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My guests this week are Brooklyn-via-Oakland producer August Fanon and Connecticut producer and musician Child Actor. We spoke about The Monkey, Severance, Return to Oz, The Little Mermaid, the works of David Lynch, their respective path through the worlds of indie rap and music at large, their styles and techniques, their live beat sets, and the creative process behind their debut collaborative beat tape Here and Here. Come fuck with us.
Here and Here is available wherever music is sold, streamed, or stolen. Consider copping the album direct via Child Actor's Bandcamp. Follow August on Instagram and Twitter (@augustfanon) and connect with him via his Patreon. Follow Child Actor on Instagram and Twitter: @chldactr
My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.
Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!
Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green.
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