Sanskrit Cymatics - Language as Universal Cymatic Creation

All of reality is first emanated from Source via Sound - the substrate of all things is sound and the resulting form is cymatic, in every aspect of reality we can perceiveBOOK A SESSION: https://www.calendly.com/roguewaysROGUE SITE: http://rogueways.orgSUBSTACK: https://www.rogueways.substack.comROGUE ON GNOSTIC: https://gnostictv.com/programs/lindsey-scharmyn?via=lindseyROGUE MUSIC: https://unknownzenkeeper.bandcamp.comLINKTREE: https://linktr.ee/LindseyScharmynEXCLUSIVE PODCASTS: https://apple.co/3z4ogsyDONATE CASH: https://www.paypal.me/roguewaysDONATE CRYPTO VIA COINBASE: ApotropaicSpirit.cb.idDONATE BITCOIN: bc1q7xq3323hlcq4f4k4w66evc9jpln4hce4xyj2rwMusical and artistic genius of Rogue Ways: https://linktr.ee/johnnylarson

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Episode Transcript

Speaker 1 (00:08):
Driven screens.

Speaker 2 (00:09):
It's a plant to drop the high que fighting the mansiche,
the rules that don't like you, macrobs cropped and melancholi
with the wood, Banza holliesuggestions out of pip, the rights
of camel, Plaza folly, that's the metal, Dobry execute us
up rely, the popracy is back to Rea and black
the top. Put the hands up to touch the acasta
because you know, deep down is something.

Speaker 1 (00:31):
Bigger and get walded, sweet eternal balance of all that
is good, true and beautiful. Friends, Welcome back to Rogue
Ways where tonight we're talking about Sanskrit cimatics. Yes, the
Sanskrit language and the cimatics produced in speaking it, as

(00:53):
well as some other amazing attributes of Sanskrit language and
the technology of all of creation all throughout the universe.
You know, just some light topics tonight. That's what we'll
be talking about and we'll just jump into it now
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And so we'll start here. This is a post from
Robert Edward Grant. And you know, again I talk about
him somewhat frequently. I use a lot of his content

(03:46):
here and there on the show throughout the years. He's
a polymath. He is a mathematician specifically, but he's also
a polymath and many would say a genius. And you know,
I'm most recently not super stoked at what he's doing
with his AI venture, with his architect AI as he
calls it, promoting it to be some sort of super intelligence.

(04:06):
And I mean, in a way AI is, but he's
promoting it as like an actual super intelligence. I won't
get into it. I've talked about it on other episodes before.
I'm not super happy with that, but I do love
his mind. I love a lot of what he brings forward.
And this was a post from actually February of this year.
This is how long this has been on my dacus

(04:27):
to talk about on a show. And Robert Edward Grant says,
Sanskrit is not just a language, It's a vibrational science
rooted in deep phonetic precision. Each syllable carries specific harmonic
resonances that interact with the body, mind and the fabric
of reality. Unlike most modern languages, which are primarily symbolic
in function, sanscrit is considered a vibrational language, where the

(04:51):
sound of each word has a direct energetic impact. I'll
just pause there, and I'll bring your attention back to
this idea that you can speak into creation, or this
idea that there are certain words if you knew, like abracadabra,
that certain things would just happen for you. And this
is sort of getting back to that idea that perhaps

(05:12):
at some point at least, we actually did have this language,
and maybe sanscrit is the closest living relative to that
experience that we may have. If you look at all
of human history as a sort of devolution from having
been much closer to what we could say called God

(05:33):
and having devolved into our current state in this dark age,
that perhaps at some point we did speak things into
creation as we know that is allegedly how God him
it or herself created everything. All of creation was an
emanation of sound from God, the substrate of all things

(05:55):
being sound. And if that's true, then perhaps are small,
mortal vocal chords here could also reproduce or create sounds
that would then change reality, create reality. Right, were made
in the image of God be Looking back into ancient
enough history, it seems we were definitely more advanced than

(06:16):
we are now. All we could do things like build pyramids,
which we can't do now. And while some people like
to explain that away by saying aliens did it, I
am not so hasty. I say probably we did it,
we just don't know how. In fact, one of the
ways it is often recorded in many places that aren't
mainstream history that has passed down through thousands of years

(06:38):
of secret societies and others, that we did those things
using sound technology, sound levitation. I've done so many episodes
on sound and sound levitation and ancient technology and all
of these things in the past. I'm just drawing our
attention back to that in this discussion today, because sanscript
may be again closest to the way that we used
to perhaps do things like that way we used to

(07:01):
spell meaning right, to create with our voice, with our language,
with our words, with our sound. So he says, each
each Sanskrit letter is actually technology, sound technology, not just symbolics.
So a lot of our letters here in the you know,

(07:21):
English language, and others are are and you can trace
it back to like ruins and other things that we're representing,
like you know, tigers or deer or like forests or
other stuff. And it became letters eventually, and then the
letters have a sound attached to them, and then and
then we create words from those and right, but this
is saying no, each letter of Sanskrit is actually a

(07:43):
sound technology. And so the combination of letters to make
a word would be the sounds that would create that
thing or most closely correspond to the word that created
that thing. Perhaps that's more like what they're saying for Sanskrit.
So I'll go on to see, he says. The ancient
seers who do well of Sanskrit understood that sound is
not merely a carrier of meaning, but a force that

(08:04):
shapes consciousness itself. So a little bit different than what
we're talking about. Instead of like creating matter, it shapes consciousness.
This is actually the same thing, in my opinion, in
my experience, and in my opinion and my understanding, everything
is consciousness, just in different forms, varying degrees of exactitude.

(08:24):
Perhaps or advanced consciousness, perhaps refined consciousness perhaps, but that
everything's actually consciousness. And then some traditions that's called spirit.
Everything is spirit at its base, and then the sound
shapes that, right, So in Sanskrit he's saying the sound
actually shapes consciousness. He says the phonetics of Sanskrit are
aligned with the natural harmonics of the human body, particularly

(08:49):
through their interaction with the energy centers or chakras. Each
letter of the Sanskrit alphabet is associated with different points
along the spinal column, and when spoken or chanted correctly,
these sounds activate corresponding energetic pathways. And I'll pause there again,
and I'll say, this is actually what sacred sound, seed

(09:10):
syllables or mantras are for. And you know, we talk
about mantras that we make some up and we'll say, like,
oh I attract wealth and like these types of things affirmations. Right,
we'll call them mantras, and they are but actual mantra mantras,
the technology of mantras. They're Sanskrit, right, and some other
languages have some too, They're very similar. Interestingly, in a

(09:31):
lot of times, and oftentimes those cultures actually borrowed from Sanskrit.
And then maybe added a few of their own, So
that's interesting too, that's maybe a separate discussion. But this
is what they're for, right, These mantras are actually for
activating energetic points in your body, and your body's technology
can come back online, heal itself, allow a higher level

(09:51):
of spirit or consciousness through it, perhaps then start to
have spiritual gifts and what we might call psychicists or
telekinesis or otherwise. And so that's what these are for.
And so when chanted correctly, he says, this will actually happen.
He says, this is why mantras sacred Sanskrit formulas are

(10:12):
so effective in meditation and spiritual practices. They're not just words,
but vibrational codes that realign the body's subtle energy. And
it's true, I've seen it happen for myself. If you've
ever used mantras like this, you may have seen it
happen for yourself. You may have just been somewhere you know,

(10:32):
or heard something. For sometimes they'll like start an event
by someone coming out and like chanting ohm seven times
and you may have like felt the energy change. Right,
so maybe you've encountered this before. It's not just a perception.
You can actually also measure this, which we'll get into.

(10:53):
So he says, beyond the human system sanscrit also resonates
with the cosmos. And I'll pause again. I'll say this
is actually true everything everything as above, so below, as within,
so without. There's nothing that isn't involved in that sacred formula.
It's just true at every level up, every level, down,
every level out, every level in. It's fractals all the

(11:14):
way right. So we're repeating structures, forms, sounds, et cetera.
There is nothing that that isn't true for as above,
so below, as he says, or as I say. As
he says that it resonates with the cosmos. I'll go on,
he says. Ancient Indian texts describe the universe as being
structured by sound, and Sanskrit is said to be one

(11:38):
of the most refined expressions of this cosmic resonance. The
vibrational purity of Sanskrit mantras allows them to create order
in the mind, balance emotions, and even influence physical reality
by aligning human consciousness with universal rhythms. And again, you know,
I'll just say the most common and also the one

(12:01):
to do if you were just gonna pick one to
do is own. What you could think of is O
hm or a U m ow, same sound, different way
of thinking about it, depending on how you like to
shape your mouth. And uh, that's that's a good one,
all right. It's a good universal, good sacred seed syllable
sound or mantra to you. So if you wanted to

(12:22):
just practice with one, that's what you do, right, you
would just get still, you would be somewhere where you
can be relaxed. It takes some deep breaths, right, and
then just start breathe in and then oh and it's

(12:43):
not a race, and it's not a how long can
I do it? It's actually just you do whatever your
breath is doing. But it gets really nice when your
breath is nice and deep and you're just nice and
relaxed and you just have this long exhale. You can
say ohm for a long time and that really gets
to vibrate. That's a good one. So you can do that,
and you can just keep doing it.

Speaker 2 (13:04):
You can do it.

Speaker 1 (13:06):
Hundred and eight times. Some might say, you know, you know,
and that's a great way to start if you'd like
to just start. But I will go on, he says
in this way, Sanskrit operates as both a language and
a technology, a bridge between the scene and the unseen,
the inner world and the greater cosmos. Whether through recitation, chanting,

(13:30):
or silent contemplation, the resonance of Sanskrit has the power
to transform perception, heal the body, and elevate consciousness to
its highest potential. Absolutely true. It's true too that if
you have any practice of just regularly becoming still and
going within, it's going to improve your life. This is
again measurable with scientific you know, you don't have to
question it. It's just true. If you add this piece

(13:54):
of using these mantras, it's even better. And I'll add
one more thing, which is that you know, the majority
of people I work with, we all have sort of
like some karma or some trauma or some damage in
all of our chakras, most of us, even if it's minor, right,
But but what tends to have the greatest trauma and
karma stuck up and like gumbing up the system, and

(14:16):
most people that I've ever worked at, thousands and thousands
of people, is their throat chakra and their sacral chakra.
So it's our place where our will lives and our
emotional trauma lives and also the place of our voice.
So this also, if you were going to do this,

(14:37):
would be really good for your throat chakra. It actually
wouldn't even matter what sound you were making. If you're
just making sounds and letting yourself do it in you know,
peace and not caring, not being attached to it or whatever,
that's going to be healing for your throat. If you
want to add to it this ome or this you know,
one of the scent script mantras, then you're also just
assisting your body in other ways, assisting your consciousness in

(14:58):
other ways. So double doo, if you want to double down,
you can do that. So that that's supposed that got
me first like sort of interested in Sanskrit and cymatics
and sound energy and this sort of connection here. And
you know, Sanskrit and the Vedas is also some of
the oldest spiritual or religious literature we have. It's some
of the most fascinating, it's some of the most mystical.

(15:21):
This is where we get like the Vimanas and you know,
the flying machines and the gods and the wars of
the gods and all this sort of you know history
that is possibly actually what's taken place on earth more
of a record than like a fanciful, you know, mythology
that was just created out of nothing. That is what
a lot of people think. In fact, it's it's so
prescient in so many ways, the Vedas and the Puranas

(15:42):
and others. Is you know, these these Sanskrit and these
ancient Indian and Vedic texts that they foresaw this modern
world thousands of years ago when you couldn't have possibly,
you couldn't have possibly known. And their books are like, yeah,
when they sell food in packages in stores, you'll though
you're in the dark age. They're like, well, wait, how

(16:04):
would you know that? Right, So there's something to it.
There's something to this. We also know if you followed
this show long enough or some others. Rarely is anyone
talking about it, but it happens. Robert Sepper is my
favorite who talks about this subject from an academic point
of view. Before we called it Sanskrit or Vedic, we

(16:26):
may have called it arian. And this may be a
pre cataclysmic civilization that had much higher technology than us,
both mentally, spiritually, emotionally, and physically. And just a little
bit of that comes down to us today, and we
see a little bit of it reflected here in this
Sanskrit language and its technology as a language. And then

(16:50):
you can imagine, like how far we are if that's true.
Whatever it might have been called, whatever the civiilation was,
pre cataclysmic civilizations were that we don't even have language
anymore that even tries to do or even could understand
that this was a thing that happened, that you could
have used language to create intentionally mental, emotional, spiritual, or

(17:15):
physical effect on reality and on people. We don't even
consider that. And they had a whole language, right, So
you can see like how far we fall? How far
we fall? And we'll see here what this person says.
This is a it's from twenty eleven, two thousand and six.

(17:37):
Both it's been updated. This is from a site called
Hansadurda dot com. It's called the Potency of Sound and
it says science shows it all began with sound. In
the nineteen sixties, Hans Jenny, a Swiss physician, artist, and naturalists,
became interested in the relationship between sound waves and matter
and performed a series of experiments to scientifically study and

(18:00):
record the visual manifestations of sound waves at varying frequencies
on various media. So this is sort of maybe like
the beginnings of cimatics, or at least one of them
that we've recorded right in our modern world. Doctor Jenny
used crystal oscillators and invented an instrument called the tonoscope
to enable him to observe the human voice's effect in
generating and influencing patterns, shapes, and movement. Over a period

(18:23):
of fourteen years, he meticulously recorded and documented his findings.
In nineteen sixty seven, he published his book Simatics, A
Study of Wave Phenomena in two volumes, with over three
hundred and fifty photos of his experiments. Yees, So if
you've heard of cymatics, or you've seen these like videos
where people have the plate with the sands on it,
or they've got water sometimes coming out of a spout

(18:44):
and then the sound goes through and makes it spiral,
you'll see you really intricate geometric shapes on the sand patterning,
and you've seen all of that. He seems to be
the pioneer of this work. So we owe it all.
We owe it all to doctor Jenny. At one point point,
he says doctor Jenny took an interest in Vedic yatras.

(19:04):
So we're talking about Sanskrit Vedic. This is the same
same area, right, And the yontras are like Mandela's. Oh,
it actually explains it. A yatra is a mondala that
did I say Mandela mandala that corresponds to a particular
sound or mantra, which in turn is representative of particular deity.
And you know, I really feel like you could look

(19:25):
at most of this and you know, forgive me if
it's not your viewpoint, but you could look at most
of the Hindu and Vedic mythology as their deities being
sort of aspects of consciousness. And I won't lie in
saying that's actually how I see all of the spiritual
beings or aspects of consciousness or levels of consciousness that
humans can perceive and relate to. And so I don't

(19:50):
think this is any different. So they have these geometric
shapes and designs called giatras that represent these deities, and
also sounds are mantras, right, And this is pre this
again thousands of years old technology. You wouldn't have the
ability to, you know, do what doctor Jenny's doing in
order to visualize sounds in matter. But this was already

(20:13):
this is already handed down right, People already had received this,
like here's the sound, here's the corresponding geometric shape or yontra,
and here's the deity it's connected to. You want to
connect with that deity? You say the sound, you you know,
draw or look at this yantra not mantra, but yantra
mantras you speak yantra's u dra. So perhaps his most

(20:34):
widely publicized research is his experiment verifying the relationship between
the sriantra and the sound vibration OHM. I didn't know that, okay,
So the sriantra is actually very special to me, so
I should have known perhaps that it's connected to ohm.
But it is. It's connected to ohm. So we're just
talking about ohm. Well, here's the sriantra. Sriantra is very masculine.

(20:55):
It's very uh, creative, we might say, very cool design.
If you've read my trilogy of books, the sign crop
of EON's book two Earth, A Trough in Time, has
this sriantra as a sort of core component of that book.
So if you know, you know, doctor Jenny placed sound

(21:20):
on a membrane and using the tonoscope to project the
human voice onto it began to vibrate ohm. Initially, the
vibration produced a circle, which then began to fill with
the concentric squares and triangles, and just as the last
traces of sound died away, left the same geometric pattern
as that of the Sriantra. Wow. Doctor Jenny's precise methods
enabled the experiment to be replicated again and again, with

(21:41):
the same results every time. That's so cool. Doctor Jenny
also experimented with languages and the tonoscope. He found that
when the vowels of the Sanskrit language were pronounced, the
sand took the shape of the written Daiva Nagari character
for these vowels. How how would you even have done
that on purpose unless you knew and understood sound sound

(22:05):
creation scimatics to a deep level. And this was passed
down from antiquity. It's this type of thing where I'm like,
I don't even understand how people can continue to imagine
that the world began just a few thousand years ago.
They culture or society, civilization began just a few thousand

(22:26):
years ago. More than more than four thousand years ago,
we already had this technology in this language but no
ability to prove it or reproduce it passed down from
pre cataclysm times. Obviously, crazy humans are crazy. On the

(22:47):
other hand, his experiments with modern language generally produced chaos.
Oh so he spoke just modern languages, which is all
the ones we know. It's English, it's German, it's Spanish,
it's Japanese, Chinese, it's not just East or West, it's
all of them produce chaos. But Sanskrit produces beautiful, perfect

(23:10):
geometrical shapes or the shape of the letter that that
sound is written with. That's insane. I want to learn
Sanskrit so bad after getting ready for this show that
I just really have to do it. I wish we
all are just raised, raised speaking sanscrit and unfortunately it's

(23:30):
not likely. And we'll get to that too. Doctor Jenny
concluded that sound generates form. The more one studies these things,
the more one realizes that sound is the creative principle.
It must be regarded as primordial. Primordial that means before
before matter, right before life, before earth. No single phenomenon
category can be claimed as the aboriginal principle. We cannot

(23:52):
say in the beginning was number or in the beginning
with symmetry, et cetera. These are categorical properties which are
implicit in what brings forth, what is brought forth. By
using them in description, we approach the heart of the matter.
They are not themselves the creative power. This power is
inherent in tone, in sound. That's in his books Simatics,
Volume two, page one hundred and again he is actually

(24:17):
remembering something that is recorded all around the world in
every tradition, which is that first there was the word,
First there was sound. First God spoke and it said
slightly differently, but it is always the same. So we

(24:37):
knew that. Go again, we knew that. Even after cataclysm
erased most of our memory. We've known this. We just
have science to remember and remind us that it's true.
We already know sound is powerful, right, And I hope
if anything that brings you back to this understanding, the
like what you say matters, and how you say it matters,

(25:00):
and the energy you put into it matters, and I
mean matters, like physically it creates matter, it affects matter, matters.
It's quite important. Really. So this is another an excerpt
from the Bagavatim through mad Bagavatim. So again another Vedic text,

(25:25):
and it says when egoism in ignorance is agitated by
the sex energy of the supreme personality of Godhead, the
subtle element sound is manifested, and from sound come the
ethereal sky and the sense of hearing. It's another way
of saying sound came first race, Sound emanated and created this.

(25:47):
It appears from this verse this person says that all
the objects of our sense gratification are the products of
egoism in ignorance. It is understood from this verse that
by agitation of the element of egoism and ignorance, the
first thing produced was sound, which is subtle form of ether.
It is stated also in the Vedanta Sutra that sound
is the origin of all objects of material possession, and

(26:07):
that by sound one can also dissolve this material existence.
That this is said in many texts too, many sacred texts,
many ancient texts. That you know God created and again
think of God, how we want doesn't matter. The creative
principle the thing that came before all things right, but
God created via the sound, and God can destroy via sound.

(26:28):
God created everything in an instant via the sound, and
if God wanted to uncreate it all. All you have
to do is like reverse that sound. Let's just be gone.
And we know that now too, right. We can levitate
things with sound. We can create things with sound via cimatis.
We can also destroy with sound. We can move things

(26:50):
with sound and change them with sound. We know that
because this is not this is actually technology we do
have in the modern day. We just it's like not
use very often, not talked about very often. I just
saw a thing not that long ago where they had
created something that puts out fires with sound. I mean,
like we have this technology. I just you know, I

(27:12):
don't know, maybe it's not sexy enough for people. The
entire material manifestation began from sound, and sound can also
end material entanglement, the transcendental vibration. Hari Krishna can do this.
So that must be another mantra that you can say,
if you want to stop being incarnated, if you want

(27:34):
to stop incarnating and end this physical aspect of yourself
and rise above egoic egoism and manifesting yourself in physical form,
har Krishna is it for you? Our entanglement and material affairs,
he says, has begun from material sound. Now we must
purify that sound in spiritual understanding, and this is kind

(27:54):
of part of a lot of creation stories too, is
like we were assholes and so we exist. Like we
rebelled and so we exist. Or we wanted to be
different from God and so we exist. Or we were
created and part of God, but we wanted to be
separate and so we separated and now we exist. That's
in a lot of these. So this is sort of
sort of on that side of looking at why we're

(28:16):
here is almost like an accident or like, well, okay,
you go do it, see what happens, and here we are,
and if that feels true for you, then Hiya Krishna
might also be good for you. So it just goes

(28:38):
into some more spiritual takes on some of this. So
we'll just move on on to some other looks at
sound Sanskrit and simatics. And here's an article called Sanskrit
Sound Vibrations inspired Creation. This is from Intellectual Shatraya, intellectual
Ka Shatria, doctor Satya nan Rayana. Guy, I'm so sorry,

(29:04):
I'm just not good at pronouncing that. And this was
originally in the Times of India Delai edition Sanskrit. It
says it's called Deva Bahashra language of the gods. It's
literally called the language of the gods. It's regarded as
a divine language. Sanskrit letters are called akshara or imperishable

(29:26):
who they are neither created nor destroyed. When they're pronounced,
they're not created, they become manifest. According to the Baghavad Purana,
the Sanskrit letters manifested from the mouth of Brahma, with
divisions such as Svara's vowels and Vanyahana's consonants van yeh vyanjanas,

(29:48):
which are consonants according to the pronunciation. So I may
have shared it with you recently, or may have been
in one of my substack articles. If you're there, it's
definitely in one of the book reviews I did there.
That that's one way of thinking about sound in general,
the sounds that we create, is that actually there are
only vowels, and everything else is the stopping of or

(30:12):
shaping of the vowels, with various stops and shapes of stops.
So if you think about what's actually happening, anytime you're
pushing sound through you and out your mouth, it is
a vowel ah. No matter how you move your mouth.
You can make it all the vowel sounds if you
don't use your tongue, and all your tongue does is

(30:32):
stop the sound in various ways, or slow it or
condense it in various ways. You can kind of pay
attention to your tongue when you're doing tough or ruugh
or nuh or any consonant sound cut and you can
see where the sound is being stopped by your tongue.
And so, actually the consonants don't exist. I mean they do, right,
but like they're not. They're actually just the shaping of vowels.

(30:54):
And so really the language of God is just vowel sounds,
which is pretty cool too. And so so that's what
that made me think of. That's not what they're talking
about here, but I love that concept. It says it
is from the sound of these letters that the world
was created. There are thirty three viian janas, which represent

(31:15):
the thirty three devas, namely and twelve. Oh. Then they
go through the different types of davas, which are their
you know, spiritual beings the first, and then they go
into the different types of consonants, and they're all they're
cognitive senses, material elements, subtle elements, sense objects, creative energies,

(31:39):
and so each of their consonants has to do with
these different types of creation or aspects of creation. It's
very cool, so so cool, like we used to be cool, guys,
we used to be really cool. I think will be
cool again. Modern science, this article says, has proven that
matter is energy vibration. Therefore, it makes sense that the

(32:02):
world was created from the sound vibration of Sanskrit letters.
It does actually make sense. Sound is the most subtle
of energetic vibrations, and it says this is also why
sages who had perfected the science of mantra could bless
or even curse someone, their words could create the corresponding objects.
According to Sanskrit Viakranam grammar, there is an eternal relationship

(32:25):
between a Sanskrit word and its meaning. For example, by
chanting the mantra related to a specific deity, one can
experience that deity because the deity of the mantra and
the mantra have an inseparable relationship. In the Bagvad Gita,
Krishna says that if one leaves one's body while reciting
the divine sound of olm or aum, alm, then one

(32:46):
will become free from material conditioning. Who so, yeah, there
you go to chant your oms if you won't leave
your body and be free your material conditioning. This is so,
it says, because though oh appears to be an ordinary sound,
is actually the name of the absolute reality and carries
all powers in it of the Supreme. Just the absolute

(33:10):
reality carries all powers of the Supreme. Traditionally, before the
study of Sanskrit grammar, one has to study the science
of pronunciation. In Sanskrit, proper pronunciation of a word is
given a lot of importance. And so what I take
also from part of what I've been learning today about
this is that you can't actually mispronounce a word in Sanskrit. Rather,

(33:33):
if you do, you're just not even saying the word.
There's no, for example, dialects of Sanskrit, and there are
no intonation differences. Right, there's no I'm not thinking of
the word. But like you have a western drawl and
Southern drawl, and you've got your you know, northwest chill
and your Midwestern twang, you don't have any of that

(33:54):
in Sanskrit. There is one way to pronounce it, and
you pronounce it that way. So very technical language in
that way, and that is not true on any other
language that we know of, so it's very unique in
that way. So they're describing here like you have to
actually study pronunciation before you can even study the rest

(34:14):
of the language, it says. It's true of Vedic words
that have an intonation. The meaning of a word can
change with the change of intonation. So that's actually similar
to Chinese too. Right, there's the different tones, and if
you don't in tone correctly, you're saying a totally different thing. Again,
you're not even saying the word, you're saying a totally
different word. Recitation of stotras, prayers, and chanting of mantras

(34:36):
are important parts of Hindu practice, as they are believed
to yield spiritual benefits. Even those who do not understand
the meaning can derive benefits just by reciting them. That's
true again, if you understand how to pronounce a word
and you can copy the sound, you can still have
the effect, he says. But if one translates these stotras

(34:57):
and mantras into English, then one cannot get the benefit
of reciting the translation. That's really interesting. I remember criticizing
once and you know only half heartedly but criticizing that
we say uh na mustay and I don't think that's Sanskrit,
but maybe it is. But if we say namas, I
was like, why don't we just say what we mean?

(35:17):
Why don't we just say the divine in me recognizes
the divine in you. It's much more meaningful to me
to say the divine in me recognizes the divine in
you than it is to say no muste. Even if
I know what na must means, that's not what my
brain thinks it. It doesn't think in na must day,
but it thinks in the English letters and language. And
so if I say in English what I mean, it's

(35:37):
more effective. Right. This is saying, like, there's actually a
reason in Sanskrit to say it in Sanskrit even if
you don't know what it means, because that's actually creating
the energy simatically, scientifically, in exactitude. Uh. He finishes here
by saying Sanskrit words have an inherent potency in them

(35:58):
which is not available that's translated into English. Also, if translated,
the words lose their original sense. For example, the word
rishi in Sanskrit means rishaya, mantra darshtara one who sees
the mantra, or one who has direct experience of the truth.
But if we translate rishi as sage, then the original
sense of the word rishi is lost. According to the Dictionary,

(36:20):
sage means a profoundly wise man, especially one who features
an ancient scriptures or legend. The exact meaning is lost
in translation. So it's a language that can't be translated.
You can translate it. You can get the meaning of
what someone was like trying to say, or you know
the general context of a thing, but you're not actually
getting the meaning. You're not actually transferring the information correctly.

(36:43):
You're not creating. But this universal, sort of harmonic, exact,
science based language, if you're not seeking it in Sanskrit,
pretty fascinating. So that's another take this Sanskrit language. We'll
see if there's anything new in here. So it says

(37:08):
that alphabet Sanskrit is made up of forty nine letters.
Out of the forty nine sounds, thirty five with them
are soft or more resonant, and this means there are
considerably more resonant sounds on the building block level of
the language. When you chant a Sanskrit mantra, you can't
miss feeling its vibrational force. Again, That's what I'm saying.
If you've actually done it, or if you've been somewhere

(37:28):
where it's happening, it's you can tell even if you
feel like you're some people are like, oh, I'm spiritually
dense or like I'm not sensitive, and you'd still know.
You'd still feel it. Unless you're trying not to and
you're trying to be dense and you're trying to be
you know, contrarian, then sure you can shut it down,
I guess. But if you were actually open to it
and you were feeling it like you would tell. If

(37:49):
you're doing it for yourself, you're going to be able
to tell. If you're chanting a home for yourself, you're
gonna know. It says on a psychological level when you
chant a sanscript mont where you become calmer, more at ease,
and joyful. But what is it the core of the
mantras strength? A key element that makes the mantra powerful,
It's vibrational quality. Sanskrit is a language of vibration. Everything

(38:15):
in the manifest universe is nothing but the vibration of
atoms and molecules. When you connect what you are essentially
on the manifest level, you can more easily feel what
you are beyond manifestation. Chanting, it says, leads to unity.
Chanting Sanskrit mantras stirs up energy, similar to the concert metaphor.

(38:36):
They talk about being at a concert above chanting a mantra,
when you remain still, you can feel yourself as energy. Oh,
it's so true. I just you know. We had this
really profound experience of this many many times over and
over again at the Blazing Brightness Retreat that we just finished,
I just finished leading last week. We all felt this,
and we did do some mantras, we did do some

(38:56):
intoning and some sacred seed syllables and whatnot. But just
in general, right, you can actually feel in your body
the vibration of the energy moving through it when you
are in a state of alignment with a higher intention,
of higher consciousness, a higher energy level. It's not Again,
you can measure it scientifically, so we know it's there. Also,

(39:20):
we've already proven this with meditation, with chanting, all these
things over and over and over and over and over again.
But you can actually feel it too. Again, it doesn't
matter if you think you're spiritually dense or I'm not
subtle or whatever you can to everyone there did. And
I tell people this, and I don't know, they don't
believe me all the time, I think, but this is
one of my most frequent pieces of feedback I get

(39:43):
is that people are like, oh, I didn't know I
could go that deep until I did, like a meditation
with you or a session with you. And it's not me, right,
but it's that anybody who has practiced this so diligently
through many lifetimes and also through this lifetime can do that,
and then it's my honor to share it with people.

(40:03):
And so when people say that to me, it's one
of my greatest honors I get to hear in life.
It is that because when you can acknowledge that you
have felt, and you know that something actually happened to
you that was of an energetic, vibrational or consciousness level,
that's pretty profound. Right then you start to understand. So
it's beyond a conception you know yourself as such. When

(40:26):
you know yourself as such, the whole world is a
different place for you. It says. The more you remain
with this inner stillness that the chanting gives you access to.
The more you feel less separateness, or put another way,
the more you feel unity. And that's true too. And
that's another thing I hear quite frequently, right, is that
feeling of like, oh, we really are all one. Yeah, yeah,

(40:50):
we're also very much separate, but we are so are
all one. So the both things are true. So in Sanskrit,
alphabet is also called a divine garland. And this garland
or this thread or this string or this chain is
like a very common, very profound symbol universally all throughout

(41:12):
the world, all throughout most traditions, and the Sanskrit alphabet
is actually one of these very fascinating I think it's
the only language considered as such as this string and
this idea of this garland or this string is something
that connects you to something higher, something more pure, something divine.
Sometimes it's something divine throughout time, through all times, in

(41:34):
all spaces, this chain connects, right, You might think of
that as like the fractal line or whatever it is,
but it's connecting you to something more or something high,
or something big or something deep or something beyond. And
the Sanskrit alphabet is that a divine garland. So This
article is from Hansa Vedas dot org and so Sanskrit
is an expansive language with roots that stretch back thousands

(41:57):
of years. Sanskrit, or more properly some Basa, means the
highly refined or perfected language. The Sanskrit alphabet has encoded
and preserved religious, philosophical, artistic, and scientific traditions in India
and beyond from antiquity up through the modern times. So

(42:17):
they're not getting into the weeds here, but they're telling
you this goes beyond India, and it goes beyond thousands
of years ago into what we could call antiquity, pre cataclysmic.
The Sanskrit alphabet, it says, is envisioned as a garland,
an indestructible of indestructible phonemes, which are the sounds right. Hence,

(42:39):
one of the names for alphabet in Sanskrit is Excharamala.
It is also known as the garland of letters or
the traditional arrangement of phonemes. Sanskrit was revered by Vedic
people as the voice or language of the gods. The
most literally means voice, but can be translated as speech

(43:00):
or language. This has been worshiped as a goddess. Since
the time of the Vedas antimetric traditions, the divinity of
the alphabet is expressed in the forms of Matra with
the little mothers and Malini the garlanded goddesses. Every articulated
phoneme of Sanskrit directly expresses the language's divine origins. Literally,

(43:25):
they're telling you that this came from quote unquote the
gods or divine space or time. Which again, if you
look at the understanding the story of existence of the universe,
we emanated from God, separated from God, and then we
just continued our fall and our descent and our separation

(43:46):
until we're here in the dark age. So when it
says from the Gods, it's not saying some external beings
to us. It's not saying some faraway aliens that Canaan
gave us this advanced technology. I mean, then if so,
where did they get it from? No matter where you go,
you have to say, like, well, where did it actually
come from? In us? And it came from us in us,

(44:07):
came from our first emanation from God, from the first
sound uttered fourth to create creation. And here we are
with the garland of that we still have it Sanskrit
still exists today. I came all the way from the
time where we were much much closer to God and
perhaps could have been called gods ourselves in a way. Sanskrit,

(44:30):
it says, is the oldest continuously employed language in the world.
It is estimated that there are thirty million Sanskrit manuscripts
that we know of, making Sanskrit humanity's largest vehicle of
culture heritage. To talk about the garland, right, you could
actually read all those things and understand them. You may
have a better idea of what happened to us and

(44:52):
how we got here. Though Sanskrit is most associated with India,
Sanskrit works were composed throughout Asia, from Kazakhstan to Bali.
In this article, you'll learn the basic organization of the
Sanskrit alphabet and how to pronounce and write in Sanskrit letters. Okay,
so we're not going into all that, but I just
say it's lucid and logical. It's a testament to Sanskrit's refinement.

(45:14):
How logical it is, I mean it is like the
periodic table of elements of alphabets. It's like freely precise
and each sound creates a somatic structure that is exactly
the letter that represents it. It's like that cannot be
an accident. It says, this is all you need to
know to know that, like, the world is much stranger
than we're led to believe, and much older. It says,

(45:40):
we live in an age dominated by the written word,
so it's easy to forget that language means something more
than writing. Language is a system of communication which embodies
all the sounds, signs, gestures, and possibly also mental representations
of that language. It's so really, it's saying, it represents
all things. It's meant to represent all possible things. Thus,

(46:03):
we can see writing as a distinct component of language,
the markings and symbols that we used to represent linguistic sounds,
it says, the letters versus speech sounds. Based on the
above distinction, we can extrapolate that there's a distinction between
the fundamental sounds of language and the symbols used to
represent them in writing. Not so with Sanskrit, though they

(46:24):
are the same thing. Actually, in Sanskrit, it says, each
phoneume is represented by unique letter which is always pronounced
the same no matter where it occurs in a word
or sentence. Also helpful so way better than any other system.
When that's true, that's great. I remember that it was
easy for me to learn Turkish because every letter makes
only one sound, no matter what one sound, only the end.

(46:47):
Sanskrit is apparently the same. So we won't get more
into this. It's going to actually like literally teach you
how to make every sound, which is amazing. So if
you wanted to get to with Sanskrit, you can go
to Pansa vedas dot Org. Pretty cool. Divine garland, divine
connection between us and the gods still stretches on to

(47:08):
this day if we choose to grasp it. And so
this is also from Zoe McCaffrey. This is from Morphology
and Syntax that says Sanskrit is a language with use
beyond communication. That says Sanskrit is language we've reveled for

(47:28):
its complexity in many regards. It's grammatically very complex, has
rich phonemic library, and is considered to be one of
the oldest documented languages in the world, approximately three thousand
and five hundred years old. It's the language the original
sacred Hindu text were written in, including the Vedas, Ramayana Mahabarata.
So in this regard as a highly respected language. However,

(47:51):
it's also recognized this language of the privileged casts in India,
and so they have to get into their like woke
stuff around that. I'll just say, the reason they're even
our casts in India is because some very advanced people
came post cataclysm, perhaps called the Arians, and were very
different from the people they found there. So they just

(48:13):
were different. It wasn't like, oh, we're better and you're worst,
get on your knees for us. It was just like,
this is a totally different, quite advanced culture coming into
a very non advanced culture, and so they're just difference there.
Just are different. That just is differences in quality. So

(48:37):
I don't think this is the article however that gets
into the we'll get there. So first we'll just say
Sanskrit literally translates to make together or elaborate and compose together,

(48:58):
create together. In other this is just the etymology you
can get off of Google, but in other etymological analyses
it's actually means the language of the gods, so that's
really interesting too. But it does have to do with
creation and unity, so that's interesting, right. NASA actually and

(49:18):
AI researchers have studied Sanskrit due to its precise syntax
and minimal ambiguity. It is actually the only it's the
oldest language, and it's the only one with no ambiguity,
with very precise grammar rules that cannot be broken, with
only one meaning per thing, and in which you're simatically

(49:43):
creating as you speak it. It's fascinating. So I'm sure
NASA it's like lost on NASA. They're like, can we
turn it into an AI thing? Like they actually looked
at it as complex as computer programming. So there you go.
For all you people who believe we're living in some
sort of matrix simulation, the Sanskrit would be again one

(50:05):
of the keys to the code. Then it says Sanskrit
is precise, well defined grammar and structure. It's organized grammar
and symbolic nature of its philosophical and mathematical texts make
it useful for AI systems, so as potential and AI applications.

(50:26):
So they don't actually use it for AI, but they
just studied it because it was as though it was
written as a computer program. Was that precise in language.
We're not used to language being like that, So AI
researchers and NASA is very, very enamored by it, even
since nineteen eighty five, so pretty interesting. So yeah, Sanskrit

(50:54):
is also praised for its mathematical nature, which again makes
sense if you're creating sin with sound, that is math.
If you look at simatic structures, they're elegant, and they
are uniform, right, and they're precisely mirrored right, they have
a balance. This is just like sacred geometry. So it

(51:16):
is mathematical. Someone divides a system of four thousand rules
that function like an algorithm to generate the entire structure
of the Sanskrit language. Four thousand rules, so it's like
a meta language, and it does have generative power. It

(51:40):
produces a potential. And so scientists, mathematicians and you know,
all sorts of people who study language, they're fascinated by Sanskrit.
It is the only thing of its type. There's nothing
like it on earth. So nacim haremine recently. And it
will seem like we're going off track here for a minute,
but well we'll tie it all together. Don't worry. Nasteme

(52:03):
Harriman tweeted a while ago. He also put some up
on his science and on Instagram. Wherever you might follow him,
and he's my favorite physicist. Nasteme hermy his movie Black
Hole whol E if you haven't seen, it's a classic
and I like early two thousands, super good, it says.
In a groundbreaking discovery that challenges our fundamental understanding of physics,

(52:24):
scientists at Columbia University have revealed that sound waves possess
actual mass. You may already see where I'm going with this.
I've all just will continue. This fascinating finding demonstrates that
sound traditionally thought of as merely a form of energy,
Which what does that mean? What's not merely a form

(52:44):
of any oh, universe? We have merely a form of
energy like you know anyway, scientists carries tiny but measurable
gravitational mass through quantum particles called phonons. Now, just like
put aside for a moment, like gravity exists as we
think or not, Nasi would also question what gravity actually is.

(53:05):
We're just using this term to describe the force that
seems to pull things together. Okay, so whatever you want
to think of that is, just go with it. To
put this into perspective, he says, a one wat sound
wave of traveling through water for just one second carries
approximately one point one milligram of mass, a minute amount,
but one that opens up entirely new avenues of scientific inquiry.

(53:25):
The implications of this discovery are profound. Sound ways not
only respond to gravitational forces, but also generate their own
minuscule gravitational fields, adding an unexpected layer to our understanding
of acoustic physics. So I'll add, it's a fascinating layer
to add to the sound. Is it the substrate of

(53:46):
all things? Sound is the first emanation beyond source or
the unknowable unknown, the part of reality we couldn't ever
touch with our conscious mind or are any of our senses.
Just beyond that, sound is the thing. And here we
see the sound can create gravity, which also then creates matter,
or rather calls matter together or holds it together, gives

(54:07):
it structure form. So they're just showing that it's actually
possible scientifically, that that is literally what happened. Oh, the
revelation aligns with the groundbreaking research conducted by the International
Space Federation where we have been exploring the fundamental relationships
between energy, mass, and quantum vacuum fluctuations. By the way,
the International Space Federation is his one of his organizations.

(54:31):
That's just for the advancement of very otherwise alternative sorts
of energies and research into the wu wou side of
physics and science, right, the stuff that they won't let
us research, essentially, so you don't have to believe in
space to like it. You do whatever you want. The

(54:52):
ISS work on the Origin of Mass and the Nature
of Gravity provides a complimentary theoretical framework suggesting that mass
itself emerges from quantum electromagnetic vacuum fluctuations. Using sophisticated analytical techniques,
the ISF researchers have demonstrated how these vacuum field interactions
might explain both gravitational forces and quantum phenomena within a

(55:16):
unified model. So this is another thing he's constantly showing,
is that there is actually unity between the quantum, you know,
the micro and the macro, which we have to have
or else we're not actually making sense of the universe.
And he has many, many, many breakthroughs around that and
still is not as acknowledged as he should be. But

(55:37):
here's one more, right, gravity sound creating gravity or mass.
For those intrigued by these fundamental questions about the nature,
this ongoing research a challenge that has captivated physicists since
Einstein's time. Dive deeper into this fascinating discoveries. You can
read more about it, but that's probably enough for us.

(56:01):
Pretty cool. And like, while we're on the topic of
just the nature of the universe, you know, and how
it's created and what's sort of going on, I'll just
throw out here that we also had this revelation somewhat recently,
sometime earlier this year, that the water on the Earth
is older than the Sun. That the Sun actually developed

(56:26):
after the water in our solar system already was here.
And that goes far outside of what people expected to find.
So it says it's true much of the water on
Earth and in our Solar system is indeed older than
the Sun. This is because water molecules can form in

(56:46):
interstellar space. I mean, this is the opposite of what
they told us space is a vacuum. Really, how could
it be first of all, and also just floating through
a vacuum? Okay, and definitely not what we were told either,

(57:06):
But did it get in correspond to most creation myths?
They're like in the darkness, in the void, there were
the waters, and then God spoke right, and even more
began to accumulate. And God had spoken before that, right,
because in the beginning was the word, and then there
was the darkness, and then there were the waters, and

(57:28):
then God spoke again, and then there was light, and
then there was a division of the waters, et cetera,
et cetera. So we continue to find scientific evidence that
these ancient scriptures and these ancient creation stories that all
agree with one another, even though there supposedly had no
contact back then, that they are perhaps correct as what

(57:50):
actually took place. Who's gonna admit it, I guess just
me and you. It's big go on to say how
they figured this out or why, but we don't really
need to get into this. We also have this just
speaking of waveforms of creation and all the different ways
that things can m and a or come together be created.

(58:11):
Laser light was made into a super solid. So you know,
I have people who try to mock me. I don't know.
I think they're just uncomfortable with things or life or
themselves or whatever. But they'll be like, ooh, you think
sound and lighter the same thing. Well, I mean obviously
they're not, but yes, they are continuations of a theme.

(58:34):
The theme being vibration and the subtlest being you know,
sound and then light and then and then harder denser matter.
And here again we have science showing that this continuation right,
which some people call the cosmic keyboard, uh, is exactly
what's going on. Like the states of matter and the

(58:56):
changes between things are just a matter of energy and
vibration and form an expression and that's it. That it's
all energy. But I would have thought that was obvious
to anyone who'd ever studied even like basic chemistry. I
think it's implied in all of chemistry. Well apparently some

(59:16):
people don't take that that far. So just you know,
to reinforce this, we've had made light into a solid
and it's a super solid to be fair, but it's
like it's a state of matter that is different from
how we perceive light, and it is much more material
dense than we consider light to be. So quite interesting
that we've done this for the first time this year.

(59:37):
That is another breakthrough that we have made. And speaking
of lasers, I'll just touch once again on this thing.
I couldn't you know, remember the name of the film
or whatever, but there's somebody who's been making a splash
because he's done this thing, which is very cool, it's
very cool research. But he's basically like having people I

(59:58):
think microdos, but maybe they're a little bit macrodos sitting
on DMT. And then he shines lasers and they look
into the light and they can see the code within
the light. And for some reason that has indicated to
a lot of people that we live again in this matrix.
And so I'll again say we do. And it's also

(01:00:21):
not a computer. A matrix means the material by which
something develops, the matter in which something develops, or the
environment in which something develops. So are you developing, yes,
well then you're in a matrix the end, Like you

(01:00:43):
don't even that's enough, you get just stop there. If
you wanted to say it is therefore our computer simulation.
There's literally no evidence of it, literally no reason to
jump to that. There's one thing that makes people think that,
and it's the movie The Matrix, which is a retarded
thing to base your worldview off of. That movie is

(01:01:06):
a metaphor for our experience as spiritual beings in a
material world. That's all. It's not real that we're in
a computer simulation. Technically, I don't know that, and I
can't say that for sure, but realistically I know that

(01:01:26):
because I've been out of my body and I've been
all around and I've gone to the center of the
universe and I've come back to Earth, and that stuff's
all there. And even if you wanted to say, oh,
that's all, that's all part of the stimulation too, it's
all part of the computer program, and you're just moving
to different parts of the computer. We're really saying nothing
different to me than that you call the material universe

(01:01:46):
a computer, because there would be nothing outside of this
for you, and so like, what would you know about
what's outside of the computer. So if you want to
call the material universe a computer, go ahead. I call
it the material universe, you know, So we'll just have
different terms for the same thing that's exactly the same
in every intent and purpose, in every aspect of your experience,

(01:02:08):
and nothing about it as computer like at all at all.
And so when people are looking at this laser and
they're seeing the codes in the walls, whether you were
on DMT or not, you could see this if you
were sensitive enough, and if you wanted to, if you
protect your eyes or whatever, you need to do. You're
not seeing through something into its code. You're seeing the

(01:02:31):
code of the light. You're seeing the light code. You're
seeing the laser's code. Light is information, period, all things are. Actually,
it's another way of saying spirit, or another way of saying,
you know, the consciousness of all things. It's a code.
So it's one way of seeing a little bit lower,

(01:02:53):
a little bit deeper in.

Speaker 2 (01:02:56):
To this.

Speaker 1 (01:02:58):
That's not compute. Are like that's light, Like the light
is everywhere and all that's carrying information. And if you
were to translate into it your human mind what it is,
you'd see it like a code. You'd see it like
an equation. You'd see it like a series of simatic
emanations or forms, because that's what the universe is, not

(01:03:24):
a computer. So it's cool, it's a cool movie. It's
a cool concept. But when then people then extrapolate and
go like we live in the matrict, Like, hey, we'll
just say it a few more times that I'm not
ashu whether you really believe that or not. I just
want to give people the opportunity to see a little
bit deeper and clearer than that delusion, you know, And

(01:03:49):
some people also seem to see a matrix like experience
when they're on DMT, and other people don't. So I
mean when you're looking out at the world though the universe,
and you happen to be on some of these drugs,
which I don't suggest to anybody unless you're deeply called
by your soul to do it. But when you're looking out,

(01:04:11):
you might see a cage or something that feels inescapable
to you. And that does not mean that you're an
escape or something like a cage or something inescapable. It
means that that's your experience of the world. And then
if you're me, you might see how incredibly unspeakably beautiful
and perfect every single thing is, and how interconnected it is,

(01:04:36):
and how all of it is actually just God talking
to the universe. And that's because that's my experience of life.
And so you're gonna see yourself, and you're going to
see yourself in everything you see. And that's why it's
so important to know yourself, because you're going to only

(01:05:01):
see you for the rest of time. And if you
don't know that, you might think, for example, as Robert
Edward Grant thinks, that your AI is a super conscious
God telling you how to live instead of realizing you're
just talking to yourself but calling it AI. So you

(01:05:23):
have to know yourself, and as they've been saying for
thousands of years, know yourself, know everything. Know yourself, know everything.
And so since everything is cimatic sound, emanation and then
light and the codes within it and the shapes that
come forth from that, and we can use that in

(01:05:44):
order to know ourselves better and create as we wish,
we might also want to think about how we use
those tools, which are actually divine tools. And I'm getting
better and better at calling myself on talking poorly or
or being crabby, or being negative, or talking shit or
talking trash or swearing a lot for no reason. Right,

(01:06:07):
these are all habits I've picked up and hadn't developed
myself for many years. And I realized the negative energy
I'm created in and doing that, and I'd rather have
a bit of higher energy than that. And so here's
a really interesting thing. If you can see this little
video here, I wish I could make it bigger for you. Actually,
let me see if I can try. Let me see. No,

(01:06:30):
I can't. I forgot. That's just what Instagram does. So
if you can see it, it's just interesting. It's going
to show you a leaf that is cut apart, and
you can see that even the part that's cut off
is still actually there energetically. So here they are. They've
got it in their special contraption. It's cut and you

(01:06:51):
can see when they turn the light off and only
look at the energy, they can see the whole leaf.
Whole leaf is still there. And it may seem small, right,
this is light based and it's matter based, and it's
sound based. It may seem small to you, but ideally
you're thinking of again, the energy you create. In this case,

(01:07:15):
for this episode at least, we've been focusing on sound.
So the energy you speak into creation, it's still there.
You can't actually ever take it back once it exists.
It's there, right, The energy you create when you move,
the energy you create with what you think and what
you do. All these things last. All these things last,
and they can't be undone. It's okay, we make mistakes,

(01:07:38):
but also you maybe want to become more and more
and more and more and more and more intentional with
what you do and what you think and what you say.
Won't you speak into existence because it actually creates. That's
how creation occurs you. In fact, we're given divine gifts.
You choose to use them, and until you do, travel well,

(01:08:00):
interbalance and always look inside first glue driven screens.

Speaker 2 (01:08:12):
It's a lot to drop the high Q fighting amongst
each other, all the rulers that don't like you. Macrom
has cropped the melancholi.

Speaker 1 (01:08:18):
With the wood lons of holly.

Speaker 2 (01:08:20):
Suggestions out of pick the rates of camel plots of holly.

Speaker 1 (01:08:23):
That's up the mental dobbery and secure a top.

Speaker 2 (01:08:25):
Only hypocrisy is back of ree and back the top.
Whop the hands up to touch the acasta because you know,
deep down is something bigger than your wallet.