Can joy and insights flow from writing, literature, screenwriting and other forms of the craft? Our StoryCasters chat with an eclectic group of storytellers and share stories of their own.
StoryCaster producer Sharon Masige shares a reflective piece on her childhood love of books and the importance of finding representation, while Natesha Somasundaram, a playwright, screenwriter and actor, speaks with broadcaster Tanya Ali about navigating a changing arts space.
Live from Boundless Festival, Sharon chats with award-winning speculative fiction author Eugen Bacon, to talk about her writing process, how her African-Australian identity influences her work, and more. StoryCaster producer Vir Kaula also talks to ABC News journalist Ahmed Yussuf about the importance of creative hubs.
This Colour Cycle season is a takeover by Diversity Arts’ StoryCasters, a collective of young culturally diverse content producers.
Recorded and produced on the unceded lands of the Gadigal of the Eora Nation, the Caborgal of the Darug nation, the Mulgoa of the Darug nation and the Karuna peoples. Always was. Always will be. Aboriginal Land.
A production of Diversity Arts Australia.
Guests: Natesha Somasundaram, Tanya Ali, Eugen Bacon, Ahmed Yussuf
Interviewers: Hannah Lai, Sharon Masige and Vir Kaula
Research and presentation: Vir Kaula, Claire Cao, Sonia Mehrmand
Season 5 Host: Sonia Mehrmand
Regular Host and Executive Producer: Lena Nahlous
Producers: Sonia Mehrmand and Vir Kaula, with support from Claire Cao and Colin Ho
More information (Hyperlinks to featured orgs / artists / work):
Music: Melvin Tu and Ali Saganci
StoryCasters is a project of Diversity Arts Australia and provides training and mentorship to young culturally diverse digital producers. Visit STORYCASTERS.NET for more.
This season is supported by Multicultural NSW and Create NSW. Diversity Arts also receives core funding from Australia Council for the Arts.
StoryCasters trainer/ mentors: Jennifer Macey, Phoenix Eye, Sweatshop Literacy Movement, Nicola Morton, Del Lumanta.
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