Story Nerd
For novelists, memoirists and screenwriters who want to write stories readers will love, and who want to work with a literary agent. Each week, editors Valerie Francis and Melanie Hill use films to explain how to craft a story that hooks the reader on page one and holds their attention all the way to the end. On alternate weeks, Valerie and literary agent Kathleen Foxx offer their professional feedback on query letters and writing samples submitted by Story Nerd listeners. The goal is simple: to help writers realize their dreams of becoming published authors. If you love to write, and you love to tell stories, and you want to see your book out in the world, this podcast is for you! "The only thing that matters, and that ever will matter, is the story. That's it." - Tom Hanks (Oxford Union 2024)
Episodes
Of all the types of protagonists, audiences/readers love the underdog the most, and our discussion of this beloved archetype led us down all kinds of interesting story theory roads including tension, stakes, objects of desire, the use of consequences as plot devices, suspension of disbelief and the Disneyfication of fairy tales! Meanwhile, Melanie continues her study of the premise statement and logline — what the difference betwee...
Sicario presented us with a few surprises this week. Valerie thought she’d be analysing a hero, but Kate is an underdog. She’s not presented as a typical underdog, nor does she have the typical underdog resolution. On my end, the logline for the movie misses some essential information. I try a new method of creating a premise that clarifies the conflict and story climax, and it delivers a surprising discovery about the real antagon...
Can you write a killer opening line? Can you define what a killer opening line is? In this week's episode, we give our professional advice on the opening pages of a story described as upmarket with suspense elements, starting with a debate about the opening line. Don't get me wrong ... the first 10 pages are quite good, but we've got suggestions for how to make them great! Don't miss this episode! -V.
What type of protagonist does your story feature? There are 4 types, each of them can be a constant character or a change character, and each one evokes a different emotion from your reader/viewer. And that's exactly what I'm studying this season starting with the hero which could be a literal superhero, or it could be a little old lady. And Melanie is studying the story premise and how to articulate a story in one sentence (becaus...
Poles apart - and not the dancing kind!
Anora won the 2024 Palme d’Or at Cannes and five out of six categories at the 2025 Academy awards including Best Original Screen Play and Best Film. Plus, it was nominated for a multitude of other awards and won its fair share. On Rotten Tomatoes it has an aggregated rating of 93%. That’s impressive.
However, we disagree about What Went Right. I saw how the writer director crafted a pessimis...
It's AMA time! When is the best time to query an agent? When is the best time to go out on submission? How on earth does a writer choose comp titles? Literary agent, Kathleen Foxx, answers these questions and more on today's Hook Your Reader episode. If you want our feedback on your query letter and first 10 pages writing sample, visit storynerd.ca for details on how to submit. We look forward to reading your work! -V.
I'm convinced that the screenplay for this film was generated by AI. Of course, I have no proof for that, but 80 for Brady is so completely bizarre that if AI wasn't involved, I'd like to know what the filmmakers were smoking. It misses the mark at every turn and has so neglected (ignored? forgotten?) the fundamentals of storytelling that not even four legends of stage and screen can save it. This just might be the worst movie ever...
In the season roundup, we share all our best advice about the speech in praise of the villain (what it is, how to craft it, and why it's important), and constant characters (they're waaaaaay more common than you think!). -V.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
This is the first episode of our brand new HOOK YOUR READER series! In these episodes, literary editor Kathleen Foxx and I review query letters and first ten pages writing samples from you, our listeners! While we're getting this off the ground, and to give you time to prepare your work, we've devoted this week's show to answering your questions about AI, writing and publishing. It's a good one! And, to find out how you can send in...
What if you could get professional advice on your query letter and first ten pages writing sample BEFORE you started to send it off to agents? Well my friends, you're going to love this! Starting tomorrow, literary agent Kathleen Foxx and I are going to do just that (and it's free). For all the details about how you can get our feedback on your work, visit storynerd.ca. -V.
Submit your query letter and first 10 pages writing sample...
In a twist that no one saw coming, not even us, the villains in this movie are Val and Mel!
Despite this, I thought Thunderbolts would be better. :( However, the constant characters in this movie support a protagonist with a change arc, and fill archetypal roles in the movie. In another surprising twist - switching the villain in the end of the movie has a big impact on the effectiveness of the speech in praise of the villain. Thi...
Season 5 kicks off with Men in Black. Valerie is studying plot structure, and Melanie is studying resonance. Now, admittedly, plot structure doesn't sound very sexy but it's one of the first decisions a writer must make. If you haven't chosen a structure for your novel, how will you know if what you've written is working? Do you know what the structure options are? Resonance is the ability to evoke or suggest images, emotions, and ...
Sometimes, studying a story that you love can be a bit scary. What if it turns out that the story is rubbish, and what you really like is the soundtrack, or the actor, or the costumes? Well, you can cast those worries aside this week because The Devil Wears Prada is solid. In terms of structure, it isn't fancy. It doesn't waver from the Hero's Journey/Archplot form, and that's okay. In fact it's more than okay because it teaches us...
Does the nickname "baby" bother us? Why yes, yes it does. But we've got to admit, Dirty Dancing is an excellent example of the heroine's journey, as well as female archetypes and how women are presented in stories. It also happens to be, structurally, an excellent film. It's not a complex story, but it's well told. -V.
Submit your query letter and first 10 pages writing sample at storynerd.ca.
Wowzers! This is a terrific movie. If you're writing a thriller (any sub-genre), or a story with nuanced and complex characters, this episode is for you. In fact, CONCLAVE is one of the movies we recommend you put on your short list of films to study because, seriously, you can learn about almost any aspect of storytelling from it. It's so good that I'm not even angry that the bad guy turns out to be a Canadian - lol! -V.
What does a literary agent look for in the sample writing pages of a query? In this special bonus episode, I speak with agent Kathleen Foxx (The Rights Factory) about the 4 criteria she uses to evaluate a submission, her 21-point checklist (which you can get for free), and the importance (or not) of a novel's opening line. This is an episode you're going to want to bookmark and share with your writer friends!
https://kathleenfoxxag...
Valerie asked me, “How are you going to explain this?”
Trippy.
It’s David Lynch and it’s trippy.
It’s also an antiplot story with characters who have two identities. Where is the speech in praise of the villain and what arc does the story and protagonist have? Well…it’s a mix of pessimistic, dreamy, constant, whoa, what is going on, and none.
Pick and choose. Close your eyes and we’ll see you in the void. -M
Calling historical fiction writers, memoirists, and anyone writing a "David and Goliath" style story! In this episode, I do a deep dive into the Speech in Praise of the Villain and I show how the filmmakers expertly (and seamlessly) used exposition to let the viewing audience know just how formidable the antagonist is. (The level of craft here is truly next-level stuff!) And Melanie explains how, yet again, we have a story where th...
HEADS-UP! Amour is beautiful but heavy (have the tissue ready!).
Do you want to write gritty stories that leave readers grief struck long after they read THE END and close the book? Amour is a fantastic template for a complex moral problem that will never be resolved. This is another example of how a story can have an arc when the protagonist is constant. And Valerie does a stellar job of working out who or what the force of antago...
HEADS-UP! Amour is beautiful but heavy (have the tissue ready!).
Do you want to write gritty stories that leave readers grief struck long after they read THE END and close the book? Amour is a fantastic template for a complex moral problem that will never be resolved. This is another example of how a story can have an arc when the protagonist is constant. And Valerie does a stellar job of working out who or what the force of antago...
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