Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:15):
all right, thank you for listening to the greatest
non-hits.
I'm chris, and playing the songuh, milk and honey from beck's
midnight vultures album is myco-host, tim Midnight Vultures.
It's the seventh studio albumby Beck and it came out November
16th of 1999.
I guess it was DGC Records.
(00:37):
Looking at Wikipedia, and thisis a wild one For me, it's a
party album.
Is what we think of this?
Speaker 2 (00:51):
as.
Speaker 1 (00:52):
Kind of crazy, kind of out there.
There's been a lot of criticismabout the album being soulless
and things like that.
I kind of get where they'recoming from in a lot of ways,
but I mean I also see like a lotof good in this album as well.
It's super creative.
The one thing that is, in myopinion, impressive about it is
(01:16):
the personnel.
I mean Beck, but some of theother guys that performed on the
album.
They play a lot of differentinstruments, like, for example,
I mean Beck alone.
He does vocals, he's a producerKeyboards, guitar synthesizer,
vocoder, choir vocals, bass,synthesizer, backing vocals,
(01:38):
hand claps, marimbas, harmonica,acoustic guitar, bass.
There's such a wide range there.
Roger Joseph Manning Jr playssynthesizer, piano, tambourine,
shaker, clavinet, vocoder,percussion all on down the line,
electronic drums, keyboards.
It's just such anon-traditional personnel lineup
(02:01):
of a recording act.
You know so it's justin meldell, johnson bass, backing vocal,
shaker percussion, smoky hormelguitar, joy warren warrenker
drums.
There's like a ton of peoplelike that do mastering, mixing
(02:23):
horns, banjo there's a banjopart in there.
Her peterson does that.
So there's a bunch of stuff andit gets funky later on and uh,
it just uh.
There's a lot and I think it'sit's kind of a good album for
this kind of a show because, asyou know we listen.
All the songs on the album ranktheir top three non-hits.
(02:49):
So we're going to have aninteresting time today
determining that I've got acouple of favorite non-hits.
Get Real Paid comes to mind.
Milk and Honey is usually atell on what Tim is going to
choose.
Um, there's a couple other onesin there and uh, of course,
(03:12):
we're going to be goofing offover the whole.
You know, throughout the wholething, as we listened to songs
at the end uh ranked non-hit.
So again, listeners, thank you.
We're coming up on our.
We're going to be beginning ourfourth year in several weeks
from now.
So if you're listening to thisin the future, as you know, if
(03:33):
you've listened to any of theprevious podcasts, you know
we've done the 70s in 2022.
We did the 80s in 2023.
We did the 90s in 2023, we didthe 90s in 2024, but I mean,
technically, our yearanniversary is february 16th.
I think was when we launched our, our first, uh, download our
(03:55):
first episode.
So the the line of order, thechain of command, is that we do
some albums for the 2000s.
I think that would be cool.
The thing is, when I listen toan album like this, about two or
three years ago, I probablywould have said no, I wouldn't
have been able to take it.
(04:16):
And now my net has spreadpretty wide and it's a good
thing, and so I mean every, youknow the trope is that the 2000
suck.
I, you know I'm going to giveit.
Maybe I didn't listen toeverything, and so I think it'd
be good for us to do that.
So we're uh, we're heading inthat direction, but in the
(04:38):
meantime, we're going to using afew other 90s episodes before
we get there.
Nevertheless, what can we sayabout this album?
Well, interesting album cover.
(05:01):
It's like there's a lot of sexin this.
I mean, I'm not gonna lie, it'sjust like.
It's just somebody like in likeleather pants, and it's like
there's another guy likesqueezing something out of a
tube and it makes the shape oflike a hand on a crotch of some
sort.
I don't know, it's weird.
(05:22):
So this is considered funk,rock, alternative rock, hop,
disco, r&b.
Yeah, it has all those things.
It's good like that.
They recorded this in LA.
Shout out to LA.
There are fires going on there,by the way, as we're recording
(05:43):
this.
Shout out to LA if you listen.
We're with you, we really are.
We hope you're safe, we hopeyou're well.
And my man, tim, just put hisguitar down.
He's getting set up, he'sadjusting, he's adjusting his
(06:05):
chair, I'm adjusting his mic,his volume.
How you doing, bud?
Tasty waves here, that's right,let's get into it.
This is your wheelhouse.
Speaker 4 (06:19):
A lot of shout outs, just excellent party time music,
you know it really is.
You've been at a party or twoof this is in the background
excellent, excellent well, uh,yes, I used to have some parties
(06:40):
in mom's basement and playfoosball and listen to this.
Shout out to Jeff for puttingthis on.
Made me love the album evenmore.
Shout out to the perfumedblokes on the Giza line.
Bed and breakfast, getaway,weekenders, sports, illustrated
(07:01):
moms, chicks with lazy eyes.
Shout out.
Speaker 1 (07:07):
Tea drinkers, oh man.
Speaker 5 (07:08):
Yeah, you're crazy, I like you yeah.
Speaker 1 (07:13):
Yeah, no, but shout out to all those people.
Speaker 4 (07:16):
That's what I say it's a party, feel it really is.
Speaker 1 (07:22):
The lazy eyes Shout out Especially yeah.
Speaker 5 (07:27):
Hey bud, let's party.
Speaker 1 (07:29):
Okay, all right Should we get into it, let's get
into it.
This is the first one we'regoing to call it a hit.
It's Sex Laws, because it's asingle.
The singles are the first threesongs Sex Laws, nicotine and
Gravy Mixed Business.
And here we Go.
Speaker 4 (07:46):
So there's no sex.
I mean, how do you not have sexwith me?
You got a little arresteddevelopment here.
Speaker 1 (07:52):
Okay, yeah.
Speaker 4 (07:52):
Good start.
Yeah, tobias shout out, nevernudes.
Speaker 2 (08:01):
What's up?
Good drama, great look.
Speaker 1 (08:07):
This is back drumming , right, yeah, among other
people.
I mean, it's so.
There's, like I said, man,there's so many different people
in this Personnel.
You've got what was that?
Roger Joseph Manning?
I think he played somepercussion.
Speaker 4 (08:24):
Tea and Sympathy.
Speaker 1 (08:28):
Shout out to the tea drinkers again.
Beck, of course, plays drums onthis Actually maybe not Joey
Werenker Is in drums On track 3,7, 8, 10.
There's two different peopledoing.
Are you crying?
Speaker 3 (08:49):
I'm not afraid to.
Are you crying?
Speaker 4 (08:51):
I'm not afraid to cry .
Speaker 3 (08:53):
Are you crying?
Speaker 4 (09:02):
What's that?
Speaker 5 (09:05):
Neptune's lips taste like fermented wine.
Work it, work it, baby.
Speaker 1 (09:13):
Shout out to Roger Joseph Manning playing the
shaker right now.
Speaker 4 (09:16):
Oh wow, he's really doing it.
Oh, hepatitis contact lens.
Speaker 6 (09:25):
Roger Joseph Manning.
Speaker 4 (09:32):
Defile sex, sex logic .
Speaker 1 (09:35):
Oh god, shout out to Wisconsin.
Speaker 3 (09:41):
Oh god, oh god, oh god, I'm afraid to cry.
Speaker 4 (09:56):
What's this halfway home all about, just?
Speaker 3 (09:57):
go home.
That's your home.
Are you too good for your home?
Speaker 1 (10:06):
Answer me, oh, this guy, God the banjo.
Speaker 5 (10:11):
It's the banjo guy I'm going to give a shout out to
him Giggity giggity g banjo,it's the banjo guy.
Yeah, give a shout out to himGiggity giggity giggity Herb
Peterson.
Speaker 4 (10:18):
Herb's a man, I'm a man.
Speaker 6 (10:23):
I'm a man.
Speaker 3 (10:28):
Slip off, go home.
Speaker 4 (10:33):
Herb is going off, go to your Betty Ford clinic and
cry Good little trumpet in this.
Little overlays, little details, simple lines Intertwining.
Speaker 3 (10:45):
Little touches, little touches, little details.
Speaker 1 (10:50):
Are you trying to say that they should call this lick
my love pump?
Speaker 4 (10:52):
take your bulbous areas and scooch along there oh
man what hi shout out to themoms out there.
Speaker 6 (11:12):
Shout out to the moms out there Now, feel, feel in
the heart, feel, feel in theheart.
I thought I saw a booty cat,whoa, boldly go where no man has
ever gone before.
There's got to be a.
Speaker 1 (11:24):
All right, this is Nicotine and Gravy.
Another single Less, I think,less recognized than Sex Laws
For sure.
Less, I think, less recognizedthan sex laws for sure.
Speaker 4 (11:35):
I love all the futuristic electronic stuff
infused with guitar and bass anddrum, though great, it's almost
like incubus, but you piece,meals it together, kind of like
we do with these right, theselittle clips, you know I agree
(12:03):
what do you think?
Speaker 1 (12:04):
how affirmative day.
Okay also, you have like reallybig eyes whoa.
Speaker 4 (12:29):
Whoa Cassava melon.
Cassava melon doesn't existanymore.
Speaker 6 (12:40):
I'll do the laundry.
He pulled over.
He pulled over French fries andgravy sir.
Speaker 4 (12:54):
Poutine.
Speaker 6 (12:56):
Yeah, sure.
Speaker 1 (13:02):
Yes, sir.
Speaker 4 (13:02):
Yes sir.
Speaker 1 (13:04):
Cassavas are real fruit, are they?
Speaker 5 (13:08):
They're like Feel it down in my plums, feel it down
in my plums, feel it down in myplums.
Speaker 2 (13:16):
What the fuck is he talking about?
Speaker 1 (13:21):
What'd you say, man?
I'm afraid they don't exist.
Speaker 3 (13:25):
I just want to see what a double heart is like.
I don't know what part of it.
Speaker 6 (13:30):
Jesus, you're crazy.
Speaker 4 (13:45):
You're crazy I like you, I don't want to die tonight
.
What that's such a random lyric?
Speaker 2 (13:59):
it's it's like surfing in some oil spillage
that's Beck right there.
Speaker 4 (14:05):
This these go to 11.
Let's back right there.
Speaker 5 (14:14):
This.
These go to 11.
Speaker 4 (14:22):
Time to get creepy All right.
Pick your bulbous areas andscooch along.
(14:43):
It's lazy, it's doing crazy.
She looks so Israeli.
Yeah sure, yes, sir.
French fries and gravy sir.
Speaker 3 (14:58):
Poutine yes, sir, he's already.
Speaker 1 (15:09):
This is a borderline disrespect to the listener.
Speaker 4 (15:11):
It's adding we're making Beck proud.
I think so.
Yeah, you can listen to it onyour own.
I like it.
We're menage a twine.
Speaker 1 (15:20):
Yeah, we're menage a cacha, it's a twine.
It's just back in the two of us.
Speaker 2 (15:26):
What the fuck is he talking about?
Speaker 1 (15:27):
Yeah, exactly, maybe I need to sit.
The next couple plays out.
Speaker 4 (15:37):
This is a nice little interlude here.
There's nothing more to beadded.
Speaker 3 (15:50):
It's the Egyptian magician.
Yeah.
Speaker 4 (15:52):
This is awesome.
This is way cool.
Speaker 6 (16:09):
Alright, alright, alright.
Affirmative Dave All right, allright, all right Affirmative
Dave.
Speaker 3 (16:20):
What.
Speaker 1 (16:23):
Call the fire department.
It is out of control.
Oh, wow man, that was, that wassweet.
Yeah, that was.
Wow, man, that was sweet.
Yeah, that was good man.
That's the best I've ever heardthat song.
I've heard it a couple timesnow.
Why is it now sticking with me?
You gotta give us a couple.
All these albums.
They need time to get into you.
Speaker 6 (16:47):
It's business with leather, christmas with leather.
Speaker 4 (16:58):
Oh, with Heather, Was that Heather?
Speaker 1 (17:07):
Yeah, mixed business.
Speaker 6 (17:08):
I was talking about me.
Speaker 5 (17:13):
What a freak.
Speaker 6 (17:18):
Alright.
Speaker 4 (17:22):
Colamping, rising to the canteen.
Alright, alright, I love lamp.
Speaker 3 (17:44):
Cold lamping.
Speaker 6 (17:48):
Ian Simmons is a legend, yeah sure, rewrite your
diary Champagne.
Champagne.
Speaker 4 (18:08):
Who wants to pour champagne on a honeybee?
Speaker 2 (18:15):
Vintage champagne.
Speaker 6 (18:19):
That's right, that's right, baby Hot tub.
Speaker 4 (18:32):
Heather, shout out Get that homework done.
Speaker 6 (18:39):
I was talking about me.
Speaker 4 (18:42):
Shout out to the lesbians screaming.
Speaker 1 (18:47):
Wisconsin.
Nymphomaniac shout out oh.
Speaker 3 (18:49):
God, oh God.
Speaker 1 (18:52):
Oh, oh God, oh God, oh, it's getting funky now.
Speaker 4 (19:00):
Oh, mistress, what's a mistress?
C-o-d Call on demand.
Yeah.
Speaker 1 (19:06):
Yeah, okay, come on demand.
Speaker 4 (19:11):
Vintage champagne.
Let us celebrate, yes, thebrooch, reunion of the brooch.
The boys what about the men?
I'm a man, I'm a man.
I like the little electronictouches.
(19:33):
A man, I'm a man, I like thelittle electronic touches.
Speaker 6 (19:35):
Yeah, Touches you know little touches, little
details.
All right, all right, all right, All right, all right, all
right.
Well, I'll start my ownbusiness.
Speaker 3 (19:50):
How hard can it be?
Speaker 6 (19:53):
Bzzz, bzzz, bzzz.
Speaker 1 (19:59):
We'll see who brings in more honey.
Ah, I see what you're doing$6,300 suit Come on.
Speaker 4 (20:24):
That's a lot of business for Job.
Speaker 1 (20:28):
Oh yeah.
Speaker 6 (20:30):
This is an intro to get real paid.
I think he comes from adimension that's big on musical
theater okay, we'll pass wellhere we go.
Speaker 5 (20:40):
This is get real paid don't you wish you were
flawless like me?
A towering inferno of physicalperfection all right, thank you.
Speaker 4 (20:50):
Thank you, bender.
Yeah, exactly.
Speaker 1 (20:52):
That's a good intro, man, because this is all synthy.
You know this is where this isgoing.
All right, what?
Speaker 4 (21:07):
I like this one, though it's spacey.
Speaker 1 (21:09):
Oh yeah, affirmative though it's spacey.
Speaker 3 (21:12):
Oh yeah, Affirmative, Dave.
Speaker 4 (21:18):
We didn't ask you how .
I wonder what Saul thinks ofthis.
Shout out to the dads withpictures in their wallets.
Speaker 1 (21:35):
It kind of has like a horror movie vibe to it.
Speaker 4 (21:46):
Parental advisory this album Potentially, I'm not
sure.
Parental advisory this albumPotentially, I'm not sure.
Saul's been pretty.
We never.
Yeah, what's Saul?
He's been pretty quiet.
He's got a soul-fame chest.
Speaker 3 (22:02):
I went to the Empire State Building.
Speaker 1 (22:04):
No, that's not what we asked you.
Do you like this?
How are you feeling about it?
Speaker 3 (22:11):
Hi, oh, hello.
Speaker 4 (22:13):
Hello, he's on the cell.
He's on the cell.
Yeah, he's on his cell here.
Speaker 6 (22:18):
Okay, he's calling in like butter and those legs and
those sparkling, why?
Speaker 2 (22:27):
are you going to the airport flying somewhere?
Real paid?
Why are you?
Speaker 3 (22:30):
going to the airport Flying somewhere.
Speaker 4 (22:37):
Real paid.
Speaker 1 (22:46):
Get real paid.
This is like Revenge of theNerds, like their thing at the
end.
I don't know why they want it,cause their daddy's always on it
and he know just how to flauntit.
He got pictures in his walletand he wanna be your lover?
Speaker 2 (23:00):
Does he look just like my mother?
Does he cover you like butterand just leave you alone?
I don't know where, from where?
Speaker 3 (23:08):
We lambda, lambda, lambda, and Omega Moon there's
so much to do.
Speaker 4 (23:20):
Yeah, okay, you're pregnant again.
It's Thursday.
Speaker 5 (23:32):
They're hands, they're smooth.
Thursday the head Smooth,creamy, delicate, yet masculine.
Speaker 1 (23:46):
That's kind of cool of the voiceover.
Speaker 3 (23:59):
These babies can go off.
Speaker 1 (24:02):
I kind of like the fact that it's soulless.
It's kind of got like a.
It's actually like a verycalming kind of.
This is really chill.
Speaker 4 (24:37):
Downers.
He's got downers.
Speaker 1 (24:41):
Yeah, what qualifies to touch your ass?
I wonder Touch my ass if youqualify it's.
Is that what?
Speaker 4 (24:54):
it is.
The ending is really reallycool, oh gosh, Okay.
Speaker 6 (25:03):
I didn't look good.
Speaker 1 (25:07):
Alright, it's Hollywood Freaks.
Speaker 6 (25:09):
Like butter and those legs and those sparkling
stockings Again, butter, butter,hot milk, tweet my lip.
Or champagne, or rippo Chalmers, go cripple.
Champagne, champagne,evaporated meats what a freak.
Speaker 2 (25:43):
What the fuck is he talking about?
What the fuck?
Speaker 6 (25:46):
is he talking about?
Speaker 4 (25:49):
Pants and jeans.
Hollywood freaks on theHollywoods.
Speaker 3 (25:52):
What you say, man, what you think, I got some rocks
and diamonds.
Speaker 6 (26:09):
I wanna unload them.
What the fuck is he talkingabout?
Speaker 1 (26:25):
Beck is slaying it now.
Speaker 6 (26:27):
What is going on?
Speaker 4 (26:33):
He needs some of the finer things.
Speaker 6 (26:41):
Feeling or thinking.
Speaker 3 (26:45):
That feels, that feels better.
Speaker 6 (26:53):
I was talking about me, but She'll buy you Hollywood
.
Speaker 4 (27:09):
Casting those spells.
Oil Did you say oil.
Speaker 3 (27:21):
I think so Okay.
Speaker 2 (27:30):
It's like surfing in some oil spillage.
Choose these eyes, I guess.
Speaker 1 (27:45):
There's a lot going on in this album, man.
There's a lot of differentgenres.
There's rap, synths, shop itall.
Navy, shop it all.
Man, there's a lot of differentgenres.
Speaker 3 (27:51):
There's a lot of rap.
Yeah, scents.
Speaker 4 (27:52):
Shop at.
Speaker 1 (27:53):
Old Navy Shop at Old Navy.
Speaker 4 (27:57):
What he wishes.
He was a lady.
Speaker 1 (28:00):
Jock and my Mercedes.
I'm a man.
Speaker 2 (28:04):
I'm a man.
Speaker 4 (28:06):
A lot of that going on in Hollywood.
Speaker 1 (28:15):
Tropical oils turn up the heat.
Speaker 6 (28:21):
Till the swimming pool boils.
He's gone to 11.
Speaker 4 (28:34):
Excuse me, russell but I believe I requested the
hand job.
Is that poor taste?
Eh, with the fires and all Idon't know.
Oh, hollywood, people don'tyeah these babies can go off.
Is that the meters Don thesebabies can go off?
Is that the meters Don thesebabies can go off?
(28:55):
The meters going off.
Yeah, smart meters.
All right, we're on peaches andcream Peaches and cream.
Speaker 1 (29:13):
What your left hand do, Don't tell your right hand
baby.
Speaker 3 (29:35):
Don't tell your right hand, baby, they're hands.
Speaker 5 (29:48):
Brothers don't shake hands, brothers, gotta hug make
a garbage.
Speaker 3 (29:55):
Man scream it's such a dangerous dream they're smooth
, creamy, delicate, yetmasculine pour some sweet cream
on it.
Speaker 4 (30:16):
Shout out to the sweater wearers.
Speaker 3 (30:21):
Big hands.
Speaker 1 (30:29):
Shout out to the turtleneck wearers out there
it's a cold one, bundle up.
Speaker 4 (30:59):
It's a cold dream.
It's only a dream here, right,alice?
Speaker 2 (31:08):
Oh what the fuck is he talking about?
Fuck?
Speaker 3 (31:21):
What the hell?
I'm your dad's brother, aren'tI Lost?
Lost, you're best.
Speaker 6 (31:58):
Hop on the good foot and do the bad thing.
I believe it's menage a trois.
I love lamp, I love lamp, Ilove lamp.
Speaker 3 (32:35):
I love lamp.
Speaker 4 (32:49):
A trend I love lamp.
Speaker 6 (32:54):
I love Leia.
Speaker 4 (33:06):
I love Sit there and he's gonna put that thing on
your melon, okay.
Speaker 6 (33:12):
Just a trim, don't buzz me, alright.
Speaker 1 (33:16):
Trimmed and burning baby.
That's what it's all about.
Yeah.
Speaker 4 (33:21):
Beck has an extensive collection of name tags and
hairnets.
I would say Probably.
A lot of songs revolve aroundhim.
I mean, he's a virtuoso.
Yeah, really plays 45instruments.
Speaker 1 (33:39):
I didn't realize he could rap that well too.
He raps really well.
He does everything.
That's the wild part it's likethe only good white rapper, yeah
and he produces all this too,so it's like there's a lot of
horns here.
Speaker 4 (33:56):
Now this one.
I like this one a lot.
Speaker 1 (34:03):
Good drummer, there's a xylophone in there.
Speaker 4 (34:05):
It's a good drummer, good look Great, look Good
drummer.
Speaker 2 (34:12):
Good drummer oh.
Speaker 3 (34:19):
Oh.
Speaker 1 (34:26):
Shout out to all the bushes out there Last name Bush
King $6,300 suit Got it dryclean.
Speaker 4 (34:36):
Oh, what are those billionaire weapons doing Out of
control?
Speaker 1 (34:58):
Like that yeah.
Speaker 4 (34:59):
Yeah.
Speaker 5 (35:04):
Work it, Work it baby .
Speaker 3 (35:08):
Hold on, hold on.
Speaker 4 (35:23):
It does sound like a train song, doesn't it?
Speaker 6 (35:25):
The harmonica.
Yeah, yeah, yeah.
Speaker 3 (35:38):
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah,yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeahyeah.
Speaker 1 (35:45):
That was unnecessary.
Speaker 4 (35:49):
That's a train.
That's a train right there.
You guys are making me looklike Trina Thod.
Speaker 1 (36:01):
Here I was A little touch of details, a little rock
out here.
Speaker 3 (36:15):
Good use of xylophone , that's right.
Baby, where do?
Speaker 1 (36:26):
you live, baby?
Where do you live?
That's right, baby.
Speaker 4 (36:36):
Where do you live, baby?
Speaker 6 (36:42):
Good drummer, great look, good drummer yeah.
Speaker 4 (36:45):
Good xylophonist Good .
Speaker 3 (36:50):
Very good Good guitarist Just saying let it out
, give it some air man that was.
Speaker 2 (37:06):
That was beck's guitar solo dear near near
crushing it I only came here todo two things, man kick some ass
and drink some beer.
It's like we're almost out ofbeer.
Speaker 1 (37:22):
There's a guy named Smokey Hormel who plays guitar
on this track, I think.
Smokey, shout out to Smokeythis guy, roger joseph manning,
is playing the vocoder on thistrack as well plays on, play the
(37:51):
mixed business too, I thinkthat that kind of thing whoa or
maybe it's that Is that atheremin.
Yeah.
Speaker 4 (38:04):
Use therebin Never been touched.
Speaker 1 (38:07):
The clavinet?
Yeah, the clavinet was used inthere somewhere, roger.
Speaker 3 (38:13):
Joseph Manning was all over that.
We'll see who brings in morehoney.
Speaker 1 (38:25):
Manning's playing guitar on this one.
Oh no, he played guitar on thelast one.
He's playing keyboards on thisone.
Sorry, beck plays harmonica onthis at some point.
What plays guitar on this, infact?
(38:48):
Does this kind of sounds likeWhite Stripes?
Yeah, I like this album, thisone.
Speaker 4 (39:27):
Cold cola cans.
Speaker 3 (39:35):
Do it for free.
Speaker 4 (39:38):
This sounds like bring a poor boy to his knees,
yeah there's like uh, classwarfare stuff going on smell the
(40:01):
what in the club tonight vtlike chlamydia dreams disappear,
(40:24):
dreams disappear.
Speaker 1 (40:24):
This is so great I know, I'm still thinking about
how VD smells Like, is it Like?
Kind of smells different thanlike the clap.
Speaker 4 (40:37):
You think I'll get some rocks, and diamonds.
I want to load all my computerall right, all right, all right
(41:05):
affirmative day and shoulders,knees and toes.
Speaker 1 (41:14):
Knees and toes pour some sweet cream on it.
Speaker 4 (41:33):
I take head, shoulders, knees and toes.
Knees and toes.
Okay, you can have those.
Speaker 3 (41:54):
Coming down a little bit here.
Speaker 4 (41:58):
Ah but we're still on milk and honey, so honey, I
love the outro to this.
It's kind of cool you're crazy.
Speaker 5 (42:14):
I like you, but you're crazy.
Speaker 4 (42:26):
Double guitar fill here.
Listen to that guitar fill inthis, yeah.
Speaker 6 (42:31):
Bzzz.
We'll see who brings in morehoney Bzzz.
Speaker 1 (42:40):
That was a little harsh for the tone.
This is getting right.
Speaker 2 (42:52):
Some kind of like effect on the two, two, two, two
, two, two, two, two, two twotwo, two, two, two, two, two,
two, two, two, two, two, two,two, two, two, two, two, two,
two, two, two, two, two, two,two, two, two, two, two two two,
(43:14):
it's all going away, oh wow.
Speaker 1 (43:21):
Yeah, we don't need that.
All right, so that was abeautiful song.
Speaker 4 (43:27):
This is beautiful, beautiful way.
Yeah yeah, this song reminds meof his the later stuff that he
(43:51):
won a Grammy for and his LostCause.
This song definitely has themood of the Lost Cause album.
Speaker 1 (44:03):
I'm not looking at any Wikipedia or anything, but
just from memory.
I think he got divorced in 2002.
The album that came out thenwas kind of about that fallout.
Speaker 4 (44:15):
Oh, sea Change, that was Sea Change.
It's a Sea Change-type change.
This is a sea change type song,which is a previous album.
Speaker 1 (44:21):
Yeah, yeah, you were talking about something after
what I was talking about, causehe went to Grammy like in 05 for
that uh acoustic album that hedid Right.
Speaker 3 (44:45):
Morning phase 2014.
Speaker 4 (44:59):
We haven't done Odele either.
It's a good album.
Speaker 1 (45:02):
Yeah, it's probably the most popular yeah.
Maybe the most criticallyacclaimed too.
This one is kind of up there.
I think this is kind of underthe radar, don't you think?
Speaker 3 (45:13):
It's just can't be.
Speaker 1 (45:15):
It's not for the masses, you know.
Speaker 4 (45:19):
I think, to his niche fans.
It is really there's.
Speaker 3 (45:26):
I'm not a super fan but I can.
Speaker 1 (45:28):
I can see myself getting used to it.
Just takes a few listens rightand like once you know what
you're looking for, it's a good,it's a nice standby.
Speaker 4 (45:46):
Well, this album is supposed to.
He admitted, this is supposedto be a party album, it's just
yeah.
And then you need a song likethis on there to bring it down a
little bit.
Well, sometimes you need aparty beat, brought down.
Speaker 1 (46:00):
You can't just go up, and I mean it can, but a lot of
times it's good to evan flowwith the music in the background
.
Speaker 4 (46:09):
Simple lines, simpler , maybe a little simpler, less
intertwining yeah it's a fineline between clever and stupid.
Yeah, it's true, that's anotherline for that.
Speaker 1 (46:23):
You know Spinal Tap.
But yeah.
Lick my Love Pump.
I think it was the song wherethis is this album's Lick my
Love Pump.
Speaker 3 (46:40):
What'd you say, man?
Speaker 4 (46:45):
The slide guitar is really good too.
Speaker 1 (46:53):
I gotta know who is on slide guitar here.
Pedal Steel is Greg LiseL-E-I-S-Z, or maybe it was on
Milk and Honey that he playedthat.
This is true.
Speaker 6 (47:22):
This moment came to me in a dream.
Speaker 1 (47:45):
Beck is playing back vocals back vocals.
Speaker 4 (47:51):
Yeah, like background , like you know, like the
harmony, the raga probably a, alow version, a high version, a
mid version, he could highversion a mid version Could be
doing all of them.
Speaker 1 (48:19):
Feeling or thinking that would be pedal.
Right, this is pedal guitar,pedal steel, jd and S.
Oh god, it's so beautiful.
Yeah, we're past the banjophase of the album.
(48:42):
All right, that was kind ofcool.
We're kind of getting towardsthe end.
We got three more.
Next one is well, this is likean eight.
(49:02):
Okay, this is like aneight-second thing.
Intro to Pressure Zone.
Let's just go straight toPressure Zone.
Okay, here we go.
We're bringing it back up.
Speaker 6 (49:17):
The countryside is overgrown.
There's a lighthouse in thesouth Wrestling with butchered
girls.
She don't ever change herclothes.
Masterpieces liquidate.
Choosing size, I guess I cansleep inside a box A hundred
(49:41):
years.
Choose his eyes, I guessLizards and their pressure sound
what Hi Hi, with Almighty Godas my witness, I am not an angel
(50:19):
dust dealer.
Speaker 3 (50:46):
All the other mothers , I would never dream of asking
you.
These babies can go off.
Speaker 4 (51:06):
What are you?
Some kind of freak?
I like this one.
It's growing on me a little bit.
Speaker 1 (51:13):
Yeah, it's a little bit more uplifting.
Speaker 4 (51:18):
Now it's a little raw , more uplifting.
Speaker 6 (51:20):
That one's a little ragga here, yeah.
Speaker 1 (51:24):
It's got some piano with some synths back and forth.
Speaker 4 (51:28):
It's got a little bit of Spicoli in there, yeah.
Speaker 5 (51:34):
Hey bud, let's party.
Speaker 3 (51:44):
Whoa, it doesn't sound like his solo.
Speaker 2 (51:49):
His solos are Like butter and though.
Speaker 1 (51:51):
Solos are like butter .
Speaker 4 (51:53):
Oh, it's like butter.
Speaker 1 (51:57):
What do you think?
Speaker 3 (51:57):
Quagmire, giggity, giggity giggiggity, I see you're
a back fan.
Speaker 1 (52:08):
Oh really that was kind of cool.
All right, we're at the lastone, deb deborah.
All right, we're at the end,deborah beverly, oh yeah, donna
(52:29):
we all know where we were atwhen we met our loved, our one
and true love that's baby makingmusic.
Speaker 2 (52:41):
That's what that is.
Speaker 1 (52:43):
I was just thinking that yeah, come on, you're
turning it's classy, turning ourpool over Fleased.
Speaker 4 (52:56):
You got fleased.
Speaker 1 (52:57):
Yeah, fleeced you got fleeced yeah, I'll get him
every time.
Chew on it, chew ON IT.
Speaker 5 (53:29):
It's Harba Melon.
Feel it down in my plums,alright.
Speaker 6 (53:42):
I'm a man.
I'm a man.
What, what, what?
I believe it's menage a trois.
Speaker 3 (54:01):
Touch.
You know the little touches,little details.
Girl, I only want to be therewith you cause you got something
(54:26):
that I just can't get away.
Speaker 1 (54:32):
I'll pick you up late at night after work.
He says his back man, he's good, he's got a good voice, he
surprisingly does.
Speaker 4 (54:38):
It's kind of annoying how good he is.
Sometimes he says his back man,he's good, he's got a good
voice.
Speaker 6 (54:41):
It surprisingly does it's kind?
Speaker 4 (54:41):
of annoying how good he is sometimes.
Speaker 1 (54:45):
I know.
Speaker 3 (54:54):
Well, let's do it then.
Speaker 1 (54:57):
All good Shout out to Debbie Harry.
Speaker 3 (55:21):
Also, you have, like, really big eyes.
Got to get with, get to getwith.
I just got to get with you,girl that you never I wanna get
with you, all of you and yoursister.
I think her name is Deborah, ohyeah, I just dig songs about
rainbows.
Speaker 6 (55:37):
Get with you, oh yeah , I just dig songs about
rainbows.
Speaker 4 (55:47):
Oh, yeah, oh yeah, I'll stop Okay.
Speaker 1 (55:55):
No, I'm, I'm, I'm, I'm He-Word.
Speaker 4 (56:06):
Pour some sweet cream on it.
It's a little bit like.
It's a little bit like LennyKravitz right now.
You're crazy.
Speaker 5 (56:14):
I like you, but you're crazy, you're crazy.
Speaker 1 (56:19):
Yeah, it's Lenny Kravitz, it's Prince, a little
bit of James Brown kind of flyin the family stone.
Yeah, sure, yes sir, are yousaying yes, sir, yes, sir, yeah,
sure.
Speaker 6 (56:44):
French fries and gravy poutine.
Speaker 5 (56:51):
You're crazy you're crazy, I like you.
Speaker 3 (57:39):
I like you.
Speaker 6 (57:42):
I'm a man Now feel feelin' in the heart Okay.
Speaker 1 (57:51):
All right, yeah, man, that's.
Speaker 4 (57:52):
I think that we're, we're at the end Wow, that's it.
That was great.
Speaker 1 (57:56):
That was a good album , man.
Let's, let's, get into our topthree.
What are you thinking for yournumber three?
Oh, the very the first threesongs are out from all the way,
from get real paid at thebeginning to deborah.
Okay, what are you thinking?
Speaker 4 (58:11):
um number three beautiful way.
I think that had just the righttype of feel to sort of cut the
album in half in a way uh, in agood way sort of a all the you
know, all the bangers are on onethrough nine.
Speaker 1 (58:31):
There were a ton of bangers on this.
I'm going to say my numberthree is going to be Deborah,
the last one that wow, reallyyeah, I didn't think, okay, yeah
deborah, the last one, that wow, really, yeah, I didn't think
okay, yeah, well, I mean I, Imean I really appreciated the
the dexterity of yeah, beck'stalents.
You know, on that, like hisvoice was really the rounding it
out soulful and uh, and now Isee that he's got talent as if I
(58:55):
didn't need to already, yeah,but okay, that's my number three
all right, my number two is getreal paid.
Speaker 4 (59:02):
Yeah, that song kind of you know grew on me a lot
this, this listen around it'svery catchy.
Speaker 1 (59:13):
It's four minutes and 20 seconds on the nose, okay,
okay.
Speaker 4 (59:16):
Yeah, yeah, really catchy song.
Speaker 1 (59:18):
That was my number two as well, I was.
Speaker 4 (59:20):
I agree.
Speaker 1 (59:21):
I think it's uh, it had some really good hooks in it
and it flowed and it was superlike aggressive and confident
and it was great little soloyeah.
Speaker 4 (59:34):
It's got it's kind of like the rocket, like a weird
spacey.
Speaker 3 (59:42):
Leaves of the Sea solo.
Speaker 1 (59:45):
Yeah, it brought a little bit more R&B to Thomas
Dolby.
Speaker 4 (59:49):
Right interesting.
Speaker 1 (59:50):
It's more soulful of a Thomas Dolby kind of a thing.
Oh, wow.
Marrying soul and technology.
Speaker 4 (59:58):
Blinded by the science yeah, wrapped up like a
douche.
Blinded by the science.
Blinded, yeah, wrapped up likea douche.
Blinded me with science.
Okay, dolby, yeah, all right,well number one for me.
You know it's gotta be milk andhoney, Milk and honey.
And then they really slowed itdown at the end and it kind of
(01:00:24):
almost got all like Rosebuddylike Citizen Kane.
Rosebud yeah, it's like you canhave it all, but then it can be
stripped away from you, maybewith all his nonsensical lyrics.
I don't know, I don't know, Idon't know what he was getting
at.
Speaker 1 (01:00:41):
Yeah me either.
Speaker 4 (01:00:42):
But it was an excellent song, it was.
Speaker 1 (01:00:44):
It was an excellent.
It is an excellent song and Imean I kind of wanted to go
there.
You're going to be different,aren't you?
To be different?
And just to bring another songinto this, I'm going to say
Peaches and Cream, just to bringanother song into this.
I'm going to say Peaches andCream.
It's my number one.
Nobody chose Hollywood Freaks.
Hollywood Freaks is such a goodsong too, man.
Oh yeah, well, that's the onethat had the bongos and
(01:01:10):
percussion.
Speaker 4 (01:01:10):
Yeah Well, Peaches and Cream.
Peaches and Cream Also verycatchy.
Speaker 1 (01:01:15):
Yeah, it was just so catchy, a lot of overlays yeah,
a lot of overlays, and all that,yeah, exactly.
I liked the.
It was playful.
Speaker 4 (01:01:24):
It was a little raunchy.
On another day, Peaches andCreams could be my number one.
Speaker 1 (01:01:28):
Yeah, it's creative and you can go places with it
and it makes me hungry a littlebit, yeah.
Speaker 4 (01:01:34):
Yeah.
Speaker 1 (01:01:34):
Well, let's get some poutine, maybe some milk and
honey, some gravy and all thatstuff and we'll call it a day.
Speaker 4 (01:01:43):
Let's leave our audience with a clip maybe yeah,
let's do it our plumphindquarters squared up and
pointed right at the cameraalright, I think that was
apropos.
Speaker 1 (01:01:55):
Alright, take care.
all right, thank you for listening to the greatest
non-hits.
I'm chris, and playing the songuh, milk and honey from beck's
midnight vultures album is myco-host, tim Midnight Vultures.
It's the seventh studio albumby Beck and it came out November
16th of 1999.
I guess it was DGC Records.
(00:37):
Looking at Wikipedia, and thisis a wild one For me, it's a
party album.
Is what we think of this?
Speaker 2 (00:51):
as.
Speaker 1 (00:52):
Kind of crazy, kind of out there.
There's been a lot of criticismabout the album being soulless
and things like that.
I kind of get where they'recoming from in a lot of ways,
but I mean I also see like a lotof good in this album as well.
It's super creative.
The one thing that is, in myopinion, impressive about it is
(01:16):
the personnel.
I mean Beck, but some of theother guys that performed on the
album.
They play a lot of differentinstruments, like, for example,
I mean Beck alone.
He does vocals, he's a producerKeyboards, guitar synthesizer,
vocoder, choir vocals, bass,synthesizer, backing vocals,
(01:38):
hand claps, marimbas, harmonica,acoustic guitar, bass.
There's such a wide range there.
Roger Joseph Manning Jr playssynthesizer, piano, tambourine,
shaker, clavinet, vocoder,percussion all on down the line,
electronic drums, keyboards.
It's just such anon-traditional personnel lineup
(02:01):
of a recording act.
You know so it's justin meldell, johnson bass, backing vocal,
shaker percussion, smoky hormelguitar, joy warren warrenker
drums.
There's like a ton of peoplelike that do mastering, mixing
(02:23):
horns, banjo there's a banjopart in there.
Her peterson does that.
So there's a bunch of stuff andit gets funky later on and uh,
it just uh.
There's a lot and I think it'sit's kind of a good album for
this kind of a show because, asyou know we listen.
All the songs on the album ranktheir top three non-hits.
(02:49):
So we're going to have aninteresting time today
determining that I've got acouple of favorite non-hits.
Get Real Paid comes to mind.
Milk and Honey is usually atell on what Tim is going to
choose.
Um, there's a couple other onesin there and uh, of course,
(03:12):
we're going to be goofing offover the whole.
You know, throughout the wholething, as we listened to songs
at the end uh ranked non-hit.
So again, listeners, thank you.
We're coming up on our.
We're going to be beginning ourfourth year in several weeks
from now.
So if you're listening to thisin the future, as you know, if
(03:33):
you've listened to any of theprevious podcasts, you know
we've done the 70s in 2022.
We did the 80s in 2023.
We did the 90s in 2023, we didthe 90s in 2024, but I mean,
technically, our yearanniversary is february 16th.
I think was when we launched our, our first, uh, download our
(03:55):
first episode.
So the the line of order, thechain of command, is that we do
some albums for the 2000s.
I think that would be cool.
The thing is, when I listen toan album like this, about two or
three years ago, I probablywould have said no, I wouldn't
have been able to take it.
(04:16):
And now my net has spreadpretty wide and it's a good
thing, and so I mean every, youknow the trope is that the 2000
suck.
I, you know I'm going to giveit.
Maybe I didn't listen toeverything, and so I think it'd
be good for us to do that.
So we're uh, we're heading inthat direction, but in the
(04:38):
meantime, we're going to using afew other 90s episodes before
we get there.
Nevertheless, what can we sayabout this album?
Well, interesting album cover.
(05:01):
It's like there's a lot of sexin this.
I mean, I'm not gonna lie, it'sjust like.
It's just somebody like in likeleather pants, and it's like
there's another guy likesqueezing something out of a
tube and it makes the shape oflike a hand on a crotch of some
sort.
I don't know, it's weird.
(05:22):
So this is considered funk,rock, alternative rock, hop,
disco, r&b.
Yeah, it has all those things.
It's good like that.
They recorded this in LA.
Shout out to LA.
There are fires going on there,by the way, as we're recording
(05:43):
this.
Shout out to LA if you listen.
We're with you, we really are.
We hope you're safe, we hopeyou're well.
And my man, tim, just put hisguitar down.
He's getting set up, he'sadjusting, he's adjusting his
(06:05):
chair, I'm adjusting his mic,his volume.
How you doing, bud?
Tasty waves here, that's right,let's get into it.
This is your wheelhouse.
Speaker 4 (06:19):
A lot of shout outs, just excellent party time music,
you know it really is.
You've been at a party or twoof this is in the background
excellent, excellent well, uh,yes, I used to have some parties
(06:40):
in mom's basement and playfoosball and listen to this.
Shout out to Jeff for puttingthis on.
Made me love the album evenmore.
Shout out to the perfumedblokes on the Giza line.
Bed and breakfast, getaway,weekenders, sports, illustrated
(07:01):
moms, chicks with lazy eyes.
Shout out.
Speaker 1 (07:07):
Tea drinkers, oh man.
Speaker 5 (07:08):
Yeah, you're crazy, I like you yeah.
Speaker 1 (07:13):
Yeah, no, but shout out to all those people.
Speaker 4 (07:16):
That's what I say it's a party, feel it really is.
Speaker 1 (07:22):
The lazy eyes Shout out Especially yeah.
Speaker 5 (07:27):
Hey bud, let's party.
Speaker 1 (07:29):
Okay, all right Should we get into it, let's get
into it.
This is the first one we'regoing to call it a hit.
It's Sex Laws, because it's asingle.
The singles are the first threesongs Sex Laws, nicotine and
Gravy Mixed Business.
And here we Go.
Speaker 4 (07:46):
So there's no sex.
I mean, how do you not have sexwith me?
You got a little arresteddevelopment here.
Speaker 1 (07:52):
Okay, yeah.
Speaker 4 (07:52):
Good start.
Yeah, tobias shout out, nevernudes.
Speaker 2 (08:01):
What's up?
Good drama, great look.
Speaker 1 (08:07):
This is back drumming , right, yeah, among other
people.
I mean, it's so.
There's, like I said, man,there's so many different people
in this Personnel.
You've got what was that?
Roger Joseph Manning?
I think he played somepercussion.
Speaker 4 (08:24):
Tea and Sympathy.
Speaker 1 (08:28):
Shout out to the tea drinkers again.
Beck, of course, plays drums onthis Actually maybe not Joey
Werenker Is in drums On track 3,7, 8, 10.
There's two different peopledoing.
Are you crying?
Speaker 3 (08:49):
I'm not afraid to.
Are you crying?
Speaker 4 (08:51):
I'm not afraid to cry .
Speaker 3 (08:53):
Are you crying?
Speaker 4 (09:02):
What's that?
Speaker 5 (09:05):
Neptune's lips taste like fermented wine.
Work it, work it, baby.
Speaker 1 (09:13):
Shout out to Roger Joseph Manning playing the
shaker right now.
Speaker 4 (09:16):
Oh wow, he's really doing it.
Oh, hepatitis contact lens.
Speaker 6 (09:25):
Roger Joseph Manning.
Speaker 4 (09:32):
Defile sex, sex logic .
Speaker 1 (09:35):
Oh god, shout out to Wisconsin.
Speaker 3 (09:41):
Oh god, oh god, oh god, I'm afraid to cry.
Speaker 4 (09:56):
What's this halfway home all about, just?
Speaker 3 (09:57):
go home.
That's your home.
Are you too good for your home?
Speaker 1 (10:06):
Answer me, oh, this guy, God the banjo.
Speaker 5 (10:11):
It's the banjo guy I'm going to give a shout out to
him Giggity giggity g banjo,it's the banjo guy.
Yeah, give a shout out to himGiggity giggity giggity Herb
Peterson.
Speaker 4 (10:18):
Herb's a man, I'm a man.
Speaker 6 (10:23):
I'm a man.
Speaker 3 (10:28):
Slip off, go home.
Speaker 4 (10:33):
Herb is going off, go to your Betty Ford clinic and
cry Good little trumpet in this.
Little overlays, little details, simple lines Intertwining.
Speaker 3 (10:45):
Little touches, little touches, little details.
Speaker 1 (10:50):
Are you trying to say that they should call this lick
my love pump?
Speaker 4 (10:52):
take your bulbous areas and scooch along there oh
man what hi shout out to themoms out there.
Speaker 6 (11:12):
Shout out to the moms out there Now, feel, feel in
the heart, feel, feel in theheart.
I thought I saw a booty cat,whoa, boldly go where no man has
ever gone before.
There's got to be a.
Speaker 1 (11:24):
All right, this is Nicotine and Gravy.
Another single Less, I think,less recognized than Sex Laws
For sure.
Less, I think, less recognizedthan sex laws for sure.
Speaker 4 (11:35):
I love all the futuristic electronic stuff
infused with guitar and bass anddrum, though great, it's almost
like incubus, but you piece,meals it together, kind of like
we do with these right, theselittle clips, you know I agree
(12:03):
what do you think?
Speaker 1 (12:04):
how affirmative day.
Okay also, you have like reallybig eyes whoa.
Speaker 4 (12:29):
Whoa Cassava melon.
Cassava melon doesn't existanymore.
Speaker 6 (12:40):
I'll do the laundry.
He pulled over.
He pulled over French fries andgravy sir.
Speaker 4 (12:54):
Poutine.
Speaker 6 (12:56):
Yeah, sure.
Speaker 1 (13:02):
Yes, sir.
Speaker 4 (13:02):
Yes sir.
Speaker 1 (13:04):
Cassavas are real fruit, are they?
Speaker 5 (13:08):
They're like Feel it down in my plums, feel it down
in my plums, feel it down in myplums.
Speaker 2 (13:16):
What the fuck is he talking about?
Speaker 1 (13:21):
What'd you say, man?
I'm afraid they don't exist.
Speaker 3 (13:25):
I just want to see what a double heart is like.
I don't know what part of it.
Speaker 6 (13:30):
Jesus, you're crazy.
Speaker 4 (13:45):
You're crazy I like you, I don't want to die tonight
.
What that's such a random lyric?
Speaker 2 (13:59):
it's it's like surfing in some oil spillage
that's Beck right there.
Speaker 4 (14:05):
This these go to 11.
Let's back right there.
Speaker 5 (14:14):
This.
These go to 11.
Speaker 4 (14:22):
Time to get creepy All right.
Pick your bulbous areas andscooch along.
(14:43):
It's lazy, it's doing crazy.
She looks so Israeli.
Yeah sure, yes, sir.
French fries and gravy sir.
Speaker 3 (14:58):
Poutine yes, sir, he's already.
Speaker 1 (15:09):
This is a borderline disrespect to the listener.
Speaker 4 (15:11):
It's adding we're making Beck proud.
I think so.
Yeah, you can listen to it onyour own.
I like it.
We're menage a twine.
Speaker 1 (15:20):
Yeah, we're menage a cacha, it's a twine.
It's just back in the two of us.
Speaker 2 (15:26):
What the fuck is he talking about?
Speaker 1 (15:27):
Yeah, exactly, maybe I need to sit.
The next couple plays out.
Speaker 4 (15:37):
This is a nice little interlude here.
There's nothing more to beadded.
Speaker 3 (15:50):
It's the Egyptian magician.
Yeah.
Speaker 4 (15:52):
This is awesome.
This is way cool.
Speaker 6 (16:09):
Alright, alright, alright.
Affirmative Dave All right, allright, all right Affirmative
Dave.
Speaker 3 (16:20):
What.
Speaker 1 (16:23):
Call the fire department.
It is out of control.
Oh, wow man, that was, that wassweet.
Yeah, that was.
Wow, man, that was sweet.
Yeah, that was good man.
That's the best I've ever heardthat song.
I've heard it a couple timesnow.
Why is it now sticking with me?
You gotta give us a couple.
All these albums.
They need time to get into you.
Speaker 6 (16:47):
It's business with leather, christmas with leather.
Speaker 4 (16:58):
Oh, with Heather, Was that Heather?
Speaker 1 (17:07):
Yeah, mixed business.
Speaker 6 (17:08):
I was talking about me.
Speaker 5 (17:13):
What a freak.
Speaker 6 (17:18):
Alright.
Speaker 4 (17:22):
Colamping, rising to the canteen.
Alright, alright, I love lamp.
Speaker 3 (17:44):
Cold lamping.
Speaker 6 (17:48):
Ian Simmons is a legend, yeah sure, rewrite your
diary Champagne.
Champagne.
Speaker 4 (18:08):
Who wants to pour champagne on a honeybee?
Speaker 2 (18:15):
Vintage champagne.
Speaker 6 (18:19):
That's right, that's right, baby Hot tub.
Speaker 4 (18:32):
Heather, shout out Get that homework done.
Speaker 6 (18:39):
I was talking about me.
Speaker 4 (18:42):
Shout out to the lesbians screaming.
Speaker 1 (18:47):
Wisconsin.
Nymphomaniac shout out oh.
Speaker 3 (18:49):
God, oh God.
Speaker 1 (18:52):
Oh, oh God, oh God, oh, it's getting funky now.
Speaker 4 (19:00):
Oh, mistress, what's a mistress?
C-o-d Call on demand.
Yeah.
Speaker 1 (19:06):
Yeah, okay, come on demand.
Speaker 4 (19:11):
Vintage champagne.
Let us celebrate, yes, thebrooch, reunion of the brooch.
The boys what about the men?
I'm a man, I'm a man.
I like the little electronictouches.
(19:33):
A man, I'm a man, I like thelittle electronic touches.
Speaker 6 (19:35):
Yeah, Touches you know little touches, little
details.
All right, all right, all right, All right, all right, all
right.
Well, I'll start my ownbusiness.
Speaker 3 (19:50):
How hard can it be?
Speaker 6 (19:53):
Bzzz, bzzz, bzzz.
Speaker 1 (19:59):
We'll see who brings in more honey.
Ah, I see what you're doing$6,300 suit Come on.
Speaker 4 (20:24):
That's a lot of business for Job.
Speaker 1 (20:28):
Oh yeah.
Speaker 6 (20:30):
This is an intro to get real paid.
I think he comes from adimension that's big on musical
theater okay, we'll pass wellhere we go.
Speaker 5 (20:40):
This is get real paid don't you wish you were
flawless like me?
A towering inferno of physicalperfection all right, thank you.
Speaker 4 (20:50):
Thank you, bender.
Yeah, exactly.
Speaker 1 (20:52):
That's a good intro, man, because this is all synthy.
You know this is where this isgoing.
All right, what?
Speaker 4 (21:07):
I like this one, though it's spacey.
Speaker 1 (21:09):
Oh yeah, affirmative though it's spacey.
Speaker 3 (21:12):
Oh yeah, Affirmative, Dave.
Speaker 4 (21:18):
We didn't ask you how .
I wonder what Saul thinks ofthis.
Shout out to the dads withpictures in their wallets.
Speaker 1 (21:35):
It kind of has like a horror movie vibe to it.
Speaker 4 (21:46):
Parental advisory this album Potentially, I'm not
sure.
Parental advisory this albumPotentially, I'm not sure.
Saul's been pretty.
We never.
Yeah, what's Saul?
He's been pretty quiet.
He's got a soul-fame chest.
Speaker 3 (22:02):
I went to the Empire State Building.
Speaker 1 (22:04):
No, that's not what we asked you.
Do you like this?
How are you feeling about it?
Speaker 3 (22:11):
Hi, oh, hello.
Speaker 4 (22:13):
Hello, he's on the cell.
He's on the cell.
Yeah, he's on his cell here.
Speaker 6 (22:18):
Okay, he's calling in like butter and those legs and
those sparkling, why?
Speaker 2 (22:27):
are you going to the airport flying somewhere?
Real paid?
Why are you?
Speaker 3 (22:30):
going to the airport Flying somewhere.
Speaker 4 (22:37):
Real paid.
Speaker 1 (22:46):
Get real paid.
This is like Revenge of theNerds, like their thing at the
end.
I don't know why they want it,cause their daddy's always on it
and he know just how to flauntit.
He got pictures in his walletand he wanna be your lover?
Speaker 2 (23:00):
Does he look just like my mother?
Does he cover you like butterand just leave you alone?
I don't know where, from where?
Speaker 3 (23:08):
We lambda, lambda, lambda, and Omega Moon there's
so much to do.
Speaker 4 (23:20):
Yeah, okay, you're pregnant again.
It's Thursday.
Speaker 5 (23:32):
They're hands, they're smooth.
Thursday the head Smooth,creamy, delicate, yet masculine.
Speaker 1 (23:46):
That's kind of cool of the voiceover.
Speaker 3 (23:59):
These babies can go off.
Speaker 1 (24:02):
I kind of like the fact that it's soulless.
It's kind of got like a.
It's actually like a verycalming kind of.
This is really chill.
Speaker 4 (24:37):
Downers.
He's got downers.
Speaker 1 (24:41):
Yeah, what qualifies to touch your ass?
I wonder Touch my ass if youqualify it's.
Is that what?
Speaker 4 (24:54):
it is.
The ending is really reallycool, oh gosh, Okay.
Speaker 6 (25:03):
I didn't look good.
Speaker 1 (25:07):
Alright, it's Hollywood Freaks.
Speaker 6 (25:09):
Like butter and those legs and those sparkling
stockings Again, butter, butter,hot milk, tweet my lip.
Or champagne, or rippo Chalmers, go cripple.
Champagne, champagne,evaporated meats what a freak.
Speaker 2 (25:43):
What the fuck is he talking about?
What the fuck?
Speaker 6 (25:46):
is he talking about?
Speaker 4 (25:49):
Pants and jeans.
Hollywood freaks on theHollywoods.
Speaker 3 (25:52):
What you say, man, what you think, I got some rocks
and diamonds.
Speaker 6 (26:09):
I wanna unload them.
What the fuck is he talkingabout?
Speaker 1 (26:25):
Beck is slaying it now.
Speaker 6 (26:27):
What is going on?
Speaker 4 (26:33):
He needs some of the finer things.
Speaker 6 (26:41):
Feeling or thinking.
Speaker 3 (26:45):
That feels, that feels better.
Speaker 6 (26:53):
I was talking about me, but She'll buy you Hollywood
.
Speaker 4 (27:09):
Casting those spells.
Oil Did you say oil.
Speaker 3 (27:21):
I think so Okay.
Speaker 2 (27:30):
It's like surfing in some oil spillage.
Choose these eyes, I guess.
Speaker 1 (27:45):
There's a lot going on in this album, man.
There's a lot of differentgenres.
There's rap, synths, shop itall.
Navy, shop it all.
Man, there's a lot of differentgenres.
Speaker 3 (27:51):
There's a lot of rap.
Yeah, scents.
Speaker 4 (27:52):
Shop at.
Speaker 1 (27:53):
Old Navy Shop at Old Navy.
Speaker 4 (27:57):
What he wishes.
He was a lady.
Speaker 1 (28:00):
Jock and my Mercedes.
I'm a man.
Speaker 2 (28:04):
I'm a man.
Speaker 4 (28:06):
A lot of that going on in Hollywood.
Speaker 1 (28:15):
Tropical oils turn up the heat.
Speaker 6 (28:21):
Till the swimming pool boils.
He's gone to 11.
Speaker 4 (28:34):
Excuse me, russell but I believe I requested the
hand job.
Is that poor taste?
Eh, with the fires and all Idon't know.
Oh, hollywood, people don'tyeah these babies can go off.
Is that the meters Don thesebabies can go off?
Is that the meters Don thesebabies can go off?
(28:55):
The meters going off.
Yeah, smart meters.
All right, we're on peaches andcream Peaches and cream.
Speaker 1 (29:13):
What your left hand do, Don't tell your right hand
baby.
Speaker 3 (29:35):
Don't tell your right hand, baby, they're hands.
Speaker 5 (29:48):
Brothers don't shake hands, brothers, gotta hug make
a garbage.
Speaker 3 (29:55):
Man scream it's such a dangerous dream they're smooth
, creamy, delicate, yetmasculine pour some sweet cream
on it.
Speaker 4 (30:16):
Shout out to the sweater wearers.
Speaker 3 (30:21):
Big hands.
Speaker 1 (30:29):
Shout out to the turtleneck wearers out there
it's a cold one, bundle up.
Speaker 4 (30:59):
It's a cold dream.
It's only a dream here, right,alice?
Speaker 2 (31:08):
Oh what the fuck is he talking about?
Fuck?
Speaker 3 (31:21):
What the hell?
I'm your dad's brother, aren'tI Lost?
Lost, you're best.
Speaker 6 (31:58):
Hop on the good foot and do the bad thing.
I believe it's menage a trois.
I love lamp, I love lamp, Ilove lamp.
Speaker 3 (32:35):
I love lamp.
Speaker 4 (32:49):
A trend I love lamp.
Speaker 6 (32:54):
I love Leia.
Speaker 4 (33:06):
I love Sit there and he's gonna put that thing on
your melon, okay.
Speaker 6 (33:12):
Just a trim, don't buzz me, alright.
Speaker 1 (33:16):
Trimmed and burning baby.
That's what it's all about.
Yeah.
Speaker 4 (33:21):
Beck has an extensive collection of name tags and
hairnets.
I would say Probably.
A lot of songs revolve aroundhim.
I mean, he's a virtuoso.
Yeah, really plays 45instruments.
Speaker 1 (33:39):
I didn't realize he could rap that well too.
He raps really well.
He does everything.
That's the wild part it's likethe only good white rapper, yeah
and he produces all this too,so it's like there's a lot of
horns here.
Speaker 4 (33:56):
Now this one.
I like this one a lot.
Speaker 1 (34:03):
Good drummer, there's a xylophone in there.
Speaker 4 (34:05):
It's a good drummer, good look Great, look Good
drummer.
Speaker 2 (34:12):
Good drummer oh.
Speaker 3 (34:19):
Oh.
Speaker 1 (34:26):
Shout out to all the bushes out there Last name Bush
King $6,300 suit Got it dryclean.
Speaker 4 (34:36):
Oh, what are those billionaire weapons doing Out of
control?
Speaker 1 (34:58):
Like that yeah.
Speaker 4 (34:59):
Yeah.
Speaker 5 (35:04):
Work it, Work it baby .
Speaker 3 (35:08):
Hold on, hold on.
Speaker 4 (35:23):
It does sound like a train song, doesn't it?
Speaker 6 (35:25):
The harmonica.
Yeah, yeah, yeah.
Speaker 3 (35:38):
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeah,yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah, yeah, yeahyeah.
Speaker 1 (35:45):
That was unnecessary.
Speaker 4 (35:49):
That's a train.
That's a train right there.
You guys are making me looklike Trina Thod.
Speaker 1 (36:01):
Here I was A little touch of details, a little rock
out here.
Speaker 3 (36:15):
Good use of xylophone , that's right.
Baby, where do?
Speaker 1 (36:26):
you live, baby?
Where do you live?
That's right, baby.
Speaker 4 (36:36):
Where do you live, baby?
Speaker 6 (36:42):
Good drummer, great look, good drummer yeah.
Speaker 4 (36:45):
Good xylophonist Good .
Speaker 3 (36:50):
Very good Good guitarist Just saying let it out
, give it some air man that was.
Speaker 2 (37:06):
That was beck's guitar solo dear near near
crushing it I only came here todo two things, man kick some ass
and drink some beer.
It's like we're almost out ofbeer.
Speaker 1 (37:22):
There's a guy named Smokey Hormel who plays guitar
on this track, I think.
Smokey, shout out to Smokeythis guy, roger joseph manning,
is playing the vocoder on thistrack as well plays on, play the
(37:51):
mixed business too, I thinkthat that kind of thing whoa or
maybe it's that Is that atheremin.
Yeah.
Speaker 4 (38:04):
Use therebin Never been touched.
Speaker 1 (38:07):
The clavinet?
Yeah, the clavinet was used inthere somewhere, roger.
Speaker 3 (38:13):
Joseph Manning was all over that.
We'll see who brings in morehoney.
Speaker 1 (38:25):
Manning's playing guitar on this one.
Oh no, he played guitar on thelast one.
He's playing keyboards on thisone.
Sorry, beck plays harmonica onthis at some point.
What plays guitar on this, infact?
(38:48):
Does this kind of sounds likeWhite Stripes?
Yeah, I like this album, thisone.
Speaker 4 (39:27):
Cold cola cans.
Speaker 3 (39:35):
Do it for free.
Speaker 4 (39:38):
This sounds like bring a poor boy to his knees,
yeah there's like uh, classwarfare stuff going on smell the
(40:01):
what in the club tonight vtlike chlamydia dreams disappear,
(40:24):
dreams disappear.
Speaker 1 (40:24):
This is so great I know, I'm still thinking about
how VD smells Like, is it Like?
Kind of smells different thanlike the clap.
Speaker 4 (40:37):
You think I'll get some rocks, and diamonds.
I want to load all my computerall right, all right, all right
(41:05):
affirmative day and shoulders,knees and toes.
Speaker 1 (41:14):
Knees and toes pour some sweet cream on it.
Speaker 4 (41:33):
I take head, shoulders, knees and toes.
Knees and toes.
Okay, you can have those.
Speaker 3 (41:54):
Coming down a little bit here.
Speaker 4 (41:58):
Ah but we're still on milk and honey, so honey, I
love the outro to this.
It's kind of cool you're crazy.
Speaker 5 (42:14):
I like you, but you're crazy.
Speaker 4 (42:26):
Double guitar fill here.
Listen to that guitar fill inthis, yeah.
Speaker 6 (42:31):
Bzzz.
We'll see who brings in morehoney Bzzz.
Speaker 1 (42:40):
That was a little harsh for the tone.
This is getting right.
Speaker 2 (42:52):
Some kind of like effect on the two, two, two, two
, two, two, two, two, two twotwo, two, two, two, two, two,
two, two, two, two, two, two,two, two, two, two, two, two,
two, two, two, two, two, two,two, two, two, two, two two two,
(43:14):
it's all going away, oh wow.
Speaker 1 (43:21):
Yeah, we don't need that.
All right, so that was abeautiful song.
Speaker 4 (43:27):
This is beautiful, beautiful way.
Yeah yeah, this song reminds meof his the later stuff that he
(43:51):
won a Grammy for and his LostCause.
This song definitely has themood of the Lost Cause album.
Speaker 1 (44:03):
I'm not looking at any Wikipedia or anything, but
just from memory.
I think he got divorced in 2002.
The album that came out thenwas kind of about that fallout.
Speaker 4 (44:15):
Oh, sea Change, that was Sea Change.
It's a Sea Change-type change.
This is a sea change type song,which is a previous album.
Speaker 1 (44:21):
Yeah, yeah, you were talking about something after
what I was talking about, causehe went to Grammy like in 05 for
that uh acoustic album that hedid Right.
Speaker 3 (44:45):
Morning phase 2014.
Speaker 4 (44:59):
We haven't done Odele either.
It's a good album.
Speaker 1 (45:02):
Yeah, it's probably the most popular yeah.
Maybe the most criticallyacclaimed too.
This one is kind of up there.
I think this is kind of underthe radar, don't you think?
Speaker 3 (45:13):
It's just can't be.
Speaker 1 (45:15):
It's not for the masses, you know.
Speaker 4 (45:19):
I think, to his niche fans.
It is really there's.
Speaker 3 (45:26):
I'm not a super fan but I can.
Speaker 1 (45:28):
I can see myself getting used to it.
Just takes a few listens rightand like once you know what
you're looking for, it's a good,it's a nice standby.
Speaker 4 (45:46):
Well, this album is supposed to.
He admitted, this is supposedto be a party album, it's just
yeah.
And then you need a song likethis on there to bring it down a
little bit.
Well, sometimes you need aparty beat, brought down.
Speaker 1 (46:00):
You can't just go up, and I mean it can, but a lot of
times it's good to evan flowwith the music in the background
.
Speaker 4 (46:09):
Simple lines, simpler , maybe a little simpler, less
intertwining yeah it's a fineline between clever and stupid.
Yeah, it's true, that's anotherline for that.
Speaker 1 (46:23):
You know Spinal Tap.
But yeah.
Lick my Love Pump.
I think it was the song wherethis is this album's Lick my
Love Pump.
Speaker 3 (46:40):
What'd you say, man?
Speaker 4 (46:45):
The slide guitar is really good too.
Speaker 1 (46:53):
I gotta know who is on slide guitar here.
Pedal Steel is Greg LiseL-E-I-S-Z, or maybe it was on
Milk and Honey that he playedthat.
This is true.
Speaker 6 (47:22):
This moment came to me in a dream.
Speaker 1 (47:45):
Beck is playing back vocals back vocals.
Speaker 4 (47:51):
Yeah, like background , like you know, like the
harmony, the raga probably a, alow version, a high version, a
mid version, he could highversion a mid version Could be
doing all of them.
Speaker 1 (48:19):
Feeling or thinking that would be pedal.
Right, this is pedal guitar,pedal steel, jd and S.
Oh god, it's so beautiful.
Yeah, we're past the banjophase of the album.
(48:42):
All right, that was kind ofcool.
We're kind of getting towardsthe end.
We got three more.
Next one is well, this is likean eight.
(49:02):
Okay, this is like aneight-second thing.
Intro to Pressure Zone.
Let's just go straight toPressure Zone.
Okay, here we go.
We're bringing it back up.
Speaker 6 (49:17):
The countryside is overgrown.
There's a lighthouse in thesouth Wrestling with butchered
girls.
She don't ever change herclothes.
Masterpieces liquidate.
Choosing size, I guess I cansleep inside a box A hundred
(49:41):
years.
Choose his eyes, I guessLizards and their pressure sound
what Hi Hi, with Almighty Godas my witness, I am not an angel
(50:19):
dust dealer.
Speaker 3 (50:46):
All the other mothers , I would never dream of asking
you.
These babies can go off.
Speaker 4 (51:06):
What are you?
Some kind of freak?
I like this one.
It's growing on me a little bit.
Speaker 1 (51:13):
Yeah, it's a little bit more uplifting.
Speaker 4 (51:18):
Now it's a little raw , more uplifting.
Speaker 6 (51:20):
That one's a little ragga here, yeah.
Speaker 1 (51:24):
It's got some piano with some synths back and forth.
Speaker 4 (51:28):
It's got a little bit of Spicoli in there, yeah.
Speaker 5 (51:34):
Hey bud, let's party.
Speaker 3 (51:44):
Whoa, it doesn't sound like his solo.
Speaker 2 (51:49):
His solos are Like butter and though.
Speaker 1 (51:51):
Solos are like butter .
Speaker 4 (51:53):
Oh, it's like butter.
Speaker 1 (51:57):
What do you think?
Speaker 3 (51:57):
Quagmire, giggity, giggity giggiggity, I see you're
a back fan.
Speaker 1 (52:08):
Oh really that was kind of cool.
All right, we're at the lastone, deb deborah.
All right, we're at the end,deborah beverly, oh yeah, donna
(52:29):
we all know where we were atwhen we met our loved, our one
and true love that's baby makingmusic.
Speaker 2 (52:41):
That's what that is.
Speaker 1 (52:43):
I was just thinking that yeah, come on, you're
turning it's classy, turning ourpool over Fleased.
Speaker 4 (52:56):
You got fleased.
Speaker 1 (52:57):
Yeah, fleeced you got fleeced yeah, I'll get him
every time.
Chew on it, chew ON IT.
Speaker 5 (53:29):
It's Harba Melon.
Feel it down in my plums,alright.
Speaker 6 (53:42):
I'm a man.
I'm a man.
What, what, what?
I believe it's menage a trois.
Speaker 3 (54:01):
Touch.
You know the little touches,little details.
Girl, I only want to be therewith you cause you got something
(54:26):
that I just can't get away.
Speaker 1 (54:32):
I'll pick you up late at night after work.
He says his back man, he's good, he's got a good voice, he
surprisingly does.
Speaker 4 (54:38):
It's kind of annoying how good he is.
Sometimes he says his back man,he's good, he's got a good
voice.
Speaker 6 (54:41):
It surprisingly does it's kind?
Speaker 4 (54:41):
of annoying how good he is sometimes.
Speaker 1 (54:45):
I know.
Speaker 3 (54:54):
Well, let's do it then.
Speaker 1 (54:57):
All good Shout out to Debbie Harry.
Speaker 3 (55:21):
Also, you have, like, really big eyes.
Got to get with, get to getwith.
I just got to get with you,girl that you never I wanna get
with you, all of you and yoursister.
I think her name is Deborah, ohyeah, I just dig songs about
rainbows.
Speaker 6 (55:37):
Get with you, oh yeah , I just dig songs about
rainbows.
Speaker 4 (55:47):
Oh, yeah, oh yeah, I'll stop Okay.
Speaker 1 (55:55):
No, I'm, I'm, I'm, I'm He-Word.
Speaker 4 (56:06):
Pour some sweet cream on it.
It's a little bit like.
It's a little bit like LennyKravitz right now.
You're crazy.
Speaker 5 (56:14):
I like you, but you're crazy, you're crazy.
Speaker 1 (56:19):
Yeah, it's Lenny Kravitz, it's Prince, a little
bit of James Brown kind of flyin the family stone.
Yeah, sure, yes sir, are yousaying yes, sir, yes, sir, yeah,
sure.
Speaker 6 (56:44):
French fries and gravy poutine.
Speaker 5 (56:51):
You're crazy you're crazy, I like you.
Speaker 3 (57:39):
I like you.
Speaker 6 (57:42):
I'm a man Now feel feelin' in the heart Okay.
Speaker 1 (57:51):
All right, yeah, man, that's.
Speaker 4 (57:52):
I think that we're, we're at the end Wow, that's it.
That was great.
Speaker 1 (57:56):
That was a good album , man.
Let's, let's, get into our topthree.
What are you thinking for yournumber three?
Oh, the very the first threesongs are out from all the way,
from get real paid at thebeginning to deborah.
Okay, what are you thinking?
Speaker 4 (58:11):
um number three beautiful way.
I think that had just the righttype of feel to sort of cut the
album in half in a way uh, in agood way sort of a all the you
know, all the bangers are on onethrough nine.
Speaker 1 (58:31):
There were a ton of bangers on this.
I'm going to say my numberthree is going to be Deborah,
the last one that wow, reallyyeah, I didn't think, okay, yeah
deborah, the last one, that wow, really, yeah, I didn't think
okay, yeah, well, I mean I, Imean I really appreciated the
the dexterity of yeah, beck'stalents.
You know, on that, like hisvoice was really the rounding it
out soulful and uh, and now Isee that he's got talent as if I
(58:55):
didn't need to already, yeah,but okay, that's my number three
all right, my number two is getreal paid.
Speaker 4 (59:02):
Yeah, that song kind of you know grew on me a lot
this, this listen around it'svery catchy.
Speaker 1 (59:13):
It's four minutes and 20 seconds on the nose, okay,
okay.
Speaker 4 (59:16):
Yeah, yeah, really catchy song.
Speaker 1 (59:18):
That was my number two as well, I was.
Speaker 4 (59:20):
I agree.
Speaker 1 (59:21):
I think it's uh, it had some really good hooks in it
and it flowed and it was superlike aggressive and confident
and it was great little soloyeah.
Speaker 4 (59:34):
It's got it's kind of like the rocket, like a weird
spacey.
Speaker 3 (59:42):
Leaves of the Sea solo.
Speaker 1 (59:45):
Yeah, it brought a little bit more R&B to Thomas
Dolby.
Speaker 4 (59:49):
Right interesting.
Speaker 1 (59:50):
It's more soulful of a Thomas Dolby kind of a thing.
Oh, wow.
Marrying soul and technology.
Speaker 4 (59:58):
Blinded by the science yeah, wrapped up like a
douche.
Blinded by the science.
Blinded, yeah, wrapped up likea douche.
Blinded me with science.
Okay, dolby, yeah, all right,well number one for me.
You know it's gotta be milk andhoney, Milk and honey.
And then they really slowed itdown at the end and it kind of
(01:00:24):
almost got all like Rosebuddylike Citizen Kane.
Rosebud yeah, it's like you canhave it all, but then it can be
stripped away from you, maybewith all his nonsensical lyrics.
I don't know, I don't know, Idon't know what he was getting
at.
Speaker 1 (01:00:41):
Yeah me either.
Speaker 4 (01:00:42):
But it was an excellent song, it was.
Speaker 1 (01:00:44):
It was an excellent.
It is an excellent song and Imean I kind of wanted to go
there.
You're going to be different,aren't you?
To be different?
And just to bring another songinto this, I'm going to say
Peaches and Cream, just to bringanother song into this.
I'm going to say Peaches andCream.
It's my number one.
Nobody chose Hollywood Freaks.
Hollywood Freaks is such a goodsong too, man.
Oh yeah, well, that's the onethat had the bongos and
(01:01:10):
percussion.
Speaker 4 (01:01:10):
Yeah Well, Peaches and Cream.
Peaches and Cream Also verycatchy.
Speaker 1 (01:01:15):
Yeah, it was just so catchy, a lot of overlays yeah,
a lot of overlays, and all that,yeah, exactly.
I liked the.
It was playful.
Speaker 4 (01:01:24):
It was a little raunchy.
On another day, Peaches andCreams could be my number one.
Speaker 1 (01:01:28):
Yeah, it's creative and you can go places with it
and it makes me hungry a littlebit, yeah.
Speaker 4 (01:01:34):
Yeah.
Speaker 1 (01:01:34):
Well, let's get some poutine, maybe some milk and
honey, some gravy and all thatstuff and we'll call it a day.
Speaker 4 (01:01:43):
Let's leave our audience with a clip maybe yeah,
let's do it our plumphindquarters squared up and
pointed right at the cameraalright, I think that was
apropos.
Speaker 1 (01:01:55):
Alright, take care.
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