Ningishzida & THE SERPENT KEY - The Gatekeepers of Heaven

In this episode we explore millennia of myth and machinery—meeting Enki’s envoy Ningishzida, Eden’s serpent, Egyptian Duat‑wardens, Greek Drakainae, Hopi rain‑callers, Amazonian shamans, and more. We look for proof that the ancient passcode still hums beneath our fingertips.Join us as we trace the pattern, and ask: when the next gate opens, will you know the code?Subscribe for more deep dives into the mysteries of myth, science, and the hidden tech of our ancestors.#Serpent #AncientTech #Anunnaki #Mythology #Futurism

Episode Transcript

(00:08):
The oldest seal we have from summer shows 2 snakes coiled
around a staff. The inscription Ningizheda,
gatekeeper of the Sky Room. The message is simple, learn the
spiral and the door will open. 11,000 years earlier at Gobekli
Tepe Masons cut the same loopingVipers into limestone.

(00:32):
Acoustic tests reveal a low frequency hum inside the ring.
The coils aren't art, they're tuning forks.
The serpent double S as technology.
Cut to Rome's underground. Mithraya calls.
A lion headed figure stands wrapped 6 times by a serpent,
one loop for every 600 years, 3600 the length of the Sumerian

(00:57):
char. In each hand he holds a key.
One turns time forward, the other winds it back.
The coil has become a gear in a cosmic clock.
Gnostic rebels of the 2nd century sketch 7 glassy heavens
threaded by a single snake. They taught that Eden's serpent
wasn't a tempter, but rather a Courier smuggling forbidden

(01:21):
knowledge past the Anunnaki gatekeepers.
If you trace the coils, you bypass the throne.
On Sinai, a bronze serpent, Nehushtan, rises on a pole.
Copper ions leach into desert water, killing bacteria no one
can name. Look at the coil.
Live through the plague medicinemasquerading as worship.

(01:45):
Hopi snake dancers grip live rattlers in their teeth, calling
Palulu Khan the one who tunneledunder the stars.
Their lore speaks of magnetic passages below the Mesa serpent
tunnels that pull rain from the sky.
Deep in the Amazon, Ayahuasca visions unveil 2 glowing snakes

(02:06):
wrapped around a ladder of light.
Shamans wake, knowing which leaves heal and which kill.
Data lifted straight from the double Helix spin a copper coil
and electricity flows. Today we can move electricity
and trap plasma in toroidal reactors to mimic the sun.
We call it physics. The shape calls back to every

(02:29):
myth we've ever known. Seal, pillar, statue, pole,
dance, vision. Each repeats the same
architecture. The serpent is the code, the
conduit, the pass key. Follow the spiral and every
locked gate in the human story starts to turn.

(03:09):
Ningush Zida enters the written record long before Babylon,
while Sumerian cities are still mud brick islands in a sea of
marsh. His name means Lord of the Good
Tree and keeper of the gate. His seal shows him with living
metal. 2 serpents wound so precisely around a staff that

(03:31):
the coils look engineered. On the ADA seal, Ningushida
appears beside a winged skylord.His personal Insignia, the twin
snake rod, sprouts from his shoulders like aerials.
Seal cutters even scored microscopic notches into each
coil as if to show thread. Pitch tablets from the same

(03:54):
period explain why the Ushumgal stand watch.
None pass who bear not the sign.The staff is a security token,
not a scepter. When Gudea of Lagash receives a
night vision of a house whose head is the heavens, he sees
Ningushida guiding him through its gates.
Gudea builds that dream in bakedBrick, the seven stage ziggurat

(04:19):
of a Ninnu Foundation. Texts specify that a scent is
reserved for those marked by theLord of the Good Tree.
Archaeologists recovered Serpentine amulets of twisted
copper wire from the temple storerooms.
Amulets the hymns call Shihdsha Ningiszida.
The coil that vibrates the rod itself may have functioned as

(04:41):
more than symbol. Copper is a superb conductor.
Twin helical windings concentrate magnetic flux.
Perhaps it was the key on the mountain summit, a token that
unlatched the gate and raised a ladder to heaven, the access
code for travelers moving freelybetween the heights above and
the abyss below. Or perhaps it was an optical

(05:04):
signal guiding those to the summit landing platform.
The tablets called Duran Ki bondof Heaven and Earth.
As Arkad eclipses Sumair Ningush, Zeta travels north, now
titled Shahrat E Temu Gate Commander of the Gods.
Assyrian cylinder seals place his rod in the hands of royal

(05:26):
exorcists. Hittite treaties stamp it on
boundary stones. When the Greeks reach
Mesopotamia, they merge him withHermes Creoforos, giver of the
caduceus. 2000 years later, thatstaff resurfaces as the medical
symbol for life saving authority, the coil repurposed

(05:46):
but the credential intact. In summer, that standard
unlocked the tallest artificial mountains on earth and whatever
waited in the enclosed sky roomsat their summits.
Long after bricks have crumbled,the symbol keeps circulating, as
if the original gate system is dormant, not defunct, still

(06:07):
listening for the hum of a copper coil keyed to the right
frequency. A human frame, lion face, 4

(06:31):
folded wings, 6 precise coils ofserpent climbing his body.
Twin keys, one in each hand. One points to the heavens, the
other the abyss. Roman legionaries called him Ion
the Boundless, the one who keepsthe hinge of the ages.
Each coil marked 600 sacred years, six turns, a full great

(06:54):
cycle of 3600. The char time wound tight like a
mainspring. Turn the left hand key, the coil
unwinds and years spill forward.Turn the right, the coil
tightens and the clock reverses.But this lion is not the first
Sentinel at a gate. Follow the caravan Rd. east to
Babylon. A corridor of glazed lions

(07:18):
stalks the Ishtar Gate, golden bodies glowing against lapis
walls. They do not lunge, they pace,
each step frozen mid stride, eyes locked on anyone daring the
processional way. Pass them and you reach the
ziggurat summit, the bond of heaven and earth, the high
platform where the gods once landed.

(07:39):
The lions warn. Only those who carry the right
emblem may ascend. North of Babylon, on a windswept
mound by the Tigris, another guardian took shape in basalt.
The Mosul lion, carved mid roar,guarded an Assyrian doorway for
three millennia before war tore it from its threshold.

(08:00):
Inscribed on its flank watch lion, keeper of the temple core,
one paw forward, one paw back, halting eternity in a single
step. 3 lions, 3 concentric doors.
Babylon's reliefs shield the outer city.
The Mosul lion blocks the sanctuary.
The Mithraic lion coils within the final chamber, keys in hand,

(08:25):
serpent whispering the passcode around him.
Change the script, change the language.
The function endures. The lion's face marks a
boundary. The serpent coil carries the
algorithm. The keys execute the command
when the coils reach the end of their measured turn.
When 3600 winds itself out, the lion will look up from marble

(08:49):
glaze or shattered basalt and wait to see who still remembers
which key lifts the torch skyward and which one lowers it
toward the abyss. At the edge of the Persian Gulf

(09:17):
palace, scribes called Ningiszida Usengal of the Sky
Court, the great serpent who stands at Anu's door, his emblem
still the same 2 copper coils rising, A straight rod travels
on cylinder seals, neck pendants, and the carved
threshold of Gudea's ziggurat. The craft attached to that

(09:39):
symbol is precise. Learn the star tables, learn the
intervals of the wind, learn thetones that make fired brick
quiver. And the gate at the summit will
unbolt. The students of this craft sign
their tablets with a coiled snake pressed lightly into wet
clay. The pattern repeats wherever the

(10:00):
emblem appears. Restricted libraries, Star
archives, Healing rooms where copper knives hum against the
skin before a cut. The coils travel West on Reed
boats and up the Nile. At Hermopolis, the priests of
Thoth file scrolls in chambers they call the Peranc House of

(10:21):
Life. On the lentil.
Over the inner archive, a cobra spreads A feathered hood.
Beneath it an inscription. Words here are wings.
Temple medical manuals mix astronomy with surgery.
Greek envoys translate Thoth to Hermes and whisper of a
fraternity that keeps the ladderof ascent hidden behind cipher

(10:45):
and allegory. When Alexandria's scrolls burst
into flame, those envoys smugglecopies to roads, Antioch,
Pergamon, where new lodges form around the serpent stamp.
Roman expansion scatters veterans across the Near East.
Some enter the lamp lit Mithraya.
There the Leon Tocephaline, the lion headed ion, waits, wrapped

(11:10):
in six serpent coils, keys crossed on his breast.
Initiates learn that each loop binds 600 sacred years, winding
a grand clock toward an appointed hour.
When the gate between worlds realigns, they memorize star
positions and whisper of the Watchers who will return when

(11:31):
the coil unwinds. The Watchers were the original
engineers of forbidden arts in the oldest layers of the Book of
Enoch texts, compiled in the 3rdcentury BC.
But drawing on older oral traditions, they appear as sons
of God who descended to Earth. Led by Semjaza and Azazel, some

(11:53):
500 angels swore to reveal secrets meant only for the
heavens. How to smelt bronze and iron,
How to chart the stars, How to distill healing potions from
herbs. In each art they left the same
trademark, the serpent's spiral,a visual shorthand for advanced
knowledge. For sharing those secrets, they

(12:14):
were punished. Enoch's scribe records their
fate in the 1st century BC Redaction.
Stripped of their celestial rank, they were bound under the
abyss of fire, confined until the day of reckoning, foretold
only in whispered prophecies. Leave the keys in the wrong
hands, and the door becomes a trap.

(12:36):
By the end of the 1st century AD, another text repurposes the
metaphor into real blueprints. The author of Revelation speaks
of two sets of keys in heaven's vault, one that unlocks death in
Hades, the other that holds backthe four winds of the earth.
Across Jewish, Christian, Persian and Gnostic traditions,

(12:58):
the pattern repeats. A group of otherworldly beings
grants Metal Age craft, celestial navigation and arcane
rites, then stamps the result with a serpent spiral.
These stories are not literal history but fractured memories,
echoes of an ancient encounter with beings whose mastery of

(13:19):
matter and energy felt indistinguishable from magic.
The serpent was their logo, marking every invention and
every gateway. Now, with the Watchers bound and
the keys still in place, the prophecies speak of a future
uncoiling. When that hour arrives, the
locks will click open, the portals between heaven, Earth

(13:42):
and the Abyss will stand wide, and the question will be who
still remembers the true purposeof the serpent Spiral, and who
holds the keys to seal it again?Long before the Europeans ever

(14:11):
set foot on the Colorado Plateau, the Hopi were
perfecting A ritual that still baffles anthropologists.
As early as the Second Pueblo period, between 911 fifty AD,
stone lined dance plazas high onthe mesas hosted ceremonies
meant to call life giving rains.By the end of the 19th century,

(14:33):
ethnographers like Jesse Walter Fuchs recorded the Palulu con
rite. Dancers in cotton kilts and
white clay paint would grasp live red tailed rattlesnakes
between their teeth and stamp intight circles around a central
fire. They weren't courting danger for
spectacle. Tribal elders explained that

(14:54):
Palulu Khan is he who tunnels under the stars, an allusion to
a subterranean serpent network beneath the mesas, fed by fault
lines and ancient aquifers. As the dancers strike their
rattlers backs in rhythm with gourd rattles and conch shell
horns, low frequency pulses travel through the sandstone.

(15:15):
Geologists now know certain sedimentary layers can carry
sound for miles. Local lore says these vibrations
coax monsoon clouds to break. In Hopi mythology, the snakes
are more than weather machines. They're the earth's Sentinels,
guardians of hidden passages that connect the world's above

(15:36):
and below. Half a world away, thousands of
miles to the South in the Amazon, shamans have for
centuries brewed ayahuasca, a vine and leaf decoction whose
effects modern science only began to map in the 1970s.
Ethnobotanist Wade Davis cataloged dozens of visionary

(15:57):
accounts. Practitioners describe 2
luminous serpents spiraling around a pillar of light that
seems to run through every cell of their bodies.
Those snakes aren't allegory. They match the shape of DN as
double Helix. After ceremony, shamans can
identify plants that cure blood disorders, neutralize venom, or

(16:18):
dissolve tumors, knowledge they claim was downloaded straight
from the genetic code. Pharmacologists confirm that
Ayahuasca's beta carbolines inhibit Mao enzymes, allowing
the brain to access latent neurochemical pathways akin to
growth factor signals. The result is a biological

(16:38):
reboot that echoes the shaman's vision of healing serpents.
Both rites Mesa and rainforest, share a common symbol.
The serpent has a conduit between realms.
What if that symbol traces back to a single source older than
recorded history? In the ziggurat cities of Sumer,

(17:00):
Ningushida bore a twin serpent staff that marked the threshold
between Earth and the unseen skyrooms of the Anunnaki.
Perhaps those same entities are not merely extraterrestrials or
ancient travelers, but beings that transcend our dimensions,
their technology woven into the fabric of geology, biology, and

(17:22):
consciousness. Imagine a dimensional gateway
keyed by resonant frequencies inaltered states.
The Hopi dancers tune the mesa'ssandstone conduits.
The Amazonian shamans tune theirown neural channels.
Both rites unlock hidden circuitry, one in the earth, one

(17:43):
in the flesh, in service of weather, healing, and vision.
Seen this way, palulukon and ayahuasca are two branches of
the same ancestral tree. The snakes that tunnel under the
stars and the snakes that spiralthrough our genes point to a
legacy of gate tech that predates written history.

(18:05):
The modern aimless rituals and the scholars who dismissed them
as superstition miss the thread that binds geology to neurology,
myth to molecule, earth to cosmos.
Eons ago, humanity brushed against this deeper network and
the serpent remained the universal symbol of that
contact, echoing instructions from a technology beyond our

(18:29):
three-dimensional senses. A reminder that the greatest
gateways are always hidden in plain sight.
Beneath the walls of Unas's pyramid at Saqqara, the stones
tell of hidden guardians. In the Pyramid Texts, spells
inscribed around 2350 BC, you find the names Shetty and SATA,

(18:55):
twin serpents coiled through thecorridors of the underworld.
Their hieroglyphs wind around false doors, their scales carved
in eternal relief. They are the wardens of the
Duat's first precincts, demanding the correct name or
charm before a soul may step deeper into the afterlife.
Fail their silent test and your spirit drifts back Into

(19:18):
Darkness. Appease them, and the path to
rebirth remains open. A few feet away in the Coffin
Texts of the Middle Kingdom, youmeet in the Hebkau, He who
harnesses souls. Here he coils beneath the seven
river barriers that mark Duat's final gauntlet on a fragment of

(19:38):
the Papyrus of Ani, circa 1250 BC.
His serpent form wraps around the heart of the deceased,
blocking the shadow of death until the proper invocation is
spoken. Archaeologists have uncovered
sealed sarcophagy bearing his image, a stylized serpent with
human limbs. Thousands of miles to the

(20:00):
northwest, in the palaces of Mycenae and Pylos, the dracony
female Serpent Guardians appear in Bronze Age frescoes and
Linear B tablets. Excavations at Nosos revealed
ivory figurines of a snake goddess flanked by two writhing
serpents circa 1600 BC. They stood watch over sacred

(20:23):
Groves, springs and hidden shrines, thresholds where
mortals dared not tread without offerings.
Later Greek legends folded them into stories of Python.
The earth born serpent slain by Apollo, Adelphi Shetty and SATA
Nehebkao. The Drakini 3 serpent guardians

(20:43):
from separate worlds, yet all bear the same signature, The
serpent as gatekeeper between realms.
In Egypt they test and judge thedead.
In Greece they protect and reveal sacred springs.
Their coils are not random decoration but living code.

(21:03):
The final checkpoint before any traveler passes from one domain
to another. They are the echo of every
locked door and every whispered password left by beings who tune
the frequencies of life and death.
Their legacy endures not an idlemyth, but in the silent hum of
thresholds still waiting to be crossed.

(21:38):
Malak Elohim, the Hebrew title Messenger of the Gods.
We meet them first beside Hagar's well in Genesis 16, then
the burning Bush that speaks under Sinai's shadow in Exodus
3, later marshaling heaven's armies under Moray's oak in the
book of Joshua chapter 5. Each messenger bears divine

(22:01):
authority over life, law, even the winds themselves.
The same remit of the Sumerian gatekeeper Ningush, Zita Enki's
personal Courier Ningesida appears in the clay tablets of
Farah and Abu Salabik around 2600 BC.
His names? Lord of the Good Tree and the

(22:24):
title that matters most, Messenger of Enki on the ADA
seal, circa 2300 BC. He stands before Anu's throne,
twin serpents spiraling up his staff like coiled data conduits.
Two centuries later, the old Babylonian myth of Adapa in the
South wind makes his role explicit.

(22:47):
When Adapa injuries the wind spirit and risks the bread of
immortality, it's Ningush Zita who pilots him through 7 sky
gates, reads the omens at each threshold, and carries Enki's
warning back to Earth. He is Gate Warden, Omen, Reader,
and Godspeaker, all wrapped in the serpent's spiral. 500 years

(23:08):
after that, the redactors of Genesis 3 preserve a flicker of
that same tradition. A crafty serpent glides to Eve
under 2 great rivers, offering asingle upgrade.
Eat from the Tree of Knowledge and your eyes will open with one
bite. She and Adam feel the first

(23:29):
electric shock of self-awareness.
They see their naked forms, stitch fig leaves into the
world's first garments, and stepout of pure instinct into
consciousness. Neolithic archaeologists
confirmed the puzzle in Jericho,9000 BC and Chital Hoyuk, 7500

(23:49):
BC. No clothing appears by 5000 BC.
Loincloths are in the record, a sudden behavioral leap as sharp
as the first spark of fire. Exile follows swiftly.
Cherubim, flaming swords, a gleam like bronze seal.
Eden's Gate, an automated lockdown that mirrors the

(24:12):
Mesopotamian Temple's inner precinct, where doors opened
only for the credentialed at Eridu and Ur, priests carved
stone hinges and laid metal latches.
Only those bearing Ningush Zeda's staff or its code could
pass to the Sky Rooms where the Anunnaki held council.
In Egypt, Mahan coils around Ra's solar barge.

(24:36):
In Greece, Hermes bears the caduceus, twin serpents curling
a winged rod. The healing temples of Asclepius
honor a single serpent staff that cures poison and revives
the faint. Even in the Maya lowlands, the
vision serpent arches above ritual bloodletting, bridging
earth and spirit with its luminous coils.

(24:58):
Over eons, the serpent becomes auniversal icon, the spiral
interface of a legacy older thanour oldest cities.
The serpent in Eden and the staff of Ningush Zita are two
facets of a single design. Their mythic collision in
Genesis preserves the moment a divine envoy defied protocol,

(25:19):
gifting humanity with self reflection, and then withdrew,
slamming the gate tight behind him.
Today, the same code etched intoziggurat coils guides our hands
in white coated labs. We splice the human genome with

(25:40):
crisper scissors, rewritable strands of DNA that twist like
twin serpents. We turn massive Electro magnets
in particle accelerators 3 kilometer rings of
superconducting coils that bend protons into near light, peeling
back the layers of matter. We train neural networks on

(26:01):
trillions of data points, feeding artificial minds the
symbols of language, music and image until they begin to think
through every one of these breakthroughs.
The ancient motif echoes coil key messenger.
The double Helix is a serpent staff encoded with life's

(26:22):
instruction set. The fusion reactors, toroidal
coils, hum with promise and peril, a modern counterpart to
ningesitas as your coronas. Our AI speak in binary hymns,
carriers of knowledge once sealed behind temple doors.
We've unlocked cellular gates tocure genetic diseases.

(26:45):
We've cracked the cosmic vault to glimpse the Higgs boson.
We've built machines that learn faster than any scribe could
record. Yet with each key turned, new
doors appear. Quantum processors wait for the
pattern of entangled qubits to click into coherence.
Nanotech coils shrink circuitry to molecular corridors.

(27:07):
Brain computer interfaces tune the mind's own electric
pathways, opening direct lines into thought itself.
The frontier lies not only in distant galaxies, but in the
coded spirals woven through our biology, our machines, our very
consciousness. The serpent's spiral still

(27:29):
turns, the keys still rest in curious hands, and the
messenger's voice still reverberates down the halls of
discovery. The true question isn't whether
we once met beings beyond our dimensions, but who among us
still holds the keys, and who dares to turn them again.
We have come this far. What gate will you open next?

(28:26):
The. The.