October 25, 2024 • 50 mins
Join Aaron Fleshcas, Crypt Chapman, & Joseph Beck Casket as they discuss Arnold Schwarzenegger's directorial debut in the Tales from the Crypt season two episode, "The Switch"!
You can watch the full episode on Youtube here: https://youtu.be/WuNGhwUfc-U?si=tLeFmJKWJZ0DRVGN
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Tape Deck Media. Hi folks, Aaron here, just letting you know.
We'll be back next week with the new movie. But
until then, we have a previously unreleased bonus episode for
you that we actually recorded way back in the fall
of twenty twenty one. It's a Tales from the Crypt
episode that was directed by Arnold. But if you want
to watch the actual episode beforehand so you actually know
what we're talking about throughout this whole thing, you can
(00:23):
find the full episode on YouTube, or just click on
the link that we included in the description. Should be
in there too, and yeah, you should definitely check it out.
It's a fun episode anyway. That's it for me, so
enjoy this bonus episode and we'll catch you next week
when we begin Arnold's nineteen ninety comedy classic Kindergarten Cop.
Speaker 2 (00:46):
Inside Foreclosed That look bold, three detergent plus call toll free.
Speaker 3 (00:57):
See the.
Speaker 4 (01:01):
Welcome to a terifying special bonus episode of See What
the Party CRYPTA. My name is Aaron Fleschkis and with
me as always as I could. I didn't have time
to think of names for you guys, Joseph P. Castro
and Chris Chapman.
Speaker 3 (01:14):
Oh come on.
Speaker 1 (01:15):
I started, like, I started writing this like a few
hours before, and I spent half an hour writing what
I have like that part, just trying to find stuff
at rhyme. So I looked up Joseph a second then
I was like, no, you guys gotten cast castrated. Let's
untill I got.
Speaker 2 (01:33):
Chris chap Deadman.
Speaker 3 (01:35):
It's all I got, uh de Capistro Nope, nope, not
getting there.
Speaker 1 (01:42):
See it's hard anyway, Okay, So.
Speaker 2 (01:47):
Anyway, Joseph becasket, Yeah.
Speaker 1 (01:49):
There go it was right there, yeah, okay, and Chris
chap Man man dead guy. Okay. Anyway, In this episode,
we'll be discussing Arnold's directorial debut, which was in the
season two episode of HBO's horror slash comedy anthology series
(02:12):
titled Tales from the Crypt. Is that the correct script description?
You'd say, like horror slash comedy, like hormedy.
Speaker 2 (02:19):
Yeah, yeah, so anthology series, but yeah it was horror,
black comedy comedy.
Speaker 1 (02:26):
Okay. So it was the second episode of season two,
titled The Switch, and it originally aired April twenty first,
nineteen ninety And should we like set anything up as
far as describing what Tales from.
Speaker 2 (02:38):
The Crypt was sure.
Speaker 1 (02:41):
Did you guys, actually I want to know Chris didn't
because he wasn't born yet. But did you watch the show, Joe?
Speaker 2 (02:47):
Yeah, we watched it pretty often. It was kind of
a thing in our house. So I definitely love the show.
It probably scared the piss out of me, like so
much did back then, but I remember being a great
show in the crypt it was great, And yeah, I
just enjoyed anthology series and I think I probably let
to later falling in love with Twilight Zone.
Speaker 1 (03:09):
I got that one reverse.
Speaker 2 (03:10):
Yeah.
Speaker 1 (03:11):
I was actually counting on you saying that you guys
were too poor for HBO, because that's usually your answer
for everything childhood related.
Speaker 2 (03:19):
Uh no, so well, yes that's true. We actually had
a black box.
Speaker 1 (03:25):
Oh okay.
Speaker 2 (03:26):
Yeah, So for those young books out there, they're not
familiar with it. So well, first of all, you say,
have cable boxes, you get them from your keyble.
Speaker 1 (03:37):
To have them.
Speaker 2 (03:38):
Yeah, I guess so, yeah, they got the guides and everything,
but you just go from the wall to your to
the cable box and that to the TV and you
flip the channels and get cables. And what a black
box was is so many basically, I guess you would
call it jail break nowadays, but they do it, and
you'd be able to get like all the all of
the channels, if you know what I mean.
Speaker 1 (04:00):
Wait, did you get like the did it unscramble the
porn channels?
Speaker 2 (04:03):
Yes? At certain points. However, it was in our living room,
so that wasn't really an option. But there was one
time I also I think that was.
Speaker 1 (04:20):
Sorry, we're at like five minutes? Are you going into porn?
Speaker 3 (04:22):
Oh?
Speaker 2 (04:22):
Yeah, it's mandatory. I think my dad got all drunk
and I'm always trying to tell him how to work
like the parental controls or whatever. All right, what like
what you just pros zero zero zero zero in that
unlocks it. My brother's just like you know, probably had
the class on the fucking wall, just like listening in.
So yeah, we were able to unlock some of that stuff.
(04:45):
It was also weird. I think one time my brother
and I were watching the movie fuck What was it
with like Kevin Bacon and uh Footloose No Sleepers? I okay,
so it's Sleepers. Yeah, kind of a fucked up story.
These kids are they're like young in New York and
(05:06):
they like steal a hot dog cart as a prank
and they push it down a subway station and it
kills a guy. So they go to Juvie for a while.
So it's very serious and like dark movie. But yeah,
we were watching that and then it was like, oh shit,
Like as soon as ten o'clock hit, switch right to
the Spice channel, We're like, what what are we doing?
Very weird.
Speaker 3 (05:24):
That's a hard emotional right right there.
Speaker 1 (05:27):
Yes, wait, what happens at the n Surrey I was?
Speaker 2 (05:29):
I was, Oh, I don't know, because it switched to
porn at ten o'clock.
Speaker 1 (05:33):
Oh nice, So you never found out the enemy of
sleepers sleepers?
Speaker 2 (05:37):
No, well, maybe I might have watched it later, I
don't know. Okay, yeah, so I think that's how we
watched Tales from the gript occasionally.
Speaker 1 (05:44):
Okay, nice. Uh so I didn't watch the show because
that was way too poor to watch the show, or
we didn't have HPO. Actually we might have anyway at
that time, though I don't think we yes so well
part and then part mostly because I probably wouldn't have
been allowed to. I mean, I don't know. My dad didn't care.
But you know, my dad's my dad was poor than
my mom. So like there's no way, he had like
(06:05):
it was the only time to watch it was on
the HBO Free weekends, which were awesome but never played
anything good. But anyway, Uh, this is the only episode
I've seen of it, So Joe, you've seen more of it?
Is it pretty much like the same? Uh? Like this
is the vibe of the whole show?
Speaker 2 (06:19):
Yeah, pretty much. It's kind of a you know, like
a Twilight Zone thing, but I guess a little less horror, yeah,
a little less sci fi more horror. Yeah, I think definitely.
The Crypt Keeper was pretty silly, but the episodes weren't
necessarily supposed to be ridiculous like that. Uh, it's kind
of like the movie he Tales from the Crypt. Have
(06:40):
you ever seen that? Uh, I'm sorry that Tells from
the Crypt, Tells from the Hood that that is?
Speaker 1 (06:46):
That is actually a movie though.
Speaker 3 (06:48):
Yeah, yeah they made a movie. No, I thought it
was just being an asshole. No, it was.
Speaker 1 (06:54):
Tales from the Crypt was a movie in the seventies.
Because I was reading the trivia for the for like
the show, and I guess Robert Zemeckis, who's one of
the producers, that was his favorite, one of his favorite
movies when he was younger. Well, although I don't know
how much younger, because if it came out in the seventies,
he's kind of anyway. But Tales from the Hood, wasn't
that a isn't that a Tales from the Crypt movie?
Speaker 2 (07:13):
Though? No, it's kind of a knockoff. But okay, it's
the same vibe. It's just it's the not quite black exploitation,
but it's along the same lines of that type of movie.
But instead of being like the usually black'sploitation and kric
craf I'm wrong. It's usually kind of a like a
comedy ish version, you know, absertedy type thing of like
(07:36):
regular action movies. Tales from the Hood was kind of opposite.
It was a little more dark and serious, but so
black people. So I love that movie.
Speaker 1 (07:45):
I've never seen that movie. But who would you say
as a better host of the show, the Crypt Keeper
or Rod Serling?
Speaker 2 (07:51):
That is a great question. I don't know. Well, I mean,
I don't think like when you watch Tales from the Crypt,
you know, or when you watch twilight Zone, it's like
created by Rod Sterling, he's like an executive producer. You
don't see that with Tails from the Crypt, you know,
you don't see like executive producer Cryptkeeper, you know, created
by the crypt Keeper.
Speaker 1 (08:12):
Sorry, the whole time you were talking, I was trying
to think of it of a crypkeeper name for Rod
Rod Serling. All I could think of was Rod Sterling.
But it's the he's the Cryptkeeper, not like it's not
a food thing anyway. Anything else to mention. As far
as the show, I never watched it, so I don't
really have any sort of like connection.
Speaker 3 (08:32):
I just remember I remember being terrified of the crypt
Keeper when I was like, you know, I was really young,
even though I knew he was supposed to be funny,
but it just I was whatever, three four years old
when the show was like still on the air.
Speaker 1 (08:47):
Oh yeah, because it went seasons. Yeah. Yeah. I've never
been afraid of any of the funnier horror, like the villains,
I guess, monsters like Chucky's help. Larry is to me, Erica,
my girlfriend finds him terrifying. Freddy Krueger is great too,
(09:07):
because he's got jokes. I mean the first one, like
the first one is a little you know, like a
little more horror, but.
Speaker 3 (09:14):
Past that, it's now Chucky. Chucky's funny to me. Freddy
gets me just because like that concept is legitimately like scary.
Speaker 1 (09:24):
Yeah, but you just don't think about that part of it.
Speaker 3 (09:28):
That's just stop thinking about what's scary?
Speaker 1 (09:32):
Which part are you talking about.
Speaker 3 (09:34):
The part that if anything that happens in your dream
really happens to you, Like if you die in your dream,
that you that you die, and if you fall asleep,
you're fucked basically.
Speaker 1 (09:42):
Oh yeah, I'm okay with that too.
Speaker 2 (09:44):
Yeah. I mean they all scared me because I was
a chicken. Same and even now sometimes I'll read scary
stories in bed, like.
Speaker 1 (09:55):
To tell the dark. Yes, those scary stories.
Speaker 2 (10:00):
Yeah, then what else you going to do? Right? Be like, oh,
did they close the door away over here?
Speaker 1 (10:06):
Exactly? But the call was coming from inside the house.
But then there was a bloody hook on the car door.
Speaker 2 (10:12):
Yeah, the call was coming from inside the house. It's like, yeah,
he's got cell phones, like you know, it's not just
one line anymore.
Speaker 1 (10:18):
The text was coming from an unknown number anyway. The
one that scared me was watching it, so no old one,
ye that that did it? That did it, and that's why.
And then I became like because I could watch whatever
before that. Then after that. I was like, I don't
want to watch anything scare anymore. So Chris, whenever you're
(10:39):
ready to go, go right ahead, the Chris Keeper. Yeah,
I came it.
Speaker 3 (10:46):
Yeah, I guess Crypto Chapman works. All right, So we're
going to take you through the episode now, Season two,
episode two, it's called the Switch. We start off with
the little bookend thing with the crypt Keeper. He is
working out. He's in work out gear lifting weights and
in walks Arnold to really just bully the crap out
(11:06):
of them and take over the hosting duties and tell
us the tale of the Switch.
Speaker 1 (11:11):
I love Arnold's pants. By the way, do you guys
see his pants. No, he's wearing like nineties empty hammer
like those gecko gecko pants zubas.
Speaker 2 (11:21):
Yeah, sure, yeah, that's what they're called zubass.
Speaker 1 (11:24):
Okay, But like he looks like he's wearing chef pants basically.
Speaker 2 (11:27):
Yeah, that's it. That's what chess pants are. They just
have stripes. But in the nineties they had h they
had like geckos and like you said, and weird shit
on them.
Speaker 1 (11:36):
Yeah, Like he's just wearing those. It was great just
to remind you that it's nineteen ninety.
Speaker 3 (11:42):
I also like that when they have somebody come in
a host, they choose maybe the only person less understandable
than the cripkeeper. Let's see we go into the credits,
so the credits are playing, and underneath that we see
an old man sitting in a lavishly decorated den of
his mansion. I guess, by the.
Speaker 1 (11:59):
Way, sorry, some crazy producer credits on here, because it.
Speaker 3 (12:03):
Was I noticed the Mechis. I didn't see who else.
Speaker 1 (12:05):
Was Richard Richard Donner, Joel Silver and Robert Mechis, and
there were a few other Jesus. Yeah, that's all.
Speaker 2 (12:11):
Wow, there goes my first note.
Speaker 3 (12:13):
Sorry, that's like, that's right. I was just gonna say
these opening credits have a very like Skinemax feel to them,
just like really dramatic music and like candle lighting and
I don't know, and it looks like the kind of
house where they would have shot some Skinemax. I didn't
(12:34):
know this was directed by Arnold when I first watched it.
You know why he did it?
Speaker 1 (12:40):
No, I probably should have looked into that, but I do.
Speaker 3 (12:42):
Know it, Okay.
Speaker 2 (12:43):
I was just wondering, Oh, my theory is like, you know,
he'd kind of won the eighties early nineties action movie
War Against Stallone. However, Sloan still has that Academy Award
from directing Rocky, so he's like, you know, come on,
do Solon. So he started getting it in directing got it.
Speaker 3 (13:05):
I just wasn't sure if he was like promoting a
movie or if maybe the cripkeeper had been in Pumping Iron,
and I just.
Speaker 1 (13:11):
Well, the only thing that would have come out would
be a kindergarten cop at that time. So, but I
don't know, that's a good question.
Speaker 3 (13:19):
Yeah. Was he in a movie with Kelly Preston wins? Oh, yeah,
that's uh yeah, I don't know why I didn't recommend
he's twin right.
Speaker 1 (13:27):
Yeah. She plays the role of Danny DeVito.
Speaker 3 (13:32):
Very unconvincing. Uh okay, So we go back to the
old man is staring at a picture of Kelly Preston
as his butler enters to check on him. His butler's
name is Fulton. The old man is professing his love
for the woman in the picture, whose name we find
out is Linda, to which his butler replies that he's
(13:52):
worried that the woman might be a gold digger, considering
that he's like eighty years old and she's thirty.
Speaker 1 (13:58):
Or whatever, not even that. But just he does he
say gold digger.
Speaker 3 (14:02):
No, okay, he just says like, are you sure she's
interested in you and not your Yeah? And he just
leaves it there, and the old guy goes money.
Speaker 1 (14:10):
Where do you guys think he met Kelly Preston? Like,
it's not like he he's like rich, so it's not
like he's going to grocery store.
Speaker 3 (14:16):
No, he was down at the muscle beach there and
later in the episode.
Speaker 1 (14:19):
Is he just wandered down there?
Speaker 3 (14:21):
I don't know. I have no idea.
Speaker 2 (14:24):
Ok yeah, no, I that whole thing doesn't make any sense.
How he knows her why? Well, I can't see why
he's in love with her, but like, yeah, how they
know each other? How she doesn't know he's like super rich.
She just exists.
Speaker 3 (14:39):
Yeah, And he's talking to the butler and he goes,
I know you think I've gone mad? And it's the
performance he's given here. I just think it's funny because
the butler's probably is thinking he's gone crazy because he's
laughing like a maniac and talking like a real fucking creepy.
Speaker 1 (14:57):
Just okay, I just figured this was like part of
the course as far as like tell from the Crypt
isn't like the over acting? Yeah, probably, I don't know,
jo Uh what you remember?
Speaker 2 (15:07):
I guess Yeah, I haven't seen an episode in a while,
but okay, sure.
Speaker 3 (15:13):
Oh the old Man I forgot to mention. The Old
Man is uh, he's the voice of the scientist from
Nightmare before Christmas.
Speaker 1 (15:19):
And when that makes Sally right, Yeah, I was trying
to figure out who he was and I was like, oh.
Speaker 3 (15:24):
I was like, I know the voice, but I can't remember.
I had to look it up. Oh. And so the
butler asks him if she's a gold digger, and the
Old Man reveals that Linda doesn't know he's rich, so
when he proposes marriage to her, he'll know her love
is true. And then they just start talking about Linda.
He jumps up in a fit of joy or possibly dementia,
and he and Fulton pulled the curtains back to let
(15:44):
some sunshine into the mansion.
Speaker 2 (15:46):
Yeah. The first time I watched this, I didn't even
notice he wasn't going to tell her that he was rich.
But I'm also kind of a fucking idiot, so.
Speaker 1 (15:53):
He just thought she was being a bitch. To him
the whole time.
Speaker 2 (15:55):
Yeah, I'm like, damn, she do just switched on him.
Why didn't she just marry him in the first place.
Speaker 3 (16:02):
Uh Yeah. So they're they're jumping all around the house,
and it was at this point that I was like, man,
Fulton really needs to get this dude back on his
met because he's he's just acting like a complete maniac.
I don't know. I know you said that's probably just
what all the episodes are like, but I don't know,
this guy seems especially crazy.
Speaker 2 (16:18):
He just seems happy though.
Speaker 1 (16:20):
Throughout this whole episode. I just kept imagining Arnold be no,
now you're happy, and you're jumping around and you're you know,
cause he's directing it, and then you open the blinds
and then you'd start dancing around.
Speaker 3 (16:29):
Oh, nobody's going to understand what you're saying. You have
to be physical. The old man shows up to uh
Linda's house with flowers and asks her to marry him,
despite the fact that he is quote unquote poor.
Speaker 1 (16:44):
Sorry. The before before that, the when he gets out
of the car, the uh the butler mentions to him,
he's like, you could have dressed a little more smartly, so,
which I thought was funny because it's like he's dressed
in a suit, so he's like, no, I'm sense I
don't want to know to know that I'm rich. That's
why I'm wearing my casual tuxedo.
Speaker 3 (17:02):
Well, I think this guy is just bad at hiding
his wealth because he also shows up in like this
classic car with a fucking chauffeur to let him out.
It's like, if she was looking out the window, what
the hell did she He thinks she was gonna think
he's liked.
Speaker 1 (17:13):
Look, I didn't even bring my cane with a giant
diamond stud on top of it.
Speaker 2 (17:18):
I actually actually thought the busser the butler said sparkly
but smartly makes a lot more sense British, not to mention.
Speaker 3 (17:28):
When you go up into the house, you can see
he's bought her dozens and dozens of roses, Like yeah, uh,
he's bought her a buttload of bouquets. So I'm pretty
sure she fucking has some idea. Either that or she's
just an awful person letting this old poor guy spend
all his fucking money on her.
Speaker 1 (17:44):
Yeah.
Speaker 2 (17:45):
Also, the fucking butler just straight up rinds and stops
saying just doesn't even like fucking stop, just goes right
through it.
Speaker 3 (17:53):
Fucking British people don't know how to try exactly. We
find out the old guy's name is Carlton, as Linda
tells him right to his old decrepit face that he's
just too old for her to ever love.
Speaker 2 (18:05):
That was so great.
Speaker 1 (18:06):
She's just like basically like she's she's I won't marry
you because you're too damn old. Like, first off, good
for her for being upfront about it right away, Yeah,
because she's pretty much like, i'd marry you, but I'm like,
you know, like super smoking hot and you look like
I don't know, in Indian and Jonesville and that just
drank from the wrong Holy Rail cup.
Speaker 2 (18:25):
Like eh.
Speaker 1 (18:27):
By the way, every time I see Kelly pressing something,
that scene from Twins always pops into my head where
she says that her pillows lumpy, because she says it
like in a like kind of funny way, and it
used to I remember, it used to bug me when
I was a kid for some reason. But so I
went to find that scene to show you guys, just
in case you didn't remember. But when I typed her
name into Google, like Google video search. The results were
(18:51):
strange interesting. The two main results were one videos from
various news sites reporting on her death, and then two
clipped from porn sites featuring her nude scenes, with the
weirdest one being a ten minute mixture of the two,
which was titled Kelly Preston Nude Compilation Memorial ri ip
(19:12):
Kelly What the fuck?
Speaker 3 (19:14):
What Jesus? Yeah? When did she die?
Speaker 2 (19:18):
Yeah?
Speaker 1 (19:18):
She died last year?
Speaker 2 (19:20):
Oh?
Speaker 1 (19:20):
How cancer?
Speaker 2 (19:23):
Oh? She married? Is something?
Speaker 1 (19:26):
She was married? Something? She's married to? John Travolta.
Speaker 3 (19:30):
Yes, yeah, really, did you know? I don't fucking know.
I don't pay attention to.
Speaker 1 (19:36):
Neither do I? But maybe just because I love Kelly Preston.
Maybe anyway, all.
Speaker 3 (19:40):
Right, let's see, Okay, yeah, too old Carlon takes the
news rather well, all things considered, I think, and says
he'll do whatever it takes to make her happy, but
also gives just a I don't know, like a weird
moniaca laugh that probably left Kelly Preston being a little
creeped out when he left the apartment. And then the
(20:01):
next thing he does is goes to a plastic surgeon's office.
He's sitting in the waiting room looking he's flipping through
the books, like looking at like what the plastic surgeon
has done for other people. And he's sitting there talking
to himself, just going he goes so young, so young.
And then the lady who is right next to him, says,
(20:21):
did you say something? And he just looks at her
and goes no, and then.
Speaker 1 (20:26):
Pretend I'm like, what the fuck are you talking about?
And she'd hear him.
Speaker 3 (20:32):
He's he's like the he's he's the age where he
stops giving any shits about what anybody thinks about him.
He does not give a shit because she starts talking
about other stuff. Yeah, exactly, he starts. She starts talking
about other stuff, like telling him that the doctor's a
miracle worker and all this other stuff and that he
can take like five to ten years off off your face.
(20:52):
And then he just gives her this look like fuck you.
And then they call him into the office and he leaves.
I'm like, damn, he doesn't give us shit.
Speaker 2 (21:00):
Good for him.
Speaker 3 (21:01):
He gets let into the plastic surgeon's office, where the
plastic surgeon kind of explains what procedures they can do
and how they can help him and tells them, you know,
if they do a bunch of stuff. They could make
him look maybe even twenty years younger, and he's like,
that's not good enough. I want to look like I'm
thirty years old. And the doctor's like, there's limits to
(21:21):
what science can do. And then he's like I heard
about something that might be He's like, I want a
brand new face, like somebody else's face, and the doctor
at first acts really indignant, like that's impossible, and then
after a couple of seconds changes his tune and he's like,
I mean, I could give you a referral, but it's
(21:42):
going to be a lot of fucking money. Yeah, And
so he tells him about a much shadier, more experimental surgeon,
Jeff something to say.
Speaker 2 (21:51):
I was just saying, I hope he gets that referral money.
That's all.
Speaker 1 (21:54):
Do you get referral money?
Speaker 2 (21:56):
I don't know, but he's.
Speaker 3 (21:57):
Just like for secret, illegal referrals.
Speaker 1 (21:59):
Yeah, Okay.
Speaker 3 (22:02):
So Fulton drives Carlton to a haunted castle to meet
this new shadier surgeon and he walks him up to
the front door with his umbrella because it's, you know,
a dark and stormy night, and I'm just like, Carlton's
really nice to Fulton. I really like this guy, Like,
aside from his obsession with the way he looks and
like Linda and stuff, I'm kind of sad it doesn't
(22:23):
work out for him. I don't know.
Speaker 1 (22:25):
Yeah, he's cool, I guess I don't.
Speaker 3 (22:26):
I don't know. He's just nice to Fulton. He's like,
he's like, I'm fine, I'm fine, get back in the
car where you're safe. That oh. He brings him to
the door, and they are greeted by a surprisingly handsome
Italian looking IGOR type.
Speaker 1 (22:37):
Assistant, Franco Colombo.
Speaker 3 (22:41):
Yeah. I didn't recognize him. I just noticed his name
in the credits. But when I saw him, I was like,
why the fuck, Like I don't understand what they're going
for here, Like he's clearly a model type dude, but
they try to make him look ugly. I don't know.
But then I realized, Oh, he just wanted to put
Franco in the show.
Speaker 2 (22:57):
I didn't even notice that until I saw that.
Speaker 1 (23:01):
The trip, Like, there's a couple things a trivia in
this that was one of them.
Speaker 3 (23:04):
He goes down to meet the shady surgeon, who turns
out to be the sweaty psychiatrist from Total Recall. Roy
Brocksmith is the actor's name.
Speaker 2 (23:14):
You didn't even notice that either someone sat up on
their fucking credit game that it is me.
Speaker 1 (23:23):
Maybe I was worried it was with me for a second,
if they would have included the credit as doctor whatever
guy from Total Recall A.
Speaker 3 (23:33):
Let's see. So the surgeon tells him he can get
a new face for a million bucks, and he reveals
that he will actually be buying a younger man's face
right off his body. So the surgery itself only costs
one hundred thousand dollars. The extra nine hundred thousand dollars
goes to the guy who's face he's stealing. Also, I
(23:54):
like when he when the when the mad doctor is
giving a speech, they're just like having a nice meeting,
like they're having this meeting about what the surgery is
going to be. And then as he gets up and
starts going on his rant about how he's not respected
and how everybody thinks he's crazy. He he moves over
to the other side of his office and there's a
fucking aquarium full of heads, And I'm just like, holy shit,
(24:17):
has that aquarium full of heads been here the entire meeting? Yeah,
And why was Carlton not obsessed with that the entire time.
Speaker 1 (24:24):
One of them, one of them even looks like like
Arnold's head. Oh really a little bit too, but it's
got like his like total recalling, like right before his
eyes just popping out.
Speaker 3 (24:37):
And at this point we meet Hans actress name is
Rick Rossovich, whose face is the one that Carlton will
be taking. So Carlton finally agrees to the procedure. We
see like a montage of the of the mad surgeon
doing his surgery stuff. He's got all sorts of weird equipment.
Speaker 1 (24:56):
So the doctor made this good looking dude. Is that
what he said?
Speaker 3 (24:59):
He he said that he had a hand in his breathing,
So I assume it's some sort of just genetic experiment stuff.
Speaker 1 (25:06):
I don't know.
Speaker 2 (25:06):
Okay, I was thinking he it was a three way.
Speaker 3 (25:09):
But I'm definitely not thinking he donated anything to it.
Speaker 2 (25:13):
But yeah, yeah, this guy's dungeon house just doesn't look
very sanitary. Like I'm sorry, Like if I were going
to experimental surgery and it was in a dungeon like that,
I'd be like, well, probably because he's experimental, Like I'll
do it, but I'm not happy about it.
Speaker 3 (25:28):
I mean, I do have a little bit of a
problem that the operating theater doesn't have doors, Like it
doesn't there's literally no barrier to any other room in
the rest of the castle. It's just open.
Speaker 1 (25:38):
I don't know. This episode just kind of reminded me
a face off. But if like somehow there was a
mix up and the producers accidentally hired John Waters as
director instead of John wu you know anybody actually knows
who John Waters is.
Speaker 3 (25:55):
I do want to see that movie though, with the
same budget and they still have to put all the
action scenes in there and see what John Blatter does
with it. Yes, Anyway, when the operation is over, Fulton
seems kind of horrified when Carlton walks out to the
car and sees what they did to his face. So oh,
I probably should have mentioned. Hans is like a six
(26:16):
foot tall, like super muscly handsome dude.
Speaker 1 (26:19):
Yeah, but like muscly, like regular guy Mustley, not like Arnold.
Speaker 2 (26:23):
Yeah, he's like he's like me muscly.
Speaker 3 (26:27):
Yeah, but like if you skipped a few days. Yeah yeah,
like like if you fell off your training regiment.
Speaker 2 (26:32):
Well yeah, I mean like this, he's like post bulk
and not trim, you know, yeah, or cut like you
gotta get you gotta after you do you work out,
you buke up and then you cut. Then you get
like a better six pack going on, and he's he's
at the bulk stage. She didn't do his regimen correctly,
so little criticism. I'm surprise Arnie let that go.
Speaker 1 (26:55):
But sure, yeah, whatever do you guys think that the
total recalled doctor guy followed on all around? Like what
during filming trying to copy his accent for the role
had like a Germanish accent, but it was.
Speaker 3 (27:07):
Like where did you say it was from Bratislava. Yeah,
I don't even know where that is.
Speaker 2 (27:13):
That is the capital of Slovakia.
Speaker 3 (27:15):
Ah, I only know it from euro trip And I
don't actually say I didn't know if it was actually
a real place.
Speaker 2 (27:20):
Oh yeah, no, I mean I totally didn't look that
up and I think it was fake or anything. Definitely
knew I know somewhere around that time, and it went
from Czechoslovakia to Slovakia and the Czech Republic. That is
your history.
Speaker 3 (27:33):
Listen for the day when Linda sees Carleton its new face,
she turns out she's still unsatisfied because his body is
still really gross and doesn't match the new face. Also,
his face doesn't look fucking right when it's not on
like a huge body.
Speaker 1 (27:49):
So was that that was just the old dude, like
the old actor, like the old guy under all that
like makeup and prosthetics, right.
Speaker 3 (27:55):
Yeah, so I think for that particular shot they just
put a bunch of prosthetics on the old dude.
Speaker 1 (28:00):
Okay, Yeah, And I like the description of the episode
is that she's a gold digger, which I guess you
could probably say at the end of the episode. But like,
at this point, she's being extremely upfront with him because
even in the scene, she's pretty much like, dude, you're
still like gross as hell, she calls.
Speaker 3 (28:18):
Him the front, but admittedly shallow, like at least a
little bit shallow and not super not super u tactful
with his feelings either.
Speaker 1 (28:28):
No, that's the best part.
Speaker 2 (28:30):
Yeah, she's just like, you're old and gross, and.
Speaker 3 (28:32):
Yeah, there's honesty and then there's bluntness. Those are different.
Speaker 1 (28:36):
She's really good.
Speaker 3 (28:39):
Carlton assures her that he's going to fix it if
she can just be patient, so he leaves again. Fulton
is talking to him and trying to dissuade Carlton from
going through with any more procedures, but Carlton says basically like, hey,
I love her. Love cockers all right, and then Fulton's like, yeah,
(29:00):
but Love's also blind, so I don't know, just watch it.
He goes back to the surgeon, who offers to give
Carlton Hans's torso, but this time for two million dollars,
which does cause Carlton to hesitate because he is losing
his fortune to these procedures, but then he does agree eventually.
Speaker 1 (29:19):
So did he actually use like the young guy's face
the first time he could, or like, was the face
not healed up enough because this like second time through.
Speaker 3 (29:28):
I'm not entirely sure. I think the idea is he
may not have waited long enough before going to see Linda.
But also I think it's just it's supposed to show
that like a young man's face on an old man's
body would be a jarring, weird sight. Yeah.
Speaker 2 (29:44):
So yeah, the doctor did say to wait, yeah, a while,
to let it heal so.
Speaker 3 (29:49):
And we don't know if he did or not, so
we can kind of assume he didn't wait and he
just wanted Linda to see his.
Speaker 2 (29:55):
New face and something else it is.
Speaker 3 (29:58):
Yeah, let's see.
Speaker 2 (30:01):
His dong as I was in playing his dongue.
Speaker 3 (30:05):
Oh that's what she was discussed as.
Speaker 1 (30:07):
The old man dog.
Speaker 2 (30:08):
And probably his balls too. Probably his ball, I mean
the package I'll be coming here.
Speaker 1 (30:13):
Plus those things you're probably hanging down there.
Speaker 2 (30:16):
So yeah, it's.
Speaker 3 (30:17):
Like they're hanging long enough. He could probably shower one
without the other.
Speaker 2 (30:21):
That's true. Yeah, it's like just just get out of
the shower hanging but all times.
Speaker 1 (30:27):
Pull the balls up over the dong and then wrap
it like a present.
Speaker 2 (30:34):
I used to know a guy who was.
Speaker 3 (30:38):
Able to wait this sentence, it's gonna be good.
Speaker 2 (30:41):
You could pull his sack over his belly button like
I've seen it. I've seen his du Like yeah, he
was I don't know, like some dude. I fucking worked
with him. I was like eighteen. It's like a runner
or some ship. But you know, he fucking pulled his
sack and like went over his belly button. He's had
a fucking stretchy sack. I don't know what to say, Tony.
Speaker 1 (31:01):
But did it look normal? Like when I.
Speaker 2 (31:05):
Didn't see like the rest of his junk, he like
grabbed it with his pants. Still, I'm just kept pulling
a saco So he might have been hiding a piece
of bolooney in there, I don't know, Okay, but he
was able to pull it over his belly button, so
I've seen it.
Speaker 3 (31:19):
I was gonna say, I'm as surprised that you physically
saw it as the fact that it could go over
his pelly button.
Speaker 2 (31:26):
Yeah.
Speaker 3 (31:27):
But yeah, with Hans's torso his head now kind of
matches and everything seems to be working out with Linda
for a moment. They go to like what is the
equivalent of basically muscle beach, and he's working out with
all the big dudes on the beach and here's.
Speaker 1 (31:43):
Press there too.
Speaker 3 (31:44):
Oh is he?
Speaker 1 (31:45):
Yeah, Peter Cancer first guy? It like pops up on,
which is Arnold Stunt Double aka the dude that Joe
called We're looking into the sixth day. Yea. By the way,
I love I love the old man voice with that
new body.
Speaker 3 (31:59):
Yeah, that's pretty good. He's got that old man voice
the entire time. And even funnier is the young man
voice on his buddy. Later. Yes, he's showing off for
Linda and lifting a bunch of weights and then they're
walking along the beach, Like I said, everything seems to
be going all right, and then he says that he
wants to go for a swim. They get changed, and
when he puts his swim trunks on, Linda can't stand
(32:21):
the sight of his horrible, veiny, old man legs.
Speaker 1 (32:25):
What like is exact line because.
Speaker 3 (32:27):
What no, No, that's not the exact line. She mentions
his veins definitely, but.
Speaker 2 (32:31):
Yeah, well she does say your legs are so scrowny
and old, and I guarantee you that was a like
aren't that wasn't in the scription? And I was like,
come on, you tell him his legs look at him like, yeah.
Speaker 1 (32:49):
I love Kelly Preston in this. It's like throughout the
whole thing's how pickying on it she is about like
the whole time she's being like, I mean, she banged
Arnold and twins, so I get it like from that
exactly like Julius type fellows are her standard now, although
apparently she'll settle for a Barberino everyone on.
Speaker 3 (33:09):
And yeah, when did they get married.
Speaker 1 (33:13):
I'm assuming in early nineties because I was looking up
her movies and there was one that she was in
with them right around this time or right before this too.
Speaker 3 (33:20):
Yeah he was still kind of hot back then, right,
don't I think he started?
Speaker 1 (33:26):
What was that that was right around? Look who's talking?
Speaker 3 (33:29):
Yeah?
Speaker 1 (33:29):
So yeah like that I think I was right before
he is like come back, but yeah, She's like, look
at that saggy skin in veins. That's what you said
because I wrote it down. It's so disgusting. Might throw
up right here.
Speaker 2 (33:40):
I'm sorry, hold on, I got to back up. She
is really taking this face and body transplant real well.
Like she's just like what I didn't even think about,
Like how did this happen? Like you got like it's
the same dude, it's your voice and your old saggy
balls and legs, but like you have a different torsa
and face and you're all strung like what the fuck
(34:02):
is going on? None of that. She's just like yeah, right,
like I might smash now, that's cool. Oh, except your
legs are gross. It means your balls probably gross too.
But she's taking extremely well and it's like.
Speaker 3 (34:15):
The definition of don't look a gift horse in the mouth.
She's just like, hey, he it works. It works. We
go back to Carlton's mansion and find out that he
now has to sell his house and let Fulton go
in order to be affording all these procedures.
Speaker 1 (34:30):
This is before he finds out about how much next
one's gonna cost. Correct.
Speaker 3 (34:34):
Yeah, yeah, So like so, like he knows he's going
to have to spend some money, and he's definitely already
spent enough money that he has to give up the mansion.
Speaker 1 (34:41):
Yeah. So he's what three million, three million in already yep,
and then he ends with spending another I think three
three Yeah, so he's at at least six what would
you say he's got, you know, because he's pretty much
done after that. Yeah, So I wonder how like six
million is that good in nineties money?
Speaker 2 (34:57):
Yeah?
Speaker 3 (34:58):
Good, Now I had six million dollars, but just to
where like I don't know, he wasn't like obscenely wealthy.
Speaker 2 (35:06):
Yeah, I mean yeah, well, let's let's do some math.
So it's about double now a little more than double,
like twelve million, twelve million, So I think he's doing good.
Speaker 3 (35:18):
That's pretty good.
Speaker 2 (35:19):
Yeah. But also he had that baller ass house in
La so that's probably worth like eighty four times as much,
Yes it is back then, and I'm sure the price
of his car went up as well.
Speaker 3 (35:32):
True. So yeah, I guess when you consider that, maybe
he only had like four million liquid and then he
sold the house and got another few million.
Speaker 2 (35:40):
That's true, yeah, because he Yeah, I mean, you have
four million liquid assets. That's kind of crazy.
Speaker 3 (35:48):
I don't know anything about money, man, even do I.
And then we are back at the mad surgeon's place
and he tells him that the last procedure will cost
three million dollars for the bottom half of them. It's
gonna cost him a million per limb. And then Colin's confused.
He's like, but that's only two million dollars. And he's like,
(36:09):
you're forgetting the most important limb of all.
Speaker 2 (36:11):
A ball sack.
Speaker 3 (36:13):
Its weird.
Speaker 1 (36:13):
Oh all right, so he's got to pay a million
dollars to get that dick replaced. But like, technically he
could have just got his legs replaced. So what he's
gotta do is turn the lights off and she might
not even notice that dick looks like the time I
tried to bake a tube of pills gray cress and
rolls without unrolling the dough first.
Speaker 2 (36:30):
You know, Yeah, well this is also crusty and.
Speaker 3 (36:35):
Birds but gooey on the inside, but still not useful.
Speaker 2 (36:44):
Well, this is all pre vagress, so I don't know
how far he can get away with it.
Speaker 3 (36:52):
So he reluctantly agrees after the procedure. After the operating scene,
it seems like there was some sort of editing mistake
or something on the one I was watching, because at
this point we just see some behind the scenes footage
of Roy Brocksmith just admiring the hell out of a
naked Rick Rossovich. He's just standing there in the mirror, naked,
(37:14):
and the the doctor's just looking at him like, you're magnificent,
You're perfect. He's just staring at his balls.
Speaker 2 (37:20):
Yeah. He's like, oh what we're rolling? Oh shit, all right,
where's my line again?
Speaker 3 (37:27):
He's like, just whatever's on the top of your head?
Speaker 1 (37:29):
Right? Yeah.
Speaker 3 (37:31):
When Carlton now shows up to Linda's place, he finds
out she moved to some fancy new place.
Speaker 1 (37:37):
By the way, the guy that gives him the address
is the detective from the Sixth Day, the detective cch Bounder.
Speaker 2 (37:43):
Wow, she looks way different.
Speaker 3 (37:46):
That's the end of Days. I was like, wait, who's
the detective.
Speaker 1 (37:53):
I recognized him. I was like, wait a second from
the same movie, because I ended up looking him up.
I think I'm not even sure if we talked about it.
I had a note about it.
Speaker 3 (37:59):
Just the guy who he talks to at the police station.
Speaker 1 (38:03):
It's like the main detective he's talking to that, like
he's telling like, got my my car got stuck. You
reported this already.
Speaker 2 (38:10):
That okay? Yeah, so yeah, it's very weird that the
guy's just like, no, she moved. Here, here's this chick's address.
Speaker 3 (38:16):
It's like, dude, Yeah, That's what I was gonna say,
is like, this dude is an asshole in two distinct ways.
First of all, when carl when he like he presents
Carlton with the address on a slip of paper, and
then when Carlton reached for it, he goes, ah, he
just like pulls it away like a like a eleven
year old bully.
Speaker 2 (38:31):
Yeah.
Speaker 3 (38:33):
But then also he just gave this stranger his old
tenant's new address, Like what the fuck? You don't know
if this guy's gonna kill her or what.
Speaker 1 (38:41):
Man, the nineties were a simpler time.
Speaker 2 (38:44):
Much easier to stock people back then.
Speaker 3 (38:46):
Exactly apparently, so uh, he finds out she moved as
he leaves to go find her some punks try to
steal his car, and but he beats the crap out
of him with his brand new body.
Speaker 1 (39:00):
We know that they were actually trying to steal it, though,
because they just said a nice car.
Speaker 3 (39:03):
I mean they said he they said they wanted to ride.
Maybe they thought he was, yeah, riding a nice car.
Speaker 2 (39:09):
I mean it's hard to get around l A. You know,
busses aren't good. Everybody's gonna drive. Yeah, and he just
fucking chucks a guy too. He like crosses that guy.
Poor guy. He's just like, oh Marty, Like I can't
even afford bus fare or a cab, and now this
fucking dude the littld man voice just chucks me across
his baller ass car.
Speaker 1 (39:31):
Exactly. I just asked him for riding the car. By
the way, the leader of those street tufts was the
actor that plays Jacob and Lost.
Speaker 3 (39:38):
Yeah. Oh really yeah.
Speaker 1 (39:41):
Else he's in A.
Speaker 3 (39:42):
He's Lucifer and Supernatural.
Speaker 1 (39:44):
The big Lebowski. He's not the carpet pisser or I
think he's the other one.
Speaker 3 (39:49):
Yeah, No, he's one of uh yeah, he's one of
the porn guys.
Speaker 1 (39:53):
Yeah he's not. I don't think he's one of the
pizzles on the carpet though, No, I don't think so. Yeah.
Speaker 3 (39:57):
Oh, it was kind of at this point that I
realized Hans was supposed be a stand in for Arnold
because he threw a guy over the fucking car, like
I don't know, he's a German dude, kind of big.
Speaker 2 (40:08):
Yeah, we got to woman's strength. One action scene in there, Carlton.
Speaker 3 (40:13):
Shows up to Linda's fancy new high rise apartment to
propose to her now that his body is complete, But
when he gets up to her apartment, he finds out
that she's already married. She's married some rich dude who
actually turns out to be Hans in Carlton's old body,
and he's got Fulton working for him, so he basically
(40:34):
they just switched lives, I.
Speaker 1 (40:35):
Guess, yeah, but she doesn't seem to recognize that it
was him, or just doesn't give a shit.
Speaker 3 (40:39):
She just doesn't give a shit. Okay, he's rich, Yeah, true,
that's all she wanted.
Speaker 1 (40:43):
I want to Okay, maybe all white, old white guys
look the same to her as they do to me.
Speaker 3 (40:49):
Maybe. Yeah, And that's basically where the episode ends, just
with everybody kind of laughing with Hans like laughing at him,
and he's just like standing.
Speaker 1 (40:57):
There all distraught in his young guy voice.
Speaker 3 (41:00):
Yeah, we get to close on Carlton's old, creepy, old
man like mouth, but with Hans's laugh coming out of it,
it's yeah, that's funny.
Speaker 1 (41:09):
Uh.
Speaker 3 (41:09):
And then we go back out to the crypt keeper
who has killed Arnold and is now going to pump
him up with a bombing fluid.
Speaker 1 (41:17):
That's what I thought. But those ain't Those ain't new
hammer Pants.
Speaker 3 (41:20):
So that's what That's why it was like the.
Speaker 1 (41:21):
Second time around, and watched it because I know sa
hammer Pants. The first time I was like, maybe that
isn't Arnold. Yahybe that's Franco.
Speaker 3 (41:26):
Well, I guarantee you. Arnold left the set as soon
as he as soon as he could. He fucking was
there for the entries, like are they going to see
my face? Well, they fuck it. I'm out of here.
Speaker 1 (41:37):
Or either that or he's like, I'm not this. This
little sissy cannot move me. He come on, there's no
way he's gonna kill me. I can break him upont
he's no bombs. I just punch him.
Speaker 3 (41:47):
But yeah, that's pretty much it, all right.
Speaker 1 (41:50):
Any any last thoughts about the episode.
Speaker 2 (41:52):
Joe, Uh yeah, I'm just wondering how long like the
procedure took, and like the time in between when he
went and got the procedure too, when he saw Linn again,
because I mean they don't tell us. But regardless, Linda
got married real quick. Like yeah, I mean, very true
if it's like a year. Also, the other question is like,
(42:13):
uh so does Hans that's now in Carlton's body, does
he like live as long as Hans would live or
is it just like a full brain swap, so he's
gonna be dead in like five years.
Speaker 1 (42:26):
That's what I was wondering too.
Speaker 2 (42:27):
Because if it's the opposite, if like Carlton now has
Hans' body, so he's going to live another like fifty
years or whatever, I mean, fuck, I might. I might
take that deal. Like, yeah, you're already like either gonna
be dead in a couple of years and then you
have no money because you're dead, or you can spend
all your money to become like thirty again and all
ripped and then just like live another fifty years.
Speaker 3 (42:49):
It's true, It's very true. I'd pretty much take that
deal too, because you got plenty of time to go
earn all your money back. Yeah, and you're and you're
smarter than a thirty year old.
Speaker 2 (42:58):
Now true, then you're just still alive. And if you
don't like being alive, well.
Speaker 3 (43:03):
Yeah, there's probably and there's also probably slightly less pretty
ladies out there who just want an attractive thirty year
old dude. Yeah, that's true, doesn't doesn't have to be Linda.
Speaker 2 (43:14):
Yeah, and she fucking sucked anyways, dude, she was the worst. Like, yeah,
she was hot.
Speaker 3 (43:18):
I mean, Aaron clearly loves her, but.
Speaker 1 (43:20):
I do what so what of it?
Speaker 3 (43:23):
Well, but I'm pretty sure Hans is going to die
because I feel like if he kept all his old organs,
Carlton definitely like his heart and lungs would have given
out when he was trying to lift all those weights
and shit and doing all that exercise.
Speaker 2 (43:37):
True. Yeah, so I don't know if he was like
an organ swap, because like the face swap was like
kind of reconstructive surgery, but just like the face part
of it took his face off. But I don't know
if they like full on like took his organs and shit.
Speaker 3 (43:54):
Hard to say.
Speaker 2 (43:55):
I know this, that's the problem with this, This show.
It did not get into the her details of the
side exactly.
Speaker 3 (44:01):
It doesn't dive into the questions anybody's.
Speaker 2 (44:03):
Really asking exactly.
Speaker 3 (44:05):
I really like the old guy's acting of this. I
think his like unhinged performance is great.
Speaker 1 (44:10):
I agree. And I also like Kelly Preston in this
because she's an asshole throughout the whole thing and it
just made me it like, every single time she comes
on there, she's just like, but like your legs, dude, Like,
but like, I'm also really shallow, so which I'm like,
not attractive enough to be. But you gotta have standards,
(44:32):
you know, because I realized if I was a pretty girl,
I'd probably be the same way, Like I'm like no,
but then like give it up for money and always rich.
You know. Like if I was an old dude and
I was with a young girl, I wouldn't expect her
to be faithful to me. I'd be like, okay, cool.
Speaker 3 (44:47):
Well, you know, Also, let's not be too sympathetic to
Carlton here, considering that the first thing he says about
her is oh, and also she's young, which seems to
be like the most important thing to him.
Speaker 1 (44:57):
Well, yeah, I mean, I think you're the only one
that's being sympathetic towards Carlton and you creep.
Speaker 3 (45:00):
Maybe I like how.
Speaker 1 (45:03):
She wants a young dude perfect but like nineties perfect
because that guy was any anyway. But uh, like she
also hasn't seen his balls because like did unless the
doctor threw the balls in to like the the three
million dollar package. Do you think he threw the Like
he's like, oh, the balls are on me, and like
not literally, but he actually puts the balls on himself,
(45:23):
Like he's like.
Speaker 2 (45:25):
You get it, you get it. They're on like truck nuts.
It is it should be a package deal. It is
a package, you know, like that.
Speaker 3 (45:34):
It's a really funny idea to me is that he's
got all old man body, but she still has turned
on by him because he's got those nice tot balls.
Speaker 1 (45:44):
That's what she's she's she's an asshole, but she's too
modest to say, like I really like I like when
I set of balls.
Speaker 2 (45:51):
Yeah, like gets out of the shower, she's just like
looking at him like, ooh, you're still pretty upright for
after a shower wrinkled thing out of the way.
Speaker 1 (46:01):
Nice, yes, anyway, all right, so what else?
Speaker 2 (46:05):
What else we got?
Speaker 1 (46:06):
Okay, so sorry, moving on. I have a couple of
bits of trivia, but it's like pretty much just interesting
facts I found out about the actual show. So the
first one is the So apparently The Frighteners and from
Dust tell Don originally supposed to be Tales from the
Crypt based movies. Huh, but due to like differ differing
interest and disagreements, each movie became its own thing. And
(46:30):
apparently Death Becomes Her was also like a idea. Yeah,
like they said, it was inspired by the show too,
which makes sense because it feels like a long episode.
Speaker 3 (46:39):
Yes, it absolutely does.
Speaker 1 (46:41):
But the second thing was a crypt Keeper led a
Christmas album called Have Yourself a Scary Little Christmas was
released in nineteen eighty four. And then okay, so this
last thing was something that I came across today, and
it was somebody just happened to post about tell from
the Crypt and then a comment on there was this,
and I started watching. I was like, this is stupid,
(47:02):
but then I kept watching it and it was amazing. So, uh, welcome,
would you.
Speaker 2 (47:14):
Like to dance to all you have to do?
Speaker 3 (47:17):
He's come to the Cripkeeper's body most bash of you?
Speaker 2 (47:22):
Well, what the fuck? It?
Speaker 1 (47:37):
Gets so much better, Like there we go.
Speaker 3 (47:41):
It looks like Chris Rock from before.
Speaker 2 (47:48):
Okay, anyway, dope song.
Speaker 1 (47:53):
Yeah, okay, so that was the last uh little bit
of trivia that I had for that. And that's pretty
much all.
Speaker 3 (48:00):
Yeah, I don't think we're gonna beat that as far.
Speaker 1 (48:03):
Anything else you want to you want to throw out
there before we sign off, Happy Halloween, probably oh yeah, true.
Speaker 2 (48:11):
The only thing left is, Hey, if you're listening to
this on an Apple product, stop what you're doing. If
you're driving, pull off to the side of the road,
or just fucking rap your phone and start looking at it.
I don't care flying a plane, I don't give a shit.
Go down to Apple Podcasts and where it says review,
leave five stars and maybe say something cool like oh man,
(48:32):
this show's good or whatever, like whatever you want, but
just fucking spend the six seconds to leave a review, right,
That's all we need, that's all we're asking. Yeah, that's it.
Thank you.
Speaker 3 (48:43):
Uh yeah. That really helps us out and we really
appreciate it. It helps more people find the podcast, which
helps us to make more podcasts. So if you enjoy it,
do it.
Speaker 2 (48:52):
Yeah, and tell your friends too, Just tell them to listen,
or when you're in a car driving on a road trip,
put it on, Like these as are fucking hilarious.
Speaker 3 (49:01):
Yeah, shout it random people on the street. Man, I like.
Speaker 1 (49:05):
I like how you're pushing people around, like the like
pushes the crypkeeper around. Just google right to the ready,
come on.
Speaker 2 (49:13):
Yeah, exactly.
Speaker 1 (49:15):
You're wearing hammer pants, aren't you?
Speaker 2 (49:18):
Yeah? What else? What? I were at home?
Speaker 3 (49:20):
It's like it's after four pm, isn't it.
Speaker 2 (49:23):
But yeah, that's it. That would we would really appreciate
and that that would help us out a lot. And
I know I listen to a lot of podcasts and
that say the same thing, and I don't do it often,
but the concert reminder definitely helps. So just just please
please do that. Yeah, if you leave a review, we
might just read it on the podcast. So yep hmm,
especially if it's derogatory towards one of us. M hm.
Speaker 3 (49:46):
True, those are the best. If you make fun of me,
they'll make me read it out loud.
Speaker 1 (49:49):
Yes, the person that it's meanest too has to read
it out loud.
Speaker 3 (49:52):
Yeah. I won't cry on stream, but you can be
assured I'll be crying. Yep.
Speaker 1 (49:57):
Okay, okay, that's all.
Speaker 2 (49:58):
Yeah bye, hey.
Speaker 3 (50:00):
Hi bye see. If you enjoy our show, please consider
giving us a positive review on Apple Podcasts or your
podcast app of choice. You can follow us on Twitter
and Instagram at the Potty Richter to make sure you
never miss an episode. See you at the Potty Richter
is a production of tape Deck Media. Follow tape Deck
(50:21):
on Instagram at tape Deck Underscore Media, or look us
up on Facebook for more hilarious podcasts.
Speaker 1 (50:29):
This has been a tape Deck Media production. Thank you
for listening.
Tape Deck Media. Hi folks, Aaron here, just letting you know.
We'll be back next week with the new movie. But
until then, we have a previously unreleased bonus episode for
you that we actually recorded way back in the fall
of twenty twenty one. It's a Tales from the Crypt
episode that was directed by Arnold. But if you want
to watch the actual episode beforehand so you actually know
what we're talking about throughout this whole thing, you can
(00:23):
find the full episode on YouTube, or just click on
the link that we included in the description. Should be
in there too, and yeah, you should definitely check it out.
It's a fun episode anyway. That's it for me, so
enjoy this bonus episode and we'll catch you next week
when we begin Arnold's nineteen ninety comedy classic Kindergarten Cop.
Speaker 2 (00:46):
Inside Foreclosed That look bold, three detergent plus call toll free.
Speaker 3 (00:57):
See the.
Speaker 4 (01:01):
Welcome to a terifying special bonus episode of See What
the Party CRYPTA. My name is Aaron Fleschkis and with
me as always as I could. I didn't have time
to think of names for you guys, Joseph P. Castro
and Chris Chapman.
Speaker 3 (01:14):
Oh come on.
Speaker 1 (01:15):
I started, like, I started writing this like a few
hours before, and I spent half an hour writing what
I have like that part, just trying to find stuff
at rhyme. So I looked up Joseph a second then
I was like, no, you guys gotten cast castrated. Let's
untill I got.
Speaker 2 (01:33):
Chris chap Deadman.
Speaker 3 (01:35):
It's all I got, uh de Capistro Nope, nope, not
getting there.
Speaker 1 (01:42):
See it's hard anyway, Okay, So.
Speaker 2 (01:47):
Anyway, Joseph becasket, Yeah.
Speaker 1 (01:49):
There go it was right there, yeah, okay, and Chris
chap Man man dead guy. Okay. Anyway, In this episode,
we'll be discussing Arnold's directorial debut, which was in the
season two episode of HBO's horror slash comedy anthology series
(02:12):
titled Tales from the Crypt. Is that the correct script description?
You'd say, like horror slash comedy, like hormedy.
Speaker 2 (02:19):
Yeah, yeah, so anthology series, but yeah it was horror,
black comedy comedy.
Speaker 1 (02:26):
Okay. So it was the second episode of season two,
titled The Switch, and it originally aired April twenty first,
nineteen ninety And should we like set anything up as
far as describing what Tales from.
Speaker 2 (02:38):
The Crypt was sure.
Speaker 1 (02:41):
Did you guys, actually I want to know Chris didn't
because he wasn't born yet. But did you watch the show, Joe?
Speaker 2 (02:47):
Yeah, we watched it pretty often. It was kind of
a thing in our house. So I definitely love the show.
It probably scared the piss out of me, like so
much did back then, but I remember being a great
show in the crypt it was great, And yeah, I
just enjoyed anthology series and I think I probably let
to later falling in love with Twilight Zone.
Speaker 1 (03:09):
I got that one reverse.
Speaker 2 (03:10):
Yeah.
Speaker 1 (03:11):
I was actually counting on you saying that you guys
were too poor for HBO, because that's usually your answer
for everything childhood related.
Speaker 2 (03:19):
Uh no, so well, yes that's true. We actually had
a black box.
Speaker 1 (03:25):
Oh okay.
Speaker 2 (03:26):
Yeah, So for those young books out there, they're not
familiar with it. So well, first of all, you say,
have cable boxes, you get them from your keyble.
Speaker 1 (03:37):
To have them.
Speaker 2 (03:38):
Yeah, I guess so, yeah, they got the guides and everything,
but you just go from the wall to your to
the cable box and that to the TV and you
flip the channels and get cables. And what a black
box was is so many basically, I guess you would
call it jail break nowadays, but they do it, and
you'd be able to get like all the all of
the channels, if you know what I mean.
Speaker 1 (04:00):
Wait, did you get like the did it unscramble the
porn channels?
Speaker 2 (04:03):
Yes? At certain points. However, it was in our living room,
so that wasn't really an option. But there was one
time I also I think that was.
Speaker 1 (04:20):
Sorry, we're at like five minutes? Are you going into porn?
Speaker 3 (04:22):
Oh?
Speaker 2 (04:22):
Yeah, it's mandatory. I think my dad got all drunk
and I'm always trying to tell him how to work
like the parental controls or whatever. All right, what like
what you just pros zero zero zero zero in that
unlocks it. My brother's just like you know, probably had
the class on the fucking wall, just like listening in.
So yeah, we were able to unlock some of that stuff.
(04:45):
It was also weird. I think one time my brother
and I were watching the movie fuck What was it
with like Kevin Bacon and uh Footloose No Sleepers? I okay,
so it's Sleepers. Yeah, kind of a fucked up story.
These kids are they're like young in New York and
(05:06):
they like steal a hot dog cart as a prank
and they push it down a subway station and it
kills a guy. So they go to Juvie for a while.
So it's very serious and like dark movie. But yeah,
we were watching that and then it was like, oh shit,
Like as soon as ten o'clock hit, switch right to
the Spice channel, We're like, what what are we doing?
Very weird.
Speaker 3 (05:24):
That's a hard emotional right right there.
Speaker 1 (05:27):
Yes, wait, what happens at the n Surrey I was?
Speaker 2 (05:29):
I was, Oh, I don't know, because it switched to
porn at ten o'clock.
Speaker 1 (05:33):
Oh nice, So you never found out the enemy of
sleepers sleepers?
Speaker 2 (05:37):
No, well, maybe I might have watched it later, I
don't know. Okay, yeah, so I think that's how we
watched Tales from the gript occasionally.
Speaker 1 (05:44):
Okay, nice. Uh so I didn't watch the show because
that was way too poor to watch the show, or
we didn't have HPO. Actually we might have anyway at
that time, though I don't think we yes so well
part and then part mostly because I probably wouldn't have
been allowed to. I mean, I don't know. My dad didn't care.
But you know, my dad's my dad was poor than
my mom. So like there's no way, he had like
(06:05):
it was the only time to watch it was on
the HBO Free weekends, which were awesome but never played
anything good. But anyway, Uh, this is the only episode
I've seen of it, So Joe, you've seen more of it?
Is it pretty much like the same? Uh? Like this
is the vibe of the whole show?
Speaker 2 (06:19):
Yeah, pretty much. It's kind of a you know, like
a Twilight Zone thing, but I guess a little less horror, yeah,
a little less sci fi more horror. Yeah, I think definitely.
The Crypt Keeper was pretty silly, but the episodes weren't
necessarily supposed to be ridiculous like that. Uh, it's kind
of like the movie he Tales from the Crypt. Have
(06:40):
you ever seen that? Uh, I'm sorry that Tells from
the Crypt, Tells from the Hood that that is?
Speaker 1 (06:46):
That is actually a movie though.
Speaker 3 (06:48):
Yeah, yeah they made a movie. No, I thought it
was just being an asshole. No, it was.
Speaker 1 (06:54):
Tales from the Crypt was a movie in the seventies.
Because I was reading the trivia for the for like
the show, and I guess Robert Zemeckis, who's one of
the producers, that was his favorite, one of his favorite
movies when he was younger. Well, although I don't know
how much younger, because if it came out in the seventies,
he's kind of anyway. But Tales from the Hood, wasn't
that a isn't that a Tales from the Crypt movie?
Speaker 2 (07:13):
Though? No, it's kind of a knockoff. But okay, it's
the same vibe. It's just it's the not quite black exploitation,
but it's along the same lines of that type of movie.
But instead of being like the usually black'sploitation and kric
craf I'm wrong. It's usually kind of a like a
comedy ish version, you know, absertedy type thing of like
(07:36):
regular action movies. Tales from the Hood was kind of opposite.
It was a little more dark and serious, but so
black people. So I love that movie.
Speaker 1 (07:45):
I've never seen that movie. But who would you say
as a better host of the show, the Crypt Keeper
or Rod Serling?
Speaker 2 (07:51):
That is a great question. I don't know. Well, I mean,
I don't think like when you watch Tales from the Crypt,
you know, or when you watch twilight Zone, it's like
created by Rod Sterling, he's like an executive producer. You
don't see that with Tails from the Crypt, you know,
you don't see like executive producer Cryptkeeper, you know, created
by the crypt Keeper.
Speaker 1 (08:12):
Sorry, the whole time you were talking, I was trying
to think of it of a crypkeeper name for Rod
Rod Serling. All I could think of was Rod Sterling.
But it's the he's the Cryptkeeper, not like it's not
a food thing anyway. Anything else to mention. As far
as the show, I never watched it, so I don't
really have any sort of like connection.
Speaker 3 (08:32):
I just remember I remember being terrified of the crypt
Keeper when I was like, you know, I was really young,
even though I knew he was supposed to be funny,
but it just I was whatever, three four years old
when the show was like still on the air.
Speaker 1 (08:47):
Oh yeah, because it went seasons. Yeah. Yeah. I've never
been afraid of any of the funnier horror, like the villains,
I guess, monsters like Chucky's help. Larry is to me, Erica,
my girlfriend finds him terrifying. Freddy Krueger is great too,
(09:07):
because he's got jokes. I mean the first one, like
the first one is a little you know, like a
little more horror, but.
Speaker 3 (09:14):
Past that, it's now Chucky. Chucky's funny to me. Freddy
gets me just because like that concept is legitimately like scary.
Speaker 1 (09:24):
Yeah, but you just don't think about that part of it.
Speaker 3 (09:28):
That's just stop thinking about what's scary?
Speaker 1 (09:32):
Which part are you talking about.
Speaker 3 (09:34):
The part that if anything that happens in your dream
really happens to you, Like if you die in your dream,
that you that you die, and if you fall asleep,
you're fucked basically.
Speaker 1 (09:42):
Oh yeah, I'm okay with that too.
Speaker 2 (09:44):
Yeah. I mean they all scared me because I was
a chicken. Same and even now sometimes I'll read scary
stories in bed, like.
Speaker 1 (09:55):
To tell the dark. Yes, those scary stories.
Speaker 2 (10:00):
Yeah, then what else you going to do? Right? Be like, oh,
did they close the door away over here?
Speaker 1 (10:06):
Exactly? But the call was coming from inside the house.
But then there was a bloody hook on the car door.
Speaker 2 (10:12):
Yeah, the call was coming from inside the house. It's like, yeah,
he's got cell phones, like you know, it's not just
one line anymore.
Speaker 1 (10:18):
The text was coming from an unknown number anyway. The
one that scared me was watching it, so no old one,
ye that that did it? That did it, and that's why.
And then I became like because I could watch whatever
before that. Then after that. I was like, I don't
want to watch anything scare anymore. So Chris, whenever you're
(10:39):
ready to go, go right ahead, the Chris Keeper. Yeah,
I came it.
Speaker 3 (10:46):
Yeah, I guess Crypto Chapman works. All right, So we're
going to take you through the episode now, Season two,
episode two, it's called the Switch. We start off with
the little bookend thing with the crypt Keeper. He is
working out. He's in work out gear lifting weights and
in walks Arnold to really just bully the crap out
(11:06):
of them and take over the hosting duties and tell
us the tale of the Switch.
Speaker 1 (11:11):
I love Arnold's pants. By the way, do you guys
see his pants. No, he's wearing like nineties empty hammer
like those gecko gecko pants zubas.
Speaker 2 (11:21):
Yeah, sure, yeah, that's what they're called zubass.
Speaker 1 (11:24):
Okay, But like he looks like he's wearing chef pants basically.
Speaker 2 (11:27):
Yeah, that's it. That's what chess pants are. They just
have stripes. But in the nineties they had h they
had like geckos and like you said, and weird shit
on them.
Speaker 1 (11:36):
Yeah, Like he's just wearing those. It was great just
to remind you that it's nineteen ninety.
Speaker 3 (11:42):
I also like that when they have somebody come in
a host, they choose maybe the only person less understandable
than the cripkeeper. Let's see we go into the credits,
so the credits are playing, and underneath that we see
an old man sitting in a lavishly decorated den of
his mansion. I guess, by the.
Speaker 1 (11:59):
Way, sorry, some crazy producer credits on here, because it.
Speaker 3 (12:03):
Was I noticed the Mechis. I didn't see who else.
Speaker 1 (12:05):
Was Richard Richard Donner, Joel Silver and Robert Mechis, and
there were a few other Jesus. Yeah, that's all.
Speaker 2 (12:11):
Wow, there goes my first note.
Speaker 3 (12:13):
Sorry, that's like, that's right. I was just gonna say
these opening credits have a very like Skinemax feel to them,
just like really dramatic music and like candle lighting and
I don't know, and it looks like the kind of
house where they would have shot some Skinemax. I didn't
(12:34):
know this was directed by Arnold when I first watched it.
You know why he did it?
Speaker 1 (12:40):
No, I probably should have looked into that, but I do.
Speaker 3 (12:42):
Know it, Okay.
Speaker 2 (12:43):
I was just wondering, Oh, my theory is like, you know,
he'd kind of won the eighties early nineties action movie
War Against Stallone. However, Sloan still has that Academy Award
from directing Rocky, so he's like, you know, come on,
do Solon. So he started getting it in directing got it.
Speaker 3 (13:05):
I just wasn't sure if he was like promoting a
movie or if maybe the cripkeeper had been in Pumping Iron,
and I just.
Speaker 1 (13:11):
Well, the only thing that would have come out would
be a kindergarten cop at that time. So, but I
don't know, that's a good question.
Speaker 3 (13:19):
Yeah. Was he in a movie with Kelly Preston wins? Oh, yeah,
that's uh yeah, I don't know why I didn't recommend
he's twin right.
Speaker 1 (13:27):
Yeah. She plays the role of Danny DeVito.
Speaker 3 (13:32):
Very unconvincing. Uh okay, So we go back to the
old man is staring at a picture of Kelly Preston
as his butler enters to check on him. His butler's
name is Fulton. The old man is professing his love
for the woman in the picture, whose name we find
out is Linda, to which his butler replies that he's
(13:52):
worried that the woman might be a gold digger, considering
that he's like eighty years old and she's thirty.
Speaker 1 (13:58):
Or whatever, not even that. But just he does he
say gold digger.
Speaker 3 (14:02):
No, okay, he just says like, are you sure she's
interested in you and not your Yeah? And he just
leaves it there, and the old guy goes money.
Speaker 1 (14:10):
Where do you guys think he met Kelly Preston? Like,
it's not like he he's like rich, so it's not
like he's going to grocery store.
Speaker 3 (14:16):
No, he was down at the muscle beach there and
later in the episode.
Speaker 1 (14:19):
Is he just wandered down there?
Speaker 3 (14:21):
I don't know. I have no idea.
Speaker 2 (14:24):
Ok yeah, no, I that whole thing doesn't make any sense.
How he knows her why? Well, I can't see why
he's in love with her, but like, yeah, how they
know each other? How she doesn't know he's like super rich.
She just exists.
Speaker 3 (14:39):
Yeah, And he's talking to the butler and he goes,
I know you think I've gone mad? And it's the
performance he's given here. I just think it's funny because
the butler's probably is thinking he's gone crazy because he's
laughing like a maniac and talking like a real fucking creepy.
Speaker 1 (14:57):
Just okay, I just figured this was like part of
the course as far as like tell from the Crypt
isn't like the over acting? Yeah, probably, I don't know,
jo Uh what you remember?
Speaker 2 (15:07):
I guess Yeah, I haven't seen an episode in a while,
but okay, sure.
Speaker 3 (15:13):
Oh the old Man I forgot to mention. The Old
Man is uh, he's the voice of the scientist from
Nightmare before Christmas.
Speaker 1 (15:19):
And when that makes Sally right, Yeah, I was trying
to figure out who he was and I was like, oh.
Speaker 3 (15:24):
I was like, I know the voice, but I can't remember.
I had to look it up. Oh. And so the
butler asks him if she's a gold digger, and the
Old Man reveals that Linda doesn't know he's rich, so
when he proposes marriage to her, he'll know her love
is true. And then they just start talking about Linda.
He jumps up in a fit of joy or possibly dementia,
and he and Fulton pulled the curtains back to let
(15:44):
some sunshine into the mansion.
Speaker 2 (15:46):
Yeah. The first time I watched this, I didn't even
notice he wasn't going to tell her that he was rich.
But I'm also kind of a fucking idiot, so.
Speaker 1 (15:53):
He just thought she was being a bitch. To him
the whole time.
Speaker 2 (15:55):
Yeah, I'm like, damn, she do just switched on him.
Why didn't she just marry him in the first place.
Speaker 3 (16:02):
Uh Yeah. So they're they're jumping all around the house,
and it was at this point that I was like, man,
Fulton really needs to get this dude back on his
met because he's he's just acting like a complete maniac.
I don't know. I know you said that's probably just
what all the episodes are like, but I don't know,
this guy seems especially crazy.
Speaker 2 (16:18):
He just seems happy though.
Speaker 1 (16:20):
Throughout this whole episode. I just kept imagining Arnold be no,
now you're happy, and you're jumping around and you're you know,
cause he's directing it, and then you open the blinds
and then you'd start dancing around.
Speaker 3 (16:29):
Oh, nobody's going to understand what you're saying. You have
to be physical. The old man shows up to uh
Linda's house with flowers and asks her to marry him,
despite the fact that he is quote unquote poor.
Speaker 1 (16:44):
Sorry. The before before that, the when he gets out
of the car, the uh the butler mentions to him,
he's like, you could have dressed a little more smartly, so,
which I thought was funny because it's like he's dressed
in a suit, so he's like, no, I'm sense I
don't want to know to know that I'm rich. That's
why I'm wearing my casual tuxedo.
Speaker 3 (17:02):
Well, I think this guy is just bad at hiding
his wealth because he also shows up in like this
classic car with a fucking chauffeur to let him out.
It's like, if she was looking out the window, what
the hell did she He thinks she was gonna think
he's liked.
Speaker 1 (17:13):
Look, I didn't even bring my cane with a giant
diamond stud on top of it.
Speaker 2 (17:18):
I actually actually thought the busser the butler said sparkly
but smartly makes a lot more sense British, not to mention.
Speaker 3 (17:28):
When you go up into the house, you can see
he's bought her dozens and dozens of roses, Like yeah, uh,
he's bought her a buttload of bouquets. So I'm pretty
sure she fucking has some idea. Either that or she's
just an awful person letting this old poor guy spend
all his fucking money on her.
Speaker 1 (17:44):
Yeah.
Speaker 2 (17:45):
Also, the fucking butler just straight up rinds and stops
saying just doesn't even like fucking stop, just goes right
through it.
Speaker 3 (17:53):
Fucking British people don't know how to try exactly. We
find out the old guy's name is Carlton, as Linda
tells him right to his old decrepit face that he's
just too old for her to ever love.
Speaker 2 (18:05):
That was so great.
Speaker 1 (18:06):
She's just like basically like she's she's I won't marry
you because you're too damn old. Like, first off, good
for her for being upfront about it right away, Yeah,
because she's pretty much like, i'd marry you, but I'm like,
you know, like super smoking hot and you look like
I don't know, in Indian and Jonesville and that just
drank from the wrong Holy Rail cup.
Speaker 2 (18:25):
Like eh.
Speaker 1 (18:27):
By the way, every time I see Kelly pressing something,
that scene from Twins always pops into my head where
she says that her pillows lumpy, because she says it
like in a like kind of funny way, and it
used to I remember, it used to bug me when
I was a kid for some reason. But so I
went to find that scene to show you guys, just
in case you didn't remember. But when I typed her
name into Google, like Google video search. The results were
(18:51):
strange interesting. The two main results were one videos from
various news sites reporting on her death, and then two
clipped from porn sites featuring her nude scenes, with the
weirdest one being a ten minute mixture of the two,
which was titled Kelly Preston Nude Compilation Memorial ri ip
(19:12):
Kelly What the fuck?
Speaker 3 (19:14):
What Jesus? Yeah? When did she die?
Speaker 2 (19:18):
Yeah?
Speaker 1 (19:18):
She died last year?
Speaker 2 (19:20):
Oh?
Speaker 1 (19:20):
How cancer?
Speaker 2 (19:23):
Oh? She married? Is something?
Speaker 1 (19:26):
She was married? Something? She's married to? John Travolta.
Speaker 3 (19:30):
Yes, yeah, really, did you know? I don't fucking know.
I don't pay attention to.
Speaker 1 (19:36):
Neither do I? But maybe just because I love Kelly Preston.
Maybe anyway, all.
Speaker 3 (19:40):
Right, let's see, Okay, yeah, too old Carlon takes the
news rather well, all things considered, I think, and says
he'll do whatever it takes to make her happy, but
also gives just a I don't know, like a weird
moniaca laugh that probably left Kelly Preston being a little
creeped out when he left the apartment. And then the
(20:01):
next thing he does is goes to a plastic surgeon's office.
He's sitting in the waiting room looking he's flipping through
the books, like looking at like what the plastic surgeon
has done for other people. And he's sitting there talking
to himself, just going he goes so young, so young.
And then the lady who is right next to him, says,
(20:21):
did you say something? And he just looks at her
and goes no, and then.
Speaker 1 (20:26):
Pretend I'm like, what the fuck are you talking about?
And she'd hear him.
Speaker 3 (20:32):
He's he's like the he's he's the age where he
stops giving any shits about what anybody thinks about him.
He does not give a shit because she starts talking
about other stuff. Yeah, exactly, he starts. She starts talking
about other stuff, like telling him that the doctor's a
miracle worker and all this other stuff and that he
can take like five to ten years off off your face.
(20:52):
And then he just gives her this look like fuck you.
And then they call him into the office and he leaves.
I'm like, damn, he doesn't give us shit.
Speaker 2 (21:00):
Good for him.
Speaker 3 (21:01):
He gets let into the plastic surgeon's office, where the
plastic surgeon kind of explains what procedures they can do
and how they can help him and tells them, you know,
if they do a bunch of stuff. They could make
him look maybe even twenty years younger, and he's like,
that's not good enough. I want to look like I'm
thirty years old. And the doctor's like, there's limits to
(21:21):
what science can do. And then he's like I heard
about something that might be He's like, I want a
brand new face, like somebody else's face, and the doctor
at first acts really indignant, like that's impossible, and then
after a couple of seconds changes his tune and he's like,
I mean, I could give you a referral, but it's
(21:42):
going to be a lot of fucking money. Yeah, And
so he tells him about a much shadier, more experimental surgeon,
Jeff something to say.
Speaker 2 (21:51):
I was just saying, I hope he gets that referral money.
That's all.
Speaker 1 (21:54):
Do you get referral money?
Speaker 2 (21:56):
I don't know, but he's.
Speaker 3 (21:57):
Just like for secret, illegal referrals.
Speaker 1 (21:59):
Yeah, Okay.
Speaker 3 (22:02):
So Fulton drives Carlton to a haunted castle to meet
this new shadier surgeon and he walks him up to
the front door with his umbrella because it's, you know,
a dark and stormy night, and I'm just like, Carlton's
really nice to Fulton. I really like this guy, Like,
aside from his obsession with the way he looks and
like Linda and stuff, I'm kind of sad it doesn't
(22:23):
work out for him. I don't know.
Speaker 1 (22:25):
Yeah, he's cool, I guess I don't.
Speaker 3 (22:26):
I don't know. He's just nice to Fulton. He's like,
he's like, I'm fine, I'm fine, get back in the
car where you're safe. That oh. He brings him to
the door, and they are greeted by a surprisingly handsome
Italian looking IGOR type.
Speaker 1 (22:37):
Assistant, Franco Colombo.
Speaker 3 (22:41):
Yeah. I didn't recognize him. I just noticed his name
in the credits. But when I saw him, I was like,
why the fuck, Like I don't understand what they're going
for here, Like he's clearly a model type dude, but
they try to make him look ugly. I don't know.
But then I realized, Oh, he just wanted to put
Franco in the show.
Speaker 2 (22:57):
I didn't even notice that until I saw that.
Speaker 1 (23:01):
The trip, Like, there's a couple things a trivia in
this that was one of them.
Speaker 3 (23:04):
He goes down to meet the shady surgeon, who turns
out to be the sweaty psychiatrist from Total Recall. Roy
Brocksmith is the actor's name.
Speaker 2 (23:14):
You didn't even notice that either someone sat up on
their fucking credit game that it is me.
Speaker 1 (23:23):
Maybe I was worried it was with me for a second,
if they would have included the credit as doctor whatever
guy from Total Recall A.
Speaker 3 (23:33):
Let's see. So the surgeon tells him he can get
a new face for a million bucks, and he reveals
that he will actually be buying a younger man's face
right off his body. So the surgery itself only costs
one hundred thousand dollars. The extra nine hundred thousand dollars
goes to the guy who's face he's stealing. Also, I
(23:54):
like when he when the when the mad doctor is
giving a speech, they're just like having a nice meeting,
like they're having this meeting about what the surgery is
going to be. And then as he gets up and
starts going on his rant about how he's not respected
and how everybody thinks he's crazy. He he moves over
to the other side of his office and there's a
fucking aquarium full of heads, And I'm just like, holy shit,
(24:17):
has that aquarium full of heads been here the entire meeting? Yeah,
And why was Carlton not obsessed with that the entire time.
Speaker 1 (24:24):
One of them, one of them even looks like like
Arnold's head. Oh really a little bit too, but it's
got like his like total recalling, like right before his
eyes just popping out.
Speaker 3 (24:37):
And at this point we meet Hans actress name is
Rick Rossovich, whose face is the one that Carlton will
be taking. So Carlton finally agrees to the procedure. We
see like a montage of the of the mad surgeon
doing his surgery stuff. He's got all sorts of weird equipment.
Speaker 1 (24:56):
So the doctor made this good looking dude. Is that
what he said?
Speaker 3 (24:59):
He he said that he had a hand in his breathing,
So I assume it's some sort of just genetic experiment stuff.
Speaker 1 (25:06):
I don't know.
Speaker 2 (25:06):
Okay, I was thinking he it was a three way.
Speaker 3 (25:09):
But I'm definitely not thinking he donated anything to it.
Speaker 2 (25:13):
But yeah, yeah, this guy's dungeon house just doesn't look
very sanitary. Like I'm sorry, Like if I were going
to experimental surgery and it was in a dungeon like that,
I'd be like, well, probably because he's experimental, Like I'll
do it, but I'm not happy about it.
Speaker 3 (25:28):
I mean, I do have a little bit of a
problem that the operating theater doesn't have doors, Like it
doesn't there's literally no barrier to any other room in
the rest of the castle. It's just open.
Speaker 1 (25:38):
I don't know. This episode just kind of reminded me
a face off. But if like somehow there was a
mix up and the producers accidentally hired John Waters as
director instead of John wu you know anybody actually knows
who John Waters is.
Speaker 3 (25:55):
I do want to see that movie though, with the
same budget and they still have to put all the
action scenes in there and see what John Blatter does
with it. Yes, Anyway, when the operation is over, Fulton
seems kind of horrified when Carlton walks out to the
car and sees what they did to his face. So oh,
I probably should have mentioned. Hans is like a six
(26:16):
foot tall, like super muscly handsome dude.
Speaker 1 (26:19):
Yeah, but like muscly, like regular guy Mustley, not like Arnold.
Speaker 2 (26:23):
Yeah, he's like he's like me muscly.
Speaker 3 (26:27):
Yeah, but like if you skipped a few days. Yeah yeah,
like like if you fell off your training regiment.
Speaker 2 (26:32):
Well yeah, I mean like this, he's like post bulk
and not trim, you know, yeah, or cut like you
gotta get you gotta after you do you work out,
you buke up and then you cut. Then you get
like a better six pack going on, and he's he's
at the bulk stage. She didn't do his regimen correctly,
so little criticism. I'm surprise Arnie let that go.
Speaker 1 (26:55):
But sure, yeah, whatever do you guys think that the
total recalled doctor guy followed on all around? Like what
during filming trying to copy his accent for the role
had like a Germanish accent, but it was.
Speaker 3 (27:07):
Like where did you say it was from Bratislava. Yeah,
I don't even know where that is.
Speaker 2 (27:13):
That is the capital of Slovakia.
Speaker 3 (27:15):
Ah, I only know it from euro trip And I
don't actually say I didn't know if it was actually
a real place.
Speaker 2 (27:20):
Oh yeah, no, I mean I totally didn't look that
up and I think it was fake or anything. Definitely
knew I know somewhere around that time, and it went
from Czechoslovakia to Slovakia and the Czech Republic. That is
your history.
Speaker 3 (27:33):
Listen for the day when Linda sees Carleton its new face,
she turns out she's still unsatisfied because his body is
still really gross and doesn't match the new face. Also,
his face doesn't look fucking right when it's not on
like a huge body.
Speaker 1 (27:49):
So was that that was just the old dude, like
the old actor, like the old guy under all that
like makeup and prosthetics, right.
Speaker 3 (27:55):
Yeah, so I think for that particular shot they just
put a bunch of prosthetics on the old dude.
Speaker 1 (28:00):
Okay, Yeah, And I like the description of the episode
is that she's a gold digger, which I guess you
could probably say at the end of the episode. But like,
at this point, she's being extremely upfront with him because
even in the scene, she's pretty much like, dude, you're
still like gross as hell, she calls.
Speaker 3 (28:18):
Him the front, but admittedly shallow, like at least a
little bit shallow and not super not super u tactful
with his feelings either.
Speaker 1 (28:28):
No, that's the best part.
Speaker 2 (28:30):
Yeah, she's just like, you're old and gross, and.
Speaker 3 (28:32):
Yeah, there's honesty and then there's bluntness. Those are different.
Speaker 1 (28:36):
She's really good.
Speaker 3 (28:39):
Carlton assures her that he's going to fix it if
she can just be patient, so he leaves again. Fulton
is talking to him and trying to dissuade Carlton from
going through with any more procedures, but Carlton says basically like, hey,
I love her. Love cockers all right, and then Fulton's like, yeah,
(29:00):
but Love's also blind, so I don't know, just watch it.
He goes back to the surgeon, who offers to give
Carlton Hans's torso, but this time for two million dollars,
which does cause Carlton to hesitate because he is losing
his fortune to these procedures, but then he does agree eventually.
Speaker 1 (29:19):
So did he actually use like the young guy's face
the first time he could, or like, was the face
not healed up enough because this like second time through.
Speaker 3 (29:28):
I'm not entirely sure. I think the idea is he
may not have waited long enough before going to see Linda.
But also I think it's just it's supposed to show
that like a young man's face on an old man's
body would be a jarring, weird sight. Yeah.
Speaker 2 (29:44):
So yeah, the doctor did say to wait, yeah, a while,
to let it heal so.
Speaker 3 (29:49):
And we don't know if he did or not, so
we can kind of assume he didn't wait and he
just wanted Linda to see his.
Speaker 2 (29:55):
New face and something else it is.
Speaker 3 (29:58):
Yeah, let's see.
Speaker 2 (30:01):
His dong as I was in playing his dongue.
Speaker 3 (30:05):
Oh that's what she was discussed as.
Speaker 1 (30:07):
The old man dog.
Speaker 2 (30:08):
And probably his balls too. Probably his ball, I mean
the package I'll be coming here.
Speaker 1 (30:13):
Plus those things you're probably hanging down there.
Speaker 2 (30:16):
So yeah, it's.
Speaker 3 (30:17):
Like they're hanging long enough. He could probably shower one
without the other.
Speaker 2 (30:21):
That's true. Yeah, it's like just just get out of
the shower hanging but all times.
Speaker 1 (30:27):
Pull the balls up over the dong and then wrap
it like a present.
Speaker 2 (30:34):
I used to know a guy who was.
Speaker 3 (30:38):
Able to wait this sentence, it's gonna be good.
Speaker 2 (30:41):
You could pull his sack over his belly button like
I've seen it. I've seen his du Like yeah, he
was I don't know, like some dude. I fucking worked
with him. I was like eighteen. It's like a runner
or some ship. But you know, he fucking pulled his
sack and like went over his belly button. He's had
a fucking stretchy sack. I don't know what to say, Tony.
Speaker 1 (31:01):
But did it look normal? Like when I.
Speaker 2 (31:05):
Didn't see like the rest of his junk, he like
grabbed it with his pants. Still, I'm just kept pulling
a saco So he might have been hiding a piece
of bolooney in there, I don't know, Okay, but he
was able to pull it over his belly button, so
I've seen it.
Speaker 3 (31:19):
I was gonna say, I'm as surprised that you physically
saw it as the fact that it could go over
his pelly button.
Speaker 2 (31:26):
Yeah.
Speaker 3 (31:27):
But yeah, with Hans's torso his head now kind of
matches and everything seems to be working out with Linda
for a moment. They go to like what is the
equivalent of basically muscle beach, and he's working out with
all the big dudes on the beach and here's.
Speaker 1 (31:43):
Press there too.
Speaker 3 (31:44):
Oh is he?
Speaker 1 (31:45):
Yeah, Peter Cancer first guy? It like pops up on,
which is Arnold Stunt Double aka the dude that Joe
called We're looking into the sixth day. Yea. By the way,
I love I love the old man voice with that
new body.
Speaker 3 (31:59):
Yeah, that's pretty good. He's got that old man voice
the entire time. And even funnier is the young man
voice on his buddy. Later. Yes, he's showing off for
Linda and lifting a bunch of weights and then they're
walking along the beach, Like I said, everything seems to
be going all right, and then he says that he
wants to go for a swim. They get changed, and
when he puts his swim trunks on, Linda can't stand
(32:21):
the sight of his horrible, veiny, old man legs.
Speaker 1 (32:25):
What like is exact line because.
Speaker 3 (32:27):
What no, No, that's not the exact line. She mentions
his veins definitely, but.
Speaker 2 (32:31):
Yeah, well she does say your legs are so scrowny
and old, and I guarantee you that was a like
aren't that wasn't in the scription? And I was like,
come on, you tell him his legs look at him like, yeah.
Speaker 1 (32:49):
I love Kelly Preston in this. It's like throughout the
whole thing's how pickying on it she is about like
the whole time she's being like, I mean, she banged
Arnold and twins, so I get it like from that
exactly like Julius type fellows are her standard now, although
apparently she'll settle for a Barberino everyone on.
Speaker 3 (33:09):
And yeah, when did they get married.
Speaker 1 (33:13):
I'm assuming in early nineties because I was looking up
her movies and there was one that she was in
with them right around this time or right before this too.
Speaker 3 (33:20):
Yeah he was still kind of hot back then, right,
don't I think he started?
Speaker 1 (33:26):
What was that that was right around? Look who's talking?
Speaker 3 (33:29):
Yeah?
Speaker 1 (33:29):
So yeah like that I think I was right before
he is like come back, but yeah, She's like, look
at that saggy skin in veins. That's what you said
because I wrote it down. It's so disgusting. Might throw
up right here.
Speaker 2 (33:40):
I'm sorry, hold on, I got to back up. She
is really taking this face and body transplant real well.
Like she's just like what I didn't even think about,
Like how did this happen? Like you got like it's
the same dude, it's your voice and your old saggy
balls and legs, but like you have a different torsa
and face and you're all strung like what the fuck
(34:02):
is going on? None of that. She's just like yeah, right,
like I might smash now, that's cool. Oh, except your
legs are gross. It means your balls probably gross too.
But she's taking extremely well and it's like.
Speaker 3 (34:15):
The definition of don't look a gift horse in the mouth.
She's just like, hey, he it works. It works. We
go back to Carlton's mansion and find out that he
now has to sell his house and let Fulton go
in order to be affording all these procedures.
Speaker 1 (34:30):
This is before he finds out about how much next
one's gonna cost. Correct.
Speaker 3 (34:34):
Yeah, yeah, So like so, like he knows he's going
to have to spend some money, and he's definitely already
spent enough money that he has to give up the mansion.
Speaker 1 (34:41):
Yeah. So he's what three million, three million in already yep,
and then he ends with spending another I think three
three Yeah, so he's at at least six what would
you say he's got, you know, because he's pretty much
done after that. Yeah, So I wonder how like six
million is that good in nineties money?
Speaker 2 (34:57):
Yeah?
Speaker 3 (34:58):
Good, Now I had six million dollars, but just to
where like I don't know, he wasn't like obscenely wealthy.
Speaker 2 (35:06):
Yeah, I mean yeah, well, let's let's do some math.
So it's about double now a little more than double,
like twelve million, twelve million, So I think he's doing good.
Speaker 3 (35:18):
That's pretty good.
Speaker 2 (35:19):
Yeah. But also he had that baller ass house in
La so that's probably worth like eighty four times as much,
Yes it is back then, and I'm sure the price
of his car went up as well.
Speaker 3 (35:32):
True. So yeah, I guess when you consider that, maybe
he only had like four million liquid and then he
sold the house and got another few million.
Speaker 2 (35:40):
That's true, yeah, because he Yeah, I mean, you have
four million liquid assets. That's kind of crazy.
Speaker 3 (35:48):
I don't know anything about money, man, even do I.
And then we are back at the mad surgeon's place
and he tells him that the last procedure will cost
three million dollars for the bottom half of them. It's
gonna cost him a million per limb. And then Colin's confused.
He's like, but that's only two million dollars. And he's like,
(36:09):
you're forgetting the most important limb of all.
Speaker 2 (36:11):
A ball sack.
Speaker 3 (36:13):
Its weird.
Speaker 1 (36:13):
Oh all right, so he's got to pay a million
dollars to get that dick replaced. But like, technically he
could have just got his legs replaced. So what he's
gotta do is turn the lights off and she might
not even notice that dick looks like the time I
tried to bake a tube of pills gray cress and
rolls without unrolling the dough first.
Speaker 2 (36:30):
You know, Yeah, well this is also crusty and.
Speaker 3 (36:35):
Birds but gooey on the inside, but still not useful.
Speaker 2 (36:44):
Well, this is all pre vagress, so I don't know
how far he can get away with it.
Speaker 3 (36:52):
So he reluctantly agrees after the procedure. After the operating scene,
it seems like there was some sort of editing mistake
or something on the one I was watching, because at
this point we just see some behind the scenes footage
of Roy Brocksmith just admiring the hell out of a
naked Rick Rossovich. He's just standing there in the mirror, naked,
(37:14):
and the the doctor's just looking at him like, you're magnificent,
You're perfect. He's just staring at his balls.
Speaker 2 (37:20):
Yeah. He's like, oh what we're rolling? Oh shit, all right,
where's my line again?
Speaker 3 (37:27):
He's like, just whatever's on the top of your head?
Speaker 1 (37:29):
Right? Yeah.
Speaker 3 (37:31):
When Carlton now shows up to Linda's place, he finds
out she moved to some fancy new place.
Speaker 1 (37:37):
By the way, the guy that gives him the address
is the detective from the Sixth Day, the detective cch Bounder.
Speaker 2 (37:43):
Wow, she looks way different.
Speaker 3 (37:46):
That's the end of Days. I was like, wait, who's
the detective.
Speaker 1 (37:53):
I recognized him. I was like, wait a second from
the same movie, because I ended up looking him up.
I think I'm not even sure if we talked about it.
I had a note about it.
Speaker 3 (37:59):
Just the guy who he talks to at the police station.
Speaker 1 (38:03):
It's like the main detective he's talking to that, like
he's telling like, got my my car got stuck. You
reported this already.
Speaker 2 (38:10):
That okay? Yeah, so yeah, it's very weird that the
guy's just like, no, she moved. Here, here's this chick's address.
Speaker 3 (38:16):
It's like, dude, Yeah, That's what I was gonna say,
is like, this dude is an asshole in two distinct ways.
First of all, when carl when he like he presents
Carlton with the address on a slip of paper, and
then when Carlton reached for it, he goes, ah, he
just like pulls it away like a like a eleven
year old bully.
Speaker 2 (38:31):
Yeah.
Speaker 3 (38:33):
But then also he just gave this stranger his old
tenant's new address, Like what the fuck? You don't know
if this guy's gonna kill her or what.
Speaker 1 (38:41):
Man, the nineties were a simpler time.
Speaker 2 (38:44):
Much easier to stock people back then.
Speaker 3 (38:46):
Exactly apparently, so uh, he finds out she moved as
he leaves to go find her some punks try to
steal his car, and but he beats the crap out
of him with his brand new body.
Speaker 1 (39:00):
We know that they were actually trying to steal it, though,
because they just said a nice car.
Speaker 3 (39:03):
I mean they said he they said they wanted to ride.
Maybe they thought he was, yeah, riding a nice car.
Speaker 2 (39:09):
I mean it's hard to get around l A. You know,
busses aren't good. Everybody's gonna drive. Yeah, and he just
fucking chucks a guy too. He like crosses that guy.
Poor guy. He's just like, oh Marty, Like I can't
even afford bus fare or a cab, and now this
fucking dude the littld man voice just chucks me across
his baller ass car.
Speaker 1 (39:31):
Exactly. I just asked him for riding the car. By
the way, the leader of those street tufts was the
actor that plays Jacob and Lost.
Speaker 3 (39:38):
Yeah. Oh really yeah.
Speaker 1 (39:41):
Else he's in A.
Speaker 3 (39:42):
He's Lucifer and Supernatural.
Speaker 1 (39:44):
The big Lebowski. He's not the carpet pisser or I
think he's the other one.
Speaker 3 (39:49):
Yeah, No, he's one of uh yeah, he's one of
the porn guys.
Speaker 1 (39:53):
Yeah he's not. I don't think he's one of the
pizzles on the carpet though, No, I don't think so. Yeah.
Speaker 3 (39:57):
Oh, it was kind of at this point that I
realized Hans was supposed be a stand in for Arnold
because he threw a guy over the fucking car, like
I don't know, he's a German dude, kind of big.
Speaker 2 (40:08):
Yeah, we got to woman's strength. One action scene in there, Carlton.
Speaker 3 (40:13):
Shows up to Linda's fancy new high rise apartment to
propose to her now that his body is complete, But
when he gets up to her apartment, he finds out
that she's already married. She's married some rich dude who
actually turns out to be Hans in Carlton's old body,
and he's got Fulton working for him, so he basically
(40:34):
they just switched lives, I.
Speaker 1 (40:35):
Guess, yeah, but she doesn't seem to recognize that it
was him, or just doesn't give a shit.
Speaker 3 (40:39):
She just doesn't give a shit. Okay, he's rich, Yeah, true,
that's all she wanted.
Speaker 1 (40:43):
I want to Okay, maybe all white, old white guys
look the same to her as they do to me.
Speaker 3 (40:49):
Maybe. Yeah, And that's basically where the episode ends, just
with everybody kind of laughing with Hans like laughing at him,
and he's just like standing.
Speaker 1 (40:57):
There all distraught in his young guy voice.
Speaker 3 (41:00):
Yeah, we get to close on Carlton's old, creepy, old
man like mouth, but with Hans's laugh coming out of it,
it's yeah, that's funny.
Speaker 1 (41:09):
Uh.
Speaker 3 (41:09):
And then we go back out to the crypt keeper
who has killed Arnold and is now going to pump
him up with a bombing fluid.
Speaker 1 (41:17):
That's what I thought. But those ain't Those ain't new
hammer Pants.
Speaker 3 (41:20):
So that's what That's why it was like the.
Speaker 1 (41:21):
Second time around, and watched it because I know sa
hammer Pants. The first time I was like, maybe that
isn't Arnold. Yahybe that's Franco.
Speaker 3 (41:26):
Well, I guarantee you. Arnold left the set as soon
as he as soon as he could. He fucking was
there for the entries, like are they going to see
my face? Well, they fuck it. I'm out of here.
Speaker 1 (41:37):
Or either that or he's like, I'm not this. This
little sissy cannot move me. He come on, there's no
way he's gonna kill me. I can break him upont
he's no bombs. I just punch him.
Speaker 3 (41:47):
But yeah, that's pretty much it, all right.
Speaker 1 (41:50):
Any any last thoughts about the episode.
Speaker 2 (41:52):
Joe, Uh yeah, I'm just wondering how long like the
procedure took, and like the time in between when he
went and got the procedure too, when he saw Linn again,
because I mean they don't tell us. But regardless, Linda
got married real quick. Like yeah, I mean, very true
if it's like a year. Also, the other question is like,
(42:13):
uh so does Hans that's now in Carlton's body, does
he like live as long as Hans would live or
is it just like a full brain swap, so he's
gonna be dead in like five years.
Speaker 1 (42:26):
That's what I was wondering too.
Speaker 2 (42:27):
Because if it's the opposite, if like Carlton now has
Hans' body, so he's going to live another like fifty
years or whatever, I mean, fuck, I might. I might
take that deal. Like, yeah, you're already like either gonna
be dead in a couple of years and then you
have no money because you're dead, or you can spend
all your money to become like thirty again and all
ripped and then just like live another fifty years.
Speaker 3 (42:49):
It's true, It's very true. I'd pretty much take that
deal too, because you got plenty of time to go
earn all your money back. Yeah, and you're and you're
smarter than a thirty year old.
Speaker 2 (42:58):
Now true, then you're just still alive. And if you
don't like being alive, well.
Speaker 3 (43:03):
Yeah, there's probably and there's also probably slightly less pretty
ladies out there who just want an attractive thirty year
old dude. Yeah, that's true, doesn't doesn't have to be Linda.
Speaker 2 (43:14):
Yeah, and she fucking sucked anyways, dude, she was the worst. Like, yeah,
she was hot.
Speaker 3 (43:18):
I mean, Aaron clearly loves her, but.
Speaker 1 (43:20):
I do what so what of it?
Speaker 3 (43:23):
Well, but I'm pretty sure Hans is going to die
because I feel like if he kept all his old organs,
Carlton definitely like his heart and lungs would have given
out when he was trying to lift all those weights
and shit and doing all that exercise.
Speaker 2 (43:37):
True. Yeah, so I don't know if he was like
an organ swap, because like the face swap was like
kind of reconstructive surgery, but just like the face part
of it took his face off. But I don't know
if they like full on like took his organs and shit.
Speaker 3 (43:54):
Hard to say.
Speaker 2 (43:55):
I know this, that's the problem with this, This show.
It did not get into the her details of the
side exactly.
Speaker 3 (44:01):
It doesn't dive into the questions anybody's.
Speaker 2 (44:03):
Really asking exactly.
Speaker 3 (44:05):
I really like the old guy's acting of this. I
think his like unhinged performance is great.
Speaker 1 (44:10):
I agree. And I also like Kelly Preston in this
because she's an asshole throughout the whole thing and it
just made me it like, every single time she comes
on there, she's just like, but like your legs, dude, Like,
but like, I'm also really shallow, so which I'm like,
not attractive enough to be. But you gotta have standards,
(44:32):
you know, because I realized if I was a pretty girl,
I'd probably be the same way, Like I'm like no,
but then like give it up for money and always rich.
You know. Like if I was an old dude and
I was with a young girl, I wouldn't expect her
to be faithful to me. I'd be like, okay, cool.
Speaker 3 (44:47):
Well, you know, Also, let's not be too sympathetic to
Carlton here, considering that the first thing he says about
her is oh, and also she's young, which seems to
be like the most important thing to him.
Speaker 1 (44:57):
Well, yeah, I mean, I think you're the only one
that's being sympathetic towards Carlton and you creep.
Speaker 3 (45:00):
Maybe I like how.
Speaker 1 (45:03):
She wants a young dude perfect but like nineties perfect
because that guy was any anyway. But uh, like she
also hasn't seen his balls because like did unless the
doctor threw the balls in to like the the three
million dollar package. Do you think he threw the Like
he's like, oh, the balls are on me, and like
not literally, but he actually puts the balls on himself,
(45:23):
Like he's like.
Speaker 2 (45:25):
You get it, you get it. They're on like truck nuts.
It is it should be a package deal. It is
a package, you know, like that.
Speaker 3 (45:34):
It's a really funny idea to me is that he's
got all old man body, but she still has turned
on by him because he's got those nice tot balls.
Speaker 1 (45:44):
That's what she's she's she's an asshole, but she's too
modest to say, like I really like I like when
I set of balls.
Speaker 2 (45:51):
Yeah, like gets out of the shower, she's just like
looking at him like, ooh, you're still pretty upright for
after a shower wrinkled thing out of the way.
Speaker 1 (46:01):
Nice, yes, anyway, all right, so what else?
Speaker 2 (46:05):
What else we got?
Speaker 1 (46:06):
Okay, so sorry, moving on. I have a couple of
bits of trivia, but it's like pretty much just interesting
facts I found out about the actual show. So the
first one is the So apparently The Frighteners and from
Dust tell Don originally supposed to be Tales from the
Crypt based movies. Huh, but due to like differ differing
interest and disagreements, each movie became its own thing. And
(46:30):
apparently Death Becomes Her was also like a idea. Yeah,
like they said, it was inspired by the show too,
which makes sense because it feels like a long episode.
Speaker 3 (46:39):
Yes, it absolutely does.
Speaker 1 (46:41):
But the second thing was a crypt Keeper led a
Christmas album called Have Yourself a Scary Little Christmas was
released in nineteen eighty four. And then okay, so this
last thing was something that I came across today, and
it was somebody just happened to post about tell from
the Crypt and then a comment on there was this,
and I started watching. I was like, this is stupid,
(47:02):
but then I kept watching it and it was amazing. So, uh, welcome,
would you.
Speaker 2 (47:14):
Like to dance to all you have to do?
Speaker 3 (47:17):
He's come to the Cripkeeper's body most bash of you?
Speaker 2 (47:22):
Well, what the fuck? It?
Speaker 1 (47:37):
Gets so much better, Like there we go.
Speaker 3 (47:41):
It looks like Chris Rock from before.
Speaker 2 (47:48):
Okay, anyway, dope song.
Speaker 1 (47:53):
Yeah, okay, so that was the last uh little bit
of trivia that I had for that. And that's pretty
much all.
Speaker 3 (48:00):
Yeah, I don't think we're gonna beat that as far.
Speaker 1 (48:03):
Anything else you want to you want to throw out
there before we sign off, Happy Halloween, probably oh yeah, true.
Speaker 2 (48:11):
The only thing left is, Hey, if you're listening to
this on an Apple product, stop what you're doing. If
you're driving, pull off to the side of the road,
or just fucking rap your phone and start looking at it.
I don't care flying a plane, I don't give a shit.
Go down to Apple Podcasts and where it says review,
leave five stars and maybe say something cool like oh man,
(48:32):
this show's good or whatever, like whatever you want, but
just fucking spend the six seconds to leave a review, right,
That's all we need, that's all we're asking. Yeah, that's it.
Thank you.
Speaker 3 (48:43):
Uh yeah. That really helps us out and we really
appreciate it. It helps more people find the podcast, which
helps us to make more podcasts. So if you enjoy it,
do it.
Speaker 2 (48:52):
Yeah, and tell your friends too, Just tell them to listen,
or when you're in a car driving on a road trip,
put it on, Like these as are fucking hilarious.
Speaker 3 (49:01):
Yeah, shout it random people on the street. Man, I like.
Speaker 1 (49:05):
I like how you're pushing people around, like the like
pushes the crypkeeper around. Just google right to the ready,
come on.
Speaker 2 (49:13):
Yeah, exactly.
Speaker 1 (49:15):
You're wearing hammer pants, aren't you?
Speaker 2 (49:18):
Yeah? What else? What? I were at home?
Speaker 3 (49:20):
It's like it's after four pm, isn't it.
Speaker 2 (49:23):
But yeah, that's it. That would we would really appreciate
and that that would help us out a lot. And
I know I listen to a lot of podcasts and
that say the same thing, and I don't do it often,
but the concert reminder definitely helps. So just just please
please do that. Yeah, if you leave a review, we
might just read it on the podcast. So yep hmm,
especially if it's derogatory towards one of us. M hm.
Speaker 3 (49:46):
True, those are the best. If you make fun of me,
they'll make me read it out loud.
Speaker 1 (49:49):
Yes, the person that it's meanest too has to read
it out loud.
Speaker 3 (49:52):
Yeah. I won't cry on stream, but you can be
assured I'll be crying. Yep.
Speaker 1 (49:57):
Okay, okay, that's all.
Speaker 2 (49:58):
Yeah bye, hey.
Speaker 3 (50:00):
Hi bye see. If you enjoy our show, please consider
giving us a positive review on Apple Podcasts or your
podcast app of choice. You can follow us on Twitter
and Instagram at the Potty Richter to make sure you
never miss an episode. See you at the Potty Richter
is a production of tape Deck Media. Follow tape Deck
(50:21):
on Instagram at tape Deck Underscore Media, or look us
up on Facebook for more hilarious podcasts.
Speaker 1 (50:29):
This has been a tape Deck Media production. Thank you
for listening.
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