February 12, 2025 • 16 mins
Deep in the heart of Kansas, beyond the quiet farmlands and forgotten roads, lies Stull Cemetery-a place where legends whisper of a hidden staircase to Hell, a cursed child born of darkness, and a wind that calls your name. Stories of time slips, vanishing cars, and an abandoned church that stood for centuries without falling-until one night, it did-have fueled its terrifying reputation. Is Stull Cemetery truly one of the Seven Gateways to Hell? Or is it just another graveyard wrapped in myth and fear? We don't claim to have the answers-we're just here to share the stories. Some say it's all superstition, just shadows and old tales. Others refuse to speak of it at all. But we ask you this: If the wind whispered your name in the dark, would you listen?
View the visual version on YouTube here: https://youtu.be/WteQ-niPsBg
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
They say, the devil's got places on this earth. Places where the wind don't move right, where the air sits heavy on your skin, and where time, well, time just don't behave like it ought to.
(00:14):
Stahl Cemetery is one of them places. A graveyard older than the town that holds it. A patch of land that don't take kindly to visitors.
Folks, whisper of staircases to hell. Of a child born wrong. Of voices in the wind that know your name before you ever speak it. But this ain't just legend. This ain't just stories.
(00:40):
It's real. And if you're brave enough to listen, I'll take you there. But once you step inside Stahl Cemetery, be warned. Something might just follow you back.
Welcome to Kentucky Melodies America's scariest stories, where we bring you ghostly legends, spooky haunts, and bone-chilling tales from all over this great land. These stories will have you looking over your shoulder all night. So pull up a chair, dim them lights, and let's dive into the eerie and unexplained.
(01:17):
The road that leads to Stahl Cemetery don't look like much at first. Just a long, lonely stretch of cracked asphalt, lined with dry Kansas farmland that rolls on for miles. Empty as a Sunday morning church. The fields sit quiet. The kind of quiet that ain't peaceful. More like the hushed breath before something awful happens.
(01:42):
Ain't much to see. Ain't no road signs telling you you're close. Just a couple of gnarled trees twisted up against the sky like they've been reaching for something they'll never catch. The kind of trees that don't grow right. Their branches thick with nests no bird ever seems to leave.
But them who know the stories, they don't stop. They don't even slow down. Because the air changes near Stahl. It don't howl or whisper. No, that'd be too easy. It just gets... wrong.
(02:19):
Ain't nothing you can see or hear, but you feel it. A weight settling over your chest, like the world's leaning just a little off kilter, like the skies pressing down just enough to notice. And then there's the eyes.
Ain't no one out there. Not a soul on that road but you. But you'd swear something's watchin'. Not from the trees, not from the fields, but from just outside the corner of your eye. That place where shadows don't belong.
(02:52):
And if you're fool enough to stop, fool enough to step foot on that cursed ground, well, ain't no guarantee you'll leave the same.
That graveyard weren't just built on land. It was built on old land. The kind where roots run deep. Where the ground don't always stay quiet.
(03:15):
Ain't no town folk remember what was there before the graves. But they say the land ain't ever been empty. There's something under it. Something that don't sleep right.
At its heart, there used to be a stone church. Small but wrong in the way old things can be. The roof had long since rotted away, but the walls still stood, cracked, broken, leanin', yet somehow never fallen.
(03:45):
And the strangest part? The rain never touched the inside. Storms would roll in, winds screamin' through the fields, lightening splittin' the sky, and still, the dirt inside that church stayed bone dry.
Folks whispered about that place. Said it was a gathering spot for witches, for men who dealt in shadows and spoke in tongues no man was meant to hear. They came at night, leaving strange symbols carved into the stone,
(04:18):
burying things in the floor that ain't never meant to be dug up again. And then, one night in 2002, that church just collapsed.
Didn't come down in a storm, weren't no fire, weren't no wreckin' crew. Just one night it was there, and the next, it weren't. Like, somethin' inside of it just decided it was done. Be encaged.
(04:47):
Some, say the landowners, finally tore it down, tired of thrill seekers trespassin' in the night. Others reckoned it fell on its own, like the weight of whatever had been hidin' inside finally got too much to hold.
But the strangest thing? There weren't no sound. Not a crash, not a rumble, not even a breath of dust, stirrin' in the wind. Just, gone. And ain't no building in history ever fell without so much as a whisper.
(05:20):
Now, ain't no one can explain the wind at stall. Folks who ain't never been there think wind is just wind, just air movin' from one place to another. But out there, out there, it's different.
Most times, the air sits still, too still, like the world's holdin' its breath. But when the wind does come, it don't come the way it ought to. It don't blow through the trees, don't sweep across the fields like it does everywhere else.
(05:52):
No, at stall. The wind moves in circles, like it's huntin', like it's searchin' for somethin', or someone, ain't just the way it moves neither. It's the way it speaks.
Them that have stood among them, leanin' gravestones, them that stayed too long, they say the wind called to them. Not loud, not clear, just a whisper, low and hissin', right beneath the breath. It knows your name before you ever speak it.
(06:27):
Some folks, they brush it off, say it's just tricks of the mind, the rustlin' of dead grass. But a few, well, a few of them never lived more than six months after hearin' it. Coincidence? Maybe. But them that heard the wind once, they don't go listenin' for it twice.
(06:49):
Now, they say stall was cursed long before the first grave was ever dug, before the first stone was ever laid. Ain't just a graveyard. It's a wound in the earth, a place where somethin' old and wrong took root and never let go.
And if the stories are to be believed, the devil left somethin' behind there. A child, half human, half, somethin' else. Born twisted, born wrong. Some say it never took a breath, that it died in its mother's arms, buried in an unmarked grave.
(07:29):
The dirt hidin' away a secret too wicked to name. But them that pass through the graveyard at night, say they still hear the mother's wailin', long and hollow, carried on the wind that don't move right. Others say the child never died at all, just learned to change.
(07:51):
They've seen it before. A black dog with red eyes sittin' just beyond the trees, watchin' without blinkin', without breathin'. They've seen it as a woman in white, driftin' between the tombstones her face turned away, her feet never touchin' the ground.
(08:12):
And some, the unlucky ones, say they saw it for what it really is. A thin, hunched thing, crawlin' in the dark. Bones too sharp, skin too stretched, fingers too long. A mouth that don't belong on no person. A mouth that opens too wide and speaks like cracklin' leaves and snappin' bones.
(08:36):
No one knows which story's true, but all of them feel right.
Now, ain't no tale older than the one about the staircase buried beneath Stahl Cemetery. Ain't no man knows where to find it, and ain't no map that'll lead you there.
Some say it's because the staircase don't sit in one place, that it moves, shiftin' under the earth like a snake in the dark, waitin' for the right soul to step too close. Most folk never see it. But them that do, them that stumble onto that first step, they don't always come back.
(09:19):
Some say the staircase only shows itself twice a year, Halloween and the spring equinox, nights when the veils thin, when things that ain't meant to walk among us do so anyhow. You find it, then, you got a choice. Turn back or step down into the black.
(09:40):
Some folks don't believe it's real, so they test it. They throw a rock, a coin, a pocket knife, and they never hear it land. No bottom, no end, just empty.
And them that step down, the lucky ones never come back. The unlucky ones, they wake up hours, sometimes days later, sittin' in their cars, skin damp with sweat, clothes stickin' to them like they've been walkin' through fire.
(10:14):
Their ears ring like they heard somethin' they weren't supposed to, and they don't remember nothin'. But their eyes don't look the same, like they seen what waits at the bottom, and it's seen them back. Ain't just ghosts that haunt stull, ain't just shadows that move when they shouldn't.
(10:36):
Time don't behave right there, neither. More than one visitor swears, up and down, they walked in at dusk, took just a few steps through the graves, maybe snapped a picture or two, but when they looked at their phone, when they checked their watch, it was three in the morning.
Ain't no way time should've slipped like that. Ain't no reason hours should vanish in the blink of an eye, and some say it ain't just lost time.
(11:07):
A few swear they saw themselves, just for a second, out of the corner of their eye. A shadow standin' where they ought not to be, a movement that didn't come from them, like somethin' was watchin' through their own reflection. And then, there's the cars.
Folks leave them parked just outside the cemetery gate. Keys in their pocket, engine cut off. But, when they turn back, when they reach the road again, gone.
(11:41):
No sign of tracks, no sign of a tow truck. Sometimes, they find them miles away, still locked, engines still warm, like someone, or something, just drove it there and stepped out. And sometimes, they don't find them at all.
The last story comes from a group of college kids, drunk on Cheep Whiskey and Brevado, lookin' for a thrill they weren't ready to find.
(12:11):
They rolled up to Stoll Cemetery, late one Halloween night, laughin' and carryin' on, mockin' the stories folks had been tellin' for decades.
Said it was a joke, just some dumb legend, nothin' but a place for old tombstones and ghost stories told by folks with too much time on their hands. They didn't stay long.
(12:35):
First thing they noticed was the air. How it just... changed. Got thick, not cold, not hot, just heavy. Like somethin' was leanin' on em, pressin' down just enough to make their breath come slow.
Then Jenny heard it, her own name. Not spoken, not shouted. Just a whisper, slidein' against her ear like a breath that weren't supposed to be there.
(13:03):
Low, close, wrong. She didn't ask no questions. She ran. The others didn't need much convincing. They bolted for the car, laughin' at first, nervous, jittery,
tellin' themselves it was just the wind, just the booze playin' tricks. But then, the engine wouldn't start.
(13:27):
Turn the key. Nothing. Try it again. Dead. And that's when they heard it. The thud.
Somethin' slammed into the trunk. Hard. Hard enough to shake the whole damn car. Hard enough to send a jolt up their spines, turn their blood to ice.
Jenny was screamin'. The boys were cussin', slappin' the dashboard, twistin' the key like their lives depended on it.
(13:56):
And maybe they did. Then, the engine roared to life. They didn't look back, didn't stop till they hit the next town, a gas station with bright lights and people in air that felt normal again.
And that's when they saw it. Three long scratches. Deep, ragged, carved into the metal. Like claws. They left Kansas that night. Jenny don't talk about it no more.
(14:26):
And they don't laugh at ghost stories no more, neither. Stull Cemetery don't belong to the livin'. It ain't just a graveyard.
Ain't just a place where the dead lay quiet. It's somethin' else. Somethin' older than the town that holds it. Somethin' that don't take kindly to visitors.
(14:47):
That don't want you there. That don't like questions. And assure as hell don't forget them that don't show it respect.
Ask the locals, see what they say. Most won't tell you nothin'. They look away, change the subject, act like the place ain't even real.
(15:08):
Maybe they think if they ignore it, it won't notice them back. The ones that do talk, they'll tell you one thing. Stay away.
Don't go lookin' for the staircase. Don't stop if you hear your name. And for God's sake, if the wind starts whispering, run.
(15:30):
So, what is it about Stull that makes time slip away, that turns the air thick as molasses, that keeps the locals silent?
Is it just a tangle of old stories, passed down and twisted over time? Or is it somethin' worse? Somethin' we ain't meant to understand.
(15:51):
How many souls have been lost to the staircase beneath the earth, and how many more have stared into that black abyss and come back?
Different. And maybe the most important question of all, if the wind ever whispered your name in the dark, would you listen? Or would you run?
(16:13):
Some stories live in the shadows waitin' for the right moment to crawl into the light. We find them, we tell them, and if you think the world's done bein' strange, you ain't been listenin' close enough.
Subscribe to Kentucky Melody for the beauty of the bluegrass and the horrors that hide beneath it. And if you crave the strange, the haunted, the unexplainable.
(16:41):
Join us for America's scariest stories where the truth is often worse than the tale. But be careful now, some stories, they don't like to be spoken aloud.
They say, the devil's got places on this earth. Places where the wind don't move right, where the air sits heavy on your skin, and where time, well, time just don't behave like it ought to.
(00:14):
Stahl Cemetery is one of them places. A graveyard older than the town that holds it. A patch of land that don't take kindly to visitors.
Folks, whisper of staircases to hell. Of a child born wrong. Of voices in the wind that know your name before you ever speak it. But this ain't just legend. This ain't just stories.
(00:40):
It's real. And if you're brave enough to listen, I'll take you there. But once you step inside Stahl Cemetery, be warned. Something might just follow you back.
Welcome to Kentucky Melodies America's scariest stories, where we bring you ghostly legends, spooky haunts, and bone-chilling tales from all over this great land. These stories will have you looking over your shoulder all night. So pull up a chair, dim them lights, and let's dive into the eerie and unexplained.
(01:17):
The road that leads to Stahl Cemetery don't look like much at first. Just a long, lonely stretch of cracked asphalt, lined with dry Kansas farmland that rolls on for miles. Empty as a Sunday morning church. The fields sit quiet. The kind of quiet that ain't peaceful. More like the hushed breath before something awful happens.
(01:42):
Ain't much to see. Ain't no road signs telling you you're close. Just a couple of gnarled trees twisted up against the sky like they've been reaching for something they'll never catch. The kind of trees that don't grow right. Their branches thick with nests no bird ever seems to leave.
But them who know the stories, they don't stop. They don't even slow down. Because the air changes near Stahl. It don't howl or whisper. No, that'd be too easy. It just gets... wrong.
(02:19):
Ain't nothing you can see or hear, but you feel it. A weight settling over your chest, like the world's leaning just a little off kilter, like the skies pressing down just enough to notice. And then there's the eyes.
Ain't no one out there. Not a soul on that road but you. But you'd swear something's watchin'. Not from the trees, not from the fields, but from just outside the corner of your eye. That place where shadows don't belong.
(02:52):
And if you're fool enough to stop, fool enough to step foot on that cursed ground, well, ain't no guarantee you'll leave the same.
That graveyard weren't just built on land. It was built on old land. The kind where roots run deep. Where the ground don't always stay quiet.
(03:15):
Ain't no town folk remember what was there before the graves. But they say the land ain't ever been empty. There's something under it. Something that don't sleep right.
At its heart, there used to be a stone church. Small but wrong in the way old things can be. The roof had long since rotted away, but the walls still stood, cracked, broken, leanin', yet somehow never fallen.
(03:45):
And the strangest part? The rain never touched the inside. Storms would roll in, winds screamin' through the fields, lightening splittin' the sky, and still, the dirt inside that church stayed bone dry.
Folks whispered about that place. Said it was a gathering spot for witches, for men who dealt in shadows and spoke in tongues no man was meant to hear. They came at night, leaving strange symbols carved into the stone,
(04:18):
burying things in the floor that ain't never meant to be dug up again. And then, one night in 2002, that church just collapsed.
Didn't come down in a storm, weren't no fire, weren't no wreckin' crew. Just one night it was there, and the next, it weren't. Like, somethin' inside of it just decided it was done. Be encaged.
(04:47):
Some, say the landowners, finally tore it down, tired of thrill seekers trespassin' in the night. Others reckoned it fell on its own, like the weight of whatever had been hidin' inside finally got too much to hold.
But the strangest thing? There weren't no sound. Not a crash, not a rumble, not even a breath of dust, stirrin' in the wind. Just, gone. And ain't no building in history ever fell without so much as a whisper.
(05:20):
Now, ain't no one can explain the wind at stall. Folks who ain't never been there think wind is just wind, just air movin' from one place to another. But out there, out there, it's different.
Most times, the air sits still, too still, like the world's holdin' its breath. But when the wind does come, it don't come the way it ought to. It don't blow through the trees, don't sweep across the fields like it does everywhere else.
(05:52):
No, at stall. The wind moves in circles, like it's huntin', like it's searchin' for somethin', or someone, ain't just the way it moves neither. It's the way it speaks.
Them that have stood among them, leanin' gravestones, them that stayed too long, they say the wind called to them. Not loud, not clear, just a whisper, low and hissin', right beneath the breath. It knows your name before you ever speak it.
(06:27):
Some folks, they brush it off, say it's just tricks of the mind, the rustlin' of dead grass. But a few, well, a few of them never lived more than six months after hearin' it. Coincidence? Maybe. But them that heard the wind once, they don't go listenin' for it twice.
(06:49):
Now, they say stall was cursed long before the first grave was ever dug, before the first stone was ever laid. Ain't just a graveyard. It's a wound in the earth, a place where somethin' old and wrong took root and never let go.
And if the stories are to be believed, the devil left somethin' behind there. A child, half human, half, somethin' else. Born twisted, born wrong. Some say it never took a breath, that it died in its mother's arms, buried in an unmarked grave.
(07:29):
The dirt hidin' away a secret too wicked to name. But them that pass through the graveyard at night, say they still hear the mother's wailin', long and hollow, carried on the wind that don't move right. Others say the child never died at all, just learned to change.
(07:51):
They've seen it before. A black dog with red eyes sittin' just beyond the trees, watchin' without blinkin', without breathin'. They've seen it as a woman in white, driftin' between the tombstones her face turned away, her feet never touchin' the ground.
(08:12):
And some, the unlucky ones, say they saw it for what it really is. A thin, hunched thing, crawlin' in the dark. Bones too sharp, skin too stretched, fingers too long. A mouth that don't belong on no person. A mouth that opens too wide and speaks like cracklin' leaves and snappin' bones.
(08:36):
No one knows which story's true, but all of them feel right.
Now, ain't no tale older than the one about the staircase buried beneath Stahl Cemetery. Ain't no man knows where to find it, and ain't no map that'll lead you there.
Some say it's because the staircase don't sit in one place, that it moves, shiftin' under the earth like a snake in the dark, waitin' for the right soul to step too close. Most folk never see it. But them that do, them that stumble onto that first step, they don't always come back.
(09:19):
Some say the staircase only shows itself twice a year, Halloween and the spring equinox, nights when the veils thin, when things that ain't meant to walk among us do so anyhow. You find it, then, you got a choice. Turn back or step down into the black.
(09:40):
Some folks don't believe it's real, so they test it. They throw a rock, a coin, a pocket knife, and they never hear it land. No bottom, no end, just empty.
And them that step down, the lucky ones never come back. The unlucky ones, they wake up hours, sometimes days later, sittin' in their cars, skin damp with sweat, clothes stickin' to them like they've been walkin' through fire.
(10:14):
Their ears ring like they heard somethin' they weren't supposed to, and they don't remember nothin'. But their eyes don't look the same, like they seen what waits at the bottom, and it's seen them back. Ain't just ghosts that haunt stull, ain't just shadows that move when they shouldn't.
(10:36):
Time don't behave right there, neither. More than one visitor swears, up and down, they walked in at dusk, took just a few steps through the graves, maybe snapped a picture or two, but when they looked at their phone, when they checked their watch, it was three in the morning.
Ain't no way time should've slipped like that. Ain't no reason hours should vanish in the blink of an eye, and some say it ain't just lost time.
(11:07):
A few swear they saw themselves, just for a second, out of the corner of their eye. A shadow standin' where they ought not to be, a movement that didn't come from them, like somethin' was watchin' through their own reflection. And then, there's the cars.
Folks leave them parked just outside the cemetery gate. Keys in their pocket, engine cut off. But, when they turn back, when they reach the road again, gone.
(11:41):
No sign of tracks, no sign of a tow truck. Sometimes, they find them miles away, still locked, engines still warm, like someone, or something, just drove it there and stepped out. And sometimes, they don't find them at all.
The last story comes from a group of college kids, drunk on Cheep Whiskey and Brevado, lookin' for a thrill they weren't ready to find.
(12:11):
They rolled up to Stoll Cemetery, late one Halloween night, laughin' and carryin' on, mockin' the stories folks had been tellin' for decades.
Said it was a joke, just some dumb legend, nothin' but a place for old tombstones and ghost stories told by folks with too much time on their hands. They didn't stay long.
(12:35):
First thing they noticed was the air. How it just... changed. Got thick, not cold, not hot, just heavy. Like somethin' was leanin' on em, pressin' down just enough to make their breath come slow.
Then Jenny heard it, her own name. Not spoken, not shouted. Just a whisper, slidein' against her ear like a breath that weren't supposed to be there.
(13:03):
Low, close, wrong. She didn't ask no questions. She ran. The others didn't need much convincing. They bolted for the car, laughin' at first, nervous, jittery,
tellin' themselves it was just the wind, just the booze playin' tricks. But then, the engine wouldn't start.
(13:27):
Turn the key. Nothing. Try it again. Dead. And that's when they heard it. The thud.
Somethin' slammed into the trunk. Hard. Hard enough to shake the whole damn car. Hard enough to send a jolt up their spines, turn their blood to ice.
Jenny was screamin'. The boys were cussin', slappin' the dashboard, twistin' the key like their lives depended on it.
(13:56):
And maybe they did. Then, the engine roared to life. They didn't look back, didn't stop till they hit the next town, a gas station with bright lights and people in air that felt normal again.
And that's when they saw it. Three long scratches. Deep, ragged, carved into the metal. Like claws. They left Kansas that night. Jenny don't talk about it no more.
(14:26):
And they don't laugh at ghost stories no more, neither. Stull Cemetery don't belong to the livin'. It ain't just a graveyard.
Ain't just a place where the dead lay quiet. It's somethin' else. Somethin' older than the town that holds it. Somethin' that don't take kindly to visitors.
(14:47):
That don't want you there. That don't like questions. And assure as hell don't forget them that don't show it respect.
Ask the locals, see what they say. Most won't tell you nothin'. They look away, change the subject, act like the place ain't even real.
(15:08):
Maybe they think if they ignore it, it won't notice them back. The ones that do talk, they'll tell you one thing. Stay away.
Don't go lookin' for the staircase. Don't stop if you hear your name. And for God's sake, if the wind starts whispering, run.
(15:30):
So, what is it about Stull that makes time slip away, that turns the air thick as molasses, that keeps the locals silent?
Is it just a tangle of old stories, passed down and twisted over time? Or is it somethin' worse? Somethin' we ain't meant to understand.
(15:51):
How many souls have been lost to the staircase beneath the earth, and how many more have stared into that black abyss and come back?
Different. And maybe the most important question of all, if the wind ever whispered your name in the dark, would you listen? Or would you run?
(16:13):
Some stories live in the shadows waitin' for the right moment to crawl into the light. We find them, we tell them, and if you think the world's done bein' strange, you ain't been listenin' close enough.
Subscribe to Kentucky Melody for the beauty of the bluegrass and the horrors that hide beneath it. And if you crave the strange, the haunted, the unexplainable.
(16:41):
Join us for America's scariest stories where the truth is often worse than the tale. But be careful now, some stories, they don't like to be spoken aloud.
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