Stay Hungry: Movie Summary Pt. 1

Episode Transcript
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Speaker 1 (00:02):
Tape Deck Media.

Speaker 2 (00:14):
Welcome back to another edition of See You at the
Potty RICTA. I am one of your hosts, Joseph beck
Castro joining me as always our Aaron Frescus Yellow and
Christopher the Body Chapman. Oh hey, yeah, that's that's how
buff guys talk. Today, we're gonna be continuing our coverage

(00:36):
of Arnold's nineteen seventy six quote unquote comedy, comedy drama,
whatever you want to call it, Stay Hungry. So we're
gonna be getting into the basically the summary of the movie.
And I'm guessing most, if not all, of you have
not watched us, So first off, don't waste your time.

Speaker 3 (00:54):
Yeah yeah.

Speaker 2 (00:55):
Second of all, just listen to Chris tell you about
it and us make jokes and be annoyed. Yeah, So
why we're on that, why don't we just go ahead
and get into it.

Speaker 3 (01:05):
Yeah. And however bad you think this movie is from
us talking about it, it's actually a couple degrees worse
than that.

Speaker 4 (01:12):
So yeah, just be aware. All right.

Speaker 3 (01:14):
So we open this movie with some serene shots of
a young man riding his horse through the forest with
some little house on the prairie. Music as the man
makes his way back to his mansion. We hear the
voice of his uncle, a Civil War general, and wrote
a letter to his nephew. To set up what little
plot this movie will have. We find out that the

(01:36):
young man's parents recently died, and his uncle thinks it's
time that he joined the family steel business instead of
pissing his life away working at a dead end industry
like real estate.

Speaker 4 (01:47):
Well does he says that he was in steel.

Speaker 3 (01:49):
He just says that that's like the family business.

Speaker 4 (01:52):
Okay.

Speaker 3 (01:53):
As the letter closes out, we see that the young
man is Jeff Bridges before he gets tronified.

Speaker 4 (01:57):
And yeah, looking pretty high too.

Speaker 3 (01:59):
Yeah that's a young Jeff Bridges. M hmm, man, beaut
Bridges was never that good looking, was he?

Speaker 4 (02:04):
What are you talking about?

Speaker 3 (02:05):
Boat Bridges?

Speaker 4 (02:06):
Yeah, he's fine.

Speaker 3 (02:08):
Really, No, he's fine. I'm just saying he was never
that good looking, was he.

Speaker 4 (02:11):
I don't know, I don't I'm not I don't think
i've ever seen I think the oldest movie that I've
seen with boat Bridges is probably The Wizard, and I'm
sure i've seen something before that. But that's a good
movie too.

Speaker 3 (02:19):
The fuck is bou Bridges?

Speaker 4 (02:20):
Bow Bridges Is. He's also in Sidekicks. He was the
dad in Sidekicks, the movie with Jonathan Brandis and Chuck Norris.
That's a good movie too. Is two stupid movies that
I know him from the most, which is you know
The Wizard, right Joe, Yeah, Super Marblos movie. He's the
dad in that. He's Christian Slater and who else is

(02:41):
Fred Savage and Lucas I think has anyways anyway, just
a couple of the lines from here that he uh,
he says, uh, you are young and particularly vulnerable now
that your pounds so dead to come and work for him,
basically guilt Truman into it.

Speaker 3 (02:58):
It just works.

Speaker 4 (02:59):
It starts off like a Burns documentary about the Civil War.
It's like the Fondest for God's uncle Albert Beauer God
the ID December eighteen sixty two.

Speaker 3 (03:09):
Also, I was I didn't like the way he said
my beloved sister.

Speaker 4 (03:13):
I didn't like that. I was not a fan the
Southern accents that I mean, Jeff Bridges, does it pops
up every now and then? So yeah, but yeah, I
think it does alright with it the the actual Southern
people on this like that. You can tell her from
there I'm assuming uncle Uncle Bo we got Uncle albert
Is was actually Southern, because yeah, he's got I don't

(03:36):
know anyway.

Speaker 3 (03:37):
It's like him and the fiddle guy. Yeah, but uh
we cut from the calm of bridges lonely mansion to
the cacophonist city streets, where some greasy, low life realtors
race each other to a business meeting, running red lights
and threatening to sexually assault pedestrians.

Speaker 4 (03:55):
Was that like ad that used to be like a
like a low I don't know like this, you know,
I get it.

Speaker 3 (04:01):
These guys are slimy, and they're kind of like trying
to gentrify the city. You're like, not even gentrify it,
but like you.

Speaker 4 (04:08):
Know, well it's it's supposed to be a scam or something,
isn't it Like.

Speaker 3 (04:12):
It's a scam. I think they just want to build
of God, that's how it.

Speaker 4 (04:14):
Like.

Speaker 3 (04:15):
It's yeah there, like the movie thinks it's like shitty
and gross, but.

Speaker 5 (04:19):
Just I mean the movies, the movies, right, like whatever, yeah,
whatever the fuck you say about like like it, oh
did that used to be a scummy thing. It's still
like you can beat a real estate man and it's
still a fucking scummy thing. It's just like treated different now.
So you know what, I'll be brave.

Speaker 2 (04:36):
I'll say it. I'll say this ship.

Speaker 3 (04:39):
I just think it's really funny that this movie is
like fucking real urch of the scum of the earth.
You got to go back and do real like curious
what they did to blue Collar ship.

Speaker 4 (04:49):
To uh Charles Gaines where he's like, also I like
the Cebe they're talking on Cebe radios, just like I'm
favorite among truckers and perverts. I remember I was I
read a lot of shit about this, and I'm trying
to think if it was like something I read was
talking about and I think it was an interview with
the director how like CB fell out or something or

(05:11):
he didn't they didn't like using CB because there's too
many people that like, it's a lot of truckers, but
then the rest of them are guys that are like
talking like perverts. Basically, I can't remember what I read
it in though that's weird.

Speaker 3 (05:21):
Yeah anyway, like I understand a lot of weirdos probably
do CB, but like, yeah, I don't know, just like
perverts specifically, I don't know, why are you on CB?
Are you just like talking dirty to each other.

Speaker 4 (05:34):
I mean, I think they're trying to It's probably like
that was it chat reulea? Was that what that was?

Speaker 3 (05:38):
Yeah, they're just trying to pick up like the lady truck.

Speaker 4 (05:41):
Like random ones. Like You're like, okay, yeah, yeah, yeah,
I don't know. I don't know that we're excited.

Speaker 3 (05:46):
Yeah.

Speaker 2 (05:47):
This is the part of the movie where I turned
subtitles on because I could not understand what they're saying. Yep,
and I I don't like subtitles, but I left them
on this entire movie.

Speaker 3 (05:58):
Yeah that makes sense.

Speaker 4 (05:59):
I watch them when we do these movies just because
like or what, especially when I was doing the summary,
just because it's easier for me to like it follow
along or whatever. But like I it would definitely help
for this one.

Speaker 3 (06:10):
Because between Arnold, all the southern people and just the
weird seventies shit they say, like like weird colloquialisms that
I'm not familiar with.

Speaker 4 (06:18):
I was like, yeah, I should have wrote one down,
something about snot in a something else.

Speaker 3 (06:23):
Slicker than snot on a doorknob Yep.

Speaker 4 (06:27):
Okay, all right.

Speaker 3 (06:29):
So we see these same slime balls up in their
office where they discuss their filthy real estate deals with
Jeff Bridges Craig Blake. The meeting is led by the
winner of a Tony Clifton look like contest that is
inexplicably named Javo.

Speaker 4 (06:44):
His name's Javo or Jabo.

Speaker 3 (06:47):
I don't know either way. It's fucking stupid things. Javo. Yeah.
By the way, if you don't know who Tony Clifton is,
go look it up and you'll realize my joke was
quite funny.

Speaker 4 (06:55):
It is, so you see Tony Clifton was No, I
mean I do like I is it still alive?

Speaker 3 (07:04):
Maybe definitely.

Speaker 4 (07:05):
I'd say definitely if you think Tony Clifton's alive or
any Coffin's alive, well, no, it's Tony Clifton, Okay, any
coffin is that?

Speaker 2 (07:14):
Is it? Not? So?

Speaker 3 (07:19):
Jabo tells Bridges that in order to complete their dastardly
plan of purchasing every property on a particular city block,
Bridges himself must go and personally convince a gym owner
to sell his property, and then they have a very
normal and natural double high five that almost ends with
a kiss to close out the meeting.

Speaker 4 (07:38):
Oh, I mean, I'd probably would have tried to kiss
him too if.

Speaker 2 (07:43):
Okay, so good thing you brought that up. There are
some questions about the origin of the high five. I
watched a video on it on the other side. According
to Wikipedia, the two most documented cases are Dusty Baker
and Glynn Burke with the Dodgers in nineteen seventy seven.

Speaker 3 (07:57):
Both baseball players.

Speaker 4 (07:58):
They were both obviously on the Dodgers the dog like,
two players are going to high five opposite team.

Speaker 3 (08:03):
Yeah, that'd be great.

Speaker 2 (08:05):
He's just rounding third after hitting home around high five.

Speaker 3 (08:08):
He was like, damn, man, what the fuck?

Speaker 2 (08:11):
As well as Whitey Brown and Derek Smith of the
Louisville Cardinal men's basketball team is nineteen seventy eight to
seventy nine. This movie came out in nineteen seventy six,
and they do say I think he says give me ten.

Speaker 3 (08:23):
Yeah. Yeah.

Speaker 2 (08:24):
So I couldn't find any really any more info or
anything like the origins of the high ten.

Speaker 3 (08:30):
So, like, I just really like the idea that the
high five is like a casual version of the high ten.

Speaker 2 (08:38):
So I don't know, maybe I gotta go edit Wikipedia
and be like in the movie Stay.

Speaker 3 (08:42):
Hungry, Jabo invents the high five.

Speaker 4 (08:46):
Yeah, I can think of this job with a slut.
There's gonna be There's no way that guy's is slut
unless he's paying for it for sure. Sorry, he would be.

Speaker 3 (08:58):
I just my only note this part is like, so
far Bridges is the only like decent actor in this movie.
I mean a job of being like but they feel
really I don't know, they feel really like cartoon cartoonish. Yeah,
so Bridges rich buddy, who is the one who got
him into the real estate deal in the first place,

(09:19):
walks him to his car and gives him a little
pep talk to make sure that the sale goes down smooth.
Bridges heads to the Olympic Spa for Men and Women,
where we see a sign advertising that mister Austria or
Joe Santo trains exclusively at this gym. Inside, Bridges meets
Mary Tate Farnsworth played by Sally Field, and gets a
tour of the facilities from a young Freddy Krueger aka Franklin.

(09:42):
And what is that weird moaning that's happening when he
first comes into the gym. I don't know, did you
hear that? I only heard it on like my third
was It's right When he comes in and talks to Field.
I think it was a lady.

Speaker 4 (09:56):
Who Sally Fields.

Speaker 3 (09:59):
God damn it.

Speaker 2 (10:00):
Uh.

Speaker 3 (10:01):
But just like in the back room there's just somebody
going uh, I means, yeah, that's upstairs or or like
it could have been fucking Thor Herrickson like looking down
our people. That's true, Jesus Christ, crapy.

Speaker 2 (10:21):
So Robert England says herbs like an English person. So
I was like, oh, I wonder if he's British because
of that, and you know, well his last name, but no,
he's actually from Glendale and went to cal State Northridge. Yeah,
like my father in law and my friend t Bone,
but t Bone aka Trevor if you want to be

(10:43):
fancy about it. He told me when he went there
there baseball coach like the manager got ejected, so he
came back in the team mascot like like Chicken or
whatever it was, and then sat in the dugout the
whole game. Nobody realized it, like like yumps and everything.
I was like, that's pretty awesome.

Speaker 4 (11:05):
Also sorry Robert England related, but he says he tells
the guy to like keep the old guy that was
on a machine.

Speaker 3 (11:12):
Like on the barrel. Yeah, like you just sit on
that barrel.

Speaker 4 (11:16):
I don't know what machine that guy was on, but
but I was really hoping that they'd have one of
those like old Timmy belt chicken machines. Yeah, like any
footage I've ever seen is always like an old fat
guy that's using it like an old fat using It
just makes me laugh every time because it's just like,
I don't know what it's supposed to do, but no idea. Also,
i'd love to have the massage just like consist of

(11:38):
drumming on the dude's back.

Speaker 3 (11:39):
Yeah, he's just slapping him.

Speaker 4 (11:40):
He's just slapping people, and that's what he does later
to the girls.

Speaker 3 (11:43):
So yeah, exactly. So after the tour, Bridges meets Thor Ericsson,
owner of the gym, who immediately attempts to molest him
as they proceed to not talk about business.

Speaker 4 (11:57):
Yeah, Thor Herrickson is just a fucking creep from the
gig Go. Yeah, I'm actually curious if Bob Rieflson was
giving tips between takes on how to portray that better.

Speaker 3 (12:07):
Absolutely, I'm sure that was the real life inspiration. No
no grab him, grab him, no, no really, no touch
him in places he doesn't expect exactly Jesus. Let's see.
A couple of days later, Bridges comes back to the
gym during Joe Santo's secret training session to be Newton,

(12:27):
who was another gym employee, the massage therapist and mister
Austria himself played by Arnold in a Batman costume. Sort uh, sort.

Speaker 4 (12:35):
Of, it was like a it was like a I
don't know, it was just a it was I mean, it.

Speaker 3 (12:40):
Was just a mask and a cape.

Speaker 4 (12:42):
But what he was like his face right?

Speaker 3 (12:44):
Or was it? It was covering as much as a
Batman mask.

Speaker 2 (12:47):
Okay, it's like a Batman beyond masks.

Speaker 4 (12:51):
Yeah. Jeff Bridges also gets like the what's the guy's name,
the massage guy, Newton. Yeah, it gives him ship about
the size of the weights that he's using, which is
exactly why I don't go to the gym. That's piece
of shit.

Speaker 3 (13:04):
But but then Arnold comes to his defense. He's like, yeah,
he's doing fine.

Speaker 4 (13:09):
Yeah.

Speaker 3 (13:09):
Franklin tells Bridges that Thor is holding a Mister Universe
competition in a month, and that they want to keep
Arnold a secret so he doesn't scare off the other competitors.

Speaker 4 (13:19):
See, I didn't catch that he was hosting it. Yeah, yeah,
he's the one, which makes sense with the end. Yeah,
now okay, and why he has the money in the
first place. Did you cant sign Joe because I didn't
catch that that he was actually hosting it.

Speaker 2 (13:32):
I mean at the end, yeah, but not at the beginning.

Speaker 3 (13:35):
Yeah, okay, it's just a quick line. Another line that
I like is when when Bridges asks if Robert England
is Arnold's trainer and he goes, no, I'm his greaseman.
And my first thought was Robert England definitely strikes me
as a greaseman. I don't know why. I'm just saying,
look at up too, yeah, greaseman. After a workout, Bridges

(13:58):
is invited by the guys to go to a local
bar and meet up with Mary Tate and Anita, another
woman from the gym, although Arnold stays behind to do
some more training. At the bar, Bridges learns that Arnold's
Santo is something of a renaissance man, although it seems
like it's primarily sports. I don't know, he just talks
about like different sports that he does.

Speaker 4 (14:19):
Yeah, this is Robert Ingling like talking him up too,
Like Joe Joe Santo Santo Nager. I don't know, No,
that's I don't like the way that sounds. I wrote
it down and I said it and I was like,
Joe Santo. But it means you think there's no way
that he has not tried to kiss Arnold's character dram
like a little too much mosh, like either not not

(14:39):
yet or it's gonna happen eventually, because like it really
is all about Santo.

Speaker 3 (14:43):
I mean, when you're greasing people up, things happen.

Speaker 4 (14:47):
Just kissing his sorry and uh.

Speaker 3 (14:54):
Bridges also does some dancing with Mary Tate before getting
himself into a bar bar fight where he gets brained
with a pool rack. And again my immediate thought was,
just like that that hit was way too serious for
a comedy.

Speaker 4 (15:09):
The poll rack.

Speaker 3 (15:11):
Yeah, yeah, he hits him in the head. Yeah, and
then Bridges just like fucking freaks out.

Speaker 4 (15:19):
Yeah. And then it cuts away.

Speaker 3 (15:20):
Yeah.

Speaker 4 (15:21):
But they first there's a little like exchange where they
talk about shooting birds.

Speaker 3 (15:27):
Yeah. I think that was supposed to be funny, but
it wasn't. Like, like so the Lady Anita, he basically
Bridges is talking about all the hunting he does, or
like some trip that he took where he went hunting
and then mentions that he shot some was and doves. Yeah,
Anita gets pissed off, and an interjects into the conversation

(15:49):
and is like, I can't I don't even remember what
she said. She just says I can't fucking stand that.

Speaker 4 (15:53):
Yeah, which whatever, Like there's a lot and then this
is just me bitching. But there's a lot in this
that just doesn't need to be in it, Oh for sure,
shooting birds thing, this is like the first example. And
this actress was in Five Easy Pieces, and there's this
part in Five Easy Pieces. Jack Nicholson and his girlfriend
pick up her and her friend. They're with them with

(16:15):
the diner scene where he's like giving the waitress shit
about oh, not being able to order like toast or
something like that. I don't know anyway, but she goes
on like a rant about I can't even remember what
it's about, but it's similar to this. So it made
me think, like that's why they had her do it again,
because she does it right here, and she does something
else a little later, like kind of a similar thing

(16:35):
when she's talking about the karate stuff.

Speaker 3 (16:38):
Right, yeah, when she rants about the ladies not being.

Speaker 4 (16:40):
Yeah, it's not nearly as long as it is in
five ye pieces, because I remember that being I'm like,
what the fuck is happening? She's just talking about I
cannot remember what she was talking about.

Speaker 3 (16:47):
But it's like, here's the thing. I agree with you,
this is unnecessary. But like my contention is that a
lot of stuff in this movie if they had cast
decent comedians and maybe given it another pass, that these
might actually land as like jokes.

Speaker 4 (17:02):
Or had like a writer that was a comedy, right, sure, But.

Speaker 3 (17:05):
That's what That's what I mean is that, like there
are scenes that I almost think are fun like the
scene where he meets Thor and Thor's kind of like
again molesting him. I was like, that could have been
funny if it were like I don't know, if the
movie knew how to do that a little bit better.
I found it kind of funny. But like, there are
a bunch of those little moments in here where I'm like,

(17:26):
that's almost funny. But none of these actors really know
how to do comedy, and clearly the writer doesn't.

Speaker 4 (17:32):
I don't know no or the director. It's like you
can need a director then know is that I do.

Speaker 3 (17:37):
It to the movie very obviously wants to be at
least part comedy. I don't know, Yeah, it's yeah, this
this it's just kind of a mess this movie.

Speaker 4 (17:45):
I mean it's it's it's a romantic comedy.

Speaker 3 (17:48):
Sure.

Speaker 4 (17:49):
Anyway, So yeah, as far as the bar fight, so
this guy, uh, he gets pissed off.

Speaker 3 (17:56):
Because drunk bar starts talking to Bridges and asks if
they play football. Bridges is just being like.

Speaker 4 (18:02):
Kind of he says, he looks familiar.

Speaker 3 (18:03):
No, no, he asks him if you play football, because
they're also big. Yeah, that's why he asked. Oh that's right,
that's right, that's right, that's right. The familiar thing was yeah, yeah,
and then Bridges just like being kind of fucking around. Yeah,
he's just fucking around. He's like, yeah, we all play
for Auburn. I'm a scatback for the tea.

Speaker 4 (18:20):
Is that a thing?

Speaker 3 (18:21):
Yes, so a college. Yeah, yes, they both are.

Speaker 2 (18:24):
A scatback is a running back. But that's usually you know,
a style of running back. They're kind of small, quick
and catch passes. They're not like a big bruiser, like
a power back.

Speaker 3 (18:36):
I thought he was just making sit up.

Speaker 4 (18:37):
Yeah, until like the guy that ends up hitting him,
obviously he was like, you ain't no scatback or something
like that.

Speaker 3 (18:43):
He says, Auburn don't have no scatbacks, and I thought
I thought that was like a joke to make the
guy seem stupid.

Speaker 4 (18:50):
But like, yeah, so who's an example of a person,
like a famous person?

Speaker 3 (18:54):
Uh?

Speaker 2 (18:55):
I guess Reggie Bush might be considered a scatback?

Speaker 4 (18:58):
Is it just it's just someone that's small, yeah, yeah,
and then it's super faster.

Speaker 2 (19:03):
Yeah, they're usually fast, quick, smaller.

Speaker 4 (19:06):
So what was like you said running back?

Speaker 2 (19:08):
Right?

Speaker 3 (19:08):
Yeah? What was it?

Speaker 4 (19:09):
And it's Smith?

Speaker 2 (19:10):
So he's not no, he he was just a regular
running back. I guess Barry Sanders might might be a scatback.

Speaker 3 (19:18):
So what was you said?

Speaker 4 (19:19):
A power one too?

Speaker 3 (19:20):
Right?

Speaker 2 (19:20):
Like? Yeah, power back is like a big kind of
like a bruiser like Derrick Henry or Eric Dickerson or somebody.

Speaker 4 (19:27):
I don't know.

Speaker 2 (19:28):
I don't know how much you know footbottom Okay, a
power bottom is you're generating the thrust, but you are
the bottom. So it's kind of a role reversal there.

Speaker 3 (19:41):
I see. And where does the football fit into all this? Well?

Speaker 2 (19:45):
Usually the anus but see yeah, uh start with the nerf.

Speaker 3 (19:51):
Uh, the one with the whistle.

Speaker 2 (19:54):
Yeah, well you gotta have the one with the like
tail on it, you know, for safety.

Speaker 3 (20:02):
Lady.

Speaker 4 (20:02):
Well was man, those Auburn fans, sure you take their
football seriously? Yeah, we're just like you don't have anything
else to fight about that night, like exactly, he said,
what do you fight? I also love the actor that
he gets in a fight with whose name I looked
it up. His name is Dennis Berkley. But he's in
a ton of stuff. Really do you guys recognize that guy?

Speaker 3 (20:20):
I didn't.

Speaker 4 (20:21):
Okay, So he's like in again, it's like stuff that's
early nineties and.

Speaker 3 (20:26):
It's just a bunch of random ship.

Speaker 4 (20:27):
Well, it's like he was in like the movie Son
in Law with poly scho Oh.

Speaker 3 (20:30):
Yeah, now there's a comedy class.

Speaker 4 (20:33):
Yeah, and he was in Suburban Commando. Yeah, okay, keep going. Sorry.

Speaker 3 (20:39):
So uh, as Bridges cleans himself up in the bathroom,
Arnold comes to check on him.

Speaker 1 (20:45):
Uh.

Speaker 3 (20:45):
Then they all head back to bridges house, where Arnold
takes note of the chemistry between Bridges and Mary Tate. Yes, yeah,
a little bit. He like it's after he talks about
the crystal, he kind of notices like is it just
like a look or yeah it's just a look.

Speaker 4 (21:00):
They missed it when I was reading notes, then yeah,
just a look. Okay, so real quick on that. Unless
I'm wrong, I feel like the whole point of that
scene was to basically show that, Like, first off, the
first like signs of that, Jeff Bridges' character just doesn't
really seem to give like a damn about his like
family's legacy or whatever.

Speaker 3 (21:15):
Yeah, I think it's also too.

Speaker 4 (21:17):
And then to the Arnold is smarter, like slash, more
cultured or whatever.

Speaker 3 (21:21):
Yeah, more culture than you expect slash like.

Speaker 4 (21:24):
Despite being a bodybuilder. Yeah yeah, which that's not me
taking a dig.

Speaker 3 (21:28):
But also Franklin is a little bit like tactless.

Speaker 4 (21:31):
I think is more of like a oh yeah, because
doesn't he say something about, oh, your parents are dead
and yeah, he's like uncle Beauregard and like dead parents.

Speaker 3 (21:41):
Bridges is like, no, it's my parents' house. He and
then Franklin asks if they're on vacation or something. He goes, no,
they're dead, and then he goes, so it is your house,
and then the the other the other girls like shut up, idiot. Yeah.
So I think it's to highlight the difference betwe I
mean like the low class and high class people and

(22:02):
the other stuff you said.

Speaker 4 (22:03):
And yeah, just Schwarzenegger being like smart, which is just funny,
Like god, it's just there's still word to me, it's
just holy crap. They can actually like they're actually smart.

Speaker 3 (22:13):
Yeah, you can care about things besides weights.

Speaker 4 (22:16):
And then they got I like how they hit both
the stereotypes because they later you get the gay for
some for some reason, that was like a thing because like,
only gay dudes care about how they look in the seventies, Yeah,
otherwise you had like Charles Bronson or Clint eas Twitter,
mister potato head. That was like that was like the
manly thing.

Speaker 2 (22:36):
I think we should bring that back because.

Speaker 3 (22:39):
What that the manly thing is like like have a
failing hairline and a wispy mustache.

Speaker 4 (22:45):
Yeah, only only gays gmustache.

Speaker 2 (22:47):
And I'm in damn Joe, you're at a shape like, well,
I'm not gay. What do you want from me?

Speaker 4 (22:52):
Yeah?

Speaker 3 (22:53):
I fuck a lot of ladies. Yeah, what do you
want for men?

Speaker 4 (22:56):
They had a you know, a good point. They had
something going in exactly out of shape, bad airline, gangly,
like potato everybody's.

Speaker 3 (23:08):
Got bags under their eyes and jowls. Uh. Yeah. So
next we see Bridges meeting some friends at the country club.
One of the rich socialites asks Bridges to find her
an authentic music act for some party she's throwing, and
as he leaves, Bridges kind of brushes off his real

(23:31):
estate buddy so he can kind of buy himself more
time to close the gym deal. And oh shit at
Bigley Juniors there, that was one of my notes.

Speaker 2 (23:39):
They can't even notice it him until the crants till later. Yeah.

Speaker 4 (23:43):
Oh you didn't notice him in the in the part where.

Speaker 3 (23:45):
With uh he pops up late now at the pool, yeah.

Speaker 4 (23:48):
Yeah, during the pool scene.

Speaker 3 (23:49):
Yeah.

Speaker 4 (23:50):
Okay, are they playing yatzi? I believe so.

Speaker 2 (23:53):
No, I think are they really liars Dice or something?

Speaker 3 (23:57):
Yeah? I think it's like Liar's Dice or Something's Dice.
It's that game they play in Pirates of the Caribbean.

Speaker 2 (24:04):
Okay, what do you know what how to play or
what it is he used to I don't remember.

Speaker 4 (24:10):
Okay. And also Amy, Uh, she's not like Jeffridge's and
just just I don't think so. Yeah, I don't know
how any people are.

Speaker 3 (24:18):
I think she's just some rich lady he knows from
the country club, probably just a family friend.

Speaker 4 (24:22):
I also like how she did like ask him to
find a bandon just walks away before I can answer.
And then the dude that he's sitting with, who I
nicknamed porn Stash, which as like I wrote it as
one word first, so it looked kind of like porn
stash Stasi or something porn stoshji. Like anyways, like you
got the right man, Amy, he knows every weirdo in town.

(24:42):
I didn't get that, like just because he's like hanging
out with I think.

Speaker 3 (24:46):
Just because I don't think it's the body blows. I
think it's like everything he's done up to that point.
I think like his lifestyle is very like he goes
out and finds like different kinds of people to hang
out with as opposed to just sticking to the country
club with all the rich assholes. Okay they don't like that, Okay,
this is social butterfly, Like he spends a lot of

(25:06):
his time like doing extreme sports and stuff.

Speaker 4 (25:08):
I think, and like movies making me want to look
up more about Charles Gaines because I know, like some
of this is like not based on his life, but
it's he grew up in this environment.

Speaker 3 (25:19):
Yeah, so anyway, let's see. Okay, So back at the gym,
we see Thor training Arnold, and it seems like Arnold
doesn't exactly see I to ie with Thor. Bridges shows
up and feebly tries to talk about buying the gym,
but then the drunk Thor doesn't want to talk.

Speaker 4 (25:37):
Just the way he shows up to is like, why
don't you put some weight on that bar pussy like
a little smirk after that, where it was like I'm sure,
I don't I'm not sure.

Speaker 3 (25:45):
If that was ad lib or not, but like I
don't know, but that joke fell flat as flat as hell.

Speaker 4 (25:50):
Yeah, it was weird because like the way Jeff Bridges
is what didn't come off as like mean, it was
like yeah, like totally it came out Jeff Bridg.

Speaker 3 (26:01):
Yeah, charming or whatever.

Speaker 2 (26:03):
Jeff Bridges in Tenison County.

Speaker 4 (26:05):
It's a nice.

Speaker 3 (26:09):
So so Bridges and Arnold work out together and shoot
the shit until Thor leaves in a huff, and then
we find out that the only real reason Arnold is
involved with Thor is to pay off the debt incurred
when Thor helped him immigrate from Austria.

Speaker 4 (26:23):
He also explains the Batman costume, which Arnold says he
does because it's funny, but like, sure, yeah, and everyone
knows that the funniest jokes are the ones you have
to explain, so that's good. I also kind of say
the fact that they have to explain that, and this
is again me bitching it's not exactly great writing because
you don't want to do that with your dialogue. Yeah,

(26:46):
but whatever. Anyway, he also mentions that thor Herrickson was
the one that brought him over, so yeah, so he
owes something which it just like draws some parallels to
Arnold's like at the time real life relationship with Joe Wheer. Yeah,
and I'm curious if Wheder took any offense to how
much of a like a crap then or Ericson ends

(27:07):
up being through Like eventually Toy's like, what what the
fuck was that? Yeah, it's like it's not you, that's
not you at all. You do not have hair piece.
Your head looks fine.

Speaker 3 (27:20):
Uh yeah, let's see the next thing we see is
Arnold and Mary Tate picking up Bridges and his lady
friend Dorothy and taking them to like a fish fry
out on the lake. I think I can't really tell
what it is.

Speaker 4 (27:34):
Okay, it's first picking up like Jeff Bridges, did Sally
Field mean to open that beer and spill it on
Craig's lady friend when she got in there, because it
kind of seemed like it, But I wasn't sure, Like.

Speaker 3 (27:44):
It seemed like it at first, and then I thought no.
But then later on when she is kind of pissed
about it, I'm like, oh, maybe that was on purpose.

Speaker 4 (27:51):
Yeah, so that was I'm just like some drama. Let's
get going with this.

Speaker 3 (27:56):
Yeah, let's have some like just a monica of a
plot least.

Speaker 4 (28:00):
And then you said they're barbecuing and Craig's lady friend
is like talking about the Russian Rider. I love how
she just holding like a whole fried fish on a fork,
like fins on and everything like you've seen a cartoon.
Like I was just looking at it them like, dude,
that they didn't cut the head off, they didn't, like,
it's just like a fish that they dunked in like
and just fried it.

Speaker 3 (28:17):
Yeah exactly. I don't know.

Speaker 4 (28:23):
Maybe that's maybe that's a Southern thing, like I because
I've seen like the like a like a taco shop
or something where they leave the head on the but
still like.

Speaker 3 (28:32):
I've seen that before. Yeah, it's but literally the whole
fish though.

Speaker 2 (28:35):
Yeah yeah, but with that you have like a plate
and you can flay it yourself. Like this is just
on a fucking stick. So maybe it looks like a
bluebeal or something. Maybe they got really really swamp bones
and it's kind of like a sardine where you can
fry the whole thing and eat it.

Speaker 4 (28:51):
But how's that if you tried that?

Speaker 3 (28:53):
What sardine?

Speaker 4 (28:54):
Like, I've tried Stait sardines are different. No, No, I
haven't tried sardines. Actually I've tried her, and that's what
I was thinking of. Surdy sardine just makes me think
of Pee's Big Adventure where he's like sardines and the
guy in the train. Anyway, sorry, have we tried so No.

Speaker 2 (29:10):
One sardines like canned sardines.

Speaker 4 (29:13):
Yeah, yeah, any good just salty.

Speaker 3 (29:16):
They're just salty as fuck.

Speaker 2 (29:17):
I mean they're good if you get like a little
mustard in a cracker or something.

Speaker 4 (29:21):
There was one more thing that I was going to
mention as far as food, I don't know where I
was like, I don't know anyway.

Speaker 3 (29:27):
Other note they talk about hash in the country club scenehere,
you're gonna talk about hash.

Speaker 4 (29:31):
Well that that was nothing. Do you know what that?
He said? Like red something hash red?

Speaker 3 (29:37):
I heard red flannel hash.

Speaker 4 (29:39):
I also don't I My dad gave us a lot
of corn beef hash and not really a fan.

Speaker 3 (29:45):
Yeah, I've only had it like once. I did not
like it.

Speaker 2 (29:48):
Corn beef hash is amazing. It's just corned beef with potatoes.
You just you know, like corn beef.

Speaker 4 (29:55):
I don't think I've ever had corn beef by itself.

Speaker 2 (29:58):
So I mean, like on a like a like a
fancy like Jewish dili you get like corn beef or something.
Oh all right, well next time here we gotta get some.
We gotta go to Towp get some good corn beef.

Speaker 4 (30:10):
Do you do anything with you just warm it up
and then eat the corn beef hash or are you
talking about like something.

Speaker 2 (30:16):
You just do you get it at at like a
breakfast spot. It's just like a it's just corn beef
and potatoes and then usually has some eggs or whatever.
It's just it's just beef cooked different so it's like
stringy and then the hash part is the potatoes like
hash browns.

Speaker 4 (30:33):
I think it's the corn beef part that I didn't
like interesting, like is it is it a well see,
I'm weird about maybe not text or stuff, but like
I feel like if it was like a grilled like
a hash brown or whatever, be like, Okay, this isn't
too bad. But my dad just warmed it up.

Speaker 2 (30:48):
So it was like, yeah, I mean mushy.

Speaker 3 (30:50):
I guess there was no crispy, Like, yeah, is it
supposed to be crispy.

Speaker 2 (30:54):
It's supposed to be like corn beef mixed with a
hash brown, so the hashpron is supposed to be crisp
in the corner.

Speaker 4 (31:01):
Oh yeah, No, it definitely wasn't like mushy like corn
like yeah, I'm sure he like, uh, warm it on
stove or something like that and was like, okay, well
there you go in to tortilla with some eggs. Maybe.

Speaker 2 (31:11):
I was like, well, from what you've told me about
your dad, I don't I don't really trust him to
make it good. I guess every time I hear think
about Hamberg your helper, just think about you and your dad.

Speaker 4 (31:22):
So no, Hamber your Helper's good, I know, help.

Speaker 2 (31:24):
But that was you were like, Oh, go to my
dad's house. You're going fancy tonight, Hamburger helper.

Speaker 4 (31:31):
So I don't know, maybe your dad is yea or
or eggs with ketchup.

Speaker 2 (31:36):
That was the thing that a lot of people.

Speaker 4 (31:37):
But I know, and I haven't tried it recently, but
I used to like it.

Speaker 2 (31:41):
I did too when I was a kid, not too
much ketchup.

Speaker 3 (31:44):
I like ketchup on so many things. I don't know
why I don't like it, and I hate it on
eggs okay.

Speaker 4 (31:50):
And I posted something on social media about asking if
that was the thing because Eric I had never heard
of it, and so that's a stereotype whatever every single
and I am, but every single all of my mix
like hell yeah, eggs on ketchup used to make that.
My mom used to make it all the time for me.
And maybe it's just like a poor person thing. I mean,
like because all like the like the fancy friends were like,

(32:14):
what the fuck are you guys eating?

Speaker 2 (32:16):
Like well, I mean it's like, yeah, I'm white, but
I grew up with the Mexican so I always ate
mayo on corn. Apparently I found out that's weird. So
maybe ketchup on eggs is like, have you met another
white person that ate it?

Speaker 3 (32:30):
Growing up you?

Speaker 2 (32:33):
I grew up with the Mexicans, so really true.

Speaker 4 (32:37):
I don't know, I have to go back to that post.
I'm sure there's there's got to be at least one,
but I don't know.

Speaker 2 (32:42):
Interesting.

Speaker 4 (32:44):
There was another salty thing which I just remember right now,
but anyway, okay, we can move on. Sorry, okay.

Speaker 3 (32:51):
On the note of jizz, Dorothy asks if all bodybuilders
are gay, and ar Old responds by offering to prove
to her that he's not.

Speaker 4 (32:59):
I would assume by like just like a pose or something, right, Yeah,
probably all right.

Speaker 3 (33:05):
So then Dorothy says some real pretentious shit about some
Russian writer or to make sure that we know we're
not supposed to like her. Mary Tate gets up to
go water ski and Bridges goes with her. Mary is
clearly annoyed, so Bridges apologizes for not telling her about Dorothy,
and then before he can finish, Mary Tate flips like
a switch and isn't mad anymore, because if they talk

(33:27):
much longer, they might actually say something of substance.

Speaker 2 (33:32):
I really like the fact that everybody it's Bridges it's Arnold,
it's Freddy Krueger. Then yeah that's Sally Fields. Just Mary Tate.
I don't know why.

Speaker 3 (33:40):
I just find Mary Tate way easier to say.

Speaker 4 (33:43):
Mine goes back and forth with my notes. I got
Dorothy Craig and then sometimes Jeff Bridges or Arnold AND's
got jo know you guys, ever water ski is that
super fun?

Speaker 3 (33:52):
I tried wakeboarding once. It was very difficult for me,
so no, it was not fun.

Speaker 2 (34:00):
I have Yeah, it's hard. I've done a lot more
like tubing and stuff.

Speaker 4 (34:06):
Or I and there's no there's no like any sort
of skill with that, right, you know, you just kind
of hold on until your dad or whoever driving the
boat's like yeah, funck this kid and then.

Speaker 2 (34:18):
Goes over the ways and you do like six flips
fucking like a second.

Speaker 3 (34:26):
When he feels it just sufficiently terrified, he'll go over a.

Speaker 4 (34:28):
Really driving the boat had a little too much like
you know, it's gonna be great. Watch this ship.

Speaker 3 (34:36):
Thinks he's badass.

Speaker 2 (34:38):
I mean that's half the fun of tubing is like
trying to hold on and you're hitting the wakes and
you're just hitting the water at.

Speaker 3 (34:43):
Forty you're rolling on it.

Speaker 4 (34:49):
I mean I realized when I was watching this, I
think I've only been on a boat maybe once, and
there was a horn blow or something. That doesn't really
count because I'm going around like like the San Diego
Bay and I don't really remember that because I drank
too much beforehand on the way down there, so I
was getting sick for most of the time on the hornblower.
So it was like, I've never been on a boat

(35:12):
and I have. I don't know how seasickness works, but yeah,
I feel like I might have that. I'm sure I
would probably get that because I got.

Speaker 3 (35:20):
Everything maybe, although the horn blower is probably a pretty
calm like yeah, yeah.

Speaker 4 (35:26):
I'm assuming I got sick from the from the the
horn blower. Yeah, but I don't know. Like also, just
I don't mind lakes. I would never do a cruise
because that shit freaks me out. Why what just being
on the water being isolated basically, and I'm yeah, crazy,
I mean I kind of get that.

Speaker 2 (35:44):
Like I went on the first one ever. This not
the first cruise ever, my first crews ever. I was
on the Titanic this summer and it was I mean,
the thing's huge, like it's like so many stories, and
you know, it's like you feel like you're in just
a small town.

Speaker 4 (36:05):
I don't know. I'd still how often did you stop,
like going to port?

Speaker 2 (36:10):
Uh, like four times in a week?

Speaker 4 (36:13):
A good job with the nautical terms go to port?

Speaker 3 (36:17):
I meant, how much wine did you drink?

Speaker 4 (36:22):
Where'd you go?

Speaker 2 (36:23):
Alaska?

Speaker 4 (36:24):
Okay? That was It was mostly asking about the water
skiing and jetskin and stuff, because I've never been on
jet ski either, because like I ain't going out there like.

Speaker 3 (36:33):
Oh, I mean that's fun, Like on the jet ski
is fun as long as you like.

Speaker 4 (36:37):
Yeah, but then you like, as long as it's will
be fun, but then you got to like hang out
with family like for the rest of it. Yeah, I guess,
And I don't want to hang out with you guys.

Speaker 3 (36:47):
I get that. Let's see, So we see the two
of them water ski for a minute. We cut to
the ride home so that we could so that we
can see that drunk Dorothy is even more annoying.

Speaker 4 (37:00):
They're singing.

Speaker 3 (37:01):
Yeah, she fucking just starts singing a random song that
somebody at the fish fry taught her that I don't
think is a song I don't know, like I don't know,
it just like it has no melody. But I guess
that's probably the point.

Speaker 2 (37:13):
Oh, I forgot to mention I had a last note
on that. At some point somebody had like the the
water ski and they had like a little hang glider
parachute thing. They started going to the air.

Speaker 3 (37:23):
I was like, that looks awesome.

Speaker 2 (37:25):
I want to do that.

Speaker 3 (37:26):
Okay, that's all it does. Look fun, okay, okay. So
uh then that night, when Arnold is dropping them off
back at bridges house, he forces a very awkward partner swap,
asking Bridges to take Mary Tait home, while absolutely nobody
asks what Dorothy wants. Nope, although I think it's kind

(37:46):
of implied at the end of the scene that she
like decides to be into it.

Speaker 4 (37:51):
But yeah, but she does not look happy to start now,
She's like, what the fuck is going on? Fuck now?
And then and then all of a sudden she's like,
well all right.

Speaker 3 (37:58):
Like just yeah, it was weird. Yes, it's uncomfortable. Yeah.
So after that, inside the house, Bridges does feet stuff
with Mary Tate and then they bone down the stairs.
The next morning, Mary Tate looks at Bridges some of
Bridge's pictures, which show that he spent the last couple
of years mostly doing different kinds of hunting, and he

(38:20):
notes that he spends his time looking for new experiences,
which is I think just rich person talk for I
don't have a job. This is where we get like
a tiny bit of nudity. Yeah, like we see Sally Field's.

Speaker 4 (38:33):
But normally I'm all for like gratuitious nudy in films.
But even besides the gros shit that was going on
behind scenes, I don't I still don't know about it.
Like something about Sally Field's nude scene just made me
feel weird, but not like good weird. It's more like
an accidentally walking in and seeing your aunt naked weird.
I don't know.

Speaker 3 (38:49):
Yeah, I would just say that, like all the nudity
and like more like the sivious stuff in this movie
feels the wrong kind of gratuitous. Yeah, I don't know,
it feels exploitative, I guess, is what I'm trying to say.

Speaker 4 (39:04):
Yeah, I think mine was more it's weird seeing Sally
Field and any sort of nude because it's just like
that's my aunt looking at my aunt. That's aunt me, yeah,
pretty much, and.

Speaker 3 (39:15):
My divorced mom.

Speaker 2 (39:18):
In a flying nun.

Speaker 3 (39:22):
Let's see. Okay, So the butler William enters the scene
to give a little sass and Bridges tells him to
make them up some breakfast. They didn't put ketchup, Bridges eggs,
I'm just saying they're rich people. Yep, that's true. Bridges
asks if the partner swap was a setup, and Mary
Tate gets a bit offended before telling him that her

(39:44):
and Arnold had lived together for a time. Over breakfast,
they make some light conversation about his parents died, about
how his parents died.

Speaker 4 (39:50):
Okay, just quick note, this is basically a different version
of the Jack Nicholson character from from five y C Pieces.
So it's kind of like a rich kid who's drifting
through life, but like the Jeff Bridge's version of it
instead of like the Jack Nicholson version of it, like
personality wise. Yeah, and also Jeff Bridges doesn't seem to
really hate the fact that he has I guess it's
the same thing because at the end he like rejects it.

(40:12):
Is this like an origin story for I feel like
Jeff Bridges' character in five.

Speaker 3 (40:18):
EC Pieces Jack Nicholson's character or sorry, yes, I I
don't know that he rejects it so much as the
end as he just sells the house. He don't know
what I mean you he still has all the money.

Speaker 4 (40:29):
Yeah, so he doesn't seem to hate the money or
isn't as like jaded or whatever Nicholson's character was. But
it's basically the same fucking character. Yeah, which was probably
what attracted Bob Rafelson to it.

Speaker 3 (40:41):
Yeah. Sure, so now we cut back to the layer
of the real estate villains where Bridges Buddy makes excuses
for why the gym deal isn't done yet, and with
a felonious glint in his eye, Jabo tells him that
they might be able to help the sale along in
some way. Yeah.

Speaker 4 (40:58):
He was like dobozy and I was like, damn, he
means business. And then the other guy was like, that
is one of my favorite characters, Sellacious Crumb.

Speaker 2 (41:14):
Ye too.

Speaker 3 (41:18):
Let's see what movie said?

Speaker 4 (41:22):
Movie about Indiana Jones?

Speaker 3 (41:24):
Oh yeah, Flashboard. Uh let's see.

Speaker 4 (41:30):
Uh, now we start seeing Jones. I'm sure we had
the conversation before, but.

Speaker 2 (41:35):
I don't remember seeing any of them all the way through.
And I tried to watch the first one a few
years ago when fell a single.

Speaker 4 (41:42):
One apparently from list I read Raiders of the Last
Dark is one of Steven Spielberg's best movies. Yeah, it's
a good adventure movie too.

Speaker 3 (41:51):
I don't like that one the mess, but yeah, it's
definitely not the best Crystal that's the best one, clearly.
I mean it was until time Destiny came out.

Speaker 4 (42:01):
Uh less Last Crusade you should watch. Yes, that's like
you start with that one, because that's like a it's
I would say uncharted, but you didn't play that those
Last Crusade is the one to start with if if
you're not like you're kind of like, eh, what everybody
Nina Jones? Anyway, go ahead.

Speaker 3 (42:15):
So let's see. So now we see Bridges and Mary
Tate walking down the street on a date when suddenly
Mary sees a painting she likes in the window of
an office building. Uh So, Bridges sneaks in and gets
up to the office to grab the painting off the wall,
but gets caught by the owner. He gets away, however,

(42:38):
because the owner recognized him as you know, local socialite
Craig Blake, and because the security guard is an idiot.

Speaker 4 (42:46):
It's like, oh, to be a rich white dude just
like you want that wandering take it and like nothing's
going to happen, And.

Speaker 3 (42:54):
The owner is like, like dazzled by it, He's like
I dated your yeah exactly a person.

Speaker 4 (42:59):
He's like, what are you doing? Then once he figures
out who it is, he's like, well, well wait a second,
I can make a connection right now, yeah exactly.

Speaker 3 (43:06):
Mary Tate is deeply entertained, but admits that she doesn't
like the painting when she sees it up close, so
they give it to a stranger on the street and
run away.

Speaker 4 (43:15):
Who happens. I'm like ninety nine percent sure that was
the director?

Speaker 3 (43:20):
Oh really able too? Yeah, he seemed young. I don't
know that guy just seemed I would expect Bob what's
his fuck to be old? Like his name is Bob?

Speaker 4 (43:31):
Well, he died in twenty twenty two at I think
it was like ninety, so yeah, I guess maybe he
was on the younger side twenty one. Yeah, yeah, I
guess that's fair.

Speaker 3 (43:43):
Back at the gym, we see Anita teaching a women's
karate class. Mary Tate comes in and begins changing for work,
and we see that Thor has a peep hole in
the floor of his office. Where he is spying on
her before being interrupted by Newton. And my note here
is Thor is fucking gross.

Speaker 6 (44:03):
Mm hmm.

Speaker 4 (44:04):
My only note was the superb subtletee of the line Joe,
when are you going to take that mask off? Like
I was like, Oh, well, that's I mean, which it
actually seemed literal this in this sense. Yeah, maybe they
just did not use it anyway.

Speaker 3 (44:19):
So bridg'ess realtor buddy pays him a visit at the
mansion and they get into a little fight about the gym,
but Bridges refuses to take it seriously, while also refusing
to tell Mary Tate what's going on with the gym deal. Later,
as Bridges and Mary Tate fuck around in the mansion,
he asks if Thor might sell the gym, but she
says no. Then, as they get a little frisky, the

(44:42):
butler shows up and announces he's quitting because he doesn't
approve of Bridges' life choices. And I think we're supposed
to care about this, though I don't know why I would.

Speaker 4 (44:52):
I mean, I kind of like old William.

Speaker 3 (44:54):
I like William, I'm just telling him, don't tell you,
Like we barely he barely has a character up to
this point, So why would I care that he's leaving.
He's been. He's been in the movie for one scene.

Speaker 4 (45:03):
Yeah, Halleren Helen. Yeah, his name in the Shining and.

Speaker 2 (45:08):
He shows up in it the book that wait that Sam,
It was like dilar.

Speaker 4 (45:17):
Okay, all of a sudden, he just shows up in
the book.

Speaker 3 (45:22):
That's that's one of the forms of it.

Speaker 2 (45:25):
Sweet scatman Crothers, why are you talking so fast? Because
I'm a scatman.

Speaker 4 (45:34):
A page and a half of just like, yeah, it was.
It was a tough book. I mean you should see, Uh,
Richard Webber keep that page count up.

Speaker 3 (45:51):
Should listen to the audiobook.

Speaker 2 (45:52):
Richard Webber just does an amazing scat for Like.

Speaker 4 (45:56):
Is that one of the does all? Does he do
all the books?

Speaker 1 (45:58):
No?

Speaker 2 (45:59):
Well, he just does it. He might do a short
story and like a short story collection, but uh, what's
his fucking name? Will Patton does a lot of it,
which because he's an old, fucking white guy actor, I'm
sure if he looks be like, oh yeah, that guys
as you guys wall know who he is?

Speaker 4 (46:16):
Wait do you do you guys?

Speaker 2 (46:17):
Do? Like?

Speaker 3 (46:18):
The name sounds very familiar.

Speaker 4 (46:20):
For some reason, I thought of the guy from Star
Trek like the kid.

Speaker 3 (46:23):
I thought Will Wheaton, but you know, yeah, Will Wheaton.

Speaker 2 (46:26):
I think Wheaton might actually read a short story. I
mean because he was in the Body Error stand by Me,
which is Stephen King.

Speaker 4 (46:35):
Oh Will Patton, Yeah, from fucking Armageddon.

Speaker 2 (46:37):
Yeah yeah, he's in Armageddon. Oh.

Speaker 4 (46:39):
I love that guy.

Speaker 3 (46:40):
That guy's he's in U.

Speaker 4 (46:43):
He's in The Punisher.

Speaker 3 (46:45):
Yeah. Yeah, he's in Silent Game, Mobster and The Punisher.

Speaker 2 (46:50):
Yeah, he does a lot of them. It's another guy
that I'm forgetting his name.

Speaker 3 (46:53):
Stop talking about good shows, Joe.

Speaker 2 (46:56):
Oh yeah, Silent is a good show.

Speaker 4 (46:58):
Wait, Silent is good. Yeah, Okay, I actually uh subscribe
to a month of Apple TV for uh because we've
been watching Shrinking and that that shows really good too.

Speaker 3 (47:08):
That shows super good. We didn't finish the first season.

Speaker 4 (47:10):
Very sad, okay.

Speaker 3 (47:13):
So as we see some footage of Bridges and Arnold
working out some more, we get another Civil War letter
from bridges uncle to let him know that they will
see each other soon. At the Socialites party, Arnold takes
Bridges out to the town from Deliverance to show off
his flins and drink some moonshine before Bridges gets struck

(47:34):
by the spirit and dances his problems away.

Speaker 4 (47:37):
I mean, I know, I know you haven't, Chris, but
have you ever had actual moonshine?

Speaker 3 (47:41):
No?

Speaker 4 (47:41):
Okay me either. Like the closer I probably ever had
is either Ever Clear of a Cardi one fifty one.

Speaker 2 (47:46):
Yeah. I mean they sell stuff that's like, oh it's moonshine.

Speaker 3 (47:51):
Yeah, like I had some of, like Vanessa brought back
some like yeah moonshine like yeah, unquote, but I sincerely
doubt that's like real.

Speaker 4 (47:59):
Real, it's not because Erica I bought one for for Christmas,
like a little tiny like yeah, sampler one or whatever.
It's like fifteen percent alcohol.

Speaker 3 (48:07):
Yeah, it's not even close.

Speaker 2 (48:08):
No piers that have more alcohol.

Speaker 4 (48:11):
It comes in a mason jar, so it counts. That's like,
that's what that's what makes it qualify as moonshine. She
put anything in a mason jar. I put tequila in
a mason jar and then called it moonshine. Yeah it
sounds a right.

Speaker 3 (48:22):
Yeah.

Speaker 4 (48:22):
Yeah. So by the way, they don't sell Everclear or
Bricardi one fifty one in California, Moore. They don't sell
every Pricardi one fifty one at all since twenty fifty sixteen, huh,
which I didn't know. And then they California banned Everclear
in two thousand and three, which I definitely know we
got some Everclear before, like before then apparently because I
definitely remember having bottles of Everclare. But were you there

(48:45):
when we tricked this is not a nice story. And
we tricked Dave in a drinking more fifty one?

Speaker 3 (48:55):
I mean I might have been.

Speaker 4 (48:56):
I ended up buying a bottle of Bricarti one fifty one,
which it's what's half like seventy seventy five and a
half proof I guess, yeah, or percent percent alcohol. We
also had a Southern Comfort that was there, so we're like, hey,
let's take some shots. And we poured two Southern Cumbers

(49:16):
for uh Bretton and I and then we poured him
one fifty one and it wasn't very nice. It was funny.

Speaker 3 (49:25):
Did you throw him up?

Speaker 4 (49:26):
I don't think he threw up, but I think he
got close. But I feel like you were there, but
I can't remember.

Speaker 2 (49:31):
I mean I probably was, but like that was also
like that that story is old enough to drink by
itself now to legal age.

Speaker 4 (49:40):
So yeah, that's true.

Speaker 2 (49:42):
Now, the only time I can really remember with him
drinking is when we did a power hour and got
to like thirty minutes and threw up everywhere.

Speaker 4 (49:51):
He threw up everywhere.

Speaker 2 (49:52):
Yeah, well because like you make it, Oh, I didn't
do the power hour.

Speaker 4 (49:56):
Oh he tried to do a power hour.

Speaker 2 (49:58):
Yeah, which I mean that's a lot of alcohol.

Speaker 4 (50:01):
Yes, that is a lot of I've done it a
couple of times, and that's.

Speaker 2 (50:03):
It's way more than a beer every ten minutes because
it's an ounce and a half.

Speaker 4 (50:09):
Yeah, and hopefully you have a regular shot glass with it. Yeah,
it's not a good idea. I mean I had fun
every time I've done it, but yeah, yeah, don't don't
do that. That's that's how you get alcohol poisoning.

Speaker 3 (50:22):
Yep.

Speaker 4 (50:22):
And if you do do it, make sure you drink
it up, like you build your tolerance up beforehand. You
can handle it.

Speaker 3 (50:29):
Yeah, spend spend a couple of years before that, really
liquor exactly. I mean, you do a power hour right now,
factors later.

Speaker 4 (50:38):
Something exactly, and don't do it out like why are
we nobody listens this? Don't do it with anything besides
like Coors or Miller or blood Light.

Speaker 2 (50:47):
Yeah, also don't beer Bong Miller High Life because it's
very fizzy.

Speaker 4 (50:54):
Gets sick.

Speaker 6 (50:55):
Oh yeah, like right away, like pretty much where it's
just like oh my god, like your stomach is just
like constantly immediately like.

Speaker 3 (51:07):
Expanded it just like, oh, that's a bad idea. Well.

Speaker 4 (51:10):
Also, I'm like sorry, back to the movie. I'm like
seventy five percent sure I read that Jeff Bridges was
actually drunk during this dancing, but I can't remember where
I read it, so I might be wrong.

Speaker 3 (51:20):
But I wouldn't be surprised.

Speaker 4 (51:22):
I don't know if it was on actual Moonschine, I
doubt it. Yeah, it's also weird how out of focus
the whole dance sequence is.

Speaker 3 (51:28):
Yes, uh, I don't know. I feel like he was
going for a very like they're drunk maybe, like yeah,
I don't. I feel like he was going for very
like authentic, like he wanted like authentic Southern experience. He
didn't want to do like fancy, you know, real movie stuff.
I don't know. Yeah, I just a lot of this
movie feels don't We'll get into that later. But Okay,

(51:50):
so after the dancing we cut back to the city
late at night to see Franklin and Anita arrive at
the gym but find that the door is unlocked. Inside,
they find three goons, the same dudes that started the
bar fight earlier, wrecking up the joint. Coincidentally though, Yeah,
so yeah it is, yes, yeah, yeah, Anita kicks the

(52:11):
ship out of one of them with a karate but
upstairs Franklin gets his nuts worked over in a brutal
double team and it is way less sexy than it sounds.

Speaker 4 (52:22):
Yeah, he was hoping.

Speaker 2 (52:25):
They basically take the end of the whole queue and
like jab him right in the balls.

Speaker 3 (52:30):
Yeah, they fucking put his eight ball in his corner pocket.
That's not that funny because that's what they say in
the movie. I think he says, left ball corner packets.

Speaker 4 (52:40):
Yeah I didn't catch that, but all's way better line.
See one pass from a comedy like anything this person
understands comedy would have helped the fucking movie. Why would
you do anyway? Yeah, I don't know left ball, which
I guess I get, like, yes, it's actual like it,
But anyway, I was really hoping that he bust out
as Freddy Krueger voice sometime during this just to call

(53:00):
him bitch.

Speaker 3 (53:01):
That's that's when he develops the voices like as he's
writhing and pick the ground instead of a.

Speaker 4 (53:08):
Bitch.

Speaker 2 (53:10):
It was like, Hu Thatt's on working here. Wes Craven's
just said, like, I just got an idea. All right,
this guy he like hunts your dreams, right, and he
got like.

Speaker 4 (53:23):
You got Wes?

Speaker 2 (53:24):
You got that from that guy just getting hit in
the balls. I'm the master of terror dog.

Speaker 3 (53:29):
Yeah, let's see. So as as the goons escape, we
hear them mention jabo. The next day we see Bridges
talking to Thor and off.

Speaker 4 (53:40):
Right here the solicious crumble like.

Speaker 3 (53:47):
Yeah, as they drive off in their truck, he's just
laughing in the.

Speaker 4 (53:52):
Sitting there on the tail date if I knew, if
I knew a movie editing ortally editor and sitting on
there when they get in here.

Speaker 3 (54:06):
Let's see, the next day, we see Bridges talking to
Thor and offering to cover the cost of repairs, which
Thor accepts.

Speaker 4 (54:14):
Just fucking creepies, like the employees are like my children basically.

Speaker 3 (54:17):
Yeah, I think he's trying to like, I know, yeah,
he's trying to manipulate him, but like it's yeah, it's creepy,
like you said. Back at the mansion, Bridges is stressed
out and starts acting like a real asshole to Mary Tate.
She says she loves him, and he says, great.

Speaker 2 (54:34):
My last note is, man Craig is a total dick.

Speaker 3 (54:38):
Yeah, so just a real piece of shit. After this,
cut to some time later, it's the night of the
Socialites party. As the couple get ready and Bridges is
still being a jerk. At the party, they meet up
with Arnold, and it's clear that Arnold and Mary Tate
are pretty out of place among all these rich folks.

Speaker 4 (54:57):
But his outfit is fucking amazing.

Speaker 3 (55:00):
It's amazing, Like it's it's.

Speaker 2 (55:01):
Like a glossy like seventies cowboys shirts and it's like
a little silk cowboys shirt, yeah, with a little like
in the pocket area, but it's like like a sideways
s or whatever, and it's got like a purple ascot on.
He's kind of he's out there kind of looking like
Fred from fucking Scooby Doo almost a little bit.

Speaker 3 (55:23):
Yeah, same shape too. Uh oh, and it it kind
of seems while they're at the party, like Bridges is
just showing them off like oddities to all his friends. Yeah,
Bridges finds his real estate buddy and confronts him about
the break in, confirming that it was Jabo's doing. Then
they get into a fight when his friends start talking
shit about Arnold.

Speaker 4 (55:43):
You also see a sorry I think I don't know
if either of you. I know, it's not gonna recognize
his name. But you also see Joan and Cassidy in
Oh yeah, Okay, I don't know.

Speaker 2 (55:53):
Okay, I don't either.

Speaker 4 (55:56):
It's the it's the She's in Six Feet Under. She's
in Don't Tell Mom, the Babysitter's Dad. She's the She's
she's Arnold's like the one that he goes away with.

Speaker 3 (56:06):
Yeah, yeah, I know who she is in this movie.
But yeah, so she's the one that like the rich
the rich lady that takes a shine to Arnold and
then like takes him on a mini vacation.

Speaker 4 (56:15):
Yeah. So she's in Don't Tell Mom, the Baby Babysitter Dad.
She's the boss. And then she's Brenda's mom and six
Feet Under. Yeah, yeah, and looks exactly the same.

Speaker 2 (56:24):
Wait, she sucks Brenda's mom.

Speaker 4 (56:27):
Oh, I mean I've watched that show enough Store. I'm like,
I love her. She's a she's a she tells it
like it is anyway.

Speaker 2 (56:39):
Yeah, well, I mean you're not wrong Brenda's mom, You're
just an asshole.

Speaker 4 (56:43):
Yes exactly. But uh yeah, as far as like their
confrontation with porn Stash, Yeah yeah, porn Stach sorry for.

Speaker 3 (56:54):
Statue e Halsey, I think it is his name? Uh
uh yeahs yeah.

Speaker 4 (57:03):
I was like, man, he looked like a tiny bit
like will Ford Tor. I'm like, god, I wish will
Forte would have played that to her. It was like
playing it out like will Forte, Like.

Speaker 3 (57:11):
Uh, that would have been Yeah.

Speaker 4 (57:14):
Like I saw him for a second, I was like, oh, man.

Speaker 2 (57:17):
He honestly looks if like Brooks and Dunn from Brooks
and Dune if they had a baby, That's what that
guy looks like.

Speaker 3 (57:25):
No, no, Halsey, No, yeah, okay, you know who Halsey
really reminds me of. Have you seen Black Clansman?

Speaker 2 (57:32):
No? No?

Speaker 3 (57:33):
Yeah, no, he looks like tofer Grace playing David Duke
in that movie.

Speaker 4 (57:38):
Okay, yeah, I'm sure the actor would love to know that.
You look like a super I mean, either way, you
look like a Southern guy.

Speaker 3 (57:45):
Yeah, yeah, exactly. Uh okay, So Bridges goes to find
Mary Tate outside with Ed Bagley Junior to make him jealous. Well,
inside Bridge's former friends Heckle Arnold.

Speaker 2 (57:59):
That was Ed Blee.

Speaker 4 (58:00):
Yeah I recognized him that it was a dark scene,
so yeah, yeah for sure. Yeah, who is most famous
for playing? Uh Stickwell? Is Sam stick Batman Forever?

Speaker 2 (58:12):
No, Stickwell's the rest of development. Sorry, that's Sitwell, Sam Sitwell.

Speaker 4 (58:21):
Damn. Now I'm curious what his name is in Batman Forever.
That would be great if it was Stickwell. You can
keep going. Sorry.

Speaker 3 (58:29):
So Bridges friends are inside heckling Arnold and the other
Fiddlers until they eventually stopped the show, and Arnold leaves
with Joanna Cassidy, who is one of the less shitty
rich ladies that he met at the party.

Speaker 4 (58:41):
Yeah she's she's pretty much like granted she is she
gets like no development whatsoever, but does in this movie.
She's not a character, but she seems like she's like
the female version of Jeff Bridges.

Speaker 3 (58:53):
She seems less like old money to me, you know
what I mean, Like everybody else in.

Speaker 4 (58:56):
This yeah old money exactly, Like they're just complete assholes. Yeah, yeah,
that is that what old old money is. I'm assuming just.

Speaker 3 (59:05):
Yeah, I mean sure, yes, and uh so Bridges and
Mary Tate also leave as they are fighting, and then
we cut back to the mansion with Bridges getting out
of the shower and wanting to act like everything is fine,
but Mary.

Speaker 4 (59:20):
Has had it and is gonna when they're arguing. I
completely missed that she was calling him swampy, because she's
calling him swampy throughout this thing, which I didn't know
until I watched him with subtitles. Yeah, which did they
call him swavey before?

Speaker 3 (59:34):
No? No, no, she at the bar, she tells him
that he looks like a swamp and I didn't understand
that at all. But that's her nickname for him.

Speaker 4 (59:44):
Okay, but they call him swavey, yes, like different people
and during the party, Yes, yeah, they called him swavey.
That's why I thought it was a play on that,
like her making fun of him, Like.

Speaker 3 (59:56):
Well, yeah, that it probably was, because up till this
point she was only called him swamp not swampy.

Speaker 4 (01:00:02):
Okay, yeah, well.

Speaker 3 (01:00:03):
She's making fun of him now. I didn't hear anybody
call him swampy.

Speaker 4 (01:00:07):
So again, it's because of the subtitles.

Speaker 3 (01:00:10):
Yeah, I just missed it.

Speaker 4 (01:00:12):
But also that party was so fancy that Captain Crunch
was even there, Like did you see that like win
before she.

Speaker 3 (01:00:19):
Leaves you got Yeah, yeah, he's the guy that like
comforts the hostess exactly.

Speaker 4 (01:00:26):
I would say there, he would say, they're they're great,
like I don't remember what that's funny the Tiger I
know that he's like there.

Speaker 2 (01:00:33):
He's like, get out of here, I'll fuck up the
roof of your mouth.

Speaker 4 (01:00:39):
He says something I don't remember. The fucking Kevin Crunch
fit like he's gotta say something. There's there's no way
that capt'n Crunch is getting away with not saying like
tricks are her kids? What's what's cap'n Crunch is a.

Speaker 3 (01:00:50):
I don't know crunchberry, I kill pirates. I don't know.

Speaker 4 (01:00:57):
Dead pirates. What's what?

Speaker 3 (01:00:58):
There's a U? Crunch ties me it's he doesn't say it.

Speaker 4 (01:01:07):
That is not that's original slogan.

Speaker 3 (01:01:09):
Wait, do they have a new slogan.

Speaker 4 (01:01:11):
The original slogan was it's got corn for crunch for punch,
and it tastes crunching even in milk.

Speaker 2 (01:01:18):
I just read that, right, Your segment.

Speaker 4 (01:01:23):
It should be to stay crunchy, my friends. There's nothing
that's popping up that way. So he doesn't have anything.

Speaker 3 (01:01:29):
He's stoic.

Speaker 2 (01:01:30):
He didn't need it.

Speaker 4 (01:01:33):
He's a captain, need.

Speaker 2 (01:01:36):
Not private crunch dickhead captain.

Speaker 3 (01:01:40):
There's a reason I'm not an admiral yet.

Speaker 4 (01:01:44):
All right?

Speaker 3 (01:01:45):
Okay, So Bridges throws himself in front of Marytate's car,
but she leaves anyway, as he screams after her that
he needs her. The next morning, Bridge's Civil War uncle
tries to dispense some wisdom and then they talk about
squirrels and goats or some shit. I don't know, man,
I'm fucking tired of this movie. Uh we uh we

(01:02:05):
go now to registration for the Mister Universe competition to
introduce some new characters that don't matter two thirds of
the way into this movie, like a pair of brothers
who have a secret language, because this movie still thinks
it can be a comedy.

Speaker 5 (01:02:21):
Uh.

Speaker 4 (01:02:22):
Back at the gym, we find out also, sorry Ken
Waller there who Uh yeah, I assume there was a
bunch of people that I wasn't pumping iron, you know anyway,
A bunch of bodybuilders. Yeah.

Speaker 3 (01:02:33):
Back of the gym, we find out that Mary Tate
has quit, and as Thor counts the money from the
entry fees, Franklin tells him that there's a businessman here
to see him, so he gives the money to Newton
to guard and then goes down to meet with Bridges
former real estate buddy or porn Stacke porn porn Stacio.
What's his name again.

Speaker 2 (01:02:53):
Porn Statch, porn porn Statch.

Speaker 3 (01:02:55):
Sorry. Thor spends the afternoon getting wined and dined by
Jabo and the other members of the real tour mafia,
and then they convince him to sell.

Speaker 4 (01:03:06):
Palace.

Speaker 3 (01:03:10):
Oh they're on his fucking pleasure cruiser because the boat
the sail bars, that's what it's called.

Speaker 1 (01:03:18):
Uh.

Speaker 4 (01:03:20):
I am so glad that I didn't know his name
was Jaba Java before have so many job the jokes.

Speaker 2 (01:03:25):
In here we wouldn't have recorded. I gotta tell you
that I.

Speaker 3 (01:03:30):
Need more time. No, I didn't need more time, Okay,
So uh. They try to convince Thor to sell by
telling him that they're gonna set him up with his
own chain of massage parlors. I think, yeah, But if
I'm understanding the movie correctly, that's all just sort of
a bullshit excuse to send him home with a couple

(01:03:50):
of prostitutes to help convince him to sell the gym. Yeah,
I get, like, I don't. Yeah, this it got really
complicated for no reason.

Speaker 4 (01:03:58):
You also see like Jeff Bride is hanging out like
with at the pool, like with uh what's her name again?

Speaker 3 (01:04:04):
Yeah, so he's hanging out at Dorothy's house, and I
think we're supposed to I don't know.

Speaker 4 (01:04:08):
It was right here, It was just right here where
I was like, oh, this is just like a worst
version of Billy Madison.

Speaker 3 (01:04:13):
Was just that's true. That's fucking true. Let's just watch
Billy Madison instead Shabby dud So here, I just I
don't know. This next part just feels real gross to me.
I'm not a prude and I don't care about like

(01:04:34):
nudity or sex in a movie, but this felt gratuitous,
and especially after hearing the accusations toward the director, this
was just like not this was a totally unenjoyable part
of the movie exactly.

Speaker 4 (01:04:45):
This is the I'm assuming this is the uh the
big titted, big haired type of girls that Bob Rafelson
was telling Arnold about Yeah, like this was just like yeah,
And the first time I watched it, I was like, oh,
cool boobs. And the second time I watched I was like,
both those girls probably had to have sex with fucking
Rafaelson in order to get this part. There's a very
higher possibility.

Speaker 3 (01:05:06):
Yes, a very strong plausibility.

Speaker 4 (01:05:08):
And it just like from this point on, the movie
decides just to double down on the creepiness, like just
fucking starting the worst around. Yeah.

Speaker 3 (01:05:15):
So Thor brings the two ladies back to the gym
where he basically holds Newton hostage and tries to force
him to have sex with one of the girls while
he has sex with the other. And I I'm just
realizing now I forgot to mention the racism. Also where
he tells the he tells the girls that Newton's name
is like Wabo or something.

Speaker 4 (01:05:35):
Did not catch that he fucking I don't don't.

Speaker 3 (01:05:37):
Know, yeah, Wamba or some ship where he like tries
to exoticize him. I don't know. It's fucking weird.

Speaker 4 (01:05:42):
And there's also like a Confederate flag hanging on them,
Like I did not mention that until now, but there's
just like they I mean, they was a South and whatever,
not excusing it, just that's I'm sure there still is
a Confederate anyway.

Speaker 3 (01:05:58):
So Newton's the night pretending to have sex while Thor
gets drunker and drunker and banks his way throughout the gym.

Speaker 4 (01:06:05):
With the And it's just weird because it's like weird,
like new stuff for the characters. Yeah, where it's like
all of a sudden this uh like this uh to
keep forgetting I don't know anybody's name. Yeah, yeah Newton, Yes,
all of a sudden, He's like, it's not even s
and m.

Speaker 3 (01:06:23):
It's I don't even think that has anything to do
with it. I think there's just there's no sex involved it.

Speaker 4 (01:06:28):
He just ties her up.

Speaker 3 (01:06:29):
I think he ties her up specifically so she can't
tell Thor that they're not fucking.

Speaker 4 (01:06:33):
Is that it?

Speaker 3 (01:06:34):
Yeah, that's it. He just that's why he has her
mouth tape shut. He tells her before Thor comes in,
like don't you say shit, And then when she tries
to sit, she tries to tell Thor like, oh, this
guy's trying to kill me or whatever, and he covers
her mouth. I think all he wants is to get
through the night and not fuck this lady, and he

(01:06:55):
like thor literally threatens him. He's like, yeah, you don't
fuck this lady. I'm gonna yeah, so I'm gonna fucking
bash you with a yeah what he has iron yeah
something rather Yeah.

Speaker 2 (01:07:06):
I mean that's why he's at the gym all the time,
because he doesn't like having sex ladies, as.

Speaker 3 (01:07:12):
We've discussed, because oh yeah, yeah, yeah, yeah, if you
just had it look like a potato.

Speaker 2 (01:07:24):
Yeah, and he gives her a massage. I don't know too. Yeah,
he loves his craft.

Speaker 4 (01:07:31):
Do you guys think that if I put in what
if gene happening was a potato in Ai? It would
give me like a good picture. Yeah, I'll do it
right now, you get anything good.

Speaker 3 (01:07:48):
The next morning, we see Arnold returning from a mini vacation.

Speaker 4 (01:07:52):
Go ahead, No, no, I'm just I'm waiting for that picture,
like like, oh man, this is gonna be good. Hope anyway.

Speaker 3 (01:08:01):
Sorry. So the next morning, we see Arnold returning from
a mini vacation courtesy of his newfound sugar mama, although
he heads to the competition without really giving her a
second thought.

Speaker 4 (01:08:10):
Yeah, and she didn't seem to carry there, so she's
kind of like, yeah, she's like the like I said,
like the like the female version of Craig. Okay, fine, whatever,
you got it.

Speaker 3 (01:08:21):
You got it.

Speaker 2 (01:08:23):
I'll send these to you.

Speaker 3 (01:08:24):
Yeah, and you often see him on her on her. Yeah,
we're just going to post these without any context. Way
before this episode comes out. So back of the gym,
Newton heads out with the prostitutes as Thor is nowhere

(01:08:47):
to be found. He leaves the money all over the floor.
But yeah, did you guys get I like that second
picture a lot.

Speaker 4 (01:08:58):
I didn't get anything.

Speaker 3 (01:09:03):
The one without the shirt is the wait.

Speaker 4 (01:09:07):
Without the shirt that's supposed to Beckman.

Speaker 3 (01:09:10):
I guess according to AI, I like the one with
the shirt because he kind of he could also be
a chocolate chip muffin. It's got like like hardened Gresa
is heading.

Speaker 4 (01:09:22):
Okay, Okay, Next, do Popeye Doyle as a potato because
that's specifically his character.

Speaker 3 (01:09:30):
He just really wants the hat on him. Okay. So
next we see Bridges show up at the competition searching
for Arnold, although when he finds him, Arnold is a
little cold towards him, and we also get the titular
line of the film as Arnold tells Bridges he doesn't

(01:09:50):
want to indulge in the country club lifestyle because if
you get too comfortable, it becomes hard to give that
comfort up. He'd rather stay hungry.

Speaker 4 (01:09:58):
I like that line.

Speaker 3 (01:10:00):
Yes, that's a decent little thing. Too bad it's not
in any of the rest of the movie.

Speaker 4 (01:10:05):
Like it's the movie is not about it's way too late.

Speaker 3 (01:10:08):
Yes, like the movie is not about that at all.

Speaker 4 (01:10:10):
Yeah, yeah, true, it's like it's a very good line
to where it's like it's complete different movie to where
it's like Arnold, like not connecting. This would make more
sense with the mask thing, like where she's like, you
gotta take a mask off. He's like, no, I can't.
I have to stay hungry.

Speaker 2 (01:10:23):
You can't eat with the mask on.

Speaker 4 (01:10:27):
That's what I'm trying to stay hungry. I got to
stay in shape. You also see Franco.

Speaker 3 (01:10:30):
Yeah, Franco.

Speaker 4 (01:10:32):
Well he gets introduced and I think it's a blurry
Franco because he's like, yeah.

Speaker 2 (01:10:36):
Franco, sir. Or now they say he came all the
way from Sardinia.

Speaker 4 (01:10:40):
Yes, which is Franco. Franco. It's it's not the right
last name, but it's something with an o.

Speaker 2 (01:10:48):
Franco O lumbo Jesus, Christ Joy, did you send something else?

Speaker 3 (01:10:54):
Jesus, that's horrible.

Speaker 4 (01:10:59):
It's just Popeye with I know what.

Speaker 3 (01:11:02):
This looks like as.

Speaker 4 (01:11:08):
You know, what's great is it? It works because it's
like it's a potato. So it's like the spud like
they want to like those nipples are I don't.

Speaker 3 (01:11:17):
Like that, although I have to imagine Gene Hackman's body
kind of looks like that.

Speaker 4 (01:11:29):
You know what sucks ism in a massive AI for
like an hour after this, trying to trying to get
like a more accurate good one.

Speaker 2 (01:11:36):
You gotta give a lot of prompts and negative prompts
to get like specifically what you want, So like can
you feed pictures and do it? Some of you can,
but it's probably like a premium plan. I just mainly
like do it for just jokes, Like I think.

Speaker 3 (01:11:50):
Uh, that's not a joke. That's a fucking crime.

Speaker 2 (01:11:55):
So I was hagging out with some friends and somehow
you got on Like it was like, oh what if Okay,
I was on your team but you didn't like him
like he's good, Like yeah, what if he's an asshole?
Like what if it's Hitler playing running back on your team?
And then you know that it came whole thing. And
then of course I had to do some AI generated art.

Speaker 3 (01:12:17):
They're playing running.

Speaker 2 (01:12:19):
Yeah.

Speaker 4 (01:12:19):
I tried to put Hitler into something and it wouldn't
do it.

Speaker 2 (01:12:23):
Some of the stable diffusion. I think you get ten
credits a day, so ten pictures a day, and you
can put in.

Speaker 4 (01:12:30):
Whatever, okay, like chat ge whatever, yeah, TP or PT. Yeah,
I am doing that Hitler ship. Yeah that's what it's
said too. Also, okay, back to the move real quick.
You get a Ken Waller like showing off like a Arnold.
Look look what I can do resting a fresca on

(01:12:51):
his titties. Take a place to rest. I'm not even then.
I don't watch the movie either. I was gonna say,
watch the movie.

Speaker 3 (01:13:00):
Yeah, alrighty.

Speaker 4 (01:13:01):
And that's as good a place as any to wrap
up the first half of our summary for Stay Hungry.
But we'll be back in just a few days to
finish things off, as well as take care of all
the other fun stuff we usually do before we finally
get to throw this damn movie at the mercy of
the spreditor. Until then, we'd be eternally grateful if you'd
take just thirty seconds to leave us a rating review
on either Apple podcast or Spotify. It helps us out

(01:13:22):
so much and we always appreciate any sort of constructive
feedback from our listeners. Anyway, thanks so much, and we'll
see you guys in a few days.

Speaker 3 (01:13:30):
See the If you enjoy our show, please consider giving
us a positive review on Apple Podcasts or your podcast
app of choice. You can follow us on Twitter and
Instagram at the Potty Richter to make sure you never
miss an episode. See you with The Potty Richter is
a production of tape Deck Media. Follow tape Deck on
Instagram at tape deck Underscore Media, or look us up

(01:13:53):
on Facebook for more hilarious podcasts.

Speaker 1 (01:13:56):
This has been a tape Deck Media production.

Speaker 4 (01:13:59):
Thank you for listening.

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Stay Hungry: Movie Summary Pt. 1

Episode Transcript

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.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}On Purpose with Jay Shetty

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Stay Hungry: Movie Summary Pt. 1

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