The Anunnaki Connection - Volume 7 - Full Season - 3 HOURS - The Anunnaki Connection

Episode Transcript
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Secrets buried beneath pyramids,Mysteries veiled beneath
Jerusalem's sacred stones. Knowledge lost within the
Vatican's forbidden archives. What if these fragments of the
past weren't just forgotten? What if they were deliberately
hidden, locked away from prying eyes, leaving only whispers in

(00:21):
the dark? We've been told that
civilization began 6000 years ago, a tale etched into
textbooks and minds alike. But what if that story is
incomplete? What if traces of an older
world, a world before the flood,still linger beneath our feet,
waiting to be unearthed? For millennia, humanity has

(00:44):
gazed toward Orion, seeing not just stars, but something
deeper. Ancient cultures across the
world looked up and saw a reflection of something beyond
the limits of our understanding.But was Orion merely a celestial
landmark, or was it a marker pointing to the origins of the
gods themselves? And what if the serpent in Eden

(01:07):
wasn't the villain we've been taught to fear?
What if the forbidden knowledge whispered in the Garden was not
a curse, but a gift? A gift that the powers of this
world sought to erase, hidden, distorted, and buried beneath
centuries of dogma. This time, we're not just
peeling back layers of history. We're confronting the forces

(01:30):
that have kept the truth locked away from the chambers beneath
the Great Pyramid to the shadowsof the Vatican, from the ancient
city of Jerusalem to the cosmic mysteries of Orion.
We're following the bread crumbs.
We're asking the questions they don't want us to ask.
And we're ready to challenge everything we think we know.

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The journey begins now. And the truth, the truth has
always been waiting. Join us for volume seven of the
Anunnaki Connection. This may be the most incredible

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film you will ever see, but the facts that will be presented are
true. Gobekli Tepe, Baalbek, Puma

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Punku, and the Great Pyramids. Something doesn't add up.
Across the world, massive stone structures, impossibly large,
impossibly precise, stand as silent witnesses to a past that
history refuses to acknowledge. These places defy explanation.
They do not fit into the accepted timeline of human

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development. They should not exist.
Structures that predate recordedhistory, built with techniques
that should not have been possible, who built them, when,
and most importantly, how. Join us as we uncover the
forgotten past, lost civilizations, unexplained

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artifacts and mysteries that will challenge everything we've
been told. What secrets have been hidden
and why? In 1994, German archaeologist
Klaus Schmidt uncovered something that changed history

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forever, A temple complex in Turkey that was 12,000 years
old. This was before writing, before
agriculture, before what we callcivilization had even begun.
And yet, Gobekli Tepe was built with megalithic precision, 20
foot tall T shaped limestone pillars, some weighing over 20

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tons, arranged in perfect circles.
Many of them are covered in intricate carvings, animals,
strange humanoid figures, symbols we cannot decipher.
Mainstream archaeology insists that at this time in history,
humans were primitive hunter gatherers, small scattered
tribes with no tools beyond Flint and bone.

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So how did they build this? How did they move 100,000 LB
stones without wheels, without beasts of burden, without any of
the technology that should be required?
And then there's the biggest question of all.
Why was it buried? Sometime around 8000 BC?
Gobekli Tepe was intentionally covered with sand and debris.

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Not destroyed, hidden. As if someone wanted to preserve
it for the future or erase it from history.
Here we are in the so-called enclosure D of Gabe Glutabe ABCD
numbered in order of that discovery.

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And D is a best preserved ones with a diameter of about 20
meters from east to West. And there's a pillars in situ
since around 12,000 years. And this very high pillars of
central ones here have the height of five meter 50.
And the floor is made of the bedrock, but carefully smooth

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bedrock. So it's a unbelievable good
preservation of this enclosure which is had been erected by
Stone Age people so long ago andwhich is still existent.
Now here, when Schmidt began excavating Gobekli Tepe, he
quickly realized its significance.

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This site was not just another ancient ruin.
It was the oldest known temple in the world, built at a time
when humans weren't supposed to be capable of such engineering
feats. His findings directly
contradicted the mainstream viewthat civilization began around
5000 years ago in Mesopotamia. For years, Gobekli Tepe was kept

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out of the public consciousness.Even after its discovery, it
took decades for it to receive any real recognition.
The majority of academia downplayed the discovery,
arguing it was a minor anomaly rather than a game changer for
human history. Schmidt himself noted that many

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of his peers tried to dismiss orignore his work.
They didn't want to acknowledge that a sophisticated culture
existed thousands of years before the 1st cities of
Mesopotamia. One of the most suspicious
developments is the halt of further excavation.
When Schmidt passed away in 2014, new leadership took over

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the site's research. Instead of continuing his work,
they slowed down excavations to a crawl.
Less than 5% of the site has been uncovered.
This means that 95% of its secrets are still hidden beneath
the ground. And yet, instead of prioritizing
further digs, the site was swiftly covered up.

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Literally large sections were reburied and much of the area
was placed under a protective roof structure, limiting access.
Official explanations claim thisis to preserve the site, but
this is eerily similar to other cases where historical sites
were sealed away when their findings became inconvenient.

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One of the strangest aspects of Gobekli Tepe is that it was
deliberately buried. Someone, thousands of years
after it was built covered it upunder layers of soil.
Why? Ancient texts from Mesopotamia
speak of a great flood that wiped out a previous
civilization. The Sumerians called the gods

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who ruled before the flood the Anunnaki.
Is it possible that Gobekli Tepeis a remnant of that pre flood
civilization? The Sumerians recorded that
after the flood, new cities werebuilt under the guidance of the
gods. This eerily matches the pattern
we see in history. Advanced structures which

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predate the supposed dawn of civilization, only for cities to
reappear thousands of years later in summer and Egypt.
Academia refuses to acknowledge this because it would invalidate
decades of established history books.
It would require rewriting everything, and many scholars do

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not want to risk their careers by challenging the system.
But as more people wake up to the truth, the cracks in the
mainstream story are starting toshow What else lies buried
beneath Gobekli Tepe? And more importantly, why don't
they want us to find out? In Lebanon, the Baalbek Temple

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complex houses one of the greatest megalithic mysteries on
Earth. The Trilithon Stones, 3800 ton
blocks forming the foundation ofthe Temple of Jupiter, are so
massive that modern cranes struggle to lift them.
But the real enigma is the Stoneof the Pregnant Woman, a 1200
ton megalith, one of the largestever cut by human hands.

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To this day, we do not know how these stones were moved.
The Romans who built the temple atop this foundation did not
have the technology to move blocks of this size.
In fact, no known civilization in history has ever demonstrated
the ability to transport 1000 plus ton megaliths.

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So who laid the foundation of Baalbek?
Did an advanced civilization exist before the Romans, One
with technology lost to time? Or was this something more?
High In the Bolivian Andes, 13,000 feet above sea level,
lies Puma Punku, one of the strangest sites in the world.

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Scattered across the landscape are precisely cut stone blocks,
each weighing several tons. These aren't just heavy, they
are engineered. Many have perfectly straight 90°
cuts, interlocking notches, and deep drill holes as if machined
with advanced tools. But here's the problem.

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Puma Punku is estimated to be over 14,000 years old, far older
than the Inca, older than any civilization known in South
America. And yet these stones are made of
andesite, one of the hardest materials on earth.
Even with modern diamond tip tools, shaping and drilling
through andesite is a challenge.So how are these ancient

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builders cutting, shaping, and lifting multi ton precision
blocks at high altitude thousands of years before
history says they could? Modern construction technology
has revolutionized the way we build.

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Skyscrapers Pierce the sky, suspension bridges span
impossible distances, and citiesrise faster than ever before.
But despite our advances, there are limits.
Limits that become clear when wecompare today's tools to the
achievements of the ancient world.
Our most powerful cranes, like the Liebherr LR 130 thousand can

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lift roughly 3000 tons, and eventhat requires a carefully
prepared surface, precise counterweights and ideal
conditions. But imagine trying to position a
1650 ton megalith like the Stoneof the South at Baalbek perched
on uneven ground without the convenience of paved roads or

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modern lifting platforms. Even with today's technology,
such a project would be slow, hazardous, and astonishingly
expensive. Transporting these stones
presents another challenge. Modern heavy haul vehicles can
carry hundreds of tons, but moving a single multi ton block
across rough mountainous terrainwithout roads would be a

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logistical nightmare. Even specialized platforms like
self-propelled modular transporters SPMTS would
struggle to manage the terrain where many of these ancient
sites stand. Then there's the precision sites
like Puma Punku showcase stones cut with surgical accuracy,
perfect right angles, millimeterwide grooves and surfaces so

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smooth they reflect light like glass.
Modern stonemasons achieve this using diamond tipped saws,
computer guided routers, and laser cutting systems, tools
that rely on electricity and complex machinery.
Reproducing Puma Punku's craftsmanship without those
resources would be slow, inconsistent, and costly.

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Even structural design poses serious challenges.
The Great Pyramid of Giza, for example, was built with over 2.3
million blocks of stone, some weighing as much as 70 tons,
fitted together with astonishingprecision.
Replicating that structure today, with its alignment to
true north and its complex internal chambers would demand

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years of planning, specialized machinery and cutting edge
software. Yet the original builders
achieved this without blueprints, computers or cranes.
The truth is, modern construction thrives on speed
and efficiency. Prefabricated materials,
reinforced steel, and computer assisted design have streamlined

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the process, but those same methods make it nearly
impossible to replicate the artistry, scale and precision
seen in ancient megalithic sites.
Hidden just a few miles from thefamous Giza Plateau lies a

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forgotten pyramid that few have heard of.
The Pyramid of Zoiet El Arian was never fully completed, yet
what remains is staggering. Beneath the site is a massive
underground chamber cut directlyinto bedrock with a polished
granite basin weighing several tons.
This basin was placed with such precision that modern engineers

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question how it was lowered intoplace without heavy machinery.
Today, the site is sealed off tothe public officially for
security reasons, but some believe it's because the
unexplained engineering defies accepted historical narratives.
The pyramid of Zawiat El Arian was first investigated in the
early 20th century by Italian archaeologist Alessandro

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Barcanti. What he uncovered was unlike
anything seen in traditional pyramid structures.
At the heart of the site lies a massive underground chamber
carved directly into the bedrock.
The chamber's walls are smoothlypolished, and within it sits a
colossal granite basin, a singular block of stone weighing

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several tons. The basin's design is highly
unusual, perfectly cut with no apparent lid or markings, yet
unmistakably designed for some precise function.
The precision cut granite combined with the sheer scale of
the structure presents a seriouschallenge to conventional

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historical timelines. According to mainstream
archaeology, this pyramid dates back to Egypt's Fourth Dynasty,
yet the engineering methods usedseem far too advanced for that
era. The most compelling feature of
the Pyramid of Zoet El Erian is undoubtedly the granite basin,
an object so out of place that even Egyptologists struggle to

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explain it even today. Replicating the basin with such
precision would require diamond tipped saws, computer guided
cutting tools, and advanced lifting equipment.
Yet whoever constructed it thousands of years ago did so
with none of these resources, orwith technology that has since

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been lost. The Pyramid of Zalyet El Erian
is now completely closed to the public.
Officially, Egyptian authoritiesclaim the closure is for safety
reasons, but this decision has raised serious questions.
Why halt excavations when less than half the site has been
explored? Some theorists believe that the

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Pyramid of Zaliatellarian poses an uncomfortable problem for
mainstream archaeology. Its engineering surpasses what
dynastic Egyptians were believedto be capable of.
If the site truly dates back to the Fourth Dynasty, it implies
that this level of advanced technology existed far earlier
than history records. Others suggest the pyramid may

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predate dynastic Egypt altogether, possibly linked to a
pre flood civilization or the legendary Anunnaki.
For decades, mainstream archaeology has maintained that
human civilization began around 6000 years ago, emerging in
Mesopotamia with the rise of theSumerian city states, followed

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by Egypt, the Indus Valley, and other well documented cultures.
But what if this widely acceptedtimeline is incomplete or even
intentionally misleading? A growing body of evidence, from
mysterious megalithic structuresto ancient flood myths found in
cultures across the globe, suggests that the true origins

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of human civilization maybe far older and far more mysterious
than we've been told. One of the most prominent
figures challenging the conventional narrative is Graham
Hancock, a journalist and researcher whose work has
sparked both fascination and debate.
Hancock's investigations point to the existence of a lost,

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advanced civilization, one that thrived long before recorded
history and left behind traces of its existence in the ancient
world. Central to Hancock's argument is
the idea that human history extends much further back than
mainstream academia acknowledges.
He proposes that an advanced civilization, technologically

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sophisticated though not necessarily industrial, existed
during the last Ice Age, roughly12,000 to 15,000 years ago.
According to Hancock, this civilization met its end during
a global cataclysm. Possibly a comet impact which
triggered massive floods, earthquakes and environmental

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collapse. The survivors of this
catastrophe, he suggests, may have become the mythic teachers
remembered in ancient traditions, figures like the
Anunnaki, the Atlanteans or the mysterious Osiris, kings of
Egypt. Hancock's work draws heavily on
the flood myths found in cultures across the globe.

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From the Mesopotamian Epic of Gilgamesh, to the biblical story
of Noah's Ark, to Native American tales of a world
engulfing deluge, nearly every major culture has preserved
stories of a catastrophic flood.Hancock connects these myths to
the younger Driest Impact Hypothesis, a controversial

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theory proposing that a comet orasteroid struck the Earth around
12,800 years ago, causing dramatic climate shifts and
widespread destruction. He argues that this event not
only wiped out the lost civilization but also plunged
humanity into a prolonged periodof darkness.

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In collaboration with researcherRobert Boval, Hancock has also
explored the idea that the Giza pyramids align with the stars of
Orion's Belt as they appeared in10,500 BC, a date that aligns
with his proposed timeline for the lost civilization's demise.
To Hancock, these alignments aremore than symbolic.

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They are deliberate messages carved in stone, warning of past
cataclysms and pointing to a forgotten chapter of human
history. Still, Hancock's work remains on
the fringes, and he has accused museums, institutions, and even
governments of deliberately suppressing alternative
theories. Whether it's the dismissal of

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anomalous artifacts, the reluctance to explore underwater
ruins, or the outright refusal to consider pre Ice Age
civilizations, Hancock argues that the mainstream has a vested
interest in maintaining the status quo.
But why? What are they afraid we might
discover? As new evidence continues to

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emerge, the cracks in the traditional narrative are
becoming harder to ignore. The question is no longer just
about whether Hancock's theoriesare correct.
It's about why so many are so determined to silence them.
Could it be that the true history of humanity, with all
its lost civilizations and forgotten cataclysms, is too

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radical, too disruptive, or too revealing to be accepted?
The answers may lie buried not just in the earth, but in the
stories we've been told and the ones we haven't.

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In Visoko, Bosnia and Herzegovina, a discovery emerged
in 2005 that shook the world of archaeology, yet remains one of
the most fiercely debated finds of the 21st century.
Known as the Bosnian Pyramids, these structures challenge the
accepted timeline of human civilization and hinted a lost

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chapter in our collective past. At the heart of this mystery is
the Pyramid of the Sun, a massive pyramid like Hill that
some researchers believe may be over 30,000 years old, predating
the earliest known civilizationsby 10s of thousands of years.
But despite growing evidence of artificial construction, the

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Bosnian pyramids have faced relentless dismissal and even
suppression from mainstream archaeology.
The Bosnian pyramids were first identified by Zamir Osmanagic, a
Bosnian American archaeologist and author, in 2005.
While exploring the hills of Visoko, Osmanagic noticed a

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distinct geometric structure, a triangular hill with flat,
precisely angled sides and a sharp apex.
As excavation began, Osmanagic and his team uncovered what
appeared to be massive stone slabs organized in a way that
suggested deliberate construction.
Further investigations revealed flat paved terraces resembling

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stone platforms, networks of underground tunnels running
beneath the structure, ceramic stones lining these tunnels,
some weighing several tons, evidence of a quartz and
crystalline material within the stones, elements known to
amplify and transmit electromagnetic energy.

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But perhaps most startling was the alignment.
The Pyramid of the Sun appeared to be oriented to true north
with incredible precision, a feature often associated with
ancient monuments that tracked celestial movements.
Researchers examining organic material found in the tunnel
system claimed it was over 30,000 years old, potentially

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placing the Bosnian pyramids among the oldest known man made
structures on Earth. Soil samples analyzed by
geologists were dated to roughly12,000 to 15,000 years ago,
suggesting the site's surface had been covered for millennia.
The precision cut stone blocks, coupled with reports of

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geometric patterns within the structure, fueled speculation
that the pyramid may have once been part of a technologically
sophisticated civilization predating recorded history.
Another baffling discovery emerged in the nearby forests of
Zavadovici, Bosnia, a massive stone sphere that has defied

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explanation. This bizarre object, sometimes
referred to as the Bosnian Stonesphere, has fueled speculation
of advanced ancient engineering,lost civilizations, and
mysterious earth energies. While mainstream archaeologists
have dismissed it as a natural formation, others believe it may

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be one of the most compelling artifacts of a forgotten past.
The stone sphere was also discovered by Osmanogic in 2016,
the same researcher who brought global attention to the Bosnian
pyramids. Nestled in the dense forests of
Zavidovici, the sphere was partially buried in the Earth.

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Yet it's near perfect spherical shape and enormous size
immediately stood out. The sphere measures
approximately 10 feet, 3 meters in diameter and weighs an
estimated 30 tons. Its surface is rich in iron
oxide, giving it an unusually dense and durable structure.

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The sphere's curvature is astonishingly precise, leading
some experts to suggest it was shaped deliberately rather than
by natural erosion. Despite the mounting evidence,
mainstream archaeologists have aggressively dismissed both the
Bosnian pyramids and the stone sphere as natural geological
formations, claiming these are nothing more than fractured

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bedrock shaped by erosion. Located off the coast of
Yonaguni Island, part of Japan'sRyukyu Archipelago, lies a vast
underwater structure that has baffled experts since its
discovery. Often called Japan's Atlantis,
the Yonaguni monument may be theultimate proof that a

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sophisticated civilization existed long before recorded
history. In 1986, a local diver named
Kihachiro Aratake was exploring the seabed near Yonaguni when he
stumbled upon something extraordinary, an enormous stone
structure that seemed to rise from the ocean floor.

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At first it appeared natural, but closer inspection revealed
striking features that defied geological explanation.
Carved steps, flat terraces and smooth, angular walls suggested
something deliberate, something designed.
Geological evidence suggests that the monument has been
underwater for at least 10,000 years, dating its construction

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to a time when much of the Earth's ice caps were still
melting from the last Ice Age. The monument's resemblance to
other megalithic structures, particularly Puma Punku in
Bolivia and the Olmec sites of Mesoamerica, raises the
possibility that a now forgottencivilization may have shared

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global knowledge of architecture, mathematics, and
astronomy. This would place Yonaguni's
creation at least 5000 years before the Great Pyramids and
possibly long before any known civilization.
If Yonaguni was man made, it maybe the oldest known structure on

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Earth, a relic of a lost civilization that existed before
the rise of ancient Egypt, Sumer, or the Indus Valley.
Many believe Yonaguni is evidence of an advanced culture
that thrived during the Ice Age,only to be wiped out by
cataclysmic floods as sea levelsrose.
Mainstream geologists, however, argue that the Yonaguni monument

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is a natural formation shaped byocean currents and underwater
erosion. They claim that the steppes and
walls are simply fractured sandstone, a rare but possible
geological phenomenon. Yet divers and independent
researchers continue to uncover new features at the site,

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including what some claim are carvings, symbolic markings and
aligned stone pillars, all hinting at something far more
intentional. Despite these discoveries,
efforts to fund large scale excavations at Yonaguni have
faced resistance. Some suspect that academia's
reluctance to investigate stems from what the site represents, a

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direct challenge to the acceptednarrative of human history.
Was it constructed by a forgotten people, wiped out in
the chaos of Earth's shifting climate?
Could it have been part of a global civilization, one whose
achievements were drowned beneath the rising seas?
Whatever the truth, the Yonagunimonument stands as a chilling

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reminder that much of our past remains hidden, buried in the
earth, swallowed by the oceans, or deliberately forgotten.
In school, as children, we're given a narrative, a tidy story

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about our past. We're told where we came from,
how civilization began, and how humanity slowly climbed from
ignorance to enlightenment. But who wrote that story, and,
more importantly, why? History, like any story, is told
by those with the loudest voices, and those voices often

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decide what's remembered and what's forgotten.
The deeper you look, the more the cracks begin to show.
Pieces that don't fit. Discoveries that are dismissed.
Evidence that's quietly buried. Ancient monuments that modern
engineering would struggle to replicate.
Forgotten cultures capable of mapping the stars with

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impossible precision. Myths of cataclysms that echo
across continents. Myths that sound less like
legend and more like memory. So how long does a story get
told before it stops being the truth and becomes something else
entirely? Language can be a tool to reveal

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truth, but it can just as easilybe used to conceal it.
The past is far older, far richer, and far stranger than
we've been led to believe. The evidence is out there,
carved in stone, buried beneath the earth, and written in the
language of the stars. We are not the first to walk
this path. The question is, what else have

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we forgotten? The year is 1177 AD.

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The sands of the Holy Land were dry, the air heavy with the
scent of war. On one side, Saladin, Sultan of
Egypt and his army of 40,000 strong, an unstoppable wave
rolling across the desert. On the other, a sickly 16 year
old boy, King Baldwin, the 4th King of Jerusalem, his body

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wasting away from leprosy, his soldiers outnumbered 12:50.
Jerusalem seemed certain to fall.
But what happened next defied logic.
A miracle some claimed. Baldwin, barely strong enough to
ride, led his men directly into the heart of Saladin's forces,

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the Knights Templars in stride beside him, their Crimson
crosses cutting through the dustlike blood on stone.
Against impossible odds, Baldwin's forces shattered
Saladin's army, driving them back across the desert in a
victory no chronicler could explain.
But was it really just strategy,or something else?

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Some say Baldwin knew something Saladin didn't, that his Templar
Knights had found something beneath the city, something
ancient, something powerful. Legends whisper that the
Templars, in their secret excavations beneath the Temple
Mount, had unearthed something forbidden, the remnants of a
forgotten force, a power some believed was imprisoned beneath

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Jerusalem itself. In the Book of Enoch, the fallen
being Azazel, corrupted mankind with the secrets of war, metal,
and magic. For this crime, Azazel was
bound, chained beneath the earth, buried, some say, beneath
the sacred stones of Jerusalem. Could it be that the Templars

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found this forgotten prison? That Baldwin's victory was no
miracle, but the result of something far more dangerous,
Perhaps an ancient relic, a key of power, something like the Ark
of the Covenant, or perhaps something even older.
Jerusalem is a city of secrets. The stones bear the weight of

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countless generations. And beneath those stones, the
whispers of something far older still linger, something that men
have sought to control and others have fought to keep
buried. Jerusalem, A city carved from

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stone, soaked in blood and tangled in legend.
Its story is a battlefield of myths, a whisper of forgotten
gods, and a shadow that stretches back to the first
cities ever built. To grasp Jerusalem's true
nature, we must go beyond empires and kings, back to the
Sumerians. The Sumerians, some of the

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earliest civilizations, believedtheir gods, the Anunnaki, came
down to earth to impose order. Their power was strongest in
cities like ER, the legendary birthplace of Abraham, the
figure regarded as the first Hebrew.
Abraham's journey from ER to theland that would become Israel

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forms a bridge between Sumerian belief and early Hebrew
tradition. Some speculate that figures like
Enlil or Marduk, powerful Anunnaki deities, may echo in
the early Hebrew concept of a singular, commanding God.
While the Sumerians are remembered for their written
records, we can only imagine what older stories were lost,

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tales that may have once blurredthe lines between Sumerian gods
and the origins of Jerusalem's spiritual power.
By the time the Canaanites claimed the land, Jerusalem was
a power center known as URU Shalim.
The city was dedicated to Shalim, a Canaanite God of
twilight, a fitting name for a city trapped between the seen

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and unseen. Archaeological traces point to a
place of ancient altars and highplaces where merchants, Mystics,
and warriors converged. An ancient Ugaritic myth known
as the Gracious and Most Beautiful Gods tells of Shalim
and his brother Shahar, twin offspring of the high God El.
According to the myth, El encounters two women at the

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seashore, and from this union Shalim and Shahar are born.
The brothers are nursed by the lady, believed to be the goddess
Ashura, who raises them with a hunger said to stretch from one
lip to the earth and one lip to the heavens, one tied to the
twilight, the other to the breakof dawn.

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Even before the Israelites arrived, Jerusalem was marked by
celestial alignments. The Temple Mount's eastern gate
was positioned to face the rising sun during the equinoxes,
while the Western Wall faced westward, symbolizing twilight
and reflection. The Mount of Olives east of the
city was likely a key observation point for tracking

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the new moon. Under King David, Jerusalem fell
and was crowned as the kingdom'scapital.
But it was Solomon who gave the city its ultimate symbol, the
First Temple, a sanctuary built to house the Ark of the
Covenant. The Ark sat upon the foundation
stone, believed to be the navel of the world, the very point

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where God shaped creation itself.
For the Israelites, this was their spiritual heart, a cosmic
anchor where heaven met earth. But glory is fleeting.
In 586 BC, Babylon's war machine, led by Nebuchadnezzar
the Second, thundered through the city, shattering walls and

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reducing the temple to dust. The ark was lost, vanished into
legend. Yet Jerusalem refused to die.
The returning exiles built a second temple under Persian
rule, and the city's heartbeat resumed.
Then came the Greeks, and after them the Romans.
Under Herod the Great. The Second Temple rose again,

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grander, bolder, a marvel of theancient world.
But power provokes envy, and by 70 AD, the Romans crushed a
Jewish uprising, reducing the Second Temple to ash.
Only one fragment remained, the Western Wall, a scar on the
city's face that still stands today.

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As Christianity spread, Jerusalem became a city of
prophecy, the stage for the end of days.
Constantine the Great raised theChurch of the Holy Sepulchre,
enshrining the spot where Jesus was crucified and buried.
Pilgrims flocked to the city, seeking salvation.
And yet Jerusalem's blood price would rise again.

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In 638 AD, Muslim forces swept in under Caliph Umar, seizing
the city without a fight. But rather than erase
Jerusalem's past, they enshrinedit.
Building the majestic Dome of the Rock atop the Temple Mount,
directly above the foundation stone.
The Dome of the Rock itself is no ordinary structure.

(40:21):
Built in 691 AD by the Umayyad Caliph Abd al Malik, it was
never intended to be a mosque, rather a shrine, a marker of
something older than Islam, older than Christianity, older
than Judaism. The foundation stone at its
heart is one reason this place has become the most contested

(40:43):
patch of earth on the planet. For the ancient Hebrews, this
stone was known as the even Hashetia, the foundation stone,
the axis on which creation began.
They believed this was the very spot where God breathed life
into the universe, the cosmic blueprint for existence itself.

(41:04):
Here stood the Holy of Holies, the innermost sanctum of the
First and Second Temples, where only the high priest could
enter, and only on the holiest day of the year.
Some say this stone was also thesite of Abraham's greatest test,
the place where God commanded him to sacrifice his son Isaac.

(41:24):
Jewish tradition holds that the foundation stone is the very
peak of Mount Moriah, the site of this fateful encounter, a
moment of ultimate faith, divineintervention, and the sealing of
a covenant that shaped the destiny of nations.
Jewish Mystics claim the stone was no ordinary rock.

(41:44):
It was a seal, a capstone placedby God to contain the churning
abyss below. They believed that without this
stone, chaotic forces would risewaters of destruction, demonic
spirits, or worse. It was a lock on Pandora's box.
In Islam, the stone is the launchpad for the Prophet

(42:06):
Muhammad's night journey. Here Muhammad was carried
skyward on the mythical steed AlBarack, ascending through the
seven heavens to meet with Allah.
For Christians, it was on this ground where Jesus challenged
the corruption of the priesthood, where he overturned
the tables of the money changers.
Some even say that this rock's shadow reaches to Golgotha, the

(42:29):
site of his crucifixion, as if Jerusalem itself were destined
to cradle both the cross and thecornerstone of creation.
The stone has been coveted by kings and conquerors alike, not
merely for what it represents, but perhaps for what it holds.
The question is, what if it truly is the key to creation or

(42:51):
destruction? Solomon's Temple.
The site itself tells part of the story.

(43:14):
Mount Moriah wasn't just chosen because of Abraham's sacrifice.
Ancient cultures built sacred platforms on high ground, places
where heaven and earth were believed to meet.
The Sumerians had a word for this, Duran Ki, a bond between
realms. Mount Moriah may have been one
of those points, a place seen aspowerful long before David

(43:37):
claimed it. The temple's design pulls
heavily from that older world. The cherubim, often imagined as
angelic guardians, are nearly identical to the Lamassu, hybrid
beings that guarded Assyrian andBabylonian cities.
They had human faces, animal bodies and wings.

(43:57):
In Mesopotamian belief, these figures weren't just symbolic.
They were tied to the Anunnaki, powerful beings said to control
access to divine knowledge. The fact that cherubim appear
everywhere in Solomon's Temple, carved into walls, woven into
the temple veil, even guarding the Holy of Holies, suggests

(44:18):
that idea didn't disappear. The Israelites may not have
called it Anunnaki worship, but the pattern stayed the same.
The temple's altar, built with four prominent horns, carries
that same weight. In Sumerian art, the gods wore
horned crowns to show their power.
The more horns, the greater their status.

(44:40):
The horns on Solomon's altar mayhave been more than just
decorative. They echo that same visual
language, a connection back to the symbols of divine authority
used by the Anunnaki. Then there's the Brazen Sea, a
huge bronze basin resting on thebacks of 12 oxen.
It's often explained as a purification tool, but there's

(45:00):
more to it. In Mesopotamian belief, the abzu
was a sacred body of water, a place tied to creation, wisdom,
and the God Enki. Temples in summer often included
a symbolic pool to represent that cosmic wellspring.
Solomon's brazen sea looks like the same idea, a link to

(45:22):
forgotten ideas about power and knowledge.
Even the Holy of Holies, a cube shaped room at the heart of the
temple, fits this older pattern.Mesopotamian temples had an
inner chamber, believed to be the point where divine beings
physically entered the world. Solomon's temple seems to follow
that same design, A controlled space where something greater

(45:44):
could be called down. There's no way to look at this
and say it's all a coincidence. The temple wasn't just built to
be beautiful or practical. It was designed with older ideas
in mind. The symbols, the structure, the
layout, they all point back to the same concepts the Anunnaki
were believed to have introduced.

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The Israelites may not have seenthemselves as continuing
Anunnaki worship, but those ideas still shaped the way they
built their holiest place. Solomon's Temple feels less like
a new beginning and more like a continuation, a reworking of
something older, something that may have started in Mesopotamia
and carried traces of Anunnaki influence all the way to

(46:26):
Jerusalem. When the Templars arrived in

(46:49):
Jerusalem in 1119, they were given quarters in the AL Aqsa
Mosque, a building that had beenrenamed the Templum Solomonus
under Christian control. To The Crusaders, this wasn't
just a convenient place to stay.They believe this was the sacred
ground where Solomon's original temple once stood.
The connection was so important that they wove Solomon's name

(47:10):
into their own identity, callingthemselves the Poor Knights of
Christ and the Temple of Solomon.
This wasn't just about symbolism.
From the moment they arrived, rumors started to spread about
what the Templars were doing inside the building.
They kept to themselves. They avoided the public.
Some saw this as typical monastic behavior, vows of

(47:32):
silence and a focus on prayer, But others believed something
else was happening. According to some accounts, the
Templars spent a great deal of time digging beneath the
structure, exploring the foundations under the Temple
Mount. Legends claim they found
something of immense value, and that whatever they unearthed
shaped their future. What they found, if anything,

(47:53):
remains a mystery. Some believe they recovered lost
relics, the Holy Grail, the Ark of the Covenant, or a fragment
of the True Cross. Others suggest they found
forgotten texts, knowledge hidden for centuries, possibly
even records tied to Solomon himself.
Solomon's name carries weight for a reason.

(48:15):
He isn't just remembered as a king, his reputation is far more
complicated. The Bible presents him as a
ruler of wisdom, wealth, and power.
But outside of Scripture, Solomon's image becomes
something else, something far stranger.
Stories describe him as a magician, an alchemist, and a
master of the spirit world. Some accounts claim he

(48:38):
controlled demons, binding them with rings and commanding them
to build his temple. Legends say he wrote a powerful
grimoire, a book that contained instructions for summoning
spirits and unlocking mystical knowledge.
The Gaudia, a 17th century text on demonology claimed to be
based on Solomon's original writings.

(48:59):
It describes 72 spirits, entities Solomon supposedly
confined in a bronze vessel. Even respected figures like
Isaac Newton believed Solomon possessed esoteric knowledge,
insights that may have come fromcontact with powerful, unseen
forces. Solomon's temple design carried
layers of symbolism. The presence of cherubim, hybrid

(49:20):
guardians with human faces, wings, and animal features
echoes the Lamassu of Mesopotamian tradition, Beings
tied directly to the Anunnaki. The Templars may have known this
if they were digging beneath Temple Mount.
Perhaps they believed Solomon's Temple had preserved something
from those older traditions, something that predated Israel

(49:42):
itself. The idea that Solomon's
knowledge came from older sources isn't far fetched.
Stories of Solomon's wisdom, magic, and alchemical mastery
point to something more than just clever ruling.
They suggest access to a deeper,hidden tradition.
In some accounts, Solomon's understanding of metallurgy,

(50:02):
geometry and construction was said to be far ahead of his
time. Legends claim that his temple
was built using advanced techniques, stone cut so
precisely that the structure could be assembled silently
without iron tools on site. The Phoenician Craftsman who
worked on the project, particularly the mysterious
figure known as Hiram Abiff, aresometimes described in terms

(50:24):
that resemble arcane mastery, asif their skills came from some
deeper well of knowledge. The Templars may have believed
that knowledge still lay beneaththe stones of Temple Mount.
Some even suggest they found it,that they uncovered ancient
writings, instructions for rituals, or methods for
manipulating materials and energies that had been passed
down from the Anunnaki themselves.

(50:47):
When The Crusaders lost Jerusalem, Saladin ordered the
Templar structures on Temple Mount to be destroyed.
But before that, the Templars had nearly 7 decades to
excavate, study, and possibly remove whatever they had found.
By the 19th century, British explorers investigating beneath
Temple Mount found evidence thatthe Templars had indeed dug

(51:10):
deep. They discovered a system of
tunnels beneath the site, precisely carved shafts that led
to hidden chambers. Among the artifacts they
recovered were Templar items, including pieces of armor, a
Lance, and even a small cross. What the Templars were searching
for, or what they may have found, remains unknown.

(51:32):
It's tempting to imagine that the Templars were driven by
religious devotion alone, but the secrecy surrounding their
time on Temple Mount suggests something more.
The Templars didn't just adopt Solomon's name.
They may have believed they wereinheriting his knowledge.
If that's true, then their purpose in Jerusalem may have
been less about protecting pilgrims and more about
recovering what Solomon himself was said to possess.

(51:55):
Ancient wisdom. Hidden power and the forgotten
techniques that may have reachedback to the Anunnaki themselves.
The Shamir is one of the most fascinating and mysterious

(52:17):
elements tied to Solomon's Temple, a legendary substance or
tool that's said to have played a vital role in its
construction. Descriptions of the Shamir are
rare, but the details that do exist make it 1 of the strangest
pieces of the Solomon story, andone that may tie back to deeper,
more esoteric traditions. According to Talmudic tradition

(52:39):
and various Jewish texts, the Shamir was a supernatural object
used by Solomon to cut stone forthe Temple.
The mystery deepens when you consider that the Book of Kings
states that the Temple was builtwithout the sound of iron tools.
The house was built of stone prepared at the quarry, so that
neither hammer nor axe nor any tool of iron was heard in the

(53:00):
house while it was being built. First Kings 6-7.
This is where the Shamir comes in.
Jewish legend claims this mysterious substance had the
power to cut through stone, iron, and even diamonds, yet it
wasn't a tool in the conventional sense.
The shamir was said to be a small living creature, possibly

(53:21):
a worm, insect, or some unknown organic entity capable of
splitting rock with precision. The shamir's origins are murky,
but it's often described as an object dating back to Moses
time, allegedly used to inscribethe 10 commandments on the stone
tablets. Later, Solomon is said to have
obtained it to cut the massive stones for his temple without

(53:43):
using iron tools, a material that was considered impure for
sacred work. Stories describe the shamir as
being so potent that it had to be stored in a metal container,
as this was the only way to contain its destructive energy.
Even touching it improperly was said to be dangerous.
Some interpretation suggests theShamir wasn't a living worm at

(54:06):
all, but rather some kind of ancient technology, a powerful
tool or substance lost to history.
The description of it as a living force may have been an
attempt to describe something that ancient writers had no
language for, Possibly a chemical reaction, a vibrational
frequency, or even a form of laser like technology.

(54:28):
Given Solomon's reputation for possessing hidden wisdom and
advanced understanding of metallurgy, geometry, and
construction, some believe the Shamir could have been an
artifact linked to those ideas. Something that might trace back
to the same esoteric traditions tied to the Anunnaki or other
ancient cultures. The fact that Solomon relied

(54:48):
heavily on Phoenician Craftsman,particularly Hiram Abiff, a
figure often associated with mystical building practices,
only strengthens the idea that advanced knowledge played a role
in the Temple's construction. The Shamir may have been part of
that. The Babylonian Talmud contains

(55:13):
one of the most detailed references to the Shamir,
connecting it to both Moses and Solomon.
The Shamir was created during the twilight of the 6th day of
creation. It could cut through any
material. When Solomon sought to build the
Temple without using iron tools,he inquired where the shamir
could be found. It was said to be in the

(55:36):
possession of the Prince of the Sea, guarded by the wild
rooster, a type of mythical birdcalled the ducifat, often
identified as the hoopoe bird. This passage describes Solomon's
quest to obtain the shamir, since iron tools were forbidden
for use in constructing the temple.

(55:56):
First Kings 6/7 Solomon sought atool that could cut stone
without metal, leading him to the legendary Shamir pierquet.
Avault 5-6 briefly mentions the shamir too, placing it among ten
miraculous items created at twilight just before the 1st
Sabbath, alongside objects like Moses's staff and the manna.

(56:21):
The shamir is presented as something unique, not of
ordinary origin. The Midrash Tantuma Pekude 10
gives another angle. Here the sages informed Solomon
that the shamir had once been used by Moses himself to engrave
the gemstones worn by the high priest.
Solomon then sends men to retrieve it from the mysterious

(56:43):
ducophat bird, reinforcing the idea that it was a physical
object, carefully guarded and passed down through generations.
In the Targum Shaney, an Aramaiccommentary on the Book of
Esther, Solomon's command of theShamir is referenced, again
emphasizing his ability to silently shape the stones of the

(57:04):
Temple without iron. Finally, though indirectly, the
Testament of Solomon, an apocryphal text, describes
Solomon's ability to command spiritual and supernatural
forces to assist in the Temple'sconstruction.
While it doesn't explicitly namethe Shamir, the story aligns

(57:24):
with the concept that Solomon had unusual methods at his
disposal, something beyond conventional tools.
Together, these texts suggest the Shamir wasn't just
legendary, but possibly a genuine ancient artifact or
technique, something known to the builders of Solomon's temple
knowledge that later became lostor obscured.

(57:54):
Could the Shamir have been a remnant of pre flood knowledge,
something passed down from the civilizations that existed
before the Great Deluge? The temple's strange features,
from the silent assembly of stones to the precisely cut
blocks, hint at techniques far beyond what Iron Age builders
should have been capable of. If the Templars believed
Solomon's Temple held the secrets of the Shamir, it would

(58:17):
explain their relentless excavation beneath Temple Mount.
The Shamir's supposed ability tomanipulate stone and metal would
have been invaluable not only asa tool, but as a potential
source of power. Whether the Shamir was a literal
object, a forgotten technology, or a misunderstood concept, the
legend fits into the broader idea that Solomon's wisdom

(58:41):
wasn't entirely his own, that itwas inherited from older, hidden
traditions. The Shamir is one of those
fascinating details that's been largely forgotten, yet it ties
into so many other threads lost knowledge, mysterious relics,
and the idea that Solomon's temple may have held far more
than just religious significance.

(59:03):
If the Templars were digging forsomething powerful beneath
Temple Mount, the Shamir, or whatever it truly was, may have
been exactly what they were after.

(59:24):
Azazel first appears in the Bookof Enoch as a leader among the
Watchers, heavenly beings who defied the boundaries set by the
Creator. Drawn to the beauty of human
women, these Watchers descended to Earth, taking wives and
fathering the legendary Nephilim, hybrid giants whose
presence on Earth sparked chaos and violence.

(59:44):
But it wasn't just the intermingling with humans that
angered Heaven. Azazel had done something far
worse. He had shared forbidden
knowledge, teaching humanity thesecrets of warfare, weaponry,
metallurgy, and the crafting of powerful magical artifacts.
He showed humans how to fashion blades, armor, and weapons of
destruction, plunging mankind into an era of bloodshed and

(01:00:08):
spiritual decay. For this betrayal, Azazel was
singled out. For a unique punishment.
The Archangel Raphael was sent to bind him, placing chains of
fire around Azazel's hands and feet.
And casting him down into eternal darkness.
Some traditions claim he was sealed deep beneath the barren

(01:00:29):
deserts east of Jerusalem, in a place described simply as a pit
of unending darkness. But as centuries passed, another
tradition emerged, locating Azazel's prison directly beneath
Temple Mount itself. This placement wasn't
accidental. Jerusalem was chosen
specifically to sit upon this imprisoned Angel as a spiritual

(01:00:50):
fortress, a symbolic barrier between humanity and the
corrupting influence of Azazel. The Temple was built not just as
a House of worship, but as a powerful seal, a holy structure
anchoring the fallen Angel beneath its sacred stones.
Like Azazel, the Anunnaki are described as heavenly beings who
taught mankind metallurgy, warfare, astrology, and secrets

(01:01:13):
that blurred the line between divine knowledge and dangerous
sorcery. Both narratives describe beings
who gave humanity power they weren't ready to wield, causing
conflict, destruction, and suffering.
Could Azazel and the Watchers bethe Hebrew reflection of older
Mesopotamian stories? Is Azazel himself connected to
the Anunnaki, perhaps even one of them, or descended from the

(01:01:36):
same line of mysterious visitorswho arrived long ago, reshaping
human destiny? When the Knights Templar dug
beneath Temple Mount centuries later, perhaps they weren't just
searching for holy relics or lost treasures.
Perhaps they sought the prison of Azazel, or knowledge of its
true nature, an ancient secret linking Solomon's Temple, fallen

(01:01:58):
angels, and the forgotten legacyof the Anunnaki themselves.
From the moment King David choseMount Moriah as the site for
Solomon's Temple, Jerusalem became a gateway, a sacred place

(01:02:20):
where the lines between heaven and earth blurred.
Centuries later, when the Knights Templar arrived in
Jerusalem, they too sensed that something powerful lay beneath
the city. For decades, they excavated deep
beneath Temple Mount, searching for relics, lost manuscripts, or
perhaps even traces of ancient technologies once known to

(01:02:40):
Solomon and those who came before him.
We still wonder what exactly they discovered, or how it may
have changed them forever. What binds all these stories
together? The Temple, Solomon's secret
wisdom, the fallen Angel imprisoned beneath Jerusalem is
the pursuit of hidden truths. Jerusalem is unique precisely

(01:03:03):
because it sits at the crossroads of history and myth,
a city built upon secret foundations of ancient wisdom,
spiritual power, and forgotten beings whose true origins remain
lost in shadow. In the end, perhaps Jerusalem's
greatest secret is that it's story is still unfinished.
Beneath its stones may yet lie undiscovered, truths waiting

(01:03:25):
quietly for those bold enough toask questions, to dig deeper,
look further and seek the hiddenthreads linking Solomon, the
Templars, fallen angels, and themysterious Anunnaki.
Because this is more than just history.
It's an invitation to search forthe truths humanity may have
forgotten, or truths we may not yet be ready to remember.

(01:03:48):
What if I told you that there are gaps in our history, Entire
chapters that were torn from thebook of humanity's past, but the
clues are still there if you know where to look?
In school, we're taught a version of the past, a carefully
constructed narrative of where we came from and how
civilization began. We're given dates, names, and

(01:04:12):
timelines, a neat and orderly chain of events that tells us
humanity started here and ended up here.
But who wrote that story and why?
History isn't just remembered. It's decided the stories we're
told are the ones that survived,the ones that fit neatly into a
larger narrative. But what about the parts that

(01:04:35):
didn't survive? The forgotten civilizations, the
unexplained anomalies, the knowledge that was lost, or
worse, buried? Some of that knowledge may have
been destroyed, lost in flames when the Library of Alexandria
burned, taking with it untold volumes of ancient wisdom.

(01:04:56):
Other secrets may still exist, locked away in places few have
access to, places like the Vatican archives, where entire
sections of history remain hidden from public view.
Language itself can be a tool not just to reveal truth but to
conceal it, A way to shape the past, to mould perception, to

(01:05:17):
erase entire worlds without anyone noticing.
But some things can't be erased.Stone monuments that defy
explanation, ancient texts that whisper of civilizations far
older than we've been told. Legends that sound less like
myth and more like memory. Was there once a great

(01:05:39):
civilization, A world that existed before the flood, before
recorded history, whose knowledge was scattered and
hidden when the waters rose? Perhaps the greatest secret of
all isn't what we've been told, but what's been left out.
Join us as we search for the fragments of a forgotten past, a

(01:06:01):
story written not in books, but in ruins, symbols and whispers
of what once was. The Library of Alexandria, the
greatest collection of knowledgethe ancient world had ever seen.
Thousands of scrolls, texts and records gathered from across the

(01:06:23):
known world. Wisdom from Egypt, Greece,
Persia, India and beyond, all housed under one roof.
But then it was gone. We're told it was an accident, a
tragic loss of knowledge in the chaos of war.
Julius Caesar's siege of Alexandria in 48 BC is often

(01:06:45):
blamed for the blaze. But the truth is more
complicated because not all the knowledge was lost, some of it
perhaps the most important knowledge, and survived.
And if the whispers are true, that knowledge didn't disappear
into the ashes. It was taken, taken and locked

(01:07:07):
away. To this day, rumors persist that
the most powerful institution inWestern history of the Vatican
seized the last remnants of Alexandria's lost wisdom and
buried it in their secret archives, hidden away from the
world and from history itself. But why?
What was so dangerous, so threatening, that it had to be

(01:07:30):
erased? The fire didn't destroy
everything. Historical accounts suggest that
parts of the collection survivedfor centuries after, and some of
those texts began to appear in unexpected places.
Leaders in the early Christian Church were suspiciously aware

(01:07:51):
of Alexandria's content. Their writings referenced
documents that should have been lost, and during the rise of the
Roman Church, the very institution that would come to
dominate Western civilization seemed to vanish once more, this
time without a trace. And where did they go?
Many researchers believe the answer.

(01:08:12):
Lies beneath the. Vatican itself in the Archivum
Sikratum Apostolicum Vaticanum, the Vatican's notorious secret
archives, founded shortly after.Alexandria's destruction.
The Archives became an impenetrable fortress of hidden
knowledge, forbidden scrolls, forbidden texts and forbidden

(01:08:32):
histories. Only select Vatican scholars.
With high level. Clearance are allowed to enter,
and even then their findings aretightly controlled.
But why go to such lengths? What knowledge could possibly be
so dangerous that it had to be buried?
Not just destroyed, but deliberately hidden.

(01:09:05):
The Library of Alexandria was born from a singular.
Vision A dream of uniting all the world's knowledge under one
roof. The story begins with Alexander
the Great, who, during his campaign of conquest across
Egypt in 332 BC, established thecity of Alexandria as part of
his growing empire. Alexander himself was a student

(01:09:28):
of Aristotle, who had instilled in him a deep respect for
knowledge, philosophy and learning.
While Alexander's early death. Prevented him from completing.
His vision, The seeds had been planted.
After Alexander's death, his trusted general, Ptolemy Soder,
took control of Egypt. Inspired by Alexander's vision,

(01:09:51):
Ptolemy sought to make Alexandria the intellectual
capital of the world. Ptolemy invited scholars from
Greece, Persia, India and Egypt to Alexandria.
He began assembling the largest collection of written knowledge
humanity had ever seen under Ptolemy's reign.
Construction of the. Great Library of Alexandria

(01:10:13):
began part of a larger complex known as the Museum, a temple to
the Muses where thinkers, scientists and philosophers
gathered to study. Ptolemy's son, Ptolemy the
Second Philadelphus, expanded the library into a truly global
institution. His goal?

(01:10:33):
To collect every single book in the world.
Ships arriving in Alexandria's harbor were searched, and any
scrolls or texts found on board were confiscated, copied by the
library's scribes and then returned, though some copies
were deliberately kept while theoriginals remained in
Alexandria. Ptolemy the Second also

(01:10:54):
commissioned scholars to translate sacred texts from
Hebrew, Babylonian, and Egyptiantraditions into Greek.
This project gave birth to the Septuagint, the first Greek
translation of the Hebrew Bible.The library was more than a
storehouse for scrolls, it was athriving research institution.
The library may have held up to 400,000 to 700,000 scrolls at

(01:11:18):
its peak, an unprecedented accumulation of knowledge in the
ancient world. It housed lecture halls, meeting
rooms, gardens, and even living quarters for resident scholars.
The attached museum was a Centerfor the Arts and Sciences,
equipped with observatories, laboratories, and botanical
gardens. Essentially functioning as the

(01:11:40):
world's first university, the library attracted the greatest
minds of the time. Eratosthenes, the man who
calculated the Earth's circumference with astonishing
accuracy. Using simple geometry and
shadows, Eratosthenes measured the Earth's diameter to within
1% of its true size. Euclid, the father of geometry,

(01:12:05):
whose work Elements became a cornerstone of mathematics.
Hipparchus. One of the first astronomers to
develop a star catalogue and predict solar eclipses.
Hypatia. A brilliant philosopher.
Mathematician and teacher known for her works on geometry,
algebra and astronomy. Hypatia's brutal murder in 415

(01:12:28):
AD marked a symbolic end to Alexandria's golden age of
knowledge. Alexandria was a city on edge.
The air was thick with tension as Christians and pagans
clashed, their religious divide growing sharper by the day.
At the center of it all was Hypatia, a brilliant
philosopher, mathematician and teacher who refused to bend to

(01:12:52):
the rising tide of Christianity.Her independence made her a
target in 415 AD. Hypatia's refusal to convert to
Christianity cost her everything.
The city was a powder keg of political and religious strife,
with Bishop Cyril of Alexandria locked in a bitter feud with the

(01:13:14):
Roman governor Orestes, a man who happened to be 1 of
Hypatia's closest allies. Whispers began to swirl that
Hypatia was the one pulling the strings, steering Orestes
against Cyril. Whether true or not, the rumors
sealed her fate. One day, a mob of fanatical

(01:13:34):
Christians, some say they were aParabolani, a radical sect known
for their work with the sick andthe dead, descended on Hypatia.
They tore her from her chariot, stripped her bare and dragged
her into a church. There they brutally killed her.
Historical accounts describe herbody being torn apart and

(01:13:56):
burned, a gruesome attempt to wipe her influence from history.
Hypatia's death wasn't just the loss of a brilliant thinker.
It was a grim symbol of the times.
The classical world, with its thirst for knowledge and reason,
was crumbling. In its place rose an era of

(01:14:16):
rigid dogma and control, the Library of Alexandria.
May have been slowly. Fading.
But Hypatia's murder was a sudden, violent blow, a stark
reminder that the Age of Enlightenment was slipping away
over the centuries. Her story was.
Twisted. Buried and often forgotten, to

(01:14:37):
some she became a martyr for science and free thought, to
others a symbol of defiance against oppression.
What might have been had. Her light not been.
Snuffed out so soon? For centuries, whispers have

(01:15:13):
persisted. Rumors of ancient knowledge
hidden beneath the streets of Vatican City.
Tales of scrolls, codices, and manuscripts smuggled from the
flames of the Library of Alexandria, locked away in the
Vatican's secret archives, sealed from the eyes of the
world. To some, it's mere legend.
To others, it's the key to a forgotten past, a past that

(01:15:38):
challenges everything we think we know.
The Library of Alexandria was more than a collection of books.
It was a sanctuary of forbidden knowledge within its walls, the
greatest. Minds of.
The ancient world gathered. Some claim that texts within the
library described forgotten sciences, methods to harness

(01:15:59):
energy, manipulate reality, and decode the celestial cycles that
shape human destiny. Others whisper of maps, maps
charting lost continents, forgotten kingdoms, and star
patterns that point to visitors from beyond.
When Alexandria burned, much of this knowledge was believed

(01:16:20):
lost, but not all of it. There are those who believe that
before the flames consumed it, key documents were quietly
spirited away. In the centuries leading up to
the fall of Alexandria, a selectgroup of early Christian
theologians, scholars, and scribes emerged.
The Alexandrian Fathers. These men, students of

(01:16:43):
philosophy and guardians of secretive wisdom, believed their
mission was greater than merely preserving knowledge.
They saw themselves as custodians, entrusted with
truths too powerful and dangerous for ordinary eyes.
When the Library of Alexandria began to crumble, its halls
burning and its scrolls set ablaze, these Alexandrian

(01:17:06):
Fathers faced an unthinkable choice.
They knew that among the scrollsand manuscripts housed within
the Library were texts that could reshape human
understanding entirely. Hidden histories of advanced
civilizations lost to time. Descriptions of technology far
beyond anything thought possible.

(01:17:27):
Records detailing beings known as the Anunnaki, ancient gods
who had once walked among men, realizing the profound
importance. Of these.
Documents. The Alexandrian fathers worked
quietly and methodically, smuggling select scrolls out
undercover of night, risking everything to ensure the

(01:17:48):
survival of this knowledge. Through intricate networks of
trusted monks, secret brotherhoods and loyal acolytes,
these forbidden texts were spirited away from the burning
embers of the library, carried to secret monasteries and hidden
vaults. Across the Mediterranean.
Over generations, these manuscripts travelled in

(01:18:09):
secrecy, passed carefully through the hands of those who
swore their lives to protecting this knowledge.
Eventually, they found their wayinto the heart of Rome itself,
safeguarded by a powerful network that would become the
keepers of humanity's greatest secrets, the Vatican Archives.
It is believed these hidden documents remain to this day,

(01:18:31):
concealed deep beneath Vatican City accounts of ancient
civilizations whose technological prowess defied
explanation. Maps of a world before the
Flood. Chronicles that describe the
rise and fall of empires guided by beings not entirely human,
entities recorded as gods, angels, or even aliens,

(01:18:51):
depending on who interpreted them.
Today, these texts remain lockedaway, shrouded in secrecy
beneath the Vatican, their very existence denied by those who
control access. The Vatican's secret archives
extend for some 53 miles endlessshelves filled with documents,
manuscripts, letters, maps and ancient texts dating back

(01:19:14):
thousands of years. They house some of the most
historically. Significant.
Documents ever preserved, spanning events from the trial
of Galileo to correspondences involving Michelangelo, Queen
Elizabeth the 1st and Napoleon. Yet whispers persist, leaks from
insiders who speak of scrolls bearing the secrets of the

(01:19:35):
Anunnaki, the lost history of Atlantis, or precise
instructions for devices that modern science can barely
comprehend. This is Father Pellegrino

(01:20:16):
Arnetti. A Benedictine monk, an exorcist,
and a scholar of Gregorian chants.
But according to legend, he was also something far more
extraordinary. A man who claimed to have built
a machine that could view the past.
A device that allegedly exposed a pre flood war between powerful

(01:20:37):
civilizations and the shocking truth about humanity's forgotten
history. Born in 1925, Pellegrino Arnetti
joined the Benedictine Abbey of San Giorgio Maggiore in Venice,
Italy at the age of 16. Arnetti excelled in his
education, particularly in archaic music.

(01:21:00):
Arnetti was also a renowned exorcist, one of the most active
in all of Italy. Over the years, he claimed to
have driven thousands of demons from the possessed.
In 1952, while working with physicist Father Agostino
Gemelli in Milan's Electro Acoustics Laboratory, Earnetti

(01:21:22):
claimed to have witnessed something extraordinary during a
routine recording session. Of Gregorian.
Chants. The tape recorder malfunctioned.
Frustrated, Father Gemelli raised his voice to the heavens
and called upon his deceased father for help.
What happened next defied. Explanation.
The recorder suddenly crackled to life, and a voice emerged

(01:21:45):
from the static. Of course I will help you.
I'm always with you. It was the voice of Father
Gemelli's. Deceased father Unmistakable,
familiar and impossible to explain.
The two priests brought their discovery directly to Pope Pius
the 12th, who reportedly told them not to fear.

(01:22:06):
The Pope allegedly described this mysterious voice as
scientific confirmation of the hereafter, a revelation that
consciousness extended beyond death but Arnetti believed they
had tapped into. Something far more.
Profound a window through time itself.
Driven by his obsession, Arnetticlaimed to have joined forces

(01:22:27):
with a team of scientists including Enrico Fermi, creator
of the first nuclear reactor, and Wernher von Braun, the
infamous Nazi rocket scientist turned NASA pioneer.
Together, they allegedly constructed a device called the
Cronovisor, a machine that couldtune into the vibrations of past

(01:22:47):
events, much like a radio picking up distant broadcasts.
According to Ornetti, the. Cronovisor didn't.
Travel through time. Instead, it viewed time like a
cosmic TV screen displaying events from any point in
history. Arnetti claimed they had used
the Cronoviser to witness a speech by Napoleon Bonaparte, a

(01:23:11):
bustling Roman marketplace from the 2nd century and the
crucifixion of Jesus Christ. There are also accounts
suggesting. Arnetti claimed to have.
Witnessed through the Cronovisera cataclysmic war between God
like beings and humanity's distant past.
Possibly the Anunnaki of Sumerian legend Earnetti claims

(01:23:33):
that the Vatican actively suppressed this discovery,
fearing it would undermine the Church's authority by revealing
humanity's forgotten origins. Some believe the Cronoviser was
quietly confiscated by the Vatican, locked away alongside
other controversial documents. Father Earnetti himself claimed
that the. Cronoviser.

(01:23:53):
Had been dismantled and hidden for the good of humanity,
implying that knowledge of its existence was too dangerous to
reveal. By 1972, Ernetti's story began
to unravel when he presented a supposed photograph of Christ
captured by the Cronoviser. The image was soon exposed as a
hoax, a reversed image of a sculpture housed in an Italian

(01:24:17):
church. Ernetti also claimed to have
transcribed parts of the lost Greek tragedy Thyestes, using
the Cronoviser only for linguistic scholars to expose
errors inconsistent with the ancient text.
But despite mounting skepticism,Arnetti never fully abandoned
his claims on his deathbed in 19. 94.

(01:24:41):
Arnetti reportedly admitted thatparts of his Cronoviser story
were fabricated. Yet strangely, he maintained
that the device itself was real and that it was still hidden,
buried somewhere in the Vatican archives.

(01:25:02):
Behind the walls of Vatican Cityand locked.
Away within the secret archives lies secrets darker and stranger
than most dare to imagine. For decades, the Vatican's chief
exorcist, Father Gabriela Amorth, quietly battled evil,
performing over 160,000 exorcisms.

(01:25:23):
The practice of exorcism, far from medieval myth, remains
alive within Vatican walls, so much so that annual workshops
still draw priests from around the globe.
Yet the Vatican's shadows run deeper. after World War 2, as
justice closed in on Nazi criminals, the Vatican became

(01:25:44):
their secret escape route. Thousands fled to South America
with travel documents quietly facilitated by the church,
allegedly to revive European Christianity against the growing
influence of the Soviet Union. Historians point to Vatican
complicity, though the church refuses comment.
Even darker is the revelation that the Vatican profited

(01:26:06):
directly from Nazi crimes. Gerald Posner, an American
journalist, exposed how Bernardino Nogara, a Vatican
financial advisor and alleged Nazi spy, helped funnel assets
stolen from Jewish families during the Holocaust by
investing in Italian insurance firms that refused payouts on

(01:26:27):
life insurance policies belonging to murdered Jews.
The Vatican made fortunes from tragedy, funds it never had to
return. Then there's the Vatican Bank or
the Institute for the Works of Religion.
Entangled in scandal after scandal during Hitler's regime,
the Church accepted substantial yearly payments, hidden billions

(01:26:49):
whose records remain undisclosed, shielded from
public view. In 2012, the Vatican faced
another scandal, known as Vataleaks, when Pope Benedict
the 16th's personal documents were leaked by his own Butler.
These papers revealed deep corruption and blackmail
involving bishops breaking theirvows, leading Benedict the 16th

(01:27:12):
to resign abruptly. Beyond financial secrecy, the
Vatican's Apostolic PenitentiaryTribunal, established in 1179
but hidden until 2009, judges sin so grave only the Pope can
offer absolution, attempting papal assassination or priests
revealing confessional secrets. This tribunal, shrouded in

(01:27:35):
secrecy, holds absolute authority over spiritual
justice. Historically, the Vatican even
once placed the dead on trial. In 897 AD, Pope Formosis was
exhumed, dressed in papal robes and judged posthumously by his
successor, Pope Stephen 6, foundguilty for Moses.

(01:27:57):
Body was desecrated. Mutilated and cast into the
Tiber, A stark warning from a ruthless institution yet even
stranger tales. Emerge from within the Vatican.
Archives sealed vaults rumored to hide truths the church would
rather forget. Some believe the archives
contain documents suggesting Jesus Christ himself never

(01:28:18):
existed, citing letters between Emperor Nero and Saint Paul.
Whispers persist that hidden among Vatican treasures are
extraterrestrial remains, evidence of alien life, or even
secret alliances between popes and otherworldly beings plotting
humanity's future. Then there's the. 3rd Secret of

(01:28:40):
Fatima. In 1917, three Portuguese
children received prophecies reportedly detailing a nuclear
apocalypse or global disasters. Despite releasing a version in
2000, many insist the Vatican still withholds its most
terrifying predictions. Even more bizarre are persistent
claims that the Vatican houses the world's largest collection

(01:29:04):
of pornography, supported not just by conspiracy theorists but
by scholarly sources such as Camilla Paglia and William F
Buckley Junior. And finally, the darkest theory
of all that behind the Vatican'spower and secrecy lies an
ancient influence, the Illuminati.
Though officially dissolved centuries ago, many believe the

(01:29:26):
Illuminati quietly rebuilt themselves, embedding their
members into powerful roles worldwide, including within
Vatican walls. If even some of these secrets
are true, what else lies locked within the Vatican's vaults,
waiting to be uncovered? The Roman Empire never truly

(01:30:04):
fell. It merely reinvented itself.
Rising from the ashes of Rome came the Catholic Church,
wearing new robes, speaking in softer voices, but driven by the
same eternal pursuit, power, control and authority over
knowledge itself in their hands.History wasn't just.

(01:30:25):
Preserved. It was weaponized.
The Vatican archives stretch formiles beneath the streets of
Rome, holding untold secrets, not merely religious texts, but
documents hinting at advanced civilizations, forgotten
technologies, and perhaps even interactions with beings not of

(01:30:45):
this earth. But these documents aren't
simply archived. They're suppressed, guarded,
hidden from public view. Because knowledge is power, and
controlling the narrative means controlling the world, the
Catholic Church in many ways. Is the ghost of.
Rome, a rebooted empire still grasping at Dominion.

(01:31:09):
It should come as no surprise, then, that they've collected the
scattered wisdom of the ages andlocked it away, where it remains
to this day, beyond reach. But the story doesn't end there.
It begins with us. We have glimpsed through the
keyhole, into rooms forbidden, peered behind veils,
deliberately placed. What truths await discovery if

(01:31:33):
those vaults were ever opened? How different would our world
look if the real history, the complete story, were finally
revealed? Because in the end, history is
not just about what we've been told, it's also about what's
been hidden. And uncovering these secrets may
be the key to reclaiming our past and perhaps even rewriting

(01:31:55):
our future before the 1st Templewas raised.
Before the 1st king took his throne.
Before even the first word was written, the stars were already
watching a hunter in the sky. Standing across time.
Itself the first great civilizations.
Looked up and saw him. Not as a collection of stars,

(01:32:18):
but as something more. A guide, a ruler, a God.
The Sumerians called him Uruana,the light of heaven.
To the Egyptians he was the soulof Osiris, the God of
resurrection. In Greece he was a giant, a
hunter, a warrior in the far north, a traveler between worlds

(01:32:40):
across the Americas, the fire ofcreation itself, Everywhere
Orion was known and everywhere he was revered.
Why? Why does this one constellation
appear in the myths of cultures that never met?
Why is it encoded in the layout of pyramids, temples, and sacred
structures across the world? What does Orion really

(01:33:02):
represent, and why does its truesignificance seem forgotten?
Perhaps Orion is more than a pattern of stars.
Perhaps it is a key, a signpost left by those who came before
us. Some say it's a coincidence,
others say it's something more, a message waiting to be read.

(01:33:23):
If Orion holds a secret, then ithas been hidden for a reason,
and to find the truth we must goback to the beginning, some of
the oldest stories. Ever written were carved.
Into clay tablets in the land ofSumer, now modern day Iraq, a
place where kings were chosen bythe gods and the gods themselves

(01:33:45):
descended from the stars. Among those stars, 1
constellation stood apart. The Sumerians called it Uru
Anna, the light of heaven. To them, Orion was a sign of
kingship, a marker of divine power, and a celestial throne.
In Sumerian tradition, the starswere not distant, burning Suns.

(01:34:07):
They were realms, domains of divine power, and among them,
Orion was the seat of something greater.
The name Uru Anna, literally heavenly light, suggests
something beyond a mere pattern in the sky.
In some interpretations it was the throne of Anu, the ruler of
the heavens himself. In others a celestial gate, a

(01:34:29):
place where the divine and mortal worlds touched.
This is no small thing. In Sumerian belief, the cosmos
was a tiered structure, Heaven above, the earth in the middle,
the underworld below. The gods ruled from above, and
Orion Uruana was a direct link to their domain, the Epic of

(01:34:51):
Gilgamesh. One of the world's oldest.
Recorded Stories tells of a great king, part God, part man,
who seeks to break free from thelimits of mortality.
Along his journey, he faces one of the most famous battles in
ancient mythology, the slaying of the Bull of Heaven.
The bull, called Guglalana, was sent by the gods to punish

(01:35:13):
Gilgamesh, but rather than bow before divine.
Will he? Fights back, he slays the beast,
defying the heavens themselves in the night sky this battle.
Is reflected. Perfectly Orion the Hunter
locked in eternal struggle with Taurus the Bull.
Is this coincidence, or were theSumerians mapping their myths

(01:35:35):
onto the stars? Or something else entirely
Gilgamesh was said to be. 2/3 divine.
Descended from the gods who camefrom above.
Some say this was metaphor, Others believe it was a literal
truth that the ruling class of Summer traced their lineage to
beings who arrived from the heavens.

(01:36:15):
Orion is one of the most well documented and.
Striking constellations in the night sky, recognized across
cultures for millennia, its structure is defined by some of
the brightest and most massive stars in the Galaxy.
At Orion's shoulder is Betelgeuse, a red supergiant
located 642 light years away. One of the largest known stars,

(01:36:41):
its radius exceeds 600 times that of the Sun.
If placed at the center of our solar system, its outer layers
would extend beyond Jupiter. Unstable and nearing the end of
its life, Betelgeuse is expectedto undergo a supernova event in
the near future, an explosion that will briefly outshine
entire galaxies. Opposing it at Orion's foot is

(01:37:05):
Rigel, a blue Supergiant 860. Light.
Years away, one of the most luminous stars in the night sky,
It burns at 120,000. Times.
The brightness of the sun radiating immense energy across
the cosmos. It too is destined for an
eventual supernova. Near them stand Bellatrix, a

(01:37:28):
blue giant 240 light years away,and Sif, another blue
supergiant, at 720 light years away.
These stars form the outline of the.
Hunter's body. But Orion's most well known
feature is his belt, three starsin near perfect alignment that
have served as navigational markers, spiritual symbols, and

(01:37:52):
astronomical references for civilizations across history.
Alnitek, the Eastern. Most of the three.
Is a triple star system located 1260 light years away.
The primary component is a massive blue supergiant
radiating at extreme temperatures.

(01:38:12):
At the center of the belt is Alnealim, a super giant 2000
light years away, emitting 375,000 times the energy of the
Sun. To the West lies Mintaka, a
binary star system 1200 light years away, where two stars
orbit each other every 5.7 days.These stars are not merely an

(01:38:36):
optical alignment. They share a common origin
formed from the same vast molecular cloud, a stellar
nursery that still lingers in the depths of space.
Beneath the belt, another phenomenon emerges.
The Orion Nebula, spanning 24 light years across this immense
region of gas and dust is one of.

(01:38:57):
The. Most active star forming regions
in the Galaxy located 1000. 344.Light years away.
It is visible to the naked eye as a faint glow below Orion's
belt. The name Orion comes from Greek.

(01:39:25):
Mythology, where he was known asa giant, a hunter, and a figure
of both great strength and greatmisfortune.
Orion was said to be the son of Poseidon, God of the sea, and
Urile, a daughter of King Minos of Crete.
Because of his divine lineage, Orion was granted an
extraordinary gift, the ability to walk on water, towering over

(01:39:50):
mortals. He roamed.
The world as a great hunter, feared and admired in equal
measure. One of the most well known myths
centers on his time in the courtof King Onopian, ruler of Chaos.
He fell in love with the King's daughter Merope, but his
advances were unwelcome. When he attempted to take her by

(01:40:12):
force, Onopian had him blinded as punishment and cast him out.
Stumbling through the world in darkness, Orion eventually
reached the forge of Hephaestus,the God of fire and
craftsmanship. With the help of a guiding
servant, Orion made his way to the Far East, where the healing
rays of Helios, the sun God, restored his sight.

(01:40:36):
But his troubles did not end there.
In another version of his story,he boasted that he was the
greatest hunter in existence, claiming he could kill every
beast on earth. His arrogance angered the
goddess Gaia, the Primordial Mother of all life.
To punish him, she sent a giant scorpion to strike him down.
The two engaged in battle. But he was.

(01:40:57):
Ultimately stung and perished, in honor of their struggle, Zeus
placed them both among the stars, Orion as the great hunter
and Scorpius forever chasing himacross the sky.
Even today, the two constellations appear on
opposite sides of the heavens, ensuring that Orion always sets

(01:41:18):
as Scorpius rises. Orion is one of the few

(01:41:40):
constellations specifically. Mentioned in the Bible long
before telescopes, long before modern astronomy, ancient people
looked up and saw a mighty figure in the stars.
But in the Hebrew scriptures, Orion was known by another name,
Kiesel, in the book of Job. One of the oldest texts.
In the Bible, Orion is directly referenced as a creation of God,

(01:42:04):
an unshakeable force in the heavens, a reminder of divine
authority. Job 99 tells us he is the maker
of the Bear and Orion, the Pleiades and the constellations
of the South in this passage. Orion is listed.
Among the great star groups thatdefine the night sky, named

(01:42:24):
alongside Pleiades and the Bear,likely referring to Ursa Major.
Later in Job 3831, God directly challenges Job.
Can you bind the chains of the Pleiades?
Can you loosen Orion's belt? Another reference comes from the
prophet Amos. Amos 5/8 declares he who made

(01:42:49):
the Pleiades an Orion, who turnsmidnight into dawn and darkens
day into night, who calls for the waters of the sea and pours
them out over the face of the land.
The Lord is his name. To the ancient Egyptians, the

(01:43:16):
sky was a map. A living, breathing Kingdom
where the gods resided, where the dead traveled, and where the
great cycles of existence playedout in eternity to the
Egyptians. Orion was a God.
A king and a doorway to the afterlife.
They called him Osiris. Osiris, the God of.

(01:43:40):
Resurrection was not. Just symbolically linked to the
constellation Orion. He was Orion in Egyptian texts.
His soul was said to dwell amongits stars, ruling over the duet,
the invisible realm where the dead journeyed after death.
The Pharaoh was not just a rulerof men, he was the living Horus.

(01:44:00):
And in death he would become Osiris, joining Orion in the
sky. But why Orion?
Why not the sun or the moon or another celestial body?
The answer lies in a cycle as old as time itself.
Every year, Orion disappears from the night sky for 70 days

(01:44:22):
before rising again, reborn in the east.
To the Egyptians, this was not just an.
Astronomical. Event It was a ritual, a cosmic
drama playing out in the heavens. 70 days the exact.
Length of. Time the dead were embalmed
before burial. The same period Osiris was said
to have remained in the underworld before rising again.

(01:44:44):
And for the Pharaohs, this was their destiny.
The Pyramid Texts, the oldest known religious writings in the
world, speak of the pharaoh's journey to Orion.
They describe the King's soul rising as a star merging with
Osiris in the sky. One passage declares You are
seated upon your throne beside Osiris.

(01:45:06):
Your soul is among the stars of Orion.
For thousands of years, the Great Pyramids of Giza.
Have stood as a testament. The scale, the precision, their

(01:45:28):
purpose. Egyptologists tell us they were
tombs, but no mummy has ever been found inside the pyramids.
Not one in 1983. Engineer, Robert.
Beauvall noticed something strange.
The layout of the three Great Pyramids didn't form a perfect
line. One of them, Menkauer's pyramid,

(01:45:49):
was slightly offset. At first this seemed like an
imperfection, but then Boval looked to the sky.
There in the heart of the. Orion constellation.
He saw the same pattern, the three stars of Orion's Belt and
one of them, Mintaka, slightly misaligned, just like the
pyramids below. This was no accident.

(01:46:12):
The pyramids were not built at random.
Their placement was mirroring something above the stars of
Orion's Belt, frozen in stone. But the alignments didn't stop
there. The Great Pyramid's southern
shaft, one of the only direct openings in the structure,
points precisely to Orion, as ifdesigned to send the soul of the

(01:46:32):
pharaoh back to the gods, back to Orion, back to Osiris.
The Great Pyramid has four such shafts, two extending from the
King's Chamber and two from the Queen's Chamber.
The most famous of these is the southern shaft of the King's
Chamber, which at the time of the pyramid's construction was
precisely aligned with Orion's Belt.

(01:46:55):
In 2450 BC, this shaft pointed directly to Alnatak, the
brightest and lowest star in Orion's Belt.
Some researchers believe the pyramid was not just a religious
monument, but a highly advanced structure designed to interact
with energy fields, possibly even a device meant to
facilitate communication or travel between Earth and Orion.

(01:47:17):
The Great Pyramid has been foundto contain unusual
electromagnetic properties, withsome researchers suggesting it
may have once functioned as a resonance chamber.
If the pharaoh was meant to return to the gods, perhaps
Orion was more than just a symbolic destination.
Egypt is not the only place where Orion's fingerprint
appears. Half a world away in Mexico, the

(01:47:39):
ancient city of Teotihuacan mirrors the exact same
alignment, the pyramids of the sun, the moon and Quetzalcoatl.
Just like Giza, one of them is slightly offset, matching the
deviation of Orion's belt. The same pattern, the same
design, 2 cultures separated by thousands of miles.

(01:48:01):
Seeing the same thing, building the same structures.
But why? And it doesn't stop there.
In the deserts of southern Egypt, long before the rise of
the Pharaohs, an ancient stone circle called Nabta Playa was
built to align with Orion, some of the oldest astronomical

(01:48:21):
markers in the world, placed there before even the pyramids
existed. Why did this pattern persist?
Why did civilizations across time and space all return to
Orion? Was it simply a guiding star, a
sacred symbol? Or was it something more?
A memory carried across ages? A message written in stone?

(01:49:15):
Across the ancient world, Orion was known as a.
Hunter, a warrior and a divine ruler in the heavens.
But what of the North? In the.
Norse cultures with their own. Myths of giants.
And gods, Orion still holds a place unlike the structured
pantheons. Of Egypt or.
Babylon. Norse cosmology was fluid, oral,

(01:49:39):
passed from scald to scald. Many of its celestial myths have
been lost, fragmented by time and conversion, and yet traces
remain. One of the most intriguing
connections is found in the story of Orwandil, also called
Orgelmere's Toe, according to Nor Smith.

(01:50:01):
Orwandil. Was a great traveller whose
frostbitten toe was thrown into the sky by Thor, where it became
a star. Some scholars suggest this star
was Rigel, the bright blue whitebeacon in Orion's foot.
But this is only a fragment. Other sources suggest that
Orion, or a figure like him, wasrecognized in Norse tradition as

(01:50:26):
a great hunter or warrior. If so, he would not have been
alone. Norse cosmology is filled with
celestial hunters uller, the Archer God.
Was. Known as a great skier and
marksman tier, the one handed God of War had echoes of Orion's
battle worn nature and Thor himself wielder of.

(01:50:48):
Mule. Near a God of storms and
destruction shares Orion's mightand celestial presence.
But were these associations deliberate or remnants of an
older memory, unlike the careful?
Astronomical records of Babylon.Or the mathematical precision of
Egyptian alignments nor Star Lord did not survive in.

(01:51:11):
Written. Form.
By the time the Eddas were recorded, much of the old
knowledge had already faded, displaced by Christianization.
And yet the Norse retained something crucial, the ability
to navigate by the stars. Viking navigators used the sun,
the moon, and constellations like Orion to guide their ships

(01:51:33):
through the North Atlantic. Orion's Belt, with its three
bright stars, was a reliable marker, just as it had been for
seafarers in the Mediterranean, the Pacific and beyond.
Perhaps his presence in the. North was obscured by.
Time. Perhaps his role was never fully
written, only spoken. Or perhaps, like so many other

(01:51:55):
ancient symbols, he was deliberately erased.

(01:52:33):
In the East, Orion's story takeson a.
Different form 1 of destruction of power of fire and storm in
Hindu mythology he. Is linked to Rudra.
The God of storms, the great Archer, wanderer of the wild,
and the God who would later be known as Shiva in the Rigveda,

(01:52:55):
The oldest Hindu text dating back as far as 2000 BC.
Rudra is given the name, the redone connected to the star on
Orion's shoulder, Betelgeuse. The red giant Rudra is depicted
as a. Hunter armed with a.
Celestial Bow. He is a force of destruction.
He brings death, but also clearsthe way for rebirth.

(01:53:19):
He is the Archer who strikes down illusion, the warrior who
slays ignorance. Different myths.
Different names. But the same story.

(01:53:50):
In the first book of Enoch. We have the watchers.
The angels who descended to Earth in the days before the
flood. One stands out.
His name was Azazel in the Book of Enoch.
Azazel is the. Watcher who gave humanity the
knowledge of weapons, war and combat.

(01:54:10):
He is said to have revealed the secrets of metalwork, swords,
knives, Shields, the tools of both survival and destruction.
And Azazel taught men to make swords and knives and Shields
and breastplates and the art of working them first.
Enoch 81. But his gifts did not stop
there. He taught adornment, cosmetics,

(01:54:32):
jewelry, the craft of vanity anddeception.
The Book of Enoch claims he led humanity into sin, corrupting
the purity of the world, and forthis he was cast down, bound
beneath the earth until the day of judgement.
If Azazel was the one. Who taught mankind hunting?
And warfare, then his presence should be found not just in

(01:54:54):
books, but in the sky itself. Orion, across cultures, is the
Celestial Hunter, the warrior forever wielding a weapon,
locked in battle with Taurus theBull in the same way Azazel.
'S teachings. Created warriors, men who
fought, conquered, and rose above their natural state.

(01:55:18):
Is this mere symbolism or a memory?
The Book of Enoch states that the.
Watchers took human. Wives and bore children, The
Nephilim, the giants of old. These beings were described as
mighty hunters, warriors of great renown.
Orion too was a giant, a hunter among hunters.

(01:55:39):
He is a giver of forbidden. Knowledge.
A Promethean. Figure who armed humanity,
whether for survival or rebellion.
The story of a divine. Being descending.
Teaching mankind and becoming anoutcast is not unique to
Enochian lore. In Mesopotamian tradition, the

(01:55:59):
Anunnaki was said to have brought civilizations first
knowledge, but were later seen as rebels against cosmic order.
The God Enki, like Azazel, was abringer of secret knowledge,
teaching mankind agriculture, science and survival.
And like Azazel, he was later demonized, cast as a trickster,

(01:56:20):
a deceiver of the gods. The Book of Enoch tells us that.
After corrupting the. Earth Azazel was cast Into
Darkness, bound beneath the sands, his name linked to the
wilderness and the wastelands. In Hebrew tradition, the
scapegoat ritual of Yom Kippur involves casting a sacrificial
goat into the desert for Azazel,a symbolic act of sending

(01:56:43):
humanity's sins into the void. One of the strangest connections

(01:57:16):
to Orion appears on. Gnostic amulets from early
Christianity, depicted as a being beyond gods and demons.
Abraxas was a fusion of contradictions, a man's body, a
hawk's or rooster's head, and the legs of a serpent to the
early Gnostics. He represented.
Totality, the force that contained both light and

(01:57:38):
darkness, time and eternity, creation and destruction.
The earliest and most detailed. References to Abraxas.
Come from Bazalides, a Gnostic teacher from Alexandria, Egypt
in the early 2nd century AD. Bazalides taught that Abraxas
was the ultimate divine being, higher than the God of the

(01:57:58):
Bible. He described a cosmic hierarchy
where Abraxas ruled over 365 heavens, each governed by its
own spiritual force. Unfortunately, Basilides's
original writings have not survived.
All we know about them comes from early Christian theologians
who condemned his teachings as heretical, the Church fathers

(01:58:22):
particularly. Irenaeus.
Hippolytus and Tertullian wrote extensively against Gnosticism,
yet in their attempts to discredit it they preserved
crucial information about Abraxas.
Irenaeus in Against Heresies described how Bazalidis
followers believed Abraxas was the great Archon above all

(01:58:42):
things, Hippolytus in refutationof all.
Heresies. Called Abraxas, the ruler of the
365 heavens, detailing how he was associated with secret
knowledge Tertullian in against the.
Valentinians. Mocked basilites for believing
in a God beyond the traditional Christian conception of
divinity. Ironically, these writings meant

(01:59:06):
to erase Abraxis from history are now some of our best sources
about him. But perhaps the most striking
evidence of Abraxis comes not from texts, but from ancient
gemstones and amulets dating from the 2nd to 4th centuries AD
Found across the Mediterranean, these engraved stones depict
Abraxis with a rooster or hawk head, a man's torso and serpent

(01:59:30):
legs. Many bare inscriptions like Yao,
a mystical name for God, Sabaoth, Lord of hosts.
Abraxas itself. Some of these amulets combine
Egyptian, Greek, and Gnostic symbols, suggesting that Abraxas
was a fusion deity, one beyond religious and cultural
boundaries. Scholars believe they were used

(01:59:52):
for protection, power and initiation into hidden
knowledge, but the name Abraxas holds.
An even deeper. Secret in Greek isopsophy, a
system similar to Hebrew gematria, the letters in alpha,
beta, rho, alpha, Sigma, alpha she add up to 365, the exact

(02:00:12):
number of days in the solar year.
The Orion constellation also marks an annual cycle, appearing
and disappearing with the seasons.
In ancient Egypt, Orion was Osiris, the God of death and
resurrection. Whose yearly cycle mirrored the
Nile's floods and the rebirth ofthe land, the Gnostics believed

(02:00:33):
Abraxas. Ruled over time.
Itself, just as Orion's movementshaped the calendar of the
Ancients, was Abraxas not just adeity of the mind, but a
reflection of the great hunter in the sky.
Abraxas is often shown with a hawk's head and serpent legs, a
combination of opposites, but these symbols appear in Orion's

(02:00:54):
mythology as well. In Egypt, Orion was.
Linked to Osiris. Who was also associated with
Horus, the Hawk headed God. Horus was the Avenger, the
warrior, the force of cosmic order, just as Orion was the
celestial hunter, always in pursuit.
To the Gnostics, the universe was ruled by false gods,

(02:01:17):
Archons, who trapped the soul inthe material world.
Abraxas, however, stood above them, beyond their control.
But here is where things get even stranger.
When superimposed over one another, Abraxas and Orion seem
to align. Orion too, is depicted as a
figure in eternal battle againstTaurus the bull against unseen

(02:01:40):
forces that try to pull him down.
In Egyptian belief, the soul of the Pharaoh would ascend to
Orion to escape death and illusion.
To the Gnostics, the goal of life was to awaken, to break
free of the Archon's prison. Could Orion have been seen as
the celestial pathway to freedomif Abraxas was truly a force?

(02:02:01):
That transcended. Creation and destruction, the
bridge between the material and the divine.
Then perhaps Orion was his form in the stars.
The eternal Hunter, the being who never stopped searching,
always beyond reach. The hawk and the serpent, the
hunter and the fallen, the symbol of time and rebirth.

(02:02:22):
Orion and Abraxas. Two names, one mystery.
What were the ancients really trying to tell us?

(02:02:45):
The Anunnaki, the gods of summer.
Architects of their civilization.
Their influence shaped the oldest empires, their knowledge
written in stone. But if these beings came from
the stars, then the question remains, which stars?
The Sumerians spoke of a heavenly.

(02:03:05):
Order. A divine architecture mirrored
on Earth. They built ziggurats to bridge
the gap between realms, aligningtheir sacred sites with the
movements of celestial bodies. But of all the stars above, 1
stood out the light of heaven, Uruana, Orion, the ancient kings

(02:03:26):
of summer, and. Egypt claimed.
Divine right, Not just as rulers, but as descendants of
the gods. They aligned themselves with
Orion, seeking their place amongthe stars after death in
esoteric traditions. Orion.
Is not merely a. Constellation.
It is a portal, a threshold between worlds, some ancient

(02:03:47):
star maps. Depict Orion not.
As a figure, but as a gate, an entry point to the beyond.
In Hermetic and Kabbalistic traditions, Orion appears as a
bridge between the higher and lower realms, a place of passage
for souls and divine forces. The Egyptians called it the
latter to heaven. The Gnostics saw it as a path

(02:04:08):
beyond the Archons. The Hermeticists encoded it in
their. Alchemical.
Mysteries. Was Orion seen as a literal
cosmic gateway, a conduit between the divine and the
earthly? Or was it something more, a
cipher, a secret hidden in plainsight?
The Egyptian Pharaohs believed they would ascend to Orion to

(02:04:30):
reunite with Osiris. The Pyramid Texts declare you
are seated upon your throne beside Osiris.
Was this simply belief, or were they continuing something far
older, an ancient lineage stretching back to the Anunnaki
themselves? If Orion was a marker, a

(02:04:52):
celestial signpost, then what was it pointing to?
The deeper we look, the more Orion appears.
And if Orion was once a divine map, what does it mean for us
today? Orion's mark is everywhere, from
the pyramids of Giza to the temples of Teotihuacan, from

(02:05:12):
ancient mythology to the deepestlayers of esoteric wisdom.
The question is why? Scientists made an earth
shattering discovery. Inside Egypt's legendary Great
Pyramid of Giza using revolutionary new satellite.

(02:05:32):
Technology known as. Synthetic Aperture Radar Doppler
tomography Developed by researchers Filippo Bionde and
Corrado Malanga, the team uncovered astonishing hidden
structures beneath 1 of humanity's greatest monuments.
Inside the Great Pyramid itself,researchers discovered a
massive, previously unknown chamber spanning 5 distinct
horizontal levels. Intricately designed and

(02:05:55):
deliberately concealed, this secret room has remained
untouched for thousands of years, hidden within plain
sight. But this discovery was just the
beginning. Radar scans penetrating deep.
Beneath the pyramid. Of Khafre have revealed 8
perfectly symmetrical cylindrical wells descending an
incredible 648 meters over 2100 feet straight into solid

(02:06:21):
bedrock. These enormous shafts are
precisely engineered, arranged methodically in parallel rows,
and extend downward into vast cubic formations nearly 2
kilometers beneath the surface. Each cylindrical shaft measures
several. Meters in.
Diameter constructed with astonishing accuracy, far
surpassing the abilities previously attributed to ancient

(02:06:41):
Egyptian technology. The depth alone defies
comprehension. At 648 meters, these wells
plunge deeper than the height ofthe world's tallest skyscrapers,
connecting to immense subterranean spaces whose
purposes remain utterly mysterious.
Even more astonishingly. Beneath the entire.
Giza Plateau lies an expansive network of interconnected

(02:07:05):
chambers, tunnels and massive cubic structures buried deep
underground, stretching for kilometers.
The scale and complexity of these underground constructions
surpass anything ever imagined by archaeologists or historians,
challenging everything we thought we knew about ancient
Egypt and its capabilities couldthese enormous wells and hidden.

(02:07:27):
Chambers. Represent remnants of a lost
civilization, one far more advanced than dynastic Egypt.
Ancient Sumerian legends speak clearly of pre flood
civilizations like Atlantis or MU powerful beings known as the
Anunnaki, the Titans, the Atlanteans who imparted
extraordinary knowledge and skills to humanity.

(02:07:49):
Could these newly discovered subterranean structures beneath
Giza be physical evidence of these very legends?
And most importantly, who has been trying to keep this
information suppressed? The Great Pyramid of Giza isn't
just Egypt's. Most iconic monument.

(02:08:11):
It's a global enigma that defiescomprehension.
Built with staggering precision from over 2.3 million stone
blocks, each weighing several tons, its dimensions encode
astonishing mathematical and cosmic truths.
The pyramids exact coordinates aligned perfectly with Earth's
true north. Deviating by only a fraction of

(02:08:32):
a degree, its proportions reflect precise measurements of
the Earth's circumference. Even more astonishing, encoded
in the pyramids geometry, is thespeed of light itself.
The Great Pyramid sits at latitude 29.9792458° N.
The speed of light in a vacuum is exactly 299,792,458 meters

(02:08:56):
per second when measured in royal Egyptian cubits, The unit
of measurement the Egyptians famously used, the pyramids base
perimeter, closely matches Earth's Equatorial
circumference. Ancient Egyptians utilized a
unit called the sacred cubit approximately 25 inches, and
it's suggested by some researchers that multiplying the

(02:09:17):
pyramids perimeter by a factor related to these cubits produces
numbers closely aligning with the speed of light, again
hinting at intentional encoding of advanced scientific
knowledge. The sheer precision required to
achieve this down to fractions of degrees goes far beyond
coincidence, skeptics argue. It's simply random chance.

(02:09:37):
Proponents see it as direct evidence that the pyramid
builders possessed either advanced astronomical knowledge,
sophisticated mathematics, or possibly information granted by
a civilization far more technologically advanced than
history acknowledges. For decades, mainstream
historians insisted these marvels were simply tombs built
with primitive tools, slave labor, and sheer brute force.

(02:10:01):
But recent discoveries have shattered this simplistic
narrative once and for all with the groundbreaking discovery of
a. Massive hidden.
Chamber and eight astonishing cylindrical wells beneath the
Pyramid of Khafre, reaching depths of 648 meters into solid
bedrock. The conventional story has
officially collapsed these shafts.

(02:10:23):
Perfectly symmetrical and. Meticulously engineered, plunge
deeper than the tallest modern skyscrapers, connecting to
sprawling subterranean structures extending nearly 2
kilometers beneath the plateau. No copper chisels, ropes.
Or wooden pulleys could. Account for such feats of
advanced geological engineering.Simply put, the mainstream

(02:10:44):
explanation doesn't just fall short.
It now appears entirely impossible.
With mainstream narratives collapsing and sensational
discoveries mounting, one question remains what comes
next? Are we on the verge of
confirming ancient legends, perhaps even establishing
definitive links to lost civilizations, cosmic visitors,

(02:11:06):
or advanced prehistoric knowledge?
Whatever comes next, one thing is clear.
The sands of Giza still guard incredible secrets, and humanity
is finally ready to uncover them.
Stay tuned. For decades, we've been told

(02:11:32):
that Egypt's Great pyramids. Were nothing more than glorified
tombs, extravagant burial sites built to honor Pharaohs.
But this story doesn't add up. No mummy has ever been recovered
from any pyramid at Giza. In fact, the ancient Egyptians
famously buried their dead underground, as exemplified by
Tutankhamun, whose tomb was discovered in the Valley of the

(02:11:53):
Kings, not inside a pyramid. When we compare the Great
Pyramid to newer pyramids built later in Egyptian history,
something strange becomes evident.
Instead of improving over time, pyramid construction became less
precise, less advanced. Even Egyptian pottery,
sculpture, and carvings reveal acivilization whose technological

(02:12:14):
and artistic abilities diminished over centuries.
How does a civilization move backward?
In skill. Unless perhaps we're missing a
critical. Piece of the puzzle?
What if the ancient Egyptians weknow today?
Weren't the? Original builders of these
monuments, but rather the inheritors, survivors of a
global catastrophe, who discovered these structures,

(02:12:35):
claimed them, and adapted them into their own culture.
Consider another anomaly. Egyptian monuments and temples
are famously covered with intricate hieroglyphics, yet the
Great Pyramid itself is strangely devoid of
inscriptions. Why would the Egyptians fail to
decorate the greatest structure ever built with their sacred
texts? The largest pyramid at Giza, the

(02:12:57):
Great Pyramid, is traditionally attributed to Pharaoh Khufu,
known in Greek as Chaos, or to Arab historians as Surid or
Salhuk, Egyptologists maintain. Khufu commissioned this.
Marvel around 2500 BC. But how do we know this?
The association of Khufu with the Great Pyramid comes almost

(02:13:19):
entirely from a single discoveryby British explorer Colonel
Richard Howard Weiss in 1837. Weiss not known.
For subtlety. Used gunpowder to blast his way
into several pyramids, desperateto uncover treasure and fame
inside Khufu's pyramid. He claimed to find a.
Painted Cartouche, the Pharaoh'sroyal Insignia linking Khufu

(02:13:43):
definitively to its construction.
Yet recent evidence suggests. This discovery might.
Be 1 of archaeology's biggest hoaxes In 2014, two archaeology
students from the University of Dresden secretly obtained a
sample of pigment from Khufu's supposed cartouche lab analysis
delivered a shocking. Revelation.

(02:14:05):
The paint wasn't original, it had been added much later,
applied over a plaster repair, not onto the original limestone.
This suggests Colonel Weiss, desperate after spending nearly
$1.3 million today's equivalent on his expedition, might have
forged Khufu's cartouche himself, creating a false

(02:14:25):
historical narrative that Egyptologists still defend
today. Even authors like Zechariah
Sitchin accused Weiss directly, claiming his desperation to
produce a significant discovery led him to perpetrate this
fraud, forever influencing mainstream archaeology.
So if Khufu didn't build the Great Pyramid, then who did?

(02:14:56):
According to Arab historians andancient manuscripts.
The pyramids are far older than Khufu's era.
Ibrahim al Makhrizi, a respectedArab scholar, states that the
Great Pyramid was built by an Antediluvian king named Surid
Ibn Salhuk centuries before a catastrophic global flood.
The Roman historian Amianus Marcellinus similarly described

(02:15:19):
inscriptions inside certain pyramids intended specifically
to preserve ancient wisdom against this very flood.
Could the pyramids have been built not as tombs, but as
vaults designed to protect knowledge from extinction?
Intriguingly, Coptic and Hermetic traditions also
attribute the pyramids to HermesTrismegistus, known as Thoth to

(02:15:40):
Egyptians or Enoch in other ancient texts.
Arab scholars explicitly. Equated King Surid.
With Hermes stating he built thepyramids after prophetic dreams
warning him of the coming disaster, intentionally hiding
invaluable knowledge within them.
According to these ancient accounts, King Surid left
inscriptions within the pyramids, challenging future

(02:16:01):
generations. I have built these pyramids and
finished them in 61 years. To destroy is easier than to
build. I have clothed them in silk.
Let him who comes after try to cover them with mats.
Remarkably, some medieval. Arab texts.
Even describe the pyramids as guarded by mystical statues
imbued with supernatural power meant to prevent unworthy

(02:16:23):
intruders from accessing sacred knowledge.
So what if the Egyptians we recognize historically weren't
the creators, but the inheritorsof the pyramids?
Could these magnificent monuments be the last standing
legacy of an ancient, advanced civilization wiped out by a
global cataclysm, as legends from countless cultures insist?

(02:16:45):
As evidence continues to surface, mainstream narratives
are crumbling. Perhaps the true builders of the
Great Pyramid and their advanced, forgotten civilization
are waiting for us to uncover the real story hidden just
beneath the sands of Giza. To the ancient Egyptians, the

(02:17:28):
sky was a map. A living, breathing Kingdom
where the gods resided, where the dead travelled, and where
the great cycles of existence played out in eternity to the
Egyptians. Orion was a God.
A king and a doorway to the afterlife.
They called him Osiris. Osiris the God.

(02:17:52):
Of resurrection was not. Just symbolically linked to the
constellation Orion. He was Orion in Egyptian texts.
His soul was said to dwell amongits stars, ruling over the duet,
the invisible realm where the dead journeyed after death.
The Pharaoh was not just a rulerof men, he was the living Horus.

(02:18:12):
And in death he would become Osiris, joining Orion in the
sky. But why Orion?
Why not the? Sun or the moon or another
celestial body? The answer lies in a cycle as
old as time itself. Every year, Orion disappears
from the night sky for 70 days before rising again, reborn in

(02:18:35):
the east. To the Egyptians, this was not
just an. Astronomical.
Event It was a ritual, a cosmic drama playing out in the
heavens. 70 days, the exact length of time the dead were
embalmed before burial. The same period Osiris was said
to have remained in the underworld before rising again.
And for the Pharaohs, this was their destiny.

(02:18:59):
The Pyramid Texts, the oldest known religious writings in the
world, speak of the Pharaoh's journey to Orion.
They describe the King's soul rising as a star merging with
Osiris in the sky. One passage declares You are
seated upon your throne beside Osiris.

(02:19:33):
For thousands of years, the Great Pyramids of Giza.
Have stood as a testament. The scale, the precision, their
purpose. Egyptologists tell us they were
tombs, but no mummy has ever been found inside the pyramids.
Not one in 1983. Engineer, Robert.
Beauvalle noticed something strange.

(02:19:53):
The layout of the three Great Pyramids didn't form a perfect
line. One of them, Menkauer's pyramid,
was slightly offset. At first this seemed like an
imperfection, but then Beauval looked to the sky.
There in the heart of the. Orion constellation.
He saw the same pattern, the three stars of Orion's Belt and

(02:20:16):
one of them, Mintaka, slightly misaligned, just like the
pyramids below. This was no accident.
The pyramids were not built at random.
Their placement was mirroring something above the stars of
Orion's Belt, frozen in stone. But the alignments didn't stop
there. The Great Pyramid's southern

(02:20:36):
shaft, one of the only direct openings in the structure,
points precisely to Orion, as ifdesigned to send the soul of the
pharaoh back to the gods, back to Orion, back to Osiris.
The Great Pyramid has four such shafts, two extending from the
King's Chamber and two from the Queen's Chamber.

(02:20:57):
The most famous of these is the southern shaft of the King's
Chamber, which at the time of the pyramid's construction was
precisely aligned with Orion's Belt.
In 2450 BC, this shaft pointed directly to Alnatak, the
brightest and lowest star in Orion's Belt.
Some researchers believe the pyramid was not just a religious

(02:21:18):
monument, but a highly advanced structure designed to interact
with energy fields, possibly even a device meant to
facilitate communication or travel between Earth and Orion.
The Great Pyramid has been foundto contain unusual
electromagnetic properties, withsome researchers suggesting it
may have once functioned as a resonance chamber.
If the pharaoh was meant to return to the gods, perhaps

(02:21:41):
Orion was more than just a symbolic destination.
Egypt is not the only place where Orion's fingerprint
appears. Half a world away in Mexico, the
ancient city of Teotihuacan mirrors the exact same
alignment. The Pyramids of the Sun the.
Moon and. Quetzalcoatl.
Just like Giza. One of them is slightly offset,

(02:22:03):
matching the deviation of Orion's belt.
The same pattern, the same design, 2 cultures separated by
thousands of miles. Seeing the same thing, building
the same structures. But why?
And it doesn't stop there. In the deserts of southern
Egypt, long before the rise of the Pharaohs, an ancient stone

(02:22:26):
circle called Nabta Playa was built to align with Orion, some
of the oldest astronomical markers in the world, placed
there before even the pyramids existed.
Why did this pattern persist? Why did civilizations across
time and space all return to Orion?
Was it simply a guiding star, a sacred symbol?

(02:22:49):
Or was it something more? A memory carried across ages?
A message written in stone? According to the medieval

(02:23:26):
historian Almasudi. Centuries before the Great
Flood, King Surid had a terrifying vision.
In his dream, Surid witnessed the earth overturning.
Mountains crumbled, the ground heaved, and terrified people
fled in all directions. In the sky, the stars fell from
their places, colliding with a deafening crash.

(02:23:49):
The world, it seemed, was unraveling before his eyes,
frightened but silent. Surid kept the vision to
himself. But in time, his priests came to
him with a warning of their own.The world would one day be
destroyed, first by fire and then by flood, convinced that a
cataclysm was. Inevitable.

(02:24:11):
Surid ordered the construction of the pyramids, massive
monuments designed not as tombs but as repositories of
knowledge, built to outlast the fire, the flood, and the
destruction of civilization itself, Surid's priests
inscribed. The Pyramid's.
Walls with hieroglyphs containing the entirety of their

(02:24:32):
scientific knowledge, astronomy,mathematics, medicine, and the
forgotten secrets of the ancientworld, preserved for whoever
might survive the coming disaster.
According to tradition, Surid was more.
Than a king. He was the legendary Hermes
Trismegistus, known to the Hebrews as Enoch and to the

(02:24:52):
Islamic tradition as the prophetIdris.
He was believed to be the first to contemplate the mysteries of
the heavens, to study the movement of the stars and to
unlock the hidden sciences that governed creation.
Hermes like Surid. Foresaw a.
Great Cataclysm. A.
Celestial upheaval that would consume the earth in either fire

(02:25:15):
or water, fearing the loss of humanity's.
Hard won knowledge. He recorded everything, the
sciences, the arts, the secrets of the soul within the pyramids
themselves. Some say the great Pyramids
original walls were inscribed with these teachings, carved in
complex hieroglyphs to safeguardthis wisdom from destruction.

(02:25:39):
Others believe the true secrets were encoded.
Not in. Writing, but within the pyramids
architecture itself, hidden in its geometry, dimensions and
alignment with the stars. The King's Chamber within the
Great. Pyramid.
Mirrors the exact dimensions of the Holy of Holies in Solomon's
Temple, the sacred space that once held the Ark of the

(02:26:00):
Covenant, even the granite coffer in the King's.
Chamber matches. The exact dimensions of the Ark
itself. Ancient.
Esoteric. Traditions speak of the great.
Pyramid as a kind of cosmic energy generator, a structure
designed to channel and amplify divine energy.
When it was first constructed, the.

(02:26:21):
Pyramid's capstone. A gleaming crystal and gold
structure was said to house a powerful relic, the original Arc
of the Covenant, brought from the lost civilization of
Atlantis. This arc, described as an object
of incredible voltage, radiated cosmic energy so powerful that

(02:26:41):
only the purest initiates could survive its presence.
Those unprepared risked physical.
Injury. Or even death.
For this reason, the archives, priestly guardians of this power
underwent years of training to harmonize their bodies with its
energy. The Ark the.

(02:27:02):
Pyramids, geometry, and the mysterious.
Coffer in the King's Chamber were all part of this ancient
system designed to connect the pyramid structure with cosmic
energy descending from above. Could this system be what Enoch
or SERID was trying to? Preserve.
A sacred science that harnessed divine energy capable of

(02:27:26):
transforming consciousness and unlocking the hidden potential
of the human body. The Hebrew word ark.

(02:27:52):
Aaron. Literally means a chest or box
and the dimensions of the biblical arc 2.5 cubits by 1.5
cubits by 1.5 cubits, roughly 45by 27 by 27 inches precisely
match the stone chest or granitecoffer inside the King's Chamber
of the Great Pyramid. This chest was the sole object

(02:28:13):
within that sacred chamber, justas the Ark of the Covenant was
the single sacred object placed within the Holy of Holies in
Solomon's Temple. Even more astonishing, the inner
chamber dimensions of the Holy of Holies itself match exactly
those of the King's chamber, andboth of these sacred spaces
share identical measurements with the molten sea of water

(02:28:34):
described on the Temple Mount prepared by King Solomon.
Yet we know the pyramid was built and sealed centuries
before Solomon or even Moses, making this correspondence an
impossible coincidence unless guided by profound ancient
knowledge or even higher intelligence.
The Great Pyramid was no mere tomb.

(02:28:55):
According to esoteric teachings,it functioned as a highly
advanced initiatory chamber, channeling cosmic energies and
transformative frequencies into its core.
The initiate would lie within the granite sarcophagus at the
moment of initiation, absorbing powerful cosmic rays
concentrated through a crystalline capstone which was

(02:29:15):
itself said to contain an original arc, possibly brought
from the lost civilization of Atlantis.
Ancient texts describe this capstone as gold and crystal,
channelling energy so powerful they could only be withstood by
initiates who had undergone extensive spiritual
purification. Those unprepared could suffer

(02:29:37):
severe physical harm or even death from the intense radiation
this arc like device placed. Within the pyramid's.
Capstone wasn't simply symbolic,it was technological, capable of
holding and amplifying immense energies.
The crystalline and metallic compounds forming the arc,
including a silver like metal and pure living gold, could

(02:29:59):
store energies spanning 7 octaves ranging from earthly
electric currents to the highestspiritual frequencies.
To handle these extraordinary energies, special priests known
as Archites or Batas, wore protective garments and had
trained their bodies and minds to resonate harmoniously with
the Ark's immense frequencies. Their bodies became living

(02:30:21):
conduits of cosmic power. So potent was their aura that
ordinary people could be severely harmed just by physical
contact, as if touching the Ark itself.
Yet this powerful energy was notself-sustaining.
The Ark required constant replenishing of its cosmic
charge, and this incredible responsibility fell upon these

(02:30:42):
elite initiates. Only the highest priests,
capable of emanating immense spiritual voltage could recharge
the Ark and maintain its powerful, life altering energy.
These clues strongly suggest that the Great Pyramid, the Ark,
and ancient initiation rites were intimately connected, built

(02:31:04):
by a civilization with knowledgefar beyond our own.
This civilization's knowledge survived the flood encoded
within the pyramid itself, waiting for humanity to
rediscover it. Beneath the sands of Giza lies

(02:31:36):
more than limestone. And dust.
The tunnels, the chambers. They speak of something older
than dynasties, older than recorded history itself,
something built not for the deadbut for the living.
A warning, or perhaps a key. King Surid's vision wasn't just
a. Prophecy of Fire.

(02:31:56):
And flood. It was a blueprint, a message
preserved in geometry and stone,designed to survive the fall of
civilizations. But what if that message was
never? Meant for us to simply.
Understand. But to use the Ark of the
Covenant, a relic crackling withunknown energy, mirrors the very

(02:32:17):
dimensions of the granite cofferin the Great Pyramids.
King's Chamber. A coincidence or a convergence?
2 objects separated by cultures and centuries, yet designed to
channel the same force, energy, power, consciousness.
Whatever Surid saw, whatever drove him to raise monuments of

(02:32:40):
impossible precision, he knew itwas coming.
Not just fire or flood, but something far greater.
Something cosmic, a force that could awaken, reshape, or
consume. Perhaps the pyramids weren't
just warnings. Perhaps they were defenses or
even gateways. The deeper we dig, the more

(02:33:01):
questions we unearth, and one thing becomes clear.
The Great Pyramid was never meant to stand in isolation.
It's part of something larger, aglobal puzzle that stretches
across continents tied to star maps and mythologies, a system
designed to harness something far older than Egypt itself.

(02:33:21):
Surid's message wasn't just a. Warning to the ancients.
It may have been a warning meantfor us.
The sands have shifted, the seals are breaking, and whatever
weights beneath the stones of Giza may hold the final piece of
a puzzle we've only just begun to understand.
The question is no longer what the Great Pyramid was, but why

(02:33:42):
now? Why after thousands of.
Years is this knowledge. Resurfacing.
Perhaps the past isn't finished with us yet.
Some stories. Survive the ages they are.
Told and retold, reshaped for new generations, rebranded for
new religions. They become legend, then

(02:34:02):
scripture, then law. But behind every great myth
there is an older version, a forgotten thread woven into the
fabric of history, buried beneath centuries of
translation, suppression and control.
The Garden of Eden. A Paradise A.
Tree of Knowledge, a forbidden truth, and a serpent.

(02:34:26):
We were told the serpent was thevillain, but the oldest records
tell a different story. They speak of a being not of
deception, but of wisdom. A being who defied the laws of
heaven to uplift mankind. So why does his story sound so
familiar? Why does it echo in the tale of
Lucifer, the Lightbringer cast down for defiance?

(02:34:48):
Why does it mirror the words of Jesus who preached a hidden
Kingdom 1 not of temples and laws, but of knowledge?
What if these figures were neverseparate?
Lucifer and Jesus are part of the same story.
A story rewritten over millennia.
This is the story. Of the first rebel.

(02:35:08):
The bringer of knowledge. The God who broke the rules to
set humanity free. In every ancient tradition there
is a figure who. Defies authority, a being who

(02:35:28):
chooses to rebel not out of malice, but out of something far
more dangerous. Compassion.
In Sumerian myth it was. Enki, the God of.
Wisdom, who betrayed the SupremeDeity to give humanity,
knowledge and civilization. In Christian tradition, it was
Lucifer, the light bringer, who refused to kneel, choosing

(02:35:51):
instead to gift enlightenment tomankind.
And in the New Testament, it wasJesus, the man who defied
religious law, condemned the powerful, and preached a gospel
of self realization. The people were dying, poisoned

(02:36:12):
by divine. Judgement, but salvation came.
In the form. Of the serpent cast in bronze.
And raised on a. Pole by Moses.
Anyone who looked upon it was healed.
Centuries later, another man would.
Be lifted up in the same. Way, just as Moses.

(02:36:34):
Lifted up the. Serpent in the wilderness.
So must the Son of Man be liftedup.
Why would Jesus compare? Himself to the serpent.
The symbol of rebellion, the symbol of forbidden knowledge,
the symbol of Enki. Some of the oldest texts we have

(02:37:17):
from Sumeria. Dating back over 4000 years,
describe Enki as the one who gifted humanity with forbidden
knowledge. Not just survival, not just
tools, but something more civilization itself, Writing,
mathematics, agriculture, medicine, everything that made
humans more than just animals inSumerian tradition.

(02:37:40):
Knowledge was. Sacred.
It was power, and it was kept hidden in something called the
Me, a set of divine decrees thatcontrolled the very fabric of
civilization. These Me contain the secrets of
the gods, and Enki, against all law, gave them away.
He let humanity steal. Fire from heaven.

(02:38:03):
He let them eat from the tree ofknowledge.
He let them become something greater.
The Bible tells us that a serpent.
Tempted mankind in. Eden leading them to forbidden
knowledge. But in the Sumerian myths that
came first. That role belongs to Enki.
His messenger was a being named Ningish Zita, a God also

(02:38:25):
represented as a serpent. In some versions it is Ningish
Zita who guards the Tree of Life, and in others it is Enki
himself who takes the role of the serpent, whispering
knowledge to those willing to listen.
Even the name Enki carries meaning.
N means Lord, Ki means earth. He was not just the God of the

(02:38:47):
earth, he was the keeper of the Abzu, the deep primordial
waters. A being that moves through the
depths, hidden from sight, waiting in the shadows.
A serpent. In Greek mythology, we find the

(02:39:10):
story of the Titan. Prometheus.
In the time before civilization,the gods ruled absolutely.
Humanity was weak, left in darkness, helpless, dependent on
the will of the Olympians. Zeus, the king of the gods,
decreed that mankind must remainignorant, but one among them
disagreed. Prometheus saw the potential in

(02:39:33):
mankind. He saw what the gods feared,
that with knowledge humans wouldrise beyond their chains.
And so he did the unthinkable. He stole fire from the heavens
and gave. It to humanity.
And with it, he gave them power.The power to create, to think,

(02:39:54):
to challenge the gods themselves.
Zeus was not amused. The gods do not tolerate
rebellion. Prometheus was sentenced to an
eternal punishment. He was chained to a rock, his
body exposed to the elements, his crime never forgotten.
And each day an eagle was sent to devour his liver, only for it

(02:40:16):
to regrow so that his torment would never end.
This was a warning. A.
Message to all who would challenge the gods.
Knowledge has a price, and the bringers of knowledge must pay
it in blood. In Hesiod's Theogony.

(02:40:44):
In Aeschylus's Prometheus. Bound The story of Prometheus is
clear. He was a benefactor of mankind,
a Titan who defied Zeus to granthumans fire, the very force that
would elevate them beyond their primitive state.
Fire, in this context, is more than mere flame.
It is a symbol of knowledge, civilization, and

(02:41:05):
transformation. It represents the power to
create, to build, to question. But for this crime, Prometheus
was condemned to eternal torment, chained to a desolate
mountain where each day an eaglewould consume his liver, only
for it to regenerate by nightfall.
His suffering was not just retribution, it was a warning, a

(02:41:28):
message from the gods that knowledge has a price.
This theme is not unique to. Greek mythology.
In the Sumerian Eridu Genesis and the Babylonian Atrehasis
epic, Enki plays an eerily similar role.
As the God of wisdom and freshwater, he possessed the ME
sacred decrees that held the keys to civilization.

(02:41:51):
These divine laws were not meantfor humankind.
And yet Enki, like Prometheus, saw potential where the ruling
gods saw only disorder. He gave humans the knowledge to
write, to build, to think for themselves.
In doing so, he defied his brother Enlil, the supreme God
who sought to keep humanity in subjugation.

(02:42:12):
And just as Prometheus defiance led to his punishment, Enki's
actions made him a figure of contention, a God whose loyalty
to humanity placed him at odds with his divine kin.
The parallels do not end there. In both the Sumerian and
judeo-christian traditions, there exists a sacred garden, a
place where a divine authority forbids humanity from accessing

(02:42:33):
knowledge. In Eden, it is the tree of
knowledge, guarded by divine decree.
In summer, it is Enki's sacred garden, where the ME were
stored. And in both stories, a being
emerges to bridge the gap between the divine and the
mortal. A serpent, the serpent of Eden

(02:42:54):
has. Long been vilified.
In Christian theology as the tempter, the deceiver, the
embodiment of sin. But in the oldest traditions the
serpent was not a symbol of corruption, it was a symbol of
wisdom. Enki, the serpent deity Ningush,
Zita, and the knowledge bearing Snake of Eden are not separate

(02:43:15):
entities. They are iterations of the same
archetype, a being that grants enlightenment at great personal
cost. The biblical text itself
contains a contradiction. In Genesis, the serpent offers
knowledge and is cursed. Yet in John 314, Jesus himself
is compared to the serpent that Moses lifted in the wilderness,

(02:43:36):
an image of salvation, not damnation.
If the serpent and the giver of knowledge are one and the same,
then what does this tell us about Prometheus?
He is not explicitly depicted asa serpent in Greek myth, but his
role mirrors that of Enki, Lucifer, and the Serpent of
Eden. Like them, he defies divine

(02:43:57):
authority. Like them, he grants forbidden
knowledge, and like them he suffers for his crime.
Even in ancient Greece, serpentswere deeply connected to wisdom
and hidden knowledge. The Python of Delphi guarded the
most sacred prophecies of Apollo's temple.
The staff of Hermes the. Caducius.
Entwined by twin serpents becamea symbol of healing and divine

(02:44:21):
secrets. The cult of Asclepius.
God of medicine. Venerated the serpent as a
bringer of transformation. Fire and serpents share the same
symbolic weight. Both are forces of change,
feared by those who seek control, revered by those who
seek enlightenment. Prometheus Fire.

(02:44:42):
Was never just fire. It was illumination.
It was the ability to break freefrom the confines of ignorance.
It was the same force that Enki offered humanity, the same force
that the serpent revealed in Eden, The same force that
Lucifer, the light bringer, was cast down for bringing to
mankind. So why does every ancient

(02:45:04):
culture. Tell this story.
Why do the gods fear knowledge? Why must the fire bringer, the
serpent, the light bearer, always suffer?
Perhaps the answer is simple. Perhaps the gods were never gods
at all. Perhaps they were rulers afraid
of losing control. Contrary to what some might

(02:45:41):
believe, there was never. A group of people who called
themselves Gnostics. The term Gnosticism was applied
centuries later by scholars seeking to categorize a broad
and diverse set of spiritual traditions that emerged
alongside early Christianity. These groups did not see
themselves as part of a single movement.

(02:46:01):
They were Mystics, philosophers,teachers scattered across the
Roman Empire from Egypt to Syria, from Judea to Greece.
Their only common thread A belief that salvation was not.
Granted through blind. Faith, but through knowledge.
Gnosis, a direct personal understanding of divine truth

(02:46:24):
for centuries. Our understanding of.
Early Christianity came from a single perspective, the Orthodox
Church. But that perspective had
competitors and in 1945 a discovery in Upper Egypt changed
everything. A collection of 13 leather bound
cottises containing. Over 50 ancient texts, These

(02:46:44):
manuscripts, written in Coptic, revealed an entirely lost
dimension of early Christianity,one that had been buried for
nearly 1600 years. The Nag Hamadi Library contained
texts that had been declared heretical by the early church,
offering an alternative vision of Jesus creation and the nature

(02:47:06):
of God. Among them was the Gospel of
Thomas, a collection of 114 secret sayings of Jesus focusing
on self knowledge and enlightenment rather than
salvation through faith. The Gospel of Philip explored
mystical sacraments and taught that divine knowledge, not
obedience, leads to salvation, the Gospel of truth.

(02:47:29):
Described the material. World as an illusion, portraying
Jesus as a bringer of hidden wisdom.
The Apocryphon of John. Presented a Gnostic.
Creation myth revealing y'all deBath, the false God Demiurge and
Sophia the Divine Mother. The Gospel of Mary elevated Mary

(02:47:50):
Magdalene as Jesus closest disciple, challenging the male
dominated church. The Gospel of Judas shocked
scholars by portraying Judas notas a betrayer, but as the only
disciple who understood Jesus true mission.
Lastly, the Pistus Sophia delvedinto heavenly realms and the

(02:48:10):
soul's journey to enlightenment,revealing esoteric teachings
about divine wisdom. These texts, long buried and
condemned as heresy, offer a lost perspective on Jesus and
the nature of existence, one that the early Church sought to
erase. In mainstream Christianity,

(02:48:40):
Jesus and. Lucifer stand in absolute
opposition. 1 is savior, the other is Deceiver.
But in the Gnostic texts the distinction is not so clear.
Both figures rebel against the demiurge.
Both offer enlightenment, both suffer for the knowledge they
give, Jesus said to Judas. You will exceed all of.
Them, for you will sacrifice theman that clothes me.

(02:49:05):
In the Gospel of Judas, Jesus does not condemn Judas for his
betrayal. Instead, he reveals that the
physical world is a prison and that death is not an end, but an
escape. This is not the Jesus of the
church. This is a Jesus who speaks like
a serpent, like a Prometheus, like a rebel God bringing

(02:49:25):
forbidden truth. What if these figures were never
meant to be separate? What if Jesus, Lucifer and Enki
represent the same force, the bringer of wisdom, the Liberator
of minds, the one who defies thefalse gods to reveal the hidden
truth? And if that is true, then what

(02:49:46):
else has been hidden from us? Pilate looked at the man before
him, beaten. Silent, yet standing with an
unshaken presence, he studied him for a moment, then asked,

(02:50:10):
Are you the King of the Jews? The man Jesus of Nazareth did
not answer right away. Instead, he looked at Pilate and
said, Sayest thou this thing of thyself, or did others tell it
thee of me? Pilate exhaled sharply, shaking
his head. Am IA Jew.
Your own people. Your chief priests have handed

(02:50:32):
you over to me. They want me to have you
executed. What have you done?
Jesus did not flinch. His voice was steady,
deliberate. My Kingdom is not of this world.
If it were, my servants would fight to prevent me from being
delivered into their hands. But my Kingdom is not from here.

(02:50:53):
Pilot narrowed his eyes. So he does claim a Kingdom?
He thought. So Then you are a king?
Jesus held his gaze. You say that I am a king, But it
is for this reason that I was born.
And it is for this reason that Icame into the world to bear
witness to the truth. Every man who hears the truth

(02:51:14):
hears my voice. Pilate let out a small laugh.
Whether out of? Amusement or frustration, even
he did not know truth, he muttered.
What is truth? The most radical idea in Gnostic
belief was that. The God of the Old Testament,

(02:51:35):
the one who demanded obedience, who forbade knowledge, who
unleashed plagues and floods, was not the true God at all.
They called him Yaldabauth, the Demiurge, a false God, a being
who masqueraded as the Creator but was in reality a tyrant.
To them, the serpent in Eden wasnot the enemy of humanity, but

(02:51:57):
its Liberator. In this version of the story,
the true God, the source of all being, existed beyond this
world, beyond material reality. But the Demiurge, a lesser and
flawed being, created a false world, a prison of flesh and
illusion. He demanded worship, obedience,

(02:52:18):
servitude, and to keep humanity from discovering its own divine
nature. He forbade knowledge.
The serpent did not deceive. Eve He.
Awakened her, just as Prometheusawakened humanity with fire,
just as Enki defied the gods to give mankind wisdom, just as
Jesus in the Gnostic tradition came not to be worshipped but to

(02:52:41):
set humanity free from a false gods control.
Mainstream Christianity tells usthat faith alone leads to
salvation, But the Gnostics taught something very different.
To them, salvation was not a reward for obedience, but a
realization, an awakening to thehidden truth of reality.
And that truth was not found in.Scripture or religious?

(02:53:02):
Law, but within Jesus said if. Those who lead you say to.
You look, the Kingdom is in the sky, then the birds will get
there before you. If they say it is in the sea,
then the fish will get there first.
But the Kingdom of God is withinyou and it is outside of you.

(02:53:25):
When you know yourselves, then you will be known.
This was a dangerous idea, A Godthat did not demand worship, a
divine Kingdom that existed not in the heavens but within.
This was not the message of an institutionalized religion.
It was a threat to its very existence.
And so these teachings. Were declared heresy.

(02:53:47):
The Gnostic gospels were destroyed, their followers
branded as enemies of the faith.What survived of their beliefs
was rewritten by their opponents, fragments twisted
into warnings against false prophets and dangerous ideas.

(02:54:07):
For as long as humans have mapped the stars, they've told.
Stories Aries the Ram, Scorpio the scorpion, Leo the Lion.
But then there's one different from the rest.
A man not a warrior, not a hunter.
A man holding a serpent. Ophiuchus the forgotten sign

(02:54:28):
they. Say he was.
Asclepius, the God of medicine, a healer who learned the secrets
of life and death by watching a serpent bring another back to
life. Some say he was Imhotep, the
deified priest, physician of Egypt, keeper of knowledge, too
great for his time. But the symbol is older than
either of them. A divine figure holding a

(02:54:51):
serpent, not as an enemy, not asa threat, but as something to be
understood. The ancient world knew another
figure like this, a God who shaped humanity, who gave them
knowledge, who defied the othersto protect them.
His name was Enki. He was the one who.

(02:55:14):
Warned them of the flood, the one who bent the rules of
creation itself to give them something greater he is
surrounded by. Flowing water and twisting.
Serpents. His wisdom set him apart from
the other gods, and that wisdom made him dangerous.
The serpent is always the same. The one that spoke to Eve,

(02:55:37):
revealing a truth she was never meant to know.
The one the Ophytes worshipped. The symbol appears again and
again, and high above Ophiuchus still stands, holding the
serpent in his hands. The Ophytes were a.
Mystical Christian sect from. The 2nd century AD active in

(02:55:59):
Egypt, Syria and the Roman world.
They were named after the Greek word Ophis, Ophis meaning
serpent. Because they revered.
The Serpent of Eden as a symbol of wisdom, not evil.
Their teachings were part of thebroader Gnostic movement, but
they were distinct in their radical rejection of Yahweh, the

(02:56:20):
Old Testament God, and their direct worship of the serpent as
a Liberator. The Ophides left behind no
direct writings. Everything we know about them
comes from their enemies, Christian herisiologists like
Irenaeus, Origen, Hippolytus, and Epiphanius, who wrote about
them to condemn them as heretics.

(02:56:41):
These sources are hostile, but they provide detailed accounts
of ophyte beliefs, many of whichmatch Gnostic texts like the
Apocryphon of John, the Gospel of Judas, and the Pistus Sophia.
The serpent did not bring death,he brought liberation.

(02:57:01):
He spoke the truth while the Godof Moses lied the fruit.
Of. Knowledge is the key to the
prison of matter. The Ophytes had a complex
cosmology describing multiple layers of heaven controlled by
Archons, rulers who acted as theDemiurge's enforcers.

(02:57:23):
They depicted this in a mysticaldiagram described by origin,
where souls must pass through 7 gates, each ruled by a hostile
Archon, before reaching the truedivine light.
The serpent Jesus provided the secret knowledge to bypass
these. Rulers.
And escape back to the Pluroma, the true divine realm according

(02:57:47):
to Hippolytus the Ohydis. Kept live.
Serpents in their rituals and allowed them to crawl over their
sacred bread as a form of blessing.
They saw the serpent as a physical representation of the
divine Christ, a living symbol of wisdom and transcendence.
This horrified early church fathers who considered it

(02:58:07):
idolatry and demonic worship. The Ohydis performed a version
of. The Eucharist.
But unlike mainstream Christianity, they did not
believe Jesus death was a sacrifice to Yahweh.
Instead they. Saw it as a victory.
Over the demiurge, a reminder that Jesus had transcended the

(02:58:28):
material world. They rejected the cross as a
symbol of suffering, instead focusing on Jesus secret
teachings of self realization. The most detailed Gnostic
creation myth comes. From the Apocryphon of John, a

(02:58:48):
text found in the Nag Hamadi library, discovered in 1945.
This text provides an alternative.
Genesis. Narrative completely
reinterpreting the roles of God,the serpent, Adam and Eve.
There was a boundless eternal source, the invisible Spirit,
the true God. He existed before all things,

(02:59:11):
dwelling in silence and pure light beyond human
comprehension. He was not a God of judgement,
nor of wrath, but of perfect thought, perfect love and
perfect knowledge. From Him emanated the 1st.
Power Barbailo. The Great Mother, the first
thought. She was the reflection of the

(02:59:32):
true God, the womb of all creation.
From her came divine beings, realms of light, and a multitude
of perfect eternal spirits. In this realm, there was no
pain. No.
Suffering and no division. All things existed in Unity.
As. Part of the eternal Pluroma, the

(02:59:53):
Fullness. But among these emanations a
flaw arose. One of the divine beings, Sophia
Wisdom, desired to create something of her own without the
consent of the True Source in secret.
She gave birth to. A being.
But because he was created imperfectly, without divine

(03:00:15):
harmony, he was twisted, incomplete.
His form was monstrous, his power great but wild.
His name was Yaldabauth. Some texts also call him Soklas.
Meaning. The fool or Samael, meaning the
blind God seeing his own strength.
Yaldabauth did. Not recognize his mother, he did

(03:00:37):
not know he was born from a greater.
Power. He declared himself the only
God, believing he alone had the power of creation.
He gathered lesser beings, the Archons, and fashioned a false
heaven, a false world, a copy ofthe divine realms but without
its light, a realm of illusion and matter.

(03:00:59):
He set himself upon a throne andproclaimed I am God and there is
no other but. He was blind, for he did not
know the. Truth, Yaldebayoth and his
Archons. Wanted to create.
Servants from the dust of his false world, he.
Shaped. The first man Adam.

(03:01:19):
But the body was lifeless. He could not animate it.
The Archons could not create a true soul.
Wanting to keep Adam imprisoned,the Archons placed him in a
Garden Eden. They surrounded him with
pleasures and distractions so hewould never seek the divine
knowledge within himself they forbade him from eating from.

(03:01:43):
The tree of Knowledge. For they knew that if he
understood his true power, he would no longer serve them.
But Sophia still watching. Over her creation.
Sent a messenger, the serpent. The serpent was not a deceiver.
Not an enemy of. Humanity, but a guide, a

(03:02:04):
Liberator, he whispered to Eve. Eat from the.
Tree and your eyes will be opened.
You will not die. You will become like the gods.
Eve ate and her eyes were opened.
She gave the fruit to Adam, and he saw the world as it truly

(03:02:25):
was, a prison, not a paradise, but a deception built to keep
them blind to their own divinity.
Yeldebauth, enraged, cursed them.
You will toil, you will suffer, you will die.
And he cast them out. But the true God did not abandon
them, for within them remained aspark, a light from the Pluroma.

(03:02:48):
Hidden, but never. Lost Sophia in sorrow cried out,
and an answer. A fragment of the divine light
was sent into Adam, giving him life.
And in that moment Adam became greater than Yeldebauth, for
within him burned something the false God could not control.
The Archons saw this and acted. They cast Adam into

(03:03:11):
forgetfulness, drowning him in ignorance so he would never
remember what he was. And so Yaldabauth and his
Archons ruled the material world, shaping religions, laws,
and systems of control, not to save humanity, but to keep it
from ever seeking the truth. If you bring forth what is

(03:03:32):
within you, what you have will save you.
If you do not bring forth what is within you, what you do not
bring forth will destroy you. But truth is not so easily.
Buried. The divine spark, once awakened,
cannot be extinguished, and there were always those who
remembered, those who carried the secret knowledge, the

(03:03:54):
gnosis, that the world was a lieand that the light within them
was eternal. The true God did not send
prophets of law and obedience. He sent teachers, messengers, to
awaken those who were ready. And the greatest of them was
Jesus. Not sent by Yaldabauth, not here

(03:04:15):
to demand worship, but to revealthe prison, to remind humanity
that the Kingdom of God was never in temples or heavens, but
within. This is the.
Genesis, you were never. Meant to hear.
A story where the God of the Bible is not the creator, but
the deceiver. A story where the serpent is not

(03:04:36):
the enemy, but the Liberator. A story where humanity was never
fallen, only imprisoned. And so the Gnostic texts were

(03:05:01):
outlawed. Their followers persecuted.
The Jesus of the Gnostics, the teacher, the rebel, the bringer
of wisdom, was erased. In his place they built a new
Jesus, one who obeyed, one who suffered, one who taught people
to submit to the same God who had once forbidden knowledge.
The message was inverted. The Liberator became the

(03:05:23):
sacrifice. The prison became the Kingdom,
and the true divine spark, the one that could never be
controlled, was buried beneath doctrine, fear, and obedience.
But truth is not so easily erased.
The old stories still linger in whispers, in lost texts, in
symbols carved into the sky. Ophiocus still stands, holding

(03:05:48):
the serpent, a forgotten sign for a forgotten truth, waiting
for those who are ready to see. The.

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The Anunnaki Connection - Volume 7 - Full Season - 3 HOURS

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}The Anunnaki Connection - Volume 7 - Full Season - 3 HOURS