July 22, 2025 • 57 mins
This episode I talk with one of our wonderful sponsors, Kevin Stole CEO Of Eroticism Magazine. We discuss the important of Adult Magazines in 2025. He talks about his experiences in Mexico and him writing about his experience with a model he had sex with over a week and he is published it in the mag. We discuss the Magazine business and more.
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Special guest: Kevin Stole
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:04):
Express that and explore that isbecause of how dangerous and how
like harmful homophobia is within male community right.
Like if you go out and kiss a guy, you might get fucking
jumped right? Like if you kiss a guy on the
street. Now, this isn't to say it's.
Yeah, because I know it gave yougoddamn people.
(00:24):
When you go to these conventions, it gives you
confirmation of how far you havegrown in your career.
And also, I'm pretty sure you had a bunch of the top towns
that you haven't shot with. Say, we've seen your video.
Yes, yes, I've had people who come up, they can make money off
of it. But see, you think about these,
OK, let's just keep it 1 honey, the girls nowadays don't give a
(00:47):
fuck about the money. They want to go back.
Well, yeah. So so it's kind of like the
girl, a lot of the girl that don't show their face with their
feet and ain't because they makemore money with the feedback to
where you're not doing the content housing, you're shooting
content, but you're not sure what everybody got there.
Mama now just kind of the circled and closed up a little
(01:12):
bit to make yourself and we are back.
I forgot my name. I forgot my little ass straight.
What's going on, partner? What's up baby, you guys?
Oh my God smokers, we are so blessed to have one of our
(01:36):
wonderful sponsors here with us today.
You know I always bring them on the show and y'all know what
time it is, the time the smoke is overwhelmed to the smokers
lounge. I'm Kevin all the southern champ
AKA the porn rap star. Y'all know what to do?
Find all my links with one link on mylink.com.
Back slash Porn rap star y'all know the sponsors so I'm going
(01:57):
to have to go through them because I got to introduce him
but y'all know who they are. So by Season magazine, Blush
erotica and due to that song hasdisappeared off the map, it has
shrunk. So now I got to go straight to
my 2 newest ones past that apparel as well as
smokekind.com, the King of THCA vapes, edibles, flowers and
(02:24):
everything to do with legal weedmail straight to your door.
So be kind and go ahead and hit that suburb link and buy
something from smoke kind. Also you can still find me 5
days out of the week in the mornings at fullswapradio.com.
sgpradio.com is skylapper.tv.com.
Now y'all know I bring my sponsor on every now and then
(02:44):
because you know, I want a few podcasts that actually got porn
sponsors and and this one's beenwith us since day motherfucking
one. They are one of the hottest, if
not the hottest adult magazine in the motherfucking gay people
(03:04):
and it's international. So you ain't just ain't seen
American women. You seen women from across the
goddamn globe. And this is the brainchild, the
CEO, one of the top photographers, and the
motherfucking man. I'm talking about none other
than Kevin Stoll, AKA Mr. Arises, a magazine.
(03:24):
Please say hello again to my smokers.
What's up big guys, how you doing?
Hope everybody's having a great Wednesday.
It is hump day. Oh yeah.
It is Ask Wednesday, it is hump day.
So how we doing? How's your fucking doing?
I am doing fine man. Just just right now the in
between jobs regular 9:00 to 5:00 because I was working in a
(03:49):
rest home. The company that was under left
that rest home and I left with the company so.
I just got. To go meet with them tomorrow so
that I can continue and get a better job payment.
Anyway, enough about my boring ass.
Like what's been going on with you in the mag, man?
Well, we had a, you know, we hada lag.
(04:10):
There was a time when we then wehad a lull because my, I had a
photographer that was working with me that was helping create
content after my stroke, you know, and I came back to the US
here in Houston, I haven't been able to hook up with anybody.
So if any girls here in the Houston area, yeah, you come on
down. We can shoot here in my car.
(04:30):
There's no problem. I did have a girl here for three
weeks. I, I had a content creator here
for three weeks, a 20 year old who came to stay with me and we
did some content and hopefully her stuff will be up online and
her only fans soon. But we, I, I don't know, she
just sort of disappeared. Yeah.
But yeah, but yeah. Houston, I got to see him make
(04:54):
the girl. Queen Bee shouts out to Queen.
You know Bunny B, she's in Houston.
I think y'all should. Connect OK.
Yeah, because that's good. The Cotton House coming up in
September. So I'll give you her stuff so
you can reach out to and everything.
And you? Make Yeah.
So if anybody, if any models outthere want to submit stuff that
(05:16):
they did with other photographers, that's great.
You can do that. We do have requirements on
resolution and things because ofthe fact that, you know, the,
the publisher requires it. The magazine is available in
print and it is available digital.
So you have your choice, digitalor print.
And we're on the largest platform of digital magazines
(05:38):
and books, which is inio.com. There are, there are #1 you get
your print copies off of Mag clouds.
You'll see that on our website. But we, I haven't had a chance
to update the the websites that you can see behind me here.
I haven't had a chance to updateall of that shit yet, but gonna
get that updated with some new content we put up.
I just did AI just did a new concept where I'm actually
(06:01):
writing short stories about my experience in the industry and
before the industry. So, yeah, it's, you know, we all
see the porn, we all see the porn movies where the
photographer and the model end up fucking, right?
It don't happen that way. It's, I mean, it doesn't.
Well, OK, it doesn't always happen that way.
(06:23):
Let me tell you, it does happen that way.
It happened to me once that way,and only once.
And that, that's the story I just finished writing.
It's going to be probably, it's going to have its own issue
because it wasn't one day. It started one day and then
continued on for weeks. But yeah, and, you know, just
(06:44):
like the girl who was just here with me now, she came in for a
photo shoot. She had been stalking me for a
while. She said for about 3 months she
had been stalking me. So she came in and she wanted to
create content. The next thing I know she was
like, no, she said. I don't want to fuck.
Damn it, I wish I could say thatI wish I could. 3, three times a
(07:10):
day, a beautiful hour, Latina. I mean, my God.
So yeah. So we, we, I made some changes
to the format of erotic magazine, which is where you'll
find the, the stories, the erotic stories and stuff.
They are explicit. They are, they are explicit.
They are. I wrote them.
I was going to do a book, but I've just wrote a book called
(07:32):
Erotic Intelligence that's goingto be coming out probably in the
next two weeks. It'll probably be available on
10 different platforms. I'm just waiting for the public.
So that, so that. So now we dibble and dabble into
the erotic fiction. We're erotic stories per SE.
Well, erotic stories, no fictionand the erotic intelligence is
(07:53):
just basically something that isreal.
I mean, erotic intelligence is something that's real and but it
took my experiences over the, my48 years in photography and my
probably 5253 years in the sex into sex itself and then the
last 35 years in the adult industry.
(08:15):
So, yeah, so I, I took all of those things and wrote about
them, broke them into chapters and stuff.
So they're going to be a nice little book that people that
want to actually see what eroticintelligence actually consists
of. What we talk about when we say
erotic intelligence, It's going to be out there and, and I will
make it. I will post about it on my
Twitter page so that everybody knows.
(08:38):
But yeah, I just, I'm waiting for the publisher for final
approval. I had to do some edits and
things like that for a couple ofthe platforms I guess that they
that they published too. So yeah.
I I had a lot of things, a lot of fire.
A lot of irons in the fire rightnow, but back to getting the
magazine on track. And I had conversations with the
(08:59):
publisher this morning if there's any photographers that
would. Like to collaborate?
You're more than welcome to. Like I said, we do have some
content, some content things that we need to talk about, size
and resolution of images that wethat we're able to use in the
magazine. I'm also doing a very special
(09:22):
issue right now for a girl who'sa friend of mine.
She's from India and she doesn'tlive in India, but she's she's
from India and we're actually doing an entire magazine based
around her and her story. She's a content creator.
She's on she's on a platform that I mean, I don't know, it's
not my thing. I don't it's not very popular,
(09:44):
you know, I know only fans, fanslead things, Chaturbate
livejasmin and stuff, but she's on a a different platform and
when it comes out, that'll also be out there.
So very sexy lady. Very she's kind of like me.
She's hypersexual. That's what my psychiatrist told
me anyway, Hypersexual. I, I treat all of the things
(10:05):
that bother me by hacks. So, and that's what this girl
who was just here with me for three weeks, that was, she also
had, she was, she treats her bipolar depression through sex.
And yeah, because a lot of ladies use porn as.
A. An expression.
(10:26):
As a way to it's therapy to get over past trauma, especially
trauma that that was involved ona sexual level.
Yeah, of course. Yeah.
And, and not only women but men also do it, you know, because
like for me, my psychiatrist told me because of my PTSD, my
depression, my anxiety, I have always used sex to compensate.
(10:52):
And that's, you know, he told me, he said that's cool, he
said, but don't make any long term plans.
And it is true. I mean, I was married one time.
My marriage lasted about 12 years.
And then I had another relationship after that that
lasted about 12 weeks and then burned into a relationship that
(11:13):
lasted about a month and then burned into a relationship that
lasted 10 years. So I burned through a lot of
shit in my lifetime. So yeah, I I just have to learn
how to compartmentalize things be a little bit better.
Yeah, of course, because even with me like now being retired,
(11:33):
I actually miss filming. I miss being in front of the
camera because it was kind of therapeutic for me, you know,
because I actually have trauma sexually as, as as a young adult
or even a child. But it allowed me to escape the
world and just focus on that, you know what I'm saying?
And sex is therapy. Whoever y'all, believe it or
(11:55):
not, he actually is. You'll be surprised.
What it is? It absolutely it is.
And like I said, my psychiatristfrom Mexico who I spoke with
yesterday about the situation that I got myself into, he said
to me, he said, it sounds like the problem is that 2
hypersexual people, one who is working through this depression
and loneliness, and the other one who was working through her
(12:18):
bipolar depression came togetherand it was like throwing
gasoline on a fire. And yeah, it basically it was, I
mean, like I, like I told a friend of mine in Atlanta, I
said, you know, hey, the sex wasincredible.
I mean, God knows. I mean, it was 24 hours a day,
you know, morning wood, afternoon wood, you know,
(12:41):
noonies and everything else. I mean, she just, she just
wanted to ride. That was it.
So, yeah, I mean, I, I was happyfor three weeks.
Now I'm coming, like you said, I'm coming down off of my
adrenaline rush. And you know, you, you, it's,
it's like, you know, when when you're in a car accident, you
have that moment of adrenaline rush.
Or if you're in a shooting, there's that moment of
(13:03):
adrenaline rush and you come down from it and coming down
from it is, you know, it hits you really hard.
So that's what it is. I was yesterday, I was coming
down from it. He told me, clean up everything
that she left behind, everything, the way that you
lived with her, get it all, get rid of everything and put
everything back the way it was and start focusing on your life
again. So I did, I mean, I started
(13:25):
working on my stories. I started back, you know,
working with my publisher on thebook, getting photos that I had
taken like in 15 years ago that I still have not edited yet and
I haven't included them in the magazine.
So they're going to be coming out photos from Latin America.
Like in the most recent one, I had a Russian model who who who
(13:47):
appeared in the magazine. I had a Russian girl.
I had a Colombian girl. So yes, I mean it.
The magazine was originally, remember it was originally based
in Mexico. So I had not only not only girls
from Mexico, but I had Colombia,Venezuela, Chile, I had Russia,
I had China, I had I had girls from everywhere come and get one
(14:09):
to be in the magazine. They were work that were working
in the sex industry. But at the time when I first
began this, they were working insex work as escorts and high
class escorts and low class escorts and stuff like that,
which it doesn't bother me. I don't care what you do in the
sex work industry. You know, you're welcome to come
in and be a part of this. I started erotic photography
(14:32):
with St. prostitutes from New York.
They used to be under, They usedto, you know, stand on the
corners underneath my studio. And in the winter, it's all
started because in the winter time, in the summertime, they
would come up to get warm or to get Coke, to get cooled off and
get a drink or get a coffee or something.
And a lot of times. And so, yeah, I mean that that
(14:56):
was how it all started at black and white photography.
I developed my own black and white film back in the day,
medium format and I was the whole on the digital
photography. I think we talked about this
once before I when cameras started coming out with phones,
started coming out with cameras and video things, I was still
(15:19):
resisting. I kept my little Motorola flip
phone because I didn't want that.
I wasn't going to be taking, youknow, as a photographer.
You're not wanting to take pictures with a film and other
folks back in the day. But they were useless photos
for, you know, for print back inthe day.
And all of the magazines that I worked for in from 1990, you
(15:42):
know, from the early 1990s or the late 1980s, all the
magazines I worked with, they required positives, not
negatives. And they required, you know,
there was no digital world. But in 2004, I think it was, I
was covering the riots in Cancunand the protests maybe 2002.
(16:03):
And the, and the TV station thatI was shooting for wanted to
have it in digital photography. So I went out and I bought my
first digital camera. And that's how, that's how it
started the video. They still wanted the video
footage, but they wanted it uploaded.
They did. They wanted the raw footage
uploaded instead of and you know, in those days we connected
(16:26):
with a modem, we had 5656 kilobytes of speed.
So I would, I would start uploading, you know, at night
and in the morning it would justbe finishing.
Oh yeah, I remember. People don't realize back in the
day, downloading shit was hell. Oh yeah, because technology, the
(16:48):
Internet, how can I put this? The Internet still hadn't caught
up with the technology of the cameras now, right?
Internet has caught up with everything.
So it's not, Oh yeah, with 4K, because now 4K is so big, you
got to, and then virtual reality, all the the virtual
shit and everything. I'm going to ask you this
(17:09):
though, because I had this conversation with many ladies.
What's old is new again. You got companies still sell
DVDs. You got places in the world that
still accept DVDs, just like their place in the world that
still read magazines, still wantmagazines and so forth,
(17:30):
especially on the international scale because we do know that
certain laws, you know, it's certain porn, you can't watch it
so full. And I also see that girls
nowadays don't understand the power of a pictorial of
Victoria, you know, period. So for you, how has the magazine
(17:52):
still stay irrelevant in this day and age?
Because even to the point where I'm starting to see a rise of
erotic fiction and so forth. So how has the magazine still
stayed relevant in the digital era?
Well, one thing that I'm actually going to write an
article about this for, for another, for another magazine,
(18:13):
but and I'm going to also publish A verb note on on my
website. But one thing that emerged in
this last say in the last six months, especially at my
publisher, is that 30% of the magazines now that they have
available from the adult industry are AI generated
(18:37):
magazines, AI girls, They're AI guys, they're AI trans.
They're, you know, everything isAI.
There's no real people in them. And they're, they're beating out
my content that's real, you know, and that the girls, maybe
the girls aren't, you know, these Victoria's Secret models,
(18:58):
but the girls are real, you know, and what they're selling
is they're selling somebody's imagination of what a girl looks
like, you know, like, and you can buy anything and everything
from AI generated trans, AI generated lesbian stuff, AI
hardcore. The downside of that is that the
(19:18):
models that are in there are notreal, so the fans can't connect
to them versus the models that you have.
We can find them online, we can join their sites, we can follow
them on Twitter and so forth. We can get on their website, we
can go to their only fans, we can subscribe to their Twitter,
we can subscribe to their Instagram because part of what
the magazine's origins was was helping the girls promote
(19:42):
themselves to get seen. So we always shared their what
their, what their or what's up, but we always shared their
Twitter, we always shared their Instagram.
And if they had a website where they were published, this was
before only Fans was around, butthere were other websites that
were either free or pay before that we would promote that for
(20:02):
them and you know that. And that became actually, you
know, a very positive part of the magazine.
And in the beginnings, the girlspaid to appear in the magazine
like Playboy does. Now, if you want to be on the
cover of a Playboy magazine or in a Playboy magazine from any
country, you have to pay. The girl has to pay or somebody
has to pay and that's the way that we work back in the day.
(20:23):
But it was, it was your, what you were paying for was the
publicity. Because we had more, we had more
of an exposure. We were, we, we were at 4th.
Our website was at 4000 per day unique visits per day.
It was over 20,000 hits per day and we had about, I think it was
(20:46):
60 page views a day per visitor.They would go flipping through
all of the different pages of the, of the magazine.
So a lot of things have evolved and you know, some are positive,
some are negative. When I can tell you when COVID
was going on, when I first started actually selling the
(21:07):
magazine online, that was going on and I was selling about $1000
a month in magazine subscriptions and magazine
issues. I would get 50% of that.
The publisher takes 50, I would get 50.
So there wasn't a lot of margin left.
(21:30):
So, you know, in $1000 sales, I got around $490.00 because I had
to pay credit card fees and other stuff.
But the upside of it was that they had that automatic like the
porn sites do, you know, like you, you buy a subscription and
at the end of the 12 months it automatically renews you unless
you cancel. Yeah.
So, so it, it was good back in the day, but once COVID passed
(21:54):
and I actually didn't work during COVID, but I had enough
material during COVID to, you know, cover building the
magazine and continuing to do the issues.
That was basically the biggest problem was that once COVID
ended, people stopped wanting todo magazines.
Now we don't sell a lot of printed issues, most people
(22:16):
digital, but what happened, whathappens is that they the printed
issues, the models like to orderthem.
Yeah. So I'll, I'll order them for a
model or I'll order them for a particular photographer and I'll
have them I'll send it over. You know, it'll be shipped to me
and then I'll send it to them. You know, because they only
(22:38):
allow one shipping, right. Right now they only allow
discounted purchases to come to me directly.
So and I did have a guy in in UKthat wanted my like 100 copies
at a time and sell it in his because he still actually has a
magazine store he worked for. He wanted to actually you know,
(22:58):
buy a whole set of 1 issue and try to sell it, see how it went.
But it was just too expensive for me to ship it to the UK.
He wouldn't, he wouldn't have made any.
We both wouldn't have made any money.
The Internet came. I'm in my days of sending DVD's,
man It's hell. It ain't cause to ship that shit
(23:19):
overseas. Oh yeah.
Yeah, I'm talking about shippinglike 2020 different titles and
or 10 insane titles. Yeah, it, it, it's crazy.
Even when I was in Mexico, I tried to, I tried to ship some
stuff from the US to Mexico. I had some stuff that was left
(23:41):
at my, my father's house and when he died, I was going to
ship it to to Mexico and it was 1 box.
I think it weighed about 20 lbs and that it was $349 to send
that and it didn't have enough sentimental or, you know,
monetary value for me to want todo that to, to even invest in
(24:02):
that. So yeah, it's all just kind of,
you know, it was useless back inthe day and today it's it's
still useless to try to ship stuff overseas now, especially
with the tariffs. Yeah.
You know, and that's another thing that's beating the shit
out of me. The tariffs, yeah.
The tariffs, yeah, No, I mean, I'm if, if it wasn't for the
(24:27):
political environment right now in the US, I'd go back to Mexico
and live there. I'd go to Mexico or I'd go to
Colombia because I have I have opportunities in both.
Places I have. People.
In both. Places because shots out to
blonde Latin mommy Mom, I'm going to send you a link so you
can hook up with her. She can get in that damn
(24:47):
magazine. They already got her, but yeah,
she in Colombia. I would like to go to Columbia
to taste some of that Latin. So we'd be getting a drill.
But but it but to me, it's like your magazine became and for a
lot of ladies in South America, Central America and so forth, a
vehicle for them to be seen worldwide as well as over here
(25:10):
and still is. How many ladies on the
international side still won't be still be hitting you up being
a man and still seeing you material.
Well, that's one of the things that, you know, I tell girls
from Mexico that that I have worked with in the past and that
I, you know, for other reasons. And now they have their only
fans. They've got their fans, they,
they've got their webcamming site and all that.
(25:32):
And you know, I tell them, look,you're advertising your shirt
yourself only in Spanish. So you're appealing to the
Spanish speaking market and you're in Mexico and you're
appealing to the Mexican market here.
What we're offering you is to appeal to an audience that yes,
our biggest market is, is the US, but our second biggest
(25:53):
market is the UK and our third biggest market is Germany.
And then from there, we've got, you know, our market goes to
Asia, we've got Asian market, we've got South African market,
we've got a market in Italy. So yeah, I mean, we, we have the
largest market. We don't have a big Latin
American market. Our, our, our market typically
(26:15):
is English speaking, European orNorth American, you know,
Canada, US and and the western part of Europe, even Romania.
Yeah, because he like one of theargument I was having with
someone and I told somebody thiswhen the reason why you want to
(26:37):
even in this day and age still want to shoot with a mag or
shoot even on the porn side withthe major companies is ladies
don't realize how limited you are when it comes to with
Twitter, Instagram and and only fans.
You're only tapping this market.You're not tapping the
(26:58):
international market. Exactly and.
And and hold on one more thing and Onlyfans is not popping in
every country but. Exactly.
That's why girls, that's why girls have two or three
different. Yeah, No, that's why, That's why
some of the girls, you know, thegirls that are in the know, you
(27:20):
know, like, and some of the onesthat I've worked with, like hot
wives and swingers and stuff like that, they know that.
You know, first of all, Twitter today is saturated with bots.
And you know, literally it's saturated with bots.
And you know, so you don't have,you don't always have real
(27:40):
people that are looking at your content.
You know, you may see that you had 1000 views, but of those
1000 views, how many were real? How many were bots passing by?
And not only that, how many of them?
How can I put this if from your fans you already got Not
exactly, you know what I'm saying?
(28:01):
Yep. And how many of them are
actually willing to put, you know, money into the, you know,
into the till to, to have a show.
You know, a lot of people remember back in the day when
Twitter first started up and sexual content wasn't a problem.
A lot of people came on to Twitter and Instagram and stuff
(28:22):
like that to see stuff for free because they didn't want to pay.
And it was the same thing with, it's the same thing with like
the platform Chatterbait, you know, people, people sign up and
have batterbait accounts becausethe girls will do anything to
get, you know, the coins in their, in their, in their slot
there. And so, you know, other than,
(28:44):
you know, other than having sex on on camera for free, you know,
they'll show their tits, they'llshow their ass, maybe they'll
touch themselves, things like that.
And so these are the people thatsign up there and they they
don't really care. But see, the thing about it is
that it isn't it to me, ladies, when I came in the game
(29:09):
understand the value of professional looking pics, poses
and so forth. The pics we get now, it's about
sex, not about sexy, you know? And why do you think females
from a photographer standpoint lost that thought process?
(29:29):
Because the one thing magazines showed was it showed sex, but it
showed sexiness and sex appeal. It didn't just had sex.
While now, like you go down a girl page, she's in the same
position, squirting, shoving thedeal on the coochie, dim the
pictures. And it's kind of like it's not
giving me sexy, just giving me thought.
(29:51):
You feel where I'm coming from, right?
Yeah, I mean, you know, the the when the magazine originated, I
mean, we didn't have any explicit content.
It was erotic, you know, and, and that was the original
concept, but we had to evolve because the original publisher
that I was with Skin Mags, they were a video concept magazine
(30:15):
publisher. So we were competing against
actual videos of people having sex and, you know, getting blow
jobs and so on and so forth, rather than just vote, you know,
erotical. Don't you hate?
Don't you hate when they startedThe Digital Man?
And is that really a magazine? Well, it's evolution, you know
(30:39):
it is the evolution, Bobby. You know, it's what it is.
Unfortunately, you know, we evenPlayboy, when you see the
Playboy and Penthouse and all the other ones, they've gone
from having, you know, print a print market to going into a
digital market, it is easier. You know, today I wish when I
(30:59):
was a kid I had the digital copies instead of the real ones
that nobody could find. But to me because because I
remember back in the day that was a concept when they were
talking about the online made you know, which was still
(31:19):
pictures. You left something to your
imagination. Yeah, you know, because I used
to love the pictorials I like. One of my favorite pictorials
was I forgot what Maggie was. It was she was a maid.
She was a sexy ass, red hair andshe was a maid that was cleaning
a public bathroom and she playedit it she used the deal, though
(31:42):
it was not a dude, but she played it as if she was.
She happened to run across a guythat was in the bathroom jerking
off. So he sticks his Dick through
the hole and she fucks it. And it was a hot pictorial and
it and and to me, the pictorial was just as good as the video
because it shows you the gradual, you know, steps of what
(32:04):
was going on or what have you. And you do the same with yours
to a certain state. And then those are fucked with
her. We're not even talking about the
model by herself with the pictures and stuff and speak to
the importance of a sexy pose and how it sells the model more
so than her shoving the deal doing her pussy.
Oh yeah, I mean, like I said, you can go on X videos or
(32:25):
Pornhub and see somebody gettinglaid or somebody's, you know,
masturbating with a dildo or a vibrator or whatever you want.
But the whole concept of Eroticism.
Is. Has disappeared, basically,
which is why I launched the second magazine, because
Eroticism took a turn from suggestive, sensual and erotic
to more hardcore. You know, legs spread open,
(32:48):
pussy out dildo in touching yourself, no sex, still
suggestive. We did have we did do one, I
think it was last year. I had one or the year before
that was a husband and wife. They were swingers and but there
was no sex. It was just suggestive and the
focus was on her, not on him. And erotic magazine kind of goes
(33:11):
back to that value that that originated from Eroticism
magazine of the non explicit non, you know, we're, we're
categorized there now in the men's lifestyle category, which
I like because it gives us two sides.
It gives us the adult side and the men's lifestyle.
(33:35):
It is sweet so because it's the point like when I when I go down
to a page, when I see a good picture, it makes me stop.
You know what I'm saying? And with with you, because, like
I said, because you stick with the, you know, the, the, the
(33:55):
some motherfuckers just go straight video.
Why do you not decide to go straight video and you still
keep with the pictures? It's because a lot of
motherfuckers break and try to do the video shit like you, like
you were saying that other dude was doing, which I don't
consider that really a magazine.It's a fucking porn site.
Exactly. You feel me?
I mean, that's just me. Yeah, and I mean, it was, it was
(34:19):
hard to compete with those with those types of magazines because
while I did shoot some videos, you know, girls alone videos
back in the day, you know, and myself, I I've been in for,
well, I before I met this, this African Latino girl, I was in
(34:40):
four videos before that. I appeared in four videos.
I was before I left Mexico, I was offered to be in one more
video. I was asked to be actually in
one more that I had the girl that I had performed with
before, she wanted to do it. She wanted to do the scene with
me. And, and unfortunately I turned
down because I was doing something with Netflix before I
(35:01):
left Mexico. And yeah, I, we did a, we did a
documentary and actually she turned the document was, I did
once, one episode of the documentary and they turned into
6 episodes. And that was on sex trafficking
in Latin America. Because unfortunately it's, it's
(35:23):
a very common thing in Latin America to encounter people who
have been sex trafficked, children, guys, girls.
So we did, we did. And, and I had a model who was
actually killed by a but yeah, we don't know if it was a, we,
we believe it was a serial killer that was focused on
(35:44):
killing sex workers. There was a trans girl, there
was a girl from Colombia, one girl from Venezuela, a Mexican
girl. So I had experience with the
whole the whole industry there. And so they asked me to come and
tell the story about this girl because her mother and her
(36:04):
brother didn't want to come up and didn't want to go on camera
and talk about it. And since I was so involved with
the family, not only was the girl, but the family knew me and
everybody knew me. So I went on and I talked about
her situation and how it evolvedbecause she came to me to get
out of the sex work industry andto get into mainstream modeling.
(36:26):
And I, I was the, I was the, youknow, base photographer for an
agency, a modeling agency. So I hooked her up with them.
And, but eventually, you know, costs came and she had to pay
her mom's rent. And I offered to pay it for her
because, I mean, we're only talking it was like about $8 to
pay her rent for her mom. But she took a an appointment
(36:50):
and never came back. And then two days later, they
found her chopped, look, sort ofchopped up with a pair of
pruning things stuck in her chest and stuffed under a bed in
a motel. So, yeah, so I, I got, yeah, I
got to tell. What's that?
(37:12):
Your thoughts and prayers. Oh, yeah, yeah, it was, it was.
It was pretty horrible. I don't know why, but I think I
disconnected my headphones. Can you hear me?
Yeah, I can hear you. Can you hear me?
Yeah, yeah. I think, I don't know what
happened, but my my microphone disconnected.
So yeah. So I mean, that was the last
(37:33):
project I did before I left Mexico was with Netflix.
That was in 2022, but I haven't done anything with them since
then. I would also did an ambiance
scene with them. People might have seen it on my
Twitter and my Instagram. They needed, they needed for an
episode of a, of a, a soap operafrom Latin America.
(37:57):
They needed an, an, an environment created that looked
like a sex club, a sex trafficking club.
So we, I had a friend that was aproducer in Mexico and he
contacted me and he's like, you got more experience in this side
of it than I do. So, you know, can you come up
and help me build this, build a,build an environment for them?
And we did, I went up there and I and I helped him with it and I
(38:19):
was able to work with an incredible Netflix director from
Argentina. He was, he was just wonderful.
And I and I and the girl that was the main character, she was
from Cuba, very pretty girl. And she was a, she was a, what
do you call it, like a federal police.
And she was the one who came in and busted the, the whole thing
(38:41):
up. And then, and then, you know,
after that I did a couple of other things with models and
what have you. But I, I got away from the video
because it just even weddings and stuff.
I just stopped doing video completely.
I said I'm going to focus back on what my career is, was, you
know, I, my bachelor's degree isin media studies with the minor
(39:02):
in journalism. So I had, you know, the writing
and the photography and the video and all that stuff, but I
wanted to get back to just the photography.
Like I started in the beginning.And that's, yeah.
And that's what I did in two, I guess it was around 2020, two,
1020 or 2018-2019. I sold all my video equipment.
(39:23):
I found a, a director in Mexico that was looking for equipment
and I sold them all my professional filming equipment.
And the only thing I kept was my, you know, my small camera.
I can still film. I mean, I can still film in 4K
and all of that. But I don't do it anymore.
I don't offer the service anymore.
(39:43):
But yeah, it, it, you know, it'sthe industry has changed a lot,
you know, and where I'm at, I don't have a lot of opportunity
here. I would have to move myself to
either. If I wanted to work every day,
shooting every day and Korean content every day, I'd have to
move to California or Miami or to Chicago, Las Vegas, New York.
(40:06):
Where is it? Is it because you just don't
know the environment? He's, I mean, Houston got to
actually be coming in a strong hug for.
Porn. You would think so, but the, you
know, I've tried to reach out topeople and I get either no
reply. I don't know whether they're,
you know, their accounts are just disabled.
And I did have a girl in Dallas that appeared in the magazine
(40:28):
twice, but now she's doing mainstream porn, so she's not
really interested. With shoe, well, like I said, I
mean, people don't realize that it's sometimes hard to find
people to work with even if you live in a good area, sometimes
it's all. Oh, yeah, yeah, You know, I have
(40:50):
more contacts. You know, I think that that's
part of the problem. I have more contacts in Mexico
than I do in the US And secondly, the people that I do
have contact with and you have arelationship with, even though
it is virtual, they're in California, Las Vegas and Miami.
So, you know, I do have a girl in Atlanta that wants to work
(41:13):
with me, but we just can't we, we just can't get organized.
You know, we, we, she just can'tget here.
I can't get there. So I.
Know that feeling? Until we figure, until we figure
something out. We talked last night for about
an hour and a half about it. But but yeah, I mean, we, she
wants, she wants to be in the magazine so bad.
And she even asked some of the photographers that have shot her
(41:36):
to give her the photos and stuffand they won't give them to her.
So you really got to be careful who you work with, You know who
you work with. If you're a model, you got to
really be careful who you work with.
And if you're a photographer, you really have to be upfront
about what you're going to deliver for the money that
people are paying. You know, sometimes it's not
about how much you're charging amodel to do the shoot.
(41:58):
But like in her, in her case, they, she was invited to an
event, she had to pay $80.00 to be in the event, which was,
which was a bunch of photographers and a bunch of
models and they were going to dolike a sip and shoot.
And from there she had to pay for her, you know, flight to
(42:19):
North Carolina, I think she wentor South Carolina, I forget
where it was. But she had to pay for that.
She had to pay for her hotel andshe had to pay for her Uber to
get around. So in total, she said she spent
about $400.00, not counting eating.
And then none of the, none of the photographers followed up
sending photos or giving her photos and they won't give them
(42:39):
to her. So it left her in a situation
where she's, she's been very disappointed with photographers.
And the fact, the fact that a lot of photographers and, and
you know, this is aimed at you guys out there that, that don't
know what customer service is that really they don't answer
messages. They don't, you know, they don't
(43:01):
want to talk on the phone. I mean, I, I, I talked to my
girls on the phone. If I send a text message
offering somebody to be in the magazine, I give them my phone
number, call me. These are the hours that you can
call me and you know, well, I'lltell you anything I know and
anything that I'm going to deliver to you, I'm going to
give it to you in writing. It's as simple as that, you
(43:24):
know, and for the magazine, you don't get charged.
You come here, you shoot, you appear in the magazine and
hopefully you get more business,you get more only fans, you get
more whatever. I mean, how many strip clubs we
have here in Houston? I had a relationship with, yeah,
I had a relationship with a guy named Lucas who was the manager
(43:44):
at one of the clubs. And you know, I said to him, I
said, hey, let's do a thing. I'll give the I'll give the
strip club free ads based in themagazine.
You just give the girls my phonenumber if and if you don't want
to do photo shoots, if any of them want to be in the magazine,
if any of them have only fans pages, I'll help him out.
And he was like, no, I don't want to do that.
So you know what, what are you going to do?
(44:06):
And I've written to a bunch of other clubs asking, you know,
did anybody, and that's The funny thing.
Anybody want free publicity, youknow, does anybody want, you
know, six months of an ad and not only on the in the magazine,
but on the website and on Twitter?
No, nobody. Nobody even replies.
(44:27):
And that's what and that when wetalked about being formal,
that's what you know, that's what she would, that's what her
main complaint was. She said out of all the
photographers that she's ever dealt with in the last five
years, I'm the only one that always answers the phone, always
answers her questions and is always willing to do something
to work to figure it out, she said.
Everybody else is just informal for her.
(44:50):
They don't talk on the phone. They'd rather text.
Yeah, I mean, come on, guys. Yeah, I hate this shit too, man,
because I'd be like, I'm old school.
I like talking on the phone. Interesting.
I know, yeah. And she's not old school, but
she, she likes the the fact thatpeople will actually talk to
her, you know, and she can tell them exactly what she's looking
(45:12):
for on the phone and they can tell her how much is they're
going to charge her. But no, she, she had bad luck
with that. I don't know where she finds
these guys from. Yeah.
Well, I always said is, I said this business is the easiest way
for someone to, for sheep, for, for wolves to hide in sheep
(45:32):
clothing per SE. And, and like I said, it's and
to also, but because we still have stories, I see stories
about photographers fucking overgirls and and so forth.
And like I said, it's I tell females a lot of times they get
caught up because they don't do their research and they don't
(45:56):
pay attention to warning signs on their photography, especially
in the conversations, you know, because I mean, we talking about
sex majority of the time. I don't think you want to do a
photo shoot with him. Exactly.
You know, I'm always very clear on what the magazine is, what I
expect from them. And if they're not interested in
(46:18):
doing it, it's not that it's a problem.
It's just that, OK, this is whatI'm looking for.
What are you willing to do? And if your girl doesn't want to
get undressed, you know, she just wants to show off maybe her
tits or maybe she wants to show off her body, that's fine.
You know, you want to do a BDA, you want to do a BDSM shoot, and
(46:39):
you're in, you know, just in a full latex cat suit.
And that's fine. And we can unzip her the front
just a little bit, just to, you know, give it a little bit of
heat, But you don't have to takeyour clothes off.
You don't have to get naked. You just have to tell me what
your limits are. And, and that's the part of
communicating, you know, the communication between the model
(46:59):
and the photographer, or in the case of a video in between the,
you know, the model and the and the producer.
Because you know, when you're in, even those of you that are
in the porn industry and stuff like that, you know, you got to
remember that not everybody, notevery girl wants to do anal.
And for those, those guys that aren't in the industry, you
know, don't think just because you saw it on a video that your
(47:20):
wife wants to, to have their Dick in her ass, you know, and
not everybody likes that, you know, not every woman woman
likes that. So you have to communicate with
each other to understand what her limits are, what her needs
are, what her desires are, and then work a script around that.
True. Yeah, because you think about
(47:42):
it, Eve, as even as a photographer, I wanted to make
them feel comfortable and relaxed and sexy.
You know, of course, because thethe point being so people can
understand is this goes for photographer, even porn.
The sexiest she feels, the better is going to look on
camera, the better is going to come out, and the more and the
(48:02):
better she's going to feel. Many, many years ago.
And it's, it's a funny story. Many, many years ago, a
photographer from Playboy, we were, we were talking about this
because he was, he was in my studio in New York and he was
looking at the canvases that I had on the, on the wall of the
(48:23):
silhouettes of women, you know, naked or partially naked laying,
you know, laying there and beinglit from behind him.
And he liked it. And I, and I said, what is your
secret? And he was like, he said, I'll
just give you one piece of advice.
The best photos are after the orgasm.
Yeah. And I said, who's orgasm?
(48:44):
The models are mine. And he said, well, that's
something you're going to have to find out for yourself.
But yeah, the more comfortable amodel is, obviously the the
better the photos are going to come out.
The sexier she feels, the sexierthe photos, and the more
comfortable you make her feel. Yeah.
(49:08):
And if it's your job? Pussy.
Look, if a guy don't get a hard on eating pussy, he ain't a guy.
No, he's not. No.
Yeah, if you don't get hard on taking some of them pictures of
them girls, you ain't a guy. Exactly.
Yeah, Oh. My goodness.
(49:29):
So people, I didn't help. My, my, my, my, my sponsor up
here for a wonderful hour. And you know, we're going to
bring him back and ain't going to take as long to bring him
back because, you know, we got more we're going to talk about.
So yo man, tell everybody where they can find Ross is a magazine
where they can buy and read thatshort story about your many days
(49:51):
of fucking gay model. Well, just this is one story at
a time, guys, one story at a time.
But yeah, you can go to zinio.com, go to the adult
section. We're there.
We're on the Eroticism magazine was on the second page right now
at Ratique. We're having a problem with the
publisher and it still has the image from Christmas there.
I don't know why they keep showing me that, that, you know,
(50:15):
on their side. It shows that the new issues are
up on my side. It doesn't show.
So just go to eroticismyouknowmagazine.com or
go to aratiquemagazine.com and there's links in there.
You can get all your shit there on Twitter.
We're a lot of system mags, MAGZand a Rotik mag.
(50:38):
So yeah. And we, we, we're out there and
all of our social links are the same on Twitter and Instagram.
I do have a TikTok, but my one that I was, you know what
happened to one of them? So now the one is very vanilla.
A lot of it's just me bitching the snowstorm we had here in
(51:01):
Houston and things like that might go on.
But yeah, I mean, I would love to have some models from Houston
show up here and we're contact me and and even if you're not
from the Houston area, shout outto me.
We'll see how what we can work out.
I I got no problem. I'm flexible in the respect
(51:22):
that, you know, I'm willing to work what in whatever way makes
you feel more comfortable. If you have your own
photographer, if your husband takes your pictures.
You know, nowadays, Bobby, we, you know, I don't know how many
people out there have updated phones, but my phone's got, I
can shoot, I can shoot up to 4K or 6K or whatever the hell it
is. And apart from that, I can shoot
(51:44):
raw photos, which are what we need for the magazine.
You know, I can shoot RAW photoswith my my phone and edit them
on in Lightroom and get them setup for the magazine.
So, you know, just talk to me and we'll figure it out.
Oh yeah, 'cause 'cause even withme, 'cause I'm hardcore myself.
(52:06):
I like to use a camera but but using my cell phone and pitch me
turning out pretty good, can't complain.
No, no, hey. Whatsoever.
Exactly. And then with the phones, now
you can also, you know, they have editing software you can
buy for your phone or download for your phone and stuff.
I don't do that because I use the computer.
I just AirDrop it from my phone to the computer and then I
(52:27):
upload it to Lightroom and I adjust the lighting.
If it's a bad background, I'll get rid of the background
completely. So yeah, anybody that wants to
reach out can reach out, send mean e-mail.
You can get my e-mail off of thewebsite or out of one of the
magazines or anything. If you go to Mag Cloud where
they're on Mag Cloud as well andyou get like A5 page preview so
(52:51):
you can see the models that are in the issued bad thing about
Zinnios. You can't see what models are in
the in the issue. But on Mag Cloud you can go in
there and you can see and if youwant to get it on Zinio because
you have a Zinio subscription ready, you can do that.
That's what a lot of people do. They go and I get about 600
people per month that go and look at the magazine on Mag
Cloud and maybe 2 that buy. Yeah.
(53:15):
So come on guys, help me out here later.
No doubt and for any of you Miles is listening to this
episode. The link is in the description
to where you can hit him up and everything.
And also let me tell you all about extra content you can get
from the smokers lounge. First up, own loyal fans, my
(53:36):
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know what might pop off unless you subscribe.
Plus you can check out the Triple X store where you can see
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Had the smoke on it where I get my unapologetic controversial,
(54:23):
unpopular opinion on certain subjects as well as savage
smoke. As I talked to the industry, top
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real smoke from a male perspective.
So whether it's premium smoke orwhether it's savage smoke, even
when you get the smoke, you feelme.
So now you know, everybody showsall we got to give y'all
(54:45):
something to smoke over. So what did we smoke over today
and what did you learn? Well, there's many different
sides of the adult industry. You just learned about the
magazine side of things and everything.
And magazines are still relevant, So is DVD's.
What is old is now becoming new again, and what is old still
(55:06):
works. See, the power of the picture
still holds true in 2025. Why?
Because so many of you ladies love posting pictures of you
squirting. You love posting pictures of
dildos and so forth. Yes, even though we're in the
digital era, pictures are very important.
(55:27):
So is magazines, so is the righterotic, erotic stories, and so
forth. Once again, there's many areas
within the adult world that you can tap into.
That one can help you market your materials better.
Because we still forget we're ina bubble.
(55:47):
Your job is to get outside that bubble.
But the problem is because you also used the only fans and
social media telling you have big only fans is what they're
not telling you. The truth is only fans is a
limited market. Your job is a businesswoman
model. Porn star is to become unlimited
when it comes to marketing. That's why you need to go ahead
(56:10):
and just man up and get your assin this magazine or any magazine
for that matter. You feel me?
So with that being saying, now we're in these things all day,
every day. Life is a learning experience.
What's the point of the experience if you haven't
learned anything? Smoke is over.
Say goodbye to him, Kev. Bye guys, thank you very much
for tuning in. Hope you all have a great rest
(56:32):
of the week. Check out our Twitter for us
Wednesday. Yes, and we out.
(57:05):
None.
Express that and explore that isbecause of how dangerous and how
like harmful homophobia is within male community right.
Like if you go out and kiss a guy, you might get fucking
jumped right? Like if you kiss a guy on the
street. Now, this isn't to say it's.
Yeah, because I know it gave yougoddamn people.
(00:24):
When you go to these conventions, it gives you
confirmation of how far you havegrown in your career.
And also, I'm pretty sure you had a bunch of the top towns
that you haven't shot with. Say, we've seen your video.
Yes, yes, I've had people who come up, they can make money off
of it. But see, you think about these,
OK, let's just keep it 1 honey, the girls nowadays don't give a
(00:47):
fuck about the money. They want to go back.
Well, yeah. So so it's kind of like the
girl, a lot of the girl that don't show their face with their
feet and ain't because they makemore money with the feedback to
where you're not doing the content housing, you're shooting
content, but you're not sure what everybody got there.
Mama now just kind of the circled and closed up a little
(01:12):
bit to make yourself and we are back.
I forgot my name. I forgot my little ass straight.
What's going on, partner? What's up baby, you guys?
Oh my God smokers, we are so blessed to have one of our
(01:36):
wonderful sponsors here with us today.
You know I always bring them on the show and y'all know what
time it is, the time the smoke is overwhelmed to the smokers
lounge. I'm Kevin all the southern champ
AKA the porn rap star. Y'all know what to do?
Find all my links with one link on mylink.com.
Back slash Porn rap star y'all know the sponsors so I'm going
(01:57):
to have to go through them because I got to introduce him
but y'all know who they are. So by Season magazine, Blush
erotica and due to that song hasdisappeared off the map, it has
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Now y'all know I bring my sponsor on every now and then
(02:44):
because you know, I want a few podcasts that actually got porn
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and it's international. So you ain't just ain't seen
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(03:24):
Please say hello again to my smokers.
What's up big guys, how you doing?
Hope everybody's having a great Wednesday.
It is hump day. Oh yeah.
It is Ask Wednesday, it is hump day.
So how we doing? How's your fucking doing?
I am doing fine man. Just just right now the in
between jobs regular 9:00 to 5:00 because I was working in a
(03:49):
rest home. The company that was under left
that rest home and I left with the company so.
I just got. To go meet with them tomorrow so
that I can continue and get a better job payment.
Anyway, enough about my boring ass.
Like what's been going on with you in the mag, man?
Well, we had a, you know, we hada lag.
(04:10):
There was a time when we then wehad a lull because my, I had a
photographer that was working with me that was helping create
content after my stroke, you know, and I came back to the US
here in Houston, I haven't been able to hook up with anybody.
So if any girls here in the Houston area, yeah, you come on
down. We can shoot here in my car.
(04:30):
There's no problem. I did have a girl here for three
weeks. I, I had a content creator here
for three weeks, a 20 year old who came to stay with me and we
did some content and hopefully her stuff will be up online and
her only fans soon. But we, I, I don't know, she
just sort of disappeared. Yeah.
But yeah, but yeah. Houston, I got to see him make
(04:54):
the girl. Queen Bee shouts out to Queen.
You know Bunny B, she's in Houston.
I think y'all should. Connect OK.
Yeah, because that's good. The Cotton House coming up in
September. So I'll give you her stuff so
you can reach out to and everything.
And you? Make Yeah.
So if anybody, if any models outthere want to submit stuff that
(05:16):
they did with other photographers, that's great.
You can do that. We do have requirements on
resolution and things because ofthe fact that, you know, the,
the publisher requires it. The magazine is available in
print and it is available digital.
So you have your choice, digitalor print.
And we're on the largest platform of digital magazines
(05:38):
and books, which is inio.com. There are, there are #1 you get
your print copies off of Mag clouds.
You'll see that on our website. But we, I haven't had a chance
to update the the websites that you can see behind me here.
I haven't had a chance to updateall of that shit yet, but gonna
get that updated with some new content we put up.
I just did AI just did a new concept where I'm actually
(06:01):
writing short stories about my experience in the industry and
before the industry. So, yeah, it's, you know, we all
see the porn, we all see the porn movies where the
photographer and the model end up fucking, right?
It don't happen that way. It's, I mean, it doesn't.
Well, OK, it doesn't always happen that way.
(06:23):
Let me tell you, it does happen that way.
It happened to me once that way,and only once.
And that, that's the story I just finished writing.
It's going to be probably, it's going to have its own issue
because it wasn't one day. It started one day and then
continued on for weeks. But yeah, and, you know, just
(06:44):
like the girl who was just here with me now, she came in for a
photo shoot. She had been stalking me for a
while. She said for about 3 months she
had been stalking me. So she came in and she wanted to
create content. The next thing I know she was
like, no, she said. I don't want to fuck.
Damn it, I wish I could say thatI wish I could. 3, three times a
(07:10):
day, a beautiful hour, Latina. I mean, my God.
So yeah. So we, we, I made some changes
to the format of erotic magazine, which is where you'll
find the, the stories, the erotic stories and stuff.
They are explicit. They are, they are explicit.
They are. I wrote them.
I was going to do a book, but I've just wrote a book called
(07:32):
Erotic Intelligence that's goingto be coming out probably in the
next two weeks. It'll probably be available on
10 different platforms. I'm just waiting for the public.
So that, so that. So now we dibble and dabble into
the erotic fiction. We're erotic stories per SE.
Well, erotic stories, no fictionand the erotic intelligence is
(07:53):
just basically something that isreal.
I mean, erotic intelligence is something that's real and but it
took my experiences over the, my48 years in photography and my
probably 5253 years in the sex into sex itself and then the
last 35 years in the adult industry.
(08:15):
So, yeah, so I, I took all of those things and wrote about
them, broke them into chapters and stuff.
So they're going to be a nice little book that people that
want to actually see what eroticintelligence actually consists
of. What we talk about when we say
erotic intelligence, It's going to be out there and, and I will
make it. I will post about it on my
Twitter page so that everybody knows.
(08:38):
But yeah, I just, I'm waiting for the publisher for final
approval. I had to do some edits and
things like that for a couple ofthe platforms I guess that they
that they published too. So yeah.
I I had a lot of things, a lot of fire.
A lot of irons in the fire rightnow, but back to getting the
magazine on track. And I had conversations with the
(08:59):
publisher this morning if there's any photographers that
would. Like to collaborate?
You're more than welcome to. Like I said, we do have some
content, some content things that we need to talk about, size
and resolution of images that wethat we're able to use in the
magazine. I'm also doing a very special
(09:22):
issue right now for a girl who'sa friend of mine.
She's from India and she doesn'tlive in India, but she's she's
from India and we're actually doing an entire magazine based
around her and her story. She's a content creator.
She's on she's on a platform that I mean, I don't know, it's
not my thing. I don't it's not very popular,
(09:44):
you know, I know only fans, fanslead things, Chaturbate
livejasmin and stuff, but she's on a a different platform and
when it comes out, that'll also be out there.
So very sexy lady. Very she's kind of like me.
She's hypersexual. That's what my psychiatrist told
me anyway, Hypersexual. I, I treat all of the things
(10:05):
that bother me by hacks. So, and that's what this girl
who was just here with me for three weeks, that was, she also
had, she was, she treats her bipolar depression through sex.
And yeah, because a lot of ladies use porn as.
A. An expression.
(10:26):
As a way to it's therapy to get over past trauma, especially
trauma that that was involved ona sexual level.
Yeah, of course. Yeah.
And, and not only women but men also do it, you know, because
like for me, my psychiatrist told me because of my PTSD, my
depression, my anxiety, I have always used sex to compensate.
(10:52):
And that's, you know, he told me, he said that's cool, he
said, but don't make any long term plans.
And it is true. I mean, I was married one time.
My marriage lasted about 12 years.
And then I had another relationship after that that
lasted about 12 weeks and then burned into a relationship that
(11:13):
lasted about a month and then burned into a relationship that
lasted 10 years. So I burned through a lot of
shit in my lifetime. So yeah, I I just have to learn
how to compartmentalize things be a little bit better.
Yeah, of course, because even with me like now being retired,
(11:33):
I actually miss filming. I miss being in front of the
camera because it was kind of therapeutic for me, you know,
because I actually have trauma sexually as, as as a young adult
or even a child. But it allowed me to escape the
world and just focus on that, you know what I'm saying?
And sex is therapy. Whoever y'all, believe it or
(11:55):
not, he actually is. You'll be surprised.
What it is? It absolutely it is.
And like I said, my psychiatristfrom Mexico who I spoke with
yesterday about the situation that I got myself into, he said
to me, he said, it sounds like the problem is that 2
hypersexual people, one who is working through this depression
and loneliness, and the other one who was working through her
(12:18):
bipolar depression came togetherand it was like throwing
gasoline on a fire. And yeah, it basically it was, I
mean, like I, like I told a friend of mine in Atlanta, I
said, you know, hey, the sex wasincredible.
I mean, God knows. I mean, it was 24 hours a day,
you know, morning wood, afternoon wood, you know,
(12:41):
noonies and everything else. I mean, she just, she just
wanted to ride. That was it.
So, yeah, I mean, I, I was happyfor three weeks.
Now I'm coming, like you said, I'm coming down off of my
adrenaline rush. And you know, you, you, it's,
it's like, you know, when when you're in a car accident, you
have that moment of adrenaline rush.
Or if you're in a shooting, there's that moment of
(13:03):
adrenaline rush and you come down from it and coming down
from it is, you know, it hits you really hard.
So that's what it is. I was yesterday, I was coming
down from it. He told me, clean up everything
that she left behind, everything, the way that you
lived with her, get it all, get rid of everything and put
everything back the way it was and start focusing on your life
again. So I did, I mean, I started
(13:25):
working on my stories. I started back, you know,
working with my publisher on thebook, getting photos that I had
taken like in 15 years ago that I still have not edited yet and
I haven't included them in the magazine.
So they're going to be coming out photos from Latin America.
Like in the most recent one, I had a Russian model who who who
(13:47):
appeared in the magazine. I had a Russian girl.
I had a Colombian girl. So yes, I mean it.
The magazine was originally, remember it was originally based
in Mexico. So I had not only not only girls
from Mexico, but I had Colombia,Venezuela, Chile, I had Russia,
I had China, I had I had girls from everywhere come and get one
(14:09):
to be in the magazine. They were work that were working
in the sex industry. But at the time when I first
began this, they were working insex work as escorts and high
class escorts and low class escorts and stuff like that,
which it doesn't bother me. I don't care what you do in the
sex work industry. You know, you're welcome to come
in and be a part of this. I started erotic photography
(14:32):
with St. prostitutes from New York.
They used to be under, They usedto, you know, stand on the
corners underneath my studio. And in the winter, it's all
started because in the winter time, in the summertime, they
would come up to get warm or to get Coke, to get cooled off and
get a drink or get a coffee or something.
And a lot of times. And so, yeah, I mean that that
(14:56):
was how it all started at black and white photography.
I developed my own black and white film back in the day,
medium format and I was the whole on the digital
photography. I think we talked about this
once before I when cameras started coming out with phones,
started coming out with cameras and video things, I was still
(15:19):
resisting. I kept my little Motorola flip
phone because I didn't want that.
I wasn't going to be taking, youknow, as a photographer.
You're not wanting to take pictures with a film and other
folks back in the day. But they were useless photos
for, you know, for print back inthe day.
And all of the magazines that I worked for in from 1990, you
(15:42):
know, from the early 1990s or the late 1980s, all the
magazines I worked with, they required positives, not
negatives. And they required, you know,
there was no digital world. But in 2004, I think it was, I
was covering the riots in Cancunand the protests maybe 2002.
(16:03):
And the, and the TV station thatI was shooting for wanted to
have it in digital photography. So I went out and I bought my
first digital camera. And that's how, that's how it
started the video. They still wanted the video
footage, but they wanted it uploaded.
They did. They wanted the raw footage
uploaded instead of and you know, in those days we connected
(16:26):
with a modem, we had 5656 kilobytes of speed.
So I would, I would start uploading, you know, at night
and in the morning it would justbe finishing.
Oh yeah, I remember. People don't realize back in the
day, downloading shit was hell. Oh yeah, because technology, the
(16:48):
Internet, how can I put this? The Internet still hadn't caught
up with the technology of the cameras now, right?
Internet has caught up with everything.
So it's not, Oh yeah, with 4K, because now 4K is so big, you
got to, and then virtual reality, all the the virtual
shit and everything. I'm going to ask you this
(17:09):
though, because I had this conversation with many ladies.
What's old is new again. You got companies still sell
DVDs. You got places in the world that
still accept DVDs, just like their place in the world that
still read magazines, still wantmagazines and so forth,
(17:30):
especially on the international scale because we do know that
certain laws, you know, it's certain porn, you can't watch it
so full. And I also see that girls
nowadays don't understand the power of a pictorial of
Victoria, you know, period. So for you, how has the magazine
(17:52):
still stay irrelevant in this day and age?
Because even to the point where I'm starting to see a rise of
erotic fiction and so forth. So how has the magazine still
stayed relevant in the digital era?
Well, one thing that I'm actually going to write an
article about this for, for another, for another magazine,
(18:13):
but and I'm going to also publish A verb note on on my
website. But one thing that emerged in
this last say in the last six months, especially at my
publisher, is that 30% of the magazines now that they have
available from the adult industry are AI generated
(18:37):
magazines, AI girls, They're AI guys, they're AI trans.
They're, you know, everything isAI.
There's no real people in them. And they're, they're beating out
my content that's real, you know, and that the girls, maybe
the girls aren't, you know, these Victoria's Secret models,
(18:58):
but the girls are real, you know, and what they're selling
is they're selling somebody's imagination of what a girl looks
like, you know, like, and you can buy anything and everything
from AI generated trans, AI generated lesbian stuff, AI
hardcore. The downside of that is that the
(19:18):
models that are in there are notreal, so the fans can't connect
to them versus the models that you have.
We can find them online, we can join their sites, we can follow
them on Twitter and so forth. We can get on their website, we
can go to their only fans, we can subscribe to their Twitter,
we can subscribe to their Instagram because part of what
the magazine's origins was was helping the girls promote
(19:42):
themselves to get seen. So we always shared their what
their, what their or what's up, but we always shared their
Twitter, we always shared their Instagram.
And if they had a website where they were published, this was
before only Fans was around, butthere were other websites that
were either free or pay before that we would promote that for
(20:02):
them and you know that. And that became actually, you
know, a very positive part of the magazine.
And in the beginnings, the girlspaid to appear in the magazine
like Playboy does. Now, if you want to be on the
cover of a Playboy magazine or in a Playboy magazine from any
country, you have to pay. The girl has to pay or somebody
has to pay and that's the way that we work back in the day.
(20:23):
But it was, it was your, what you were paying for was the
publicity. Because we had more, we had more
of an exposure. We were, we, we were at 4th.
Our website was at 4000 per day unique visits per day.
It was over 20,000 hits per day and we had about, I think it was
(20:46):
60 page views a day per visitor.They would go flipping through
all of the different pages of the, of the magazine.
So a lot of things have evolved and you know, some are positive,
some are negative. When I can tell you when COVID
was going on, when I first started actually selling the
(21:07):
magazine online, that was going on and I was selling about $1000
a month in magazine subscriptions and magazine
issues. I would get 50% of that.
The publisher takes 50, I would get 50.
So there wasn't a lot of margin left.
(21:30):
So, you know, in $1000 sales, I got around $490.00 because I had
to pay credit card fees and other stuff.
But the upside of it was that they had that automatic like the
porn sites do, you know, like you, you buy a subscription and
at the end of the 12 months it automatically renews you unless
you cancel. Yeah.
So, so it, it was good back in the day, but once COVID passed
(21:54):
and I actually didn't work during COVID, but I had enough
material during COVID to, you know, cover building the
magazine and continuing to do the issues.
That was basically the biggest problem was that once COVID
ended, people stopped wanting todo magazines.
Now we don't sell a lot of printed issues, most people
(22:16):
digital, but what happened, whathappens is that they the printed
issues, the models like to orderthem.
Yeah. So I'll, I'll order them for a
model or I'll order them for a particular photographer and I'll
have them I'll send it over. You know, it'll be shipped to me
and then I'll send it to them. You know, because they only
(22:38):
allow one shipping, right. Right now they only allow
discounted purchases to come to me directly.
So and I did have a guy in in UKthat wanted my like 100 copies
at a time and sell it in his because he still actually has a
magazine store he worked for. He wanted to actually you know,
(22:58):
buy a whole set of 1 issue and try to sell it, see how it went.
But it was just too expensive for me to ship it to the UK.
He wouldn't, he wouldn't have made any.
We both wouldn't have made any money.
The Internet came. I'm in my days of sending DVD's,
man It's hell. It ain't cause to ship that shit
(23:19):
overseas. Oh yeah.
Yeah, I'm talking about shippinglike 2020 different titles and
or 10 insane titles. Yeah, it, it, it's crazy.
Even when I was in Mexico, I tried to, I tried to ship some
stuff from the US to Mexico. I had some stuff that was left
(23:41):
at my, my father's house and when he died, I was going to
ship it to to Mexico and it was 1 box.
I think it weighed about 20 lbs and that it was $349 to send
that and it didn't have enough sentimental or, you know,
monetary value for me to want todo that to, to even invest in
(24:02):
that. So yeah, it's all just kind of,
you know, it was useless back inthe day and today it's it's
still useless to try to ship stuff overseas now, especially
with the tariffs. Yeah.
You know, and that's another thing that's beating the shit
out of me. The tariffs, yeah.
The tariffs, yeah, No, I mean, I'm if, if it wasn't for the
(24:27):
political environment right now in the US, I'd go back to Mexico
and live there. I'd go to Mexico or I'd go to
Colombia because I have I have opportunities in both.
Places I have. People.
In both. Places because shots out to
blonde Latin mommy Mom, I'm going to send you a link so you
can hook up with her. She can get in that damn
(24:47):
magazine. They already got her, but yeah,
she in Colombia. I would like to go to Columbia
to taste some of that Latin. So we'd be getting a drill.
But but it but to me, it's like your magazine became and for a
lot of ladies in South America, Central America and so forth, a
vehicle for them to be seen worldwide as well as over here
(25:10):
and still is. How many ladies on the
international side still won't be still be hitting you up being
a man and still seeing you material.
Well, that's one of the things that, you know, I tell girls
from Mexico that that I have worked with in the past and that
I, you know, for other reasons. And now they have their only
fans. They've got their fans, they,
they've got their webcamming site and all that.
(25:32):
And you know, I tell them, look,you're advertising your shirt
yourself only in Spanish. So you're appealing to the
Spanish speaking market and you're in Mexico and you're
appealing to the Mexican market here.
What we're offering you is to appeal to an audience that yes,
our biggest market is, is the US, but our second biggest
(25:53):
market is the UK and our third biggest market is Germany.
And then from there, we've got, you know, our market goes to
Asia, we've got Asian market, we've got South African market,
we've got a market in Italy. So yeah, I mean, we, we have the
largest market. We don't have a big Latin
American market. Our, our, our market typically
(26:15):
is English speaking, European orNorth American, you know,
Canada, US and and the western part of Europe, even Romania.
Yeah, because he like one of theargument I was having with
someone and I told somebody thiswhen the reason why you want to
(26:37):
even in this day and age still want to shoot with a mag or
shoot even on the porn side withthe major companies is ladies
don't realize how limited you are when it comes to with
Twitter, Instagram and and only fans.
You're only tapping this market.You're not tapping the
(26:58):
international market. Exactly and.
And and hold on one more thing and Onlyfans is not popping in
every country but. Exactly.
That's why girls, that's why girls have two or three
different. Yeah, No, that's why, That's why
some of the girls, you know, thegirls that are in the know, you
(27:20):
know, like, and some of the onesthat I've worked with, like hot
wives and swingers and stuff like that, they know that.
You know, first of all, Twitter today is saturated with bots.
And you know, literally it's saturated with bots.
And you know, so you don't have,you don't always have real
(27:40):
people that are looking at your content.
You know, you may see that you had 1000 views, but of those
1000 views, how many were real? How many were bots passing by?
And not only that, how many of them?
How can I put this if from your fans you already got Not
exactly, you know what I'm saying?
(28:01):
Yep. And how many of them are
actually willing to put, you know, money into the, you know,
into the till to, to have a show.
You know, a lot of people remember back in the day when
Twitter first started up and sexual content wasn't a problem.
A lot of people came on to Twitter and Instagram and stuff
(28:22):
like that to see stuff for free because they didn't want to pay.
And it was the same thing with, it's the same thing with like
the platform Chatterbait, you know, people, people sign up and
have batterbait accounts becausethe girls will do anything to
get, you know, the coins in their, in their, in their slot
there. And so, you know, other than,
(28:44):
you know, other than having sex on on camera for free, you know,
they'll show their tits, they'llshow their ass, maybe they'll
touch themselves, things like that.
And so these are the people thatsign up there and they they
don't really care. But see, the thing about it is
that it isn't it to me, ladies, when I came in the game
(29:09):
understand the value of professional looking pics, poses
and so forth. The pics we get now, it's about
sex, not about sexy, you know? And why do you think females
from a photographer standpoint lost that thought process?
(29:29):
Because the one thing magazines showed was it showed sex, but it
showed sexiness and sex appeal. It didn't just had sex.
While now, like you go down a girl page, she's in the same
position, squirting, shoving thedeal on the coochie, dim the
pictures. And it's kind of like it's not
giving me sexy, just giving me thought.
(29:51):
You feel where I'm coming from, right?
Yeah, I mean, you know, the the when the magazine originated, I
mean, we didn't have any explicit content.
It was erotic, you know, and, and that was the original
concept, but we had to evolve because the original publisher
that I was with Skin Mags, they were a video concept magazine
(30:15):
publisher. So we were competing against
actual videos of people having sex and, you know, getting blow
jobs and so on and so forth, rather than just vote, you know,
erotical. Don't you hate?
Don't you hate when they startedThe Digital Man?
And is that really a magazine? Well, it's evolution, you know
(30:39):
it is the evolution, Bobby. You know, it's what it is.
Unfortunately, you know, we evenPlayboy, when you see the
Playboy and Penthouse and all the other ones, they've gone
from having, you know, print a print market to going into a
digital market, it is easier. You know, today I wish when I
(30:59):
was a kid I had the digital copies instead of the real ones
that nobody could find. But to me because because I
remember back in the day that was a concept when they were
talking about the online made you know, which was still
(31:19):
pictures. You left something to your
imagination. Yeah, you know, because I used
to love the pictorials I like. One of my favorite pictorials
was I forgot what Maggie was. It was she was a maid.
She was a sexy ass, red hair andshe was a maid that was cleaning
a public bathroom and she playedit it she used the deal, though
(31:42):
it was not a dude, but she played it as if she was.
She happened to run across a guythat was in the bathroom jerking
off. So he sticks his Dick through
the hole and she fucks it. And it was a hot pictorial and
it and and to me, the pictorial was just as good as the video
because it shows you the gradual, you know, steps of what
(32:04):
was going on or what have you. And you do the same with yours
to a certain state. And then those are fucked with
her. We're not even talking about the
model by herself with the pictures and stuff and speak to
the importance of a sexy pose and how it sells the model more
so than her shoving the deal doing her pussy.
Oh yeah, I mean, like I said, you can go on X videos or
(32:25):
Pornhub and see somebody gettinglaid or somebody's, you know,
masturbating with a dildo or a vibrator or whatever you want.
But the whole concept of Eroticism.
Is. Has disappeared, basically,
which is why I launched the second magazine, because
Eroticism took a turn from suggestive, sensual and erotic
to more hardcore. You know, legs spread open,
(32:48):
pussy out dildo in touching yourself, no sex, still
suggestive. We did have we did do one, I
think it was last year. I had one or the year before
that was a husband and wife. They were swingers and but there
was no sex. It was just suggestive and the
focus was on her, not on him. And erotic magazine kind of goes
(33:11):
back to that value that that originated from Eroticism
magazine of the non explicit non, you know, we're, we're
categorized there now in the men's lifestyle category, which
I like because it gives us two sides.
It gives us the adult side and the men's lifestyle.
(33:35):
It is sweet so because it's the point like when I when I go down
to a page, when I see a good picture, it makes me stop.
You know what I'm saying? And with with you, because, like
I said, because you stick with the, you know, the, the, the
(33:55):
some motherfuckers just go straight video.
Why do you not decide to go straight video and you still
keep with the pictures? It's because a lot of
motherfuckers break and try to do the video shit like you, like
you were saying that other dude was doing, which I don't
consider that really a magazine.It's a fucking porn site.
Exactly. You feel me?
I mean, that's just me. Yeah, and I mean, it was, it was
(34:19):
hard to compete with those with those types of magazines because
while I did shoot some videos, you know, girls alone videos
back in the day, you know, and myself, I I've been in for,
well, I before I met this, this African Latino girl, I was in
(34:40):
four videos before that. I appeared in four videos.
I was before I left Mexico, I was offered to be in one more
video. I was asked to be actually in
one more that I had the girl that I had performed with
before, she wanted to do it. She wanted to do the scene with
me. And, and unfortunately I turned
down because I was doing something with Netflix before I
(35:01):
left Mexico. And yeah, I, we did a, we did a
documentary and actually she turned the document was, I did
once, one episode of the documentary and they turned into
6 episodes. And that was on sex trafficking
in Latin America. Because unfortunately it's, it's
(35:23):
a very common thing in Latin America to encounter people who
have been sex trafficked, children, guys, girls.
So we did, we did. And, and I had a model who was
actually killed by a but yeah, we don't know if it was a, we,
we believe it was a serial killer that was focused on
(35:44):
killing sex workers. There was a trans girl, there
was a girl from Colombia, one girl from Venezuela, a Mexican
girl. So I had experience with the
whole the whole industry there. And so they asked me to come and
tell the story about this girl because her mother and her
(36:04):
brother didn't want to come up and didn't want to go on camera
and talk about it. And since I was so involved with
the family, not only was the girl, but the family knew me and
everybody knew me. So I went on and I talked about
her situation and how it evolvedbecause she came to me to get
out of the sex work industry andto get into mainstream modeling.
(36:26):
And I, I was the, I was the, youknow, base photographer for an
agency, a modeling agency. So I hooked her up with them.
And, but eventually, you know, costs came and she had to pay
her mom's rent. And I offered to pay it for her
because, I mean, we're only talking it was like about $8 to
pay her rent for her mom. But she took a an appointment
(36:50):
and never came back. And then two days later, they
found her chopped, look, sort ofchopped up with a pair of
pruning things stuck in her chest and stuffed under a bed in
a motel. So, yeah, so I, I got, yeah, I
got to tell. What's that?
(37:12):
Your thoughts and prayers. Oh, yeah, yeah, it was, it was.
It was pretty horrible. I don't know why, but I think I
disconnected my headphones. Can you hear me?
Yeah, I can hear you. Can you hear me?
Yeah, yeah. I think, I don't know what
happened, but my my microphone disconnected.
So yeah. So I mean, that was the last
(37:33):
project I did before I left Mexico was with Netflix.
That was in 2022, but I haven't done anything with them since
then. I would also did an ambiance
scene with them. People might have seen it on my
Twitter and my Instagram. They needed, they needed for an
episode of a, of a, a soap operafrom Latin America.
(37:57):
They needed an, an, an environment created that looked
like a sex club, a sex trafficking club.
So we, I had a friend that was aproducer in Mexico and he
contacted me and he's like, you got more experience in this side
of it than I do. So, you know, can you come up
and help me build this, build a,build an environment for them?
And we did, I went up there and I and I helped him with it and I
(38:19):
was able to work with an incredible Netflix director from
Argentina. He was, he was just wonderful.
And I and I and the girl that was the main character, she was
from Cuba, very pretty girl. And she was a, she was a, what
do you call it, like a federal police.
And she was the one who came in and busted the, the whole thing
(38:41):
up. And then, and then, you know,
after that I did a couple of other things with models and
what have you. But I, I got away from the video
because it just even weddings and stuff.
I just stopped doing video completely.
I said I'm going to focus back on what my career is, was, you
know, I, my bachelor's degree isin media studies with the minor
(39:02):
in journalism. So I had, you know, the writing
and the photography and the video and all that stuff, but I
wanted to get back to just the photography.
Like I started in the beginning.And that's, yeah.
And that's what I did in two, I guess it was around 2020, two,
1020 or 2018-2019. I sold all my video equipment.
(39:23):
I found a, a director in Mexico that was looking for equipment
and I sold them all my professional filming equipment.
And the only thing I kept was my, you know, my small camera.
I can still film. I mean, I can still film in 4K
and all of that. But I don't do it anymore.
I don't offer the service anymore.
(39:43):
But yeah, it, it, you know, it'sthe industry has changed a lot,
you know, and where I'm at, I don't have a lot of opportunity
here. I would have to move myself to
either. If I wanted to work every day,
shooting every day and Korean content every day, I'd have to
move to California or Miami or to Chicago, Las Vegas, New York.
(40:06):
Where is it? Is it because you just don't
know the environment? He's, I mean, Houston got to
actually be coming in a strong hug for.
Porn. You would think so, but the, you
know, I've tried to reach out topeople and I get either no
reply. I don't know whether they're,
you know, their accounts are just disabled.
And I did have a girl in Dallas that appeared in the magazine
(40:28):
twice, but now she's doing mainstream porn, so she's not
really interested. With shoe, well, like I said, I
mean, people don't realize that it's sometimes hard to find
people to work with even if you live in a good area, sometimes
it's all. Oh, yeah, yeah, You know, I have
(40:50):
more contacts. You know, I think that that's
part of the problem. I have more contacts in Mexico
than I do in the US And secondly, the people that I do
have contact with and you have arelationship with, even though
it is virtual, they're in California, Las Vegas and Miami.
So, you know, I do have a girl in Atlanta that wants to work
(41:13):
with me, but we just can't we, we just can't get organized.
You know, we, we, she just can'tget here.
I can't get there. So I.
Know that feeling? Until we figure, until we figure
something out. We talked last night for about
an hour and a half about it. But but yeah, I mean, we, she
wants, she wants to be in the magazine so bad.
And she even asked some of the photographers that have shot her
(41:36):
to give her the photos and stuffand they won't give them to her.
So you really got to be careful who you work with, You know who
you work with. If you're a model, you got to
really be careful who you work with.
And if you're a photographer, you really have to be upfront
about what you're going to deliver for the money that
people are paying. You know, sometimes it's not
about how much you're charging amodel to do the shoot.
(41:58):
But like in her, in her case, they, she was invited to an
event, she had to pay $80.00 to be in the event, which was,
which was a bunch of photographers and a bunch of
models and they were going to dolike a sip and shoot.
And from there she had to pay for her, you know, flight to
(42:19):
North Carolina, I think she wentor South Carolina, I forget
where it was. But she had to pay for that.
She had to pay for her hotel andshe had to pay for her Uber to
get around. So in total, she said she spent
about $400.00, not counting eating.
And then none of the, none of the photographers followed up
sending photos or giving her photos and they won't give them
(42:39):
to her. So it left her in a situation
where she's, she's been very disappointed with photographers.
And the fact, the fact that a lot of photographers and, and
you know, this is aimed at you guys out there that, that don't
know what customer service is that really they don't answer
messages. They don't, you know, they don't
(43:01):
want to talk on the phone. I mean, I, I, I talked to my
girls on the phone. If I send a text message
offering somebody to be in the magazine, I give them my phone
number, call me. These are the hours that you can
call me and you know, well, I'lltell you anything I know and
anything that I'm going to deliver to you, I'm going to
give it to you in writing. It's as simple as that, you
(43:24):
know, and for the magazine, you don't get charged.
You come here, you shoot, you appear in the magazine and
hopefully you get more business,you get more only fans, you get
more whatever. I mean, how many strip clubs we
have here in Houston? I had a relationship with, yeah,
I had a relationship with a guy named Lucas who was the manager
(43:44):
at one of the clubs. And you know, I said to him, I
said, hey, let's do a thing. I'll give the I'll give the
strip club free ads based in themagazine.
You just give the girls my phonenumber if and if you don't want
to do photo shoots, if any of them want to be in the magazine,
if any of them have only fans pages, I'll help him out.
And he was like, no, I don't want to do that.
So you know what, what are you going to do?
(44:06):
And I've written to a bunch of other clubs asking, you know,
did anybody, and that's The funny thing.
Anybody want free publicity, youknow, does anybody want, you
know, six months of an ad and not only on the in the magazine,
but on the website and on Twitter?
No, nobody. Nobody even replies.
(44:27):
And that's what and that when wetalked about being formal,
that's what you know, that's what she would, that's what her
main complaint was. She said out of all the
photographers that she's ever dealt with in the last five
years, I'm the only one that always answers the phone, always
answers her questions and is always willing to do something
to work to figure it out, she said.
Everybody else is just informal for her.
(44:50):
They don't talk on the phone. They'd rather text.
Yeah, I mean, come on, guys. Yeah, I hate this shit too, man,
because I'd be like, I'm old school.
I like talking on the phone. Interesting.
I know, yeah. And she's not old school, but
she, she likes the the fact thatpeople will actually talk to
her, you know, and she can tell them exactly what she's looking
(45:12):
for on the phone and they can tell her how much is they're
going to charge her. But no, she, she had bad luck
with that. I don't know where she finds
these guys from. Yeah.
Well, I always said is, I said this business is the easiest way
for someone to, for sheep, for, for wolves to hide in sheep
(45:32):
clothing per SE. And, and like I said, it's and
to also, but because we still have stories, I see stories
about photographers fucking overgirls and and so forth.
And like I said, it's I tell females a lot of times they get
caught up because they don't do their research and they don't
(45:56):
pay attention to warning signs on their photography, especially
in the conversations, you know, because I mean, we talking about
sex majority of the time. I don't think you want to do a
photo shoot with him. Exactly.
You know, I'm always very clear on what the magazine is, what I
expect from them. And if they're not interested in
(46:18):
doing it, it's not that it's a problem.
It's just that, OK, this is whatI'm looking for.
What are you willing to do? And if your girl doesn't want to
get undressed, you know, she just wants to show off maybe her
tits or maybe she wants to show off her body, that's fine.
You know, you want to do a BDA, you want to do a BDSM shoot, and
(46:39):
you're in, you know, just in a full latex cat suit.
And that's fine. And we can unzip her the front
just a little bit, just to, you know, give it a little bit of
heat, But you don't have to takeyour clothes off.
You don't have to get naked. You just have to tell me what
your limits are. And, and that's the part of
communicating, you know, the communication between the model
(46:59):
and the photographer, or in the case of a video in between the,
you know, the model and the and the producer.
Because you know, when you're in, even those of you that are
in the porn industry and stuff like that, you know, you got to
remember that not everybody, notevery girl wants to do anal.
And for those, those guys that aren't in the industry, you
know, don't think just because you saw it on a video that your
(47:20):
wife wants to, to have their Dick in her ass, you know, and
not everybody likes that, you know, not every woman woman
likes that. So you have to communicate with
each other to understand what her limits are, what her needs
are, what her desires are, and then work a script around that.
True. Yeah, because you think about
(47:42):
it, Eve, as even as a photographer, I wanted to make
them feel comfortable and relaxed and sexy.
You know, of course, because thethe point being so people can
understand is this goes for photographer, even porn.
The sexiest she feels, the better is going to look on
camera, the better is going to come out, and the more and the
(48:02):
better she's going to feel. Many, many years ago.
And it's, it's a funny story. Many, many years ago, a
photographer from Playboy, we were, we were talking about this
because he was, he was in my studio in New York and he was
looking at the canvases that I had on the, on the wall of the
(48:23):
silhouettes of women, you know, naked or partially naked laying,
you know, laying there and beinglit from behind him.
And he liked it. And I, and I said, what is your
secret? And he was like, he said, I'll
just give you one piece of advice.
The best photos are after the orgasm.
Yeah. And I said, who's orgasm?
(48:44):
The models are mine. And he said, well, that's
something you're going to have to find out for yourself.
But yeah, the more comfortable amodel is, obviously the the
better the photos are going to come out.
The sexier she feels, the sexierthe photos, and the more
comfortable you make her feel. Yeah.
(49:08):
And if it's your job? Pussy.
Look, if a guy don't get a hard on eating pussy, he ain't a guy.
No, he's not. No.
Yeah, if you don't get hard on taking some of them pictures of
them girls, you ain't a guy. Exactly.
Yeah, Oh. My goodness.
(49:29):
So people, I didn't help. My, my, my, my, my sponsor up
here for a wonderful hour. And you know, we're going to
bring him back and ain't going to take as long to bring him
back because, you know, we got more we're going to talk about.
So yo man, tell everybody where they can find Ross is a magazine
where they can buy and read thatshort story about your many days
(49:51):
of fucking gay model. Well, just this is one story at
a time, guys, one story at a time.
But yeah, you can go to zinio.com, go to the adult
section. We're there.
We're on the Eroticism magazine was on the second page right now
at Ratique. We're having a problem with the
publisher and it still has the image from Christmas there.
I don't know why they keep showing me that, that, you know,
(50:15):
on their side. It shows that the new issues are
up on my side. It doesn't show.
So just go to eroticismyouknowmagazine.com or
go to aratiquemagazine.com and there's links in there.
You can get all your shit there on Twitter.
We're a lot of system mags, MAGZand a Rotik mag.
(50:38):
So yeah. And we, we, we're out there and
all of our social links are the same on Twitter and Instagram.
I do have a TikTok, but my one that I was, you know what
happened to one of them? So now the one is very vanilla.
A lot of it's just me bitching the snowstorm we had here in
(51:01):
Houston and things like that might go on.
But yeah, I mean, I would love to have some models from Houston
show up here and we're contact me and and even if you're not
from the Houston area, shout outto me.
We'll see how what we can work out.
I I got no problem. I'm flexible in the respect
(51:22):
that, you know, I'm willing to work what in whatever way makes
you feel more comfortable. If you have your own
photographer, if your husband takes your pictures.
You know, nowadays, Bobby, we, you know, I don't know how many
people out there have updated phones, but my phone's got, I
can shoot, I can shoot up to 4K or 6K or whatever the hell it
is. And apart from that, I can shoot
(51:44):
raw photos, which are what we need for the magazine.
You know, I can shoot RAW photoswith my my phone and edit them
on in Lightroom and get them setup for the magazine.
So, you know, just talk to me and we'll figure it out.
Oh yeah, 'cause 'cause even withme, 'cause I'm hardcore myself.
(52:06):
I like to use a camera but but using my cell phone and pitch me
turning out pretty good, can't complain.
No, no, hey. Whatsoever.
Exactly. And then with the phones, now
you can also, you know, they have editing software you can
buy for your phone or download for your phone and stuff.
I don't do that because I use the computer.
I just AirDrop it from my phone to the computer and then I
(52:27):
upload it to Lightroom and I adjust the lighting.
If it's a bad background, I'll get rid of the background
completely. So yeah, anybody that wants to
reach out can reach out, send mean e-mail.
You can get my e-mail off of thewebsite or out of one of the
magazines or anything. If you go to Mag Cloud where
they're on Mag Cloud as well andyou get like A5 page preview so
(52:51):
you can see the models that are in the issued bad thing about
Zinnios. You can't see what models are in
the in the issue. But on Mag Cloud you can go in
there and you can see and if youwant to get it on Zinio because
you have a Zinio subscription ready, you can do that.
That's what a lot of people do. They go and I get about 600
people per month that go and look at the magazine on Mag
Cloud and maybe 2 that buy. Yeah.
(53:15):
So come on guys, help me out here later.
No doubt and for any of you Miles is listening to this
episode. The link is in the description
to where you can hit him up and everything.
And also let me tell you all about extra content you can get
from the smokers lounge. First up, own loyal fans, my
(53:36):
adult adult porn. Excuse me, my porn podcast or
porn cast network. I'm talking about none of them
in the premium smoke room. 4I repeat the word for wonderful
podcast we'd enjoy, plus specialevents and even go live on X
from time to time. The conversation gets saucy, the
titties get the titties pop out,dildos might pop out, You don't
(54:01):
know what might pop off unless you subscribe.
Plus you can check out the Triple X store where you can see
my work as I gave ladies the work because big Dick's going to
sticks. That's why they call me Big
Country. Also check out my subscription
site on Spotify where you can check out two wonderful episodes
that I always drop on regular basis.
Had the smoke on it where I get my unapologetic controversial,
(54:23):
unpopular opinion on certain subjects as well as savage
smoke. As I talked to the industry, top
male talents and producers aboutthe industry would give me that
real smoke from a male perspective.
So whether it's premium smoke orwhether it's savage smoke, even
when you get the smoke, you feelme.
So now you know, everybody showsall we got to give y'all
(54:45):
something to smoke over. So what did we smoke over today
and what did you learn? Well, there's many different
sides of the adult industry. You just learned about the
magazine side of things and everything.
And magazines are still relevant, So is DVD's.
What is old is now becoming new again, and what is old still
(55:06):
works. See, the power of the picture
still holds true in 2025. Why?
Because so many of you ladies love posting pictures of you
squirting. You love posting pictures of
dildos and so forth. Yes, even though we're in the
digital era, pictures are very important.
(55:27):
So is magazines, so is the righterotic, erotic stories, and so
forth. Once again, there's many areas
within the adult world that you can tap into.
That one can help you market your materials better.
Because we still forget we're ina bubble.
(55:47):
Your job is to get outside that bubble.
But the problem is because you also used the only fans and
social media telling you have big only fans is what they're
not telling you. The truth is only fans is a
limited market. Your job is a businesswoman
model. Porn star is to become unlimited
when it comes to marketing. That's why you need to go ahead
(56:10):
and just man up and get your assin this magazine or any magazine
for that matter. You feel me?
So with that being saying, now we're in these things all day,
every day. Life is a learning experience.
What's the point of the experience if you haven't
learned anything? Smoke is over.
Say goodbye to him, Kev. Bye guys, thank you very much
for tuning in. Hope you all have a great rest
(56:32):
of the week. Check out our Twitter for us
Wednesday. Yes, and we out.
(57:05):
None.
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