S1E38: Is It Strange That Armenian Feminism Flourished After Armenian Genocide and In Capital of Perpetrator?

►What is Armenian feminism?

►Was there such a thing as Armenian feminism without Armenian nationalism?

►Why did Armenian feminism flourish in Istanbul? And why after the Armenian genocide? ►Were Armenians more educated than their Muslim counterparts? ►Was the Armenian feminist movement similar to its Western counterparts? ►Why does the denial of the Armenian genocide persist in Türkiye? ►How was the past, with all its dark chapters, empowering for Armenian feminists? 🚩About my guest:

⁠Dr. Lerna Ekmekcioglu⁠ is a professor of history at MIT and the Director of the Women and Gender Studies Program there.

She has published extensively, including the following:

• A Cry for Justice: Five Armenian Feminist Writers from the Ottoman Empire to the Turkish Republic, and
• Recovering Armenia: The Limits of Belonging in Post-Genocide Turkey .

🚩Dr. Sinan Ciddi:

Is Turkiye still a democracy - given its transformation from Atatürk's Secularism to Erdoğan Islamism? Click to listen.

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🎶Music attributions:

1. Opening and closing music of the program:

Santur: Peyman Heydarian playing on the Santur some Iranian music. Recorded with a Sony PCM-D50 at the School of Oriental and African Studies of London on April 7th 2011.

Music available on at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://freesound.org/people/xserra/sounds/125654/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Creative Commons / Attribution 4.0 International (CC BY 4.0 DEED)

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativecommons.org/licenses/by/4.0/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This music has been cut in shorter pieces and its volume has been adjusted in different portions of our program.

2. Background music:

The Desert | The Grand Score

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.free-stock-music.com/alexander-nakarada-the-desert.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

The Desert | The Grand Score by Alexander Nakarada (CreatorChords) | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠