July 28, 2025 • 28 mins
Explore the possibility that the gods of old wielded powerful tools, machines, and weapons — and that these devices didn’t just vanish… they stopped working when the Anunnaki left. From Sumerian thunderbolts and Egyptian stone vases that seem 3D printed, to legends of cities destroyed by divine fire — the clues are there, hiding in plain sight.Could the ancient gods have accessed a network we no longer understand? Were their devices designed to interface with something… or someone… that’s no longer here?
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:08):
There are things in this world that don't make sense.
Entire cities built with blocks so massive modern cranes would
struggle to lift them, and yet they were placed with ease long
before the invention of the wheel.
Stone ruins melted by impossibleheat.
Gigantic megaliths carved with surgical precision, as if shaped
(00:30):
by machines we don't even possess today.
Across ancient texts scattered in myth and scripture, we find
whispers of strange objects. Devices that could destroy,
heal, manipulate nature or even bend the will of men.
Objects that were said to belongto the gods, but which sound
more like tools than miracles. Mainstream historians insist
(00:54):
these are just metaphors, poeticexaggerations from a time when
people couldn't explain the forces around them.
But what if they weren't exaggerating at all?
What if the ancient gods, The Anunnaki, possessed real,
tangible technology? Tools, weapons, flying vessels,
energy weapons, artificial life,the power to terraform, to
(01:17):
rewrite DNA to open gates between worlds?
These aren't modern inventions. Their ideas edged into the
oldest records we've ever found.And the more we dig into these
records, from summer to Egypt, from the Vedas to the Book of
Enoch, the more we find a recurring theme that humanity
was given knowledge, or perhaps enslaved by it.
(01:41):
Some of this technology may havebeen hidden, some of it may have
been destroyed, but traces remain in the ruins, in the
stories, and possibly even in our blood.
Welcome to the Anunnaki connection.
(02:31):
Stone. Massive, dense, immovable stone.
Across nearly every ancient civilization, summer Egypt,
Mesoamerica, we find stone used for homes and tombs, for
temples, ziggurats and pyramids,monuments carved to outlast
empires, structures aligned withthe stars, encoded with
(02:53):
mathematics and immune to time. Why?
Stone is eternal. It doesn't burn.
It won't decay like wood or rustlike iron.
It holds memory. It resists entropy.
And it can be cut, shaped, fitted with such precision that
even earthquakes struggle to break its grip.
(03:17):
In southern Utah, near the edge of Cedar Mesa and the Valley of
the Gods, is a plateau called Muley Point.
At first glance, it looks like any other desert cliffside,
until you see the blocks. Massive, clean cut, rectangular
megaliths with damn near perfectright angles.
Some split from the bedrock, others perfectly aligned like a
(03:39):
giant's game of Tetris frozen intime.
The scale is staggering. Each block is the size of a
truck or larger, and some appearto have been dislodged and
dropped, as if shaken loose by an ancient quake or something
else. Geologists claim this is
natural, the result of erosion, freeze thaw cycles and sandstone
(04:02):
fracturing along bedding planes.But even among geologists, this
particular formation is considered unusual.
These aren't rounded boulders orjagged cliffs.
These are straight, clean lines,right angles, parallel seams in
a place untouched by machinery or modern tools.
(04:22):
According to Navajo tradition, this region was once home to
giants who walked the land in the time before memory.
Some say they came from the stars, others say they were born
of the earth itself, but all agree they were powerful, the
Nye, monstrous entities who could shape stone with their
bare hands. The mountains, cliffs and
(04:46):
canyons are the remains of ancient battles, the scars of a
forgotten war between gods and monsters.
(05:06):
We see massive stones and projects like this all over the
ancient world. At Giza, the Great Pyramid is
made from over 2 million limestone blocks, some from
quarries hundreds of miles away.At Puma Punku in Bolivia, blocks
were shaped with such precision they resemble modern machine
cuts. In Baalbek, the stone of the
pregnant woman estimated at over1000 tons, sitting in place,
(05:31):
unmoved for millennia. How?
Mainstream archaeology offers nosolid explanation.
Theories range from wooden rollers to copper chisels, but
none account for the precision, the scale, or the logistics.
So we're left with two possibilities.
Either our ancestors had tools we no longer understand, or they
had help. Let's start with the science.
(05:54):
In 2018, researchers at the University of Tokyo successfully
levitated small objects using nothing but sound waves.
Using high frequency ultrasonic speakers positioned around a
target, they suspended and movedtiny Styrofoam balls through mid
air. No strings, no contact.
Now scale that up. Is it possible the ancients used
(06:18):
vibration or resonance to manipulate heavy stone?
Tibetan monks have oral traditions describing the use of
horns and drums to float stones up cliffs.
In Egypt. Some believe sound was used to
alter the weight or structure oflimestone blocks.
We don't have definitive proof, but the concept isn't fiction.
(06:39):
Quartz rich stone, like granite,has piezoelectric properties,
meaning it can generate an electric charge when put under
pressure. If a civilization understood how
to manipulate frequency and pressure, is it possible they
could soften or disrupt the molecular structure of stone?
Some anomalous sites show signs of stone that appears to have
(07:01):
been melted, poured, or molded, almost like a kind of ancient
geopolymer technique. At Sacsaywaman in Peru, the
stones fit so tightly and curve so fluidly that some researchers
believe they were cast, not cut.At Pumapunku, there are drill
holes, perfectly circular, evenly spaced.
(07:22):
Others are keyhole shaped. Modern stone workers have tried
to replicate them and failed. There's no tool in the standard
Bronze Age tool kit that can explain it, not without diamond
tipped saws or high speed Rotarycutters.
So what were they using? Was it Sonic cutting, laser like
tools, plasma torches, or something completely different
(07:44):
based on principles we no longerunderstand?
Were these tools left behind, hidden, or did they simply
vanish like everything else? We can't explain because the
stones are still here. Stacked, fitted, aligned with
stars. They've outlived civilizations,
(08:05):
outlasted empires, and they're still here.
3 curved blades spiraling inwardaround a hollow center.
It doesn't look ceremonial, It doesn't look symbolic.
(08:26):
It looks designed. This is the Sabu Disc,
discovered in 1936 at Sakara inside the tomb of an early
official named Sabu. The disc dates to Egypt's First
dynasty around 3000 BC. Made from Meneschist, A brittle
and delicate stone, it was broken into pieces when found,
(08:48):
but once reconstructed, it revealed a shape that didn't
belong. The disc resembles a modern
flywheel, a rotor, a precisely engineered part meant to move,
spin, or transfer force. But meniscus isn't strong enough
to do any of that. It flakes under pressure.
(09:08):
It can't handle torque or stress.
Was this version of the disc functional?
Or was it a copy, a replica of technology far older than the
tomb it was buried in, somethingSabu's people may have found,
studied and attempted to recreate, not knowing what it
truly was. What could the original have
(09:29):
been? Some speculate it was part of a
gyroscopic stabilizer used in levitation or flight.
Others see the geometry of a resonance amplifier designed to
manipulate sound or vibration. It's aerodynamic shape could
suggest a rotor for energy transfer, mechanical, magnetic
or otherwise. Maybe it was a memory drive, a
(09:53):
rotating interface, or a focusing lens in a system that
no longer exists. The truth is, we don't know.
Across the ancient world, we find symmetry where there should
be imperfection, engineering where there should be myth.
And in the case of the Sabu disk, it was made to do
(10:14):
something. And whatever that function was,
we may never know. It appears in nearly every
ancient culture, a weapon that commands Thunder, that levels
(10:35):
mountains, that always finds itsway back to the hand that threw
it. It's been called a Thunderbolt,
a fire serpent, a lightning axe.But in ancient India it had a
name, the Vajra. The story begins in the Rigveda,
one of the oldest known texts onEarth.
(10:56):
The God Indra, king of the heavens, faces a world plunged
Into Darkness. The demon serpent Ritra has
stolen Earth's waters, blocking rain, drying rivers, choking
life. None of the gods can defeat him
until Indra receives a new weapon.
Forged by Trashta, the divine Craftsman and blessed by Vishnu,
(11:19):
the Vajra is said to be neither solid nor liquid.
A paradox in form, unstoppable in function.
Indra hurls the Vatra and with it he breaks the serpent.
Mountains split, rain returns, the earth breathes again.
But this isn't just an Indian myth.
In Greece, Zeus hurls thunderbolts forged by the
(11:41):
Cyclopes to destroy the Titans and battle the 100 headed
serpent Typhon. Early depictions show Zeus
holding a rod shaped weapon. The resemblance to the Vatra is
uncanny. In Mesopotamia, the sky God
Marduk faces the chaos dragon Tiamat.
The gods grant him an unrivaled weapon.
(12:01):
Depicted as a three pronged scepter in Babylonian art, it
destroys Tiamat and establishes cosmic order.
In the Norse world, Thor's hammer Mulnir is forged by
dwarves deep in the earth. It can level giants, split
mountains, and always returns tohis grasp.
(12:21):
Some myths describe it more likean axe or club, others as a
notched weapon glowing with lightning.
Among the Slavs, the storm God Perun throws an axe at the
serpent demon Veilers each year,driving him back underground.
The axe never misses and always returns.
(12:42):
In the Americas, we find the same weapon under different
names. The Aztec God Witsila Poctley
wields a fire serpent called Shoe Cautel, used to slay his
enemies at birth. The rain God Cleloc hurls
lightning axes from mountain tops.
Even in Aboriginal Australia, the sky gods carry Boomerang,
(13:03):
said to return when thrown, usedto punish a primordial being who
tried to defile the first women.These are not isolated myths.
The patterns are too specific, too precise to ignore.
So what was the vajra really? Could a weapon that emits
blinding light, cracks stone, and returns to its user actually
(13:25):
exist? Modern physics gives us a few
clues. We now know that focused plasma
arcs, laser pulse discharges, and directed energy weapons can
vaporize stone and metal. We've developed rail guns that
fire projectiles at hypersonic speed using magnetism and
electrostatic propulsion can launch objects without
(13:47):
traditional fuel. Clean, silent and deadly.
The concept of returning weaponsisn't fictional either.
Autonomous drones and AI guided munitions can now reorient mid
air and return to base. But all of this is new to us.
The Vajra stories are thousands of years old, and the device is
(14:08):
always described the same way. Small enough to hold in one
hand, unstoppable once launched,able to generate Thunder, fire
or light. Often formed of metal.
Sometimes said to contain thousands of prongs or energy
points, and in later ages transformed into a ritual object
(14:29):
of peace after its destructive power was sealed away.
In Buddhist tradition, it's saidthat the Buddha took Indra's
vajra and closed its prongs, removing its power, turning it
from a weapon to a symbol. That version, made of gold or
brass, still exists today, but it may not be the original.
(14:52):
It may be a replica, A ceremonial copy of a tool once
wielded by real beings remembered as gods, but possibly
something else. If the Anunnaki were here, and
if they brought advanced technology with them, then the
Vajra may have been part of their arsenal.
A handheld energy weapon, a plasma Lance, or something
(15:16):
stranger, powered by resonance, controlled by thought and loss
to time. It's been remembered in myths,
copied in metal, reduced to symbol, but it began as a
weapon. In the ancient lands of Canaan,
(15:50):
near the lowest point on Earth, 2 cities once thrived.
Sodom and Gomorrah, fertile, prosperous, and, according to
the oldest accounts, utterly depraved.
Their destruction was absolute. Genesis 19 records it with
striking detail. Two visitors described as
angels, though the original Hebrew uses malachim.
(16:13):
Messengers arrive at Sodom's gate.
They're not winged spirits. They eat, they speak, they issue
direct commands. They seem human, or something
close to it. Lot, the only man deemed worthy
of survival, begs them to stay in his home.
(16:33):
That night, chaos erupts. An angry mob surrounds the
house, demanding the strangers be turned over.
Then something strange happens. The visitors emit a blinding
light and the crowd is struck with sudden blindness, A
localized burst, targeted, disabling.
What kind of technology could dothat?
(16:55):
The messengers warn Lot that destruction is imminent.
He is told to gather his family and flee the city before
sunrise, but not to look back. The phrase do not look behind
you is repeated almost ritualistically.
At dawn, as Lot escapes into thehills, the sky erupts.
(17:15):
Genesis says. Then the Lord rained upon Sodom
and upon Gomorrah brimstone and fire from the Lord out of
heaven, and he overthrew those cities, and all the plain and
all the inhabitants of the cities, and that which grew upon
the ground. Brimstone and fire is often
translated as burning sulfur, but in ancient terms, it meant
(17:37):
something entirely unnatural. This was no wildfire.
It came from the sky. It flattened buildings, burned
crops, scorched the earth. Lot's wife, who turned to
witness it, was instantly killed.
The text says she became a pillar of salt.
Some scholars believe this may describe exposure to a blast,
(17:59):
wave or even radiation. And here's where archaeology
steps in. At a site called Tall El Hammam,
near the northern edge of the Dead Sea, scientists have
uncovered startling evidence. A Bronze Age city suddenly and
violently destroyed buildings. Pulverized clay pottery melted
into glass. Shocked courts formed only under
(18:21):
conditions of extreme pressure, similar to what's found at
nuclear test sites like Trinity and Hiroshima.
The destruction wasn't gradual. It was instantaneous.
Even more curious, soil samples show unusually high levels of
salt fused into the Earth. One theory suggests a massive
(18:41):
explosion in the atmosphere pushed salt from the Dead Sea
into the surrounding region, chemically scorching the
landscape. Crops failed.
Trade routes collapsed. The area was abandoned for 600
years. Could this be the real Sodom,
and if so, what caused its annihilation?
Some geologists point to a cosmic air burst, like the
(19:04):
Tunguska event of 19 O 8, when an asteroid exploded over
Siberia, flattening 80 million trees.
But there's no crater at tall AlHamam, no impact, just
destruction from above. That opens another possibility,
an energy weapon. The Mesopotamian texts mentioned
(19:24):
such things, weapons of terror used by the gods.
The Sumerian tale of the destruction of UR recounts a
similar event. Blinding light, a great wind,
People turn to ash, crops turn to dust.
The storm devoured the city. The language is almost
(19:44):
identical. And in those texts the
destroyers are not comets. They are wielded by gods, by the
Anunnaki. Could it have been a form of
directed energy? Something akin to a modern
microwave weapon, a plasma pulse, or even a small scale
nuclear detonation. Military researchers today have
(20:05):
theorized about thermobaric weapons that can consume all
oxygen in a given area, creatinga firestorm.
Others point to plasma beam technology capable of generating
intense localized heat without conventional explosives.
Even the blinding flash that struck the mob in Genesis
targeted and debilitating soundseerily similar to modern non
(20:26):
lethal weapons developed for crowd control.
The Dazzler which emits intense directed light to disorient or
microwave based systems like theActive Denial system that causes
unbearable heat sensations in human skin.
What if the angels were equippedwith such devices?
What if Sodom and Gomorrah were not just punished, but executed
(20:47):
as part of a broader enforcementof Anunnaki law?
Could this have been a show of force meant to send a message to
others? And why the warning not to look
back? In nuclear detonations, the
flash can cause blindness if directly viewed.
In some cases, survivors of Hiroshima and Nagasaki who look
toward the blast site suffered complete ocular destruction.
(21:10):
Is it possible that ancient survivors witnessed something
similar and recorded it the onlyway they knew how?
And perhaps that pillar of salt wasn't poetic symbolism, but a
body desiccated and crystallizedby radiation and shock.
These are questions of memory. Memory encoded in sacred texts,
(21:31):
memory backed by archaeological ruins, memory of a moment when
the gods, or something pretending to be gods, brought
destruction from the sky with unimaginable force.
And if such weapons existed once, where are they now?
(22:15):
It brought nations to their knees.
It LED armies to victory, scorched enemies with fire, and
struck down the unworthy with a power no one could explain.
The Ark of the Covenant was a device, a weapon, a piece of
technology left behind when the gods withdrew from the world.
According to Scripture, it leveled cities.
(22:38):
When the Israelites marched around the walls of Jericho, it
was the ark that led the procession, and when the trumpet
sounded, it brought the walls crashing down.
Some speculate that the ark served as a kind of directed
energy weapon. Others believe it acted as a
targeting relay, marking coordinates for destruction from
above. Perhaps a high altitude
(22:59):
platform, a satellite system, orsomething far stranger.
In the Book of Samuel, when the Ark was captured by the
Philistines, it unleashed chaos,tumors, death, and mass panic.
Entire towns were evacuated justto get it out.
(23:21):
In Second Kings, a man named Uzzah is struck dead for simply
reaching out to steady it. It radiated something lethal.
It was overlaid with gold, inside and out, perfect for
conductivity. It was topped by two golden
cherubim wings outstretched overthe Mercy seat, a design
reminiscent of dual emitter technology.
(23:43):
The Levites carried it using poles, never touching the
surface directly. Why?
Because of static discharge radiation?
Or maybe because the Ark was interfacing with something else,
receiving commands or channelling power from a source
beyond our dimension. When King David tried to bring
it to Jerusalem, it killed a man.
(24:03):
He panicked and left it behind in a remote household for three
months. And yet, wherever it rested,
blessings followed. Crops flourished, Livestock
multiplied. Enemies kept their distance.
The ark could bless or curse. It could protect or annihilate.
The ark vanishes from Scripture after the Babylonian siege of
(24:25):
Jerusalem in 586 BC. It's never mentioned again in
the inventory of sacred treasures looted from the
temple. No record of destruction, no
confirmed burial site, only silence.
Some say it was hidden, taken toEthiopia, secreted away beneath
the Temple Mount, or guarded by an unbroken priesthood.
(24:46):
But even if someone did find it,it likely wouldn't function.
Not anymore. If the Ark was Anunnaki
technology, something designed to interface with a larger
network, then its power source is gone.
Whatever command infrastructure it once relied on, whether
orbital, aerial, or dimensional,has either been deactivated or
(25:06):
left Earth entirely. It's like finding a warhead
without the launch code, or a beacon meant to summon something
that no longer listens. Perhaps that's by design.
If the Ark could still function,what would it do?
Would it level cities again? Would it bring down fire from
the heavens like it did in the days of Jericho?
(25:28):
Or would it simply wait dormant until its creators return?
What kind of technology could shape stone with surgical
precision, turn sand into glass,or wipe entire cities from the
map? If the Anunnaki truly wielded
(25:49):
such tools, why don't we find circuit boards buried beneath
ziggurats? Where are the batteries, the
engines, The gears? Maybe we're asking the wrong
questions. What if their devices weren't
designed to work alone? What if they required access to
a larger system, a network, a power grid, or even an entire
(26:10):
vessel we no longer have access to?
Think about it. If a smartphone washed ashore in
the Bronze Age, it would be little more than a Black Mirror,
a dead artifact. No signal, no servers, no
satellites. So what happens when the Ark of
the Covenant is unplugged from the source it was meant to
interface with? What becomes of a Vadra when the
(26:34):
sky Chariots no longer descend? It's not that the technology is
missing, it's that we might be holding the casings, the shells,
the shadows, while the real power lies beyond our reach.
(27:29):
The. None.
There are things in this world that don't make sense.
Entire cities built with blocks so massive modern cranes would
struggle to lift them, and yet they were placed with ease long
before the invention of the wheel.
Stone ruins melted by impossibleheat.
Gigantic megaliths carved with surgical precision, as if shaped
(00:30):
by machines we don't even possess today.
Across ancient texts scattered in myth and scripture, we find
whispers of strange objects. Devices that could destroy,
heal, manipulate nature or even bend the will of men.
Objects that were said to belongto the gods, but which sound
more like tools than miracles. Mainstream historians insist
(00:54):
these are just metaphors, poeticexaggerations from a time when
people couldn't explain the forces around them.
But what if they weren't exaggerating at all?
What if the ancient gods, The Anunnaki, possessed real,
tangible technology? Tools, weapons, flying vessels,
energy weapons, artificial life,the power to terraform, to
(01:17):
rewrite DNA to open gates between worlds?
These aren't modern inventions. Their ideas edged into the
oldest records we've ever found.And the more we dig into these
records, from summer to Egypt, from the Vedas to the Book of
Enoch, the more we find a recurring theme that humanity
was given knowledge, or perhaps enslaved by it.
(01:41):
Some of this technology may havebeen hidden, some of it may have
been destroyed, but traces remain in the ruins, in the
stories, and possibly even in our blood.
Welcome to the Anunnaki connection.
(02:31):
Stone. Massive, dense, immovable stone.
Across nearly every ancient civilization, summer Egypt,
Mesoamerica, we find stone used for homes and tombs, for
temples, ziggurats and pyramids,monuments carved to outlast
empires, structures aligned withthe stars, encoded with
(02:53):
mathematics and immune to time. Why?
Stone is eternal. It doesn't burn.
It won't decay like wood or rustlike iron.
It holds memory. It resists entropy.
And it can be cut, shaped, fitted with such precision that
even earthquakes struggle to break its grip.
(03:17):
In southern Utah, near the edge of Cedar Mesa and the Valley of
the Gods, is a plateau called Muley Point.
At first glance, it looks like any other desert cliffside,
until you see the blocks. Massive, clean cut, rectangular
megaliths with damn near perfectright angles.
Some split from the bedrock, others perfectly aligned like a
(03:39):
giant's game of Tetris frozen intime.
The scale is staggering. Each block is the size of a
truck or larger, and some appearto have been dislodged and
dropped, as if shaken loose by an ancient quake or something
else. Geologists claim this is
natural, the result of erosion, freeze thaw cycles and sandstone
(04:02):
fracturing along bedding planes.But even among geologists, this
particular formation is considered unusual.
These aren't rounded boulders orjagged cliffs.
These are straight, clean lines,right angles, parallel seams in
a place untouched by machinery or modern tools.
(04:22):
According to Navajo tradition, this region was once home to
giants who walked the land in the time before memory.
Some say they came from the stars, others say they were born
of the earth itself, but all agree they were powerful, the
Nye, monstrous entities who could shape stone with their
bare hands. The mountains, cliffs and
(04:46):
canyons are the remains of ancient battles, the scars of a
forgotten war between gods and monsters.
(05:06):
We see massive stones and projects like this all over the
ancient world. At Giza, the Great Pyramid is
made from over 2 million limestone blocks, some from
quarries hundreds of miles away.At Puma Punku in Bolivia, blocks
were shaped with such precision they resemble modern machine
cuts. In Baalbek, the stone of the
pregnant woman estimated at over1000 tons, sitting in place,
(05:31):
unmoved for millennia. How?
Mainstream archaeology offers nosolid explanation.
Theories range from wooden rollers to copper chisels, but
none account for the precision, the scale, or the logistics.
So we're left with two possibilities.
Either our ancestors had tools we no longer understand, or they
had help. Let's start with the science.
(05:54):
In 2018, researchers at the University of Tokyo successfully
levitated small objects using nothing but sound waves.
Using high frequency ultrasonic speakers positioned around a
target, they suspended and movedtiny Styrofoam balls through mid
air. No strings, no contact.
Now scale that up. Is it possible the ancients used
(06:18):
vibration or resonance to manipulate heavy stone?
Tibetan monks have oral traditions describing the use of
horns and drums to float stones up cliffs.
In Egypt. Some believe sound was used to
alter the weight or structure oflimestone blocks.
We don't have definitive proof, but the concept isn't fiction.
(06:39):
Quartz rich stone, like granite,has piezoelectric properties,
meaning it can generate an electric charge when put under
pressure. If a civilization understood how
to manipulate frequency and pressure, is it possible they
could soften or disrupt the molecular structure of stone?
Some anomalous sites show signs of stone that appears to have
(07:01):
been melted, poured, or molded, almost like a kind of ancient
geopolymer technique. At Sacsaywaman in Peru, the
stones fit so tightly and curve so fluidly that some researchers
believe they were cast, not cut.At Pumapunku, there are drill
holes, perfectly circular, evenly spaced.
(07:22):
Others are keyhole shaped. Modern stone workers have tried
to replicate them and failed. There's no tool in the standard
Bronze Age tool kit that can explain it, not without diamond
tipped saws or high speed Rotarycutters.
So what were they using? Was it Sonic cutting, laser like
tools, plasma torches, or something completely different
(07:44):
based on principles we no longerunderstand?
Were these tools left behind, hidden, or did they simply
vanish like everything else? We can't explain because the
stones are still here. Stacked, fitted, aligned with
stars. They've outlived civilizations,
(08:05):
outlasted empires, and they're still here.
3 curved blades spiraling inwardaround a hollow center.
It doesn't look ceremonial, It doesn't look symbolic.
(08:26):
It looks designed. This is the Sabu Disc,
discovered in 1936 at Sakara inside the tomb of an early
official named Sabu. The disc dates to Egypt's First
dynasty around 3000 BC. Made from Meneschist, A brittle
and delicate stone, it was broken into pieces when found,
(08:48):
but once reconstructed, it revealed a shape that didn't
belong. The disc resembles a modern
flywheel, a rotor, a precisely engineered part meant to move,
spin, or transfer force. But meniscus isn't strong enough
to do any of that. It flakes under pressure.
(09:08):
It can't handle torque or stress.
Was this version of the disc functional?
Or was it a copy, a replica of technology far older than the
tomb it was buried in, somethingSabu's people may have found,
studied and attempted to recreate, not knowing what it
truly was. What could the original have
(09:29):
been? Some speculate it was part of a
gyroscopic stabilizer used in levitation or flight.
Others see the geometry of a resonance amplifier designed to
manipulate sound or vibration. It's aerodynamic shape could
suggest a rotor for energy transfer, mechanical, magnetic
or otherwise. Maybe it was a memory drive, a
(09:53):
rotating interface, or a focusing lens in a system that
no longer exists. The truth is, we don't know.
Across the ancient world, we find symmetry where there should
be imperfection, engineering where there should be myth.
And in the case of the Sabu disk, it was made to do
(10:14):
something. And whatever that function was,
we may never know. It appears in nearly every
ancient culture, a weapon that commands Thunder, that levels
(10:35):
mountains, that always finds itsway back to the hand that threw
it. It's been called a Thunderbolt,
a fire serpent, a lightning axe.But in ancient India it had a
name, the Vajra. The story begins in the Rigveda,
one of the oldest known texts onEarth.
(10:56):
The God Indra, king of the heavens, faces a world plunged
Into Darkness. The demon serpent Ritra has
stolen Earth's waters, blocking rain, drying rivers, choking
life. None of the gods can defeat him
until Indra receives a new weapon.
Forged by Trashta, the divine Craftsman and blessed by Vishnu,
(11:19):
the Vajra is said to be neither solid nor liquid.
A paradox in form, unstoppable in function.
Indra hurls the Vatra and with it he breaks the serpent.
Mountains split, rain returns, the earth breathes again.
But this isn't just an Indian myth.
In Greece, Zeus hurls thunderbolts forged by the
(11:41):
Cyclopes to destroy the Titans and battle the 100 headed
serpent Typhon. Early depictions show Zeus
holding a rod shaped weapon. The resemblance to the Vatra is
uncanny. In Mesopotamia, the sky God
Marduk faces the chaos dragon Tiamat.
The gods grant him an unrivaled weapon.
(12:01):
Depicted as a three pronged scepter in Babylonian art, it
destroys Tiamat and establishes cosmic order.
In the Norse world, Thor's hammer Mulnir is forged by
dwarves deep in the earth. It can level giants, split
mountains, and always returns tohis grasp.
(12:21):
Some myths describe it more likean axe or club, others as a
notched weapon glowing with lightning.
Among the Slavs, the storm God Perun throws an axe at the
serpent demon Veilers each year,driving him back underground.
The axe never misses and always returns.
(12:42):
In the Americas, we find the same weapon under different
names. The Aztec God Witsila Poctley
wields a fire serpent called Shoe Cautel, used to slay his
enemies at birth. The rain God Cleloc hurls
lightning axes from mountain tops.
Even in Aboriginal Australia, the sky gods carry Boomerang,
(13:03):
said to return when thrown, usedto punish a primordial being who
tried to defile the first women.These are not isolated myths.
The patterns are too specific, too precise to ignore.
So what was the vajra really? Could a weapon that emits
blinding light, cracks stone, and returns to its user actually
(13:25):
exist? Modern physics gives us a few
clues. We now know that focused plasma
arcs, laser pulse discharges, and directed energy weapons can
vaporize stone and metal. We've developed rail guns that
fire projectiles at hypersonic speed using magnetism and
electrostatic propulsion can launch objects without
(13:47):
traditional fuel. Clean, silent and deadly.
The concept of returning weaponsisn't fictional either.
Autonomous drones and AI guided munitions can now reorient mid
air and return to base. But all of this is new to us.
The Vajra stories are thousands of years old, and the device is
(14:08):
always described the same way. Small enough to hold in one
hand, unstoppable once launched,able to generate Thunder, fire
or light. Often formed of metal.
Sometimes said to contain thousands of prongs or energy
points, and in later ages transformed into a ritual object
(14:29):
of peace after its destructive power was sealed away.
In Buddhist tradition, it's saidthat the Buddha took Indra's
vajra and closed its prongs, removing its power, turning it
from a weapon to a symbol. That version, made of gold or
brass, still exists today, but it may not be the original.
(14:52):
It may be a replica, A ceremonial copy of a tool once
wielded by real beings remembered as gods, but possibly
something else. If the Anunnaki were here, and
if they brought advanced technology with them, then the
Vajra may have been part of their arsenal.
A handheld energy weapon, a plasma Lance, or something
(15:16):
stranger, powered by resonance, controlled by thought and loss
to time. It's been remembered in myths,
copied in metal, reduced to symbol, but it began as a
weapon. In the ancient lands of Canaan,
(15:50):
near the lowest point on Earth, 2 cities once thrived.
Sodom and Gomorrah, fertile, prosperous, and, according to
the oldest accounts, utterly depraved.
Their destruction was absolute. Genesis 19 records it with
striking detail. Two visitors described as
angels, though the original Hebrew uses malachim.
(16:13):
Messengers arrive at Sodom's gate.
They're not winged spirits. They eat, they speak, they issue
direct commands. They seem human, or something
close to it. Lot, the only man deemed worthy
of survival, begs them to stay in his home.
(16:33):
That night, chaos erupts. An angry mob surrounds the
house, demanding the strangers be turned over.
Then something strange happens. The visitors emit a blinding
light and the crowd is struck with sudden blindness, A
localized burst, targeted, disabling.
What kind of technology could dothat?
(16:55):
The messengers warn Lot that destruction is imminent.
He is told to gather his family and flee the city before
sunrise, but not to look back. The phrase do not look behind
you is repeated almost ritualistically.
At dawn, as Lot escapes into thehills, the sky erupts.
(17:15):
Genesis says. Then the Lord rained upon Sodom
and upon Gomorrah brimstone and fire from the Lord out of
heaven, and he overthrew those cities, and all the plain and
all the inhabitants of the cities, and that which grew upon
the ground. Brimstone and fire is often
translated as burning sulfur, but in ancient terms, it meant
(17:37):
something entirely unnatural. This was no wildfire.
It came from the sky. It flattened buildings, burned
crops, scorched the earth. Lot's wife, who turned to
witness it, was instantly killed.
The text says she became a pillar of salt.
Some scholars believe this may describe exposure to a blast,
(17:59):
wave or even radiation. And here's where archaeology
steps in. At a site called Tall El Hammam,
near the northern edge of the Dead Sea, scientists have
uncovered startling evidence. A Bronze Age city suddenly and
violently destroyed buildings. Pulverized clay pottery melted
into glass. Shocked courts formed only under
(18:21):
conditions of extreme pressure, similar to what's found at
nuclear test sites like Trinity and Hiroshima.
The destruction wasn't gradual. It was instantaneous.
Even more curious, soil samples show unusually high levels of
salt fused into the Earth. One theory suggests a massive
(18:41):
explosion in the atmosphere pushed salt from the Dead Sea
into the surrounding region, chemically scorching the
landscape. Crops failed.
Trade routes collapsed. The area was abandoned for 600
years. Could this be the real Sodom,
and if so, what caused its annihilation?
Some geologists point to a cosmic air burst, like the
(19:04):
Tunguska event of 19 O 8, when an asteroid exploded over
Siberia, flattening 80 million trees.
But there's no crater at tall AlHamam, no impact, just
destruction from above. That opens another possibility,
an energy weapon. The Mesopotamian texts mentioned
(19:24):
such things, weapons of terror used by the gods.
The Sumerian tale of the destruction of UR recounts a
similar event. Blinding light, a great wind,
People turn to ash, crops turn to dust.
The storm devoured the city. The language is almost
(19:44):
identical. And in those texts the
destroyers are not comets. They are wielded by gods, by the
Anunnaki. Could it have been a form of
directed energy? Something akin to a modern
microwave weapon, a plasma pulse, or even a small scale
nuclear detonation. Military researchers today have
(20:05):
theorized about thermobaric weapons that can consume all
oxygen in a given area, creatinga firestorm.
Others point to plasma beam technology capable of generating
intense localized heat without conventional explosives.
Even the blinding flash that struck the mob in Genesis
targeted and debilitating soundseerily similar to modern non
(20:26):
lethal weapons developed for crowd control.
The Dazzler which emits intense directed light to disorient or
microwave based systems like theActive Denial system that causes
unbearable heat sensations in human skin.
What if the angels were equippedwith such devices?
What if Sodom and Gomorrah were not just punished, but executed
(20:47):
as part of a broader enforcementof Anunnaki law?
Could this have been a show of force meant to send a message to
others? And why the warning not to look
back? In nuclear detonations, the
flash can cause blindness if directly viewed.
In some cases, survivors of Hiroshima and Nagasaki who look
toward the blast site suffered complete ocular destruction.
(21:10):
Is it possible that ancient survivors witnessed something
similar and recorded it the onlyway they knew how?
And perhaps that pillar of salt wasn't poetic symbolism, but a
body desiccated and crystallizedby radiation and shock.
These are questions of memory. Memory encoded in sacred texts,
(21:31):
memory backed by archaeological ruins, memory of a moment when
the gods, or something pretending to be gods, brought
destruction from the sky with unimaginable force.
And if such weapons existed once, where are they now?
(22:15):
It brought nations to their knees.
It LED armies to victory, scorched enemies with fire, and
struck down the unworthy with a power no one could explain.
The Ark of the Covenant was a device, a weapon, a piece of
technology left behind when the gods withdrew from the world.
According to Scripture, it leveled cities.
(22:38):
When the Israelites marched around the walls of Jericho, it
was the ark that led the procession, and when the trumpet
sounded, it brought the walls crashing down.
Some speculate that the ark served as a kind of directed
energy weapon. Others believe it acted as a
targeting relay, marking coordinates for destruction from
above. Perhaps a high altitude
(22:59):
platform, a satellite system, orsomething far stranger.
In the Book of Samuel, when the Ark was captured by the
Philistines, it unleashed chaos,tumors, death, and mass panic.
Entire towns were evacuated justto get it out.
(23:21):
In Second Kings, a man named Uzzah is struck dead for simply
reaching out to steady it. It radiated something lethal.
It was overlaid with gold, inside and out, perfect for
conductivity. It was topped by two golden
cherubim wings outstretched overthe Mercy seat, a design
reminiscent of dual emitter technology.
(23:43):
The Levites carried it using poles, never touching the
surface directly. Why?
Because of static discharge radiation?
Or maybe because the Ark was interfacing with something else,
receiving commands or channelling power from a source
beyond our dimension. When King David tried to bring
it to Jerusalem, it killed a man.
(24:03):
He panicked and left it behind in a remote household for three
months. And yet, wherever it rested,
blessings followed. Crops flourished, Livestock
multiplied. Enemies kept their distance.
The ark could bless or curse. It could protect or annihilate.
The ark vanishes from Scripture after the Babylonian siege of
(24:25):
Jerusalem in 586 BC. It's never mentioned again in
the inventory of sacred treasures looted from the
temple. No record of destruction, no
confirmed burial site, only silence.
Some say it was hidden, taken toEthiopia, secreted away beneath
the Temple Mount, or guarded by an unbroken priesthood.
(24:46):
But even if someone did find it,it likely wouldn't function.
Not anymore. If the Ark was Anunnaki
technology, something designed to interface with a larger
network, then its power source is gone.
Whatever command infrastructure it once relied on, whether
orbital, aerial, or dimensional,has either been deactivated or
(25:06):
left Earth entirely. It's like finding a warhead
without the launch code, or a beacon meant to summon something
that no longer listens. Perhaps that's by design.
If the Ark could still function,what would it do?
Would it level cities again? Would it bring down fire from
the heavens like it did in the days of Jericho?
(25:28):
Or would it simply wait dormant until its creators return?
What kind of technology could shape stone with surgical
precision, turn sand into glass,or wipe entire cities from the
map? If the Anunnaki truly wielded
(25:49):
such tools, why don't we find circuit boards buried beneath
ziggurats? Where are the batteries, the
engines, The gears? Maybe we're asking the wrong
questions. What if their devices weren't
designed to work alone? What if they required access to
a larger system, a network, a power grid, or even an entire
(26:10):
vessel we no longer have access to?
Think about it. If a smartphone washed ashore in
the Bronze Age, it would be little more than a Black Mirror,
a dead artifact. No signal, no servers, no
satellites. So what happens when the Ark of
the Covenant is unplugged from the source it was meant to
interface with? What becomes of a Vadra when the
(26:34):
sky Chariots no longer descend? It's not that the technology is
missing, it's that we might be holding the casings, the shells,
the shadows, while the real power lies beyond our reach.
(27:29):
The. None.
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