Threading Destiny – Behind the scenes of the movie Sew Torn

Today we’re threading together sewing, and fate with some of the extraordinary people behind one of the most innovative and visually striking films of the year—Sew Torn. It’s a thriller. A dark comedy. And a stitched-together cinematic wonder that explores how every decision unravels a different destiny.

In Sew Torn, Barbara Duggen—‘The Mobile Seamstress’—stumbles upon a drug deal gone wrong. Faced with a suitcase full of cash and two injured men, she must choose what’s next Each decision plays out in a unique timeline, with wildly different and increasingly dangerous consequences. The result is a story of grief, survival, and redemption—where thread becomes both weapon and lifeline.

Joining me are the father-and-son creative team behind the film: Freddy Macdonald, the 24-year-old - youngest-ever Directing Fellow at the American Film Institute. Freddy’s debut feature Sew Torn premiered at SXSW and headlined the Locarno Film Festival’s Piazza Grande. His thesis film, Shedding Angels, won a Student Academy Award and was shortlisted for a BAFTA. Sew Torn was acquired by Vertigo Releasing and Sunrise Films and opened theatrically nationwide 

Alongside him is his father and producing partner Fred Macdonald—a seasoned media executive and writer whose companies have collaborated with Disney, DreamWorks, Lionsgate, and more. As former CEO of Olive Jar Studios, Fred led creative for award-winning theme park media and advertising campaigns, including a CLIO Gold-winning Coca-Cola spot.

Also joining us is the magnetic Irish actor, Eve Connolly. A graduate of Dublin’s Gaiety School of Acting, Eve launched her screen career in Into the Badlands, and has since appeared in The Other Lamb, Vikings, and River Wild. In Sew Torn, she brings grit, emotion, and inventiveness to her role as Barbara—a woman who sews her way out of impossible circumstances.

We’ll talk about how sewing literally powers the film—from embroidered “Talking Portraits” to stitched title cards to intricate Rube Goldberg-style thread rigs. And we’ll explore how the film’s visual and emotional complexity reflects the choices we make—and the ones that make us.

(3:27) Hear a clip from the movie that sets the scene for the whole movie. Fred and Freddy comment on it. Hear how the concept for this film was Freddy’s entrée to the American Film Institute. No Country For Old Men had something to do with this!

(6:33) What was it like to get a call from Joel Cohen? Fred explains. The three things Fred heard on the initial call from a friend Peter Spears, Joel Cohen wants to meet, Searchlight wants to buy the short film, Rich Klubeck from United Talent Agency (UTA) wants to represent Freddy as a director. This all happened while Freddy was still a high school senior.

(10:17) How did the whole movie launch from the simple idea of a lost button? And by the way…there were NO computer-generated effects in the movie.

 

(13:30) What’s it like for Freddy and Fred to work together? Do they always agree? agree? Freddy learned stop motion animation at the age of nine…from his dad. At the same time Fred taught Freddy to write films!

 

(17:11) Three altering decisions. Why this story structure? Freddy explains the difficulty in making the feature length film out of the short.

 

(19:49)How long did it take from beginning to end to make the film? Well…Freddy was 18 when they started – and just turned 24 as it was released!

 

(20:24)Freddy and Fred explain the Rube-Goldberg contraptions they built. No-tricks…everything was in camera…with a small budget too! And…what was their OMG moment?!

 

(23:46) The embroidered talking portraits…Fred and Freddy talked about these innovative elements in the movie and how they were created. Learn how BERNINA was essential in creating these and how they all worked together. Hear about the Metler introduction and how t