Episode 13: Eric Avery

We talk about: audience-determined structures, reparations as a culture-building project, Augusto Boal's "rehearsal for revolution," balancing audience choice with a desire to "get into the harder stuff," the "curb cut effect" (why reparations are for everyone), and much more… 

ABOUT THE ARTIST

Eric Avery is an interdisciplinary artist and cultural organizer with over eighteen years of professional experience in theatre, interactive performance, and community-based projects. Since 2018, they have focused on applying a reparationist framework to their creative practice, organizing projects, and life. This dedication to relationship-centered process has put Avery in partnership with non-profit organizations, municipalities, social service agencies, universities, farms, community centers, prisons, art galleries, and private homes. In addition to collaborations, Avery has independently created over 25 original productions. They earned a Bachelor's in Theatre & Film from the University of Kansas and an MFA in Theatre Arts from Towson University. Honors/Awards, including a Bessie Award (Outstanding Visual Design), Lavender Magazine Best of List (Outstanding Performance), Elliot Norton Award (Outstanding Design), 2024 MAP Grant Awardee, Zellerbach: Community Arts, East Bay Fund for Artists, Dresher Ensemble Artist Residency, and a TBA CA$H Grant.

@efranklin.tv

RESOURCES

Eric Avery, The Pla[y/n] for Reparation$

Eric Avery, 67 Simple Operations

ARTIST INSPIRATIONS

Theater of the Oppressed (Augusto Boal)

On Theater of the Oppressed 

10,000 Things Theater Company

Lee Bruer

Basil Twist

Pina Bausch

36 Questions to Fall in Love

REPARATIONS RESOURCES

California Reparations Report

Reparations in California (KQED)

On "the curb cut effect"

Nine Charts about Wealth Inequality in America

Center for Belonging (UC Berkeley)

SPECIFIC REPARATIONS PROJECTS

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