Anunnaki DNA - The TRUE Creation Story - The Forbidden Origins of Humanity - The Anunnaki Connection

Episode Transcript
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(00:00):
Was our race genetically engineered?
Were we created by beings from distant space to work as
laborers towards some unknown end?
From ancient cave paintings to the conquest of space, we have
grappled with the truths of our beginnings.
But what if the question of our origin falls outside the realm
of social acceptability? This may be the most incredible

(00:23):
film you will ever see, but the facts that will be presented are
true. Human DNA contains thousands of

(00:46):
genetic sequences whose origins scientists cannot trace.
These unexplained genetic segments do not exist in any
other known primates, and no natural evolutionary mechanism
adequately accounts for them. Approximately 300,000 years ago,
Homo sapiens emerged abruptly inthe fossil record with unusually
rapid brain growth. Evolutionary biologists still

(01:10):
cannot fully explain why or how our brains evolved so quickly
compared to other species. Human chromosome 2 shows clear
evidence of intentional fusion. It appears precisely fused from
2 separate primate chromosomes, a phenomenon not naturally
observed anywhere else in nature.
The earliest human civilizationsuniversally depict beings

(01:31):
descending from the stars. These depictions frequently
include figures wearing what look like wristwatches, helmets,
carrying tool bags, and wearing suits resembling modern
astronauts. Ancient Sumerian texts
explicitly speak of beings who came from above, creating
humanity by merging their blood with primitive Earth creatures.

(01:52):
Archaeologists remain puzzled bythe striking similarity of these
stories across different cultures.
Early humans possessed detailed astronomical knowledge about
planets invisible to the naked eye, such as Uranus and Neptune.
No conventional explanation exists for how these ancient
civilizations obtained such knowledge.
Numerous isolated cultures across the planet share

(02:14):
virtually identical flood myths describing global catastrophes.
Each legend involves mysterious beings guiding humans to safety
or assisting them in rebuilding civilization.
Thousands of prehistoric cave paintings depict humanoid
figures appearing alongside discshaped objects or spheres.

(02:34):
Archaeologists acknowledge thesedepictions resemble modern
interpretations of extraterrestrial craft.
The sudden leap from simple hunter gatherers to complex
civilization occurred rapidly within a few centuries with no
clear developmental stages. Scholars find no definitive
explanation for this rapid societal evolution.

(03:05):
According to some researchers, the creation of Homo sapiens was
not a slow trickle through the eons, but a sharp, deliberate
incision in Earth's evolutionarytimeline.
The Sumerian tablets were not myths but records, and they
described something extraordinary.
In the epic known as Atrahasis. The lesser gods, the Igigi, are

(03:28):
overworked. They dig mine and toil until
they revolt. The solution?
A new kind of being, a hybrid, aworker.
Enki, the scientist, Ninhersag, the bioengineer.
Together they propose creating the Lulu Amelu, the mixed
worker, not born, but assembled.Some scholars have interpreted

(03:52):
the phrase used in these tablets.
They mix the blood of the gods with the essence of the beast,
not metaphorically, but literally.
The essence in this reading refers to genetic material, DNA,
the spark of life. Homo erectus, our primitive
ancestor, became the base model.The Anunnaki provided the

(04:14):
upgrade. The first prototypes were
unstable, misshapen, incapable of reproduction.
The tablets speak of multiple trials, failed attempts to fuse
the divine code with earthly clay until finally they
succeeded. A viable model, reproductive,
trainable, obedient. Parallels can be drawn to

(04:36):
Genesis in the Bible. Let us make man in our image.
Technical language. A boardroom decision.
A genetic mandate. The creation of Eve from Adam's
rib, rooted in the Sumerian story where the goddess Ninti,
whose name means Lady of the Riband Lady of Life, performs a

(04:56):
surgical procedure on the prototype male.
Was this myth or documentation? The rib a symbol for genetic
extraction, a sampling for replication?
If we were engineered, the evidence wouldn't be just in
ancient texts. It would be an us in our cells,

(05:18):
in our chemistry, in the design flaws and peculiarities that
science struggles to explain. Start with the blood.
The RH negative factor, a genetic trait that appears in a
small percentage of the global population yet has no clear
evolutionary origin. It doesn't trace neatly through
primate ancestry. In fact, when an RH negative

(05:42):
mother carries an RH positive fetus, her immune system may
attack it. Nature rarely builds in such
conflict, but a lab might. Why would evolution create a
blood type that's incompatible with its own species?
Some researchers suggest the RH negative bloodline may be a
remnant, a genetic footprint left behind by the Anunnaki's

(06:05):
own biology. Then there's our sudden
appearance in the fossil record.For millions of years, hominids
evolved slowly, cautiously. Then, almost overnight, modern
humans arrive. Language, article, Tools,
culture Not in gradual steps, but in a surge, as if a switch

(06:25):
was flipped. We suffer from chronic disease,
allergies, degenerative issues. To some, these are signs of a
body not fully optimized for this world.
A machine assembled from 2 incompatible operating systems.
Prolonged exposure to the sun damages our skin.

(06:48):
We cover ourselves, live in artificial shelters, and
manufacture synthetic protection.
Nearly every other animal on Earth is adapted to sunlight.
We are, by all biological logic,only half at home here, the
other half unaccounted for. Even our brains are suspect.
We are prone to anxiety, to addiction, to violent extremes.

(07:12):
We question our own existence. We look to the stars with
longing, not because we want to explore, but because we
remember. The Bible calls it Eden, but

(07:33):
before it was a garden, it was alaboratory, and before it was a
myth, it was a memory. In ancient Mesopotamian art, we
see it again and again. The tree of life, flanked by
winged beings, sometimes guardedby serpents, always reaching
upward, its roots in clay, its crown touching the stars.

(07:55):
According to the Sumerians, thiswas not a symbol of paradise.
It was a diagram of power, of encoded knowledge, of divine
programming. And at the center of it all,
Enki. He was the keeper of the me, the
laws, the formulas, the blueprints of civilization.
According to some researchers, Enki didn't just build humanity,

(08:18):
he gave us something forbidden, the ability to evolve beyond our
intended role. The biblical story of Eden
mirrors this exactly. A man and a woman placed in a
garden, a tree of knowledge theyare told not to touch, and a
serpent offering truth. You shall not surely die.

(08:39):
Your eyes shall be opened. Some believe the serpent was
Enki, that the tree was not about fruit but about frequency,
a genetic upgrade, the spark of self-awareness.
And Yahweh, the God who banishedthem, was not the creator, but
the enforcer, perhaps En Lil, the half brother of Enki and

(09:01):
enforcer of the law of the land,who saw this awakening as
treason. Because in the eyes of the
Anunnaki, we were never meant toknow.
We were engineered for obedience, and the moment we
reached for the tree of life, webecame dangerous.

(09:28):
You know, it's a scandal of which we should be thoroughly
ashamed, that prehistoric man tamed all the domestic animals
we have today. We haven't added one in the last
5000 years. It's about time we did so.
And with our present knowledge of animal psychology and
genetics, we could certainly solve the servant problem with

(09:50):
the help of the a monkey Kingdom.
Of course. Eventually our super chimpanzees
would start forming trade unionsand we right back where we
started. There was a time, according to

(10:10):
the old texts, when humans livedfor centuries, 800 years, nearly
1000 years. Adam lived 930 years, Noah 950,
Methuselah 969. But then something changed.
In the book of Genesis a decree is made cold and final.

(10:34):
My spirit shall not abide in manforever, for he is flesh.
His days shall be 120 years. Why the sudden cap?
If we were hybrid beings, engineered from both Anunnaki
and earth borne stock, it makes sense.
The early models lived longer, closer to their makers.
But as control tightened, as rebellion stirred, the creators

(10:57):
imposed limits, not just physical, but temporal.
A shutdown timer. A built in expiration date.
And this idea isn't unique to the Bible.
The Sumerian King List, one of the oldest historical records on
earth. Details reigns that lasted 10s
of thousands of years. Kings who ruled for 28,800

(11:21):
years, 36,000, even 43,200. These weren't symbolic numbers,
they were remnants, echoes of a time when life operated on a
different scale. The most complete version of the
King list was discovered in the ancient city of Larsa, modern
day Iraq, and is known as the Weld Blundle Prism.

(11:45):
It is currently housed at the Ashmolean Museum in Oxford,
England. Other fragments of the king list
have been found at sites like Nippur, Sipar and Uruk,
suggesting it was a widely copied and revered document.
After the flood lifespans dropped.
The numbers grew smaller, decades instead of eons.

(12:07):
The Egyptian king list discovered in Thebes tells the
same story. It includes a section of gods,
demigods and spirits of the deadwho ruled Egypt in the time
before time before the dynastiesof Pharaohs.
Egypt was ruled by the Shem SU Hor, the followers of Horus.

(12:28):
Their reigns, too, spanned thousands of years.
Not dozens, thousands. These weren't myths, they were
memories, recorded histories of beings who lived far longer than
humans now do. According to the tablets, the
Anunnaki themselves could live 10s of thousands of Earth years,
either due to long orbital cycles or biology.

(12:51):
So when they engineered us, the earliest humans retained some of
that longevity. But over time it was taken away,
cut down, restricted. What was once an immortal frame
became a disposable 1. And the reason?
Control. Longer life spans meant deeper
memory, a wider lens, a connection to the past.

(13:14):
But with short lives, knowledge fades, wisdom is lost,
generations forget, and the experiment resets.
We once walked with gods, not for decades, but for ages, until
they clipped our years and severed our timeline.
Now we live just long enough to forget.

(13:48):
Despite medical advances, clean water, and global science, the
maximum human lifespan has neversurpassed 120 to 125 years in
any reliable record. No one breaks it.
No one even really gets close. We don't die because we're
unlucky. We die because we're programmed

(14:08):
to. Some researchers point to
telomeres, the protective caps on the ends of our chromosomes.
Every time a cell divides, thesecaps shorten.
When they're gone, the cell stops functioning.
It ages. It breaks down.
Our telomeres seem built for about 120 years of use after
that system failure. If we began as hybrid beings,

(14:31):
part Anunnaki, part terrestrial,then early humans may have
carried Anunnaki level longevity.
That's what we see in Genesis. Adam 930, Methuselah 969, Noah
950. But those weren't just stories.
They were early models, and early models are always closer

(14:55):
to the source code. As time passed, and as the gods
imposed limits, that code degraded.
The long years collapsed, inwardlifespans compressed, the divine
half faded. We still carry traces of that
ancient DNA, but the clock they embedded has been counting down

(15:15):
ever since. Modern averages prove it.
Around the world, the average human lifespan hovers between 70
and 80 years, but the ceiling remains the same, 115, maybe
120. No upgrades, no mutations, no
exceptions. It's as if something or someone

(15:36):
locked the system, hard coded the limit, and once set we've
never been able to break it. The Sumerian tree of life.

(16:00):
The branches don't sprawl, they form nodes, circuits, connection
points. Some twist like strands, some
bend like chains. It looks less like a plant and
more like a process. The figures beside it, they hold
tools. One grips a pine cone.
Symbol of life, yes, but also ofcontrol.

(16:22):
Genetic activation. The spark.
The other, a small bucket, a container of something precious.
A sample, a serum. The substance of creation.
And above it all, the winged disc.
Watching, hovering. Not a God, not in the way we
think. An observer, a celestial

(16:43):
overseer, maybe even a monitoring station.
Some say the two figures are Apkalu, ancient sages, half God,
half man. Others see Enki and Ninhersag,
the geneticists of the Anunnaki project, the architects of the
Lulu Amelu, the ones who took clay and gave it blood.

(17:05):
And the tree. The tree was their record of the
operation. What if the tree of life wasn't
a metaphor? What if it was a literal map of
DNA? The Helix, the symmetry, the
twin chains, the coded spark, the replication sequence?
We see the same patterns in Kabbalah, in Egyptian symbology,

(17:28):
even in the pineal gland, our own internal receiver.
Everywhere the message repeats, something inside us was
activated, switched on, grown beyond its programming, The Tree
of Life wasn't a gift. It was a technology, a
controlled growth. And we are its branches.

(18:11):
17,000 years ago someone descended into the dark and left
behind a message. Not on paper, not on stone
tablets, but on the walls of a cave in images that still defy
explanation. The Lasko Caves in France are
some of the most mysterious prehistoric sites on earth.

(18:33):
Over 600 animals are painted across the walls.
Bulls, horses, deer. But deep in the shaft of the
dead man, there's something different, Something that
doesn't belong. A figure, human shaped, but with
the head of a bird. Who was this Birdman?

(18:54):
Why is he the only human figure in the entire cave system?
Why the bird's head? And why does he appear in what
looks disturbingly like a ritualscene, perhaps even a death or
transformation moment? Most archaeologists offer
silence, a shrug. It's symbolic, they say.
Shamanic. Thousands of years later and

(19:17):
thousands of miles away, the Sumerians carved their gods into
stone. Some were human.
Others had the heads of birds, beaks, feathers, eyes that never
blink. The Annunaki.
Why would an Ice Age hunter in France with no cities, no
written language and no civilization paint the same

(19:38):
being a bird headed entity in a cave deep underground where no
light reaches? Were these bird headed figures
bioengineered avatars, symbols of genetic control?
Or were they literal, the form chosen by beings who didn't look
like us and didn't need to? Many of them were depicted as

(20:22):
Beltman with with wings people. People that look like us.
Not with little orange or green people.
They look that look like us started to come between their
planet and Earth about 450,000 years ago.

(20:43):
Why do they look like us? We look like them because if you
know the Bible which is based onthe Sumerian tales, at some
point they engaged in genetic engineering and mixed their
genes with the genes of Homo erectus.

(21:06):
We can use various scientific terms, but let's say with with
early hominids to bring about Homo sapiens us.

(21:33):
It is a commonly accepted view in mainstream archaeology that
civilization started in ancient Mesopotamia with the great
civilization of summer in what is now modern day Iraq.
However, at the beginning of the20th century, archaeologists
excavating at Talalu Bayid in Iraq made an unusual discovery

(21:54):
when they unearthed several 7000year old artifacts which appear
to represent humanoid figures with reptilian features.
The Ubaid culture is a prehistoric culture in
Mesopotamia that dates between 5500 and 4000 BC.
As with the Sumerians, the origins of the Ubaid people are
unknown. They lived in large village

(22:15):
settlements in mud brick houses and they had developed
architecture, agriculture and farmed the land using
irrigation. The domestic architecture of the
Ubaid included large T shaped houses, open courtyards, paved
streets, as well as food processing equipment.
According to the Metropolitan Museum of Art, some of these

(22:36):
villages began to develop into towns.
Temples began to appear as well as monumental buildings such as
in Eridu, UR and Uruk, the majorsites of the Sumerian
civilization. Sumerian texts explain that UR
was believed to be the first city.
The main site where the unusual artifacts were discovered is
called Tell al Ubaid, although figurines were also found in UR

(22:59):
and Idu. The Ubaid site is a small mound
of about half a kilometer in diameter and two meters above
ground. First excavated by Harry
Reginald Hall in 1919. Male and female figurines were
found in different postures. Most of the figurines appear to
be wearing a helmet and have some kind of padding on the
shoulders. Other figurines were found to

(23:21):
hold a staff or scepter, possibly as a symbol of justice
and ruling. Each figurine has a different
pose, but the strangest of all is that some female figurines
hold babies suckling milk, with the child also represented as a
lizard type creature. The figurines are presented with
long heads, almond shaped eyes, long tapered faces and a lizard

(23:43):
type nose. What exactly they represent is
completely unknown. According to archaeologists,
their postures, such as a femalefigure breastfeeding, do not
suggest that they were ritualistic objects.
So what did these abide lizard men represent?
Whatever they were, they appear to have been important to the

(24:03):
ancient obeyed people. We know that the serpent was a
major symbol used in many societies to represent a number
of gods, for example the Sumerian God Enki, and the snake
was used later on as the symbol for the brotherhood of the
Snake, supposedly an ancient secret society.
Is there a link between these representations of lizard like

(24:24):
gods in the Anunnaki? For now these questions remain
unanswered. Figurines carved with precision,

(24:46):
made in clay with reptilian features, long skulls, slit
eyes, elongated limbs. Some wear helmets, some cradle
infants, some sit in Thrones. They are not animals.
They are beings, and they are not human.
Archaeologists don't know what to make of them.
They call them lizard people, but shrug it off as symbolic.

(25:09):
Maybe fertility idols, they say.Maybe deities.
But none of them look divine. They look clinical, functional,
designed. This isn't how you depict the
gods. This is how you record something
you saw. If they mix their DNA with
Earth's primates. If they created us, these
figurines might be the source form, unmasked, undiluted.

(25:33):
This might be what they actuallylooked like.
The Obeid culture came before the ziggurats, before writing,
before even the kings. And yet they left us these
figures as if to say, this is who came first.
And then they disappear. The figurines vanish from the
record. No more are made.

(25:54):
No stories explain them, no religion preserves them.
As if someone scrubbed the memory clean.
The avatars, the masks, the myths.
But here, here we may be seeing the unfiltered truth.

(26:50):
For certainly out there among the 100,000 million other Suns
of our universe, there must be many civilizations, perhaps far
higher than our own. Music.

(28:24):
O. The.

(29:57):
None.

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Anunnaki DNA - The TRUE Creation Story - The Forbidden Origins of Humanity

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