Story Nerd

Did you know that the beginning of your story, and the end of your story, work together as a unit? This this episode, which originally aired back in Season 3, we explore how the powerhouse pairing of Jane Austen and Emma Thompson put this bit of theory into action. For the rest of your story, understanding sequences might just be the key to making your story sing! We'll be back on January 14, 2026 with a brand new episode. Until th...

Holy smokes! Now THIS is how you write a murder mystery. If you're a mystery writer, or simply want to watch an absolutely fantastic film during the holiday season, be sure to check out THE LAST OF SHEILA. This episode originally aired in Season 9 and it's one of our favourites. So sit back and enjoy, and we'll be back with a brand new show on January 14, 2026. -V.

Acquire the power to write a bestselling story at storynerd.ca/cour...

Wayne's World is a superior example of an anti-plot story (and it's hilarious to boot!). As Melanie and I take a much deserved recording break to enjoy the holidays with our families, we're sharing this archive episode with you because, if nothing else, it'll bring a smile to your face and give you a good laugh. We'll be back on January 15, 2026 with a brand new episode. Until then Happy Holidays, everyone! - V.

Acquire the power t...

It's a brand new season and that means Melanie and I are studying two new topics: narrative drive and conflict triangles. Conflict and page-turners are usually associated with action stories, thrillers and the like. But DOUBT is a quiet, character-driven film that is so expertly crafted it grabs the viewer's attention immediately and holds it right to the bitter end. Seriously, there's so much for novelists in here. -V.

Acquire the...

This is storytelling at its finest. We could study it to learn about almost any aspect of writing, but this week, Melanie and I are highlighting the complexity and nuance of the main character. He's a passive character, which makes for an especially interesting study of both the hero's monologue and the shadow. If you've not seen THE HOLDOVERS yet, watch it as a gift to yourself this holiday season. You won't be disappointed. We'll...

If you are writing a villain’s POV in your story, this episode is for you. Lydia Tar is a villain but she’s also the protagonist of the story. Quite simply: villain + protagonist = anti-hero. The slow reveal of Tar’s shadow is a masterclass in writing a villain POV. You could start off with an evil villain and maintain that line in your story, but it’s much more compelling to watch the villain’s camouflage and true nature being rev...

If you're curious about how to handle unlikeable protagonists, this episode is for you! In Hitchcock's classic, DIAL M FOR MURDER, the protagonist is the villain — he plots the murder of his wife, and that's about as unlikeable as it gets! His anti-hero's monologue is a veritable masterclass and his shadow reveals that he's actually kind of a nice guy underneath it all ... when he's not blackmailing people and planning murders that...

The villain isn’t a stand in for the hero’s shadow. The villain is a warning to the hero if the hero doesn't learn to integrate their shadow. The Incredibles is storytelling gold and a very clear example of the role of the villain and hero plus their relationship to the hero’s shadow. Of course, every good superhero movie needs a hero’s monologue and The Incredibles delivers. This week is a great week for both our topics, so join u...

You need to read stories you don’t like. Yep, it’s true. This week I put my body on the line and I forced myself (and Valerie - so sorry, please forgive me) to watch The Substance. I don’t read, watch, or listen to horror, but there are times when I need to go outside my comfort zone to learn more about the craft. My topic this season is The Shadow, so it would be remiss of me to ignore a genre that relies on The Shadow. You don’t ...

How does your reader know why your protagonist does what she does? This seemingly minor detail is one of the most important parts of your story and the way you let the reader know about it is through the hero's monologue. What aspect of your protagonist is hidden from her, from your reader, or both? If you want to create a main character with dimension and an arc, then understanding her shadow is key. The hero's monologue and the s...

I think I missed the mark with my choice for What When Right this Season. I went with The Outrun because it scored well on ratings sites. Why did this movie get such good ratings when both Valerie and I had trouble staying engaged? It’s a story that has great performances and it handles addiction without judgement. There’s also some parallel story telling in the shape of traditional Orkney fairy tales, which assists the viewer with...

Today is a fantastic day for the Story Nerd Podcast. We are celebrating the launch of Melanie’s new middle-grade novel, Jett Cooper, by sharing a behind the veil look at how she put theory into practice. 

Join us for this special episode and learn more about Melanie, what inspired her to write this novel, and why it took her so long. Valerie also shares her reaction to reading the completed novel for the first time with Melanie. 

If ...

STAYIN' ALIVE has a 0% rating on Rotten Tomatoes (I didn't even know that was possible!) so Melanie and I wanted to see if we could figure out where the storytelling in this movie went wrong. And boy, did it give us the giggles. In this episode, we cover everything from missing empathy to missing pants. So come join us, and be sure to let us know what you think of our analysis. -V.

Acquire the power to write a bestselling story at ...

We've come to the end of another season and that means it's time for our best advice about the villain's monologue (what it is, and why it's essential you have one in your story) and turning points (those unexpected events that create opportunities for you to reveal character). -V.

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of tr...

I think BLACK BAG misses the mark but it's one of Melanie's favourites. So what happens when we disagree on whether, from a craft perspective, a story is working or not? Well, you'll have to tune in to this week's episode to find out. One thing I'll say is that this might be a film that is meant for super fans of the spy genre (i.e., Melanie) because it seems to assume a level of knowledge about the world of espionage that the aver...

Primal Fear is a superb film. The novel, by William Diehl, is even better. This is a story to add to your short list of go-to stories to study for absolutely any aspect of the craft. Enjoy! - V.

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a write...

This week we're throwing it back to season 2. Valerie is studying The Hero's Gift Expressed and Melanie is studying Forces of Antagonism. Legally Blonde is a beautiful example of both!

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit M...

In this week's episode, Melanie introduces the concept of conflict triangles and honestly, if you use them in your work, your story will improve immediately. In terms of cast design, while usually the plot supports the development of the characters in this case, the characters support the development of the plot. If you don't know which option best serves your story, you'd better tune in.

Acquire the power to write a bestselling st...