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July 21, 2025 25 mins

Summary:

This episode of Sleep With Rock Stars dives headfirst into the sweaty, safety-pinned heart of punk rock history—yep, we’re talking about the Buzzcocks. You know, the band that basically invented emo before emo knew it was a thing, all while looking like they just crawled out of a Manchester thrift bin.

We’re rolling out our new mini-segment, Singles Going Sleepy—a nod to Buzzcocks' greatest hits and your greatest hope of falling asleep before 2 a.m. (No judgment. We've all seen the sun come up while doomscrolling.) Just to keep it fuzzy, we’ll add a white noise background sound to this bonus episode.

We’ll rewind to 1976, when a young Pete Shelley and Howard Devoto decided to make music that sounded like a fistfight between teenage angst and British pop sensibilities. It was fast. It was loud. It was catchy enough to make your mom hum along before realizing she was accidentally enjoying punk rock.

As we trace their rise, breakups, makeups, and everything in between, we’ll highlight how their buzzsaw riffs and lovesick lyrics inspired generations—from early punks to indie darlings who sell vintage Volkswagons.

So, tuck yourself in, turn the volume down (but not too low—punk still deserves a little volume), and let our gentle narration lull you into slumber with tales of distorted guitars and romantic disillusionment. Because nothing says “sweet dreams” like heartbreak set to a three-chord progression.

This episode's source is the Wikipedia entry for Buzzcocks, on 9 July 2025 at https://en.wikipedia.org/wiki/Buzzcocks

Show Notes: Buzzcocks – Angst, Anarchy & Surprisingly Catchy Existential Crises

  • 🧷 Ever fallen asleep with someone you shouldn’t’ve? Welcome to Sleep With Rock Stars, where punk meets pillow talk—and tonight, it's all about the Buzzcocks, the band that made love sound like both a beautiful mistake and a head injury.
  • 🏭 Set your time machine for 1976 Manchester—where the factories were closing, the future looked bleak, and two guys named Pete Shelley and Howard Devoto decided to start a band because going to art school and being weird just wasn’t enough.
  • 🧪 Their formula? Take punk's raw, sweaty energy, stir in a little pop sensibility, and top it off with lyrics that make you question your emotional development. Science fiction, modern emotion? Yeah, they basically wrote the Gen X user manual.
  • 🎶 We break down their legendary singles—from “Orgasm Addict” (NSFW and possibly NSF-consciousness) to “What Do I Get?” (Answer: mostly heartbreak and confusion)—and their ability to make loneliness sound like a bop.
  • 🔍 Deep dive alert: We analyze their lyrical themes like love, disconnection, and not fitting in—basically everything you screamed into a diary in 1983 while wearing your older sibling’s army jacket.
  • 🧠 Pete Shelley: the man who could turn anxiety into art and make it hummable. We honor his legacy, his synth detour in Homosapien, and his ability to write about sexual identity long before it was on every corporate Pride ad.
  • 🌀 Devoto fans, don’t worry—we acknowledge his brief but potent stint with Buzzcocks before he went off to invent post-punk with Magazine, because one genre wasn’t enough for his existential dread.
  • 🧘‍♀️ Think of this episode as a bedtime story for grown-ups who never quite got over their first crush. Our dulcet narration may help you drift off while we talk about rejection, alienation, and the melodic beauty of “I Don’t Mind.”
  • 🕯️ Bonus Buzzcocks Zen: There’s nothing quite like being lulled to sleep with tales of Love Bites and A Different Kind of Tension. If that doesn’t relax you, we...
Mark as Played
Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:21):
Tonight on Sleep With RockStars, we'll sleep with buzzcrocks
as a special introduction toour upcoming series of short sleep
tips called Singles Going Sleep.
If Sleep With Rockstars helpsyou relax or fall asleep, please
subscribe in your favoritepodcast app.

(00:43):
Hook us up with a five starrating and kind review.
You can support your goodnight's sleep by tossing a few dollars
in our tipjar@sleepwithrockstars.com support
our fan club members gainearly access to all of our episodes
and special exclusive contentas well.
You can find itall@sleepwithrockstars.com support

(01:08):
welcome to Sleep with theRockstars the Gen X Sleep Podcast.
Because you deserve a goodnight's sleep or whatever.
I'm Sloane Spencer.
In each Sleep With RockstarsSleep Podcast episode, I will read
from Wikipedia about yourfavorite Gen X musicians.

(01:30):
You may find that the more youlisten, the more your mind will begin
to associate these storieswith sleep.
So so feel free to return toeach episode again and again.
Repetition creates a signal toyour brain that it's time to rest.
And if the musical act isn'tyour favorite, that's perfectly okay.

(01:56):
You don't need to pay close attention.
Instead, let the words washover you.
Let their rhythm and andsoftness lull you not for interest,
but for sleep.
You are not here to be entertained.
You are here to let go.
Now let your breath guide youdeeper into stillness.

(02:21):
Take a moment to gently closeyour eyes.
Let your body begin to rest.
There's nowhere you need tobe, nothing you need to do.
This is your time.
A time to let go of the day.
Unwind and allow your mind toslow down.

(02:44):
Breathe in.
Invite calm with each breath out.
Release the tension as yourbody begins to soften into the surface
beneath you, imagine a gentlewave of warmth from the crown of
your head to the tips of yourtoes, carrying away the weight of

(03:08):
the day.
Briscoe are an English punkrock band.
Its singer, songwriter,guitarist Pete Shelley and singer
songwriter Howard Devoitoformed in Manchester in 1976.
During their career the bandcombined elements of punk rock, power
pop and pop punk.

(03:29):
They achieved commercialsuccess with singles that fuse pop
craftsmanship with rapid firepunk energy.
These singles were latercollected on Singles Going Steady
and acclaimed compilationmetal music journalist and critic
Ned Reich described as a punk masterpiece.
DeVoto left Cabell in 1977 andformed a magazine after which Pete

(03:55):
Shelley became the principalsing' n songwriter.
The classic lineup of Shelley,Steve Diggle guitar, Steve Garvey,
bass and John Marr, drumsrecorded Westcock's first three albums,
after which Azan broke up in1981 along in dispute with their
record label.

(04:17):
The band reunited in 1989 andreleased six more albums before Shelley's
death in 2018.
Prolific members during thattime included Tony Barber bass and
Phil Barker Jones.
The band has remained Eric DJr by longtime guitarist Dickel most
since also assumed vocalduties as of 2019.

(04:41):
The band consists of TiggleDaily Ferret drums Chris Remington
bass and touring member MiniParizzola guitar, backing vocals.
New slide released the band'stenth album, Sonic Cinema Soul in
2022.
Career Early Years R.Chafford, a student at Bolton Institute

(05:05):
Institute of Technology whohad been involved in electronic music,
placed a minus in the collegelooking for musicians to play the
Velvet Underground song Sister Ray.
Fellow student Peter McNishhe'd played in a rock band called
jets of Air responded to the notice.
By late 1975, Ruth McNish hadrecruited the drummer for mintly

(05:29):
version of what would becomeBuzzcock's the band formed in February
1976.
Ignatius singed the stage namePete Shelley and Draft himself Howard
Devo devopo and Shelley chosethe name Buzzcocks after reading
the headline it's the Buzzcockin the review television series Rock

(05:51):
Volleys in Time out magazine.
The buzz is the excitement ofplaying on stage and Cox Northern
English slang and friend.
They thought the name capturedthe excitement of the nascent punk
music scene that in the sexualconnotations of Pete Shelley's time
working in a Bolton adultshop, Gluz Cox performed live for

(06:15):
the first time on the 1st ofApril 1976 at their college.
Girth Davies played bassguitar and Mick Singleton, who also
played in a local band, BlackCat Girl played Thumbs after reading
an animated review of the SexPistol's first performance in 1976,
Shelley and DeVoto traveled tohigh Wycombe together to see the

(06:37):
band.
Shelley and DeVoto wereimpressed by the show and arranged
for the Sex Pistols to performat a lesser Free trade hall in Manchester
in June 1976.
Buzzcocks intended to play atthis concert, but the other musicians
dropped out and Shelley andAveo were unable to recruit replacements
in time for the Keg Wentz.

(06:59):
They hit the greeted bassguitarist Steve Diggle and drummer
John Mayer.
Wenz Cox made their debutopening for the Sax Festival's second
moon Chesterbots on 20 July1976 at the same venue.
A brief clip of Gefoto EraBuscox performing the Drogs I Can't
Control Myself appears in thedocumentary Attitude, which was directed

(07:22):
by Don Lutz Lens Cox madetheir London debut at the Screen
on the Green in support of theClash and the Sex Pistols, While
the next one they played thetwo day 100 Club Festival which was
organized by Malcolm McWaneryand would later replace the Damned
on the Anarchy and Uptool.
In between these liveperformances, Buzzcocks began developing

(07:45):
their own material andrecorded an 11 track demo at Stockport
Studios which was eventuallyreleased in 1991.
By the end of the yearBuzzcocks had recorded and released
a four track EP called SpiralScratch which they released on their
own label Yormans, making themone of the first punk groups to establish

(08:06):
an independent record label.
BEP was produced by MartinManit at Ipigo Sound Studios.
The music was roughly recordedconsistently repetitive and energetic.
Bep was re released inSeptember 1979 and reached number
31 in the charts.
In March 1977 Devoto announcedhis departure from the band, expressing

(08:31):
his dissatisfaction with thedirection punk was taking in his
statement I don't like movements.
What was once unhealthilyfresh is now a clean old hat.
He returned to college for ayear and formed the band called Maggots.
Pete Shelley took on the vocalduties for Buzzcocks and moved away
from Social Commentary to Adolescents.

(08:54):
Steve Diggle switched frombass to guitar and Garth Davies,
also known as Garth Smith,rejoined Buzzcocks to play bass.
The band joined A Clash assupport on the White Riot tour.
Mainstream success the newlineup signed with United Artists
Records at Electric CircusManchester on 16 August 1977, the

(09:16):
day Elvis Presley died.
The first UA Buzzcock singleOrgasm Addict was released in October
1977.
It was the start of acollaboration with producer Martin
Merschnd that would last untilthe end of the decade.
The band embarked from aheadlining tour during which Smith
was found to be unreliable andwas replaced with Stiefar Buzcock's

(09:41):
next single what Do I Get,which was released in February 1978,
reached number 37 in the UKchart, was followed the next month
by their debut album AnotherMusic in a Different Kitchen, which
reached number 15 in chart.
In May a band embarked on theentertaining Prince to art, while

(10:01):
a third single I Don't Mindreached number 55 in the singles
chart in July.
A fourth single, Be More 34.
The band spent mid-1978 withGrave's second album Love Bites,
which reached number 13 in thechart after a 26 state UK tour, Muscox

(10:22):
gained success as their singleEver fallen in love with someone
you shouldn't have reachednumber 12 in the UK chart in October
1978.
In December the band releasedthe single Omesis which reached number
20.
The single's B side, Lipstick,carried the same ascending progression
of notes in its chorus asmagazines first single Shot by Both

(10:46):
Sides which was released earlythat year.
In 1979, Buzzcocks preparedfor their first European tour.
While working on new material,the band released the single Everybody
is Happy Nowadays whichreached number 29 in the chart.
The tour that followedculminated at Aaron Smith 30th.

(11:07):
The concert was recorded whenreleased in 1992 as Entertaining
Friends.
In mid-1979 the band completedthe recording of the third album
while a second single Harmonyin My Head which reached number 29
in the chart.
The tour that followed Coloneland Hammersmith Odeon concert was

(11:29):
recorded and released in 1992as Entertaining friends.
Prior to their first filmventure to the US, IRS Records released
the band's singles compilationsingles Coming Steady Air.
The band's third album, ADifferent Reputation was released
at the end of September 1979and reached number 26 in the chart

(11:54):
while the band completed thesecond UK tour.
The album's single you say youDon't Love Me sail the chart.
A period of inactivity stooduntil September.
Megan he and the Double A sidewhy She's a Girl from the Chain Store
Our Everything was released atage 61 and was the band's last charting

(12:17):
single.
Two further singles, StrangeThing and Running Free failed to
chart while the band embarkedon a truncated media tour, Wake up
and Reunion.
After recording demos for afourth album, Buzzcock's disbanded
in 1981.
Elliot took up a solo careerand de volume on five of comedians

(12:39):
and released several singles.
Between 1982 and 1989, Garveyformed Renovation and joined B Wilkins,
moving to New York shortlyafterwards to continue motivation.
Ma had joined WA by the timeMuscox broke up.
As of 2012 he owned John Maherracing a vintage Volkswagen performance

(13:02):
tuning workshop on the Isle ofHarris, Scotland.
Between 1988 and 1889, EMI rereleased a bunch of Blizzcock's back
catalog on Compact Desk aswell as a PO Sessions album in a
box set called Product.
This prompted the band toreform with either dual lineup or

(13:23):
world tour.
Mom was briefly replaced withthe Smith's drummer My Choice.
In 1991, Black Fox releasednew material of the four track Be
Alive Tonight in the U.S.interest in the band increased after
IRS Records released thecompilation album Race Manual Was

(13:43):
Oxford was followed two yearslater by the fourth studio album
Trade Test Transmission in1992, bassist Jenny Barber and drummer
Phil Barker joined Buzzcocks.
This lineup toured withNirvana in 1994, one of Nirvana's
last tours.
In 1996 Muskox released thelive album the French, which was

(14:07):
recorded in Paris the previous year.
Also in 1996, the band's fifthstudio album All Set was released.
Glascox continued to tour andin September 1999 it released the
album MAR.
In 2000, few records releasedthe 1976 dinners were recorded while

(14:28):
Devoto was in the band asTime's up.
This album includes alternatelyrics of all the tracks For Me,
the Spiral Scratch and earlyversions of tracks that later appeared
on another News in a differentkitchen 21st century 2000 Ally divided
a collab for the first timesince 1976, producing the album Kuzkunst

(14:52):
Kinstream, the German word for art.
The album is a mix ofelectronic music and punk.
Buzzcock's two artists supportthe Pearl Jam of 2003 and release
their seventh self titledstudio album in 2005.
As a tribute to BBC Radio 1disc jockey Chung Pyo, Shelley re
recorded Ever falling in lovewith someone you shouldn't have with

(15:16):
the group of Voting, RogerDaltrey, David Gilmore, Peter Huck,
Elton John, Robert Lant andseveral the Barriers fans.
Seeds from the single weredonated to Amnesty International.
Shelley also performed thesong live with Plant, Daughtry Gilmore
and Jeff beck at the 2005 UKMusic Hall.

(15:39):
In April 2006 Parker leftBuzzcox and was replaced with Danny
Farrant.
In March 2006 the bandreleased their eighth studio album
Flatback Philosophy on LookingVinyl Record.
On the supporting tour,Buzzcocks played on the leg of the
mid 2006 Dan Sport Tour andmade an appearance at Maximo Park's

(16:01):
homecoming gig in NewcastleTongue Tie on 15th December 2007.
In April 2008 Barbara left theband and was replaced with Chris
Wigton.
In January 2009 Buzzkoxembarked on a UK European tour but
Be Another Bites tour in whichthey played the first two albums

(16:21):
in full as well as an encoreof their other hits.
In the same year, Muskoxplayed in Serbia for the second time
at the exit festival Elizad.
Their song Joaquin Torture wasplayed in the second episode of the
sixth season of the televisionseries Entourage.
On 9 November 2009 Wes Coxgave a performance on a small balcony

(16:44):
overlooking Paine Street,Dublin for the viral music show Mahoney
TV.
In December 2009 the bandplayed as the main support act for
the Cortinas.
In August 2011 they headlinedthe first night of the Rhythm Festival
Bedfordshire on 25 May 2012 inManchester at the O2 Apollo on 26

(17:08):
May in Brixton at the O2Academy, Buzzcocks performed with
the original lineup including Devoto.
On 26 May 2012 the bandannounced for the first time it would
headline Thursday night theEmpress Ballroom Rebellion Festival
in Blackpool performing ThreesPublic Limited and Social Distortion

(17:28):
on One Me.
In 2014 Puscox released thealbum The Way Pledge Isn't on 13th
September 2014 Nicolettebriefed the Trail was set at Riot
fest in Chicago, Illinois, USin October 2014 it toured the UK
for three weeks with the DollyRoss as Mains.

(17:49):
In 2016 the band embarked ontheir 40th anniversary tour of the
Skogs Ford.
In 2017, Moonflight Tattoosfeatured the opening segment of the
Telltale Game Guardians of theGalaxy Shelley's death and Aftermath
Shelley died on 6 December2018 from a suspected heart attack

(18:10):
at his home in Town Stony June 20th.
Fox performed with severalguest vocalists as a tribute to Shelley
Concert had been plannedbefore his death.
Steve Diggle said that BloodScott would continue if the poached
Shelley Buncox being a new eraSonic's in the Soul the band's first
album without Shelley wasreleased in September 2022.

(18:33):
It featured Diggle on allvocals including the truth to Shelley
in the arm of the track you'vechanged everything now style Buzzcocks
are a punk rock band thatexhibited crisp melodies, chiming
guitars and biting.
Theirs a great Mark Deming onHomies and instead of drawing political

(18:55):
names, the band brought anintense brilliant figure to the three
minute pop song.
Powered by Shelley's alternateUKling and anguished lyrics about
adolescence and love backed bymelodies, folks are concise and memorable.
Buzzcock's distinctive soundcombines catchy pop melodies with
punk guitar energy mappedclear of usually tight and skillful.

(19:18):
In the possession they threwIzuku and lyrical sophistication.
By the end they were quotingAmerican writer William S. Burroughs,
a different kind of pension,including their catechism in the
anthem I Believe and zoominginto a fantasy gift station on which
their songs can be heard.

(19:38):
Legacy Mascots have had asignificant impact on the American
bunk hardcore in indieriotics, being cited as an influence
by the Guinness guitaristYspay, Ray Arte, Quartz, Espido,
Super Junk and Dagmasti.
The Smith's Johnny Marr hasstated that Buzzcocks influenced

(19:59):
them massively in the way weapproached our record slaves and
our choice of independentrecord company because of the Buzzcocks,
which are Gone man kearney&tDIY ethic.
Oscock's name was combinedwith the title of the Sex Pistols
album Nevermind the Barshere's the Sex Pistols to create
the title of the long runningUK comedy television panel game show

(20:22):
Nevermind.
Scox Dickens said in thisautobiography Ian Shelley only granted
the BBC use of the name underthe impression it would be a one
off, probably unsuccessfulpilot and that they are now mildly
disgruntled.
The name was more readilyassociated in Britain with the series
than with their band.
Shelley appeared on theprogram in 2000.

(20:44):
Most Mark Lemont introducedShelley by saying, without Buzzcocks
there'll be new Smiths orRadiohead and the show would be called
Nevermind.
General Retreating Mark Gummyhas always called Buzzcocks one of
the best, most influentialpunk bands of all time.
Current Steve diddle LocalsTar 1977 through 19811989 Big Crescent

(21:10):
Bass 1976 through 1977 Dan AirDrums 2006 through Passengers Mr.
Minton Bass 20082 PassengersSchwartz Met Parrot Silvery Guitar
Back in the 2019 to presentWarmer Lacking 76 to 19811989 to

(21:39):
2018 Died 2019 Howard For HerNeither of Course 1976 to 19772012
Clark Smith Bass 1970s 61977Nixon Wilson Charles 1976 John Laurer

(22:03):
Crox 1976 through Vacuum1989197312 Duffy & God Base Steep

(22:23):
Base Baby Bike Dolls TRS Readythe Like Nanny One Still Keeps Me

(22:45):
Phil Arpa Movies 19922006Discography Studio albums Another
Music in a Different Kitchen1978 Mach Bites 1970 A Different
Kind of Dudgeon 15 SubmenaTime's Up Working Really Long Very

(23:08):
Test Transmissions 1993 AllSet 1996 Modern 1999 Oz Cox Keep
Housing 3 Got Lots of 6 AwayJuly Year 400.
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