November 7, 2024 • 71 mins
Eminem's "The Slim Shady LP" is more than just an album—it's a cultural phenomenon that challenges and entertains with its provocative themes and masterful storytelling. What if the raw, gritty streets of Detroit could produce not just music, but a movement? Our latest episode dissects Eminem's transformative journey, examining how he turned personal struggles into art that speaks to millions. We traverse through the dynamic Detroit music scene of the late 90s, spotlighting the rise of artists like Kid Rock and Jack White, while celebrating the groundbreaking partnership between Eminem and Dr. Dre that propelled the album's legendary status.
Through a meticulous exploration of tracks like "My Name Is," "Guilty Conscience," and "Role Model," we unpack the intense storytelling, dark humor, and societal critiques that define Slim Shady's narrative. Not only do we compare Eminem's storytelling prowess to iconic TV dramas like "Law and Order," but we also dive into how his provocative lyrics sparked conversations and controversies alike. With references from iconic figures such as Dr. Dre to unexpected parallels with personas like Garth Brooks, our discussion navigates the chaotic mix of emotions evoked by Eminem's artistry.
As we celebrate the cultural significance of "The Slim Shady LP," we also reflect on themes of resilience, nature versus nurture, and the power of music as a mirror to the human experience. We reminisce about favorite tracks that defined an era, capturing the trials and triumphs of both personal and societal struggles. Whether you're a longtime fan or curious newcomer, this engaging episode offers a fresh perspective on Eminem's work, emphasizing the unpredictable journey through art and expression. Join us for an unforgettable exploration of one of hip-hop's most influential albums.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 2 (00:01):
That's all we ever do man is talk shit.
Speaker 1 (00:04):
We need to get fine bitches and fat vibes.
No, what we need to do is putour money in savings bonds.
No, what we need to do is getour songs on JLB man.
Shut the fuck up.
All of us never do shit aboutnothing.
We're still broke as fuck andliving home with our moms.
Speaker 5 (00:23):
All right.
Speaker 6 (00:24):
Thank you for listening to the Greatest
Non-Hits.
I'm Chris, and playing my nameis my co-host, tim, and we're
going to be listening to theSlim Shady LP, which is the
second studio album by Americanrapper Eminem aka Marshall
(00:45):
Mathers, which is his birth name, and aka Slim Shady Slim Shady
is an alter ego.
There's a lot of really intenserapping that we're going to
listen to on this album.
We all know who Eminem is andwe all know this album Coming
into this though I don't thinkTim and I really got into the
(01:09):
deep stuff into this, it's beena pleasure and very interesting,
an interesting experience tolisten to this album all the way
through, from beginning to end,just for the darkness of it.
But also you get a sense forwho he is as a person and the
struggles that he had, you know,living in, um uh, an
(01:33):
impoverished part of detroit.
Um, I think he grew up at likeeight mile and ryan like eight
or nine mile and ryan's trailerpark and really rough, you know,
and predominantly a black areaof of detroit, and in the early
90s, late 90s, it was tough.
(01:54):
I mean, I lived in that areaduring that time period so I had
not a front row seat, but yeah,I knew who he was, I, I you
know there were legends abouthim in rap battles, but he also
had tough times.
I think in 97, he lost his jobat.
Speaker 4 (02:11):
GM, I think where he worked.
Speaker 6 (02:14):
He has been evicted and so he goes out to LA,
because you all saw the movie 8Mile.
After that, he went out there,competed in rap battles I think
the rap olympics were going onat the time and this is how he
got his start where, um, I thinkit was, there was an intern for
interscope records um, I'm notsure if the name matters, um,
(02:38):
but nevertheless, um, he and hegot a copy of the EP from Eminem
, brought it back to the CEO ofInterscope.
He passed it on to Dr Dre.
Dr Dre was like who the fuck isthis?
This is awesome.
We got to get this guy.
Well, he's white, I don't care,I don't care if he's purple,
(02:59):
this guy, he's got talent.
Blah, blah, blah.
So they hooked up and you knowthe rest was history then, not
long after.
That whole thing is when theyrecorded this in 98, released it
february of 99.
Um, I can recall, you know,just being a working stiff in
the detroit area.
You know, driving from, youknow, one business meeting to
(03:22):
another late at night, beinglike what the hell am I?
Speaker 4 (03:25):
doing.
Speaker 6 (03:26):
Kind of a thing.
And they're like, I wait,there's not a rock station like
WLZ, wheels 98, seven.
And they're like, okay, is it?
You're the two up and comingpeople.
It was kid rock and Eminem, twodifferent styles, but they were
both going to be successful,even though their albums hadn't
(03:46):
come out nationally just quiteyet.
The first song was my Name Iswhat Tim Is Playing Right Now.
He was doing a freeform jazzkind of thing.
I'll tell you what we're goingto have to do Jazz Odyssey, so
he's doing a Jazz Odyssey kindof a thing.
Thank you, derek Smalls, akaSpinal Tap.
Now you're rocking it.
(04:07):
So, anyway, I kind of digresseda little bit.
Where was I?
Well, anyway, yeah, they rapbattle between Kid Rock and
Eminem and people are calling in, and it was sort of like 60-40
Eminem kind of.
It was really kind of even, butmaybe the radio station was
(04:32):
recording people who werecalling in and yeah Eminem, oh
yeah Kid Rock that kind of thing.
It served both.
There was a swell of interestin the Detroit area with artists
of all genres.
I even think Jack White wascoming up at that time.
(04:52):
Seven Nation Army All three ofthose guys really came about in
the suburbs of Detroit in thelate 90s.
It was kind of a cool time whenI look at it from that point of
view.
Nevertheless, we're going tolisten to this whole album.
There's a ton of tracks.
There are some skits.
(05:12):
We're not going to rank theskits, but at the end we're
going to rank our top threenon-hits from the entire album,
as we always do.
So what else can I add herebefore Tim joins?
Speaker 4 (05:25):
us.
Speaker 6 (05:27):
He's going to be packing it up soon.
And what?
Speaker 3 (05:32):
else do we have?
Speaker 6 (05:35):
A lot of interesting tracks on this.
A lot of fighting with hisgirlfriend, a lot of sex with
your mom, a lot of jokes, a lotof hilarity, a lot of serious
stuff.
He was bullied man man, youknow, sex with your mom.
A lot of jokes, a lot ofhilarity, a lot of serious stuff
.
He was bullied man man, he washarassed.
I mean just it tells a story.
Like when you listen to thealbum, I mean you're, you're
laughing and you're so impressedwith the genius of, of his, of.
(05:58):
You know just the, thewordsmithing of it's, it's
poetic, it's, it's, it's.
I mean it's gross.
I mean really really fuckinggross at times.
But but you can't take you, Imean you can't not listen to it.
You know you and you have toadmire somebody who can, you
know, just do this kind of thingon the fly and you can, you can
(06:22):
tell like you feel for him.
You know, and you're on, you'rein his corner, you're on his
side because you've been therebefore, but you know that he's
had it worse than you, kind of athing.
Um, before I go any further,tim is settled in.
How's it going bud?
Speaker 5 (06:35):
it's going well here all right do you?
Speaker 6 (06:37):
are you feeling what I'm feeling?
Speaker 5 (06:39):
I am.
You know he's got a tough life.
Speaker 6 (06:42):
Maybe getting fired from his one job helped him take
a risk, Like a lot of a lot ofsituations that happen like that
, and but it seemed like it waslike one thing after another,
like it seems like he backtracksin his life, like going back to
high school and just gettingjust well the crap beat out of
(07:05):
him.
Speaker 5 (07:05):
Black eyes, you know he's who knows, maybe in the
hollywood he's be bullied aswell.
Who knows, like later in life?
Speaker 6 (07:15):
I don't know, just like always just the, the
perpetuant white rapper, that Idon't know you know I don't know
back up against the wall toeverybody, right but I think
this is, this is the turningpoint in his life.
Yeah, because leading up tothis, yeah his life has been
shit, you know right and after.
This, I think, is you know, hecarries still probably a lot of
(07:39):
like the, the mental traumaafter having getting a ton of
money and acclaim and respectand success in his life which
brings other.
But that, yeah, that'd be yeahexactly.
Speaker 5 (07:49):
Are you you?
Speaker 6 (07:49):
know, are you prepared for that going from
being dog shit to being right?
You know, having everything atyour fingertips.
And you know, I think he hadproblems, like after this album,
but he kind of got thingsstraightened out, like after
this album, but he kind of gotthings straightened out.
He seems like a superwell-adjusted person now and
even though that's that stuff inthe past is still there, you
(08:12):
know.
Speaker 3 (08:13):
I'm not afraid anymore.
Speaker 5 (08:17):
Well, yeah, no, it's, it's.
It's a very rags to richesstory.
Honestly, in a way, he was oneof the very poorest that made it
up.
Speaker 6 (08:32):
There's no denying that, like you know, well, yeah,
and this, this made him, thisis, this is what made him famous
initially, is what we're gonnalisten to.
So, uh, I think, uh, I we'reexcited, I'm excited, tim is
excited, bit scared.
Speaker 5 (08:48):
I'm afraid.
Speaker 6 (08:49):
Okay, Well well hopefully, after this one, you
won't be afraid anymore.
You want to listen to the skitstoo, they were listening to the
skit.
Speaker 5 (08:59):
This is a skit.
Speaker 6 (09:00):
Yeah, we got to listen to all the skits.
This is a okay.
Every, almost every other thingthat we there's not a lot of
dead space in this.
Yeah Right, yeah, it's like apublic service.
Now, there's no like beats oranything underneath it, it's
just random stuff.
So here, here we go.
It's.
This is called public serviceannouncement.
Again, it's a skit.
Speaker 9 (09:15):
Announcement brought to you, in part by Slim Shady.
The views and events expressedhere are totally fucked and are
not necessarily the views ofanyone, however.
However, the events andsuggestions that appear on this
album are not to be takenlightly.
Children should not partake inthe listening of this album with
laces in their shoes.
Slim Shady is not responsiblefor your actions.
(09:37):
Shout out to Run DMC Uponpurchasing this album.
You have agreed not to try thisat home, anything else.
Speaker 1 (09:44):
Yeah, don't do drugs.
My name is Slim Shady.
Don't do drugs, alright.
This I didn't really get intoit shots of labby siffra.
Speaker 5 (09:58):
I got the okay yeah.
Speaker 6 (10:00):
I've seen a guy who did like a remake of this in
some way.
Speaker 5 (10:03):
That's where they got this.
This riff, oh they got.
When did that come out?
Um dude, does it say 1974?
Oh, this riff, oh they got.
When did that come out Um 1974?
Speaker 1 (10:14):
Oh okay, nice, good call, pregnant.
What the fuck is he talkingabout?
I can't figure out which SpiceGirl I want to impregnate.
Dr Grey said Slim Shady, you abase hit.
Watch your face, red man, youwasted.
What the fuck is he talkingabout?
(10:34):
I felt like I'm someone elsecause I hung my original self
from the top bunk with a belt,got pissed off and ripped Pamela
Lee's tits off and smacked herso hard.
I knocked her close back causeI just fought.
I smoke a fat pound of grassand fall on my ass faster than a
fat bitch who sat down too fast.
Come here, slut Shady.
Wait a minute.
That's my girl dawg.
I don't give a fuck.
God sent me to piss the worldoff.
(10:55):
My name is Off the road.
Speaker 5 (11:01):
Let's go, then, my name is Jeez.
Speaker 6 (11:05):
Slim Shady's an evil guy.
Evil version of Marshall.
Yeahady's an evil guy.
Evil version of Marshall yeah,marshall's like.
He's the straight voice.
Speaker 1 (11:17):
My English teacher wanted to flunk me in junior
high.
Thanks a lot.
Next semester I'll be 35.
I smacked him in his face withan eraser, chased him with a
stapler, stapled his nuts to astack of paper, walked in a
strip club, had my jacket zippedup, blast a bartender Then
stuck my dick in a tip cup.
It's so expressive.
Yeah, in a spaceship whilethey're screaming at me.
(11:39):
Let's just be friends.
Explicit and a story Blunt.
I told her.
I grew up to be a famous rapper.
Make a record about doing drugsand name it after you know.
You blew up when the womenrushed your stance.
You try to touch her hands likesome screaming usher fans.
This guy, white Castle, shoutout to Usher I'm a finder.
(12:00):
Dear Dave, thanks for thesupport.
Asshole, my name is, my name is.
My name is.
My name is.
My name is.
Oh, hey, my name is my name ismy name is.
Speaker 5 (12:12):
It's hard to remember People's names.
My name is, my name is, but yougotta try your best.
Speaker 6 (12:17):
Yeah, it's tough for me every time Maybe my name is.
Speaker 5 (12:21):
My name is Attribute a A.
Thing.
Speaker 1 (12:25):
Stop the tape.
This kid needs to be lockedaway.
Get him.
Dr Dre, don't just stand there,operate.
I'm not ready to leave.
It's too scary to die.
I'll have to be carried insidethe cemetery and buried alive.
Am I coming or going?
I can barely decide.
I just drank a fifth of vodka.
Dare me to drive Go ahead.
All my life I was very deprived.
I ain't had a woman in years.
(12:45):
Here he is, harry Poms.
Ow Ow.
Speaker 6 (12:56):
That was ours.
What, what?
Here he is, harry Poms Bang.
Speaker 1 (13:05):
Ah, it's terrible.
It's only a dream, it's a dream.
Speaker 3 (13:25):
And you change.
Speaker 6 (13:57):
It's too awful.
Deeper and deeper.
A little freeform jazz, tellyou what we're gonna have to do.
Speaker 3 (14:08):
Jazz odyssey.
Alright, I'll tell you whatwe're going to have to do Jazz.
Speaker 6 (14:11):
Odyssey.
There's no jazz on this, thisone's called.
Speaker 5 (14:19):
Guilty Comedy.
Speaker 8 (14:19):
Oh gosh this isn't a skit.
Speaker 2 (14:36):
Just say no, okay, dr Dre's office.
This is Dre.
Speaker 1 (14:46):
Conscience.
I'm telling you you need aplace to stay.
You'll be safe for days if youshave your legs with Renee's
razor blades?
Speaker 2 (14:53):
Yeah, but if it all goes through like it's supposed
to, the whole neighborhood knowsyou and they'll expose you.
Think about it before you walkin the door.
First Look at the store clerk.
She's older than George Burns.
She's George Burns.
Shut up, shoot that bitch.
Can you afford to blow thisshit?
Are you that rich?
Speaker 1 (15:10):
Shut up.
This is the guilty conscience.
Speaker 6 (15:17):
I think the friendship Started during this
the recording.
This one maybe came Tight.
Speaker 5 (15:24):
Don't listen to Slim.
He's bad for you.
That's what it said, yeah.
Speaker 8 (15:33):
Meet Stan, 21 years old.
After meeting a young girl at arave party things start getting
hot and heavy in an upstairsbedroom.
After a rave party hisconscience comes into play.
Speaker 1 (15:45):
Now listen to me.
While you're kissing a cheekand smearing a lipstick, slip
this in a drink.
Now, all you gotta do is you'rekissing her cheek and smearing
her lipstick.
Slip this in her dream.
Now all you gotta do is nibbleon this little bitch's earlobe.
Speaker 2 (15:54):
Yo, this girl's only 15 years old.
You shouldn't take advantage ofher.
That's not fair Yo look at her,bush.
Speaker 1 (16:01):
Does she got hair?
Fuck this bitch right here onthe spot, bare Till she passes
out.
So awful man, fuck that.
Hit that shit for a dog andbell Jeez.
Speaker 8 (16:24):
Meet Grady, a 29-year-old construction worker.
After coming home from a hardday's work I'm here for the
gangbang walks in the door ofhis trailer park home to find
his wife in bed with another man.
What the fuck.
All right, calm down, relax andstart breathing.
Speaker 9 (16:41):
Fuck that shit.
You just bought this bitch ateam.
I thought you were just talkingdirty.
Some dude trying to get off foxslitting her throat.
Speaker 2 (17:02):
cut this bitch's head off dirty.
It's getting dark.
That's what I did, Be smart,don't be a retard.
Speaker 1 (17:07):
You're going to take advice from somebody who slapped
deep on what you say.
What's wrong?
They think I remember.
Kill you, motherfucker.
Temper, temper.
Mr Drake, mr NWA, mr AK, comingstraight out of Compton.
You're going to make a nicething Personal.
You're going to tell this mannot to be violent.
He don't need to go.
Speaker 2 (17:24):
Go the same route that I went.
Been there, done that.
Oh fuck it.
What am I saying?
Shoot them both.
Brady, where's?
Speaker 9 (17:32):
your gun at Thought you were just talking dirty.
Well I was.
I was being serious.
Speaker 6 (17:42):
Okay, all right, that's a palate cleanser.
Speaker 5 (17:43):
That was guilty conscious.
Speaker 6 (17:44):
We just listened to it.
Speaker 1 (17:49):
This is brain damage.
Shout out to the bikers.
Speaker 6 (18:17):
With flat tires.
Speaker 1 (18:19):
Make sure the tires are pumped up.
I think there are any teadrinkers listening.
Speaker 6 (18:23):
There are Shout out to you.
Speaker 5 (18:26):
Especially you.
Speaker 6 (18:29):
Tea and rap just uh, oh yeah, some shady episodes on.
Yeah, let me get some tea, I'llcome back.
You said some really sick stuff.
Go detention.
Nah, that bully wants to beatyour ass and I'm gonna let him
Brain damage.
Ever since the day I was born,you said some really sick stuff.
Speaker 1 (18:53):
They say I never knew which way I was going, but
everywhere I go they keepplaying my song Brain damage
Ever since the day I was bornDrugs, what they used to say I
was on.
They say I never knew which wayI was going, but everywhere I
go they keep playing my songBrain I was going, but
everywhere I go they keepplaying my song.
Way before my baby daughterHaley, I was harassed daily by
this fat kid named D'AngeloBailey, an eighth grader who
(19:13):
acted obnoxious because hisfather boxed us.
So every day he'd shove me inthe lockers.
One day he came in the bathroomwhile I was pissing and had me
in the position to beat me intosubmission.
He banged my head against theurinal till he broke my nose,
soaked my clothes in blood,grabbed We'll be right back
(19:44):
Janitor's storage booth, kickedthe door in sleuths and ripped
out the foreign screws, grabbedsome sharp objects, brooms and
foreign tools.
This is for every time you tookmy orange juice, I stole my
seat in the lunchroom and drankmy chocolate milk.
Every time you tipped my trayand it dropped and spilled.
I'm getting you back, bully.
Now I want some for good.
I cocked the boomstick back asstrong heart as I could and beat
him over the head.
(20:04):
I broke the wood, knocked himdown, stood on his chest with
one foot, made it home laterthat same day, started reading
the comic and suddenlyeverything became gray.
I couldn't even see what I wastrying to read.
I went deaf and my left earstarted to bleed.
My mother started screamingwhat do you want?
Let's hit again With the remotecontrol.
(20:26):
Yeah, wow, oh, that's prettyintense man, yikes, yikes.
I never knew which way I wasgoing, but everywhere I go, they
(20:47):
keep playing my song Braindamage ever since the day I was
born.
Drugs, what they used to say Iwas on.
I'm not going to hurt you, I'mjust going to bash your brain.
Speaker 3 (20:58):
I'm going to bash it.
Right the fuck in.
Speaker 5 (21:01):
I'll just lighten it up with some.
Speaker 6 (21:02):
Yeah, let's make this even darker Shining.
Speaker 1 (21:05):
Yeah, put a little shine on it, jack Nicholson Wow.
Speaker 6 (21:12):
But if you don't change your face, I'm going to
change it for you.
Yeah, there's a little bullyquote there from the Stead
brothers, wow, shout out to theO'Doyles, oh yeah.
Speaker 3 (21:22):
I guess Exactly Banana peels.
Speaker 5 (21:25):
What's going on?
This is Saul Rosenberg, yourfaithful attorney.
Saul Rosenberg Banana peels.
What's going on?
This is Saul Rosenberg, yourfaithful attorney, saul
Rosenberg.
Speaker 6 (21:31):
Oh God, this is a rough copy of your album.
It does sound like Saul, youknow.
Speaker 3 (21:35):
I just got to be honest with you.
Can you tone it down a littlebit, because there's only so
much I can explain.
Give me a call and I'll bringall my shoes and my glasses with
me.
Speaker 1 (21:47):
What is life?
Life is like a big obstacle.
Bring all my shoes and myglasses with me.
My feelings are hurt.
I always rub them and theywould never fall off.
Speaker 3 (22:19):
This piece is called Lick my Lap Pump.
I kinda look a little silly andmy feelings are hurt.
Speaker 1 (22:24):
I'm tired of life.
I'm tired of backstabbing asssnakes with friendly grins, life
just keeps happening.
Tired of always giving in whenit's bottling in Tired of never
having any years, tired ofhaving skinny friends.
So don't crack in many days.
Tired of not having a deal.
Tired of having to deal withthe bullshit without grabbing
(23:17):
the steel.
Speaker 5 (23:17):
Tired of drowning in my sorrow, tired of having to
borrow a dollar for gas.
Speaker 1 (23:21):
It's sad.
Yeah, it is sad, me too.
I like that line.
It's good.
If I had a magic wand, I'd makethe world suck my dick without
a condom on while I'm on thejohn.
If I had a billion bucks, itwouldn't be enough because I'd
still be out robbing all mytrucks If.
Speaker 7 (23:40):
I had one wish.
I would ask for a big enoughass for the whole world to kiss.
But yeah, this is how you feelwhen you've just had a bunch of
shit, just fall on top of you.
Speaker 6 (23:45):
You're just feeling so defeated there's no way out.
Speaker 1 (24:34):
We've all been there.
I like how they harmonize atthe end of the.
Speaker 6 (24:36):
You guys are talking about drugs.
It's like the barbershop, thatis, the barbershop raga.
That's where the raga is.
There is a little bit ofbarbershop raga.
It's never enough.
Huh, it's never enough.
You're rich.
I'm a sharp drugger.
Speaker 7 (25:31):
Just life, just keeps happening.
Speaker 5 (25:34):
Life is like hey, guess what?
Speaker 6 (25:37):
And you're like what You're like what.
Speaker 3 (25:43):
You know that.
If is the middle word in life,all right.
Speaker 6 (25:51):
Here's another skit.
So what's going on?
What are they doing this?
Speaker 5 (25:57):
album is wild.
97 Bonnie and Clyde.
Speaker 4 (26:03):
Oh God.
Speaker 3 (26:03):
Oh yeah, this is where, yeah.
Speaker 5 (26:06):
I don't like this one .
Yeah, this is dark Slim Shady's.
Do you want to like this one?
Speaker 6 (26:08):
This is dark Slim Shady's.
Do you want to do this one?
Speaker 5 (26:14):
Yeah, we can.
Speaker 9 (26:18):
Just say no, Alright.
Speaker 5 (26:20):
I'm skipping.
Speaker 6 (26:22):
No, you can play.
Speaker 5 (26:24):
I mean parental advisors or whatever.
Speaker 1 (26:27):
Yeah this is explicit .
I'm not Hi, yeah.
Just the two of us For all Igot in this world.
Speaker 7 (26:36):
Dada we.
Speaker 1 (26:36):
Just the two of us.
Just the two of us.
Nobody in this world is evergonna keep you from me.
I love you.
Come on, hey, hey, we going tothe beach.
Grab a couple of toys and letDada strap you in the car seat.
I resisted.
Before she's taking a littlenap in the trunk.
Oh, that smell.
Speaker 4 (26:53):
Dada wants to run over a skunk that has heart.
Speaker 3 (26:55):
Dada is the son, but you know your mama.
Speaker 1 (26:58):
She's one of those type of women that do crazy
things, and if she don't getaway she'll throw a fit.
Don't play with D.
Speaker 5 (27:19):
Is this the cover?
The cover looks like.
Yeah, this is the cover.
Speaker 6 (27:23):
Yeah good call.
Yes, the back of the car.
Speaker 2 (27:30):
Dada is the egg, dada is the egg.
Dada is the police of thepolice at Richard Hulsenbeck.
Speaker 5 (27:40):
Thank you, Richard Hulsenbeck.
Shout out to Dada Richie H.
Speaker 1 (27:46):
There's a place called heaven and a place called
hell.
A place called prison and aplace called jail, and that is
probably on its way to all ofthem except one.
Speaker 6 (28:07):
Shout out to.
Speaker 1 (28:07):
Hamtramck.
Speaker 5 (28:08):
Shout out to Studio 8 .
Speaker 1 (28:11):
For a day where this is recorded, it's probably 8
Mile and Woodward around there.
Thank you, dada soon as we getto the water 97, me and my
daughter, just the two of us,just the two of us.
(28:33):
And when we ride I'm not abreed anymore Just the two of us
, just you and I, just the twoof us, just the two of us.
And when we ride, just the twoof us, just the two of us.
Mom.
Speaker 6 (28:50):
When this is all over with.
We should get it apart.
Speaker 1 (28:54):
Katie, don't cry honey.
Don't get the wrong idea.
Mama's too sweepy to hear youscreaming in her ear.
That's why you can't get it towait.
But don't worry, Dad made anice bed for mommy at the bottom
of the lake.
Here you want to help dad,that's.
And now, right now, which oneof you is?
Speaker 6 (29:13):
mom Shout out to Dr Detroit Three Whee.
Speaker 1 (29:23):
This is wild.
Tell mama you love her andwe'll go clean the sand, build a
castle and junk.
But first just help dad withtwo more things out the trunk.
Just the two of us, just thetwo of us.
And when we ride, just the twoof us, just the two of us.
Just you and I, just the two ofus.
Speaker 5 (29:43):
It's like some Law and Order shit right here when
we ride.
Speaker 1 (29:46):
Just the two of us.
Speaker 6 (29:47):
Yeah.
I'm like looking at like aphoto of him.
He's like, oh, he's all serious, he's got the hoodie on.
Speaker 5 (29:53):
When you look at him.
Speaker 9 (29:54):
He looks like he's, he's like dead inside.
You know like that's right.
Speaker 6 (29:59):
But he pulls it off with such authenticity.
The content backs it all up.
You know it's feeling, it it'svery real.
Speaker 5 (30:09):
It's very real.
Speaker 1 (30:11):
It's not there's no bullshit.
Speaker 6 (30:20):
Even how weird this is.
Yeah, this is messed up andit's not going to be in my top
three.
I'm just telling you right nowit's creeping the both of us out
.
Okay, it's just more.
Do you mean a palate cleanser?
(30:42):
Or maybe just do a littlestewie?
Speaker 4 (30:45):
like love and hope and trust and confidence okay,
that's good that was pretty good, all right it's zoe um kelly
did not have me call, however, Ijust listened to eminem in her
car.
It is the most disgusting thingI've ever heard in my entire
life and I seriously want tocall his fucking agent and tell
(31:06):
them how fucking disgusting heis.
It like makes me upset.
I'm now nauseous and Okay, thatwas the bitch skit this song's
called.
Speaker 3 (31:17):
Roll Mom.
Speaker 6 (31:23):
Okay, sorry.
Speaker 5 (31:27):
The price is wrong bitch.
Okay, I like that Bitch, Idon't care.
Speaker 1 (31:40):
Oh, bitch, you got jacked bitch.
Speaker 5 (31:47):
Oh my gosh.
Speaker 6 (31:59):
Oh my gosh, oh my gosh.
Shout out to the late SonnyBono, hit by a tree.
That's in poor taste, oh wow.
And lately I'm on edge Grabbedvanilla ice and ripped out his
blonde reds.
Speaker 5 (32:08):
Every girl I ever went out with Is gone bad.
Follow me and do exactly whatthe song says Smoke, weed, take
pills, drop out of school, killpeople and drink, jump behind
the wheel.
That's special.
Speaker 1 (32:23):
Bring your green hat.
How the fuck can?
Speaker 5 (32:25):
I'm white ignoring skill cause.
I stand out like a green hatwith an orange bill, but I don't
get paid.
Bring your green hat.
Speaker 1 (32:32):
How the fuck can I be white?
I don't even exist.
I get a clean shave bathe, goto a rave, die from an overdose
and dig myself a grave.
Well, isn't that special.
My finger won't go down.
How do I wave?
And this is how I'm supposed toteach kids how to behave.
Now follow me, oh my gosh.
Speaker 6 (33:10):
I thought you were just talking dirty.
I think Garth Brooks had analter ego Like Chris, something
or other, I can't remember.
I have no idea.
But that's what you do youcreate like an evil alter ego so
you can say stuff like this,and it's like well, it's not me,
it's the alter ego, right.
And beat up four corn leghornwith an acorn.
I'm, by this, norman, it'sNorman Bates.
Speaker 1 (33:29):
With the formative traits of premature birth.
That was forming a slate.
Mother, are you there?
I love you.
I never meant to hit you overthe head with that shovel.
Will someone please explain?
Speaker 7 (33:38):
to my brother.
Speaker 3 (33:39):
You must take this fine cassava melon over to him.
Show him what you got, butdon't let him have it.
Speaker 7 (33:46):
You gotta tease him a little.
When you see your mom with athermometer Sharp than a razor,
don't let him have it.
You gotta tease him a little.
My dad decided.
Speaker 6 (34:00):
That your mom was really hot and maybe we should
just both bang her.
That's the barbershop ragaright there.
Don't you want to grow up to bejust like me?
I tie a rope around my penisand jump from a tree.
You probably want to grow up tobe just like me Barbershop raga
(34:20):
Off the road.
Speaker 1 (34:25):
Yes, got it.
Speaker 5 (34:29):
All right.
Speaker 4 (34:30):
I'm not afraid they're a little.
Yeah, it's got good.
Speaker 5 (34:35):
It's got good musical aspects to it in the background
too yeah, yeah, the.
Speaker 6 (34:39):
The music is the background and it's yes, I like
that's the good part about dr drdray too.
He does, he's good, he's goodat selecting like cool stuff.
It's very cool stuff, yeah,yeah I never meant to.
Speaker 10 (35:00):
This is lounging.
Speaker 6 (35:01):
I never meant to.
Mrs Lounge is here.
Speaker 3 (35:03):
Give you mushrooms, girl.
Speaker 1 (35:09):
I never meant to Mushrooms.
Speaker 3 (35:12):
Bring you to my room.
Speaker 6 (35:14):
I think Jeff Bass and Mark Bass, or Jeff Bass and
Mark Bass.
They also co-wrote Role Model,along with Hem and Hem.
Speaker 5 (35:25):
Okay.
Speaker 6 (35:26):
I guess the bitch skit was Zoe Winkler Shout out
to Zoe.
The Paul skit was Paul BunyanRose, that guy, you know that
sound like Saul.
Yeah, anyway, I don't know.
Sorry, I just completelyignored.
Speaker 1 (35:42):
The lounge Is that how you do it?
Speaker 5 (35:48):
No, not really it's a good palate cleanser actually.
Speaker 6 (35:51):
Okay, maybe that's what those are.
They're built-in palatecleansers.
Speaker 1 (36:03):
Exactly.
But now you're sitting in thecorner crying.
And now it's my fault, my fault.
I went to John's rave with Ronand Dave and met a new wave
blind babe With half of her headshaved, a nurse aide who came
to get laid and tied up withfirst aid tape and raped on the
first date.
Susan, the next heroin addict,who just stopped using, who got
booze and alternative music,told me she was going back into
using again.
I said wait first try tosolution the jam.
It's better than heroin hand tobruise in a jam.
(36:23):
Come here, let's go in here.
Who's in the den?
It's me and Kelly.
My bad, let's try another roomthere's so many lyrics it's
literally like impossible tofollow.
Speaker 6 (36:32):
What the fuck is he?
Speaker 1 (36:33):
talking about Fuck Butt naked and run in the woods.
Oh hell, I might as well tryhim.
This party is so trash.
Speaker 6 (36:39):
Oh dag, I ain't mean for you to eat the whole bag.
I never meant to give youmushrooms, girl.
They're talking about mushrooms.
Yeah, he does talk about drugsa lot.
I never meant to bring you tomy world, but now you're
standing in the corner cryingand now it's my fault, my fault,
I'm sorry.
Speaker 1 (36:52):
I never meant to give you mushrooms, girl, I never.
He needs to self-soothe, Iguess, from all this and that's
trauma.
Then he makes more trauma, I'msorry.
Soothing was always drugs andtapes, and then he raps about
(37:21):
them and then it gets likeultra-personal about what
somebody else told him yeah.
Speaker 6 (37:34):
It's wild.
She's like tripping upmushrooms and that.
Speaker 5 (37:45):
Right, no, right, no, bring you to my world.
But now you're sitting in thecorner crying, and now it's my
fault, my fault.
Speaker 1 (38:02):
Susan, where you going, you better be careful.
Leave me alone, dad.
I'm sick of getting my hairpulled.
I'm not your dad.
We're trying to swallow yourtongue.
Want some gum?
Put down the scissors.
Could you do something dumb,I'll be right back.
Just chill, baby, please.
I gotta go find Dave.
He's the one who gave me these,John.
Where's Dave at before I bashyou, he's in the bathroom.
I think he's taking a cab.
(38:23):
Wait just a minute.
We need an ambulance.
There's a girl upstairs talkingto plants Chopping her hair off
, and there's only two days leftof spring break.
How long do these things taketo wear off?
There's a lot of barbershop.
Well, it depends on how manyyou had.
I took three.
(38:46):
I can't follow all the lyricsso fast.
It's a dream.
It's too awful.
Speaker 6 (38:57):
Shouting the seasons out there.
I mean those we have to name,not those on mushrooms.
They're tripping.
Speaker 5 (39:17):
This is crazy.
Speaker 3 (39:27):
You know that if is the middle word in life.
If you can keep your head whenall about you're losing there's
a blaming it on you, if you cantrust yourself when all men
doubt you.
I mean, I know I can't, I'm alittle man.
Speaker 6 (39:39):
Ok, what was that from Apocalypse?
Now, that's right, I'm a littleman, I'm a little man.
Speaker 5 (39:42):
Okay, what was that from Apocalypse?
Now that's right.
Yeah, I'm a little man.
I'm a little man.
Another skit here.
Speaker 6 (39:48):
Kniff.
Kniff is a road in Detroit.
Hamtramck Shout out toHamtramck, but this is his last
name.
Ken Kniff is spelled K.
Speaker 3 (39:58):
The street is with a, c, oh thank you, I need to make
a collect call Number.
Oh, the number is six Two and.
Speaker 4 (40:07):
At the tone.
Please say your name.
Speaker 6 (40:10):
Kenneth Kniff.
That's when they had collectcalls.
The person on the receiving endpays for it.
They have to agree, Right?
Hey there cock boy, who's this?
Speaker 3 (40:23):
This is Ken Keneff.
Who?
Ken Keneff from Connecticut,little bitch From Connecticut,
yeah you want to get?
Speaker 4 (40:30):
How about?
Speaker 3 (40:31):
in Connecticut.
You want to get a hotel roomwith me?
Oh, it's our room.
Yeah, you want me to lick yourass, Eminem.
Yo who is this, Kate?
Hey, you want me to fucking.
Melt in your mouth and not inyour hands.
Melt in your ass, you littlecock boy.
Speaker 8 (40:49):
What the fuck is he talking about.
Speaker 3 (40:50):
Fuck you little bitch .
Oh, you think I'm lying, huh?
Speaker 5 (40:56):
Okay, weird.
Speaker 6 (41:00):
I mean, we used to do that, I remember.
I mean just like when you can'tcall your friends and you just
be like some of the other people.
That's a thing.
Ken Kinnick, ken.
Speaker 1 (41:10):
Kinnick, I'm Connecticut.
I like this, yeah, but this is.
Speaker 6 (41:34):
Come on, everybody they misspelled the comma.
C-u-m-o.
Speaker 1 (41:52):
Oh, never mind.
Come on, everybody, get downtonight.
Come on, everybody, get downtonight.
Come on, everybody, get downtonight.
Come on, everybody, Get downtonight.
Come on, everybody Get downtonight.
Come on everybody.
Yo yo, yo, yo yo.
Come on, everybody, get downtonight.
I tried suicide once and I'lltry it again.
(42:13):
That's why I write songs whereI die at the end Because I Cause
I don't give a fuck.
Like my middle finger was stuck.
Come on, swing, baby.
I'm on stage in front of asellout crowd.
We get out loud.
All y'all.
Get the hell out now.
Fuck rap, I'm giving it up,y'all.
I'm sorry, this is your recordrelease party.
I'm bored out of my goal.
So I took a hammer and nailedmy foot To the floorboard of my
(42:34):
Ford.
Guess, I'm just a sick, sickmaster.
There's one sandwich short of apicnic basket, one Excedrin
tablet short of a full medicinecabinet.
Speaker 5 (42:41):
I feel like my head has been shredded like lettuce
and cabbage.
I'm a shopper, I got it Lettuceand cabbage, that was good.
Speaker 1 (42:47):
I've been dressed up like a mummy, with my wrist slit
.
Speaker 5 (42:49):
Oh God See, then I just get like he talks about
blood and it's just so gory andnasty sometimes, ugh Damn,
sometimes like a bloody fuck.
People were unpredictable backthen.
Yeah, it was they werefisticuffs it's a lot of collect
(43:37):
, calling.
Speaker 3 (44:03):
Just say no, mommy.
Speaker 8 (44:07):
Dada exists.
Mama, mama, mama.
Speaker 9 (44:23):
All right, well, isn't that special.
Speaker 6 (44:28):
That one struck my ear at just the right time.
Come on everybody.
I kind of like that.
Speaker 5 (44:33):
Definitely.
He's definitely going to be, Iguess, in both parts.
Nice groove to it, yeah, yeah,yeah.
What is the hit?
My name Is, and that's it, Ithink.
So what do?
Speaker 6 (44:47):
you think?
I don't know, I don't think youget anything when you just look
at it, the number of plays justeclipses everything else.
I mean role modeling, yes.
I mean role modeling, yes, and97, 97 by me.
Clyde, no way.
Speaker 1 (45:10):
What about 99 in 2000 ?
Speaker 6 (45:12):
Yeah, Well, maybe you should make.
You should make a song for eachyear.
Speaker 1 (45:24):
And just, I'm just.
Speaker 9 (45:26):
This is called Rock Pop.
Speaker 6 (45:39):
I mean, for some people this is like serious man.
If you're like you're rollingdown an eight mile, it's like 20
below.
Life's been kicking in the ass.
It's cold, Car stalls out.
Walk back home.
The trailer park.
Speaker 3 (45:57):
Mom's all drugged out .
Speaker 1 (46:02):
Expansive vocabulary and vivid imagination,
unapologetic outrageousness.
(46:39):
Outro Music I like this song.
Speaker 6 (47:16):
Yeah, it's.
It's not like all demented,like those other songs.
Speaker 5 (47:24):
The ones where you feel for him and he doesn't have
these split personality thingsgoing on.
Speaker 1 (47:35):
Yeah, those are good ones.
I could be taking them to shopsto pawn them.
I got a couple of rings and abrand new watch.
You want them, cause I ain'tnever went gold off one song.
I'm running up on someone'slawn with guns drawn.
That's rock bottom.
When life makes you mad enoughto care, that's rock bottom.
Speaker 6 (47:49):
When you want something bad enough to stare,
that's rock bottom.
When you feel like you've hadit up to here.
Yeah, see, this is a song thatI Right no-transcript, I'm down
(48:12):
with that.
Just don't give a fuck.
Do you have your top three downyet?
Speaker 5 (48:32):
We've got a few more songs left.
Not really I'm winging it here,I am too.
I think I've got a few moresongs left.
Not really I'm winging it here,I mean, I am too.
I think I've got a couple sofar.
Speaker 1 (48:49):
Let's see what the end crop brings.
There's too much stuff going onin that Right.
I don't know how I like thissong.
Speaker 3 (49:02):
You want a pass?
The interest of time, let's doit.
Speaker 5 (49:07):
All right.
Speaker 6 (49:08):
Okay.
Speaker 5 (49:09):
It's aggressive.
Speaker 8 (49:17):
Yeah, it's too much.
Speaker 6 (49:20):
This is soap skit.
Speaker 9 (49:27):
Soap opera.
Speaker 4 (49:30):
This piece is called I Lick my Love Pump on the beach
.
Speaker 8 (49:32):
Are you all to destroy me?
You know, Roger, that's notwhat I want to do.
I love her.
Then we're gonna be togetherNever.
Speaker 5 (49:41):
He knows that he needs a little palate cleanser
in his own album.
Speaker 6 (49:49):
Oh yeah, definitely you need one after that song.
Yes, man, as the world turns,we all experience things in life
.
Tell you what we're gonna haveto do, that we all must go
through.
It's like a concept album.
They're like on soap operas nowthey do the soap opera skit and
(50:09):
then, as the world turns, youknow, interesting, yeah, the
skits kind of introduce.
Speaker 1 (50:15):
Subterranean.
Ah okay, yes, jack-o'-lantern,you know it's interesting.
Yeah, the skits kind ofintroduce such a thing.
Ah, okay, yes, jack-o'-lanterns.
Outside us, baby, and we suingthe courts Cause we dope as fuck
and only get a two in thesource.
Yo, they never.
Should have booted me out ofreform school, deformed fool
taking the shit in a warm pool.
So they threw me out the RamadaInn.
I said it wasn't me, I got atwin.
Oh, my god, it's you not again.
It all started when my mothertook my bike away cause I
(50:36):
murdered my guinea pig and stuckhim in a microwave.
After that it was straight tothe 40-ouncers, slapping
teachers and jacking off infront of my counselors.
Speaker 3 (50:43):
Class clown freshman dressed like Les Nesman Fuck the
next lesson I passed the testguessing and all the other kids
said oh wait, just a minute,only class to lever pass is phys
ed.
Speaker 1 (51:26):
Maybe Shout out to the phys floppers out there, the
high divers Go through day byday.
We drive around in milliondollar sports cars While little
kids hide this tape from theirparents Like bad report cards
Outsiders.
And we sue in the courts Causewe dope as fuck and only get it
two in the source,hyperchondriac hanging out at
the laundry mat.
We're all the raunchy fat,white, trashy, blonde spiat
(51:48):
Dressed like a sailor standingby a pane of garbage.
It's almost dark and I'm stilltrying to nail a trailer park
bitch.
But he's gonna tell Ninabecause nobody knows.
So Bobber listens, doesn't he?
(52:29):
That's a lot going on here onthe killer.
But so I got a cat to burn.
You were buying fucking.
You cheated on me.
Saw the house he ran up in andshot a fucking porch up, kicked
the door down to murder thisdivorce cut.
Looked around the room.
That's when I seen the bedroomdoor shut.
I know you're in there, bitch.
I got my gun popped.
You might as well come out now.
She said come in, it's unlocked.
(52:50):
I walked in, spread across thebed naked Watching gay porn.
She said come here, big boy,let's get acquainted.
I turned around and brought itTwisted my ankles and it's
rained it.
She came at me at full speed.
Nothing can stop her.
I saw her five times and everybullet bounced off her.
I started to beg no, please,let go.
But she swallowed my fuckingleg whole Like an egg roll, with
one leg left.
Now I'm hopping around crippled.
Speaker 6 (53:24):
I grabbed my pocket knife and sliced you can't get
an award edgewise with this guy.
Speaker 5 (53:32):
I'm zoned out.
Oh my god.
Speaker 6 (53:37):
Oh my god, they like listen to it once and they're
like we need some screamingright over this one.
Yeah, cherry on top.
Speaker 1 (53:50):
I like the scratching .
Speaker 6 (53:56):
They put scratching in here every now and then.
I like the way they.
Speaker 5 (54:00):
Mic check.
Speaker 6 (54:00):
Mic check.
Exactly.
Okay, that's mixed for me.
He's your husband.
Okay, that was.
As the World Turns, this is I'mShady, who came through with
two glocks to terrorize yourworld.
Speaker 1 (54:17):
Told you how to slap dicks and murder your girl, gave
you all the finger and told youto sit and twirl, sold a
billion tapes and still screamfuck the world.
So come and kill me while myname's hot and shoot me 25 times
in the same spot.
I think I got a generationbrain washed.
The pot pills are smoke pottill they brains rot.
Stop their.
I think I'm feeling thisCatching.
Speaker 6 (55:06):
Yeah, you make them feel, you so everybody got my
sitter.
Speaker 1 (55:10):
I'm a coming that organ in the background.
I like happy things.
I'm really calm and peaceful.
I like birds, bees.
I like people.
I like funny things that makeme happy and gleeful, like when
my teachers suck my wee-wee inpreschool the ill type.
I stab myself with a steelspike While I blow my brain out
just to see what it feels like,cause this is how I am in real
(55:32):
life.
I don't wanna just die a normaldeath, I wanna be killed twice.
I don't want to just die anormal death, I want to be
killed twice.
I just want to scare somebodywith a gun thread when they high
off the drugs.
They haven't even done yet.
So bring the money by the knife.
I'm a little off this drive.
I try to keep it positive andplay it cool.
Who?
Speaker 2 (55:49):
knows.
Speaker 1 (55:49):
Nicolette, I can't.
Biggest fan, I'm popular.
Speaker 5 (56:05):
Downers, downers, downers.
Speaker 1 (56:49):
I like that organ.
It's tolerable.
I don't have herpes.
My dick's just itching.
It's not sickness, it's forbeing AIDS infested.
I don't know yet.
Speaker 3 (56:57):
It's tolerable.
Speaker 1 (56:58):
I'm too scared to eat ice mushrooms.
I got acid.
I got tabs and aspirin tablets.
Speaker 6 (57:03):
I'm your brother when you need.
I like how it looks, I like howthis doesn't like.
The organ doesn't jive with thewords.
Speaker 5 (57:14):
I like this one.
It's got like a catchy, catchyvibe.
Yeah, it's too awful.
Speaker 3 (57:19):
That's only a dream I'm Shady.
Speaker 10 (57:35):
I'm Sadie and that's my name.
I reckon you ain't familiarwith these hair parts.
Speaker 6 (57:44):
Oh, this is bad meets evil.
Speaker 10 (57:45):
There's a story behind that.
Speaker 6 (57:47):
Eminem Royce Da 5'9.
Speaker 10 (57:51):
Two outlaws took this whole town over.
Sheriffs couldn't stop them.
Quickest damn gunslingers I'veever seen.
Okay.
Speaker 9 (58:03):
All right.
Speaker 10 (58:05):
Oh wow, hey I haven't shot this far.
Speaker 1 (58:10):
It's buried under here, yeah, it's gonna be great.
Yeah, yeah, yeah, yeah, yeah,yeah, yeah, yeah, yeah, yeah,
(58:31):
yeah, yeah, yeah, yeah, yeah,yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah yeah.
Speaker 7 (58:48):
Yeah, yeah, yeah, yeah yeah, that's pretty good.
Gotta tease him a little Roycethe 5'9".
That's a little Roistified, butthat's pretty good, cause this
(59:11):
is what happens when bad meetsevil, and we at the trees till
we look like Vietnamese people.
He's evil and I'm bad.
Like Steve Siegel, I fought thelaw cause.
Speaker 1 (59:19):
I don't agree with police either.
Shit me.
Neither we ain't eager to belegal, so please leave me with
the keys to your Jeep Eagle.
I breathe ether in three lethalamounts while I stab myself in
the knee with a disease needleRelease and raise on anybody in
squeezing range Cold enough tomake the seasons change in the
oh gosh.
Wow, he's insane.
No, I'm not, I just want toshoot off and I'm pissed off
(59:40):
because I can't find a decentgame.
Speaker 7 (59:41):
The disaster of dreads.
I'm bad enough to commitsuicide and survive long enough
to kill my soul after I'm dead,when in danger.
It's funny, actually.
My flavor's similar to a waiter.
Because I serve any strangerwith money.
I spray a hundred men untilthey drink chains, while
(01:00:04):
slipping bullets in point-blankrings like they was punches.
Speaker 6 (01:00:07):
Oh, wow.
Speaker 7 (01:00:09):
There's a little Basuki in the background.
Basuki, or whatever, from allangles of us.
Flash your mag loud enough tocast an avalanche and bust a
volcano's erupt.
Speaker 1 (01:00:17):
Hello, hey, what's up ?
We're coming to get you.
They knew it's us.
I used to be a loud mouth,remember me?
I'm the one who burned yourhouse down.
Well, I'm out now and this timeI'm coming back to blow your
house up and I ain't gonna leaveyou with a window to jump out
up.
Give me two fat tabs and threeshrooms, and you won't see me
like fat people in steam roomsand when I go to hell.
(01:00:38):
A lot of shrooms in this album.
Yeah, let's just deal with thattakes everything, all the time
Speaker 7 (01:00:43):
yeah, how do?
You even function.
I think the mushrooms areprobably an inspiration?
Speaker 6 (01:00:52):
I think, I don't know .
Speaker 1 (01:01:03):
I'm not a freak anymore.
Speaker 6 (01:01:06):
Yeah, he was probably doing a lot of drugs he was
going to work and they're likeyou're on drugs so we're going
to fire you.
Speaker 10 (01:01:16):
Just say no.
That's the story of when badmeets evil.
Two of the most wantedindividuals in the county made
Jesse James and Billy the Kidlook like law-abiding citizens.
It's too bad.
They had to go out the way theydid, Got shot in the back
coming out of that old saloon.
But their spirits still live onto this day.
(01:01:37):
Shh Wait, Did y'all hear that?
Speaker 8 (01:01:46):
What the fuck is he talking about.
Speaker 6 (01:01:49):
Oh wow, that was uh, that was different.
A lot of people ask me the lastsong.
Speaker 1 (01:01:57):
Still don't give a fuck Am I afraid of death?
Hell yeah, I'm afraid of death.
Speaker 2 (01:02:03):
Like love.
Speaker 1 (01:02:06):
A lot of people think that I worship the devil.
Speaker 5 (01:02:08):
Nancy, not now.
Yeah, he's getting real Aboutdeath.
Speaker 1 (01:02:13):
Look, I can't change the way I think and I can't
change the way I am.
But if I offended you, realabout that?
A lyricist without a clue.
What year is this?
(01:02:33):
Fuck a needle.
Here's a sword Body piercedwith this, living the mug, never
giving a fuck.
Give me the keys.
I'm drunk and I've never drivena truck, but I smoked dope in a
cab.
I'll stab you with the sharpestknife I can grab.
Come back the next week andreopen this cab.
A killer instinct runs in theblood.
Empty and full clicks and bur.
Speaker 6 (01:02:53):
It's getting angry, it's building up.
Speaker 1 (01:02:54):
I can feel it yeah.
Speaker 5 (01:02:59):
Let's talk about brains again.
Speaker 1 (01:03:08):
The beat is like really heavy.
It's like building a teamlouder.
Yo, I'm still gonna do To allthe people I've offended.
Fuck you too.
Every time I reminisce, yo, Imiss my past, but I still don't
give a fuck.
Y'all can kiss my ass.
(01:03:29):
I walked into a gunfight with aknife to kill you and cut you
so fast.
When your blood spilled it wasstill blue.
I'll hang you till you dangleand chain you with both ankles
and Outro Music.
What?
Speaker 6 (01:04:15):
Yeah, it's like, it's just so, it's going, it's going
.
This song has like enoughlyrics for the whole album.
Speaker 1 (01:04:26):
I'm going to be good on words for a long time.
You know, let me listen to that.
Some Herbie Antock after thisyeah A rough good.
Oh shit, Y'all can kiss my ass.
Speaker 5 (01:04:38):
I wanted an album so rugged Nobody can touch it,
spent a million to track andwent over my budget.
Speaker 1 (01:04:39):
But how in the fuck am I supposed to get out of debt
?
I just murdered the alphabet.
Drug sickness got me doing somebug switches.
I'm a thorn from cracks so badmy blood is deep.
I don't rap to get the womenFuck bitches.
Give me a fat slut that cooksand does dishes.
Never ran with a clique, I'm aposse Kamikaze Strapping a
(01:04:59):
motherfucking bomb across me.
From the second I was born mymama lost me.
I'm a cross between Mance andIsham and Ozzy.
I don't know why the fuck I'mhere in the first place.
My worst day on this earth wasmy first birthday Retarded.
What did that nurse say?
Speaker 5 (01:05:17):
Brain damage retarded .
Speaker 1 (01:05:18):
What did that nurse say?
Brain damage?
I was going during theearthquake.
Yeah, you too, all the friendsI used to have.
I miss my past, but but I stillgive a fuck, I'll kiss my ass,
kiss my ass, ass, ass.
Speaker 6 (01:05:44):
Like the falling.
Speaker 10 (01:05:50):
Tell you what we're going to have to do.
Speaker 5 (01:05:54):
Our top three.
Speaker 6 (01:05:55):
Yeah, it gets like little kid chimes and it's so
fucking weird, oh my god yeahit's like wow, ah, all right
yeah, all right, I'm gonna bepissed off for the next month, I
know I just I need some we,something to calm you down.
Just uh, there's a need tomellow out after this, but let's
(01:06:17):
ah that feels it feels better.
Okay, A little wordy for that.
What's your, what's your topthree man?
Speaker 5 (01:06:25):
I'm going to go um rock bottom.
Number three oh yeah Actually.
No, yeah, yeah, yeah Actually.
Speaker 1 (01:06:33):
No.
Speaker 5 (01:06:34):
Yeah, yeah, yeah.
You're going three Okay, rockbottom number three.
Speaker 6 (01:06:41):
Okay, I'm going to say, I'm going to say brain
damage is my number three.
Speaker 5 (01:06:48):
Okay, that was almost kind of a tearjerker.
Yeah, the ones that.
It's the one that made me feelsorry for him.
Speaker 6 (01:07:02):
Right, exactly, it kind of like sets the tone for
you know why he's a sympatheticcharacter.
Speaker 5 (01:07:04):
So right, all right, yeah, so that's my number three.
Um, I guess I just don't give afuck.
I'm gonna go number two I likethat those two those two, just
don't give a fuck the first onethat gets a lot of listens.
Speaker 6 (01:07:20):
Yeah, the first one.
Yeah, that still don't give afuck.
That was the last one we justheard.
Jerk down with number two.
Just don't give a fuck.
Speaker 5 (01:07:35):
It had a good musical .
Come on everyone.
Actually, you know what?
No, come on on everyone.
That's number two.
Speaker 6 (01:07:42):
Come on everybody yeah, come on everybody.
Yeah, come on.
You know what I'm gonna go withthat.
That's my number two, as bestbarrels ever yeah, yeah.
Well, I mean, it was kind ofcatchy, you know, didn't?
It had sort of like a littlevibe to it.
It was catchy yeah okay, that'smy number two as well.
Speaker 5 (01:07:56):
What's your number one?
I'm going role model.
Yeah, yep, I think I don't knowthat he would be a role model.
I don't know if he cares.
He doesn't want to be a rolemodel, definitely Whatever.
He's just, I guess, artisticwith his lyrics, autistic with
(01:08:19):
his lyrics, crazy, yeah, notafraid to say anything.
Descriptive Paints, this wholeweird dystopian.
Yeah, yeah, I know, that's mynumber one too.
Speaker 6 (01:08:36):
Yeah, it was A was a role model, yeah, and the lyrics
were just like everything wasjust like one after the other
thing, after the other thing,and he's just he's, he's
throwing out like pop culturereferences and it's so like
relatable and it's like soclever and everything rhymes so
well.
So yeah, I'm, I'm with you.
So yeah, well, I like the comeon everybody.
(01:08:57):
It was.
I mean, that's like a littlegem in there, you know.
Speaker 5 (01:09:00):
Yeah, I feel like to the academics.
You know they could write aneight-page paper, you know,
double-spaced about what thissays, what is critique of
society and of himself?
Speaker 6 (01:09:12):
Yeah well, it's high art for poverty you know, and
the struggles of, of you know,the working class in a
post-apocalyptic, late stagecapitalistic trailer parks and,
exactly you know, domesticdisputes with children and your
(01:09:36):
drug addicts.
And well, yeah, you could alsobe like a part.
It may be an argument for umyour ability to like the nature
versus nurture like right.
You're a product of yourenvironment, kind of a thing,
and this is art reflected inthat, with a very like a smart,
(01:09:59):
just like a smart human beingwho rose from it.
Um, but who he is, you know?
Versus maybe somebody who likea donald trump who was brought
up on park avenue yeah, rightyou're.
You know you can.
There's something just to put apositive spin on it.
There's something within usLike he represents what could
(01:10:22):
happen if you fight.
Yeah, but I mean.
Charcoal and the diamond, yeah,but I mean, underneath it all,
there's also like a purity andthere's a, a scared little kid.
Yeah, scared little kid whoknows right from wrong and wants
to choose the right path, eventhough he's just getting the
shit beat out of him day afterday.
Speaker 5 (01:10:43):
Yeah.
Speaker 6 (01:10:45):
It just only fueled a fire, and I'm going to make it.
Speaker 5 (01:10:48):
Yeah.
Speaker 6 (01:10:49):
And kudos to him.
So I think, are we good?
Yeah, All right.
Speaker 1 (01:10:56):
Off the road.
Let's go, all right right, allright, everybody.
Speaker 6 (01:10:59):
We zip it in and zip it out.
Love you, bowtied all right.
That's all we ever do man is talk shit.
Speaker 1 (00:04):
We need to get fine bitches and fat vibes.
No, what we need to do is putour money in savings bonds.
No, what we need to do is getour songs on JLB man.
Shut the fuck up.
All of us never do shit aboutnothing.
We're still broke as fuck andliving home with our moms.
Speaker 5 (00:23):
All right.
Speaker 6 (00:24):
Thank you for listening to the Greatest
Non-Hits.
I'm Chris, and playing my nameis my co-host, tim, and we're
going to be listening to theSlim Shady LP, which is the
second studio album by Americanrapper Eminem aka Marshall
(00:45):
Mathers, which is his birth name, and aka Slim Shady Slim Shady
is an alter ego.
There's a lot of really intenserapping that we're going to
listen to on this album.
We all know who Eminem is andwe all know this album Coming
into this though I don't thinkTim and I really got into the
(01:09):
deep stuff into this, it's beena pleasure and very interesting,
an interesting experience tolisten to this album all the way
through, from beginning to end,just for the darkness of it.
But also you get a sense forwho he is as a person and the
struggles that he had, you know,living in, um uh, an
(01:33):
impoverished part of detroit.
Um, I think he grew up at likeeight mile and ryan like eight
or nine mile and ryan's trailerpark and really rough, you know,
and predominantly a black areaof of detroit, and in the early
90s, late 90s, it was tough.
(01:54):
I mean, I lived in that areaduring that time period so I had
not a front row seat, but yeah,I knew who he was, I, I you
know there were legends abouthim in rap battles, but he also
had tough times.
I think in 97, he lost his jobat.
Speaker 4 (02:11):
GM, I think where he worked.
Speaker 6 (02:14):
He has been evicted and so he goes out to LA,
because you all saw the movie 8Mile.
After that, he went out there,competed in rap battles I think
the rap olympics were going onat the time and this is how he
got his start where, um, I thinkit was, there was an intern for
interscope records um, I'm notsure if the name matters, um,
(02:38):
but nevertheless, um, he and hegot a copy of the EP from Eminem
, brought it back to the CEO ofInterscope.
He passed it on to Dr Dre.
Dr Dre was like who the fuck isthis?
This is awesome.
We got to get this guy.
Well, he's white, I don't care,I don't care if he's purple,
(02:59):
this guy, he's got talent.
Blah, blah, blah.
So they hooked up and you knowthe rest was history then, not
long after.
That whole thing is when theyrecorded this in 98, released it
february of 99.
Um, I can recall, you know,just being a working stiff in
the detroit area.
You know, driving from, youknow, one business meeting to
(03:22):
another late at night, beinglike what the hell am I?
Speaker 4 (03:25):
doing.
Speaker 6 (03:26):
Kind of a thing.
And they're like, I wait,there's not a rock station like
WLZ, wheels 98, seven.
And they're like, okay, is it?
You're the two up and comingpeople.
It was kid rock and Eminem, twodifferent styles, but they were
both going to be successful,even though their albums hadn't
(03:46):
come out nationally just quiteyet.
The first song was my Name Iswhat Tim Is Playing Right Now.
He was doing a freeform jazzkind of thing.
I'll tell you what we're goingto have to do Jazz Odyssey, so
he's doing a Jazz Odyssey kindof a thing.
Thank you, derek Smalls, akaSpinal Tap.
Now you're rocking it.
(04:07):
So, anyway, I kind of digresseda little bit.
Where was I?
Well, anyway, yeah, they rapbattle between Kid Rock and
Eminem and people are calling in, and it was sort of like 60-40
Eminem kind of.
It was really kind of even, butmaybe the radio station was
(04:32):
recording people who werecalling in and yeah Eminem, oh
yeah Kid Rock that kind of thing.
It served both.
There was a swell of interestin the Detroit area with artists
of all genres.
I even think Jack White wascoming up at that time.
(04:52):
Seven Nation Army All three ofthose guys really came about in
the suburbs of Detroit in thelate 90s.
It was kind of a cool time whenI look at it from that point of
view.
Nevertheless, we're going tolisten to this whole album.
There's a ton of tracks.
There are some skits.
(05:12):
We're not going to rank theskits, but at the end we're
going to rank our top threenon-hits from the entire album,
as we always do.
So what else can I add herebefore Tim joins?
Speaker 4 (05:25):
us.
Speaker 6 (05:27):
He's going to be packing it up soon.
And what?
Speaker 3 (05:32):
else do we have?
Speaker 6 (05:35):
A lot of interesting tracks on this.
A lot of fighting with hisgirlfriend, a lot of sex with
your mom, a lot of jokes, a lotof hilarity, a lot of serious
stuff.
He was bullied man man, youknow, sex with your mom.
A lot of jokes, a lot ofhilarity, a lot of serious stuff
.
He was bullied man man, he washarassed.
I mean just it tells a story.
Like when you listen to thealbum, I mean you're, you're
laughing and you're so impressedwith the genius of, of his, of.
(05:58):
You know just the, thewordsmithing of it's, it's
poetic, it's, it's, it's.
I mean it's gross.
I mean really really fuckinggross at times.
But but you can't take you, Imean you can't not listen to it.
You know you and you have toadmire somebody who can, you
know, just do this kind of thingon the fly and you can, you can
(06:22):
tell like you feel for him.
You know, and you're on, you'rein his corner, you're on his
side because you've been therebefore, but you know that he's
had it worse than you, kind of athing.
Um, before I go any further,tim is settled in.
How's it going bud?
Speaker 5 (06:35):
it's going well here all right do you?
Speaker 6 (06:37):
are you feeling what I'm feeling?
Speaker 5 (06:39):
I am.
You know he's got a tough life.
Speaker 6 (06:42):
Maybe getting fired from his one job helped him take
a risk, Like a lot of a lot ofsituations that happen like that
, and but it seemed like it waslike one thing after another,
like it seems like he backtracksin his life, like going back to
high school and just gettingjust well the crap beat out of
(07:05):
him.
Speaker 5 (07:05):
Black eyes, you know he's who knows, maybe in the
hollywood he's be bullied aswell.
Who knows, like later in life?
Speaker 6 (07:15):
I don't know, just like always just the, the
perpetuant white rapper, that Idon't know you know I don't know
back up against the wall toeverybody, right but I think
this is, this is the turningpoint in his life.
Yeah, because leading up tothis, yeah his life has been
shit, you know right and after.
This, I think, is you know, hecarries still probably a lot of
(07:39):
like the, the mental traumaafter having getting a ton of
money and acclaim and respectand success in his life which
brings other.
But that, yeah, that'd be yeahexactly.
Speaker 5 (07:49):
Are you you?
Speaker 6 (07:49):
know, are you prepared for that going from
being dog shit to being right?
You know, having everything atyour fingertips.
And you know, I think he hadproblems, like after this album,
but he kind of got thingsstraightened out, like after
this album, but he kind of gotthings straightened out.
He seems like a superwell-adjusted person now and
even though that's that stuff inthe past is still there, you
(08:12):
know.
Speaker 3 (08:13):
I'm not afraid anymore.
Speaker 5 (08:17):
Well, yeah, no, it's, it's.
It's a very rags to richesstory.
Honestly, in a way, he was oneof the very poorest that made it
up.
Speaker 6 (08:32):
There's no denying that, like you know, well, yeah,
and this, this made him, thisis, this is what made him famous
initially, is what we're gonnalisten to.
So, uh, I think, uh, I we'reexcited, I'm excited, tim is
excited, bit scared.
Speaker 5 (08:48):
I'm afraid.
Speaker 6 (08:49):
Okay, Well well hopefully, after this one, you
won't be afraid anymore.
You want to listen to the skitstoo, they were listening to the
skit.
Speaker 5 (08:59):
This is a skit.
Speaker 6 (09:00):
Yeah, we got to listen to all the skits.
This is a okay.
Every, almost every other thingthat we there's not a lot of
dead space in this.
Yeah Right, yeah, it's like apublic service.
Now, there's no like beats oranything underneath it, it's
just random stuff.
So here, here we go.
It's.
This is called public serviceannouncement.
Again, it's a skit.
Speaker 9 (09:15):
Announcement brought to you, in part by Slim Shady.
The views and events expressedhere are totally fucked and are
not necessarily the views ofanyone, however.
However, the events andsuggestions that appear on this
album are not to be takenlightly.
Children should not partake inthe listening of this album with
laces in their shoes.
Slim Shady is not responsiblefor your actions.
(09:37):
Shout out to Run DMC Uponpurchasing this album.
You have agreed not to try thisat home, anything else.
Speaker 1 (09:44):
Yeah, don't do drugs.
My name is Slim Shady.
Don't do drugs, alright.
This I didn't really get intoit shots of labby siffra.
Speaker 5 (09:58):
I got the okay yeah.
Speaker 6 (10:00):
I've seen a guy who did like a remake of this in
some way.
Speaker 5 (10:03):
That's where they got this.
This riff, oh they got.
When did that come out?
Um dude, does it say 1974?
Oh, this riff, oh they got.
When did that come out Um 1974?
Speaker 1 (10:14):
Oh okay, nice, good call, pregnant.
What the fuck is he talkingabout?
I can't figure out which SpiceGirl I want to impregnate.
Dr Grey said Slim Shady, you abase hit.
Watch your face, red man, youwasted.
What the fuck is he talkingabout?
(10:34):
I felt like I'm someone elsecause I hung my original self
from the top bunk with a belt,got pissed off and ripped Pamela
Lee's tits off and smacked herso hard.
I knocked her close back causeI just fought.
I smoke a fat pound of grassand fall on my ass faster than a
fat bitch who sat down too fast.
Come here, slut Shady.
Wait a minute.
That's my girl dawg.
I don't give a fuck.
God sent me to piss the worldoff.
(10:55):
My name is Off the road.
Speaker 5 (11:01):
Let's go, then, my name is Jeez.
Speaker 6 (11:05):
Slim Shady's an evil guy.
Evil version of Marshall.
Yeahady's an evil guy.
Evil version of Marshall yeah,marshall's like.
He's the straight voice.
Speaker 1 (11:17):
My English teacher wanted to flunk me in junior
high.
Thanks a lot.
Next semester I'll be 35.
I smacked him in his face withan eraser, chased him with a
stapler, stapled his nuts to astack of paper, walked in a
strip club, had my jacket zippedup, blast a bartender Then
stuck my dick in a tip cup.
It's so expressive.
Yeah, in a spaceship whilethey're screaming at me.
(11:39):
Let's just be friends.
Explicit and a story Blunt.
I told her.
I grew up to be a famous rapper.
Make a record about doing drugsand name it after you know.
You blew up when the womenrushed your stance.
You try to touch her hands likesome screaming usher fans.
This guy, white Castle, shoutout to Usher I'm a finder.
(12:00):
Dear Dave, thanks for thesupport.
Asshole, my name is, my name is.
My name is.
My name is.
My name is.
Oh, hey, my name is my name ismy name is.
Speaker 5 (12:12):
It's hard to remember People's names.
My name is, my name is, but yougotta try your best.
Speaker 6 (12:17):
Yeah, it's tough for me every time Maybe my name is.
Speaker 5 (12:21):
My name is Attribute a A.
Thing.
Speaker 1 (12:25):
Stop the tape.
This kid needs to be lockedaway.
Get him.
Dr Dre, don't just stand there,operate.
I'm not ready to leave.
It's too scary to die.
I'll have to be carried insidethe cemetery and buried alive.
Am I coming or going?
I can barely decide.
I just drank a fifth of vodka.
Dare me to drive Go ahead.
All my life I was very deprived.
I ain't had a woman in years.
(12:45):
Here he is, harry Poms.
Ow Ow.
Speaker 6 (12:56):
That was ours.
What, what?
Here he is, harry Poms Bang.
Speaker 1 (13:05):
Ah, it's terrible.
It's only a dream, it's a dream.
Speaker 3 (13:25):
And you change.
Speaker 6 (13:57):
It's too awful.
Deeper and deeper.
A little freeform jazz, tellyou what we're gonna have to do.
Speaker 3 (14:08):
Jazz odyssey.
Alright, I'll tell you whatwe're going to have to do Jazz.
Speaker 6 (14:11):
Odyssey.
There's no jazz on this, thisone's called.
Speaker 5 (14:19):
Guilty Comedy.
Speaker 8 (14:19):
Oh gosh this isn't a skit.
Speaker 2 (14:36):
Just say no, okay, dr Dre's office.
This is Dre.
Speaker 1 (14:46):
Conscience.
I'm telling you you need aplace to stay.
You'll be safe for days if youshave your legs with Renee's
razor blades?
Speaker 2 (14:53):
Yeah, but if it all goes through like it's supposed
to, the whole neighborhood knowsyou and they'll expose you.
Think about it before you walkin the door.
First Look at the store clerk.
She's older than George Burns.
She's George Burns.
Shut up, shoot that bitch.
Can you afford to blow thisshit?
Are you that rich?
Speaker 1 (15:10):
Shut up.
This is the guilty conscience.
Speaker 6 (15:17):
I think the friendship Started during this
the recording.
This one maybe came Tight.
Speaker 5 (15:24):
Don't listen to Slim.
He's bad for you.
That's what it said, yeah.
Speaker 8 (15:33):
Meet Stan, 21 years old.
After meeting a young girl at arave party things start getting
hot and heavy in an upstairsbedroom.
After a rave party hisconscience comes into play.
Speaker 1 (15:45):
Now listen to me.
While you're kissing a cheekand smearing a lipstick, slip
this in a drink.
Now, all you gotta do is you'rekissing her cheek and smearing
her lipstick.
Slip this in her dream.
Now all you gotta do is nibbleon this little bitch's earlobe.
Speaker 2 (15:54):
Yo, this girl's only 15 years old.
You shouldn't take advantage ofher.
That's not fair Yo look at her,bush.
Speaker 1 (16:01):
Does she got hair?
Fuck this bitch right here onthe spot, bare Till she passes
out.
So awful man, fuck that.
Hit that shit for a dog andbell Jeez.
Speaker 8 (16:24):
Meet Grady, a 29-year-old construction worker.
After coming home from a hardday's work I'm here for the
gangbang walks in the door ofhis trailer park home to find
his wife in bed with another man.
What the fuck.
All right, calm down, relax andstart breathing.
Speaker 9 (16:41):
Fuck that shit.
You just bought this bitch ateam.
I thought you were just talkingdirty.
Some dude trying to get off foxslitting her throat.
Speaker 2 (17:02):
cut this bitch's head off dirty.
It's getting dark.
That's what I did, Be smart,don't be a retard.
Speaker 1 (17:07):
You're going to take advice from somebody who slapped
deep on what you say.
What's wrong?
They think I remember.
Kill you, motherfucker.
Temper, temper.
Mr Drake, mr NWA, mr AK, comingstraight out of Compton.
You're going to make a nicething Personal.
You're going to tell this mannot to be violent.
He don't need to go.
Speaker 2 (17:24):
Go the same route that I went.
Been there, done that.
Oh fuck it.
What am I saying?
Shoot them both.
Brady, where's?
Speaker 9 (17:32):
your gun at Thought you were just talking dirty.
Well I was.
I was being serious.
Speaker 6 (17:42):
Okay, all right, that's a palate cleanser.
Speaker 5 (17:43):
That was guilty conscious.
Speaker 6 (17:44):
We just listened to it.
Speaker 1 (17:49):
This is brain damage.
Shout out to the bikers.
Speaker 6 (18:17):
With flat tires.
Speaker 1 (18:19):
Make sure the tires are pumped up.
I think there are any teadrinkers listening.
Speaker 6 (18:23):
There are Shout out to you.
Speaker 5 (18:26):
Especially you.
Speaker 6 (18:29):
Tea and rap just uh, oh yeah, some shady episodes on.
Yeah, let me get some tea, I'llcome back.
You said some really sick stuff.
Go detention.
Nah, that bully wants to beatyour ass and I'm gonna let him
Brain damage.
Ever since the day I was born,you said some really sick stuff.
Speaker 1 (18:53):
They say I never knew which way I was going, but
everywhere I go they keepplaying my song Brain damage
Ever since the day I was bornDrugs, what they used to say I
was on.
They say I never knew which wayI was going, but everywhere I
go they keep playing my songBrain I was going, but
everywhere I go they keepplaying my song.
Way before my baby daughterHaley, I was harassed daily by
this fat kid named D'AngeloBailey, an eighth grader who
(19:13):
acted obnoxious because hisfather boxed us.
So every day he'd shove me inthe lockers.
One day he came in the bathroomwhile I was pissing and had me
in the position to beat me intosubmission.
He banged my head against theurinal till he broke my nose,
soaked my clothes in blood,grabbed We'll be right back
(19:44):
Janitor's storage booth, kickedthe door in sleuths and ripped
out the foreign screws, grabbedsome sharp objects, brooms and
foreign tools.
This is for every time you tookmy orange juice, I stole my
seat in the lunchroom and drankmy chocolate milk.
Every time you tipped my trayand it dropped and spilled.
I'm getting you back, bully.
Now I want some for good.
I cocked the boomstick back asstrong heart as I could and beat
him over the head.
(20:04):
I broke the wood, knocked himdown, stood on his chest with
one foot, made it home laterthat same day, started reading
the comic and suddenlyeverything became gray.
I couldn't even see what I wastrying to read.
I went deaf and my left earstarted to bleed.
My mother started screamingwhat do you want?
Let's hit again With the remotecontrol.
(20:26):
Yeah, wow, oh, that's prettyintense man, yikes, yikes.
I never knew which way I wasgoing, but everywhere I go, they
(20:47):
keep playing my song Braindamage ever since the day I was
born.
Drugs, what they used to say Iwas on.
I'm not going to hurt you, I'mjust going to bash your brain.
Speaker 3 (20:58):
I'm going to bash it.
Right the fuck in.
Speaker 5 (21:01):
I'll just lighten it up with some.
Speaker 6 (21:02):
Yeah, let's make this even darker Shining.
Speaker 1 (21:05):
Yeah, put a little shine on it, jack Nicholson Wow.
Speaker 6 (21:12):
But if you don't change your face, I'm going to
change it for you.
Yeah, there's a little bullyquote there from the Stead
brothers, wow, shout out to theO'Doyles, oh yeah.
Speaker 3 (21:22):
I guess Exactly Banana peels.
Speaker 5 (21:25):
What's going on?
This is Saul Rosenberg, yourfaithful attorney.
Saul Rosenberg Banana peels.
What's going on?
This is Saul Rosenberg, yourfaithful attorney, saul
Rosenberg.
Speaker 6 (21:31):
Oh God, this is a rough copy of your album.
It does sound like Saul, youknow.
Speaker 3 (21:35):
I just got to be honest with you.
Can you tone it down a littlebit, because there's only so
much I can explain.
Give me a call and I'll bringall my shoes and my glasses with
me.
Speaker 1 (21:47):
What is life?
Life is like a big obstacle.
Bring all my shoes and myglasses with me.
My feelings are hurt.
I always rub them and theywould never fall off.
Speaker 3 (22:19):
This piece is called Lick my Lap Pump.
I kinda look a little silly andmy feelings are hurt.
Speaker 1 (22:24):
I'm tired of life.
I'm tired of backstabbing asssnakes with friendly grins, life
just keeps happening.
Tired of always giving in whenit's bottling in Tired of never
having any years, tired ofhaving skinny friends.
So don't crack in many days.
Tired of not having a deal.
Tired of having to deal withthe bullshit without grabbing
(23:17):
the steel.
Speaker 5 (23:17):
Tired of drowning in my sorrow, tired of having to
borrow a dollar for gas.
Speaker 1 (23:21):
It's sad.
Yeah, it is sad, me too.
I like that line.
It's good.
If I had a magic wand, I'd makethe world suck my dick without
a condom on while I'm on thejohn.
If I had a billion bucks, itwouldn't be enough because I'd
still be out robbing all mytrucks If.
Speaker 7 (23:40):
I had one wish.
I would ask for a big enoughass for the whole world to kiss.
But yeah, this is how you feelwhen you've just had a bunch of
shit, just fall on top of you.
Speaker 6 (23:45):
You're just feeling so defeated there's no way out.
Speaker 1 (24:34):
We've all been there.
I like how they harmonize atthe end of the.
Speaker 6 (24:36):
You guys are talking about drugs.
It's like the barbershop, thatis, the barbershop raga.
That's where the raga is.
There is a little bit ofbarbershop raga.
It's never enough.
Huh, it's never enough.
You're rich.
I'm a sharp drugger.
Speaker 7 (25:31):
Just life, just keeps happening.
Speaker 5 (25:34):
Life is like hey, guess what?
Speaker 6 (25:37):
And you're like what You're like what.
Speaker 3 (25:43):
You know that.
If is the middle word in life,all right.
Speaker 6 (25:51):
Here's another skit.
So what's going on?
What are they doing this?
Speaker 5 (25:57):
album is wild.
97 Bonnie and Clyde.
Speaker 4 (26:03):
Oh God.
Speaker 3 (26:03):
Oh yeah, this is where, yeah.
Speaker 5 (26:06):
I don't like this one .
Yeah, this is dark Slim Shady's.
Do you want to like this one?
Speaker 6 (26:08):
This is dark Slim Shady's.
Do you want to do this one?
Speaker 5 (26:14):
Yeah, we can.
Speaker 9 (26:18):
Just say no, Alright.
Speaker 5 (26:20):
I'm skipping.
Speaker 6 (26:22):
No, you can play.
Speaker 5 (26:24):
I mean parental advisors or whatever.
Speaker 1 (26:27):
Yeah this is explicit .
I'm not Hi, yeah.
Just the two of us For all Igot in this world.
Speaker 7 (26:36):
Dada we.
Speaker 1 (26:36):
Just the two of us.
Just the two of us.
Nobody in this world is evergonna keep you from me.
I love you.
Come on, hey, hey, we going tothe beach.
Grab a couple of toys and letDada strap you in the car seat.
I resisted.
Before she's taking a littlenap in the trunk.
Oh, that smell.
Speaker 4 (26:53):
Dada wants to run over a skunk that has heart.
Speaker 3 (26:55):
Dada is the son, but you know your mama.
Speaker 1 (26:58):
She's one of those type of women that do crazy
things, and if she don't getaway she'll throw a fit.
Don't play with D.
Speaker 5 (27:19):
Is this the cover?
The cover looks like.
Yeah, this is the cover.
Speaker 6 (27:23):
Yeah good call.
Yes, the back of the car.
Speaker 2 (27:30):
Dada is the egg, dada is the egg.
Dada is the police of thepolice at Richard Hulsenbeck.
Speaker 5 (27:40):
Thank you, Richard Hulsenbeck.
Shout out to Dada Richie H.
Speaker 1 (27:46):
There's a place called heaven and a place called
hell.
A place called prison and aplace called jail, and that is
probably on its way to all ofthem except one.
Speaker 6 (28:07):
Shout out to.
Speaker 1 (28:07):
Hamtramck.
Speaker 5 (28:08):
Shout out to Studio 8 .
Speaker 1 (28:11):
For a day where this is recorded, it's probably 8
Mile and Woodward around there.
Thank you, dada soon as we getto the water 97, me and my
daughter, just the two of us,just the two of us.
(28:33):
And when we ride I'm not abreed anymore Just the two of us
, just you and I, just the twoof us, just the two of us.
And when we ride, just the twoof us, just the two of us.
Mom.
Speaker 6 (28:50):
When this is all over with.
We should get it apart.
Speaker 1 (28:54):
Katie, don't cry honey.
Don't get the wrong idea.
Mama's too sweepy to hear youscreaming in her ear.
That's why you can't get it towait.
But don't worry, Dad made anice bed for mommy at the bottom
of the lake.
Here you want to help dad,that's.
And now, right now, which oneof you is?
Speaker 6 (29:13):
mom Shout out to Dr Detroit Three Whee.
Speaker 1 (29:23):
This is wild.
Tell mama you love her andwe'll go clean the sand, build a
castle and junk.
But first just help dad withtwo more things out the trunk.
Just the two of us, just thetwo of us.
And when we ride, just the twoof us, just the two of us.
Just you and I, just the two ofus.
Speaker 5 (29:43):
It's like some Law and Order shit right here when
we ride.
Speaker 1 (29:46):
Just the two of us.
Speaker 6 (29:47):
Yeah.
I'm like looking at like aphoto of him.
He's like, oh, he's all serious, he's got the hoodie on.
Speaker 5 (29:53):
When you look at him.
Speaker 9 (29:54):
He looks like he's, he's like dead inside.
You know like that's right.
Speaker 6 (29:59):
But he pulls it off with such authenticity.
The content backs it all up.
You know it's feeling, it it'svery real.
Speaker 5 (30:09):
It's very real.
Speaker 1 (30:11):
It's not there's no bullshit.
Speaker 6 (30:20):
Even how weird this is.
Yeah, this is messed up andit's not going to be in my top
three.
I'm just telling you right nowit's creeping the both of us out
.
Okay, it's just more.
Do you mean a palate cleanser?
(30:42):
Or maybe just do a littlestewie?
Speaker 4 (30:45):
like love and hope and trust and confidence okay,
that's good that was pretty good, all right it's zoe um kelly
did not have me call, however, Ijust listened to eminem in her
car.
It is the most disgusting thingI've ever heard in my entire
life and I seriously want tocall his fucking agent and tell
(31:06):
them how fucking disgusting heis.
It like makes me upset.
I'm now nauseous and Okay, thatwas the bitch skit this song's
called.
Speaker 3 (31:17):
Roll Mom.
Speaker 6 (31:23):
Okay, sorry.
Speaker 5 (31:27):
The price is wrong bitch.
Okay, I like that Bitch, Idon't care.
Speaker 1 (31:40):
Oh, bitch, you got jacked bitch.
Speaker 5 (31:47):
Oh my gosh.
Speaker 6 (31:59):
Oh my gosh, oh my gosh.
Shout out to the late SonnyBono, hit by a tree.
That's in poor taste, oh wow.
And lately I'm on edge Grabbedvanilla ice and ripped out his
blonde reds.
Speaker 5 (32:08):
Every girl I ever went out with Is gone bad.
Follow me and do exactly whatthe song says Smoke, weed, take
pills, drop out of school, killpeople and drink, jump behind
the wheel.
That's special.
Speaker 1 (32:23):
Bring your green hat.
How the fuck can?
Speaker 5 (32:25):
I'm white ignoring skill cause.
I stand out like a green hatwith an orange bill, but I don't
get paid.
Bring your green hat.
Speaker 1 (32:32):
How the fuck can I be white?
I don't even exist.
I get a clean shave bathe, goto a rave, die from an overdose
and dig myself a grave.
Well, isn't that special.
My finger won't go down.
How do I wave?
And this is how I'm supposed toteach kids how to behave.
Now follow me, oh my gosh.
Speaker 6 (33:10):
I thought you were just talking dirty.
I think Garth Brooks had analter ego Like Chris, something
or other, I can't remember.
I have no idea.
But that's what you do youcreate like an evil alter ego so
you can say stuff like this,and it's like well, it's not me,
it's the alter ego, right.
And beat up four corn leghornwith an acorn.
I'm, by this, norman, it'sNorman Bates.
Speaker 1 (33:29):
With the formative traits of premature birth.
That was forming a slate.
Mother, are you there?
I love you.
I never meant to hit you overthe head with that shovel.
Will someone please explain?
Speaker 7 (33:38):
to my brother.
Speaker 3 (33:39):
You must take this fine cassava melon over to him.
Show him what you got, butdon't let him have it.
Speaker 7 (33:46):
You gotta tease him a little.
When you see your mom with athermometer Sharp than a razor,
don't let him have it.
You gotta tease him a little.
My dad decided.
Speaker 6 (34:00):
That your mom was really hot and maybe we should
just both bang her.
That's the barbershop ragaright there.
Don't you want to grow up to bejust like me?
I tie a rope around my penisand jump from a tree.
You probably want to grow up tobe just like me Barbershop raga
(34:20):
Off the road.
Speaker 1 (34:25):
Yes, got it.
Speaker 5 (34:29):
All right.
Speaker 4 (34:30):
I'm not afraid they're a little.
Yeah, it's got good.
Speaker 5 (34:35):
It's got good musical aspects to it in the background
too yeah, yeah, the.
Speaker 6 (34:39):
The music is the background and it's yes, I like
that's the good part about dr drdray too.
He does, he's good, he's goodat selecting like cool stuff.
It's very cool stuff, yeah,yeah I never meant to.
Speaker 10 (35:00):
This is lounging.
Speaker 6 (35:01):
I never meant to.
Mrs Lounge is here.
Speaker 3 (35:03):
Give you mushrooms, girl.
Speaker 1 (35:09):
I never meant to Mushrooms.
Speaker 3 (35:12):
Bring you to my room.
Speaker 6 (35:14):
I think Jeff Bass and Mark Bass, or Jeff Bass and
Mark Bass.
They also co-wrote Role Model,along with Hem and Hem.
Speaker 5 (35:25):
Okay.
Speaker 6 (35:26):
I guess the bitch skit was Zoe Winkler Shout out
to Zoe.
The Paul skit was Paul BunyanRose, that guy, you know that
sound like Saul.
Yeah, anyway, I don't know.
Sorry, I just completelyignored.
Speaker 1 (35:42):
The lounge Is that how you do it?
Speaker 5 (35:48):
No, not really it's a good palate cleanser actually.
Speaker 6 (35:51):
Okay, maybe that's what those are.
They're built-in palatecleansers.
Speaker 1 (36:03):
Exactly.
But now you're sitting in thecorner crying.
And now it's my fault, my fault.
I went to John's rave with Ronand Dave and met a new wave
blind babe With half of her headshaved, a nurse aide who came
to get laid and tied up withfirst aid tape and raped on the
first date.
Susan, the next heroin addict,who just stopped using, who got
booze and alternative music,told me she was going back into
using again.
I said wait first try tosolution the jam.
It's better than heroin hand tobruise in a jam.
(36:23):
Come here, let's go in here.
Who's in the den?
It's me and Kelly.
My bad, let's try another roomthere's so many lyrics it's
literally like impossible tofollow.
Speaker 6 (36:32):
What the fuck is he?
Speaker 1 (36:33):
talking about Fuck Butt naked and run in the woods.
Oh hell, I might as well tryhim.
This party is so trash.
Speaker 6 (36:39):
Oh dag, I ain't mean for you to eat the whole bag.
I never meant to give youmushrooms, girl.
They're talking about mushrooms.
Yeah, he does talk about drugsa lot.
I never meant to bring you tomy world, but now you're
standing in the corner cryingand now it's my fault, my fault,
I'm sorry.
Speaker 1 (36:52):
I never meant to give you mushrooms, girl, I never.
He needs to self-soothe, Iguess, from all this and that's
trauma.
Then he makes more trauma, I'msorry.
Soothing was always drugs andtapes, and then he raps about
(37:21):
them and then it gets likeultra-personal about what
somebody else told him yeah.
Speaker 6 (37:34):
It's wild.
She's like tripping upmushrooms and that.
Speaker 5 (37:45):
Right, no, right, no, bring you to my world.
But now you're sitting in thecorner crying, and now it's my
fault, my fault.
Speaker 1 (38:02):
Susan, where you going, you better be careful.
Leave me alone, dad.
I'm sick of getting my hairpulled.
I'm not your dad.
We're trying to swallow yourtongue.
Want some gum?
Put down the scissors.
Could you do something dumb,I'll be right back.
Just chill, baby, please.
I gotta go find Dave.
He's the one who gave me these,John.
Where's Dave at before I bashyou, he's in the bathroom.
I think he's taking a cab.
(38:23):
Wait just a minute.
We need an ambulance.
There's a girl upstairs talkingto plants Chopping her hair off
, and there's only two days leftof spring break.
How long do these things taketo wear off?
There's a lot of barbershop.
Well, it depends on how manyyou had.
I took three.
(38:46):
I can't follow all the lyricsso fast.
It's a dream.
It's too awful.
Speaker 6 (38:57):
Shouting the seasons out there.
I mean those we have to name,not those on mushrooms.
They're tripping.
Speaker 5 (39:17):
This is crazy.
Speaker 3 (39:27):
You know that if is the middle word in life.
If you can keep your head whenall about you're losing there's
a blaming it on you, if you cantrust yourself when all men
doubt you.
I mean, I know I can't, I'm alittle man.
Speaker 6 (39:39):
Ok, what was that from Apocalypse?
Now, that's right, I'm a littleman, I'm a little man.
Speaker 5 (39:42):
Okay, what was that from Apocalypse?
Now that's right.
Yeah, I'm a little man.
I'm a little man.
Another skit here.
Speaker 6 (39:48):
Kniff.
Kniff is a road in Detroit.
Hamtramck Shout out toHamtramck, but this is his last
name.
Ken Kniff is spelled K.
Speaker 3 (39:58):
The street is with a, c, oh thank you, I need to make
a collect call Number.
Oh, the number is six Two and.
Speaker 4 (40:07):
At the tone.
Please say your name.
Speaker 6 (40:10):
Kenneth Kniff.
That's when they had collectcalls.
The person on the receiving endpays for it.
They have to agree, Right?
Hey there cock boy, who's this?
Speaker 3 (40:23):
This is Ken Keneff.
Who?
Ken Keneff from Connecticut,little bitch From Connecticut,
yeah you want to get?
Speaker 4 (40:30):
How about?
Speaker 3 (40:31):
in Connecticut.
You want to get a hotel roomwith me?
Oh, it's our room.
Yeah, you want me to lick yourass, Eminem.
Yo who is this, Kate?
Hey, you want me to fucking.
Melt in your mouth and not inyour hands.
Melt in your ass, you littlecock boy.
Speaker 8 (40:49):
What the fuck is he talking about.
Speaker 3 (40:50):
Fuck you little bitch .
Oh, you think I'm lying, huh?
Speaker 5 (40:56):
Okay, weird.
Speaker 6 (41:00):
I mean, we used to do that, I remember.
I mean just like when you can'tcall your friends and you just
be like some of the other people.
That's a thing.
Ken Kinnick, ken.
Speaker 1 (41:10):
Kinnick, I'm Connecticut.
I like this, yeah, but this is.
Speaker 6 (41:34):
Come on, everybody they misspelled the comma.
C-u-m-o.
Speaker 1 (41:52):
Oh, never mind.
Come on, everybody, get downtonight.
Come on, everybody, get downtonight.
Come on, everybody, get downtonight.
Come on, everybody, Get downtonight.
Come on, everybody Get downtonight.
Come on everybody.
Yo yo, yo, yo yo.
Come on, everybody, get downtonight.
I tried suicide once and I'lltry it again.
(42:13):
That's why I write songs whereI die at the end Because I Cause
I don't give a fuck.
Like my middle finger was stuck.
Come on, swing, baby.
I'm on stage in front of asellout crowd.
We get out loud.
All y'all.
Get the hell out now.
Fuck rap, I'm giving it up,y'all.
I'm sorry, this is your recordrelease party.
I'm bored out of my goal.
So I took a hammer and nailedmy foot To the floorboard of my
(42:34):
Ford.
Guess, I'm just a sick, sickmaster.
There's one sandwich short of apicnic basket, one Excedrin
tablet short of a full medicinecabinet.
Speaker 5 (42:41):
I feel like my head has been shredded like lettuce
and cabbage.
I'm a shopper, I got it Lettuceand cabbage, that was good.
Speaker 1 (42:47):
I've been dressed up like a mummy, with my wrist slit
.
Speaker 5 (42:49):
Oh God See, then I just get like he talks about
blood and it's just so gory andnasty sometimes, ugh Damn,
sometimes like a bloody fuck.
People were unpredictable backthen.
Yeah, it was they werefisticuffs it's a lot of collect
(43:37):
, calling.
Speaker 3 (44:03):
Just say no, mommy.
Speaker 8 (44:07):
Dada exists.
Mama, mama, mama.
Speaker 9 (44:23):
All right, well, isn't that special.
Speaker 6 (44:28):
That one struck my ear at just the right time.
Come on everybody.
I kind of like that.
Speaker 5 (44:33):
Definitely.
He's definitely going to be, Iguess, in both parts.
Nice groove to it, yeah, yeah,yeah.
What is the hit?
My name Is, and that's it, Ithink.
So what do?
Speaker 6 (44:47):
you think?
I don't know, I don't think youget anything when you just look
at it, the number of plays justeclipses everything else.
I mean role modeling, yes.
I mean role modeling, yes, and97, 97 by me.
Clyde, no way.
Speaker 1 (45:10):
What about 99 in 2000 ?
Speaker 6 (45:12):
Yeah, Well, maybe you should make.
You should make a song for eachyear.
Speaker 1 (45:24):
And just, I'm just.
Speaker 9 (45:26):
This is called Rock Pop.
Speaker 6 (45:39):
I mean, for some people this is like serious man.
If you're like you're rollingdown an eight mile, it's like 20
below.
Life's been kicking in the ass.
It's cold, Car stalls out.
Walk back home.
The trailer park.
Speaker 3 (45:57):
Mom's all drugged out .
Speaker 1 (46:02):
Expansive vocabulary and vivid imagination,
unapologetic outrageousness.
(46:39):
Outro Music I like this song.
Speaker 6 (47:16):
Yeah, it's.
It's not like all demented,like those other songs.
Speaker 5 (47:24):
The ones where you feel for him and he doesn't have
these split personality thingsgoing on.
Speaker 1 (47:35):
Yeah, those are good ones.
I could be taking them to shopsto pawn them.
I got a couple of rings and abrand new watch.
You want them, cause I ain'tnever went gold off one song.
I'm running up on someone'slawn with guns drawn.
That's rock bottom.
When life makes you mad enoughto care, that's rock bottom.
Speaker 6 (47:49):
When you want something bad enough to stare,
that's rock bottom.
When you feel like you've hadit up to here.
Yeah, see, this is a song thatI Right no-transcript, I'm down
(48:12):
with that.
Just don't give a fuck.
Do you have your top three downyet?
Speaker 5 (48:32):
We've got a few more songs left.
Not really I'm winging it here,I am too.
I think I've got a few moresongs left.
Not really I'm winging it here,I mean, I am too.
I think I've got a couple sofar.
Speaker 1 (48:49):
Let's see what the end crop brings.
There's too much stuff going onin that Right.
I don't know how I like thissong.
Speaker 3 (49:02):
You want a pass?
The interest of time, let's doit.
Speaker 5 (49:07):
All right.
Speaker 6 (49:08):
Okay.
Speaker 5 (49:09):
It's aggressive.
Speaker 8 (49:17):
Yeah, it's too much.
Speaker 6 (49:20):
This is soap skit.
Speaker 9 (49:27):
Soap opera.
Speaker 4 (49:30):
This piece is called I Lick my Love Pump on the beach
.
Speaker 8 (49:32):
Are you all to destroy me?
You know, Roger, that's notwhat I want to do.
I love her.
Then we're gonna be togetherNever.
Speaker 5 (49:41):
He knows that he needs a little palate cleanser
in his own album.
Speaker 6 (49:49):
Oh yeah, definitely you need one after that song.
Yes, man, as the world turns,we all experience things in life
.
Tell you what we're gonna haveto do, that we all must go
through.
It's like a concept album.
They're like on soap operas nowthey do the soap opera skit and
(50:09):
then, as the world turns, youknow, interesting, yeah, the
skits kind of introduce.
Speaker 1 (50:15):
Subterranean.
Ah okay, yes, jack-o'-lantern,you know it's interesting.
Yeah, the skits kind ofintroduce such a thing.
Ah, okay, yes, jack-o'-lanterns.
Outside us, baby, and we suingthe courts Cause we dope as fuck
and only get a two in thesource.
Yo, they never.
Should have booted me out ofreform school, deformed fool
taking the shit in a warm pool.
So they threw me out the RamadaInn.
I said it wasn't me, I got atwin.
Oh, my god, it's you not again.
It all started when my mothertook my bike away cause I
(50:36):
murdered my guinea pig and stuckhim in a microwave.
After that it was straight tothe 40-ouncers, slapping
teachers and jacking off infront of my counselors.
Speaker 3 (50:43):
Class clown freshman dressed like Les Nesman Fuck the
next lesson I passed the testguessing and all the other kids
said oh wait, just a minute,only class to lever pass is phys
ed.
Speaker 1 (51:26):
Maybe Shout out to the phys floppers out there, the
high divers Go through day byday.
We drive around in milliondollar sports cars While little
kids hide this tape from theirparents Like bad report cards
Outsiders.
And we sue in the courts Causewe dope as fuck and only get it
two in the source,hyperchondriac hanging out at
the laundry mat.
We're all the raunchy fat,white, trashy, blonde spiat
(51:48):
Dressed like a sailor standingby a pane of garbage.
It's almost dark and I'm stilltrying to nail a trailer park
bitch.
But he's gonna tell Ninabecause nobody knows.
So Bobber listens, doesn't he?
(52:29):
That's a lot going on here onthe killer.
But so I got a cat to burn.
You were buying fucking.
You cheated on me.
Saw the house he ran up in andshot a fucking porch up, kicked
the door down to murder thisdivorce cut.
Looked around the room.
That's when I seen the bedroomdoor shut.
I know you're in there, bitch.
I got my gun popped.
You might as well come out now.
She said come in, it's unlocked.
(52:50):
I walked in, spread across thebed naked Watching gay porn.
She said come here, big boy,let's get acquainted.
I turned around and brought itTwisted my ankles and it's
rained it.
She came at me at full speed.
Nothing can stop her.
I saw her five times and everybullet bounced off her.
I started to beg no, please,let go.
But she swallowed my fuckingleg whole Like an egg roll, with
one leg left.
Now I'm hopping around crippled.
Speaker 6 (53:24):
I grabbed my pocket knife and sliced you can't get
an award edgewise with this guy.
Speaker 5 (53:32):
I'm zoned out.
Oh my god.
Speaker 6 (53:37):
Oh my god, they like listen to it once and they're
like we need some screamingright over this one.
Yeah, cherry on top.
Speaker 1 (53:50):
I like the scratching .
Speaker 6 (53:56):
They put scratching in here every now and then.
I like the way they.
Speaker 5 (54:00):
Mic check.
Speaker 6 (54:00):
Mic check.
Exactly.
Okay, that's mixed for me.
He's your husband.
Okay, that was.
As the World Turns, this is I'mShady, who came through with
two glocks to terrorize yourworld.
Speaker 1 (54:17):
Told you how to slap dicks and murder your girl, gave
you all the finger and told youto sit and twirl, sold a
billion tapes and still screamfuck the world.
So come and kill me while myname's hot and shoot me 25 times
in the same spot.
I think I got a generationbrain washed.
The pot pills are smoke pottill they brains rot.
Stop their.
I think I'm feeling thisCatching.
Speaker 6 (55:06):
Yeah, you make them feel, you so everybody got my
sitter.
Speaker 1 (55:10):
I'm a coming that organ in the background.
I like happy things.
I'm really calm and peaceful.
I like birds, bees.
I like people.
I like funny things that makeme happy and gleeful, like when
my teachers suck my wee-wee inpreschool the ill type.
I stab myself with a steelspike While I blow my brain out
just to see what it feels like,cause this is how I am in real
(55:32):
life.
I don't wanna just die a normaldeath, I wanna be killed twice.
I don't want to just die anormal death, I want to be
killed twice.
I just want to scare somebodywith a gun thread when they high
off the drugs.
They haven't even done yet.
So bring the money by the knife.
I'm a little off this drive.
I try to keep it positive andplay it cool.
Who?
Speaker 2 (55:49):
knows.
Speaker 1 (55:49):
Nicolette, I can't.
Biggest fan, I'm popular.
Speaker 5 (56:05):
Downers, downers, downers.
Speaker 1 (56:49):
I like that organ.
It's tolerable.
I don't have herpes.
My dick's just itching.
It's not sickness, it's forbeing AIDS infested.
I don't know yet.
Speaker 3 (56:57):
It's tolerable.
Speaker 1 (56:58):
I'm too scared to eat ice mushrooms.
I got acid.
I got tabs and aspirin tablets.
Speaker 6 (57:03):
I'm your brother when you need.
I like how it looks, I like howthis doesn't like.
The organ doesn't jive with thewords.
Speaker 5 (57:14):
I like this one.
It's got like a catchy, catchyvibe.
Yeah, it's too awful.
Speaker 3 (57:19):
That's only a dream I'm Shady.
Speaker 10 (57:35):
I'm Sadie and that's my name.
I reckon you ain't familiarwith these hair parts.
Speaker 6 (57:44):
Oh, this is bad meets evil.
Speaker 10 (57:45):
There's a story behind that.
Speaker 6 (57:47):
Eminem Royce Da 5'9.
Speaker 10 (57:51):
Two outlaws took this whole town over.
Sheriffs couldn't stop them.
Quickest damn gunslingers I'veever seen.
Okay.
Speaker 9 (58:03):
All right.
Speaker 10 (58:05):
Oh wow, hey I haven't shot this far.
Speaker 1 (58:10):
It's buried under here, yeah, it's gonna be great.
Yeah, yeah, yeah, yeah, yeah,yeah, yeah, yeah, yeah, yeah,
(58:31):
yeah, yeah, yeah, yeah, yeah,yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah yeah.
Speaker 7 (58:48):
Yeah, yeah, yeah, yeah yeah, that's pretty good.
Gotta tease him a little Roycethe 5'9".
That's a little Roistified, butthat's pretty good, cause this
(59:11):
is what happens when bad meetsevil, and we at the trees till
we look like Vietnamese people.
He's evil and I'm bad.
Like Steve Siegel, I fought thelaw cause.
Speaker 1 (59:19):
I don't agree with police either.
Shit me.
Neither we ain't eager to belegal, so please leave me with
the keys to your Jeep Eagle.
I breathe ether in three lethalamounts while I stab myself in
the knee with a disease needleRelease and raise on anybody in
squeezing range Cold enough tomake the seasons change in the
oh gosh.
Wow, he's insane.
No, I'm not, I just want toshoot off and I'm pissed off
(59:40):
because I can't find a decentgame.
Speaker 7 (59:41):
The disaster of dreads.
I'm bad enough to commitsuicide and survive long enough
to kill my soul after I'm dead,when in danger.
It's funny, actually.
My flavor's similar to a waiter.
Because I serve any strangerwith money.
I spray a hundred men untilthey drink chains, while
(01:00:04):
slipping bullets in point-blankrings like they was punches.
Speaker 6 (01:00:07):
Oh, wow.
Speaker 7 (01:00:09):
There's a little Basuki in the background.
Basuki, or whatever, from allangles of us.
Flash your mag loud enough tocast an avalanche and bust a
volcano's erupt.
Speaker 1 (01:00:17):
Hello, hey, what's up ?
We're coming to get you.
They knew it's us.
I used to be a loud mouth,remember me?
I'm the one who burned yourhouse down.
Well, I'm out now and this timeI'm coming back to blow your
house up and I ain't gonna leaveyou with a window to jump out
up.
Give me two fat tabs and threeshrooms, and you won't see me
like fat people in steam roomsand when I go to hell.
(01:00:38):
A lot of shrooms in this album.
Yeah, let's just deal with thattakes everything, all the time
Speaker 7 (01:00:43):
yeah, how do?
You even function.
I think the mushrooms areprobably an inspiration?
Speaker 6 (01:00:52):
I think, I don't know .
Speaker 1 (01:01:03):
I'm not a freak anymore.
Speaker 6 (01:01:06):
Yeah, he was probably doing a lot of drugs he was
going to work and they're likeyou're on drugs so we're going
to fire you.
Speaker 10 (01:01:16):
Just say no.
That's the story of when badmeets evil.
Two of the most wantedindividuals in the county made
Jesse James and Billy the Kidlook like law-abiding citizens.
It's too bad.
They had to go out the way theydid, Got shot in the back
coming out of that old saloon.
But their spirits still live onto this day.
(01:01:37):
Shh Wait, Did y'all hear that?
Speaker 8 (01:01:46):
What the fuck is he talking about.
Speaker 6 (01:01:49):
Oh wow, that was uh, that was different.
A lot of people ask me the lastsong.
Speaker 1 (01:01:57):
Still don't give a fuck Am I afraid of death?
Hell yeah, I'm afraid of death.
Speaker 2 (01:02:03):
Like love.
Speaker 1 (01:02:06):
A lot of people think that I worship the devil.
Speaker 5 (01:02:08):
Nancy, not now.
Yeah, he's getting real Aboutdeath.
Speaker 1 (01:02:13):
Look, I can't change the way I think and I can't
change the way I am.
But if I offended you, realabout that?
A lyricist without a clue.
What year is this?
(01:02:33):
Fuck a needle.
Here's a sword Body piercedwith this, living the mug, never
giving a fuck.
Give me the keys.
I'm drunk and I've never drivena truck, but I smoked dope in a
cab.
I'll stab you with the sharpestknife I can grab.
Come back the next week andreopen this cab.
A killer instinct runs in theblood.
Empty and full clicks and bur.
Speaker 6 (01:02:53):
It's getting angry, it's building up.
Speaker 1 (01:02:54):
I can feel it yeah.
Speaker 5 (01:02:59):
Let's talk about brains again.
Speaker 1 (01:03:08):
The beat is like really heavy.
It's like building a teamlouder.
Yo, I'm still gonna do To allthe people I've offended.
Fuck you too.
Every time I reminisce, yo, Imiss my past, but I still don't
give a fuck.
Y'all can kiss my ass.
(01:03:29):
I walked into a gunfight with aknife to kill you and cut you
so fast.
When your blood spilled it wasstill blue.
I'll hang you till you dangleand chain you with both ankles
and Outro Music.
What?
Speaker 6 (01:04:15):
Yeah, it's like, it's just so, it's going, it's going
.
This song has like enoughlyrics for the whole album.
Speaker 1 (01:04:26):
I'm going to be good on words for a long time.
You know, let me listen to that.
Some Herbie Antock after thisyeah A rough good.
Oh shit, Y'all can kiss my ass.
Speaker 5 (01:04:38):
I wanted an album so rugged Nobody can touch it,
spent a million to track andwent over my budget.
Speaker 1 (01:04:39):
But how in the fuck am I supposed to get out of debt
?
I just murdered the alphabet.
Drug sickness got me doing somebug switches.
I'm a thorn from cracks so badmy blood is deep.
I don't rap to get the womenFuck bitches.
Give me a fat slut that cooksand does dishes.
Never ran with a clique, I'm aposse Kamikaze Strapping a
(01:04:59):
motherfucking bomb across me.
From the second I was born mymama lost me.
I'm a cross between Mance andIsham and Ozzy.
I don't know why the fuck I'mhere in the first place.
My worst day on this earth wasmy first birthday Retarded.
What did that nurse say?
Speaker 5 (01:05:17):
Brain damage retarded .
Speaker 1 (01:05:18):
What did that nurse say?
Brain damage?
I was going during theearthquake.
Yeah, you too, all the friendsI used to have.
I miss my past, but but I stillgive a fuck, I'll kiss my ass,
kiss my ass, ass, ass.
Speaker 6 (01:05:44):
Like the falling.
Speaker 10 (01:05:50):
Tell you what we're going to have to do.
Speaker 5 (01:05:54):
Our top three.
Speaker 6 (01:05:55):
Yeah, it gets like little kid chimes and it's so
fucking weird, oh my god yeahit's like wow, ah, all right
yeah, all right, I'm gonna bepissed off for the next month, I
know I just I need some we,something to calm you down.
Just uh, there's a need tomellow out after this, but let's
(01:06:17):
ah that feels it feels better.
Okay, A little wordy for that.
What's your, what's your topthree man?
Speaker 5 (01:06:25):
I'm going to go um rock bottom.
Number three oh yeah Actually.
No, yeah, yeah, yeah Actually.
Speaker 1 (01:06:33):
No.
Speaker 5 (01:06:34):
Yeah, yeah, yeah.
You're going three Okay, rockbottom number three.
Speaker 6 (01:06:41):
Okay, I'm going to say, I'm going to say brain
damage is my number three.
Speaker 5 (01:06:48):
Okay, that was almost kind of a tearjerker.
Yeah, the ones that.
It's the one that made me feelsorry for him.
Speaker 6 (01:07:02):
Right, exactly, it kind of like sets the tone for
you know why he's a sympatheticcharacter.
Speaker 5 (01:07:04):
So right, all right, yeah, so that's my number three.
Um, I guess I just don't give afuck.
I'm gonna go number two I likethat those two those two, just
don't give a fuck the first onethat gets a lot of listens.
Speaker 6 (01:07:20):
Yeah, the first one.
Yeah, that still don't give afuck.
That was the last one we justheard.
Jerk down with number two.
Just don't give a fuck.
Speaker 5 (01:07:35):
It had a good musical .
Come on everyone.
Actually, you know what?
No, come on on everyone.
That's number two.
Speaker 6 (01:07:42):
Come on everybody yeah, come on everybody.
Yeah, come on.
You know what I'm gonna go withthat.
That's my number two, as bestbarrels ever yeah, yeah.
Well, I mean, it was kind ofcatchy, you know, didn't?
It had sort of like a littlevibe to it.
It was catchy yeah okay, that'smy number two as well.
Speaker 5 (01:07:56):
What's your number one?
I'm going role model.
Yeah, yep, I think I don't knowthat he would be a role model.
I don't know if he cares.
He doesn't want to be a rolemodel, definitely Whatever.
He's just, I guess, artisticwith his lyrics, autistic with
(01:08:19):
his lyrics, crazy, yeah, notafraid to say anything.
Descriptive Paints, this wholeweird dystopian.
Yeah, yeah, I know, that's mynumber one too.
Speaker 6 (01:08:36):
Yeah, it was A was a role model, yeah, and the lyrics
were just like everything wasjust like one after the other
thing, after the other thing,and he's just he's, he's
throwing out like pop culturereferences and it's so like
relatable and it's like soclever and everything rhymes so
well.
So yeah, I'm, I'm with you.
So yeah, well, I like the comeon everybody.
(01:08:57):
It was.
I mean, that's like a littlegem in there, you know.
Speaker 5 (01:09:00):
Yeah, I feel like to the academics.
You know they could write aneight-page paper, you know,
double-spaced about what thissays, what is critique of
society and of himself?
Speaker 6 (01:09:12):
Yeah well, it's high art for poverty you know, and
the struggles of, of you know,the working class in a
post-apocalyptic, late stagecapitalistic trailer parks and,
exactly you know, domesticdisputes with children and your
(01:09:36):
drug addicts.
And well, yeah, you could alsobe like a part.
It may be an argument for umyour ability to like the nature
versus nurture like right.
You're a product of yourenvironment, kind of a thing,
and this is art reflected inthat, with a very like a smart,
(01:09:59):
just like a smart human beingwho rose from it.
Um, but who he is, you know?
Versus maybe somebody who likea donald trump who was brought
up on park avenue yeah, rightyou're.
You know you can.
There's something just to put apositive spin on it.
There's something within usLike he represents what could
(01:10:22):
happen if you fight.
Yeah, but I mean.
Charcoal and the diamond, yeah,but I mean, underneath it all,
there's also like a purity andthere's a, a scared little kid.
Yeah, scared little kid whoknows right from wrong and wants
to choose the right path, eventhough he's just getting the
shit beat out of him day afterday.
Speaker 5 (01:10:43):
Yeah.
Speaker 6 (01:10:45):
It just only fueled a fire, and I'm going to make it.
Speaker 5 (01:10:48):
Yeah.
Speaker 6 (01:10:49):
And kudos to him.
So I think, are we good?
Yeah, All right.
Speaker 1 (01:10:56):
Off the road.
Let's go, all right right, allright, everybody.
Speaker 6 (01:10:59):
We zip it in and zip it out.
Love you, bowtied all right.
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