It Was A Sh*t Show
Why did it take so long to make a Simpsons movie? Did Ed Harris really almost drown on The Abyss? How many times have they attempted to reboot Batman? And who thought Ugly Sonic was a good idea? Well, making stuff is hard. Especially in the entertainment world where big egos, bigger budgets, and just plain bad luck can make things go horribly wrong. In each episode of It Was a Sh*t Show, hosts Ian, Rae, and Clint dive into the unbelievable behind-the-scenes stories of disastrous, never-ending, and often dangerous productions. New episodes on Wednesdays. Full video versions of Deep Dives can be seen on YouTube. Follow us on on social media @ItWasAShtShow. Hosted on Acast. See acast.com/privacy for more information.
Episodes
Making promotional art is hard. Let’s talk about how some movie posters dealt with controversies, from the royalties for Pulp Fiction, to the whitewashing on Couples Retreat.
Special Guest: Jonathan Giesbrecht from Paper and Light
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Making Blade act is hard. Let’s talk about how difficult it was to make Blade: Trinity, from Wesley Snipes refusing to show up on set, to him suing New Line Cinema for taxes.
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In the entertainment worl...
Making monsters is hard. Let’s talk about how difficult it was to make Universal’s Dark Universe, from abandoning Dracula Untold as a franchise starter, to 2017’s Mummy burying the shared universe before it could begin.
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Sourced Audio:
Collider: http://y2u.be/eMNvXdpjZ10
Fandom: http://y2u.b...
Stealing from drug lords is hard. Let’s talk about how difficult it was to make Triple Frontier, from its decade long journey to existence to the endless rotation of big name stars.
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In the entertainmen...
Making a video game into a movie is hard… still. Let’s talk about how difficult it was to make Uncharted, from the decade long quest to film it to being shut down by COVID as soon as they started.
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In ...
Dealing with fascism is hard. Let’s talk about how difficult it was to make Starship Troopers, from the years it took to get the film financed, to the initial response not understanding Paul Verhoeven’s satire.
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Making Benecio del Toro a wolf is hard. Let’s talk about how difficult it was to make The Wolfman remake, from replacing the director one month from filming to Rick Baker’s make-up being replaced with CGI.
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In the entertainment world, there are millions of dollars ...
Creating the Land of Oz is hard. Let’s talk about how difficult it was to make The Wizard of Oz, from the dozen of on set injuries to the infamously poor treatment of Judy Garland.
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Chapters:
00:00 - Intro
00:27 - L. Frank Baum’s Wonderful Wizard of Oz
01:38 - Early Attempts at Adapting
03:13 - Producer Mervyn LeR...
Making sense of Ninja Terminator is hard. Let’s talk about how difficult it was to make movies directed by Godfrey Ho, from pumping out over 150 films in 20 years to splicing ninja footage into already existing films.
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In the entertainment world, there are millions of dollars on the li...
Apologies for the poor audio quality!
Recorded Live at FanX, Salt Lake City, September 27, 2024.
For two decades, Sylvester Stallone and Arnold Schwarzenegger were locked into one of the most heated rivalries in Hollywood. Being the two biggest action stars of all time, they traded insults, started rumors, and tried one-upping each other in all their movies. Join Cinema Therapy and It Was A Sh*t Show as they discuss the egos ...
Making the perfect organism is hard. Let’s talk about how difficult it was to make the Alien trilogy, from James Cameron feuding with his British crew on Aliens to David Fincher being micromanaged by Fox on Alien 3.
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Chapters:
00:00 - Intro
00:35 - Dan O’Bannon’s Alien
01:25 - David Giler & Walter Hill’s Rewr...
Losing your star is hard. Let’s talk about how difficult it was to make The Crow, from the crew fighting rumors about a cursed film to Brandon Lee’s tragic on-set shooting.
Special Guest: Sequoia Simone (@sequoiasimone) from But Make It Scary (@butmakeitscary)
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Podcast Chapters:
- 00:0...
Making tornados is hard. Let’s talk about how difficult it was to make Twister, from rewriting scenes as they filmed to director Jan de Bont possibly abusing his crew.
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In the entertainment world, there are millions of dollars on the line and troubled productions are bound to happen. W...
Making a sequel when there can be only one is hard. Let’s talk about how difficult it was to make Highlander II: The Quickening, from the financial troubles ending production before finishing to the multiple versions of the final film.
Special Guest: Alan Seawright (@alanseawright) from Cinema Therapy (@CinemaTherapyShow)
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Making a sequel to The Avengers is hard. Let’s talk about how difficult it was to make Avengers: Age of Ultron, from writer/director Joss Whedon caving to his own ambitions, to the Marvel Creative Committee forcing him to make changes.
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Sources:
- Birth.Movies.Death.: https://bit.ly/3RCkIpJ
- BuzzFeed: https://b...
Motor mouthing your way into places is hard. Let’s talk about how difficult it was to make the Beverly Hills Cop movies, from the first one originally starring Sylvester Stallone, to the third film shutting down a month before production.
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Podcast Chapters:
- 00:00 - Intro
- 02:01 - Beve...
Making the Western Godfather is hard. Let’s talk about how difficult it was to make Tombstone, from writer/director Kevin Jarre getting fired four weeks in, to Kurt Russell possibly ghost directing to finish the movie on time.
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In the entertainment world, there are millions of dollars ...
Being canceled three times is hard. Let’s talk about how difficult it was to revive Futurama, from the evolution of television over three decades, to Fox (then Disney) undercutting voice actors’ salaries.
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Sources:
AV Club: https://bit.ly/3xejcTZ
Deadline: https://bit.ly/3PIBxiw
Entertainment Weekly: https://bit.ly/3Pvjn3u
Making apes talk is hard. Let’s talk about how difficult it was to make the 2001 version of Planet of the Apes, from the likes of James Cameron, Oliver Stone, and Peter Jackson all trying to remake it, to Tim Burton struggling with the time constraints.
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In the entertainment world, the...
Making a star act with a T-Rex is hard. Let’s talk about how difficult it was to make Theodore Rex, from the court case that forced Whoopi Goldberg to be in it, to a writer/director ill-equipped to handle the situation.
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