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December 4, 2025 57 mins

We have a love hate relationship with this album. We dug the music but the lyrical themes are too focused on unhealthy emotions like isolation, obsession, anxiety, mortality and fear of loss that it takes the fun out of a show likes ours, so we dunk on it a little. 

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
SPEAKER_02 (00:36):
So that's the album we're gonna be doing today.
And we want to thank you forlistening as always.
Uh this is uh this is a prettyan emo kind of uh thing, and uh
Tim and I are kind of likeloving the music.
Thinking the lyrics, maybe someof the band members are a little
pretentious, but uh yeah,there's good and bad, there's

(00:59):
there's everything in this, andso we're gonna we're gonna do
what we always do, and uh we'regonna go through the songs,
listen to uh everything on thealbum, and at the end we're
gonna rank our top three uhnon-hits, and uh there are a few
of them on this album.
Yeah, so we're looking at uh IWill Possess Your Heart, uh a

(01:21):
few others.
We'll we'll get into that uh inin a little bit.
So anyway, um Yeah.
It's uh I remember in 2008 I wasdown in Florida, and I remember
hearing about them from a buddyof mine.
I don't really talk too much uhanymore, but uh and he was he

(01:43):
was just telling me about I meanI I heard the I I saw I Will
Possess Your Heart in a video.
And at that point in time, I wasthinking, okay, these guys are
this is a great song, I'm I'mdigging it, even though I'm
getting kind of like a so-sovibe, you know, from the lyrics.
I don't know, there's somethingabout it.
I didn't know.
I I liked it and I didn't likeit, but nevertheless, it gave an

(02:06):
impression.
Yeah, it made an impression onme, I should say.
And then of course I had thefriend who had the girlfriend
who he broke up with, and she'slike they're having a fight over
the the death cat for QD C D andit became all drama and so it
just felt like a loop, you know,between their drama and the

(02:28):
drama on the album, and it wasjust like so But I mean it is a
good song and I know that a lotof people like it, and I we're g
we're going in a little a littleblind.
I mean I've listened to thealbum once through and some of
the the bigger songs you know weyou know we've heard multiple
times.

(02:48):
So I'm I'm willing to give it achance.
I I I listened to it thismorning, there were a couple on
here, I'm not gonna say.
I'm just gonna give it a cleanlisten, and then from there just
I'm gonna I'm gonna lay rightinto it.
So anyway.
Uh what else can we say aboutDeathcap for Cutie?
There's this narrow stairs.
Um it was released on May 12,2008.

(03:11):
So um I guess in the UK and onMay 13 in the US.
Oh, so it was a day early in theUK.
Anyway, um the second single wasCalf.
Um great, great song, I I willadmit.

(03:34):
Um I dig that one.
I think I'm I'm more that that'smy number one hit, followed by I
Possess Your Heart is my numbertwo hit.
So um those are the two realbiggies from my recollection.
Um I guess it would it reachednumber one on Billboard 200.
They I know they have uh ummultiple uh Grammy nominations

(03:58):
and awards, I believe.
Um the guitarist is also theproducer Chris Wallah, and he
stated Narrow Stairs was verymuch a commitment to just
crashing through the songs as werecorded them, like four people
in a room.
Okay, yes, alright.

(04:18):
Alright on.
Yeah, so there's uh it startsoff with Bixie Bixby Canyon
Bridge.
It kinda gives me an image ofBill Bixby, you know.
Incredible Hulk kind of a thing.
I think there was a canyon or abridge, and there was rain
coming down, he was hitchhiking.
So, anyway, turned into theHulk.

(04:39):
When nuts.
Apparently, uh lead singer, uhBen Gibbard, uh, founded the
band.
Um Married Zoe Day Chanel,divorced her shortly thereafter.
It may have been around thistime when they got married.
Um we'll have to look at thedates.

(05:02):
She was inspiring in some way ofthis album.
She's a quirky lady, and uheverybody loves her.

(07:57):
So we're gonna go with the firstsong Little Little Bixby Canyon
Bridge.
Think Incredible Hulk.

SPEAKER_01 (08:21):
Shout out to the bikers, shout out to the
runners.

SPEAKER_03 (08:23):
Eventually you're right at the end of the day.

SPEAKER_02 (08:28):
So this is like we're going down like a place of
suicide here.

SPEAKER_03 (08:33):
Barefoot in the ship.
Or it's just the death creek.
I grabbed some stones fromunderneath and waited for you to
speak to me.

(09:00):
That you had long ago disappear.
Quirky girls myself, where'd thequirky girl go?
That this didn't play like itdid in my mind, all the way from
San Francisco as I chased theend of Europe, cause I've still

(09:31):
got miles to go and run off intothe hills or whatever.

SPEAKER_05 (09:40):
I want shout out to Kira.

SPEAKER_04 (09:43):
I think if I keep up this way, it's hard to win.
The build-up here.

SPEAKER_01 (09:58):
Shout out to the Yerva Mate drinkers.
Let's let's get some Yerba.
Let's get some Yerba go.

SPEAKER_02 (10:04):
Get some tip of the Yerba go great.
Did you hear that raga?
There was like a a nice littlepuppet cup raga.

SPEAKER_01 (10:17):
It's just a dream.

SPEAKER_02 (10:19):
It's just a dream.
It's just a dream.
Shout out to Tom Fruit.
Cool kid.

SPEAKER_01 (10:28):
And the deleted scene.
That uh however.
Shout out.

SPEAKER_05 (10:44):
I felt it's my later thought thought up by some of
the time.

SPEAKER_02 (11:09):
I do like this.

SPEAKER_01 (12:15):
Sugar ray.
We done sugar ray yet.
I could do without sugar ray, tobe honest with you.

SPEAKER_02 (12:31):
Flying somewhere?

SPEAKER_01 (12:32):
Are you are we flying somewhere?

SPEAKER_02 (12:34):
We could you know I had it.
No, I don't.
What the other oh oh smashingpumpkin.
This is like smashing pumpkins.
This is what I'm hearing.
Okay.
A little bit.
Okay.
Yeah.
Stop scared.

SPEAKER_03 (12:54):
Trudge back.
Your world frightens andconfuses me.

SPEAKER_02 (12:59):
This is frightening and confusing.
I don't know.

SPEAKER_03 (13:06):
As I must assume.

SPEAKER_02 (13:13):
Well, you know, this is like a song about like uh
accident, they died, and it wasa suicide.
I didn't even pit.

SPEAKER_05 (13:19):
I mean, look, good drama.

SPEAKER_01 (13:28):
Yeah, we'll just leave it at that.

SPEAKER_05 (13:30):
Yeah, sure.
Still legal in 16 states.
It's happy, it's fun, it's happyfun ball.

SPEAKER_02 (13:39):
Alright, alright, back to the misery.
Okay, this is I will possessyour heart.

SPEAKER_01 (13:46):
This is could be one of the best intros of all indie
songs.
I yeah, I agree.
Maybe.
I I like the build up of it.
I mean, this is an eight-minutesong.
It's a three-minute.
Just buckle in and fall.
I hope it makes you happy.

(14:46):
Shout out to the runners.
Shout out to the runners.
We can't we can't just take itto the ledge.
Yeah.

SPEAKER_02 (15:11):
Sit the next couple plays out, yeah.

SPEAKER_01 (15:14):
I like the piano.

SPEAKER_02 (15:18):
Oh yeah, for the yes and no.

SPEAKER_01 (15:20):
I like more piano, please.

SPEAKER_02 (15:28):
I like the bass.
So bass and piano.
Kind of like doing banjos.
Chris Wall is kind of sparselyplaying guitar.

SPEAKER_01 (15:53):
This is like one of my favorite bass piano show
notes.
I tried to play all the pieces,really.
Tried to meld a yuke melt.

SPEAKER_02 (16:18):
It's the uh the bizarro version of Death Cat for
TD.
It's like live Uber againstFrumpy.
Tim didn't want me to use thatone.
I was gonna say I was gonna sayugly.
He's like, nah.

SPEAKER_01 (16:38):
Alright, frumpy.
Ugly the live Uber against ugly.
Okay.
Look at you here.
There it is.

SPEAKER_02 (16:48):
Show us a fossil.
That's good.

SPEAKER_01 (16:59):
I like I will possess your heart, but I
prefer.
You will loan me your uncle'slove.
Or whatever.
I don't know.
I don't know.
Your uncle's love.
That's a good song.

(17:20):
But then you be honest.

SPEAKER_02 (17:23):
That's gonna be that's gonna be one of the first
songs.

SPEAKER_01 (17:26):
We do our sustained panic guitar.

SPEAKER_02 (17:51):
I can't receive much.
I don't know what the absolutetime is against you.

SPEAKER_01 (18:06):
Come do it.

SPEAKER_03 (18:14):
How I wish you could see the potential.
The potential of you and me.
It's like a book elegantlybound, but in a language that
you can't read just yet.
You gotta spend some time to goand a cappella.
You gotta spend some time withme, and I know that you'll find

(18:38):
good drama, right?
I will possess your heart.
You gotta spend some You gottaspend some time with me, and I
know that you'll find low.
I will possess your heart.

SPEAKER_01 (18:55):
I like how his voice adds another melody on top.
It's sort of a another riff,like a guitar could play a fill,
but it's his voice that's doingit.
He's doing that whole uh JohnChoose thing.

(19:20):
Are you talking about respect?
Yeah, okay.
We'll be lovers, it's cool,we'll be lovers.

SPEAKER_03 (19:30):
You gotta spend some time with me.
I know that you'll find low Iwill possess your heart.

SPEAKER_01 (19:47):
It's very repetitive.
And also if you're newly newlyromanced, maybe just don't say
the possess, like possess it.

SPEAKER_02 (19:58):
Yeah, this is coming off a little strong.
Coming on so we don't go on adame.
I will possess your heart.

SPEAKER_01 (20:05):
I will but hey, I'm gonna really catch you.
Yeah, and it works with thelyrical sync patient song.

SPEAKER_02 (20:20):
So he don't he don't possess so we dation now's heart
anymore.

SPEAKER_01 (20:30):
It's a good uh inseg.
This is the bridge here.

SPEAKER_03 (20:36):
Yeah You gotta spend some time excellent bridge there
You gotta spend some time withme I know that go back to that
fine manic guitar again.
I will possess it.

SPEAKER_01 (20:52):
Yeah, there's a little drum little thing going
on.
Good drama, break, good drama,break, good drama, yeah.

SPEAKER_03 (20:59):
It's not me I know that you find I will possess you
I know that Ben's a big runner.

SPEAKER_01 (21:21):
I know Ben.
Ultra marathon runner, shout outto the runners out there.
Shout out to the runners to keepus keep us honest.
That's right.
Look both ways before you crossthe street.

SPEAKER_05 (21:48):
And run off into the hills or whatever.
It's just key rock, Your Honor,and yes, I'm ready.
Thank you.

SPEAKER_01 (22:03):
Oh, that's a nice little now.
We're getting into the get outof your cave.
We're number two here.
Yeah, so number three.
Yeah.
No sunlight.
This is very Zoe D Chanel-ish.

SPEAKER_03 (22:23):
When I was young, lying in the grass.
No warming bath of sunlight, ofsunlight, a fast open sky.
Could do no harm.

(22:45):
Like another chat rubber.
Of mother's arm.

SPEAKER_01 (22:50):
There was some but there's sunlight.
I think it's sunlight.
Yeah.

SPEAKER_03 (22:57):
That was sunlight.

SPEAKER_01 (22:59):
Get on my bike to go to work.
It's morning.
I know.
It's time to sit there forseconds.
More chills appear.

SPEAKER_02 (23:15):
I know, there's just something not right about this
song.
I try.

SPEAKER_03 (23:25):
It's all we got.

SPEAKER_02 (23:27):
Yeah, it's kind of depressing.

SPEAKER_03 (23:29):
It's all like I do it.

SPEAKER_00 (23:43):
Don't start by this time.
I'm making people happy! I'm themagical man!

SPEAKER_02 (23:56):
Just a if when you're in the a rock spot at the
place.

SPEAKER_01 (24:03):
Maybe this death really hits at that point in
time.
Shout out to MC.
Death death tab.
You'll call it Manner North.
Shout out to Manor North.
Shout out.
Yeah.
Okay, sunlight there.

(24:24):
What's new to houseplants then?
I don't know.
Couple house plants in the dorm.
That's not good.
Yeah.

SPEAKER_04 (24:32):
No sunlight.
No sunbind.
No sun vibe.

SPEAKER_02 (24:36):
Filtered air.
Anymore.
Filter water.
Yeah.
Shout out to the plant people,aka Tim.
Yeah.
Gotta get that sunlight.
Okay, this is Kath.

(25:07):
Did we establish a crate finefires?
Is it a hit?
I thought it would be, but Yeah,let's put it in there.
Those three.
Let's take those three out.
Cath crate vine.

SPEAKER_01 (25:23):
Yeah.

unknown (25:24):
Okay.

SPEAKER_01 (25:27):
Alright, I can get down with that.
Got that established.
Kath is not.

SPEAKER_02 (25:32):
Kath is a this is a hit.
Okay.
Or not.
This isn't gonna hurt.
For our consideration.
Alright.
Bill Pittsburgh's nice.

SPEAKER_01 (25:46):
Posture here.
Alright.
Alright.
Oh yeah.

SPEAKER_02 (25:58):
Shoulders balls.
Nice and broad.
Shout out to Annapolis.
Let's help it a big shoulders.
Am I crying?
No, I'm not crying.

SPEAKER_01 (26:19):
What is this?
Get the same offline.

(26:40):
I have hot lines.
I worked out.
Alright.

SPEAKER_03 (26:46):
It's deep.
Someone else's dream.
Wedding dress.
Could have been all oppressed.

(27:06):
She said you've vowed.
You close the door.
On so many men.
Would have loved you more.

SPEAKER_01 (27:25):
Yikes, wow.

SPEAKER_04 (27:31):
Everybody will lie.

SPEAKER_02 (27:51):
Put that pot.
Put that pasture up.
Put the posture back.

SPEAKER_01 (28:10):
The bread.
The romantic bread look like.
Yeah.
And if anybody fucks with you,they're fucking done.
Roll up and down the church.
I don't know.
That's what I'm saying.
Yeah.

SPEAKER_02 (28:24):
Use the church metaphors.

SPEAKER_01 (28:31):
But then they have done the same as you.
Don't make this deep cut song onabout you.
Yeah.
Damn.
Alright, that was that was good.
That was a good one.

SPEAKER_02 (28:39):
This is Talking Bird?
Okay.

SPEAKER_03 (28:41):
Oh.
My talking bird.
Like a boy.

SPEAKER_02 (28:50):
Shout out to coming out.
Eddie Murphy.
Coming to America again.

SPEAKER_03 (29:02):
Repeat.
Like your brain can keep up withyour be.

SPEAKER_02 (29:12):
That's pretty good.

SPEAKER_03 (29:13):
I'm just a caveman.
And you're a cave.
No cave.
So you're free to leave us.
Sometimes you get confused.

SPEAKER_02 (29:38):
I'm getting for claps.

SPEAKER_03 (29:40):
Like very trying to give you something about this
life.

SPEAKER_01 (30:00):
Like Wilco vibes.
Yes, yes, I agree.
Wilco before Wilkes.
Same time.
It's hard to see.

SPEAKER_02 (30:18):
Maybe the cranberries a little bit.
Oh.
Zombie.

SPEAKER_03 (30:23):
Will you live in a house in a house?
House in house.
You don't realize.
The window.

SPEAKER_01 (30:42):
You ever seen that?

SPEAKER_03 (30:43):
Open.

SPEAKER_01 (30:48):
Oh.
Interesting.

SPEAKER_03 (30:49):
Oh.
Matzo.

SPEAKER_01 (30:52):
I bet some birds will probably fly in.
Yeah, is it kind of like a moat?
Oh yeah.
It surrounds the house.
Yeah, the garden.
The greenhouse.
They surrounded their house withglass.
Oh, I see.
Oh, yeah.
Okay, I gotcha.
It's mind-blowing.

(31:13):
True.
I don't know.
Is that that's your dream?
Well, you ever had a dream lastyear you would do that?
How much glass do you need forthat dream?
Yeah.
Nowhere near for you.
A side greenhouse with glass.

SPEAKER_03 (31:28):
As long as you choose to stay torture.
As long as you don't fly away.

SPEAKER_05 (31:54):
Like a bite.

SPEAKER_02 (31:58):
Oh, that was nice.
Okay.
This is you can do better thanme.

SPEAKER_03 (32:08):
We're starting to feel.
We stay together out of fear ofdying alone.

SPEAKER_02 (32:24):
Shout to you long-term couples out there.

SPEAKER_01 (32:29):
My old slipping.
Get out the life alert.

SPEAKER_03 (32:35):
So they hang like ghost.

SPEAKER_02 (32:38):
My old clothes have been.
Shout out to the aging, which isall of us really think about
this true.

SPEAKER_03 (32:50):
I fall in love every day.
I feel like a fool.
I have to face the truth.
And no one could ever look at melike you do.

(33:14):
Like I'm something.
Holding on.
There's times I think it's goodlike Christmas song.

SPEAKER_01 (33:29):
Yeah.
But something I It's got alittle jingle to it.
Yeah, you're right.
It does.

SPEAKER_03 (33:38):
But I can't do better than you.

SPEAKER_02 (33:41):
It's like America.
You can do bye bye, MissAmerican Pie.
Oh wow.
A little bit.

SPEAKER_03 (33:49):
I can't do better than you.

SPEAKER_01 (33:54):
And my soul is born in 1901.
It's a glitch in the matrix.

SPEAKER_02 (34:03):
This is great fine.
Fires.
This song is fire.
Shout out to Jen Alpha.

SPEAKER_03 (34:18):
Like the end of day.
The end of day.
The wake-up call to a ransomroom sounded like an alarm of
impending turnout.
To warn us it's only a matter oftime.

SPEAKER_00 (34:37):
Before we are I'm making people happy.
Before we are.

SPEAKER_05 (35:00):
And run off into the hill.
Whatever.

SPEAKER_01 (35:06):
Shout out to Phil Hartman.
Yeah, I know.
Auntie Sand.

SPEAKER_02 (35:14):
If I'm gonna get all over clapped about something
right now.
Let's make it.
Yeah, I always kind of legend.
Uh Harlan.

SPEAKER_01 (35:25):
I went strove through a cemetery.
Hollywood cemetery in Virginiawithout presidents.
A lot of presents are veryHollywood Celebrity.
The Hollywood HollywoodCemetery.
Hollywood Cemetery.

(35:47):
I think it's called Richmond.

SPEAKER_02 (35:54):
Shout out to Richmond.
That's wild.

SPEAKER_01 (36:02):
Gotta put that on my calendar.
If you like cemeteries, that'sthe best.
Just get lost in there.
Besides New Orleans, obviously.
Yeah.

SPEAKER_02 (36:17):
Which uh which presidents are buried there?

SPEAKER_03 (36:21):
Probably like Van the Flame.

SPEAKER_01 (36:23):
President's Circle.

SPEAKER_02 (36:24):
Yeah, as Virginia governors, bro, Supreme Court
Justice.
John Tyler.
Oh Tippy Canoe.
Is it Tippi Canoe and Tyler too?

SPEAKER_01 (36:33):
Rather big canopy commonly known as the Bird Kid.

SPEAKER_03 (36:36):
Watch it all burn away.

SPEAKER_02 (36:48):
James Monroe.
John Tyler.
Gotta check that out.
Exam.
Okay.
Anyway, uh the song is fire.

SPEAKER_01 (37:04):
Fireman.

SPEAKER_02 (37:08):
Song is so goated.

SPEAKER_01 (37:10):
Yes.
Check the firemen.
EMTs out there.
People that deal with deathsometimes.
Hard jobs.

SPEAKER_03 (37:45):
The firemen were in double ships with prayers for
rain on their lips.
And they knew it was only amatter of time.

SPEAKER_02 (37:59):
See sixty five gen alpha slang words and meanings.
That's a fun uh brain rot seemsto come up a lot.
Some brain rot going on here.
We have that.

unknown (38:11):
Yeah.

SPEAKER_02 (38:16):
Yeah, some of this album is a little Ohio to me.

SPEAKER_03 (38:18):
You look so defeated lying down in your nudes.

SPEAKER_01 (38:22):
I get that.
It's just a little cringy.
It's expressive, it's it's agood band.

SPEAKER_03 (38:30):
With a single pillow underneath your single head.

SPEAKER_01 (38:44):
It's a little more electronic than you got me.

SPEAKER_03 (38:52):
Now it's in the alley behind your apartment with
a sign that says it's free.

SPEAKER_01 (39:00):
Got a lot of good stuff from the free the free
band.
Yeah.
The three posts.

SPEAKER_03 (39:06):
More luck with this than me.

SPEAKER_01 (39:11):
$20 patigonia jacket.
Okay, yeah.
That was 20 bucks, but yeah.

SPEAKER_02 (39:23):
Yeah, the organ isn't doing anything for this.

SPEAKER_01 (39:31):
I hear it.
It's kind of dreamy.

SPEAKER_03 (39:38):
Other side of the mattress unboxed.

SPEAKER_02 (39:42):
Yeah, I feel yeah.
I feel like I'm in bed with themright now.
I just I'm not feeling it, youknow.

SPEAKER_01 (39:49):
That's just sick.
I'm getting like office likeoverhead fluorescent lights
right now.
Huh?
I kinda like that littletransition there.

SPEAKER_02 (40:10):
Yeah, the music part of it is actually.
Guitar.
Yeah.
Sure, this isn't easy and I canappreciate the craft of this
music.

SPEAKER_03 (40:27):
It's like you're in some kind of hurry.

SPEAKER_01 (40:31):
I'll just need to slow down.

SPEAKER_03 (40:35):
Just say goodbye.

SPEAKER_01 (40:38):
To say goodbye.
Well, isn't that how it works?
People that Irish goodbye aremore happy, apparently.
Because they're content.
Okay.
With this with our socializing.
They're done.
Irish goodbye.
Yes.
We gotta just you know.

(41:01):
Goodbye at parties too much,that's what I'm saying.
Okay.
Just when you're done, you'redone.
Just uh Yeah.
Everybody just says, oh well,hey, let's hang out another
time.
It's like let's just focus onlike this.
That's never a good idea.
You know, when your breakup isfalling apart.

(41:23):
Yeah.
Yeah, exactly.
Just the breakups.
Yeah.
Long division.
This is about the water.
Yeah, we read something aboutthis.

SPEAKER_03 (41:41):
Paper building.
Echoes that remainder.

SPEAKER_01 (41:45):
The remainder.
Yeah.

SPEAKER_02 (41:48):
Echoes that remainder.

SPEAKER_03 (41:49):
Both friends and lovers.

SPEAKER_01 (41:51):
Oh.

SPEAKER_03 (41:52):
Features bleeding.
Together in his brain.
Oh, oh, oh, oh, you just alwaysdistract.

SPEAKER_01 (42:08):
Oh, oh, oh.

SPEAKER_03 (42:10):
But the very tension.
Of an open.

SPEAKER_05 (42:23):
Oh, oh, oh, before main.

SPEAKER_01 (42:32):
Long division.
Remain.

SPEAKER_02 (42:38):
It's so clever.
So clever.
After like three or four years,though you did you know it's
like, uh yeah, I can't.

SPEAKER_01 (42:47):
Actually, long division one more time.
I do like this one, I think.
It is a tough sort of story.

(43:09):
Oh, oh, oh.
It's a lot.
It's a lot of people.

(44:51):
It's a little more cowbell.
Oh, yeah.
Slightly more.
Got that rocked at the end.

SPEAKER_02 (44:57):
Yeah.

SPEAKER_01 (44:58):
More cowbell.
Um order of operations.
Uh get it.
Uh yeah, you had that.
Okay.
You had that, didn't you?
No, I don't I just hey justthought of it.
Oh.
We're going somewhere.

(45:19):
Somewhere else.

SPEAKER_05 (45:23):
Could have used a little more cowbell.

SPEAKER_01 (45:31):
This is hitting uh some international vibes.
Yeah.
Space Odyssey vibes too.

SPEAKER_00 (45:42):
Well, I don't think you understand something, Dave.
I don't I don't want this stuff.

SPEAKER_01 (45:46):
Dave, Max.
Open the open the pod maindoors.
Open the pod paid doors.

SPEAKER_05 (45:55):
I'm sorry, Dave.
I'm afraid I can't do that.

SPEAKER_02 (46:01):
Shout out to our AI overlords.
I think you know what theproblem is just as well as I do.

SPEAKER_01 (46:11):
Get the chalk out.
Alright.
Rice all over around your door.
010101.
Should be spinning.

SPEAKER_03 (46:30):
Ravine.

SPEAKER_01 (46:31):
Ravine?
Like a grapevine ravine?
Oh.
Whoa, we got a storm here?
Yeah.

SPEAKER_03 (46:46):
A storm at sea.
I sung.

SPEAKER_01 (46:59):
Oh no.

SPEAKER_03 (47:00):
I store I would never go.
You can stand in play.
You can't tell who's walkingaway.

SPEAKER_05 (47:14):
You see the grin when your ship comes in and
you've got the stock marketbeats.
The man worthwhile.
The man who can smile.
But his shorts aren't too tightin the seat.

(47:49):
McQueen?
No, McQueen.

SPEAKER_01 (48:01):
Did he push or did he fall?
That's a good question.

(48:57):
I really like this electronicguitar staff.
It's tough.

SPEAKER_02 (49:09):
I agree though, here's the jamming.
It's like more, it's more, it'smore.
Everything's laid on top.
It's chaos.
Oh, what happened?
Oh.
Oh, geez.
We're right in the middle of thejammy.

(49:30):
Let's get back.
Okay, we're back on track.

SPEAKER_01 (49:47):
We just went around the world once.
Yeah.
Time space.
Yeah, we're at the speed oflight.
Yeah, that wasn't a technicaldifficulty.

SPEAKER_02 (50:10):
So blown away by this.
So you just wreck.

SPEAKER_05 (50:19):
Thank you.

SPEAKER_03 (50:27):
I'm just a kid.

SPEAKER_01 (50:36):
Oh that's that's what it did.

SPEAKER_02 (50:38):
Yeah.
It just goes out.
Oh, so we got We got that.
That speaks to how good the songwas.
I I thought I was like, oh wait,we gotta let's go back.
It was worth listening to itagain.

SPEAKER_03 (50:56):
We're not the same.

(51:49):
Oh I'm getting a little bitclammy.
Louis stayed by its side as thedays turn into weight.
And the eyes can't get gettingthere.

SPEAKER_02 (52:07):
Is there anybody out there?

SPEAKER_01 (52:10):
Not with this song, no, there's no one out there.

SPEAKER_03 (52:13):
When we were taken by surprise when the flows and
nothing was left for you and me.

SPEAKER_02 (53:01):
Joey and Rachel.
Joey and Rachel.
What do you think for more?
Like what is it?
Is it more heartbreaking for himor her?

SPEAKER_01 (53:17):
Same IQ.
Yeah.
Same but different in otherways.
Yeah.
There's another one in the show.

SPEAKER_02 (53:26):
I knew what you meant.

SPEAKER_03 (53:29):
Under me.
We both truly scale me.
And the eyes were scared.

SPEAKER_01 (57:11):
I don't like you can do better than me.
I'm just getting great.
That one is a little weird.
That was weird.

SPEAKER_02 (57:40):
Thank you so much for listening.
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