ain't cutting you out, nigga, don't go off
half cocked on this podcast.
Speaker 1 (45:29):
No, that's the owner of the.
Speaker 4 (45:30):
Patriots bro.
Speaker 1 (45:34):
He's the owner of the Patriots bro.
He own the Patriots bro.
He's the owner of the Patriots,bro.
Speaker 5 (45:36):
He own the Patriots, but he own the Chiefs coming
first.
Speaker 2 (45:40):
Stop, stop, you got to know what you're talking
about.
Stop, all right Stop it OK.
It's crazy because niggas likehim be frightened about wearing
stuff like that.
Speaker 3 (45:50):
Yo, that's why I Google it.
Yo, you try to fuck this up.
I'm going to be like what Yo?
Speaker 5 (45:55):
I ain't going to lie, don Julio.
My man, I'm drunk.
Take a seat, yo.
If y'all could rewind, put thisshit back Yo.
This nigga is a weirdo.
I ain't meant to do that.
That's what happens when youcan drink.
Yo, yo, yo yeah it can't be myfault, yeah, other type of
(46:19):
niggas said the nigga got shot,he outside.
Speaker 3 (46:22):
I said you said the nigga got cheese.
Speaker 5 (46:24):
No, my bad, my bad.
You know how you just be hype,trying to move a point.
Yo Don't get it twisted.
Speaker 1 (46:32):
Don't get me wrong, me and Karr looked at this dude.
Speaker 5 (46:34):
I was just hype at point I was drinking my bad.
Speaker 1 (46:36):
Yo, I was drinking my bad, so hold up my bad.
Speaker 5 (46:40):
So to clear it up, right, I was drinking my bad yo.
Speaker 1 (46:43):
You know Krave, krave , macaroni and cheese.
Ah, he thought that.
Speaker 4 (46:48):
He thought Robert Krave, my bad, what Yo that shit
just killed me bro.
Speaker 5 (47:01):
My bad, yo that just killed me bro.
He just put that shit togetherin his room one day that was
crazy.
Speaker 1 (47:08):
He look up shit.
He just heard Robert Kraft likecheese.
Speaker 3 (47:12):
He said yo, yo, yo yo .
He said he got cheese, yo yohomemade cheese.
Speaker 5 (47:17):
And I never looked it up because it said a real ass,
dick crab.
And then he really, oh man,every interviewer say he's a
real man.
I'm like yo man, I'm a real man, I'm a real man, I'm a real man
, I'm a real man, I'm a real man, I'm a real man, I'm a real man
, I'm a real ass, dick crab, andhe really.
Speaker 3 (47:36):
Oh, you're kidding man.
You're kidding man.
That's what every interviewersay.
He's doing a big thing.
Speaker 5 (47:40):
My bad.
Y'all.
Yo my bad, that was my bad.
Yo you're hanging up on me, bro.
Yo, I was drinking, I wasdrinking, make sure you like,
subscribe and.
I just thought about this shitright now.
Speaker 3 (47:53):
Bro, this is a broadcast bro, my bad.
Speaker 5 (47:56):
I'm on a podcast, my bad.
Yes, Listen what I just say,right, that's why they say do
not drink.
Do not drink y'all.
If you can't listen, I cancontrol it, but it's just, I'm
all up in here, you got to relax.
You know what I mean my bad, mybad, my bad, y'all my bad.
Speaker 2 (48:13):
Woo, let's do the games man.
Speaker 5 (48:15):
It was a good laugh, though I feel like the camera's
going cocoa man.
What time?
Speaker 2 (48:19):
is it?
Speaker 4 (48:20):
Let's go, man, let's hurry up man, let's do the games
man.
Speaker 5 (48:23):
My bad.
My bad y'all, my bad y'all.
Speaker 3 (48:25):
Ladies, gays, it's called Fast Track or Fast crazy.
You just pick one or the other,because we in philly we gonna
start off with major figures ofstate property this poor, crazy
you heard anything, man?
Speaker 5 (48:48):
I think you see robin craig silly man.
Speaker 3 (48:53):
You're silly man, damn.
You said, the nigga got cheeseand shit.
Speaker 5 (48:58):
My bad.
I'm sorry, I'm just thinkingabout that shit.
My bad.
Say that question again.
My bad, my bad.
So it's fast track.
Speaker 1 (49:05):
You pick which one you favor, all right.
All right.
So state property or majorfigures?
Speaker 5 (49:10):
Damn state property you going to go?
Speaker 2 (49:12):
Why you going with state Park?
Speaker 5 (49:14):
Let us know I don't know it, just maybe to me.
Not saying major figures, don'tdo their thing and shout out to
Ab Lava, you know what I'msaying?
Y'all don't even know, man, abLava Not saying nobody like Bump
Jack.
Shout out to my man Bump Jack,I fuck with Bump Jack.
You know what I'm saying?
Fuck with Bump Jack.
You know what I'm saying?
(49:34):
Fuck with Dutch.
Speaker 2 (49:35):
Hey Gil, you already know why you got to curse him.
Man, Come on.
Speaker 5 (49:37):
My bad, it's just emphasis.
You know what I'm saying, butyou know I mess with them.
You know what I'm saying.
My man, Gil Nina Ross, Shoutout to her.
Speaker 3 (49:52):
Nina Ross ain't part of Major Figures, bro.
Like, what are you talkingabout?
I don't know she already withthem.
Speaker 5 (49:54):
Slicka, keep going.
Speaker 2 (49:56):
I was in.
Speaker 1 (49:56):
Youngboy when they came out.
Bianca, bro, bianca.
Speaker 5 (49:58):
Bianca.
Speaker 4 (49:59):
Bianca, I'm sorry, you can talk about Nina.
Speaker 3 (50:01):
Raw, but no, shout out to Nina Raw.
Shout out to Nina Raw.
He said stay proper.
Speaker 5 (50:09):
Bianca, Bianca, All right come on, I'm sorry.
So if you hear me, but I shoutout to everybody.
Pharrell or Timbaland, bro, noI did, I did, I picked State
Prop and he asked me why.
Speaker 3 (50:22):
And you named the whole major figure.
Speaker 5 (50:23):
No, I'm just I'm trying to say shout out to them.
But Ab Lava, that's my guy, youknow what I'm saying.
Like y'all don't even know hewrite for Dr Dre, bro.
Speaker 1 (50:32):
You know what I'm saying he right for Kanye too I
mean he hitting it.
Speaker 2 (50:36):
So why did you pick State Prop?
That was my answer.
What did?
Speaker 5 (50:39):
you mean Rockefeller is like, that's my spot.
Jay Nack came under State Prop.
Saint man came up under.
Speaker 4 (50:45):
State Prop too.
I came up with State Prop.
Speaker 5 (50:51):
He ain't want to tell y'all all that Saint man used
to make all the beats for StatePride.
He ain't even make one beat yet.
Speaker 3 (50:56):
Chad.
Speaker 5 (50:56):
West.
I'm like he did stuff.
But yeah, chad West White Bull,right, you know what I mean.
That was one of the Bulls.
Speaker 4 (51:07):
Then you got Kanye.
Speaker 5 (51:07):
Just Blaze.
You know Sink was a part ofhistory, but those dudes were
like more.
So shout out to them Pharrellor Timbaland.
Timbaland.
All right, pharrell, I bangwith you, but Timbaland, mm-mm.
Aaliyah, come on, missy Aaliyah.
Yeah, you know what I mean.
Justin Timberlake, justinTimberlake, yeah, jay-z, the
(51:33):
catalog, everything he wasdropping.
You know what I'm saying?
Yes, shout out to Danger.
If y'all don't know, you'regoing to know now.
Speaker 2 (51:38):
I got one for you, cam or Phat.
Speaker 5 (51:45):
Shit, that was hard.
I ain't going to hold you.
I'll take a shot for that one.
Speaker 3 (51:54):
Ain't no shot, nigga you.
You gotta pick one, drinkchamps.
Speaker 2 (51:57):
What the fuck is you talking about?
I know they ain't drink champs.
I know it's not.
Speaker 5 (52:03):
Drink champs but in the same time, you know, shout
out to every podcast that'sdoing it.
But this is really the most.
You know what I'm saying.
Speaker 2 (52:12):
Answer it.
That's why you gotta answer it.
It's hard, you know what I'msaying, but if answer it, that's
why you got to answer it.
Speaker 5 (52:15):
It's hard.
You know what I'm saying, butif I had to go, I'm going to
keep it real.
I'm going with Cam.
Why Cam talking shit?
Man Fab talking shit, but Camis my guy.
Speaker 2 (52:29):
What's crazy is y'all still asleep?
That's what's crazy, fab crazy,that's his last door that's
just dropped what's crazy isy'all still sleep.
Speaker 5 (52:40):
That's what's crazy jermaine, dupree or diddy no,
diddy so cool no no, diddy, Iain't gonna lie no but you know
what I?
Ain't gonna say no diddy.
I ain't gonna lie no.
But you know what?
I ain't gonna say no Diddy,I'll pick Diddy because he had
them classics.
I ain't gonna lie, Diddy hadthem classics.
Diddy had them classics.
Speaker 3 (53:00):
They don't lie.
Speaker 4 (53:01):
So Jermaine.
Speaker 5 (53:02):
Dupri is an animal, but no, Jermaine got some crazy
stuff, but NH or Joey Jad.
Speaker 2 (53:08):
Yeah, turn it up NH Beans or Jadakiss Beans.
Speaker 3 (53:13):
Styles or DMX.
Speaker 5 (53:15):
This nigga's style DMX, dmx.
Speaker 3 (53:21):
Coogee Rapper King.
Speaker 5 (53:25):
Oh, you got it.
You know what I'm saying.
Yeah, what you talking about.
Speaker 4 (53:29):
Bro, first it.
Speaker 5 (53:31):
That's Kool C, bro.
Oh Kool C.
My, bad, my, bad, I fuck withKool C, though.
Oh, cool C.
My bad, my bad, I fuck withcool C, though Fuck them niggas.
Speaker 1 (53:38):
All right, all right.
Speaker 2 (53:42):
All right, hey, yo One got to go.
Speaker 5 (53:46):
One got to go, man.
Cool J, cool J.
I hope y'all laughing though DJDrama, or DJ Khaled.
Dj Drama, he gave me theopportunity.
What's up?
Speaker 1 (53:55):
Oh, yeah, all right, all right, bad, bad.
Speaker 2 (53:58):
I like that, Nat yeah .
Speaker 1 (53:59):
Bank or Don Cannon.
Speaker 5 (54:05):
Don Cannon.
Speaker 3 (54:06):
Clue or Flex.
Speaker 5 (54:09):
Flex, what I ain't know.
Flex put in work Flex.
He did Flex put in work Flex.
He did Flex put in work Coolyeah he did too.
He did, but flex is crazy.
Speaker 2 (54:23):
Flex is crazy, though .
Speaker 5 (54:24):
Yeah, they both crazy but flex put in work All right,
all right.
Speaker 1 (54:29):
So we going to do one Got to go now Hold on, hold on.
Speaker 2 (54:31):
I ain't done yet, yay , or for real.
Speaker 5 (54:34):
Yay.
Speaker 2 (54:35):
One more Come on.
Speaker 1 (54:43):
We're going to go producers.
All right, alchemist.
Speaker 5 (54:56):
I'm just going to say Alchemist, I don't going to say
Alchemist.
Speaker 1 (54:58):
I don't care who you say Damn.
That's how I be.
It'd be hard.
Speaker 2 (55:01):
It's hard to do that Like you can't ever really you
can't really like you got to getsomebody else that go in like
him.
Speaker 3 (55:07):
But it'd be hard to like.
Speaker 5 (55:09):
The only person I can keep up with him is Jay Dilla.
Speaker 3 (55:13):
OK.
Speaker 5 (55:14):
That's it.
Speaker 1 (55:18):
Still Alchem.
Up with him is jay dilla.
Okay, that's still alchemist tome all right, so we gonna do?
Um, let's do the classic one.
Speaker 5 (55:33):
Yeah, let's do the classic one that everybody be um
asking about uh Timbaland orSwizz Timbaland Timbaland.
Speaker 3 (55:40):
Ah, yeah, timbaland, Timbaland, zone, zone, zone,
zone All right, we're going todo some singers real quick.
Zone zone Rihanna or Beyonce, Iain't going front.
That's hard, bro.
It's Rihanna for me.
I ain't going front, bro, butdance for me.
Speaker 2 (56:01):
I ain't gonna write, bro, but dance for me, bro, you
say beyonce all right, I suretrade songs.
Speaker 3 (56:10):
I sure trade songs, rihanna I love you too damn,
especially when she died I ain'tgonna lie.
Speaker 5 (56:14):
That's your story.
Speaker 1 (56:14):
Trey.
Trey, trey I'm going to keep ita, b, it's Trey for me Trey no.
Speaker 3 (56:17):
What.
Speaker 2 (56:18):
Y'all getting on my nerves up here.
Speaker 3 (56:20):
I'm going to keep it real though.
Speaker 2 (56:22):
I love.
Speaker 1 (56:22):
Trey but Usher is bull bro.
Speaker 4 (56:23):
You know what I've been playing the last week,
though.
Speaker 3 (56:26):
Fumble.
Speaker 1 (56:29):
That shit Passion, pain and Pleasure.
And Ready is the best two R&Balbums I ever heard.
Speaker 5 (56:37):
The only album Usher had was Confessions.
I ain't going to lie, usher hadhis jewels Confessions,
confessions, confessions 87.01.
Speaker 3 (56:45):
No, nothing 87.01.
Yeah.
Speaker 1 (56:47):
Yeah, but Ready Like every kid that's about to be a
dub was going off there.
Speaker 5 (56:56):
What my man said.
Speaker 1 (56:58):
I wish I never hit it .
I wish.
Speaker 5 (57:02):
That's my shit.
I don't know what's going on.
Bro, that's my shit.
Trey is.
Speaker 3 (57:07):
That is not.
That was not the lyrics.
It wasn't Actually.
It was the lyrics.
Speaker 5 (57:12):
But I just don't know .
That's my shit.
Speaker 4 (57:16):
All right.
Speaker 1 (57:17):
You said all right.
So.
Speaker 2 (57:18):
Oh, on that part, I love the part you're talking
about we can't be friends, yeah.
Speaker 5 (57:23):
Everybody go through that.
All right, do one gotta goy'all.
Speaker 2 (57:26):
We probably got a couple minutes left man to wrap
this up, man.
Speaker 4 (57:29):
Make sure y'all share like subscribe.
Speaker 2 (57:31):
Comment man, we got JNAT.
Beats up here on Real of theMost Podcast.
Y'all know he keep it real Allthe way.
Let's go, man.
Speaker 1 (57:40):
One guy go.
One guy go.
This, the opposite.
I'm going to say four thingsand then one guy get the fuck
about it.
All right, all right, see what?
All right.
Nh Reed Hattie.
Speaker 3 (57:54):
Meek One guy gotta go Hattie.
Speaker 2 (57:58):
Damn.
That's the first time I heardthat.
Speaker 3 (58:01):
No, somebody picked Hattie yesterday.
Speaker 5 (58:03):
Hattie gotta go why?
Speaker 2 (58:05):
Hattie gotta go.
Speaker 5 (58:06):
Just Reed.
Reed is animal, meek, he doingit.
You know what I'm saying.
And NH is one of my underdog offavorite rappers.
Mine's too yeah.
Speaker 1 (58:19):
Okay, okay, okay.
Speaker 3 (58:23):
That is a hard four.
Speaker 2 (58:25):
Hattie, I fuck with Hattie bro, that is a hard four,
that's a hard four.
Speaker 4 (58:28):
Yeah.
Speaker 1 (58:30):
No personal stuff.
Speaker 2 (58:31):
Shout out to all of them too.
Speaker 1 (58:32):
No personal stuff, like you know it yeah, you feel
me, no personal stuff.
It's just everything they everdid, gotta gotta get out of here
.
All right once you say they go.
All right, diddy dr dre.
Uh, diddy dr dre.
Birdman and jay-z birdman andJZ Birdman.
Speaker 3 (58:57):
Drake, that's Drake Wayne.
We gonna wrap this up.
Yeah, cause we gonna wrap thisup.
Yeah, this interview done and Ithink he doing this shit on
purpose, but it's cool it's therealest and most podcast
Speaker 2 (59:09):
we not even gonna talk right now what you mean we
not talking?
Speaker 1 (59:13):
I'm realer, I'm realer.
Cash.
I'm whiteula, I'm.
Speaker 3 (59:15):
Rula Cash, I'm White Boy.
D2a.
Speaker 2 (59:18):
Yeah man, we out here y'all.
Speaker 3 (59:20):
We out Rula the most.
Speaker 5 (59:21):
Yo, I'm Taylor Burman .
Fuck is you talking about you.
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