Hablando sobre la desaparición, Marcelo Brodsky comparte cómo su pasión por la fotografía y el arte floreció en medio de las dolorosas realidades de la última dictadura militar de Argentina. Exiliado y llorando la pérdida de su hermano y amigos entre las 30.000 víctimas, el regreso a casa de Brodsky lo vio canalizando el dolor en un impactante activismo artístico. Proyectos como Buena Memoria y Parque de la Memoria, las obras de Brodsky, lidian con las cicatrices de la violencia sancionada por el estado; afirman la memoria, la reflexión y el arte como bálsamos sociales. El arte es acción, sostiene Brodsky. Bajo regímenes opresivos, ¿qué debe hacer la expresión creativa para resistir? ¿Para reclamar la libertad? ¿Para trazar nuevos mundos?
For episode extras, and to learn more about the artists, hosts, and organizations involved, check out the Reckoning and Repair website: rnrphilly.com
Reckoning and Repair is part multimedia counter-archive, part laboratory, for telling stories and listening to stories in cities. Each season traces stories of resistance to (and repair from) the enduring and specific legacies of exclusion/withholding/erasure that haunt our cities. Through immersive oral histories and collaborative storytelling, student scholars, activists, and creatives illuminate the slow, difficult, yet vital work of accountability and healing in haunted worlds. The project is directed by Dr. Alissa Jordan at the Center for Experimental Ethnography at the University of Pennyslvania.
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