Stepping Off Now: Support for Neurodivergent Creatives

Managing a large creative project that must be done in stages and with attention to what seems like a million intertwined details is a skill that must be learned through trial and error. Most projects are in the "ugly" stage until they are very near completion, and this can be frustrating and confusing when you have a grand vision of what you are trying to accomplish. In this episode I talk about what writing a novel taug...

Note: my microphone wasn't working properly for the interview portion of this episode; I apologize for the less-than-ideal sound quality of my parts.

At last the long-awaited first installment of my author interview series!  KRISTIN KISSKA used to be a finance geek, complete with her MBA and Wall Street pedigree, but now she is a self-proclaimed #SuspenseGirl. She has contributed over a dozen short suspense stories to crime and...

Here in Florida our challenging season is summer--it's both broiling hot and rainy. My backyard turns into a literal swamp. It can be hard to maintain motivation for our creative work when the weather and climate are so uncomfortable. Maybe in your area it's winter that's the challenging season. If you struggle to keep up your momentum during these times, I have some suggestions on how to handle your creative work in...

Beyond passion, skill, and commitment, there is another quality that defines what it is to be an artist: the ability to make choices in your art and follow through on them. In this episode I contemplate how being stuck in art (and life) is often more the result of a fear of making wrong choices than a lack of inspiration. It can help to shift our mindset to see artistic choices as neutral, and to understand that we have the power t...

I've long thought that talent is the least important ingredient in artistic success (however you define that). The further I get in my writing career, the less it seems to matter whether I have any "natural" talent. What matters is consistent and sustained effort over time. In this episode I contemplate whether talent is what we think it is, and provide an alternative framework for conceptualizing it that can help fr...

I recently added a second creative practice to my roster of creative activities: watercolor painting. While I definitely felt ready for this big step, it has nonetheless served as a disruption in my life and to my understanding of the role of creativity in my life. In this episode I contemplate the value of disruption and how both planned and unplanned disturbances to our status quo can help us grow creatively and develop a deeper ...

Creatives and artists can be roughly divided into two types: intuitive and conceptual. Many do successfully combine both styles, but I have never been able to. I am a strongly intuitive writer and have historically failed at incorporating conceptual tools, like outlining and plotting, into my practice. As part of my journey toward being a published author, though, I've been forced to consider using conceptual tools to streamli...

As the wheel of history lurches forward I've been thinking about what role I play in society as an artist. What do I contribute? How can I make a positive difference? Typically this kind of discussion focuses on the artist's art, but I've taken a different view. I want to know what role artists themselves play, separate from their art. In this episode I contemplate this question and offer some thoughts.

Hewe...

I wasted years of my life following other people's advice about how I should be writing novels and developing my creative practice, and it mostly failed me. So finally I decided to chuck it all out the window, go against the grain, and listen to myself. In this episode I discuss why we mostly shouldn't listen to anyone else and instead expend time and energy figuring out what works for US individually. But we also shouldn...

I am using my current project, novel #2, to master plot, my weakest area as a writer. In the past, I've been ambivalent and even felt antipathy toward applying commercial and Western-style plot structures to my novels, because I felt they constrained my art. So what's changed? In this episode I discuss my evolving views on structure in life and art, and why I'm now leaning into the concept that structure can free us....

With novel #1 winding its way toward publication (hopefully), I have officially begun work on novel #2...and I've realized I will have to approach writing it in an entirely different way. Not only that, I'm going to have to use a technique I have utterly failed at in the past: preplanning the plot. Simply put, I suck at plot. It was the last thing to fall into place in novel #1. In this episode I contemplate why the thing...