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August 9, 2025 47 mins

Australian/American soprano Rachelle Durkin began her career in Australia, winning three of that country’s major vocal competitions: The Herald Sun Aria, The Marianne Mathy Scholarship and The Metropolitan Opera Award. Immediately following her successes, she flew to New York City where she was a recipient of the prestigious Metropolitan Opera National Council Auditions and was accepted into the Lindemann Young Artist Development Program.

Rachelle subsequently became an established solo artist at The Met, singing leading roles for many years – most notably Norina in Don Pasquale (recorded live for Sirius Radio), Lisa in La sonnambula (recorded live Sirius Radio), Clorinda in La Cenerentola (recorded live Sirius Radio and DVD release), Mrs Schlesen in Phillip Glass’ Satyagraha (recorded live Sirius Radio and DVD release), Frasquita in CarmenMasha in Pique Dame, First Flower Maiden in Parsifal (also at Salzburg Festival under the baton of Maestro Levine), and Young Girl in Moses und Aron.

2021/2022 engagements included Tytania in A Midsummer Night’s Dream and The Governess (The Turn of the Screw) in Adelaide, Morgana (Alcina) in Canberra and Musetta (La bohème) in Perth; in 2023, she returned to Opera Australia as Mrs Schlesen, to Perth as Musetta and was soloist with the Sydney, Tasmanian and West Australian Symphony Orchestras. In 2024, she sang Donna Anna (Don Giovanni) in Hawai’i and was soloist for West Australian Opera, Opera Queensland, Australian Baroque and the Australian Youth Orchestra. In 2025, she returns to Opera Australia as Musetta in their Sydney Winter Season of La bohème.

A highly adept interpreter in a wide range of repertoire spanning from the baroque to modern masterpieces, Rachelle’s other noteworthy performances include: Kumudha in John Adams’ A Flowering Tree for The Perth International Arts Festival; the title role in Alcina (c: Richard Hickox), Armida in Rinaldo (c: Trevor Pinnock) and Angelica in Orlando for Opera Australia. Rachelle received Helpmann Award nominations for all four of the aforementioned appearances. She received her fifth nomination for Haydn’s Armida with Pinchgut Opera (c: Antony Walker).

Other highlights have included Romance at the Met – Opera’s Most Romantic Moments (an iTunes exclusive with tenor Matthew Polenzani); soloist in Beethoven’s Symphony No. 9 with Detroit Symphony Orchestra (c: Leonard Slatkin) and West Australian Symphony Orchestra (c: Asher Fisch), performances with Bryn Terfel and Lisa McCune at Leeuwin Estate Winery and Gala Concerts with Placido Domingo and José Carreras.

Rachelle returns to Opera Australia in August and September as Musetta in gale Edward’s celebrated production of Puccini’s La Boheme.

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

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