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October 3, 2025 31 mins
Today's Mystery:Johnny is called in to investigate the theft of a valuable diamond from a debutante on board a yacht at sea.

Original Radio Broadcast Date: June 15, 1958

Originating from Hollywood

Starring: Bob Bailey as Johnny Dollar; Virginia Gregg; Chester Stratton; Barney Phillips; Jack Moyles; Frank Gerstle

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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:28):
Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we're
going to bring you this week's episode of Yours truly
Johnny Dollar. But first I want to encourage you. If
you're enjoying the podcast, please follow us using your favorite

(00:49):
podcast software. And as you're making travel plans, remember Johnny
Dollar air dot com. Johnny Dollar air dot com is
a Priceline affiliate link, so part of your purchase price
support the great Detectives of Old Time Radio at no
additional cost to you. But now, from June fifteenth, nineteen
fifty eight, here is the delectable damsel matter.

Speaker 2 (01:15):
From Hollywood. It's time now for.

Speaker 3 (01:21):
Johnny Dellar, Ralph Single, Johnny Modo Guarantee Insurance Company.

Speaker 2 (01:25):
Oh higher rip. How's Hollywood's most eligible bachelor?

Speaker 4 (01:28):
Listen?

Speaker 5 (01:29):
Do you know who Hildegard Ransom is?

Speaker 2 (01:32):
Are you kidding that Gal's coming out party hit the
society column of every newspaper in the country.

Speaker 4 (01:37):
Yeah?

Speaker 6 (01:37):
I know, So how'd you like to have a date
with her?

Speaker 2 (01:41):
Hey? Wait a minute, weren't you dating the luscious Hilly
Ransom a while back?

Speaker 7 (01:45):
Hey?

Speaker 5 (01:45):
Yeah, I was, but I threw her over.

Speaker 2 (01:48):
Oh riff, You just don't appreciate the finer things of life.

Speaker 3 (01:51):
Oh no, but if you had to put up with
some of her wild ideas or crazy.

Speaker 2 (01:56):
At So what what difference does it make? All that beauty,
all that money?

Speaker 3 (02:00):
I ask you, you want to date with it at.

Speaker 5 (02:04):
Company expense for?

Speaker 8 (02:05):
How?

Speaker 5 (02:05):
Why not then grab the first plane you can and
fly on out it?

Speaker 2 (02:08):
Okay, I'm on my Uh what's the catch?

Speaker 3 (02:12):
Rip, I'll meet you at the Los Angeles International Airport.

Speaker 9 (02:15):
Yeah?

Speaker 2 (02:16):
Fine, I suppose you give me some idea. Hmmm, huh huh.

Speaker 10 (02:29):
Bob Bailey and the Exciting Adventures of the Man with
the Action Packed Expensive Out America's fabulous freelance insurance Investigators.

Speaker 2 (02:36):
Truly Johnny Dollar. Expense accounts submitted by Special Investigator Johnny
Dollar the Mono Guarantee Insurance Company, Los Angeles Office. Following

(02:59):
is an acount of expense has incurred during my investigation
of the delectable Damsel Matter expense account out. I won
one hundred and seven dollars even Hartford to New York
and a DC seven main line at the Los Angeles
Single is a good name for Rip. He has a
knack for meeting wealthy, important people, particularly women. Yeah, they

(03:23):
practically swoon under his spell, and he sells them insurance.
I'm not sure I approve his love him and leading tactics,
but it's no wonder he knew Hildy Ransom heirs to
a couple of million bucks high Johnny, but he hadn't
told me why he wanted me to meet her, and
I was sure it wasn't just for a date.

Speaker 3 (03:40):
Okay, dreaming, Jenny, h your baggage is right here on
the wreck. Come on, I'll help you put in the car.

Speaker 5 (03:46):
And we'll take off.

Speaker 2 (03:47):
Oh hi, rep sure, where's the car.

Speaker 5 (03:50):
Over here in the parking lot?

Speaker 3 (03:52):
Hey, what were you dreaming about there at the luggage pickup?

Speaker 8 (03:55):
Oh?

Speaker 2 (03:55):
Hildy guard Ransom? Who else? And I take if you're
a little romance with her? The one hit the headlines
a while, bag, it's all over? Oh sure, sure?

Speaker 3 (04:03):
But I got our insurance business, all of it, and Johnny,
if I had to, I could live off the premiums
of that one account.

Speaker 2 (04:10):
Alone, and I must be pretty big, because if I
remember the way you live, fancy close, fancy apartment, Well
you can't.

Speaker 5 (04:16):
Take it with you, boy, Besides, it's all good for
my business.

Speaker 2 (04:20):
Here we are. Hey, you like this little truck? The
little old truck was a brand new Eldorado B a
Ritz special paint job, gold fittings instead of chrome, every
accessory you can think of, including a bar in the backseat. Yeah, playboy,
party boy, rip single hadn't changed a bit.

Speaker 5 (04:39):
And if you make contacts, make him right where the
money is.

Speaker 3 (04:42):
And if it's a pretty girl that has the money
and you can charm her into your arms, maybe you
made us.

Speaker 2 (04:50):
Okay, Okay, now tell me Rep Johnny. Did you ever
hear a cape star?

Speaker 9 (04:55):
Was that?

Speaker 3 (04:56):
Well, it's an emerald as big as a Robin's egg
in a fourteen at mounting, loaded with diamonds and rubies,
a brooch value nearly three hundred thousand plans.

Speaker 2 (05:06):
That's hilly guide ransom onsen Uh huh? Or did how'd
she lose it?

Speaker 5 (05:11):
Well, all I know is that she called me and
she said it was missing, and that she wants me to.

Speaker 3 (05:14):
Go out and have a look out where. Well, I
don't want that wacky dame to get her hands on
me again. You heard of some of her crazy escapades,
like at the time she flooded half of the bell
Air estates.

Speaker 5 (05:24):
What well, she didn't like the looks of.

Speaker 3 (05:26):
A fire plug on her five acres up there, so
she had the gardener plant some dynamite under it.

Speaker 2 (05:31):
Oh, brother, I gotta do something for the laugh, she said,
the old story of the idle rich with too much
time on her hands.

Speaker 5 (05:38):
Huh, that's right.

Speaker 2 (05:39):
What kind of stuff can lead to trouble sometimes? Or
is she ripped? Bell Air?

Speaker 5 (05:42):
Did you say? Well when she's home, which isn't awful?

Speaker 7 (05:46):
Right now?

Speaker 9 (05:46):
I think?

Speaker 2 (05:47):
What the sam?

Speaker 7 (05:48):
Hell?

Speaker 6 (05:48):
Oh sure, sure?

Speaker 2 (05:49):
All it comforts a home here? Not hello?

Speaker 11 (05:53):
All right?

Speaker 10 (05:54):
Just one one too one, that's right, operator Mama.

Speaker 12 (05:56):
Please I have a call for you.

Speaker 2 (05:58):
Oh thanks, brother. When I get rich and to put
a mobile phone in my car, it doesn't cost much as.

Speaker 13 (06:02):
A matter of every single Are you coming out here
to see.

Speaker 5 (06:05):
Me or aunt you?

Speaker 2 (06:06):
Oh? Well, now, Hildy, is fifth.

Speaker 12 (06:07):
Time I've called and rip. If you don't do something
about my loss of the Cape Star, you call.

Speaker 5 (06:13):
The police, Well, sure of course.

Speaker 13 (06:15):
I might have known you would, so they'll tell the papers.
More publicity for you in that lousy insurance business.

Speaker 3 (06:21):
For Hildy, I always notify the police you know what
that means.

Speaker 12 (06:25):
It means reporters, photographers, cops, half the town falling all
over themselves.

Speaker 3 (06:29):
When I get in, you're somebody else.

Speaker 13 (06:32):
And I don't mean the cops. If you don't get out,
I'll cancel every policy I have with you.

Speaker 5 (06:39):
My own.

Speaker 13 (06:40):
The house is the cars, this old tom everything here.

Speaker 5 (06:43):
You take this, Johnny Hash sure, Hello, not all? Didn't
you hear what I said?

Speaker 2 (06:48):
Miss?

Speaker 1 (06:48):
Uh?

Speaker 14 (06:48):
What sad?

Speaker 2 (06:50):
Johnny Dollar?

Speaker 12 (06:53):
Johnny, So we got you. Well, now we'll have some
actions because you'll come out here away, won't you.

Speaker 2 (07:01):
Well, that depends.

Speaker 12 (07:02):
I don't know what to do.

Speaker 13 (07:04):
James Starr, Emerald gone and Rip so busy can't leave
his office. Johnny, you have to complete Well, look.

Speaker 12 (07:13):
I knew you would, honey, and I'll be waiting for you,
Rip con tell you how to get here.

Speaker 1 (07:17):
Good bye?

Speaker 3 (07:19):
Uh yeah, don't be fool Johnny.

Speaker 5 (07:23):
She really is that charming when she wants to be.

Speaker 2 (07:27):
Okay, Rip take me to her.

Speaker 5 (07:28):
Uh not quite.

Speaker 3 (07:30):
That old tub she mentioned is our one hundred and
sixty five foot diesel yacht. Why and near as I
can guess, it's about four score and seventy miles off shore.

Speaker 2 (07:38):
Do you expect me to walk.

Speaker 5 (07:39):
Oh, she also has a cruiser, a fifty eight footer
parked down at Balboa. You can go in that.

Speaker 2 (07:44):
And you had better swing around, brother, we're driving north.

Speaker 3 (07:46):
Oh, there's a private airport up here, off to the
pub of Boulevard where I keep my plane.

Speaker 2 (07:51):
Your own plane, sure, holy smokeing.

Speaker 10 (08:02):
Act two of Yours, Truly, Johnny Dollar. In a moment,
our flag.

Speaker 4 (08:06):
Now numbers fifty stars, and behind each star there stands
yet another flag representing one of the fifty states. Mississippi's
state flag is a horizontal tricolor blue, white and red.

Speaker 6 (08:22):
In the upper corner on.

Speaker 4 (08:22):
A field of red is the blue cross of Saint
Andrew bearing thirteen white stars for the original states of
the Union. This cross, made in the form of an
X or saltier, was adopted from the national flag of Scotland.
It is also found on the state flags of Georgia
and Alabama. Mississippi state flag, the flag of the twentieth

(08:46):
state to enter the Union, was adopted on February seventh,
eighteen hundred and ninety four.

Speaker 10 (08:52):
And now Act two of Yours Truly, Johnny Dollar and
the Delectable Damsel matter.

Speaker 2 (09:01):
During the ride from Los Angeles to Balboa and rip
Single's private plane. He admitted to me that he hadn't
made all his money in the insurance business. Seems a
rich uncle had conveniently died some years before Lucky Stiff
a rip.

Speaker 3 (09:15):
I mean, look, all I know, Johnny, is that Hildy
took the Cape Star Emil along with her on this
yachting trip, and.

Speaker 5 (09:25):
Now it's gone.

Speaker 2 (09:25):
Yeah, how much of a trip.

Speaker 7 (09:27):
Oh?

Speaker 5 (09:27):
Lord knows where she's been.

Speaker 3 (09:29):
She said, she might have en up in China, the Philippines,
most anywhere. You see, she has the money, she has
the time. She's done everything under the sun that normal
people do. So now she keeps looking for the unusual,
anything for through.

Speaker 2 (09:42):
Yeah. Well, when did she discover the stone was missing?
She radioed to me today from out on the high seat.

Speaker 5 (09:47):
Yeah.

Speaker 3 (09:48):
She says she was certain she had it the day
before that because she warned, and then when she went
to look for it, it was gone.

Speaker 2 (09:53):
Some remember the crudeut pots.

Speaker 5 (09:55):
I don't know. Maybe she dropped it.

Speaker 2 (09:57):
Overboard, you mean, purposely to collect the insuran. Who knows. Oh, look,
she has so much money, who knows. Maybe maybe she
hasn't lost it at all.

Speaker 5 (10:06):
She just wants company.

Speaker 3 (10:08):
Oh look, there's Newport and Balboa down below. I'll circle
Hildy's little summer house before we land.

Speaker 2 (10:18):
Hildy Ransom's little summer house turned out to be a
mansion right on the waterfront, and tied up to the
long dock was not only the cruiser, but a snappy
little speedboat, a small sailboat and a couple of out boards.
Oh very nice, Not so, the skipper of the cruiser. No,
my order is the last time I spoke to the
Hill tomorrow were to take you out to a mister
single nobody else.

Speaker 3 (10:39):
Look, we just talked him as Ransom by radio, and
she wants you to take mister dollarant that.

Speaker 2 (10:43):
And I tell you my last daughter, what cat your
last order? Hey look, hey, wait a minute, please, Skipper,
have you got a radio on this cruiser? All right,
then make contact with the Hill tomorrow find out for yourself. Okay,
I'll do it at the same time. You can get
a position. Okay, we'll see.

Speaker 3 (11:01):
Well, give dear hildem my love or whatever else you
can think of, anything that will keep her from switching
her insurance to somebody else.

Speaker 2 (11:09):
You are allow, Serence.

Speaker 9 (11:13):
You don't like you did.

Speaker 2 (11:14):
No, were you ever really serious with her rip?

Speaker 3 (11:18):
Yeah, I'm sure, but I'm just not the marrying kid.
So Johnny, the field is clear for you. And if
you want to latch on to a few million bucks,
she's really mighty sweet attractive gal. Well, let me know
how you make out, Johnny, and please find that Emerald.

Speaker 9 (11:36):
I beg your pardon, sir.

Speaker 6 (11:38):
Yeah, we're ready to say or whenever the gentleman's ready.

Speaker 2 (11:42):
Okay, skipper, let's go. The Closer turned out to be
a dilly luxury from Stemda Stern, and the trip out
to the Hildemora took much longer than I expected, in
spite of the powerful engines that sent us through the
water at over eighteen knots. It was well after dawn
the next morning we hold too alongside the Hill of Morning,

(12:03):
and that one hundred and sixty five foot diesel yacht
made the cruis. It looked like a broken down robot.
As for Hildy Ransom five foot six or seven. She
was blonde, and she was beautiful, with quick blue eyes
that had fun and laughter sparkling at it and a figure.

Speaker 11 (12:27):
Well, come on, Johnny, come aboard, and Madi you give
your grover around in case you forgotta wants to go
ashore again.

Speaker 13 (12:35):
Hi, Johnny, welcome aboard the old tub.

Speaker 2 (12:38):
You call this floating promis a tub well.

Speaker 11 (12:41):
After the holes, but got shot into it, so wonder
we're still afloat.

Speaker 2 (12:44):
You've been shot in?

Speaker 11 (12:45):
Oh, for mosta on the China coast, we had a
bar for a while. I thought some of the Red
aircraft were going to strap us one night old, but
it got too dark for them, and the captain, the
old fuddy duddy, turned off all our running lights and
we headed out to.

Speaker 2 (12:58):
See you again under the sun. You're doing off the
China Coastmas.

Speaker 11 (13:01):
Ransom, Hildy, Oh, just finding out what goes on in
the world.

Speaker 13 (13:07):
You know what I really wanted to do.

Speaker 11 (13:08):
Why they have visited Joe in lie the Red General
why not? But they wouldn't let us ashore along enough
without a lot of fuss and bother. So now let's
go in to my quarters and talk about the kpstock. Yeah, okay,
I could kill that Rip single for not coming out here.

Speaker 13 (13:25):
But I'm so glad you could. Oh you're even better
looking than i'd heard.

Speaker 2 (13:32):
Ah.

Speaker 13 (13:34):
Are you as much of a wolf as Rip says
you are.

Speaker 2 (13:36):
Oh well, no, wait a minute, eh.

Speaker 11 (13:39):
I'll find out for myself. Might be fun finding out Johnny.

Speaker 2 (13:48):
For a minute, I began to wonder, maybe Rip wasn't
the only one in this affair who turned on the
charm to further his own ends. Hildy Ransom, Let's face,
it was wealthy there to well, who'll do anything for thrill?
Couple her with a character like riff single, yeah, I wondered.
But then walking along the deck with her, I saw
something that suddenly changed my mind. One of the crew

(14:11):
who ducked into a doorway when he spotted me who
I wasn't sure, but I had a sudden metal image
of his eyes somewhere in the past, looking at me
over the sights of a gun.

Speaker 10 (14:26):
Act three. If yours truly Johnny Dollar in a moment.

Speaker 8 (14:29):
Let me ask you a question. What is the most
important thing to a fighting man?

Speaker 2 (14:35):
His gun?

Speaker 8 (14:35):
You may answer, You might also answer the Code of
conduct of the men of the Armed Forces of the
United States, because you know it is something just as
necessary to the fighting man as his gun. And just
as he keeps his gun cleaned and oil because his
life may depend on it, so does he keep ever
forward in his mind his code of conduct, because his

(14:57):
life and honor depend on it. Part of the code
reads quote, I will never surrender of my own free will.
If in command, I will never surrender my men while
they still have means to resist unquote. During the bloody
and costly campaign on the Island of Saipan and World
War II, the code of the soldier meant something to

(15:18):
the men, and to one man in particular, essentially a quiet,
peace loving man. Sergeant Thomas A. Baker, while with a
hundred fifth Infantry Regiment of the United States Army, was
up against it one night in nineteen forty four when
the enemy launched an attack which called for them to
die in honor. Sergeant Baker proved a good work both ways.

(15:40):
The enemy attack fell like a saber blow and continually
hurled Baker's company back with each savage thrust. During the
ensuing days of action, Baker wiped out an enemy position
with a Bezuokah, killed fourteen of the enemy in a
machine gun ambush using only his M one rifle and
a couple of grenades, and then killed six more a
little farther on in a last ditch stand. One night

(16:03):
the company dug in to withstand the next furious assault
in the dark. As the enemy rolled over them in
a thunderous attack of firepower, Sergeant Baker suffered a mangled
leg from a grenade. Shooting and clubbing the enemy with
his rifle, he dragged himself out of the foxhole. Three
of his men tried to give him aid. Two of
them were shot. From the third man, Baker got a

(16:24):
cigarette and the pistol and told him to leave. As
the rest of the company moved back, Baker propped himself
against a telephone pole, calmly puffed on his cigarette and
blazed away with his automatic. He was later found in
that position with eight of the enemy dead around him,
one for each shot, and the empty gun in his

(16:45):
lifeless hand. Sergeant Baker didn't consider the medal of honor
he might get. He considered the job that had to
be done. His honor was at stake. Surrender wasn't in
his code of conduct.

Speaker 10 (17:00):
Now Act three of yours, truly, Johnny Dollar and the
delectable Damsel matter.

Speaker 11 (17:15):
I suppose I could have waited till we got in
to report the loss of the Emerald. Just sit down, Johnny,
and I'll have some drinks brought in.

Speaker 2 (17:21):
Okay, thanks, I'll listen.

Speaker 11 (17:24):
Because of where we've been on this trip, we'll have
to go through customs and there'll be the police and
the reporters and so on, and whoever took the Cape
Star might have a chance to do.

Speaker 9 (17:34):
Well.

Speaker 2 (17:34):
What's the matter that drawer where.

Speaker 13 (17:36):
I kept it?

Speaker 11 (17:37):
I'm sure I left that closed after I'd hunted for it.
And excuse me, Johnny.

Speaker 13 (17:46):
Yeah, look, look it's here, the Cape Star. It's back.

Speaker 2 (17:51):
You're sure, yes, of course, here, look at it, and
you're sure it wasn't there before.

Speaker 13 (17:56):
Of course I am. I turned this cabin upside down.

Speaker 2 (18:00):
Hildy. This isn't some kind of a gag, isn't it?
What I mean? You're having me come all the way
out here to find something that wasn't lost after all?

Speaker 13 (18:08):
Johnny, Oh, Johnny, how can you say such a thing?
Of course not.

Speaker 11 (18:17):
Now that you are here and the Star is safe
and sound, I think we'll have fun together, Hildy. I've
got so tired of the other guests I have on board,
and stuffy old Professor Randolph and he's boring wife, and
Jolly Burton and that girl he's always pawning over.

Speaker 2 (18:34):
The cape Star was actually missing.

Speaker 13 (18:36):
I swear it, Johnny.

Speaker 2 (18:38):
All right, then, I still have a job to do.
I want to meet these guests of yours. Also. I
want to talk to the.

Speaker 13 (18:45):
Crew, of course, John. But later I'll have some drinks
brought in and plan.

Speaker 11 (18:52):
I saw the ball between now and when we put
onto port.

Speaker 13 (18:58):
Yes, Miss Ransom, Yes, captain.

Speaker 6 (19:02):
One of the men one of the crew names McCarty.

Speaker 2 (19:05):
It looked like appendicitist, ma'am, and I took the liberty
of sending him ashore in the cruiser.

Speaker 6 (19:09):
It'll get there long before weekend.

Speaker 13 (19:11):
Of course, Captain, you've done exactly right.

Speaker 2 (19:13):
Why mite, I'm not so sure that. Hi, Johnny mccartty, huh,
short dark with a scar on his chin.

Speaker 6 (19:20):
Yes, sir, they've already left.

Speaker 2 (19:21):
What Yes, tender one, That McCatty is the man I want,
john Nellie, we got to stop. A radio called at
the cruiser brought no response, and I had a sneaking
suspicion the skipper of it had a gun in his back,
a gun held by the supposedly sick McCarty, and the
yacht to spider size and power could never catch up
with that cruiser in a thousand years. If you're right,

(19:42):
mister Dollar, we'll radio to the coast guard. He intercepted it,
but I couldn't be sure that I was right. And
then I noticed the speedboat slung between debits on the
yachts after deck.

Speaker 13 (19:50):
Of course, John, and I'll go after them with you.

Speaker 2 (19:52):
Oh no, you want?

Speaker 11 (19:53):
Yes?

Speaker 13 (19:54):
The kid com please no?

Speaker 2 (19:58):
Then sixth sake ten minutes later, however long it took
to get the speedboat overside, the first mate and I
were tearing across the ocean in pursuit of the cruiser.

Speaker 15 (20:07):
That cruiser will do an even twenty knots if he
opens her wife, mister dollar, but she's no match for
this baby, and pour it on. Come on, you see him? Yeah, sure, dude,
get ahead, Yeah yeah, I see him too. But where's
a snipper. McCarty's up in the bridge a load.

Speaker 5 (20:21):
He look out that pump of smoke.

Speaker 2 (20:22):
He' shooting at us.

Speaker 15 (20:23):
And hang on, I'm gonna stir around. But he never
hit us at this range anyhow, hay out low.

Speaker 5 (20:28):
He might get lucky.

Speaker 15 (20:29):
You got a gun to answer him.

Speaker 4 (20:30):
No, it was a very crystoe.

Speaker 15 (20:32):
Use it for shooting up the steps players. Where is
it this cabinet under the dash?

Speaker 5 (20:37):
You see it?

Speaker 2 (20:38):
Yeah right, it's no match for a thirty eight.

Speaker 15 (20:41):
But if you can swerve us in close enough, keep
swerving right, Hey, look having to ring load and get
us in there.

Speaker 9 (20:48):
Crass.

Speaker 5 (20:48):
Here we go.

Speaker 3 (20:52):
We'll let him have it.

Speaker 4 (20:53):
Let him have it.

Speaker 15 (20:54):
Yeah, you're good him, You got him.

Speaker 7 (20:58):
Come on, give mean not the law here right here?
Watch him.

Speaker 2 (21:01):
Huh he's taking courts. Hey, you're right, but good.

Speaker 5 (21:04):
He's turning, he's.

Speaker 4 (21:05):
Turning it on.

Speaker 2 (21:21):
I kind of pieced things together after the yacht, the
Hildemara picked us up. My sheer luck, my shot with
a flare gun had struck mccartty full on. He was
badly burned. And after the smash up, the mate had
pulled me out of the drink. By then the yacht caught.

Speaker 4 (21:34):
Up with us.

Speaker 13 (21:36):
And did you know what he was doing, Johnny, that
man who called himself McCarty a oh hi hi healthy,
smuggling narcotics that he picked up in China. He knew
he'd never get through customs when we came to.

Speaker 11 (21:49):
Port, so he stole the Cape Star just long enough
to make sure the cruiser would come out to us.

Speaker 13 (21:54):
He knew I'd sent for somebody.

Speaker 2 (21:55):
Oh yeah, I get it. Then he played sick to
go back on the cruiser that way avoid customs and
the police.

Speaker 13 (22:01):
Yeah, Tony, or is he now?

Speaker 11 (22:03):
Hellow locked up? After the way you hit him with
that player. Well now he is sick, don it. We
didn't have to get him into a doctor. Gee, Johnny,
you and I could cruise around and.

Speaker 13 (22:22):
Well it will be two or three days before we
get support.

Speaker 2 (22:33):
Three days and what are three days? But oh well,
expensive count total including transportation back to high for two
hundred and thirty dollars. Ether remarks. It's funny, isn't he.
You never know what you're going to get into when
you take on even the most routine kind of case.

(22:54):
Yours truly, Johnny dog.

Speaker 7 (23:08):
Our star will return it in just a moment.

Speaker 9 (23:12):
Our flag now numbers fifty stars, and behind each star
there stands yet another flag representing one of the fifty states.
Iowa's state flag was adopted from a design made during
World War One for use by the state regiments. An
eagle stands on a field of white with wings outspread,

(23:32):
in the manner used by the American Indians to signify
speed and wisdom. In his beak is a blue streamer
inscribed with the state's motto our liberties we prize and
our rights We will maintain. Iowa's state flag, the flag
of the twenty ninth state to enter the Union, was
adopted on March twenty ninth, nineteen twenty one.

Speaker 2 (23:55):
And now here's our star to tell you about next
week's story. Next week. Well, the case is called the
Virtuous Mobster Matter. And if you can't figure what that means,
well join us, won't you? Yours truly, Johnny Dollar.

Speaker 7 (24:21):
Yours truly, Johnny Dollar.

Speaker 10 (24:23):
Starrying Bob Bailey originates in Hollywood and is produced and
directed by Jack Johnstone, who also wrote today's story. Heard
in our cast where Virginia Gregg, Jat Stratton, Barney Phillips,
Jack Moyles, and Frank Gerstall. Be sure to join us
next week, same time and stationed or another exciting story
of yours truly, Johnny Dollar. This is the United States

(25:13):
Armed Forces Radio and Television Service.

Speaker 1 (26:06):
Welcome back. Well, just as a general rule, if you
bark at a woman during narration, you probably shouldn't give
her a hay Now if she suggests you're a wolf,
I gotta say that that rip guy was a bit
of a trip. I mean, just so much luxury, his
own private plane. And can you imagine this guy had

(26:29):
a phone in his car. Can you imagine going around
everywhere with.

Speaker 5 (26:34):
A phone.

Speaker 1 (26:37):
In all series? And this is one of the earlier
portrayals of the car phone that I've encountered. Now. Of course,
a lot of the smart private detectives would have them
on television in the nineteen sixties, not really notable at all.
And then of course you had in the seventies mister
Frank Cannon played by the great William Conrad, who had

(27:00):
that as a standard part of his equipment. And I
think that was throughout the entire run of that series.
All right, well, listener comments and feedback now, and we
start out over on Instagram where Brains Benton wrote, just
finished listening to the Road to the Valentine Matter. What
a fun ride. I really enjoyed seeing how the same

(27:21):
story could be told in so many different ways. Jeff
Reagan's version was classic, hard boiled, straight forward and gritty,
not be leaning into the melodrama in the best way,
and William Conrad's performance was a standout lunch dollar didn't
quite land for me, maybe because the Gangster's already dead

(27:42):
when it starts, or maybe because Lunch Johnny can't help
but pale next to Bailey's. The Valentine Matter was a treat.
As a serial with five episodes, the characters had room
to breathe and grow. Maybe an unfair advantage when trying
to pick a fave, but it may for rich listening experience.
Thanks for putting this together. It was such an interesting

(28:05):
way to explore storytelling across formats and voices. Well, thank
you so much. Appreciate the comment, Brains. Then we turned
to YouTube, where James wrote, regarding the episode The Midnight
Sun Matter, what an excellent episode, perhaps the most thrilling
one I've heard yet. Johnstone did a great job of

(28:27):
keeping the listener at the edge of the seat. Thanks
for all you do, Adam, and thank you. And then
one comment here, this one regarding the Falcon episode The
Case of the Snappy Snapshot? Ron wrote, do you think
I could still send for the Baseball Book? Well, Ryan, sir,
you can try, and I will admit that I've had

(28:52):
moments listening to various old time radio programs hearing the
promotion and you just need to send in the stamp request.
I've thought, yeah, that's pretty good. I wish I could
do that. And I'll be honest that I think that
if I was ever given a chance to time travel,
I would probably waste it messing around with whole time

(29:14):
radio stuff. I'm going to get things set up so
I can finally get those Superman pens. I really want
those things and without paying seventy dollars on eBay. Thanks
so much, Ryan, sir. And now it is time to
thank our Patreon supporter of the day, and I want

(29:36):
to go ahead and thank Ronda, as this is our
first Friday in October. Ronda has been one of our
Patreon supporters since October twenty twenty, and again, thank you
so much for your support over the last five years.
Really appreciate it, Ronda. And that will do it for today.

(29:58):
If you're enjoying the podcast, please follow us using your
favorite podcast software and be sure and rate and review
the podcast wherever you download it from. We'll be back
next Friday with another episode of Yours Truly, Johnny Dollar.
But join us back here tomorrow for Great Adventurers of
Old Time Radio and Cloak and Dagger, where Santa Lu,

(30:23):
What do you say, Saint.

Speaker 14 (30:24):
Tong Kiang's wild donkeys as good black animals as other
white man has. What's he talking about? What other white men? Asking?
Acquired Lasa? Strangers leave here two days ago and way
also to Holy City of Russia were batch which crooked cross.

Speaker 2 (30:51):
So natzis we're in a race. Ester, We've got to
reach Lasa before they do.

Speaker 1 (30:57):
Hope you'll be with us then in the meantime, send
you comments to Box thirteen at Great Detectives dot net.
Follow us on Twitter, Radio Detectives. Check us out on Instagram, Instagram,
dot com, slash Great Detectives from Boise, Idaho. This is
your host, Adam Graham signing off.
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