S5 #7 | The Dreamwork of Instagram w/ Sean P. Smith

On this episode, my guest is Sean P. Smith, an Assistant Professor in the Department of Culture Studies at Tilburg University in the Netherlands. Much of his research has focused on the relationship between social media and tourism, and how colonial histories shape today’s ideologies and visual cultures of travel. The inequalities that result from many forms of tourism development, he argues, are intimately linked with how tourists create content for Instagram, TikTok, and YouTube, and the ways tourists frame themselves in landscapes and alongside local residents often replay colonial hierarchies.

Show Notes:

Why Study Instagram?

The Pre-tour Narrative (Edward Bruner, Raul Salazar)

The Habitus of Tourism (or How We Got Here)

The Promontory Witness (or that photo)

The Logic of Influence

Emptying the Landscape (John Urry)

The Techno-Generational Divide

Media Ecology

Other Horizons in Oman

Homework:

Sean P. Smith - Tilburg University

Sean P. Smith: Twitter / X | Instagram | Google Scholar (Articles)

Transcript:

Chris: [00:00:00] Welcome, Sean, to the pod. Thank you so much for being willing to join us to speak about your work.

Sean: Thanks very much for having me.

Chris: My pleasure. I'm curious, Sean where you're speaking from today and, and how the world is, how the world might be housing you there.

Sean: Well, it's very rainy and dark. I'm in the Southern Netherlands, an area called North Brebant, where I just moved less than a month ago.

So, in many places of moving around, if so, getting used to this one.

Chris: Sean, I found out about your work from one of the pod's listeners who sent in a link to one of your academic articles entitled, Instagram Abroad, Performance, Consumption, and Colonial Narrative in Tourism. Now, I've been ruminating on the effect that social media has on tourism, spectacle, surveillance, and cultures of disposability for a long time now.

So I'm really excited to speak with you today. And [00:01:00] likewise parts of the podcast are shared via Facebook, Instagram, Twitter, so there's always this sense of kind of feeding the machine. unaware and perhaps more aware each time. And so first then, I'm curious why focus on Instagram in the context of critical tourism studies? What makes it different from say Facebook or Twitter?

Sean: Yeah, that's a really good question Chris. I think with Instagram, in many contexts around the world, certainly not universally, but it's the social media platform that is most readily identified with not just tourism, but the way that people represent themselves engaging in tourism. It's very image driven.

Of course, people do write captions, they do engage in other forms of storytelling, but nowadays it's mostly pictures and especially reels, arguably in the last few years. And for a long time, this [00:02:00] has been could almost say the dream work of tourism going back 200, maybe longer years. So even though today, I think you can find forms of tourism well represented TikTok to varying degrees on Facebook.

Instagram, at least in many of the places where I've conducted research, is the place that one goes to both learn about places to travel and also to show how oneself travels.

Chris: And I'm kind of imagining that we're more or less in the same age range, but I'm curious if on your travels, you mentioned just briefly that you had also spent time backpacking as a