THE ANUNNAKI CONNECTION – VOLUME 8 - DNA • SERPENT GATES • CELESTIAL MACHINES - The Anunnaki Connection

Episode Transcript
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(00:15):
Our oldest myths say humanity did not appear alone.
Genomics now shows an abrupt cognitive leap we can't fully
model. Tonight, we test whether those
two statements describe the sameevent.
We'll start with the possible genetic intervention.
Track how a Sumerian gatekeeper of the sky fits that picture.

(00:36):
Examine the economics of blood rituals.
Cross check an African star chart that shouldn't exist,
probe fresh seismic data from the moon and finish inside a
restricted dig zone West of Baghdad.
Join us as we follow the evidence, weigh the
contradictions, and revisit everything we thought we knew
about our beginnings. This is the Anunnaki connection.

(01:19):
Human DNA contains thousands of genetic sequences whose origins
scientists cannot trace. These unexplained genetic
segments do not exist in any other known primates, and no
natural evolutionary mechanism adequately accounts for them.
Approximately 300,000 years ago,Homo sapiens emerged abruptly in
the fossil record with unusuallyrapid brain growth.

(01:42):
Evolutionary biologists still cannot fully explain why or how
our brains evolved so quickly compared to other species.
Human chromosome 2 shows clear evidence of intentional fusion.
It appears precisely fused from 2 separate primate chromosomes,
a phenomenon not naturally observed anywhere else in
nature. The earliest human civilizations

(02:03):
universally depict beings descending from the stars.
These depictions frequently include figures wearing what
look like wristwatches, helmets,carrying tool bags, and wearing
suits resembling modern astronauts.
Ancient Sumerian texts explicitly speak of beings who
came from above, creating humanity by merging their blood
with primitive Earth creatures. Archaeologists remain puzzled by

(02:27):
the striking similarity of thesestories across different
cultures. Early humans possessed detailed
astronomical knowledge about planets invisible to the naked
eye, such as Uranus and Neptune.No conventional explanation
exists for how these ancient civilizations obtained such
knowledge. Numerous isolated cultures
across the planet share virtually identical flood myths

(02:50):
describing global catastrophes. Each legend involves mysterious
beings guiding humans to safety or assisting them in rebuilding
civilization. Thousands of prehistoric cave
paintings depict humanoid figures appearing alongside disc
shaped objects or spheres. Archaeologists acknowledge these
depictions resemble modern interpretations of

(03:12):
extraterrestrial craft. The sudden leap from simple
hunter gatherers to complex civilization occurred rapidly
within a few centuries with no clear developmental stages.
Scholars find no definitive explanation for this rapid
societal evolution. According to some researchers,

(03:41):
the creation of Homo sapiens wasnot a slow trickle through the
eons, but a sharp, deliberate incision in Earth's evolutionary
timeline. The Sumerian tablets were not
myths but records, and they described something
extraordinary. In the epic known as Atrahasis.
The lesser gods, the Igigi, are overworked.

(04:03):
They dig mine and toil until they revolt.
The solution? A new kind of being, a hybrid, a
worker. Enki, the scientist, Ninhersag
the bioengineer. Together they propose creating
the Lulu Amelu, the mixed worker, not born but assembled.

(04:24):
Some scholars have interpreted the phrase used in these
tablets. They mix the blood of the gods
with the essence of the beast, not metaphorically, but
literally. The essence in this reading
refers to genetic material, DNA,the spark of life.
Homo erectus, our primitive ancestor, became the base model.

(04:47):
The Anunnaki provided the upgrade.
The first prototypes were unstable, misshapen, incapable
of reproduction. The tablets speak of multiple
trials, failed attempts to fuse the divine code with earthly
clay, until finally they succeeded.
A viable model, reproductive, trainable, obedient.

(05:09):
Parallels can be drawn to Genesis in the Bible.
Let us make man in our image. Technical language, A boardroom
decision, a genetic mandate. The creation of Eve from Adam's
rib, rooted in the Sumerian story where the goddess Ninti,
whose name means Lady of the riband Lady of Life, performs A

(05:30):
surgical procedure on the prototype male.
Was this myth or documentation? The rib a symbol for genetic
extraction? A sampling for replication?
If we were engineered, the evidence wouldn't be just in
ancient texts. It would be an us in our cells,

(05:52):
in our chemistry, in the design flaws and peculiarities that
science struggles to explain. Start with the blood.
The RH negative factor, a genetic trait that appears in a
small percentage of the global population, yet has no clear
evolutionary origin. It doesn't trace neatly through

(06:12):
primate ancestry. In fact, when an RH negative
mother carries an RH positive fetus, her immune system may
attack it. Nature rarely builds in such
conflict, but a lab might. Why would evolution create a
blood type that's incompatible with its own species?
Some researchers suggest the RH negative bloodline may be a

(06:35):
remnant, A genetic footprint left behind by the Anunnaki's
own biology. Then there's our sudden
appearance in the fossil record.For millions of years, hominids
evolved slowly, cautiously. Then, almost overnight, modern
humans arrive. Language, article, Tools,
culture Not in gradual steps, but in a surge, as if a switch

(06:59):
was flipped. We suffer from chronic disease,
allergies, degenerative issues. To some, these are signs of a
body not fully optimized for this world.
A machine assembled from 2 incompatible operating systems.
Prolonged exposure to the sun damages our skin.

(07:22):
We cover ourselves, live in artificial shelters, and
manufacture synthetic protection.
Nearly every other animal on Earth is adapted to sunlight.
We are, by all biological logic,only half at home here, the
other half unaccounted for. Even our brains are suspect.
We are prone to anxiety, to addiction, to violent extremes.

(07:46):
We question our own existence. We look to the stars with
longing, not because we want to explore, but because we
remember. The Bible calls it Eden, but

(08:07):
before it was a garden it was a laboratory, and before it was a
myth, it was a memory. In ancient Mesopotamian art, we
see it again and again. The tree of life, flanked by
winged beings, sometimes guardedby serpents, always reaching
upward, its roots in clay, its crown touching the stars.

(08:29):
According to the Sumerians, thiswas not a symbol of paradise.
It was a diagram of power, of encoded knowledge, of divine
programming. And at the center of it all,
Enki. He was the keeper of the me, the
laws, the formulas, the blueprints of civilization.
According to some researchers, Enki didn't just build humanity,

(08:52):
he gave us something forbidden, the ability to evolve beyond our
intended role. The biblical story of Eden
mirrors this exactly. A man and a woman placed in a
garden, a tree of knowledge theyare told not to touch, and a
serpent offering truth. You shall not surely die.

(09:13):
Your eyes shall be opened. Some believe the serpent was
Enki, that the tree was not about fruit but about frequency,
a genetic upgrade, the spark of self-awareness.
And Yahweh, the God who banishedthem, was not the Creator, but
the enforcer, perhaps Enlil, thehalf brother of Enki and

(09:35):
enforcer of the law of the land,who saw this awakening as
treason. Because in the eyes of the
Anunnaki, we were never meant toknow.
We were engineered for obedience, and the moment we
reached for the tree of life, webecame dangerous.

(10:03):
You know, it's a scandal of which we should be thoroughly
ashamed, that prehistoric man tamed all the domestic animals
we have today. We haven't added one in the last
5000 years. It's about time we did so.
And with our present knowledge of animal psychology and
genetics, we could certainly solve the servant problem with

(10:24):
the help of the Monkey Kingdom. Of course.
Eventually our super chimpanzeeswould start forming trade unions
and we right back where we started.
There was a time, according to the old texts, when humans lived

(10:47):
for centuries. 800 years, nearly1000 years.
Adam lived 930 years, Noah 950, Methuselah 969.
But then something changed. In the book of Genesis a decree
is made cold and final. My spirit shall not abide in man

(11:10):
forever, for he is flesh. His days shall be 120 years.
Why the sudden cap? If we were hybrid beings,
engineered from both Anunnaki and earth born stock, it makes
sense. The early models lived longer,
closer to their makers. But as control tightened, as
rebellion stirred, the creators imposed limits, not just

(11:33):
physical, but temporal. A shutdown timer, A built in
expiration date. And this idea isn't unique to
the Bible. The Sumerian King List, one of
the oldest historical records onearth.
Details reigns that lasted 10s of thousands of years.
Kings who ruled for 28,800 years, 36,000, even 43,200.

(12:01):
These weren't symbolic numbers, they were remnants, echoes of a
time when life operated on a different scale.
The most complete version of theKing list was discovered in the
ancient city of Larsa, modern day Iraq, and is known as the
Weld Blundle Prism. It is currently housed at the
Ashmolean Museum in Oxford, England.

(12:24):
Other fragments of the king listhave been found at sites like
Nippur, Sipar and Uruk, suggesting it was a widely
copied and revered document. After the flood lifespans
dropped. The numbers grew smaller,
decades instead of eons. The Egyptian king list
discovered in Thebes tells the same story.

(12:46):
It includes a section of gods, demigods and spirits of the dead
who ruled Egypt in the time before time before the dynasties
of Pharaohs. Egypt was ruled by the Shem SU
Hor, the followers of Horus. Their reigns, too, spanned
thousands of years. Not dozens, thousands.

(13:08):
These weren't myths, they were memories, recorded histories of
beings who lived far longer thanhumans now do.
According to the tablets, the Anunnaki themselves could live
10s of thousands of Earth years,either due to long orbital
cycles or biology. So when they engineered us, the
earliest humans retained some ofthat longevity.

(13:31):
But over time it was taken away,cut down, restricted.
What was once an immortal frame became a disposable 1.
And the reason? Control.
Longer life spans meant deeper memory, a wider lens, a
connection to the past. But with short lives, knowledge
fades, wisdom is lost, generations forget, and the

(13:55):
experiment resets. We once walked with gods, not
for decades, but for ages, untilthey clipped our years and
severed our timeline. Now we live just long enough to
forget. Despite medical advances, clean

(14:24):
water, and global science, the maximum human lifespan has never
surpassed 120 to 125 years in any reliable record.
No one breaks it. No one even really gets close.
We don't die because we're unlucky.
We die because we're programmed to.
Some researchers point to telomeres, the protective caps

(14:47):
on the ends of our chromosomes. Every time a cell divides, these
caps shorten. When they're gone, the cell
stops functioning. It ages, it breaks down.
Our telomeres seem built for about 120 years of use after
that system failure. If we began as hybrid beings,
part Anunnaki, part terrestrial,then early humans may have

(15:09):
carried Anunnaki level longevity.
That's what we see in Genesis, Adam 930, Methuselah 969, Noah
950. But those weren't just stories,
they were early models, and early models are always closer
to the source code. As time passed, and as the gods

(15:33):
imposed limits, that code degraded.
The long years collapsed, inwardlifespans compressed, the divine
half faded. We still carry traces of that
ancient DNA, but the clock they embedded has been counting down
ever since. Modern averages prove it.
Around the world, the average human lifespan hovers between 70

(15:57):
and 80 years, but the ceiling remains the same, 115, maybe
120. No upgrades, no mutations, no
exceptions. It's as if something or someone
locked the system, hard coded the limit, and once set we've
never been able to break it. The Sumerian tree of life.

(16:34):
The branches don't sprawl. They form nodes, circuits,
connection points. Some twist like strands, some
bend like chains. It looks less like a plant and
more like a process. The figures beside it, they hold
tools. One grips a pine cone.
Symbol of life, yes, but also ofcontrol.

(16:56):
Genetic activation. The spark.
The other, a small bucket, a container of something precious,
A sample, a serum. The substance of creation.
And above it all, the winged disc, watching, hovering.
Not a God, not in the way we think.
An observer, A celestial overseer, maybe even a

(17:20):
monitoring station. Some say the two figures are
Apkalu, ancient sages, half God,half man.
Others see Enki and Ninhersag, the geneticists of the Anunnaki
project, the architects of the Lulu Amelu, the ones who took
clay and gave it blood. And the tree.

(17:41):
The tree was their record of theoperation.
What if the tree of life wasn't a metaphor?
What if it was a literal map of DNA?
The Helix, the symmetry, the twin chains, the coded spark,
the replication sequence. We see the same patterns in
Kabbalah, in Egyptian symbology,even in the pineal gland, our

(18:04):
own internal receiver. Everywhere the message repeats,
something inside us was activated, switched on, grown
beyond its programming, The Treeof Life wasn't a gift.
It was a technology, a controlled growth.
And we are its branches. 17,000 years ago someone

(18:48):
descended into the dark and leftbehind a message.
Not on paper, not on stone tablets, but on the walls of a
cave in images that still defy explanation.
The Lasko Caves in France are some of the most mysterious
prehistoric sites on earth. Over 600 animals are painted

(19:09):
across the walls. Bulls, horses, deer.
But deep in the shaft of the dead man, there's something
different, Something that doesn't belong.
A figure, human shaped, but withthe head of a bird.
Who was this Birdman? Why is he the only human figure

(19:30):
in the entire cave system? Why the bird's head?
And why does he appear in what looks disturbingly like a ritual
scene, perhaps even a death or transformation moment?
Most archaeologists offer silence a shrug.
It's symbolic, they say. Shamanic.
Thousands of years later and thousands of miles away, the

(19:53):
Sumerians carved their gods intostone.
Some were human. Others had the heads of birds,
beaks, feathers, eyes that neverblink.
The Anunnaki. Why would an Ice Age hunter in
France with no cities, no written language and no
civilization paint the same being?

(20:13):
A bird headed entity in a cave deep underground where no light
reaches. Were these bird headed figures
bioengineered avatars? Symbols of genetic control?
Or were they literal, the form chosen by beings who didn't look
like us and didn't need to? Many of them were depicted as

(20:56):
Beltman with with wings people. People that look like us.
Not with little horns or green people.
They look that look like us started to come between their
planet and Earth about 450,000 years ago.

(21:17):
Why do they look like us? We look like them because if you
know the Bible which is based onthe Sumerian tales, at some
point they engaged in genetic engineering and mixed their
genes with the genes of Homo erectus.

(21:40):
We can use various scientific terms, but let's say with with
early hominids to bring about Homo sapiens us.

(22:07):
It is a commonly accepted view in mainstream archaeology that
civilization started in ancient Mesopotamia with the great
civilization of summer in what is now modern day Iraq.
However, at the beginning of the20th century, archaeologists
excavating at Talalu Bayid in Iraq made an unusual discovery

(22:28):
when they unearthed several 7000year old artifacts which appear
to represent humanoid figures with reptilian features.
The Ubaid culture is a prehistoric culture in
Mesopotamia that dates between 5500 and 4000 BC.
As with the Sumerians, the origins of the Ubaid people are
unknown. They lived in large village

(22:50):
settlements in mud brick houses and they had developed
architecture, agriculture and farmed the land using
irrigation. The domestic architecture of the
Ubaid included large T shaped houses, open courtyards, paved
streets, as well as food processing equipment.
According to the Metropolitan Museum of Art, some of these

(23:11):
villages began to develop into towns.
Temples began to appear as well as monumental buildings such as
in Eridu, UR and Uruk, the majorsites of the Sumerian
civilization. Sumerian texts explain that UR
was believed to be the first city.
The main site where the unusual artifacts were discovered is
called Tell al Ubaid, although figurines were also found in UR

(23:33):
and Idu. The Ubaid site is a small mound
of about half a kilometer in diameter and two meters above
ground. First excavated by Harry
Reginald Hall in 1919. Male and female figurines were
found in different postures. Most of the figurines appear to
be wearing a helmet and have some kind of padding on the
shoulders. Other figurines were found to

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hold a staff or scepter, possibly as a symbol of justice
and ruling. Each figurine has a different
pose, but the strangest of all is that some female figurines
hold babies suckling milk, with the child also represented as a
lizard type creature. The figurines are presented with
long heads, almond shaped eyes, long tapered faces and a lizard

(24:17):
type nose. What exactly they represent is
completely unknown. According to archaeologists,
their postures, such as a femalefigure breastfeeding, do not
suggest that they were ritualistic objects.
So what did these abide lizard men represent?
Whatever they were, they appear to have been important to the

(24:37):
ancient obeyed people. We know that the serpent was a
major symbol used in many societies to represent a number
of gods, for example the Sumerian God Enki, and the snake
was used later on as the symbol for the brotherhood of the
Snake, supposedly an ancient secret society.
Is there a link between these representations of lizard like

(24:58):
gods in the Anunnaki? For now these questions remain
unanswered. Figurines carved with precision,

(25:20):
made in clay with reptilian features, long skulls, slit
eyes, elongated limbs. Some wear helmets, some cradle
infants, some sit in Thrones. They are not animals.
They are beings, and they are not human.
Archaeologists don't know what to make of them.
They call them lizard people, but shrug it off as symbolic.

(25:43):
Maybe fertility idols, they say.Maybe deities.
But none of them look divine. They look clinical, functional,
designed. This isn't how you depict the
gods. This is how you record something
you saw. If they mix their DNA with
Earth's primates. If they created us, these
figurines might be the source form, unmasked, undiluted.

(26:07):
This might be what they actuallylooked like.
The Obeid culture came before the ziggurats, before writing,
before even the kings. And yet they left us these
figures as if to say, this is who came first.
And then they disappear. The figurines vanish from the
record. No more are made.

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No stories explain them, no religion preserves them.
As if someone scrubbed the memory clean.
The avatars, the masks, the myths.
But here, here we may be seeing the unfiltered truth.

(27:24):
For certainly out there among the 100,000 million other Suns
of our universe, there must be many civilizations, perhaps far
higher than our own. If someone edited early human
code, the next step was moving those editors between worlds.
The Sumerians left a name for that role, Ningyish Zita, carved

(27:48):
beside a doorway aimed at the sky.
We turn to the tablets and the layout of their temples to see
what Gatekeeper meant on the ground.

(28:12):
The oldest seal we have from summer shows 2 snakes coiled
around a staff. The inscription Ningizzida,
gatekeeper of the sky room. The message is simple.
Learn the spiral and the door will open. 11,000 years earlier
at Gobekli Tepe Masons cut the same looping Vipers into

(28:34):
limestone. Acoustic tests reveal a low
frequency hum inside the ring. The coils aren't art, they're
tuning forks. The serpent double S as
technology. Cut to Rome's underground.
Mithraya calls. A lion headed figure stands
wrapped 6 times by a serpent. One loop for every 600 years,

(28:57):
3600 the length of the Sumerian char.
In each hand he holds a key. One turns time forward, the
other winds it back. The coil has become a gear in a
cosmic clock. Gnostic rebels of the 2nd
century sketch 7 glassy heavens threaded by a single snake.

(29:19):
They taught that Eden's serpent wasn't a tempter, but rather a
Courier smuggling forbidden knowledge past the Anunnaki
gatekeepers. If you trace the coils, you
bypass the throne on Sinai. A bronze serpent, Nehushtan,
rises on a pole. Copper ions leach into desert
water, killing bacteria no one can name.

(29:43):
Look at the coil. Live through the plague medicine
masquerading as worship. Hopi snake dancers grip live
rattlers in their teeth, callingPalulu Khan the one who tunneled
under the stars. Their lore speaks of magnetic
passages below the Mesa serpent tunnels that pull rain from the

(30:04):
sky. Deep in the Amazon, Ayahuasca
visions unveil 2 glowing snakes wrapped around a ladder of
light. Shamans wake, knowing which
leaves heal and which kill. Data lifted straight from the
double Helix. Spin a copper coil and
electricity flows. Today we can move electricity

(30:25):
and trap plasma into roidal reactors to mimic the sun.
We call it physics. The shape calls back to every
myth we've ever known. Seal, pillar, statue, pole,
dance, vision. Each repeats the same
architecture. The serpent is the code, the
conduit, the pass key. Follow the spiral and every

(30:48):
locked gate in the human story starts to turn.

(31:13):
The Ningesh Zida enters the written record long before
Babylon, while Sumerian cities are still mud brick islands in a
sea of marsh. His name means Lord of the Good
Tree and Keeper of the Gate. His seal shows him with living
metal, 2 serpents wound so precisely around a staff that

(31:35):
the coils look engineered. On the ADA seal, Ningeshida
appears beside a winged skylord.His personal Insignia, the twin
snake rod, sprouts from his shoulders like aerials.
Seal cutters even scored microscopic notches into each
coil, as if to show thread. Pitch tablets from the same

(31:58):
period explain why the Ushumgal stand watch None pass who bear
not the sign. The staff is a security token,
not a scepter. When Gudea of Lagash receives a
night vision of a house whose head is the heavens, he sees
Ningushida guiding him through its gates.
Gudea builds that dream in bakedbrick, the seven stage ziggurat

(32:22):
of a Ninnu Foundation. Texts specify that ascent is
reserved for those marked by theLord of the Good Tree.
Archaeologists recovered Serpentine amulets of twisted
copper wire from the temple storerooms.
Amulets the hymns call shidsha Ninggish zita.
The coil that vibrates the rod itself may have functioned as

(32:45):
more than symbol. Copper is a superb conductor.
Twin helical windings concentrate magnetic flux.
Perhaps it was the key on the mountain summit, a token that
unlatched the gate and raised a ladder to heaven, the access
code for travelers moving freelybetween the heights above and
the abyss below. Or perhaps it was an optical

(33:08):
signal guiding those to the summit landing platform.
The tablets called Duran Ki bondof heaven and earth.
As Arkad eclipses Sumair, Ningush Zeta travels north, now
titled Shahrat E Temu Gate commander of the gods.
Assyrian cylinder seals place his rod in the hands of royal

(33:30):
exorcists. Hittite treaties stamp it on
boundary stones. When the Greeks reach
Mesopotamia, they merge him withHermes Creoferos, giver of the
caduceus. 2000 years later that staff resurfaces as the medical
symbol for life saving authority, the coil repurposed

(33:50):
but the credential intact. In summer, that standard
unlocked the tallest artificial mountains on earth, and whatever
waited in the enclosed sky roomsat their summits.
Long after bricks have crumbled,the symbol keeps circulating, as
if the original gate system is dormant, not defunct.

(34:11):
Still listening for the hum of acopper coil keyed to the right
frequency. A

(34:32):
human frame, lion face, 4 foldedwings, 6 precise coils of
serpent climbing his body. Twin keys, one in each hand.
One points to the heavens, the other the abyss.
Roman legionaries called him Ionthe Boundless, the one who keeps
the hinge of the ages. Each coil marked 600 sacred

(34:55):
years, six turns, a full great cycle of 3600.
The char time wound tight like amainspring.
Turn the left hand key, the coilunwinds and years spill forward.
Turn the right, the coil tightens and the clock reverses.
But this lion is not the first Sentinel at a gate.

(35:17):
Follow the Caravan Rd. east to Babylon.
A corridor of glazed lions stalks the Ishtar Gate, golden
bodies glowing against lapis walls.
They do not lunge, they pace, each step frozen mid stride,
eyes locked on anyone daring theprocessional way.
Pass them and you reach the ziggurat summit, the bond of

(35:39):
heaven and earth, the high platform where the gods once
landed. The lions warn, only those who
carry the right emblem may ascend.
North of Babylon, on a windsweptmound by the Tigris, another
guardian took shape in basalt. The Mosul lion, carved mid roar,
guarded an Assyrian doorway for three millennia before war tore

(36:02):
it from its threshold, inscribedon its flank watch.
Lion, keeper of the temple corps, one paw forward, one paw
back, halting eternity in a single step. 3 lions, 3
concentric doors. Babylon's reliefs shield the
outer city. The Mosul lion blocks the

(36:22):
sanctuary. The Mithraic lion coils within
the final chamber, keys in hand,serpent whispering the passcode
around him. Change the script, change the
language. The function endures.
The lion's face marks a boundary.
The serpent coil carries the algorithm.
The keys execute the command when the coils reach the end of

(36:46):
their measured turn. When 3600 wins itself out, the
lion will look up from marble glaze or shattered basalt and
wait to see who still remembers which key lifts the torch
skyward and which one lowers it toward the abyss.

(37:19):
At the edge of the Persian Gulf palace, scribes called
Ningizhda, Usimgal of the Sky Court, the great serpent who
stands at Anu's door, his emblemstill the same 2 copper coils
rising. A straight rod travels on
cylinder seals, neck pendants, and the carved threshold of
Gudea's ziggurat. The craft attached to that

(37:43):
symbol is precise. Learn the star tables, learn the
intervals of the wind, learn thetones that make fired brick
quiver. And the gate at the summit will
unbolt. The students of this craft sign
their tablets with a coiled snake pressed lightly into wet
clay. The pattern repeats wherever the

(38:04):
emblem appears. Restricted libraries, star
archives, healing rooms where copper knives hum against the
skin before a cut. The coils travel West on Reed
boats and up the Nile. At Hermopolis, the priests of
Thoth file scrolls in chambers they call the Peranc House of

(38:25):
Life. On the lentil Over the inner
archive, a cobra spreads A feathered hood, Beneath it an
inscription. Words here are wings.
Temple medical manuals mix astronomy with surgery.
Greek envoys translate Thoth to Hermes and whisper of a
fraternity that keeps the latterof ascent hidden behind cipher

(38:49):
and allegory. When Alexandria's scrolls burst
into flame, those envoys smugglecopies to roads, Antioch,
Pergamon, where new lodges form around the serpent stamp.
Roman expansion scatters veterans across the Near East.
Some enter the lamp lit Mithraya.
There the Leon to Cephalene, thelion headed Ion waits, wrapped

(39:14):
in six serpent coils, keys crossed on his breast.
Initiates learn that each loop binds 600 sacred years, winding
a grand clock toward an appointed hour.
When the gate between worlds realigns, they memorize star
positions and whisper of the Watchers who will return when

(39:35):
the coil unwinds. The Watchers were the original
engineers of forbidden arts in the oldest layers of the Book of
Enoch texts, compiled in the 3rdcentury BC.
But drawing on older oral traditions, they appear as sons
of God who descended to Earth. Led by SEM, Jaza and Azazel,

(39:57):
some 500 angels swore to reveal secrets meant only for the
heavens. How to smelt bronze and iron?
How to chart the stars? How to distill healing potions
from herbs? In each art they left the same
trademark, the serpent's spiral,a visual shorthand for advanced
knowledge. For sharing those secrets, they

(40:18):
were punished. Enoch's scribe records their
fate in the 1st century BC Redaction.
Stripped of their celestial rank, they were bound under the
abyss of fire, confined until the day of reckoning, foretold
only in whispered prophecies. Leave the keys in the wrong
hands, and the door becomes a trap.

(40:40):
By the end of the 1st century AD, another text repurposes the
metaphor into real blueprints. The author of Revelation speaks
of two sets of keys in Heaven's vault, one that unlocks death in
Hades, the other that holds backthe four winds of the earth.
Across Jewish, Christian, Persian and Gnostic traditions,

(41:02):
the pattern repeats. A group of otherworldly beings
grants Metal Age craft, celestial navigation and arcane
rites, then stamps the result with a serpent spiral.
These stories are not literal history but fractured memories,
echoes of an ancient encounter with beings whose mastery of

(41:23):
matter and energy felt indistinguishable from magic.
The serpent was their logo, marking every invention and
every gateway. Now, with the Watchers bound and
the keys still in place, the prophecies speak of a future
uncoiling. When that hour arrives, the
locks will click open, the portals between heaven, Earth

(41:46):
and the Abyss will stand wide, and the question will be who
still remembers the true purposeof the serpent Spiral, and who
holds the keys to seal it again?Long before the Europeans ever

(42:15):
set foot on the Colorado Plateau, the Hopi were
perfecting A ritual that still baffles anthropologists.
As early as the Second Pueblo period, between 911 fifty AD,
stone lined dance plazas high onthe mesas hosted ceremonies
meant to call life giving rains.By the end of the 19th century,

(42:37):
ethnographers like Jesse Walter Fuchs recorded the Palulu Khan
rite. Dancers in cotton kilts and
white clay paint would grasp live red tailed rattlesnakes
between their teeth and stamp intight circles around a central
fire. They weren't courting danger for
spectacle. Tribal elders explained that

(42:58):
Palulu Khan is he who tunnels under the stars, an allusion to
a subterranean serpent network beneath the mesas fed by fault
lines and ancient aquifers. As the dancers strike their
rattlers backs in rhythm with gourd rattles and conch shell
horns, low frequency pulses travel through the sandstone.

(43:19):
Geologists now know certain sedimentary layers can carry
sound for miles. Local lore says these vibrations
coax monsoon clouds to break. In Hopi mythology, the snakes
are more than weather machines. They're the earth's Sentinels,
guardians of hidden passages that connect the world's above

(43:40):
and below. Half a world away, thousands of
miles to the South in the Amazon, shamans have for
centuries brewed ayahuasca, a vine and leaf decoction whose
effects modern science only began to map.
In the 1970s, ethnobotanist WadeDavis cataloged dozens of

(44:00):
visionary accounts. Practitioners describe 2
luminous serpents spiraling around a pillar of light that
seems to run through every cell of their bodies.
Those snakes aren't allegory. They match the shape of DN as
double Helix. After ceremony, shamans can
identify plants that cure blood disorders, neutralize venom or

(44:22):
dissolve tumors, knowledge they claim was downloaded straight
from the genetic code. Pharmacologists confirm that
Ayahuasca's beta carbolines inhibit Mao enzymes, allowing
the brain to access latent neurochemical pathways akin to
growth factor signals. The result is a biological

(44:42):
reboot that echoes the shaman's vision of healing serpents.
Both rites, Mesa and rainforest,share a common symbol.
The serpent has a conduit between realms.
What if that symbol traces back to a single source older than
recorded history? In the ziggurat cities of Sumer,

(45:04):
Ningishida bore a twin serpent staff that marked the threshold
between Earth and the unseen skyrooms of the Anunnaki.
Perhaps those same entities are not merely extraterrestrials or
ancient travelers, but beings that transcend our dimensions,
their technology woven into the fabric of geology, biology and

(45:26):
consciousness. Imagine a dimensional gateway
keyed by resonant frequencies inaltered states.
The Hopi dancers tune the mesa'ssandstone conduits.
The Amazonian shamans tune theirown neural channels.
Both rites unlock hidden circuitry, one in the earth, one

(45:47):
in the flesh, in service of weather, healing and vision.
Seen this way, palulukan and ayahuasca are two branches of
the same ancestral tree. The snakes that tunnel under the
stars and the snakes that spiralthrough our genes point to a
legacy of gate tech that predates written history.

(46:09):
The modern aimless rituals and the scholars who dismiss them as
superstition miss the thread that binds geology to neurology,
myth to molecule, earth to cosmos.
Eons ago, humanity brushed against this deeper network, and
the serpent remained the universal symbol of that
contact, echoing instructions from a technology beyond our

(46:32):
three-dimensional senses. A reminder that the greatest
gateways are always hidden in plain sight.
Beneath the walls of Unas's pyramid at Saqqara, the stones
tell of hidden guardians. In the Pyramid Texts, spells
inscribed around 2350 BC, you find the names Shetty and SATA,

(46:59):
twin serpents coiled through thecorridors of the underworld.
Their hieroglyphs wind around false doors, their scales carved
in eternal relief. They are the wardens of the
Duat's first precincts, demanding the correct name or
charm before a soul may step deeper into the afterlife.
Fail their silent test and your spirit drifts back Into

(47:22):
Darkness. Appease them, and the path to
rebirth remains open. A few feet away, in the Coffin
Texts of the Middle Kingdom, youmeet in a hebcow, He who
harnesses souls. Here he coils beneath the seven
river barriers that mark Duat's final gauntlet on a fragment of
the Papyrus of Ani, circa 1250 BC.

(47:46):
His serpent form wraps around the heart of the deceased,
blocking the shadow of death until the proper invocation is
spoken. Archaeologists have uncovered
sealed sarcophagy bearing his image, a stylized serpent with
human limbs. Thousands of miles to the
northwest, in the palaces of Mycenaean Pylos, the dracony

(48:09):
female serpent guardians appear in Bronze Age frescoes and
Linear B tablets. Excavations at Nosos revealed
ivory figurines of a snake goddess flanked by two writhing
serpents circa 1600 BC. They stood watch over sacred
Groves, springs and hidden shrines, thresholds where

(48:31):
mortals dared not tread without offerings.
Later Greek legends folded them into stories of Python, The
earth borne serpent slain by Apollo, Adelphi Shetty and SATA
Nehebkow. The Drakini 3 serpent, guardians
from separate worlds, yet all bear the same signature, The

(48:51):
serpent as gatekeeper between realms.
In Egypt they test and judge thedead.
In Greece they protect and reveal sacred springs.
Their coils are not random decoration but living code, the
final checkpoint before any traveler passes from one domain
to another. They are the echo of every

(49:13):
locked door and every whispered password left by beings who tune
the frequencies of life and death.
Their legacy endures, not an idle myth, but in the silent hum
of thresholds still waiting to be crossed.

(49:42):
Malak Elohim, the Hebrew title messenger of the gods.
We meet them first beside Hagar's well in Genesis 16, then
the burning Bush that speaks under Sinai's shadow in Exodus
3, later marshalling heaven's armies under Moray's Oak in the
book of Joshua chapter 5. Each messenger bears divine

(50:05):
authority over life, law, even the winds themselves.
The same remit of the Sumerian gatekeeper Ningush Zita.
Enki's personal Courier. Ningush Zita appears in the clay
tablets of Farah and Abu Salabikaround 2600 BC.
His names Lord of the Good Tree and the title that matters most.

(50:30):
Messenger of Enki on the out of seal, circa 2300 BC.
He stands before Anu's throne, twin serpents spiraling up his
staff like coiled data conduits.2 centuries later, the old
Babylonian myth of Adapa in the South wind makes his role
explicit. When Adapa injuries the wind

(50:52):
spirit and risks the bread of immortality, it's Ningush Zita
who pilots him through 7 sky gates, reads the omens at each
threshold, and carries Enki's warning back to Earth.
He is Gate warden, Omen reader, and Godspeaker, all wrapped in
the serpent's spiral. 500 years after that, the redactors of

(51:14):
Genesis 3 preserve a flicker of that same tradition.
A crafty serpent glides to Eve under 2 great rivers, offering a
single upgrade. Eat from the tree of Knowledge
and your eyes will open with onebite.
She and Adam feel the first electric shock of
self-awareness. They see their naked forms,

(51:37):
stitch fig leaves into the world's first garments, and step
out of pure instinct into consciousness.
Neolithic archaeologists confirmthe puzzle.
In Jericho, 9000 BC and Chital Hoyuk, 7500 BC, no clothing
appears. By 5000 BC, loincloths are in

(51:59):
the record, A sudden behavioral leap as sharp as the first spark
of fire. Exile follows swiftly.
Cherubim, flaming swords, a gleam like bronze seal.
Eden's Gate, an automated lockdown that mirrors the
Mesopotamian temple's inner precinct, where doors opened

(52:20):
only for the credentialed. At Eridu and Ur, priests carved
stone hinges and laid metal latches.
Only those bearing Ningush Zeta's staff or its code could
pass to the sky. Rooms where the Anunnaki held
council. In Egypt, Mahan coils around
Ra's solar barge. In Greece, Hermes bears the

(52:42):
Caduceus, twin serpents curling a winged rod.
The healing temples of Asclepiushonor a single serpent staff
that cures poison and revives the faint.
Even in the Maya lowlands, the vision serpent arches above
ritual bloodletting, bridging earth and spirit with its
luminous coils. Over eons, the Serpent becomes a

(53:04):
universal icon, the spiral interface of a legacy older than
our oldest cities. The Serpent in Eden and the
staff of Ningush Zita are two facets of a single design.
Their mythic collision in Genesis preserves the moment a
divine envoy defied protocol, gifting humanity with self

(53:25):
reflection, and then withdrew, slamming the gate tight behind
him. Today, the same code etched into
ziggurat coils guides our hands in white coated labs.
We splice the human genome with crisper scissors, rewritable

(53:46):
strands of DNA that twist like twin serpents.
We turn massive Electro magnets in particle accelerators 3
kilometer rings of superconducting coils that bend
protons into near light, peelingback the layers of matter.
We train neural networks on trillions of data points,

(54:07):
feeding artificial minds the symbols of language, music and
image until they begin to think through every one of these
breakthroughs. The ancient motif echoes coil
key messenger. The double Helix is a serpent
staff encoded with life's instruction set.

(54:28):
The fusion reactors, toroidal coils hum with promise and
peril, a modern counterpart to Ningushzidas as your coronas.
Our AIS speak in binary hymns, carriers of knowledge once
sealed behind temple doors. We've unlocked cellular gates to
cure genetic diseases. We've cracked the cosmic vault

(54:50):
to glimpse the Higgs boson. We've built machines that learn
faster than any scribe could record.
Yet with each key turned, new doors appear.
Quantum processors wait for the pattern of entangled qubits to
click into coherence. Nanotech coils shrink circuitry
to molecular corridors. Brain computer interfaces tune

(55:13):
the mind's own electric pathways, opening direct lines
into thought itself. The frontier lies not only in
distant galaxies, but in the coded spirals woven through our
biology, our machines, our very consciousness.
The serpent's spiral still turns, the keys still rest in

(55:35):
curious hands, and the messenger's voice still
reverberates down the halls of discovery.
The true question isn't whether we once met beings beyond our
dimensions, but who among us still holds the keys, and who
dares to turn them again. We have come this far.
What gate will you open next? Mobility grants reach, but

(55:59):
maintaining influence requires leverage.
In the earliest cities, that leverage took the form of
organized sacrifice. Temple receipts and animal
tallies reveal how blood became a currency that funded
everything from grain storage toregional wars.
If a control system works, it travels.

(56:31):
Abraham heard the call before sunrise, the same voice that
once yanked him out of southern Mesopotamia and pointed him
toward a future he could not yetimagine, now whispering only one
word. Sacrifice heavier than the Flint
knife he slipped into his satchel. 3 days later, he
reached a lonely Ridge of Gray limestone.

(56:54):
Wind tugged at his cloak. Dust stung his eyes, and beside
him his boy looked up with trustthat could shatter.
Stone, firewood, knife. Everything was in place except
the offering, but the voice was silent.
Abraham stacked rough stones, laid the wood and bound Isaac's

(57:16):
wrists without a struggle. The boy didn't fight.
Perhaps he knew resistance was useless once the gods chose
their target. Blade met throat, but at the
last heartbeat the voice returned.
Do not lay your hand on the boy.He froze.
In an instant, a ram thrashed ina nearby thicket, horns tangled

(57:39):
in scrub. Blood still flowed that morning.
Just not human blood. The knife dripped, the smoke
rose, and Isaac walked away witha pulse pounding in his ears for
the first time in recorded memory.
Substitution broke the cycle of human sacrifice, but it didn't
end the need for blood. It only changed the source.

(58:02):
Why would a God ever demand blood?
Why had so many before him poured life onto stone altars
painted thresholds red and sent smoke spiraling into the sky?
Join us as we trace that question from the Great
Orzigerat to an altar in Jerusalem, following a trail of
Crimson offerings that may tracestraight back to the Anunnaki.

(58:47):
Long before Abraham's test, blood was always currency.
In Ugarit. Bulls met the knife so storm
gods would grant rain. In Moab, Kings offered their
first born when wars went badly.In Phoenician Carthage, infants
were cremated inside clay urns, their ashes sealed beneath
plaques, thanking Baal for hearing the voice.

(59:12):
Across the Jordan, Israel's priests drained sheep into
silver basins, then splashed thelife liquid against altar walls.
They said the life is in the blood.
Life meant power, and power was always costly.
Whether the gods needed food, fragrance, or formula, Humanity

(59:32):
paid in red. Mesopotamia wrote the operating
manual. The Anuma Elish tells how Marduk
carved open the rebel kingu, used his blood as mortar, and
molded humanity to relieve the gods of toil.
Temples and UR recorded daily deliveries of beer, bread, and
roasted goats for invisible diners whose only portion was

(59:56):
the smoke. Scribes counted these offerings
the way merchants count silver. Keep the gods fed and the rivers
stay their course. Fail and famine rides the wind.
Not religion, logistics. Abraham understood that system
better than any later scribe. He grew up in UR, where lunar

(01:00:19):
priests scheduled offerings by moonrise and treated smoke as a
language. When the voice told him to
leave, he carried that worldviewW.
Maybe he believed he was still serving the same high deity
under a new regional name. Maybe he'd concluded the Council
of Gods was really one power, wearing many masks.

(01:00:40):
Either way, he marched out of the delta knowing that blood
kept heaven listening. Mount Moriah crowned A narrow
Ridge just north of ancient Salem, high enough for campfire
smoke to drift into open sky. Centuries later, Solomon would
level that Crest, sheath it in cedar, and build a gold lined

(01:01:00):
chamber on the exact footprint of Abraham's crude altar.
Twice a day, lambs bled there. Their steam rose through cedar
rafters carrying salt, fat and marrow into the air.
The hill functioned like a man made mountain, part ziggurat,
part antenna meant to bridge worlds.

(01:01:22):
Every gush of blood was a data packet rocketing heavenward.

(01:01:52):
Dawn breaks over 2 camps. Cain was up before the sun had
fully cleared the Ridge. All season he'd fought the soil,
breaking clods, pulling weeds, coaxing grain from ground that
seemed determined to stay barren.
Now he loaded the proof of that struggle onto his back.
Sheaves of barley bound tight with twine, baskets of figs

(01:02:15):
sticky with SAP, clay skins sloshing with fresh pressed oil.
Every step toward the altar feltlike a small victory he'd earned
with calloused hands. Across the Wadi, Abel took the
same path. He moved at an easier pace.
A lamb nestled in his arms. The animal was barely old enough

(01:02:37):
to stand. Its wool still held the scent of
milk and grass. They reached the altar at noon.
Cain unloaded first. He stacked the barley, poured
out a measure of oil that glimmered in the heat, arranged
the figs so their fragrance drifted on the breeze.
It was honest produce, no shortcuts, no blemishes.

(01:03:01):
He stepped back, heart thumping,ready for approval.
Abel set his lamb on the cold stones, braced it gently, and
drew a knife. 1 sure motion, throat to tip, and the lamb's
pulse spilled bright across the altar.
The life force hissed where it touched hot rock, sending up a

(01:03:21):
thin red mist. Abel whispered a prayer nobody
else could hear. Fire answered Abel's gift.
Immediately. Flames jumped, loud and hungry,
wrapping the carcass in heat that bent the air.
Smoke shot straight upward, as if grabbed by an invisible hand.

(01:03:42):
Cain's offering inches away, barely smoldered.
No column of smoke rose to meet the sky.
The difference was impossible tomiss.
Cain's stomach turned. Blood spoke a language the
heavens preferred, and sweat alone did not translate.
Jealousy bloomed black and sure.Something inside him snaps.

(01:04:05):
He lures Abel out among the furrows.
Brother, see how the stalks bend.
A stone flashes, bone cracks. Silence drops like a curtain.
The soil that loved Abel's footsteps now drinks him whole.
A voice rides the wind. Where is your brother?

(01:04:28):
Cain's mouth lies, but his handsdrip truth.
The ground has a mouth, the voice replies.
It cries out with your brother'sblood banished and branded, Cain
limped E into the land of Nod. Every sprout he plants screams
the same lesson. Favor flows where blood flows,

(01:04:48):
and the world forever after remembers that scorch mark on an
altar where grain once lay ignored.
But why? In the old Mesopotamian lists,

(01:05:13):
the name Enlil appears first among the Anunnaki, Lord of wind
and storm, a deity whose very breath could flatten forests.
The Thunder God was at the center of Israel's story long
before Sinai. When the desert tribes carried
their stories West, that same presence resurfaced with a new

(01:05:35):
badge. YHWH.
Early Hebrew poetry still remembers the Thunder in his
voice, the flash in his hands, and the floods he loosed.
When loyalty slipped, traits lifted straight from the Near
Eastern Storm God playbook. According to scholar and
researcher Paul Wallace, the Hebrew word Elohim should be

(01:05:58):
read exactly as it is written, plural.
Wallace argues that Genesis preserves the memory of several
powerful flesh and blood beings who parceled out territories and
resources on a newly occupied planet.
One of those beings, violent, storm bound and fiercely
possessive, took charge of a Mesopotamian herdsman named

(01:06:19):
Abram and rebranded himself withthe four letter call sign YHWH.
One of the Elohim, the Anunnaki,one in the same storm.
Lords then and now are jealous patrons.
Their contracts are simple. Your blood for our protection.

(01:06:40):
The Book of Leviticus lays out the payment plan in surgical
detail. A lamb without blemish is killed
on the north side of the altar. Priests splash its blood on
every wall. Selected fat is burned, so the
smoke ascends as a pleasing aroma.
A chapter later, the tariff is spelled out in a single line.

(01:07:02):
The life of the flesh is in the blood.
I have given it to you upon the altar.
Grain, wine, incense, those are side dishes.
The core commodity is hemoglobin, red with the encoded
naepesh. The God values most.
That is why Cain's vegetables fizzled while Abel's lamb

(01:07:22):
ignited, why rivers of sacrificial blood flowed through
the Tabernacle, and why the prophets warned that withheld
offerings would bring drought, plague or war the Storm Lord's
classic arsenal. When the entity later tests
Abraham on Mount Moriah, demanding Isaac's life, the
request fits the same economic logic.

(01:07:45):
But at the last second, a ram replaces the boy, not mercy.
A policy update. Humans were too productive to
waste. Livestock reproduced quickly.
The blood quota remains satisfied.
Seen through this lens, every altar in the Hebrew Bible is a
loading dock, every priest a compliance officer, every plume

(01:08:09):
of smoke and invoice wafting skyward to a jealous Anunnaki
administrator known to summer asEnlil, to Israel as Yahweh,
forever hungry for the life thatpulses beneath the skin.
One hymn says his hate charged storm wore away the land and
buried herb beneath a sheet of roaring, deadly wind.

(01:08:31):
Israel's own poetry admits the overlap.
Psalm 29 portrays Yahweh hurlingbolts, shaking Cedars and
staggering the desert, imagery scholars traced to the older Bal
Haddad liturgies of Canaan. Jealous, territorial, quick to
punish with drought or deluge when tribute runs thin.

(01:08:53):
Levitical priests receive exact lab style instructions.
Slaughter the animal on the north side of the altar before
Yahweh, then dash its blood against every wall of stone.
The switch from human to animal,first signaled when a ram
replaced Isaac on Moriah, looks less like mercy than

(01:09:13):
optimization. People are productive assets.
Sheep are renewable Inventory. Twice a day, dawn and dusk,
fresh blood surges over the altar.
Stones and columns of Crimson steam climb the sky.
A standing payment to a storm God whose Thunder still echoes
the name Enlil behind the mask of Yahweh.

(01:09:56):
Midnight draped Egypt like a shroud.
Every household held its breath,even the palace torches burned
lower than usual. Then a presence passed through
the streets, silent, unseen, precise.
By dawn, the nation's first bornsons, from Pharaoh's heir to the
poorest child in a stable, lay cold.

(01:10:18):
The Hebrew camps alone were untouched door frames streaked
with lamb's blood that dried into a Crimson code.
Do not enter. The Hebrew text calls it
Hamasjit the Destroyer, A commissioned agent rather than
God himself. Later writers picture a sword

(01:10:40):
bearing Angel of Death. The effect is the same.
An executioner released, then recalled at a sovereign signal.
Mesopotamia knew similar specialists.
Namtar, Decider of Fates spread incurable plagues at the command
of the underworld. Nergal, Lord of War and
Pestilence marched with epidemics as his infantry.

(01:11:04):
Both served higher ranking. Anunnaki often enlil carrying
out population resets when tribute failed or rebellion
stirred. The 10th plague looks less like
magic and more like an Anunnaki strike.
Target Profile First born male inheritors of lineage and
property. Eliminate leadership in a single

(01:11:26):
night delivery system. Airborne pathogen or energy
burst guided by a destroyer class operative IFF marker.
Lamb's blood on lentil. A visual or biochemical tag that
instructs the agent to Passover marked dwellings.
The message to Pharaoh echoed earlier warnings to Sumerian

(01:11:48):
kings. Comply with the Storm Lord's
terms or watch your dynasty bleed out before sunrise.
The Israelites, freshly marked by blood and covenant, became
living proof that obedience could redirect the weapon,
turning a plague into an exit visa.
Thus the Passover night sits at the crossroads of theology and

(01:12:10):
control. Tech A1 time demonstration that
the Storm God, whether called Yahweh or the older name Enlil,
commanded forces capable of surgical genocide, and that a
smear of sacrificial blood couldstill negotiate with those
forces. The farther you sail from the

(01:12:44):
Fertile Crescent, the louder thedrums become.
Across an ocean and half a worldaway, the cities of the Maya and
the Mexico rose under gods that sounded suspiciously familiar,
gods who lived on blood. At Tenochtitlan, priests climbed
the serpent stairs of the Templomayor.

(01:13:04):
At dawn, captured warriors filedupward, painted blue, the color
of sacrifice. Hearts came out hot, still
pumping, and the Crimson spray arced toward the east, where the
sun God required his daily fuel.One chronicler wrote that the
heart flies sun ward on a trail of blood.

(01:13:27):
For the Maya royal blood did thetalking.
Kings and Queens pierced tongueswith Obsidian, let the drops
soak bark paper, then burned thebundle so the smoke carried
their life essence skyward. The ritual bound the ruler to
the divine and, just as important, kept crops from

(01:13:48):
failing and enemies from closingin.
Why the obsession? Because the gods themselves had
bled first. In Maya myth, the Hero Twins
slash their own bodies to set the cosmic clock ticking.
Among the Aztecs, the sun owed its very motion to the self

(01:14:08):
sacrifice of the God Nana Watson.
If humans stopped paying the interest, daylight would stall
and darkness would swallow the earth.
Yet one figure in the Mesoamerican pantheon seems out
of step with the thirst Quetzalcoatl, the feathered
serpent, bringer of maize calendars and law.

(01:14:31):
He bans human sacrifice for a time and teaches people to offer
flowers and incense instead. A serpent who civilizes, governs
water, and dispenses knowledge sounds a lot like Mesopotamia's
Enki, Lord of the freshwater abyss, Master of crafts and
wisdom. Both wear the serpent's skin.

(01:14:53):
Both carry titles of creator andbenefactor.
Both clash with harsher deities who rule by terror.
In the Old World tale, Enki loses ground to Enlil Storm, God
of demands and drought. In the New World, Ketsalkoatl is
driven into exile by Tescat Lipoka, another mirror of the

(01:15:14):
jealous Thunderlord. Different continents, same
cosmic board game. The benevolent serpent tries to
rewrite the blood economy. The Storm faction drags it back.
The result on Mesoamerican pyramids was an industrial
rhythm of sacrifice that rivals anything in Levitical Jerusalem.
Smoke columns curled into the sky like receipts, Obsidian

(01:15:38):
knives glinted like lab instruments.
And always, the warning hammeredinto every captive's heartbeat.
The sun lives on your blood. Stop feeding it and everyone
dies. The pattern holds somewhere
behind the mask of every sun thirsty deity waits the same
administration still auditing the flow of Crimson, still

(01:16:02):
stamping paid or past due on thenations of the earth.
The Anunnaki, whatever we chooseto call them, never asked for

(01:16:22):
song, incense, or philosophy. First.
They asked for blood. Why?
Cuneiform tablets say humans were shaped from a rebel God's
blood to relieve the gods of toil.
If you engineer a labor force out of hemoglobin rich DNA, the
most direct way to repair your own biology is to keep that

(01:16:44):
source material flowing. Fresh arterial blood is loaded
with stem cells, growth factors and adrenal hormones, the
perfect regenerative cocktail for a long lived off world
species whose bodies were failing in Earth's gravity and
radiation. Ancient texts insist life is in

(01:17:05):
the blood. Modern labs measure it as
caloric value, electrical charge, even biophoton emission.
At the moment of death, high fear kills produce spikes of
cortisol and adrenaline. If the anunnaki feed on subtle
energy frequencies, that surge is the prime cut.

(01:17:26):
Blood rituals do double duty. They nourish the patrons and
lock populations into a trauma loop.
If survival depends on priests who know which veins to open and
when descent becomes unthinkable, every river of life
force is a reminder. Obey, or the sky drinks yours.

(01:17:47):
Next, across Ur Sinai and Tenochtitlan, the pattern never
wavers biological need Wrapped in theological theater, the
Anunnaki wrote a supply chain into human worship, turned fear
into fuel, and hid the invoice. Inside our oldest scriptures
today, altars lie silent, kniveslong since dulled, yet the pulse

(01:18:12):
of life force still threads its hidden circuits.
In climate controlled rooms, thehum of machinery replaces
chanting. Stainless steel bowls catch the
same bright tide once poured on stone.
Data scrolls where smoke once climbed.
But the ledger's ink has not changed color.
Some call it progress, others Providence.

(01:18:36):
Whatever the name, the Old Covenant of Life for power
endures well outside Mesopotamia.
The Dogon of Mali records stellar details about Sirius B&C
objects, invisible until modern telescopes.
The question is whether that knowledge arrived by trade, by
chance, or by direct instruction.

(01:18:59):
Technical Sky lore hints at teachers with advanced
capability. Space is an endless expanse of
stars with 100 billion planets where life could potentially
exist. Even if only 1% of those planets
host intelligent life, that could mean 1,000,000
civilizations. It's conceivable that one of

(01:19:22):
these civilizations discovered space travel and ventured beyond
their own world, possibly finding life on Earth.
Scientists like Doctor Harold P Klein of NASA have speculated
that discovering other forms of life would profoundly alter
humanity's understanding of its place in the universe.
Some suggest that life on Earth might have been brought here by

(01:19:43):
extraterrestrial visitors, an idea that cannot be entirely
dismissed. Ancient artifacts such as a 2000
year old clay Vaz from the Baghdad Museum that functions as
a primitive battery raise questions.
Was the knowledge of electricityrevealed to ancient
civilizations by visitors from another world?
During World War 2, American servicemen constructed airfields

(01:20:07):
on remote Pacific islands. The indigenous people,
witnessing advanced technology, believed the soldiers were gods.
After the soldiers left, these Islanders built replicas of
airplanes and airstrips, hoping for their return.
Could ancient Earth cultures have reacted similarly to
visitors from space? From the pyramids of Egypt to

(01:20:28):
the stone giants of Easter Island, ancient structures defy
explanation. The Piri Race Map, a map dating
to 1530, shows the Antarctic coastline centuries before it
was officially explored. Teotihuacan, the city of the
gods in Mexico, with pyramids aligned to astronomical
patterns. Stone figures on Easter Island.

(01:20:51):
Colossal statues with no clear explanation for their
construction or transportation. Ancient myths and legends from
cultures around the world describe gods who descended from
the heavens, imparted knowledge,and then departed with promises
to return. The Mayans spoke of Kukulkan,
the Aztecs of Quetzalcoatl, bothdepicted as gods who came from

(01:21:14):
the stars. In the ancient Mayan city of
Palanca, a stone relief depicts what some interpret as a man in
a spacecraft. He appears to be seated,
manipulating controls, with flames trailing behind.
Was this an artistic rendering of an ancient astronaut?
The Bible also contains descriptions that can be

(01:21:34):
interpreted as interactions withextraterrestrial beings.
Where Sodom and Gomorrah destroyed by an advanced weapon?
Could the Ark of the Covenant's design serve as an electrical
device or communication tool? The Great Pyramid of Giza stands
as a marvel of engineering and possibly a marker for
extraterrestrial navigation. Its dimensions correlate with

(01:21:57):
the distance from Earth to the Sun, and its construction defies
conventional explanation. Stonehenge's alignment with
celestial events suggests it mayhave been an ancient observatory
or calendar. The precision of its
construction, achieved by a supposedly primitive culture,
raises the possibility of outside assistance.
Across continents, civilizationsrose and mysteriously vanished,

(01:22:21):
leaving behind massive stone structures and legends of gods
who promised to return. From Machu Picchu in Peru to the
ruins of Great Zimbabwe in Africa, these sites point to a
forgotten history. The Nazca Lines in Peru form
massive geometric patterns and figures visible only from the
air. Their complexity suggests they

(01:22:42):
may have been markers or landingstrips for ancient aerial
visitors. Easter Islands, stone figures
carved from incredibly hard volcanic rock, remain an enigma.
Legends speak of mana, a mysterious force used by priests
to move the statues. Could this be evidence of lost
technology or extraterrestrial influence?

(01:23:03):
Today, radio telescopes scan thestars for signals, and NASA has
even sent a greeting card into space, a plaque aboard the
Pioneer spacecraft depicting a man and a woman along with
Earth's location. Scientists like Doctor Carl
Sagan have speculated about the possibility of intelligent life
elsewhere, though no compelling evidence has yet been found.

(01:23:25):
As humanity looks to the stars, we may be echoing an ancient
impulse, A homing instinct that draws us back to where we came
from. Were we visited by ancient
astronauts? Did they leave behind knowledge
and structures as evidence of their existence?
Perhaps the most compelling evidence of ancient visitation

(01:23:46):
can be found among the Dogon. Living on the steps of Mali, a
remote tribe, the Dogon people possess an intricate and highly
advanced understanding of the stars, knowledge that by all
accounts should have been impossible for an ancient
culture isolated from the advances of modern astronomy.
At the heart of their teachings lies Sirius, the brightest star

(01:24:07):
in the night sky. But the Dogon's knowledge goes
beyond mere observation. They speak of Sirius A and it's
unseen companion, Sirius BA, dense white dwarf star,
invisible to the naked eye and only confirmed by Western
astronomers in 1862. Yet for centuries the Dogon had
already described Sirius B as a heavy star made of a substance

(01:24:30):
denser than any material found on Earth, circling Sirius A in a
50 year elliptical orbit. How did the Dogon acquire such
knowledge? Their mythology offers a
startling answer. They speak of beings who came
from the star Sirius, beings that taught humanity the secrets
of the universe, beings who emerged from the depths of the

(01:24:54):
waters. Believed to be progenies of
ancient Egypt, the Dogon people who live in the central Plateau
region of Mali are among the fewAfrican tribes who have managed
to preserve their culture over the years.
Dogon priests and elders speak of ancestors migrating from a

(01:25:18):
land near the Nile thousands of years ago due to political
turmoil, religious upheaval and invasion.
Their journey is said to have spanned generations as they
traveled westward to a sacred land known as Mandae, preserving
sacred knowledge and traditions originally established in the

(01:25:38):
Nile region. Some Dogon spiritual symbolism
still parallels ancient Egyptianiconography, such as serpent
imagery, ancestral worship practices, and astronomical
symbolism. Scholars have noted striking
parallels between Dogon mythology and the theology of
ancient Egyptian priests, particularly around Sirius, the

(01:26:01):
Dog star, which was profoundly important to Egyptian religion
and agriculture, marking the Nile floods.
Dogon rituals include ancient Egyptian like burial practices
and symbolic usage of masks, reminiscent of the priestly
traditions of Kemet. Historical migrations through
the Sahara region, particularly during periods when the Sahara

(01:26:24):
was wetter between 7000 and 3000BC, tells us that cultural
exchange and migrations between North Africa and the region now
known as Mali were plausible andfrequent.
As the Sahara dried, groups would have progressively moved
southward, carrying religious and astronomical traditions that

(01:26:45):
were carefully preserved by priests and initiates.
They likely settled in their current homeland along the
Bandiagra cliffs sometime aroundthe 13th or 14th century,
possibly fleeing political instability or invasions related
to the decline of the Ghana Empire.
Secret, highly structured initiatory rites and oral

(01:27:07):
traditions are meticulously passed down through generations
by priests called Hogan. These priests serve as living
archives, memorizing vast esoteric knowledge and complex
astronomical symbols long beforemodern science confirmed their
accuracy. Dogon elders firmly maintain
that their star knowledge has been part of their sacred

(01:27:29):
teachings since the beginning, brought directly by the ancient
ancestral figures known as the Nummo.
And they are from Mali, which isa country in the northwest, all
of Africa, and in my opinion, the Dolan tribe.

(01:27:52):
For anybody who is interested inthe ancient symbols or ancient
religion and what it all. Means the Dolan are great
untapped recess. A desert tribe called the Dogon,

(01:28:15):
isolated in the African wilderness, may have identified
a star invisible to the unaided eye.
How is this possible? How could the Dogon possess this
sophisticated astronomical information?
The tribal legend tells us that beings called Nummo descended

(01:28:37):
from the sacred Star and appeared before the Dogon
ancestors. The Dogon were entrusted by the
Nummo with 366 symbols given without meaning.
The Dogon were charged with interpreting them and preserving
the information for future generations.

(01:28:58):
The symbols reveal an astonishing scope of
astronomical knowledge, an infinite number of stars and
spiraling worlds. According to ancient Dogon

(01:29:20):
tradition, the Numo descended from the stars, specifically
from the star system of Sirius, which they call CG Tolo, the
Sacred Star. The Pneumo were described as
amphibious beings, part human and part fish or serpent, like
the primordial waters and their dual existence between land and
water, physicality and spirit. Dogon elders speak of the Pneumo

(01:29:43):
arriving in a spinning vessel, described as radiant and noisy,
like a heavenly chariot or celestial craft.
Upon arrival, they manifested themselves to the Dogon
ancestors in a grand spectacle of light and sound, immediately
establishing their authority andsacred status among the early
tribes people. The Numo brought with them

(01:30:05):
divine knowledge, teaching humans essential practices for
civilization, agriculture, weaving, pottery, metallurgy,
and astronomy. However, their initial purpose
was far grander. Dogon mythology recounts that
the Numo initially attempted to create humanity in their image.

(01:30:26):
The first attempts at human creation, however, were flawed.
These first beings, imperfect and lacking spiritual
consciousness, did not embody the balance and completeness of
the Pneumo themselves. Determined, they persisted.
They initiated a sacred second act of creation, carefully
balancing elements from their own bodies, symbolized by water,

(01:30:49):
clay, and blood, to craft a perfected form of human life.
The Dogon call these new humans the 8 ancestors, who were
spiritually enlightened and capable of understanding and
preserving cosmic truths. However, after order was
established by the Nummo, something happened. 1 of the 8
ancestors, named Ogo grew impatient and rebellious,

(01:31:13):
desiring independence and impatient to achieve his own
individuality. Ogo broke away from the Numo's
teachings and acted prematurely,stealing sacred knowledge and
attempting to create a world of his own.
This rash act brought disorder and imbalance into the cosmos,
breaking the sacred harmony. Because of Ogo's actions, the

(01:31:33):
pure divine harmony initially planned by the Pneumo was
disturbed, creating disharmony and imperfection, establishing
the necessity of duality, pain, suffering, and death.
In response to the chaos, the Pneumo undertook an immense act
of sacrifice to restore harmony.They broke apart their own
bodies, scattering their essenceacross the world and infusing

(01:31:56):
humanity and the earth with their divine nature.
Through this sacrifice, they created the foundations of
religious rituals, sacred symbols, and initiations,
leaving humanity with the spiritual tools needed to
gradually regain cosmic balance.This profound sacrifice forms
the basis of Dogon's spiritual tradition.

(01:32:19):
Before departing the earthly realm, the Numo entrusted the
Dogon with 366 sacred symbols. Intriguingly, these symbols were
initially given without explicitmeanings.
Instead, the Numo charged the Dogon with the sacred task of
interpreting and preserving thisknowledge through generations.

(01:32:40):
The symbols, once deciphered, revealed a vast and
sophisticated astronomical understanding, including
detailed knowledge of Sirius's invisible companion star,
celestial cycles, spiral galaxies, and an Infinity of
cosmic realms. Dogon priests became the
custodians of these symbols and their esoteric meanings,

(01:33:01):
carefully initiating successive generations into their profound
mysteries. As Europe struggled through the

(01:33:25):
medieval period, 3 great kingdoms were emerging in West
Africa, Mali, Ghana, and Shanghai.
These kingdoms amassed enormous wealth by controlling trade
routes across the Sahara and through their abundant gold
mines. Known for their benevolent
governments and deep respect forlearning, these kingdoms left
behind extraordinary artifacts that continue to amaze the world

(01:33:49):
today. Many of these African artifacts
found their way to the British Museum in London, taken from the
continent when first discovered by Europeans.
Among these are the stunning bronze plaques from the Kingdom
of Benin, now located in modern day Nigeria.
These bronze and brass artworks,about 500 years old, showcase A

(01:34:13):
remarkable fusion of sophisticated metallurgy and
artistic expression, baffling European observers in the 19th
century. At the time, Europeans struggled
to accept that W Africans possessed metallurgical skills
equal to or even surpassing their own.
Intriguingly, some scholars suggest the scientific and

(01:34:33):
artistic sophistication evident in these bronzes may have roots
stretching back to ancient Egypt.
Notably, recurring symbols such as the leopard, sacred to both
Benin and ancient Egyptian priests, suggest a cultural
connection. In Egyptian murals, priests wore
leopard skins, a tradition mirrored vividly in Benin

(01:34:56):
bronzes and still practiced today by certain African tribes.
The consistency of such symbols across Africa has LED some
researchers to conclude that thescientific and symbolic
knowledge originating in Egypt migrated southward into West
Africa. One tribe in particular, known
as the Dogon, further deepens this connection.

(01:35:19):
Living on the southwestern edge of the Sahara, the Dogon have
fiercely preserved their unique religious traditions and
profound astronomical knowledge.Remarkably, Dogon tribal elders
accurately described celestial phenomena invisible to the naked
eye, including the rings of Saturn, moons of Jupiter, and

(01:35:42):
even the existence of Sirius B, an invisible companion star
orbiting Sirius every 50 years. In the early 20th century, the

(01:36:06):
Dogon people lived mostly unknown to the Western world,
their sophisticated traditions hidden deep within the remote
Bandiagara escarpment in Mali. However, that all changed with
the arrival of French anthropologists Marcel Griol and
Jermaine Dieterlin in the 1930s,whose pioneering research would
eventually reveal extraordinary insights into Dogon cosmology,

(01:36:28):
profoundly reshaping Western perceptions of African mythology
and ancient astronomy. Marcel Griol first traveled to
Mali in 1931 as part of an anthropological mission to
document W African cultures. A meticulous and devoted
scholar, Griol became fascinatedby the Dogon after observing
their complex ceremonies, detailed symbolic language, and

(01:36:52):
carefully preserved oral traditions.
Intrigued, he returned multiple times over the following
decades, eventually accompanied by his colleague, the
ethnologist Jermaine Dieterlin, who shared his passion for
studying African spirituality, symbolism, and mythology.
Together, they gradually gained the trust and confidence of

(01:37:13):
Dogon elders, an essential step in revealing deeper layers of
sacred knowledge. In 1946, Griol was introduced to
an elder named Ogotemeli, A Dogon priest and sage revered as
a keeper of ancient wisdom. Over a series of conversations
that would later be compiled into the influential book Diodo

(01:37:35):
Conversations with Ogotemeli, Griol listened with amazement as
Ogotemeli revealed intricate details about Dogon cosmology
and creation myths. However, most astonishing was
the detailed information provided about the star Sirius,
which the Dogon called Sigitolo,and particularly its invisible

(01:37:55):
companion star, known today as Sirius B.
According to modern astronomy, Sirius B is a dense, tiny white
dwarf star impossible to see with the naked eye.
Yet Ogotomeli confidently described it as a dense and
heavy companion to Sirius, possessing an extremely long
elliptical orbit lasting approximately 50 years.

(01:38:16):
Initially, Griol struggled to grasp the significance of
Ogotemeli's statements. At the time, Western astronomers
had only recently confirmed the existence and nature of Sirius B
using advanced telescopes, something seemingly impossible
for a remote W African tribe to know independently.
The Dogon's astronomical claims were therefore viewed with

(01:38:37):
skepticism by Western academia. Despite this, Griol and
Dieterlin carefully documented and published their findings,
openly challenging the mainstream anthropological
consensus. Their revelations raised
immediate questions. How could the Dogon possess such
precise astronomical knowledge without modern instruments?

(01:38:59):
Could it have been passed down through ancient contacts, or did
it originate through mysterious cosmic interactions?
Grayol's findings remained relatively obscure until 1976,
when author Robert Temple released the book The Serious
Mystery, a work that dramatically popularized the
Dogon cosmology worldwide. Temple suggested explicitly that

(01:39:23):
the Dogon's advanced knowledge might be evidence of
extraterrestrial contact, highlighting the descriptions
provided by Griol and Dieterlin.The book sparked both
fascination and intense controversy, generating
international debate about cultural diffusion, ancient
aliens, and the legitimacy of Dogon astronomical traditions.
Critics argued vehemently against Temple, suggesting the

(01:39:46):
Dogon could have gained astronomical knowledge from
European explorers, missionariesor traitors.
But supporters pointed to the detailed descriptions recorded
decades earlier by Griol and Dieterlin, arguing convincingly
that the Dogon's knowledge genuinely predated any plausible
modern contact. The Numo's mission on Earth was

(01:40:17):
not just to observe, but also toreshape humanity, teach and
elevate the early inhabitants ofEarth by passing on knowledge
and cosmic understanding. Just like the Anunnaki, who
according to Sumerian myth, cameto Earth and gave civilization
to early humanity in the Innuma Elish, the Anunnaki tasked Enki

(01:40:38):
and Ninhursag with creating humans as laborers to serve the
gods. The first versions were flawed,
prompting Enki to refine and perfect Human Genetics.
Clay and divine blood were also used to form humanity.
Just like the Dogon narrative. Ogo, one of the Numo's 8
ancestors, disappointed and seeking independence, rebelled

(01:41:01):
against cosmic order, seizing forbidden knowledge and
attempting to create his world. This disrupted the universe,
introducing duality, chaos, and death.
Just like the Sumerian Enlil andthe Igigi rebellion, where the
lower gods revolted against the Anunnaki, Enki's creation of
humanity solved this cosmic disturbance, similar to the

(01:41:24):
Numo's second act of creation. Ogo's rebellion also reminds us
of the fall of Lucifer in Abrahamic traditions, a light
being seeking autonomy, introducing chaos into an
otherwise harmonious cosmos. After Ogo's rebellion, the Numos
sacrificed to restore cosmic balance.
They dispersed their divine essence across the world,

(01:41:47):
infusing Earth with their sacredlife force.
This act established Dogon ritual symbols and cosmological
teachings, ensuring future generations retained cosmic
order. Like the binding of the gods in
Sumerian myth, where divine essence was given to humankind,
the Numo's merger of essence with the physical world created

(01:42:08):
a spiritual bond between humanity and the cosmos.
Before departing, the Numo entrusted the Dogon with 366
sacred symbols, a cosmic blueprint with hidden knowledge,
but unfortunately, there is no comprehensive, publicly
available catalog of these symbols that can be viewed or
studied in their entirety. Deciphered over generations,

(01:42:32):
these symbols revealed the Sirius system and its invisible
companion, Sirius B, orbiting every 50 years, confirmed by
modern astronomy, celestial mechanics and the complex dance
of cosmic bodies and the nature of spiral galaxies and distant
realms. This knowledge is reminiscent of

(01:42:53):
the Sumerian Tablets of Destiny,divine laws governing the cosmos
imparted by the Anunnaki. Many ancient cultures associate
Sirius with divine visitors and cosmic teachers.
The Egyptians identified it withIsis, while the Greeks viewed it
as the home of heavenly beings. The Dogon perspective offers yet

(01:43:15):
another layer to this cosmic story.
Perhaps the return of the Pneumomay not be a myth.
The similarities between the Dogon Numo and the Sumerian
Anunnaki are too pronounced to dismiss as coincidence.
Both traditions describe celestial beings who descended
to earth, imparted advanced knowledge, and intervened in

(01:43:35):
cosmic affairs. Both narratives include
rebellious figures who disruptedharmony, prompting divine
intervention. Could it be that the Nummo and
Anunnaki were manifestations of the same advanced beings,
remembered differently by the Dogon and Sumerians?
If so, the secrets they impartedmay still hold the key to

(01:43:56):
humanity's forgotten past and perhaps our future.
What if the legends aren't just stories?
We stand at the edge of a forgotten narrative, where

(01:44:18):
strange beings descended, shapedhumanity, and left behind clues
encoded in the stars. But perhaps the most unsettling
question isn't where they came from.
If the Anunnaki were truly agents of a higher order, then
their return may not be a question of if, but when.
And if they do return, will we recognize them?

(01:44:41):
Or will we, like the ancients before us, mistake their arrival
as something beyond comprehension, once again
relegating cosmic truth to the realm of myth?
Because sometimes the answers weseek aren't lost, they're just
waiting for the right moment to reveal themselves.

(01:45:03):
One place to test that idea is our own satellite.
Lunar seismic ringing and irregular mass concentrations
suggest the moon is lighter inside than surface rock.
Chemistry predicts. Time to examine whether nature
alone explains those numbers. In 1899, Nikola Tesla believed

(01:45:37):
he had intercepted a message from the stars.
He was experimenting with a highfrequency receiver, an early
design for long range radio transmission.
But what came through wasn't static.
It was patterned, repetitive. Tesla believed it was
artificial, a signal not from Earth.
Decades later, other radio operators reported hearing

(01:46:00):
something similar. Bursts of unexplained
transmissions, unmapped frequencies.
It didn't stop there. In 1954, newspapers across the
US reported that the Air Force had detected 2 satellites
orbiting Earth. But at the time, no country on
Earth had the capability to launch anything into space.

(01:46:23):
Sputnik wouldn't launch for another three years, So what
were they tracking? The object was dark.
It moved in a polar orbit, something impossible with the
propulsion systems of the time. Polar orbits aren't designed for
communication, they're built forsurveillance.
The object didn't match any known satellite, and it didn't

(01:46:45):
respond to any known frequency. Some dismissed it as
misidentified debris. Others called it ancient.
It would later be named the Black Knight Satellite.
But long before that, there was another reference.
Stranger, older. A Quatron attributed to
Nostradamus, spoke of a machine in the heavens, sent by the

(01:47:08):
watchers, rediscovered by man, and feared for what it would
reveal. Whether that's prophecy or
coincidence, it's hard to ignorehow closely the language fits a
machine in orbit, not ours, waiting to be found.
In 1998, during the STS 88 spaceshuttle mission, astronauts

(01:47:31):
photographed something that shouldn't have been there, a
large, irregular object hanging in low Earth orbit, angular
black. NASA labeled it a piece of
insulation that had come loose, but the image is clear.
It doesn't look like debris. It looks designed.

(01:47:52):
No nation has claimed it. No origin has been traced.
Some believe it's been up there for thousands of years.
A probe, A relic, a piece of ancient technology left behind
to observe us. A satellite from the watchers.
If it's real, if it's what some believe it is, then we've been
under surveillance since before we knew how to look.

(01:48:14):
Back in October 2017, astronomers at the University of
Hawaii detected something strange.
A long, thin object was moving through the solar system.
It wasn't in orbit. It wasn't from here.

(01:48:35):
This was the first time humanityhad ever observed something from
interstellar space entering our system.
They named it umwamua, a Hawaiian word meaning a
messenger from afar arriving first.
But the name only deepened the questions.
It didn't behave like a comet. There was no tail, no out

(01:48:56):
gassing. It was rotating erratically
every 8 hours. Then as it passed the sun, it
accelerated. No known physics could explain
how it changed course. Not without propulsion.
And yet Umwamua didn't emit heat, radiation or chemical
discharge. No evidence of fuel, just

(01:49:19):
motion. Unexplained.
Precise. Some scientists said it was
natural, a fragment from anothersolar system, But others weren't
convinced. Harvard astrophysicist Avi Loeb
published a paper suggesting that Umuamua might be
artificial. A solar sail, A derelict probe

(01:49:40):
technology from another civilization sent to explore or
monitor. Loeb was ridiculed, but he
wasn't dismissed. Even the team that first spotted
it admitted they had never seen anything like it before.
The shape was unprecedented. Its brightness varied tenfold,

(01:50:00):
suggesting an object long and thin, possibly metallic.
Then it was gone, back into the black.
No follow up, no second chance. Just a brief passage, a flyby
that left more questions than answers.
If it was a probe, who sent it and what was it looking for?

(01:50:32):
The strangest anomaly of all might be the one we see every
night. The moon.
It feels familiar, constant, butit's anything but ordinary.
For starters, it's too big. A moon this large shouldn't
orbit a planet our size. It's an outlier.

(01:50:52):
In fact, no other moon in the solar system behaves quite like
ours. It's perfectly placed, perfectly
round, perfectly synchronized. One face always facing us.
We never see the far side, not from Earth.
And then there's the sound. During the Apollo missions,
seismic charges were detonated on the surface.

(01:51:15):
The moon rang. Not like a rock, like a bell.
Vibrations echoed for hours, leading some scientists to
conclude that the moon's crust is unusually light and its core
possibly hollow. Hollow moons aren't natural, and
yet that's the best explanation we have.

(01:51:36):
Add to that the reports, rumors of structures on the far side,
angular formations, shadows thatdon't match craters, photos
redacted, missions cut short. Some astronauts spoke about it
after they returned. Others didn't speak at all.
And there's one more question most people never ask Where did

(01:51:58):
the moon come from? Mainstream science says it was
formed by a collision, a chunk of Earth knocked into orbit.
But that theory has problems. The moon's composition is too
different and too similar. At the same time, it doesn't
quite add up. Some ancient myths speak of a

(01:52:18):
time before the moon existed, a sky without it.
So if it wasn't formed naturally, was it placed?
Was it brought here by someone or something long before we
arrived? We've been staring at it for
thousands of years, but maybe it's been staring back.

(01:53:07):
The ancient Greek philosopher Democritus wrote of a time when
the Earth was without the moon. His contemporary, An Axagoras,
also described a period before the moon appeared in the
heavens. The Arcadians, a pre Hellenic
people of Greece, were known as the Procelenes, literally
meaning those who lived before the moon.

(01:53:30):
Greek historian Apollonius of Rhodes noted that the Arcadians
were considered so ancient they were said to have lived before
the moon hung in the sky. In Colombia, the Indians of the
Bogota Highlands told early Spanish chroniclers about a time
when the moon hadn't yet risen. They spoke of a great
catastrophe, a shift in the heavens, after which the moon

(01:53:53):
appeared. The Zulu people of South Africa
hold similar stories. According to Zulu shaman Credo
Mutwa, Zulu legends hold the belief that the moon is hollow
and serves as the home of the Python or Hitari Reptilians, a
race of intelligent extraterrestrials.

(01:54:15):
According to these legends, the moon was brought to Earth
hundreds of generations ago by two brothers, Woe, Wayne and
Meepanku, who were the leaders of these reptilian
extraterrestrials. These two brothers, known as the
Water Brothers, possess scaly skin resembling that of a fish.

(01:54:36):
This tale bears a striking resemblance to the Mesopotamia
and Sumerian accounts of the twochief leader brothers, N Lil and
Enki, Lords of the Earth. Credo Mutwa continues to narrate
the Zulu legends, recounting howWowan and Mpanku stole the moon
in the form of an egg from the Great Fire Dragon.

(01:54:58):
They then emptied out the yoke, transforming the moon into a
hollow sphere. Subsequently, they rolled the
moon across the sky, causing cataclysmic events on Earth that
marked the end of the golden ageof the past.
In the Papal Vu, the sacred bookof the Maya, the moon is tied to

(01:55:18):
a cosmic drama, a shift in the world's structure, a reordering
of time. In the myths of the Cherokee,
the moon came after the first people who lived in darkness and
heat, before light, before the sky changed over and over again.
These traditions point to the same idea, that something

(01:55:39):
changed, that the sky wasn't always like this, and that the
arrival of the moon was a cosmicintervention.
But by who and for what purpose?Some believe it was brought here
to stabilize Earth's rotation. Others believe it was placed to
monitor us. But the stories don't end with
placement. They hint at something deeper,

(01:56:02):
that the moon might not just be watching us, it might be
controlling something. In 1969, humanity stepped onto

(01:56:30):
another world, or so we're told.For decades, some have claimed
we never made it, that the moon landings were faked.
But what if the truth is stranger than either story?
What if we did go, but what we found was so shocking it was
never meant to be made public? Millions of people around the

(01:56:53):
world watched a blurry transmission from another world.
Neil Armstrong, Buzz Aldrin, thefirst men to walk on the surface
of the moon, A giant leap for mankind.
But almost as soon as the momentwas celebrated, questions began
to surface. Why does some of the footage
look staged? Over the years, these anomalies

(01:57:17):
gave rise to a theory that refuses to die, that the moon
landing was faked, that it was staged on Earth, part of a Cold
War propaganda campaign to beat the Soviets.
But what if the reality is more complicated?
What if the problem isn't that we didn't go, but that when we

(01:57:37):
got there we found something that couldn't be shown to the
public? Think about it.
If Apollo 11 had encountered something unexpected, something
impossible, what would NASA havedone?
They had to show success. They had to deliver the moon to
the world. But maybe what they found

(01:57:58):
couldn't be explained. Maybe the footage was altered,
edited, sanitized. The anomalies that skeptics
point to, the strange lighting, the missing stars, the
inconsistencies, they might not be evidence of a hoax.
They might be evidence of a cover up, evidence that when

(01:58:19):
humanity first set foot on another world, we weren't alone.
I think perhaps the final descent
to the lunar surface was, for me, the highlight of the flight.

(01:58:42):
It was very challenging. There were a lot of unknowns.
And it was for a pilot that it was a wonderful experience.
The astronauts who walked on themoon only explored A narrow
slice of its surface. Always the same side, the side
that faces Earth. But what about the far side?

(01:59:06):
The moon is tidally locked, one hemisphere permanently turned
away from Earth. We never see it, not directly.
When the first images of the FarSide were transmitted back to
Earth by Soviet probes in the late 1950s and 1960s, they
showed something unexpected. Craters, yes, but also strange

(01:59:29):
formations, angular structures, towering Spires, objects that
didn't match the random impact patterns seen elsewhere.
Some photographs showed patterns, grids, rows of shapes
so geometric they seem to defy natural explanation.
Then there are the missing images, entire regions of the

(01:59:50):
moon's far side where photographs are conveniently low
resolution, blurred or simply missing.
Declassified internal NASA documents mention the use of
airbrushing altering photographsbefore public release to remove
sensitive details. Insiders, whistleblowers, even
contractors have spoken anonymously over the years.

(02:00:13):
They claim there are structures on the moon, Massive ones.
Not craters, not natural formations.
Artificial constructs. Some resembling towers rising
miles above the surface, others resembling domes, pyramids, even
the ruins of vast complexes. If these claims are true, they

(02:00:35):
raise a chilling possibility that the moon isn't just a
satellite, it's a relic, a monument left behind by a
civilization that predates ours,or a forward base still
watching, still waiting. Officially, the Apollo missions

(02:00:58):
were a triumph of engineering precise, clinical, successful.
But behind the official story, there are other accounts,
accounts that suggest the missions encountered something
unexpected, something not human.During the Apollo 11 mission,

(02:01:18):
astronauts reported strange objects shadowing their craft.
Buzz Aldrin himself later admitted they saw something
following them, an object tumbling alongside their
trajectory, changing speed, changing direction.
NASA dismissed it. Debris, ice, a reflection.

(02:01:38):
But the incident was quietly classified for decades.
Then there's the rumored off radio transmissions recordings
said to have been intercepted byamateur HAM radio operators
listening in on the secret NASA channels.
According to these leaks, when Armstrong and Aldrin stepped
onto the lunar surface, they found more than just rocks.

(02:02:01):
Armstrong's alleged transmission?
They're here, they're watching us.
We were warned off. I can't go into detail, but
their ships were enormous and intimidating.
These communications were supposedly suppressed, broadcast
only to Mission Control's private channel.

(02:02:23):
Other Apollo missions reported similar anomalies.
Apollo 15, Apollo 16, Apollo 17,strange lights, unexplained
radio noise, sightings of structures just beyond their
landing zones. And there were other warnings.
Rumors of unmanned probes that failed mysteriously when

(02:02:44):
orbiting the far side. Secret photographs from the
command module that showed things machines watching.
Astronaut Edgar Mitchell, the 6th man to walk on the moon,
openly stated after retirement that he was convinced
extraterrestrials had visited Earth.
He hinted that what the public was told about space exploration

(02:03:07):
wasn't the full story. And he wasn't alone.
Overtime, insiders from NASA, military contractors, even
mission doctors and flight engineers quietly leaked the
same message. The moon isn't empty.
We weren't the first ones there and we were told not to return.

(02:03:38):
The Moon is too perfect. Its orbit, its size, its
influence on Earth's tides, seasons, and axis, all of it
balanced with impossible precision.
Its placement allows for perfectsolar eclipses, where the moon
covers the sun with mathematicalexactness.
Out of more than 200 moons in our solar system, ours is the

(02:03:59):
only one that creates that kind of effect.
The odds of this happening by chance are beyond astronomical.
And yet there it is, locked in perfect position, always showing
the same face, a tidal anchor, astabilizer.
Without the moon, Earth would bechaotic, unstable, possibly

(02:04:21):
uninhabitable. So we asked the question no one
wants to ask. Was it placed here on purpose?
In 1972, Soviet scientists Mikhail Vasin and Alexander
Cherbakov published a paper titled Is the Moon the Creation
of an Intelligence? In it, they suggested something

(02:04:43):
radical, that the moon may be anartificial satellite, a hollow
shell created by unknown beings and towed into Earth's orbit.
In the distant past, the theory was dismissed by mainstream
science, labeled as speculative fantasy.
But decades later, many of theirarguments still remain

(02:05:04):
unanswered. The moon's crust is unusually
hard. The core is strangely small or
missing. Apollo seismic experiments
revealed that the moon rang likea bell for hours after impact,
and its internal density lower than it should be, as if it were
hollow. What kind of natural object does

(02:05:25):
that? Ancient cultures describe the
moon as arriving suddenly, as we've already seen, which raises
A disturbing possibility. The moon may not be natural.
It may be a construct. And if it was built, who built
it? Was it the same force
responsible for the stories of the Watchers?

(02:05:47):
The same architects behind the Black Knight?
Was the moon meant to stabilize Earth or monitor it?
A machine? A station?
If the moon was built, it wasn'tbuilt by chance.
In ancient traditions across theworld, there are stories of
beings who descended from the stars, not gods.
Watchers. In the Hebrew book of Enoch, the

(02:06:09):
watchers are described as powerful entities who came down
to earth to observe, to intervene, and eventually to
corrupt. The Sumerians spoke of the
Anunnaki, the sky born ones who shaped human civilization.
The Zulu people tell of sky beings who dragged the moon into

(02:06:30):
orbit across continents. The same idea repeats.
Visitors came from above, they changed the earth, and then they
stayed. If the moon was placed, could it
be their construct? A monitoring station?
A quarantine mechanism? A tool for control?

(02:06:51):
In ancient Egyptian myth, the moon was often associated with
Thoth, the keeper of secrets andthe measurer of time.
In the Greek tradition, the moongoddess Celine rode her chariot
across the heavens, but the vehicle she drove was described
as mechanical, made of gleaming silver.
It's a device, a machine maintained and operated by

(02:07:15):
beings older than memory. Some researchers believe the
watchers, whoever or whatever they truly were, may have placed
the moon to stabilize Earth. So to observe its evolution, to
watch us grow, to monitor our development, to control the
cycles of life and time, and maybe to ensure that Earth never

(02:07:36):
outgrows its prison. In 1969, during Apollo 12,
astronauts deliberately crashed a portion of their lunar module
into the surface. Seismic instruments placed on
the moon recorded the results. The moon rang like a bell for
more than an hour. Vibrations echoed through its
crust. Not the short, chaotic waves

(02:07:59):
typical of a solid rock, but a resonance as if the surface was
hollow. Later experiments produced the
same result. Larger impacts made it ring even
longer. Some scientists quietly admitted
they had no model that could explain it.
Then there's the matter of density.

(02:08:19):
The moon's overall mass is too low for its size.
Its crust is disproportionately thick, especially on the far
side, suggesting an uneven manufactured shell.
The core? Thin, small, nothing like
Earth's dense molten center. It's as if the moon isn't
natural at all, but a lightweight construct covered in

(02:08:43):
just enough rock and dust to mimic a planetary body.
Some seismic readings even hint at the presence of metallic
materials deep within the moon'sstructure, elements that don't
match the surrounding lunar rock.
Soviet research from the 1970s, quietly ignored in the West,
suggested the moon might be coated with titanium alloy in

(02:09:06):
certain regions. Titanium, one of the strongest,
most heat resistant metals knownto man.
And then there are the magnetic anomalies, pockets of
unexplained magnetism scattered across the surface, too strong,
too localized, too structured tooccur naturally in an otherwise
inert body. In the Book of Enoch, the

(02:09:29):
watchers descended from the heavens, interfering with the
natural course of Earth's evolution.
In the midst of Mesoamerica, theSky people came down and altered
the land and the heavens themselves.
Are these fragments describing the same architects, a
civilization capable of moving planets, of constructing

(02:09:50):
hollowed out megastructures the size of small worlds?
Some believe the answer lies even deeper, that before modern
humanity rose, there was anothercivilization on Earth, a race
whose knowledge reached the stars.
And when catastrophe came, when Earth was reset, the survivors

(02:10:10):
left behind traces, structures, technologies, and maybe the moon
itself. After Apollo 17 in December

(02:10:56):
1972, the program was over officially.
Budget cuts, public fatigue, a shift in priorities.
That's what we were told. But the truth doesn't add up.
The technology was there. The momentum was there.
NASA had already planned future missions.
Apollo 18/19/20 Missions that would have pushed further across

(02:11:20):
the lunar surface. They were quietly cancelled. the
Rockets, the modules, the blueprints, all left to rot.
In the decades since, no human has returned.
Not the United States, not Russia, not China, not anyone.
Why? If the moon was simply a dead
rock, a conquered frontier, why abandon it?

(02:11:44):
Why leave it untouched for half a century?
Some say the answer was written in the silence.
We didn't stop because we couldn't afford it.
We stopped because we were warned off.
What the astronauts encountered forced A reckoning, A presence
already there, ancient, watching.
The message was clear. You are not welcome.

(02:12:05):
You are being watched. Do not come back.
And so we didn't. The moon controls the tides.

(02:12:30):
It stabilizes the Earth's tilt. It shapes the very rhythm of
life on this planet. For thousands of years, full
moons have been linked to strange behavior.
Ancient cultures warned that during certain phases, madness
would rise. The word lunacy comes from Luna,

(02:12:51):
the Latin word for the moon. Even today, police and hospital
records show spikes in violence,accidents and emergency room
visits during full moons. Sleep studies have revealed that
human sleep cycles become disturbed near the full moon,
even when subjects are sealed away from the sky.

(02:13:11):
Heart rates change. Melatonin production drops
something about the moon's position, its gravity, its
radiation, or something even stranger seems to reach into the
human body itself. Ancient mythologies didn't just
observe the moon. They worshipped it as an entity,

(02:13:33):
a living being, sometimes benevolent, sometimes hostile.
The moon cycles mirror biological rhythms.
Menstrual cycles align almost exactly with lunar months.
Migratory patterns of animals and fish follow its pull.
Some researchers now believe themoon acts as a kind of

(02:13:53):
biological tuner, amplifying certain traits, suppressing
others. Was the moon placed to help life
thrive, or to control how life would develop?
If its arrival triggered the great flood myths?
If its gravitational field manipulates brain chemistry and

(02:14:13):
behavior, then humanity may havebeen under lunar influence since
before we could even write our own history.
Could the Moon be the machine ofthe Watchers placed deliberately
in the heavens? Could the Black Knight satellite
be a communications relay linkeddirectly to the moon?
Was Umuamua A probe sent back from the Anunnaki to gather

(02:14:36):
information from our solar system?
The moon does not just observe us, it shapes us.
And the real question is to whatend?
If planetary engineering was possible in deep time, traces
might still lie in the ground. Coalition field memos from the

(02:14:57):
2003 Iraq campaign flag a no flybox over a Babylonian era mound.
What warranted the cordon and how does it connect back to
Sumerian flood legends? Stargates, once thought to be

(02:15:28):
the stuff of science fiction, may in fact be remnants of a
forgotten reality. Stargates are advanced devices
capable of bending space and time, connecting distant points
in the universe with a single step.
Known by many names across cultures, a stargate is said to
be a portal not of human design,but of cosmic origin.

(02:15:51):
Unlike any known technology, they defy physics, offer instant
transportation across the stars,and perhaps even through time
itself. The idea isn't confined to
modern fantasy. It's found in the mythologies of
the Egyptians, the Mayans, the Incas, and the Mesopotamians.
Again and again we find stories of gods descending from the sky

(02:16:15):
or returning to the heavens through sacred gateways.
These weren't just metaphors, they were memories of encounters
with advanced beings and technologies indistinguishable
from magic. Hollywood mainstream the concept
with a 1994 film, Stargate, and its TV successors.
But the inspiration didn't come from fiction.

(02:16:37):
It came from archaeology, myth, and the ancient astronaut
theory. At the heart of many of these
stories are the Anunnaki, the gods of the Sumerian pantheon,
being said to have come from thestars and to have ruled the
earth through divine knowledge and technological supremacy.
The Epic of Gilgamesh hints at such technology.

(02:16:58):
So do Babylonian legends. Even King Nebuchadnezzar the
Second, some believe, may have possessed access to these
celestial gateways. Millennia later, whispers began
to surface that a stargate, possibly dating back to
Nebuchadnezzar's reign, had comeinto the possession of Saddam
Hussein. Saddam was obsessed with
Babylon. He saw himself as the modern

(02:17:20):
reincarnation of Nebuchadnezzar,and he made sure the world knew
it. In Babylon, he oversaw extensive
reconstruction projects, massivestone structures, ancient
ziggurats and palace ruins brought back to life.
Bricks were stamped with his name, just as Nebuchadnezzar had
done. Babylon, he declared, was rising

(02:17:41):
again. For Saddam, this wasn't just
political theater. He believed He was continuing
the legacy of the ancient king. And during these restorations,
it's rumored that something was found, something buried beneath
the ziggurats of summer, a Stargate.
Alongside it, according to sources, were caches of Anunnaki

(02:18:01):
technology, including something resembling A resurrection
chamber, a device capable of defying death itself.
These were not relics. They were weapons, tools of
immense power far beyond anything in modern arsenals.
Saddam's ambition, some believe,had grown beyond earthly

(02:18:21):
conquest. He now sought to wield the power
of the gods to rewrite the destiny of human civilization,
and this may have been the real reason for the war.
In 1998, during Operation DesertFox, a mysterious UFO was filmed
over Baghdad, captured by CNN cameras.

(02:18:41):
In 2002, the caller to Art Bell's Late night radio show
claimed that a UFO had crashed in Iraq four years prior. the
US, the caller said, feared Saddam was reverse engineering
alien technology. He claimed the military was
desperately looking for a publicpretext to invade before Saddam
could unlock the secrets of 0 point energy, gravitational

(02:19:04):
weapons and interstellar travel.This, the caller warned, is
Iraq's Roswell. In the 1950s, archaeologists
from Cambridge and the University of Chicago excavated
ancient Sumerian ruins near the Little Zab River in a place
called Zazi, deep in Kurdish territory.

(02:19:25):
They uncovered Neolithic sites dating back to 10,000 BC Local
legends spoke of star beings, giant scorpions guarding palaces
and underground temples sealed by the gods.
A limestone Cliff in Zazi bears a strange painting, one of a
Sumerian Prince worshipping an Anunnaki deity, with an 11
pointed star shining behind the throne.

(02:19:48):
Some believe it marks the entrance to an ancient alien
base. Reports even emerged from Soul
Mania markets rumors that Saddamhad struck a deal with
otherworldly visitors, that he had offered them refuge beneath
his summer fortress, Kalatjundi,in exchange for weapons,
knowledge and power. The valley was said to be

(02:20:09):
protected by genetically engineered scorpions, guardians
bred in the labs of another world.
Saddam's reconstruction of Babylon, his obsession with
Nebuchadnezzar, his alleged discovery of a Stargate, and his
defiance of global powers all converge into a chilling
possibility. The Iraq War wasn't just about

(02:20:29):
oil. It wasn't just about WMDS.
It was about something buried, something old, something not of
this Earth. In the Bible, in the book of

(02:20:59):
Daniel, Nebuchadnezzar, king of kings, ruler of the greatest
empire on earth, commands the construction of a towering
golden image 90 feet tall, a symbol of divine power and of
total obedience. He issues a decree.
When the music plays, every man,woman and child shall fall and

(02:21:21):
worship the image, and whoever does not shall be cast into a
furnace of blazing fire. But three men, Shadrach,
Meshach, and Abednego, refuse. They are brought before the
king, and they do not beg, they do not kneel.
So Nebuchadnezzar orders the furnace stoked 7 times hotter

(02:21:43):
than normal. The flames are so fierce they
kill the soldiers tasked with throwing the men inside.
But what happens next is unexplainable.
The three men stand unharmed in the center of the fire.
And they are not alone. A fourth figure appears beside
them. The guards fall back in fear.

(02:22:05):
Nebuchadnezzar himself rises to his feet.
He asks did we not cast three men bound into the fire?
But I see 4 unbound walking in the flames, and the fourth looks
like a son of the gods. Not a metaphor, A presence.
Some say it was divine protection, others say it was a

(02:22:27):
transfer, an activation, a moment where the laws of nature
gave way to something far older,a Stargate event.
Nebuchadnezzar's obsession with the heavens was not symbolic.
He believed the gods came from the stars, and he believed he
could bring them back. His inscriptions speak of Marduk

(02:22:48):
not as myth but as commander, a being who established stations
in the sky and opened gates on both sides, references that some
scholars believe point to Nibiru, the crossing place.
According to the Anuma Elish, Marduk defeated Tiamat and built
the architecture of the heavens,anchoring divine points in

(02:23:12):
space, opening channels between realms, and Nebuchadnezzar
rebuilt those points. The Ishtar Gate, the
Processional Way, the Tower of Babel.
These weren't symbols, they wereinterfaces.
And when Saddam followed in his footsteps, he wasn't rebuilding
a city. He was reawakening a system

(02:23:34):
following the blueprint of a gatekeeper.
September 2016 Iraq's Transport Minister Qasem Finjan stands
before the media in Dakar, a place steeped in the echoes of
ancient history. He says something no one

(02:23:54):
expects. He claims that 5000 years ago,
the ancient Sumerians built the world's first airport, and it
wasn't just for terrestrial flights.
According to Finjon, this site connected Earth to the stars.

(02:24:43):
We'll imagine that Yakara kitab El El El El Kabir with the
hustles filled de Masada SomariaZakaria Ascension are we are UD
El akuto samo El Kramer are we are UD El Quitabella de LFO Edgi
Wells. History begins from summer Al

(02:25:08):
Tariq the miss over. Yeah.

(02:25:33):
And if we move? The media.

(02:26:19):
Response was immediate laughter,dismissal.
Why would a sitting minister, bound by the rigors of public
service suddenly veer into talesof space ports and star
travellers? Was it a desperate attempt at
attention, or was Finjon pointing to something forgotten
by history or deliberately erased?

(02:26:42):
Not long after his declaration, Kazem Finjon's career began to
unravel. Officially, his charge was
corruption, accusations of tampering with government
contracts, and mismanagement, culminating in a prison sentence
handed down in absentia. And then he vanished.

(02:27:04):
Was Finjon's undoing the result of political missteps, or had he
crossed a line that powerful forces would not allow?
As of November 2024, Finjon was sentenced to an additional three
years in prison for violations related to government contracts.
His exact location remains unknown.

(02:27:36):
Doctor Michael Sala. Born in Melbourne, Australia, he
holds a PhD in government from the University of Queensland.
Over his academic career, Sala served as a professor at
American University in Washington, DC, specializing in
conflict resolution, diplomacy and international politics.
His research also wasn't limitedto lecture halls.

(02:27:59):
Sala actively engaged with policy makers, peace
negotiations, and international diplomacy.
But somewhere along the way his path shifted dramatically.
While many dismissed claims of alien visitation or government
cover ups, it's far harder to dismiss Doctor Saleh himself.

(02:28:20):
Saleh was deeply respected, published in reputable journals,
and taken seriously within his field.
They don't exactly hand out pH DS in boxes of Cracker Jacks.
Yet he willingly stepped away from mainstream academia into a
far more controversial territory.
May 2001 National Press Club, Washington, DCA room packed with

(02:28:47):
journalists, camera crews, and alineup of military insiders.
Among the crowd sat Doctor Saleh, and that day he saw
something he couldn't Unsee. One by one, former intelligence
officers, pilots and government contractors stepped forward,
calm, collected and dead serious.

(02:29:09):
They spoke of crashed UFOs, of recovered alien bodies, of
secret programs buried so deep inside the military industrial
complex that even the president might not have full access.
And none of them flinched. Dr. Saleh was captivated.
The witnesses were credible men and women with security

(02:29:32):
clearances, detailed logs, and first hand involvement in
operations that most people aren't even aware exist.
He began researching these claims, cross referencing
whistleblower testimony with declassified documents, military
records, and ancient historical narratives.
What he found convinced him thatthe presence of extraterrestrial

(02:29:55):
life and the political efforts to conceal it was not just a
fringe theory, it was a buried reality.
But the response from academia was swift and cold.
He was told that his work had noplace within the university, and
in 2004, his position was terminated.

(02:30:18):
And he became one of the first serious voices to suggest that
we're not alone, and that world governments have known this all
along. In 2003, the world watched as
American forces rolled into Iraq.
Officially, it was about weaponsof mass destruction, about
preventing terrorism, about democracy.

(02:30:40):
But what if that wasn't the whole story?
What if buried beneath the ruinsof ancient Mesopotamia, beneath
the cradle of civilization itself, was something far more
dangerous? Doctor Michael Sala It was one
of the first to suggest that theIraq War may have had another
hidden objective to gain controlover an ancient Stargate.

(02:31:02):
The idea seems ripped from science fiction.
Salah's theory draws on ancient Sumerian texts, Babylonian
myths, and declassified government testimony from
whistleblowers who claim the US military has long been aware of
portal technology left behind bynon human intelligences.

(02:31:23):
According to these accounts, Iraq was once the domain of the
Anunnaki, extraterrestrial beings who either created or
heavily influenced early human civilization.
The site in question? Uruk, one of the first major
cities in human history. Some claim the US invasion

(02:31:43):
targeted the ancient city of Ur,the ziggurat of Ur, and even the
museum in Baghdad, which was looted within days of the
invasion. Among the stolen or seized
artifacts were tablets, cylinderseals and relics inscribed with
strange symbology, many tied directly to the myths of the

(02:32:04):
Anunnaki and the gates of the gods.
Multiple independent sources, some cited by Saleh, others
echoed in classified testimony and even remote viewing
sessions, claimed the US military secured a buried device
beneath a rocky soil, a portal, a stargate said to be dormant

(02:32:25):
but recoverable, a device that allowed travel between worlds or
dimensions. According to Salah and those
aligned with this theory, the USgovernment feared that Saddam
Hussein had either discovered this artifact or was attempting
to activate it. Hussein was obsessed with
Babylonian grandeur. He even rebuilt the ancient

(02:32:47):
cities. Ishtar Gate, who today remembers
the legends of the grandeur thatwas ancient Babylon.
President Saddam is one who does.
Indeed, For the president of modern day Iraq, ancient Babylon
has more than mere historical significance.
This is the southern palace of King Nebuchadnezzar in the 6th

(02:33:11):
century BC. He was the Middle East's top
dog. And this is the throne room of
King Nebuchadnezzar, the ruler of the greatest empire the world
had known until this time. And he made sure that everyone
did know about it too. And you can see some inscription
from the time of Nebuchadnezzar.We still, as it is the translate

(02:33:31):
of this description. I'm Nebuchadnezzar, the king of
the world. Reconstruct this building to my
family and to my God. I hope to help me in the love of
life. That's me in the date life.
We'd like to put the stamp on all the bricks that are in
Babylon. The palace was rebuilt by
President Saddam. He sees Nebuchadnezzar as the

(02:33:54):
first Iraqi revolutionary and a man to emulate.
It says in the era of President Saddam Hussein, all Babylon was
reconstructed in three stages. From Nebuchadnezzar to Saddam
Hussein, Babylon is rising again.
In 2003, German archaeologists announced a significant

(02:34:16):
discovery in Iraq what they believed to be the tomb of the
legendary King Gilgamesh, a central figure in the ancient
Sumerian epic bearing his name. Just five months later, Iraq was
invaded by the United States. Amidst the ensuing conflict, the
Iraq National Museum in Baghdad was looted.

(02:34:39):
This looting wasn't a random actof chaos, it appeared to be a
well coordinated operation employing shape charges and
other professional techniques. Thousands of invaluable
artifacts, including those with potential connections to the
Anunnaki, were stolen. The figure of Gilgamesh is often

(02:34:59):
depicted as a giant in ancient texts.
Interestingly, there are modern accounts of soldiers
encountering giant figures in the Middle Eastern deserts,
sparking further speculation about the connections between
ancient myths and contemporary events.
Following the invasion, the US military established a base in

(02:35:21):
the ancient city of Babylon. This presence led to the
destruction of some historical artifacts, and numerous items
were taken from the site. It is widely believed that the
military was searching for something of significant
historical and possibly esotericvalue.
The city of Nimrud was founded more than 3300 years ago.

(02:35:45):
It was one of the capitals of the Assyrian Empire.
The Iraqi government confirmed that the site was attacked by
armed extremists using bulldozers on March 5th, 2005.
Why would so many powerful entities and governments go to
such lengths to acquire or destroy these ancient Sumerian

(02:36:07):
artifacts? What secrets could these relics
hold? A Freedom of Information Act
request revealed an e-mail from a person named Denatris Senegar
sent to then Secretary of State Hillary Clinton.
This e-mail requested documents related to the Resurrection
Chamber of Gilgamesh, the location of his body, and the

(02:36:29):
buried Nephilim. These emails, which were later
leaked through WikiLeaks betweenOctober 7th and November 4th,
2006, have since sparked widespread speculation and
intrigue. Doctor Michael Saleh has
referenced several whistleblowers in relation to
the alleged discovery of a Stargate in Iraq.

(02:36:49):
While he often maintains the anonymity of his sources, some
individuals have publicly sharedtheir accounts.
Dan Burisch, a former microbiologist allegedly
involved in secret government projects, claimed participation
in a covert team tasked with locating portal technologies in
Iraq. He asserted that the US invasion

(02:37:11):
aimed to secure ancient Stargatetechnology.
Corey Goode, who also claims involvement in secret space
programs, described ancient portals found globally,
including in Iraq. He suggested that the US sought
these technologies during the Iraq invasion.
In 1985, Saddam Hussein ordered the restoration of the great

(02:37:34):
ziggurat of ER. Even today, you can still see
and use the massive stairways hehad installed.
He believed ER was sacred ground, the place where gods
once walked. According to the Sumerians, this
was where the gods descended, ruled the earth, taught kings,
built cities, and then vanished.The ziggurat was a beacon during

(02:37:59):
the restoration. Workers uncovered sealed
chambers, rooms not listed on any archaeological plans.
Inside, strange inscriptions, symbols that didn't match
Sumerian kuni form tools or objects made of unfamiliar
alloys, burned glyphs resemblingstars, gates and spirals.
The site was locked down. Workers were reassigned,

(02:38:22):
equipment removed under militaryescort.
Whatever was found, it never sawthe light of day again.
After the invasion, the US military did something strange.
They built a base right on top of the great ziggurat of UR.
Not beside it, not near it. Directly on top.
The oldest temple in human history turned into a forward

(02:38:43):
operating base. The official story?
Logistics, proximity, coincidence.
But the soldiers who were stationed there told a different
story. They described areas of the site
being cordoned off, patrolled off limits.
Archaeologists were removed, locals pushed out cameras

(02:39:04):
banned. Sections of the ziggurat sealed,
covered. 1 soldier said it felt like they weren't guarding a
monument, they were guarding something inside it.
If Saddam had found something beneath, ER, the US came to take
it. But what if the ziggurat was
never just a temple? What if it was a machine?

(02:39:28):
What if the ancients didn't justbuild monuments, they built
terminals, interfaces to something larger, A Stargate
network, a grid of hidden technology buried beneath layers
of myth and empire. Iraq was just one node, but a
powerful 1, and Saddam knew it. That's why he rebuilt Babylon,

(02:39:51):
had his name carved into every stone, echoed the proclamations
of Nebuchadnezzar. He believed Babylon was rising
again, that the gate would open and the world watched him.

(02:40:25):
Ancient kings spoke of gods descending from the sky.
Modern powers wage wars over ruins, and buried beneath it all
is a secret no one is supposed to find.
Maybe it's just myth. Maybe it's buried truth.
But whatever was uncovered in the deserts of Iraq, whatever
Saddam found beneath the ziggarats and temples, it was

(02:40:48):
enough to rewrite history. And maybe that's why they had to
burn it. We were told the Iraq war was
about weapons of mass destruction.
We were told it was about oil, about terrorism, about freedom.
But what if that was just the surface?
What if it was about something older, something buried?

(02:41:10):
The tomb of Gilgamesh, A resurrection chamber, a stargate
locked behind the gates of Babylon?
The whispers are always the same, Artifacts taken, sights
sealed, records scrubbed, and the world moves on, never asking
why. They told us the Anunnaki were

(02:41:31):
just myth. They told us the gods never
came, but maybe they were here. Maybe they left something
behind, and maybe, just maybe, someone found it.
Saddam believed he was chosen tofinish what the old kings began,
and if that belief was based on something real, then the war

(02:41:53):
wasn't about controlling the future, it was about rewriting
the past, or worse, unsealing it.
The story isn't over because theziggurats are still there and
whatever is sleeping beneath them hasn't woken up yet.
All data converges on one pattern.

(02:42:13):
Advanced knowledge, Biological, architectural, astronomical
arriving sooner than mainstream timelines allow.
We cannot yet confirm the agentsbehind it, but we can list
what's missing Open lunar seismic archives, unredacted
imagery from Iraqi survey flights, and a genome database

(02:42:35):
that separates natural drift from potential splice
signatures. Until those gaps close, the
Anunnaki hypothesis remains unproven, but also undismissed
and firmly on the research agenda for anyone willing to
match new measurements against old assumptions.

(02:43:53):
The. The.

(02:45:18):
The.

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THE ANUNNAKI CONNECTION – VOLUME 8 - DNA • SERPENT GATES • CELESTIAL MACHINES

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}THE ANUNNAKI CONNECTION – VOLUME 8 - DNA • SERPENT GATES • CELESTIAL MACHINES