Episode Transcript
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Now, picture a place where truth and tall tales tangle up so tight you can't tell one
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from the other. A place where old roads don't lead nowhere but deeper into the dark, where
the past don't rest easy, and the trees whisper secrets best left unheard.
This hears Helltown, Ohio, a name that don't sit right on the tongue like something foul
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lurking just beneath it. Folks around here know this ain't just some abandoned patch
of land. Something happened here, something bad. But what exactly turned this town into
a place of dread and mystery? What's buried beneath that soil, hiding in the shadows just
beyond the firelight? And why is it that so many who step foot in these woods come back
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changed if they come back at all? On this here episode of America's Scariest Stories,
we're digging deep into the dark heart of Helltown, Ohio, a place where history's been
buried, conspiracies run wild, and something unnatural still lingers in the air. So, settle
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in, but don't get too comfortable. Because once you hear what's hiding in them woods,
you might think twice forever driving through Helltown. Welcome to Kentucky Melodies America's
Scariest Stories, where we bring you ghostly legends, spooky haunts, and bone-chilling
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tales from all over this great land. These stories will have you looking over your shoulder
all night. So, pull up a chair, dim them lights, and let's dive into the eerie and unexplained.
Ain't no ghost nor demon started the legend of Helltown. No, sir. It was the government,
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and what they'd done still don't sit right with folks around here. It was back in 1974
when them Washington suits came down from on high, claiming they needed the land for
some fancy new national park. Said it was all in the name of conservation, saving the
trees and the critters. But let me tell you, what they did to them, people in Boston Township,
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ain't never felt natural. Ain't no ghost nor demon started the legend of Helltown.
No, sir. It was the government, and what they'd done still don't sit right with folks around
here. It was back in 1974 when them Washington suits came down from on high, claiming they
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needed the land for some fancy new national park. Said it was all in the name of conservation,
saving the trees and the critters. But let me tell you, what they did to them, people
in Boston Township, ain't never felt natural. It happened quick, too quick. One day, families
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was sitting on porches, watching their youngins play in the yard, and the next, the law was
banging on doors, telling them they had to go. Some folks didn't even get time to pack
up proper. They left meals sitting on tables, laundry still hanging on the line. Then came
the boards. The government shut them up tight, nailed plywood over doors, painted no trespassing,
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and big, angry letters on houses that had been lived in for generations. Whole streets went
dark overnight. Them houses just sat there, empty, like tombstones in a graveyard nobody
wanted to visit. That's when the whispers started.
Some folks say it wasn't no park project at all. They say something bad happened out there,
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something the government didn't want nobody knowing about. Maybe it was a chemical spill,
something so wicked it poisoned the ground, twisted the things that walked upon it. Others
reckon the suits was running secret experiments trying to make monsters out of men, or maybe
mumbling with things best left alone. And then there's the darkest tale of all, the
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one that says it wasn't about chemicals nor creatures, but something far worse. A place
like Helltown don't get that name because of nothing. Some believe there's a hole in
the earth out there, a door to something unnatural. And then folks in charge, they knew it. Knew
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it was open and wider, letting something through. So they shut it down, cleared the people out,
boarded it up like it was just another house on another empty street. But let me tell you
something, you can't just nail shut a doorway to hell. What they left behind wasn't just
empty homes and lonely roads. They left something alive out there, something that still moves
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in the woods at night, whispering in the wind, hiding just beyond the trees where the lot
don't reach. And that's how the town once called Boston became Helltown. If there's
one place in Helltown where the devil done left his mark, it's that old church sitting
at the edge of town. Folks call it the Boston Community Church, but ain't nothing about
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it feels holy no more. At first glance, it don't look like much, just another worn down,
whitewashed chapel like you'd find in any old timey town. But don't let that fool you.
That place has a darkness in its bones, ain't just stories neither. Plenty who've laid
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eyes on it notice something real strange about them windows, inverted crosses, twisted upside
down like a mockery of what a church ought to be. Some folks say it's just the way the
glass was cut, a fancy gothic design from way back when, but the locals, they ain't
buying that. They say them crosses ain't a mistake. They say evil took root in that
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church a long time ago. Strangers driving through at night claim they've seen hooded figures
gathering outside its doors, standing in a circle, whispering in tongues that ain't meant
for human ears. Some say they've caught glimpses of strange symbols carved into the old wood,
symbols that weren't there before, and the ones who made the mistake of getting too close.
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They swear them figures turned to look at them all at once, like they knew they was
being watched. A few foolhardy souls have tried to step inside thinking it was all just some
ghost story meant to keep folks away. But every single one of them left different than
they came in. Some say the air in there gets so thick it feels like it's crawling down
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your throat, trying to choke the life out of you. Others say you don't walk in alone.
Something follows, a shadow that ain't yours, moving just out of sight, flickering in the
candlelight that don't exist. Then there's the whispers. Not loud, not angry, just there.
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Soft, snake-like sounds slithering through the walls, cooing dark things, calling folks
by name even when they know good and well ain't nobody in that place but them. Some
say the voices are warning them to leave. Others, they think the voices are trying to
lure them deeper to a part of the church no one's ever seen and come back from. So is
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it just another crumbling church abandoned like the rest of Helltown? Or is there something
waiting inside patient and hungry, listening for the next poor soul who don't know better
than to step through them doors? Not loud, not angry, just there. Soft, snake-like sounds
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slithering through the walls, cooing dark things, calling folks by name even when they
know good and well ain't nobody in that place but them. Some say the voices are warning
them to leave. Others, they think the voices are trying to lure them deeper to a part of
the church no one's ever seen and come back from. So is it just another crumbling church
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abandoned like the rest of Helltown? Or is there something waiting inside patient and
hungry, listening for the next poor soul who don't know better than to step through them
doors? Now, deep in them tangled woods of Helltown, off a stretch of road that don't
show up on no map, there used to be a rustin' old school bus, a hollowed out corpse, a yellow
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paint, peeled and scarred by time. But that bus weren't just metal and wheels. No, sir,
they held something else inside, something that never left. Folks around here tell a
story, one that'll chill the bones right out of ya. They say it was a cold autumn evening
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when that bus rolled into Helltown, packed full of school kids, laughing and chattering,
oblivious to what was waiting for them. The driver, an old timer with a gut full of coffee
and tired eyes, was taken a shortcut when the engine sputtered and died, right there
in the middle of nowhere. The headlights flickered, then went dark. He told the youngens to sit
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tight, said he was gonna hike up the road and find help. But he never made it far,
cause something was watchin' from the tree line. Ain't no one knows for sure what happened
next. Some say it was a drifter, some madman with a knife and a thirst for blood. Others
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reckon it was the melon heads, them twisted, bulging-headed things that skulked through
the underbrush, huntin' for something warm to sink their teeth into. All anybody does
know is when the authorities finally found that bus, there weren't no children inside.
Not one. What they did find was blood. Streaked, crossed the seats, smeared on the windows
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like tiny desperate hands that tried to claw their way out. A few backpacks and notebooks
lay scattered on the floor, trampled like something had come through in a hurry. But
there weren't no bodies. Nothing but an empty bus. And the feeling that whatever had taken
them might still be close. That old bus sat there for years, swallowed up by weeds, its
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doors gaped open like a silent scream. Folks who wandered too close swore they saw small
hand prints appear on the fogged up windows like something inside was pressin' against
the glass, tryin' to get out. Some claimed they heard soft giggling, unnatural and hollow,
floatin' through the trees. One fella, braver than most, stuck his head inside one night
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on a dare. He came runnin' out wide as a ghost, swearin' on his mama's grave that
he saw shadows sittin' in them seats, small, still figures, just starin' at him with dark,
empty eyes. Eventually, they took the bus away, hauled it off to God knows where, thought
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maybe that'd be the end of it. But people still hear him. If you walk them roads alone,
late at night, when the winds just rot, you might catch the sound of tiny footsteps rustlin'
the leaves behind ya. Or worse, you might hear laughin', a child's giggle, floatin'
from the woods, close enough to touch, but cold as the grave. Ain't no road in hell town
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more feared than Stanford Road. Round these parts, folks don't call it that, though. They
call it the end of the world. Don't seem like much at first, just a lonesome stretch
of pavement windin' through thick, suffocatin' woods. But the further you go, the narrower
it gets, like the trees are leanin' in, tryin' to swallow you whole. And then, just like
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that, it ends. A sharp, brutal drop-off, as if the Earth just decided to stop existin'.
Ain't no signs warnin' ya, no guardrails keepin' ya back, just a jagged edge, waitin' for
the fool dumb enough to go flyin' off into the dark. But that ain't the worst part.
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No, sir. The worst part is what happens when the sun goes down. Plenty of folks who drove
that road at night came back shakin', swearin' up and down they was followed. They say,
headlights blink on behind ya, out of nowhere, tailin' ya close, closer than any car oughta
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be. But when ya hit the brakes, the lights vanish. Ain't no sound, no engine hum, nothin',
just gone. And if you got the misfortune of ridin' that road at midnight, well, there's
worse things than ghost lights lurkin' in them woods. They say somethin' waits at the
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very end of the road. A figure, tall and thin, wrapped in black, standin' right at the edge,
facin' ya. It don't move, don't make no sound. It just waits. You stop, you blink. And when
you look again, it's closer, closer than it oughta be. Closer than anything could've
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moved in that short a time. And if you sit there too long, frozen in fear, it'll come
right up to your window. But by the time you open your mouth to scream, you're already
gone. No one knows where them people go. Ain't no bodies ever found. No tire marks leadin'
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off the cliff. Just empty cars, doors wide open, still runnin', but no driver inside.
Some say it's just the land playin' tricks on folks. The way the road twists, the way
the fog rolls in heavy at night. Others reckon that drop-off ain't just a dead end. It's
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a doorway.
To where? Well, no one's ever come back to say. Ghosts and demons is bad enough, but
what lurks in them there woods round Helltown? Now, that's a whole different kind of nightmare.
Folks say something ain't right out there, that the trees don't just whisper with the
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wind but with things that ain't supposed to exist. The worst of them? The melon heads.
But no one rightly sure where they come from. Some say they was once human. Children, taken
from their homes, locked away in underground labs, twisted and tortured till they barely
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resembled people no more. Heads swelled up big as pumpkins, eyes gone black and hungry.
Others reckon they always been here, hidin' deep in the brush, somethin' unnatural that
don't belong in this world. But one thing's for sure, they're watchin'. Hikers come back
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with stories of being followed, feelin' eyes on them from the trees, glowin' orbs peering
from the underbrush just past where the firelight reaches. Some hear rustlin', then the sound
of feet, small feet, movin' fast behind them. If you turn around, there ain't nothin' there.
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But wait too long and you just might hear the breathin'. Low, raspy, close.
And the unlucky ones? Well, sometimes folks go missin' out there, and when they do ain't
nothin' left but shredded clothes and drag marks leadin' off into the dark. But the
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melon heads ain't the only things crawlin' round these parts. Some tell of a snake big
as a tree trunk, slitherin' through the brush. A monster folks call the peninsula python.
They say it moves like a shadow, soundless, it scales black as sin, its eyes cold as death.
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You don't see it comin', you just hear the leaves rustle, feel the ground shake, and
then, nothin'. Cause by the time you realize what's happenin', it's already gotcha.
And then, there's the beast. Some say it's a dogman, a thing that walks on two legs but
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sure as hell ain't human. Towerin' over a man, with fur black as coal and eyes that
burn like fire. Don't just chase ya, it hunts ya.
One fella claimed he saw it standin' in the middle of the road just past Helltown. Its
head cocked sideways, its lips curled back in a snarl that looked too much like a smile.
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He hit the gas, tried to run it down, but the thing didn't move. Not till the last
second. Then, bam, it was gone. He got out, swearin' he musta hit somethin'. But when
he checked his bumper, there weren't nothin' there. No blood, no fur. Just deep claw marks
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raked across the hood. Now, tell me, if it ain't real, then why ain't
no one round here willing to walk em' woods alone after dark? Maybe it's all just stories.
Maybe there ain't nothin' in them trees but wind and shadows. But if you ever find
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yourself in Helltown and you hear somethin' breathin' just behind ya, somethin' you
can't see but you sure as hell can feel, don't turn round, just run.
The bones of Helltown might be gone, torn down, burned up, buried deep. But let me tell
you somethin'. The land remembers. Most of them old houses, the ones what stood empty
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for decades, rotten with secrets, they've been bulldozed. The roads, once lined with
darkened windows and doors nailed shut, now lead straight into Cuyahoga Valley National
Park. The government says they preserved the land. But ask anybody, round here, they didn't
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preserve nothin'. They tried to erase it. But you can't erase what don't wanna be forgotten.
Them legends, they ain't gone. Even now, folks who venture too deep into them woods come
back with stories they can't rightly explain. They talk about strange lights flickering between
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the trees like lanterns held by unseen hands. Some say they follow ya, leadin' ya deeper
and deeper till you can't find your way back. Others talk about disembodied voices, callin'
out from the shadows, whisperin' names in the dead of night. Some of them voices sound
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familiar. Others, they sound like nothin' human at all. Then, there's the ghostly figures
that still haunt the old roads. Ain't no one knows who or what they are. Some look like
townsfolk, folks who once had homes here before the government forced them out. Some say it's
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their spirits, trapped here, cursed to wander forever, cause they ain't got nowhere else
to go. And then, there's the ones who swear the government ain't finished with this place.
They say there's still somethin' in them woods, somethin' alive, somethin' they've been hidin'
for decades. Maybe it's them creatures, the ones from them experiments folks whisper about.
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Maybe it's somethin' worse, somethin' older, somethin' they tried to lock away but couldn't.
But I reckon the truth is simple. Some places ain't meant to be disturbed, some roads ain't
meant to be traveled, and some secrets, some secrets ain't meant to be uncovered. So, the
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next time you find yourself out in Ohio, drivin' through them back roads and you see a lonely
stretch of road leadin' into the trees, ask yourself one question. Would you dare enter
Helltown? And if you do, will you make it back? So, now, I gotta ask, y'all reckon Helltown's
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just another spooky campfire tale? Just stories passed down, twisted over time? Or is there
somethin' out there in them woods, somethin' the government tried to hide, somethin' still
lurkin' where the roads turn to nowhere? Maybe you've seen it with your own eyes, maybe
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you've felt somethin' watchin' you from the trees, heard them whispers just beyond the
wind, or maybe you ain't ever comin' back to tell the tale.
Let us know in the comments below. Have you ever dared to set foot in Helltown? And if
you lived to tell about it, what did you see? If you got a taste for the eerie, make sure
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to subscribe to Kentucky Melody for our America's Scariest Stories, where you'll hear more dark,
twisted tales from across the country. And if you've made it through this story, be
sure to come back for the next, just to make sure whatever's out there didn't follow
you home.