April 16, 2025 • 73 mins
Stepping into the musical world of Keller Williams feels like discovering a secret society where genres blend effortlessly and musical innovation takes center stage. His 2002 album "Laugh" captures the essence of this jam band pioneer at a pivotal moment in his career—six albums deep and confidently expressing his unique musical voice.
Williams stands apart as a true musical architect, crafting intricate sonic landscapes through his revolutionary looping techniques. Long before looping became mainstream, he was creating full-band sounds as a solo performer, layering bass lines, percussion, and harmonies with impressive precision. "Laugh" showcases this technical prowess while never losing sight of the soulful, funky heart that makes his music so engaging.
What makes Williams truly special is his refusal to be boxed into any single genre. Throughout "Laugh," he weaves together threads of folk, jazz, bluegrass, reggae, and rock with playful lyrics that range from the absurdly funny to the surprisingly poignant. Songs like "Freaker by the Speaker" demonstrate his funk sensibilities, while "Bob Rules" reveals his bluegrass influences with references to game show culture. The instrumental pieces, including "Hunting Charlie" and "Mental Instra," highlight his considerable chops as a musician without becoming self-indulgent.
The album perfectly captures Williams' quirky personality and storytelling gifts. Whether he's commenting on the music industry itself in "One Hit Wonder" or spinning bizarre tales in "Kidney in a Cooler," his distinctive voice shines through. This authenticity has earned him a dedicated following that appreciates musicianship and creativity over commercial success.
Ready to discover why Keller Williams has maintained such a devoted fan base for decades? Dive into "Laugh" and experience the work of a musician who follows no path but his own. Once you've experienced his unique blend of technical brilliance and playful experimentation, you might just find yourself joining the ranks of his appreciative fans. Share your favorite tracks with fellow music lovers who value artistic integrity and musical innovation!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I have some sad news to report.
A small puppy, not unlikeLassie, was just run over in the
parking lot.
Speaker 2 (00:07):
And now it's time for the comedy stylings of Homer
Simpson.
Speaker 3 (00:12):
Are you ready to laugh?
Poor dog I said are you readyto laugh?
Quiet, you awful man.
Speaker 4 (00:33):
All right, thank you for listening to the Greatest
Non-Hits.
I'm Chris and playing the songVabiace from Keller Williams'
album.
Laugh is my co-host.
Tim Laugh is the sixth studioalbum by Keller Williams, which
was released in 2002.
And that's going to be thealbum that we're going to listen
(00:55):
to today.
It's got 15 tracks, really 14.
The last one is like a repriseof the first song, which is
Freaker, by the Speaker, andKeller Williams is a jam
bandrise of the first song,which is freaker by the speaker,
and, uh, keller williams is ajam band kind of a guy, um, that
I wouldn't say.
You know no hits.
You know there's no hits onthis album.
You know he's more of a, he'skind of got a, he's got a
(01:16):
following within the jam bandscene which is a kind of a
culture in itself.
And, uh, he's um really uniqueand talented musician, um, but
he's, you know, for people whoaren't familiar with him, he's
really known for like aninnovative style.
Um, he's got impressive skills,multi-instrumentalists, um, a
(01:40):
lot of genre blending.
You know they're rock jam.
There's folk.
There's alternative rock.
There's rock jam, there's folk,there's alternative rock.
There's all kinds of stuff inhis music Bluegrass, some
electronic music, some rock.
You know references, you knowin pop culture all over the
place, but this is back in 2002.
So you know we're going to likewe do on every album, you know,
(02:03):
we'll listen to all the songs.
Tim and I are going to give youour three favorite non-hits
from this one.
A lot of Bob Barker in this oneReferences to Palm Pilots.
Again, that was a big thingback then.
Old Lady from Carlsbad is thename of the song Alligator Alley
.
We're going to have a lot offun.
(02:25):
We've recorded some funny soundclips, got a little Ryan Lochte
in there for a song calledAlligator Alley.
Freak Show, good stuff.
One other interesting thingabout Keller Williams is he's
kind of like a looping pioneer.
He does a lot of loopy likewith his multiple instruments.
(02:46):
He'll play like a riff and thenhit a loop, play another
instrument while the other uh,the looping from the bass,
guitar, drums, whatevercontinues to play.
He's uh, he did a lot of that.
But I mean, I mean I guess weall do that to an extent.
I mean we even do it on theshow from time to time, but he
(03:07):
was a real pioneer of it.
So he's credited for being verycreative in that way.
Apparently, I guess he's aself-taught musician, learned to
play guitar, other instruments,by ear, very individualistic
approach to music, I'd say, um,and interesting, like for a guy
(03:29):
who's, you know, not a householdname.
He's got a lot of albums and areally good musician, you know,
and, granted, popularity doesn'tnecessarily always equate to
credibility, and this guy's gota lot of chops, he's got a lot
of credibility with me.
I'm not a big fan.
(03:50):
Tim is a huge fan and he's seenhim, I think, multiple times.
He was in town recently.
I didn't go, but Tim went.
Maybe he can give his take onthat.
So, yeah, this is the sixthalbum he still has.
He's got a bunch of albums.
I think he came out with analbum just a couple of years ago
(04:11):
, so, but he's still out there,he's still touring and, uh, a
lot of good musicians um play onthis album.
One person or one, you know,the, the bass player on this.
I think his name the guy whoplays bass on this is Ty North,
I think is what it was.
Anyway, yeah, there's someinstrumental pieces on this
(04:34):
album and, yeah, the bass, Ithink it was.
I hear a fretless bass on acouple of the solos, I think at
least.
So he also collaborates on acouple of the solos.
I think at least he alsocollaborates with a lot of other
well-known artists StringCheese Incident, bob Weir, plays
(04:58):
a lot of festivals, that kindof thing.
He's done a tribute to TomPetty.
I guess they call it PettyGrass, so I guess it's a
bluegrass and a Tom Petty kindof a thing.
It's part of his tribute to hismusic.
So really innovative stuff, alot of it that I haven't gotten
into much but I'm sure afterthis I'll listen to this.
(05:24):
I listened to this whole album afew times this week and it
grows on you.
It's not too heavy.
He seems like a really laidback down to earth kind of a guy
.
I think Tim was telling me astory about in his early days
just living out of a van.
But you know, I guess you knowI think the guys from String
(05:44):
Cheese Incident, I guess I think, like the guys from String
Cheese Incident, I guess, havereally elevated him.
I guess they've reallyresonated with his music and
really helped him grow and builda following of his own.
So I can completely see bothsides of this where he's not a
household name but at the sametime really well respected and
(06:07):
liked by a dedicated, small butdedicated fan base.
So and again, like thoseelements, there's bluegrass,
there's folk, reggae.
I guess jazz I do.
I hear a lot of jazz in thisalbum.
Fredericksburg, virginia iswhere he's originally from.
Reggae, I guess.
Jazz I do.
I hear a lot of jazz in thisalbum.
(06:28):
Fredericksburg, virginia iswhere he's originally from.
Went to Wesleyan College,virginia, wesleyan in Virginia
Beach.
I'm just reading from Wikipedia.
He's toured with a bunch ofother bands besides those.
Umphreys McGee Probably knowsMike, my nephew George Shout out
to George.
He's probably a big fan.
(06:49):
I guess he moved out toColorado after college.
I think he's played gigs justfor ski passes.
I think that was another thingTim told me about.
I don't know.
There's a lot to dissect here.
There's a lot to.
There's a lot to dissect here.
There's a lot to listen to.
We're gonna have fun.
This is gonna be a good episode.
(07:11):
Like I said, we've got somefunny sound clips.
We're gonna listen to all thesongs rank our top three.
At the end.
Tim's putting his guitar away.
He's gonna get.
He's getting adjusted.
His dog is over here.
We're at my house.
He's like I don't know he'sgoing off the rails already.
Speaker 5 (07:35):
You can kind of hear him panting in the background.
He's like all right.
Speaker 4 (07:37):
Yeah, it's like so he's got the mixing board in
front of him.
He's adjusting his mic.
Speaker 1 (07:45):
Exactly right, there we mic.
Exactly right.
Speaker 4 (07:46):
There we go.
All right, A little Bob Barkerthere.
Tim, how are you doing?
Speaker 2 (07:49):
bud.
Speaker 1 (07:50):
Exactly right.
Speaker 4 (07:53):
Putting his headphones on turning his mic up
.
Speaker 5 (07:55):
Exactly right here.
All right, how are you doingman?
Doing good, doing good.
That was challenging to playDoing good Doing good.
That was challenging to play,you know.
Just to summarize, get theminor riff of that one was
(08:17):
there's really no resources tolearn Keller Williams because
he's flying by the seat of hisbucket shorts.
Sure, you know, maybe theshorts have uh extra pockets.
I think he's a he's a cargoshorts man, but uh well, he's a
funny guy, he's hilarious.
Speaker 4 (08:33):
Yeah, I mean, is he like on stage?
On stage Very quirky.
Speaker 5 (08:37):
Okay.
Speaker 4 (08:38):
Uh, he Improvises, yeah, he he goes.
Speaker 5 (08:42):
At set break, somebody came up behind me,
scared the shit out of me.
He was all playing while he'sdoing this and he's like you
gotta play some cold play, man.
And then.
So we had a half the audiencego.
Uh and then, and then the otherit was that was for the females
(09:02):
, and then the males were doingwatermelon avocado, watermelon
avocado, and then when he'sbringing everybody together.
So we basically helped himcover his kooky version of
(09:23):
Coldplay whatever song that was.
I got you.
You know what song that is, buthe's hilarious.
I mean, he forgot a verse andhe's like ah, you know, he shook
it off.
Well, he's been doing this fora long time songs.
Speaker 4 (09:36):
Well, he's still out there.
I mean think about thelongevity you know in order to
keep doing this for so manyyears.
His discography goes all theway back to like the mid 90s and
he's still putting out albumsand he's still, he's still
touring and so I'm sure he makesa fairly decent living I think
so you would think, but uh, it'sabout he's totally a freak.
Speaker 5 (09:57):
I mean he's just, he's crazy, what a freak.
I mean yeah he likes his earlydays.
He's always talking about hispack of camel, like sure you
know what a freak and living outof the blaze of bago, which is,
you know, his Winnebago.
The blaze of bago.
The blaze of bago.
Speaker 4 (10:16):
Okay, so he's a pothead, yeah, yeah.
Speaker 5 (10:23):
Excellent guitar player.
Yeah, and he had a 10-stringguild, that's just sort of
crafted for his sort of playingbass and rhythm and lead all at
the same time.
Speaker 4 (10:35):
Right.
Speaker 5 (10:35):
With his sort of pull-offs and up and down the
fretboard, the sliding.
I mean he's very animated,Gotcha.
Speaker 4 (10:43):
Okay.
Well, let's get into it, man,because we've got a lot of songs
to cover.
I'm freaking out.
I'm freaking out, man.
So let's get into it, man,because we got a lot of songs to
cover.
I'm freaking out, I'm freakingout man.
So well, here you go.
Here's like the big bass.
Wait, is this Ty North, or doyou?
Speaker 5 (10:56):
think that this is Keller.
This is all Keller.
Others fill in the gaps, okay,but if he's playing it live the
studio I don't know about, I wasjust reading from the Wikipedia
page of the album.
Speaker 4 (11:12):
It said Tye North on bass, but it's probably.
He plays all the instruments.
Like you said, they're allfill-ins.
He composes every day.
Speaker 6 (11:20):
Oh, shout out to Cameo Word up, Then right into a
(11:48):
backspin.
Freaker Never seem to getenough Priceless expression when
space is possession, like yeah,that's the stuff.
Classic chip, I like it thatway.
(12:09):
You're just freaking out here.
What a freak.
Speaker 2 (12:20):
Are you some kind of freak?
Speaker 4 (12:25):
There's always that one guy by the speaker going
nuts.
He's probably had memories ofbeing up on stage watching
someone in a purse and goingnuts.
Oh yeah, Festival crowds arekind of like that.
Yeah, you see that one purse,kind of drunk but really into
the music.
Speaker 6 (12:41):
Rave girl with a lollipop binky and a face full
of metal.
Speaker 5 (12:46):
Keller has a rave song where he on later albums.
Speaker 6 (12:49):
check it out.
I guess Just floored the pedal.
Her mental clearance is highAre you mental?
But the overpass is low.
She ducks her head and holds ontight.
When she gets through, she letsgo, let's go.
Let's go, let's go.
(13:10):
That's the stuff.
Speaker 3 (13:24):
You got good stuff here.
Classic chip I thought you weregoing out there with a loaded
gun.
Speaker 5 (13:42):
Alright, just watching him play, it's like.
Speaker 4 (13:45):
My fingers hurt Watching him play.
Speaker 6 (13:46):
It's like my fingers hurt.
Yellow shirt bouncers gather inthe corner.
I feel like the room just got alittle warmer.
Speaker 4 (13:56):
Yep, the bouncers are converging on him.
Speaker 6 (13:58):
What up with that?
But don't worry, yo, I got yourback.
Speaker 5 (14:03):
It tells a story too.
Speaker 6 (14:04):
It's like this is big as the both of us, Big all the
arms.
Big as a school bus Everybodyon the bus.
It tells a story too.
It's like it's cool Everybodyon the bus Good.
Speaker 3 (14:18):
That's like going out there with a loaded gun.
Speaker 6 (14:21):
Shout out to something about Mary, ah, about
Mary Ah.
That's what happens when youfeel the sound.
But if that was me, I would beon the ground.
I would not get up.
I would dance on my back, throwmy legs up in the air like I
don't care.
Speaker 5 (14:38):
Who did the windmill in basketball?
Speaker 6 (14:40):
Who did that?
I bust into a windmill.
The windmill dunk and rightinto a backspin.
Yeah, I don't know.
Jordan, I'm in here withfirearms.
Never seem to get enoughPriceless expression when space
is possession, like yeah, that'sthe stuff I just burned.
They try to steal me.
(15:01):
I'm fine, hold me for my lifeand I'll die.
It's good in the day, thesebabies can go off, but it's
perfectly normal at night.
It's good in the day.
Speaker 1 (15:08):
I like it that way.
Speaker 6 (15:08):
But it's perfectly normal at night.
Speaker 5 (15:14):
You think it's going to end there, but he does the
sort of ambient, sort of solo atthe end.
I love this song, oh yeah.
Speaker 2 (15:22):
Not familiar with fire huh, classic chip, that's
like going out there with aloaded gun.
Speaker 5 (15:32):
Is that like?
Speaker 4 (15:33):
Chris Elliott.
Is that what his name was?
I'm not sure.
Yeah, he was hilarious in SonAbout Mary.
Speaker 5 (15:41):
Yeah, the guy with the the face was breaking out.
He's got the boils Exactly.
All right, this next song.
Speaker 6 (15:46):
Why can't I?
Speaker 3 (15:48):
One hit wonder.
Speaker 4 (15:59):
Gotta give it a shout-outs to wonder wonders.
Speaker 6 (16:03):
Oh that you steal from a block away.
What is the deal?
I heard this song four timestoday, real to real, back by
heavies in LA.
No, he's been keen.
Overplay is the only way.
Iron Butterfly Iron Butterflyis the only way.
Oh, devita, oh yeah.
Speaker 4 (16:24):
And the guy with DeVita Shout out to AHA.
Oh so superb.
Take Davida.
Speaker 6 (16:30):
Shout out to A-Ha Take on me.
Shout out to Dexy's MidnightRunners 15 minutes, it's all me.
You're hurt.
Speaker 3 (16:40):
You're hurt, real fucking bad.
You're hurt.
Shout out to.
Speaker 6 (16:44):
Nate and Cherry For Buffalo Stains.
Modern English Shout out toTainted Love by Soft Slick.
Speaker 4 (17:01):
Shout out to I Want Candy.
Shout out to Vanilla Ice.
Speaker 6 (17:07):
Can't forget him, is that just I don't want to blow
it.
Speaker 5 (17:16):
He's kind of making fun of himself, right he's.
Speaker 6 (17:27):
Shot to David Letterman's life.
Yeah, shout out to DavidLetterman's laugh.
Yeah, shout out to.
Speaker 4 (17:37):
Dexy's Midnight Runners.
Speaker 6 (17:40):
Come on, eileen, come on.
Speaker 5 (17:44):
Eileen yeah.
Speaker 4 (17:46):
That's so, brandy, you're a fine girl.
Come on, eileen.
Yeah, that's a brandy, you're afine girl.
Shout out to Looking Glass.
Speaker 6 (17:58):
What a good wife, you would be In and out All right,
you can't feel, you can't, youcan't feel, you can't feel,
macarena, macarena what't?
Speaker 5 (18:08):
Simple little ditty, simple little ditty.
Get Macarena, macarena with asimple little ditty.
Speaker 6 (18:13):
Los Del Rio.
Speaker 5 (18:18):
We have a power cleanser after this song too.
Okay, I'll stop the hands andthe Thin air.
Yeah, thin air.
Speaker 6 (18:25):
Oh, why can't I Latch onto your brain and be that one
song that drives everyoneinsane?
Yeah, in thin air, this couldbe a hit From a black away.
What is?
Speaker 5 (18:38):
the deal.
Speaker 6 (18:39):
I heard this song five times today.
Speaker 5 (18:50):
This could be a hit.
We should make this a hit justout of irony.
Speaker 4 (18:57):
I don't know if we have that power to do that.
I know you're right.
I wish we did.
Speaker 5 (19:01):
Overplay is the only way.
Overplay is the only wayOverplay is the only way.
Speaker 6 (19:07):
Overplay is the only way.
Overplay is the only way.
Overplay is the only way.
Overplay is the only way.
Overplay is the only way.
What the fuck is he talkingabout?
Speaker 4 (19:15):
No, we know what he's talking about.
You overplay the song, andthat's what gets it popular.
That's how you get a one-hitone.
Speaker 6 (19:23):
Ice Ice Baby was just played all the time, 15 minutes
or so In and out.
Nobody gets hurt In and out.
This baby was just played allthe time You're hurting real
fucking bad.
Speaker 2 (19:40):
But you ain't dying.
Speaker 6 (19:41):
You ain't dying.
Speaker 5 (19:44):
Are you a doctor?
Speaker 6 (19:45):
Oh, yes, all right, let's do the palate cleanser.
Speaker 1 (19:56):
All right, you freakers doctor oh yes, all
right, let's do the palatecleanser?
All right, he's, you know, he'sa, that's a one hit wonder, two
hit wonder all right, shout outto cameo.
Speaker 4 (20:04):
Didn't he have like a cod piece?
I'm not going to go there.
Speaker 5 (20:10):
I'm a salmon guy.
He had a salmon piece.
Speaker 4 (20:20):
This is baby making music.
Shout out to Jacko Pistoriusyeah, Jacko.
Speaker 5 (20:29):
All I need is some.
Yeah, Jacko, All I need is sometasty waves, cool buzz and I'm
fine.
Speaker 4 (20:35):
This song is called Hunting Charm this is excellent.
Speaker 5 (20:39):
Shout out to the runners.
Oh yeah, really good running orexercise.
It's got that continuous sortof jazzy yeah, yeah, yeah.
Speaker 2 (20:47):
It's got that continuous sort of jazzy.
Yeah, yeah, oh yeah.
Speaker 5 (20:59):
This might be where Ty plays.
Based on this, I don't know.
Speaker 4 (21:02):
I hope so.
Yeah, he's good, ty North.
Speaker 3 (21:07):
It's just tight, yeah , drums, check it, check it,
check it, check it.
Is it tight north?
It's just tight, yeah, drums,check it, check it, check it
check it.
Speaker 5 (21:21):
Mmm, you know where it's going.
It's going mouth trumpet.
That's another thing.
He's got up his sleeve Mouthtrumpet.
Speaker 4 (21:29):
Oh, okay.
Yeah, I was just going to sayyou'll hear it.
I mean, all trumpets are mouthtrumpets, aren't they?
Speaker 5 (21:34):
Well, he doesn't actually have a trumpet.
Maybe these are actual trumpetsactually.
Let's see, Are these actual?
Speaker 4 (21:44):
trumpets.
This is Wikipedia.
Let's go to laugh.
Are these actual trumpets?
Yeah, this is Wikipedia.
Let's go to laugh.
Are you ready to laugh?
Speaker 5 (21:53):
Because he does do the mouth trumpet.
It's a trombone.
Speaker 4 (21:58):
Oh, wolf Quinn Shout out.
He's probably doing the mouthtrumpet with the real trumpet,
yeah.
Speaker 3 (22:21):
That's what's going on.
It's loaded.
Speaker 5 (22:26):
It's loaded.
I'm all thumbs tonight.
Yeah, it's alright.
Speaker 4 (22:45):
Yeah, the bass is super low.
Speaker 2 (22:46):
I like how they low it, oh God.
Speaker 4 (23:03):
It's getting crazy.
Yeah, shout out to WisconsinInfomaniac and Mike Crotty Shout
out to Crotty on the flute, onthe jazz flute.
Speaker 2 (23:16):
There's no flute on this one, though.
Speaker 5 (23:20):
I bet.
Speaker 1 (23:21):
This is Taylor.
Speaker 2 (23:27):
Probably it's a great song.
Yeah.
Speaker 4 (23:37):
Hunting Charlie.
All right, this is going to bea tough vote.
Yeah, I have no idea.
I think you always like,whenever you do your song, it's
always like a hint as to whereyou're going to go with your
vote.
Speaker 5 (23:57):
I really do like the instrumentals on this, but we'll
see Kidney in a Cooler at theend would be the hit to Keller
Williams fans.
Speaker 4 (24:07):
Mm-hmm, cooler at the end would be the hit to Keller
Williams fans.
Speaker 2 (24:14):
Okay, that was good.
Speaker 4 (24:16):
And the next one.
This is Alligator Alley.
Shout out to Ryan Lochte,Florida Gator.
Speaker 6 (24:37):
Oh man, it feels so weird to be dry.
Yeah, you don't want to swim inan alligator alley, that's so
cool.
Speaker 4 (24:53):
Shout out to the swimmers out there, Sure Shout
out to the backstrokers thebreaststrokers.
Speaker 5 (25:06):
All the uh, All the other strokers.
Speaker 4 (25:13):
Yeah to all the strokers out there, keep on
stroking.
Speaker 6 (25:16):
Wait, just a minute.
Speaker 4 (25:28):
Shout out to the air boaters.
I'm on the search forexcitement.
Speaker 5 (25:32):
The imaginary boaters .
Speaker 6 (25:35):
And I set Willie free Willie.
Speaker 5 (25:38):
Yeah, that was me.
You just said all thealligators free killer.
Speaker 6 (25:42):
What the hell man?
I'm stroked down AlligatorAlley Flipping to the freestyle.
Try to pick up some speed.
I would never swim an alligator.
Speaker 4 (26:05):
I wonder, if people do that, I guess you ain't dying
.
Speaker 5 (26:13):
I always thought it was more of a survival thing for
me.
I would never be a competitiveswimmer, I would just be a
survival swimmer.
I swam in high school.
Now that my legs are breakingdown You're a soccer player I'd
be willing to swim some strokes.
Speaker 4 (26:36):
I mean later on in life.
It doesn't break your jointsdown.
Speaker 6 (26:42):
Yeah, now we're going into something.
No, now we're going intosomething.
Now he's chained up.
Speaker 4 (26:58):
I don't know, yeah, I don't know where this is going.
I think.
Speaker 2 (27:02):
Where'd you get this jacket?
Speaker 3 (27:03):
I got this in the network Let me Shout to Spicoli.
Speaker 5 (27:09):
Oh the network.
Let me Shout out to Spicoli ohthe racket.
Good, open chords here.
Subtle lines in between Subtle.
I bet Jonathan would like thissong, oh yeah.
Speaker 6 (27:23):
Rollerball Jonathan.
Oh yeah, rollerball Chattin'with the fan, so I don't die
Doin' the backstroke down.
Alligator Alley, flip it to thefreestyle.
Try to pick up some speed.
(27:44):
Ain't no time for breaststroke.
I gotta get my ass to the otherside nice, uh, simple chord
(28:06):
Swim for your life.
Speaker 4 (28:07):
It's a nice, simple chord, simple chords there, swim
for your life.
It changes up the speeds,naturally.
This is really good.
This is a good song.
I always thought I'd be a goodFlorida hood.
All right, yeah, that's a greatway to end that one.
Speaker 2 (28:20):
All right, that was all too good.
Speaker 4 (28:21):
Good job.
Speaker 3 (28:23):
Hey, bud, let's party , Okay, so yeah, hey bud, let's
party.
Speaker 4 (28:26):
Okay, so, yeah.
So this is because this song iscalled Spring Buds, tasty waves
, cool buds and he's fine.
But this is very it's a tenderballad.
Speaker 5 (28:37):
Yeah, we have a tender Tender one here, yeah, so
On the last naked day of winter.
Speaker 4 (28:57):
On the eve of a fateful thaw.
Every good album's gotta have apower balance.
Speaker 6 (29:02):
I wasn't imprisoned in frozen tears.
Speaker 4 (29:04):
It's not even a power , it's just a balance.
It's not a power balance.
Of heartbroken love, I thinkpower is just a balance, not a
power balance.
Heartbroken laws.
Speaker 3 (29:18):
L-A-W-S.
Not loss, not heartbroken loss.
Speaker 6 (29:25):
That was a nice play on words.
This guy's a poet.
Speaker 4 (29:36):
Shout out to Scarface this really is Class A shit.
Speaker 2 (29:42):
Class A shit.
Speaker 3 (29:42):
It's beautiful, it's beautiful.
Speaker 6 (29:51):
Yeah.
Speaker 4 (29:52):
People have their lighters on.
Oh yeah, I don't think he playsthis live.
Maybe he have you heard any ofthese songs on this album live?
Any shows you've been to Kidneyin the?
Speaker 5 (30:03):
Cooler, okay, maybe Bobby Hachet.
Speaker 6 (30:06):
Okay.
Speaker 4 (30:08):
One of those crowd favorites in the Keller Williams
community.
Speaker 2 (30:13):
For sure.
Speaker 4 (30:13):
Freaker by the Speaker.
Yeah, it's a big one, it's ahit.
I could see that.
I don't know.
Speaker 5 (30:30):
Good drum on this, our altered states.
Speaker 6 (30:33):
Oh, mm Good drum on this, and sweet lightning struck
.
Speaker 4 (30:41):
And the earth opened up.
The earth opened us, not openedup Like spring.
Speaker 1 (30:51):
Yeah.
Speaker 5 (30:54):
Shout out to the gardeners out there.
Speaker 4 (30:57):
Shout out to the poets Digging that last simile.
Speaker 5 (31:02):
They're digging it.
Huh, the poet gardeners aredigging their last in Sinaloa,
yeah.
Speaker 6 (31:20):
Oh man In the sacred heart, share everything We'll
blossom through.
The spring spring star of themorning shines now on her own
two wings then sweet light doesit.
Speaker 3 (31:48):
Then sweet lightning struck, there's a slap, mm-hmm,
did you hear that?
Yeah, it does.
Like a, can the earth overcomeA?
Speaker 4 (31:54):
slap rhythm.
Yeah Well, that means employinga lot of different bass
techniques, like spring.
Speaker 5 (32:02):
Does it on all.
Like the whole, it's prettycool.
Then, sweet Lightning's Drum,I'll give you a topic Getting a
little verklempt.
Speaker 6 (32:21):
Like spring.
Speaker 4 (32:22):
The song Spring Buds by Keller Williams.
Discuss.
Speaker 5 (32:30):
Amazing, okay.
Buds by Keller Williams.
Discuss Amazing, oh God, okay.
Speaker 1 (32:33):
God, that chokes me up.
Speaker 5 (32:37):
We're on to Mental Instra.
Speaker 4 (32:40):
It's called Mental Instra.
Speaker 5 (32:43):
Are you mental?
Speaker 3 (32:44):
Exactly.
Speaker 5 (32:46):
It's going to get wild here.
This is more than half minutes,more than half a minute.
Speaker 4 (32:51):
Prowess on this.
Speaker 5 (32:52):
This is Keller.
Speaker 4 (32:53):
This isn't tied, it's all.
Keller, I got in a knickerbatch.
It's tolerable, officer andharmonics.
(33:50):
We'll have an axe coming at you.
Some people will be gettingriddles.
Speaker 5 (33:59):
This is wild.
This is good.
He does the tune and back Right, it's so he's employing heavy
metal techniques.
Speaker 6 (34:14):
Sure and acoustic Ah.
Speaker 5 (34:18):
His googly ass flute.
Speaker 4 (34:23):
Sounds like Joni Mitchell.
Speaker 6 (34:28):
Help me.
Speaker 4 (34:29):
I think I'm falling in love with you.
Are you mental?
Speaker 3 (34:48):
What the fuck is he talking about?
What the fuck?
Speaker 4 (34:59):
Shout out to Mike Crotty on that flute thing,
crotty.
Speaker 5 (35:06):
Cry, crotty, crotty, crotty.
I'm going to cry karate, karate, karate.
Speaker 4 (35:11):
Not to be confused with Ryan Lochte, you're the
next contestant on the Price isRight.
So it changed the tempo upbecause up and down, up and
(35:44):
downs.
I like this change.
(36:08):
You know where this is going.
Speaker 5 (36:12):
Bangers, bangers only .
Yeah, it's kind of headbanging.
Speaker 3 (36:21):
Acoustic.
Mom, I am going to rip off yourhead and shit down your neck
perfectly placed all right, yeahexactly right it's gonna be a
(36:55):
little laugh.
Speaker 4 (36:59):
Don't let this play out yeah we're streaking All
right Now.
This is the next song.
It's Babiace.
This is the one that Tim wasplaying earlier.
Speaker 2 (37:21):
It's a little.
Speaker 4 (37:22):
Letterman background there.
Letterman Leno Oprah on thereletter letterman leno oprah this
is the song for the runners andthe walkers just walking, make
sure you have your walking shoes.
Speaker 5 (37:37):
If you're walking, you're running shoes.
Speaker 4 (37:38):
If you're running, okay adjust your head buds a
little bit, a little loose ah,let's party with those head buds
.
Speaker 5 (37:47):
Wild card hey.
Speaker 6 (38:08):
Why is everybody so tense?
It's a party disregard for theuptight runner uptight runners.
Speaker 4 (38:17):
No, not our audience, not our it's gonna reference
the movie Rollerball 1975 aboutthe future, which is 2018.
Dystopian corporate takeoverkind of thing, James Caan.
Speaker 6 (38:46):
Shout out to the.
Speaker 4 (38:46):
Jonathans out there From that movie.
Speaker 6 (39:02):
Jonathan, jonathan, precision.
My mind is clear.
As a race car driver's, Icannot afford a poor decision.
I like this place.
I don't want to leave muchbetter than reality.
Speaker 3 (39:22):
This wasn't meant to be a game.
Speaker 4 (39:29):
A little clip from the 75.
John and Ben.
John and Ben.
Speaker 5 (39:36):
John and Ben.
Lots of pull-offs andhammer-ons.
Slides Endless, endless slides,hammer-ons and pull-offs.
Slides, endless, endless slides, hammer-ons and pull-offs.
All day, all day.
Speaker 6 (40:06):
I mean Keller's arms are it's are just very big.
Speaker 5 (40:12):
He's got some ham hocks no no, yeah, he can play.
Speaker 4 (40:18):
He's got to be strong to do that.
This is your kind of a song.
This is your deal.
This is good.
Speaker 6 (40:25):
Yeah, for you.
Speaker 4 (40:27):
Some of the little too.
There's a little bit too muchof that.
It's a little too noodley toeach his own.
There's gotta be a littlepushback.
You can't just like loveeverything yeah, it's supposed
to be.
Speaker 5 (40:41):
It's almost playing off of like heavy metal.
Well, yeah, in a tongue incheek, kindcheek kind of way, is
that?
Speaker 6 (40:50):
what the intention was.
I think it is Okay.
Speaker 5 (40:55):
It was all about how good he was, how fast he was.
Exactly, yes, when he plays.
There was one song that hecovered.
It was a classic rock song andthen he got to the solo and he
just went.
He stopped the whole song, didlike one, two, three, four notes
(41:15):
, and then and then he went, andthen he went back to the song
because the solo was just tooinsane for him to actually cover
it I got you he kind of just weknow he can play, so it's not
about I gotcha okay.
Speaker 4 (41:29):
So this one's called Bob Rules this is about Price is
Right.
Speaker 6 (41:33):
There's all kinds of references.
Speaker 1 (41:36):
Price is Wrong Bitch, exactly right.
Speaker 6 (41:41):
Shout out to Bob this is the bluegrass tune.
This is one of the Goodmandolin playing.
Speaker 4 (41:48):
It's the bluegrass tune.
Speaker 6 (41:51):
There's one mandolin playing there.
Shudder Danny nicely, themandolin Fools.
It's the Mitsubishi Miragefour-door sedan with a clutch.
Call my name and sit.
Come on down.
(42:11):
You're the next contestant.
Oh my God, I washyperventilating.
Speaker 1 (42:17):
We've all been there, you're just fucking out here.
Speaker 6 (42:21):
I hope I do not wake up from this dream.
It was what it was.
Speaker 1 (42:28):
After all, we have been on for 35 years.
35 years, yes, and it has neverhappened?
Speaker 4 (42:36):
Yeah, that was a reference to a guy who bid.
One guy bid $1,000, and thenthe last guy to bid he bid $9.99
.
Speaker 5 (42:44):
It's a dumb thing because you can't go over.
Speaker 4 (42:47):
But he guessed it right, like right on the nose.
It wasn't the only time that ithappened.
Stairmaster machine yeahstairmaster machine, our beloved
(43:08):
.
Speaker 5 (43:10):
Put me down, son, and feast your eyes over there.
Speaker 6 (43:15):
The sliding doors were a brand new car.
I was as happy as I could get,for it was a brand new car, a
Chevrolet Chevette.
All because the voice of anangel that belong to right Call
(43:37):
my name and say you're the nextcontestant.
Oh my god.
Speaker 3 (43:47):
Oh my god, I was hyperventilating.
Speaker 6 (43:50):
I hope I do not make a promise.
The price is wrong.
Bitch the price is wrong, bitchwhat Hi.
Speaker 5 (44:10):
That's what I would do.
Hi Mom, my mom, price is right,ma, ma Ma.
Speaker 6 (44:17):
Ma Ma.
Speaker 1 (44:19):
Hi, hi, mom Rod leapt from the stage into the
audience.
Speaker 4 (44:29):
The best swing.
You have two high prices.
The third one says $1.
And then the fourth guy says $2.
I've seen that before, that'ssad, you can't guess $1 too
early.
You have to be the last person.
The person that's been up therethe longest gets to pick last
(44:50):
because he gets the favor ofknowing what everybody else
picked.
It's gotta be embarrassing whenyou're picked right in the
beginning and you go the wholeway without making it up on
stage.
Speaker 5 (45:05):
This is a reference to.
Speaker 4 (45:09):
Gunsmoke?
I think yeah, something likethat.
Speaker 6 (45:11):
Westerns, so it's bluegrass and western at the
same time.
There it is they have adifferent games.
Speaker 4 (45:32):
I like Quanko, that was good.
The rock climber.
Speaker 6 (45:41):
The yodeler.
Speaker 2 (45:47):
The wheel.
Speaker 6 (45:48):
Showcase show.
The wheel, who did not like theshowcase and passed it on over
to me, crunching the numbers.
I tried to remain calm how muchis an all-expenses-paid trip to
Guam Guam?
Before I could answer a banginggame to my door, the
(46:11):
housekeeper said you must leavenow or pay more.
You have no good.
I guess that I fell back asleepand slept right through that
show.
But the next time I'm in LA,you know where I'm gonna go.
Speaker 1 (46:31):
Exactly right.
Speaker 6 (46:32):
And hope for the voice of an angel that belongs
to Rod Roddy.
Come on down.
I've called my name and sincecome on down, you're the next
contestant.
Hey, this wasn't meant to be agame.
I hope I don't hyperventilate.
I hope I do not wake up fromthis dream.
Speaker 1 (46:57):
You're just freaking out here.
Speaker 5 (47:01):
Which is what it will be.
Speaker 3 (47:03):
Oh God, oh God Okay.
Speaker 4 (47:07):
Alright, this one's called Freak Show.
Speaker 6 (47:10):
Look at you some kind of freak With the people on the
outside, don't?
know, I think the bond goes here, the tent goes up Is that what
this is?
And the tent comes down and allthat they see is the show.
The ladies on the horses lookso pretty and the lions are all
(47:31):
looking real mad and some of theclowns are happy, you know,
some of them are sad.
But underneath there's anexpression how am I funny like
I'm a clown?
How am I funny like I'm a clown?
I am you, you, how I mean?
Funny like I'm a clown.
It's about freedom.
It's about faking.
There's an art to the laughter,there is a science.
(47:55):
You need a lot of love andcompliance.
You need a lot of love andcompliance.
Welcome to the freak show.
Here we go.
It's just another freak show.
Welcome to the freak show.
Here we go.
It's just another freak show.
Here we go.
Welcome to the freak show.
Here we go.
It's just another freak show.
(48:16):
Here we go.
Welcome to the freak show.
Here we go.
It's kind of Hawaiian.
Here we go.
Speaker 5 (48:19):
Welcome to the freak show.
A little too repetitive.
Another freak show, here we go.
This is one of his big encoresongs that he plays usually okay
what a freak we live to hearthe slack jaw gasping.
Speaker 6 (48:40):
We live under a halo of held breath, and when the
children raise up a giant shieldof laughter, it's just like
they're fending off death and wecan see how they do.
At the end it's like you'respent the clowns will all take
off their makeup and all thepeople will all go home life on
the outside funny.
No elephants, no sequence, noparading around.
(49:04):
Yeah, the circus comes and thecircus goes and they're stuck in
this fucking town.
Yeah, this piece is calledDon't Lick my Love, pump Hi and
(49:25):
compliance.
You need a lot of.
Welcome to the Freak Show.
Here we go.
It's just another Freak Showhere we go.
Welcome to the Freak Show, herewe go.
It's just another Freak Showhere we go.
Speaker 4 (49:39):
Welcome to the Freak Show.
Here we go.
It's just another Freak Show,here we go.
Speaker 6 (49:42):
Welcome to the Freak Show here, we go, it's just
another Freak Show.
Here we go.
Welcome to the freak show.
Speaker 5 (49:47):
Here we go.
It's just another freak show.
Speaker 4 (49:50):
Here we go.
Welcome to the freak show.
Here we go.
It's just another freak show.
Here we go.
Speaker 6 (49:54):
Welcome to the freak show.
Here we go.
It's just another freak show.
Here we go.
Welcome to the freak show.
It's just another freak show.
It's mandatory Welcome to.
I love applesauce.
Speaker 4 (50:17):
Getting back to the jazz, here we go.
It's called Galavance.
A lot of songs on this he'sreally good.
Speaker 6 (50:59):
Yeah, he's really good, yeah, driving and a-diving
, dreaming and denying.
Speaker 2 (51:04):
Dream the diffusion Of the dying disillusion.
Speaker 3 (51:12):
Very poetic, yeah, thank you.
Speaker 4 (51:18):
Yeah, he's original.
Put a lot of thought, craftinto the words, the lyrics.
It's a lost art.
Speaker 5 (51:35):
He's not afraid to not have it fit perfectly.
Speaker 6 (51:38):
Right.
Speaker 4 (51:42):
That's an art in and of itself.
You don't have to rhyme exactly, it goes for it.
Eminem does that tooFlabbergasting.
Speaker 5 (51:54):
Yeah, eminem, in comparison to Keller Williams,
love that well, I mean twodifferent genres, but that's
what makes them good, is thatthey they can fit.
Speaker 4 (52:05):
Words in Neil Peart rushed it yeah, words that don't
normally fit and they don'tnecessarily rhyme.
The way you can make them rhymeand have it all fit together,
that's the that's the art,that's the genius part.
Speaker 6 (52:20):
Fit into a theme.
People don't do that.
Yeah, I know, flabbergastingGalavantine.
Speaker 4 (52:38):
It's probably one of the least.
Filler songs Listened to song,but not bad.
Speaker 2 (52:52):
I kind of liked it.
Speaker 4 (52:54):
Yeah, it was a filler , you're right.
What is that?
What's that?
In the background, not bad, Ikind of liked it.
Yeah, it was a filler, you'reright.
What is that?
What's that tobacco?
It sounds like he's swishinghis mouth with water or
something I'm sure he is Likegargling.
(53:21):
Definitely this one is called.
God is my Palm Pile.
There you go, see.
It's like oh God, oh crap.
Speaker 5 (53:33):
Yeah, I was playing this song and my dog started
barking about barking In adisturbed way.
Yeah, this part, the sort ofthroat singing, oh, this part
Disturbed.
So if you have animals andthey're sensitive to this one,
(53:57):
my dog seemed to this one yeah,my dog seemed to not like.
Speaker 4 (54:02):
Well, that's him kind of talking into the computer
frame thing Keep forgetting whatthat thing is called Auto.
Speaker 5 (54:09):
Yeah, auto Tune, no Well.
Speaker 4 (54:15):
It's not the Vibra Slap.
That's the Wi-Fi, though, okay.
Speaker 5 (54:25):
This is like a modern version of Pun Her Too the
(54:52):
Mongolian throat singers Throatsingers.
Speaker 4 (54:55):
I just wish he didn't have that part in it.
Speaker 2 (55:03):
It was such a cool transition, but that was a
little too much.
Speaker 3 (55:06):
Ha ha ha, it's getting louder.
Speaker 4 (55:15):
That's not us.
That's not us.
That's not us fucking aroundBoxing.
Speaker 3 (55:47):
Yeah, exactly right.
Speaker 4 (56:03):
This would be very radio friendly.
This is an egg.
No, I know why it's not an egg.
But I mean it's a good.
Speaker 3 (56:14):
It's a little harsh, but it's a good.
Speaker 4 (56:16):
It's a little, it's a little harsh, but it's got some
good stuff.
Almost tolerable, yeah, it'salmost tolerable.
Speaker 1 (56:27):
Much soft money Can I expect to collect in exchange
for my core values?
Speaker 5 (56:33):
We've got crooked here, this is called crooked.
Speaker 6 (56:45):
I ain't crooked, although I follow the path of
least resistance.
No, I ain't crooked, although Ifollow the path of least
resistance.
I just try and do my thing andmaintain my existence, maintain,
(57:07):
maintain.
Speaker 5 (57:09):
I ain't stupid.
Speaker 6 (57:15):
Although I did not complete all of my schooling.
No, I ain't stupid.
Speaker 4 (57:20):
He does a lot of accents.
Speaker 6 (57:23):
Although I did not complete all of my schooling.
I ain't crooked, I ain't stupid.
Speaker 4 (57:30):
I thought he graduated from Weston Virginia
Wilson.
Maybe he dropped out.
Speaker 3 (57:38):
They had so much fucking money in there, you
could build a house out ofstacks with a hundred dollar
bills.
Speaker 2 (57:42):
I got to cry.
Speaker 3 (57:48):
Let me have a few minutes.
Let me stop this.
Speaker 4 (57:52):
Eh, no one wants to hear it.
Richard makes it.
Speaker 2 (57:58):
I don't want to mess with you.
Speaker 6 (58:01):
Richard Nixon, Although I may appear to be
shaking, I ain't waking to thefaking baking partaking and the
(58:22):
headache and corn flaking.
I ain't faking baking.
What the fuck is he talkingabout?
But my mama tell me that it'strue.
What, Hi?
Speaker 3 (58:41):
And right now, which one of you is mom One thing is
for sure I'm lucky, I got you.
Speaker 4 (58:52):
Mom, I'm going to rip off your head and shit down it,
I'm having a right.
Speaker 3 (58:59):
You can take a penny from the tray From the crippled
children.
Speaker 6 (59:04):
No, that's the job.
I'm talking about the tray, thepennies are for everybody, oh,
for everybody.
Yeah.
Speaker 3 (59:10):
Well, those are whole pennies, All right.
I'm just talking aboutfractions of a penny, okay, but
we do it from a much bigger tray.
We do it a couple of milliontimes.
Speaker 4 (59:23):
Shout out to the Office Space fans.
Speaker 1 (59:27):
Hey buddy, how you doing this is Chickahop.
That's.
Fred Collins Just wondered ifthe monthly policy.
Speaker 4 (59:32):
What are the chances?
Speaker 1 (59:33):
that.
Speaker 4 (59:33):
Jennifer Aniston's Keller Boys fans.
Speaker 5 (59:38):
Name is Laurel Trappin' and his name is
Chickmunk Trappin'.
What?
Speaker 1 (59:41):
are the chances that Jennifer Aniston's Keller?
Speaker 3 (59:44):
Boyd's family.
You take a pen from the tray,from the crippled children.
Speaker 4 (59:48):
No, that's the jar I'm talking about the tray.
Speaker 6 (59:55):
What the fuck is he talking about?
You know, give me a call backsometime when you've got some
chance and we'll talk about sometramps.
Speaker 5 (01:00:04):
That's probably an actual call that I didn't quite
pick it up.
Speaker 4 (01:00:10):
What's going on in there?
Speaker 5 (01:00:12):
I have no idea.
Speaker 4 (01:00:13):
Why don't you give me a call back.
Speaker 6 (01:00:22):
Let's talk about it.
Speaker 4 (01:00:28):
Fraction of a penny From the crippled children no no
that's the jar.
Speaker 6 (01:00:34):
I'm talking about the tray.
Speaker 4 (01:00:38):
We've all been there at the gas station, don't touch
those pennies.
Speaker 6 (01:00:44):
Yeah, I get squeamish .
I just try and do my thing andmaintain my existence.
You just try and do your thingand maintain your existence.
Speaker 4 (01:00:54):
Right by those horoscope roll-up things by the
counter.
Speaker 6 (01:01:01):
What else is up there there's?
Speaker 4 (01:01:04):
like dirty pennies, the jar the horoscopes Some
ho-hos.
Yeah, the cigarillos.
Speaker 5 (01:01:14):
I always thought I'd be a good Florida whore, all
right.
Speaker 6 (01:01:50):
This is called Old Lady from Carl's Garden.
It's only a minute long.
It's kind of cool, verycharming, talking with an old
(01:02:12):
lady down at the corner bus stopTalking about Jesus and how her
heart he won.
Talking with an old lady downat the corner bus stop.
She said expect you a miracle,for today you done All right,
and now we're going to a kidneyand a cooler.
Speaker 4 (01:02:34):
This is a Of all the plays aside from Freaker by the
Speaker.
This one's got the most listens.
So far, so good, Good bassplaying.
Speaker 5 (01:03:04):
He's getting a little picky on this.
A little picky, a little pickup and down Perpendicular.
Speaker 6 (01:03:12):
A break in the schedule.
Sufficient cool, think.
Well, we thought we were doingthe right thing.
Now can I be too picky and shyon a Sunday?
Then I'd walk the mechanic withthe perpendicular teeth,
perpendicular teeth,perpendicular teeth,
(01:03:35):
perpendicular teeth.
Oh yeah, oh yeah, oh yeah.
Speaker 3 (01:03:37):
Perpendicular teeth.
Perpendicular teeth.
Speaker 6 (01:03:38):
Oh yeah, oh yeah, perpendicular teeth,
perpendicular teeth,perpendicular teeth oh yeah,
about 17th hour they pulled usup in the bay and foggy, too,
started taking down the hood.
(01:03:59):
Sailing now, yes.
Speaker 4 (01:04:20):
They're waiting for their car.
That's what's going on.
Speaker 6 (01:04:26):
We're going to sail.
Speaker 4 (01:04:45):
There's got to be a story behind this, I guess.
Speaker 6 (01:04:49):
Only two days later, on the way down to Deep Ellum,
we broke down in Oklahoma, wherea wind come behind the rain.
We got towed to Calgary where awoman's car took priority.
She had a kidney in a cooler,so two nights we had to stay so
she could deliver the kidney.
Speaker 3 (01:05:10):
Deliver the kidney.
Speaker 5 (01:05:11):
That sounds awful.
Deliver the kidney.
I think it's just a song out ofsome mixed up travel plans.
Things are going wrong.
There's a lien of cooler.
I'm sure it happened.
Speaker 6 (01:05:28):
Oh yeah, oh yeah.
Well, if you go down to DeepEllum to the gypsy tea room,
tell them I'm broke down inPerry and I'll try to make it
back soon.
Well, if you go down to DeepEllum to the Gypsy Tea Room,
tell them I broke down in Perryand I'll try to make it back
soon.
Oh sweet mama, your daddy gotthem.
Speaker 5 (01:05:48):
Deep Ellum blues.
Now he's going right into acompletely different song.
Speaker 6 (01:05:56):
Oh sweet mama, your daddy got them deep.
Villain bleeds.
Now I know I will be paying onthe concept after it's through.
Speaker 5 (01:06:05):
He puts the nod right in there, right but there's
something I got to do.
Speaker 6 (01:06:09):
It's pretty rare A big-ass bus with a satellite
dish, A double-decker,double-wide.
What I wish I a dream-openedeye.
Speaker 5 (01:06:16):
That this be true.
Oh, get ready for some raps,yeah.
Speaker 6 (01:06:19):
My double-decker double-wide, my double-decker
double-wide, my double-deckerdouble-wide, oh yeah, my
double-decker double-wide, mydouble-decker double-wide, my
double-decker double-wide.
Oh yeah, oh yeah, oh yeah, ohyeah, my double-decker
double-wide, oh yeah, oh yeah,oh yeah, oh yeah.
(01:06:42):
Yeah, it's gonna have two icemakers and both refrigerators, a
silent but violent generator Torun the subwoofers and the
disco ball, the escalator up tothe dance hall On the second
floor with a giant skylight, adriving range and a cool jet
light For skinny dipping rightafter the show.
Oh damn.
Perpendicular teethDouble-decker.
Speaker 4 (01:07:16):
Little America.
Speaker 6 (01:07:17):
I will work for my double-decker double-wide
Perpendicular teeth in LittleAmerica.
Deliver the kidney in mydouble-decker double-wide
Perpendicular teeth in LittleAmerica.
Deliver the kidney in mydouble-dagger double-wide
(01:07:39):
Perpendicular teeth in LittleAmerica.
Deliver the kidney in mydouble-dagger double-wide
Perpendicular teeth in LittleAmerica.
Deliver the kidney in mydouble-dagger double-wide.
Deliver the kidney In mydouble-decker A double-wide
Perpendicular teeth LittleAmerica.
(01:08:00):
Deliver the kidney In mydouble-decker Double-wide
Perpendicular teeth.
Speaker 4 (01:08:08):
Little America, little America.
Speaker 5 (01:08:11):
Double-decker, double-wide, the traditional
Freaker reprise.
Yes, but the traditional,amazing.
Speaker 4 (01:08:24):
All right.
So the reprise is going to playin the background.
We're going to turn it down alittle bit.
We'll give our top three.
We need to speak, all right.
So what are you thinking, man?
Let's get into the top threeand we always start with you.
So do you know what your topthree?
Speaker 5 (01:08:45):
is.
I think my top three has got tobe One Hit Wonder.
Just because you know what arewe doing here?
We're doing greatest non-hits.
How can it not be on my topthree, one-hit wonder?
Speaker 4 (01:09:04):
Of course, yeah, it's a great song, I agree, that's
your three Catchy, you know sortof drones on and overplay is
the only way.
Speaker 5 (01:09:13):
I kind of like just the composition of that one
Really good song.
Speaker 4 (01:09:21):
You know some of these songs.
He's really, really talented.
Don't get me wrong.
I just it's like sometimes lessis more, sometimes more is more
I like.
One of the things I liked aboutthis is the the instrumentals,
and so, like my number three isgoing to be one of the
instrumentals.
It's going to be mental instraw oh, amazing, that'll be
(01:09:44):
nice.
Speaker 5 (01:09:44):
This is great.
I knew you would like that oneI did.
Speaker 4 (01:09:47):
I liked it a lot.
You know, there was like a lotof tempo changes and it was like
it was just cool, it was justlike very easy to listen to and,
uh, just kind of cut throughall the noise.
And so that's my number three.
Okay, yeah, what about yournumber two?
What do you think?
Speaker 5 (01:10:06):
I mean I love Freak Show because I mean I love Freak
Show because excellent lyricsit really does.
Keller is that guy that willmake a song about the roadies.
You know the carnival behindthe show.
Yeah, he really is a workingman's musician and I think, yeah
(01:10:33):
, there's a lot of freaks in thejam jam world and he also pays
homage to them and, okay, theykind of make his career.
Speaker 4 (01:10:42):
So no, that's a good one, that's a.
You're going deep with that.
Um well, first of all, before Iget my number two is freaker by
the speaker again.
Are these all non-hits?
Yeah okay, I'm gonna go numbertwo.
Fre the Speaker.
Speaker 5 (01:10:55):
Nice, it had to be on there yeah.
Speaker 4 (01:10:57):
It had to be on there , and so it's a little bit newer
to me than it is for you, andso that's going to be my number
two.
Speaker 5 (01:11:04):
Okay yeah, really catchy yeah, and obviously a lot
of these songs on a differentday could be in the top three,
my top three For the listener'spoint of view.
Speaker 4 (01:11:24):
I mean.
Speaker 6 (01:11:24):
It's hard I want.
Speaker 5 (01:11:25):
Yeah, I'm going to go Hunting Charlie just because I
like the jazzy weirdness.
Yes, yeah, I've always lovedthat song so much on this album
as sort of a sleeper.
It deserves to be on there.
It's sort of jazzy.
Obviously, kidney In Cooler isa great sing-along.
If you've got kids and you needa good sing-along song, that's
(01:11:50):
a good one.
And obviously Bob YatcheGalavanting was great, crooked,
great song.
I'm going Hunting Charlie forthat.
Speaker 4 (01:12:00):
Okay, one spot Right on.
I'm going to go with One HitWonder.
Nice, I liked it.
Yeah, it was just I don't know.
I just think the way it'sconstructed and it's not too
much, it's not overbearing, oh,and it's not too much, it's not
overbearing, and it's smooth,and it's really good listening.
Speaker 5 (01:12:22):
Well, maybe I want to make Alligator Alley my number
one, I don't even know.
Speaker 4 (01:12:27):
Well, what are you going to change that Alligator?
Speaker 5 (01:12:28):
Alley, I'm striking it off.
Speaker 4 (01:12:31):
Well, I mean, are you backing out the other two?
Are you backing out One HitWonder out of it, or are you
going to go?
No, are you backing out one hitwonder out of it.
Or are you going to go, or areyou just going to take your
number one out of it allcompletely.
Speaker 5 (01:12:38):
Yes taking number one out of it completely Hunting
Charlie is out.
Okay, you wanted that to be aspoiler.
Alligator Alley, it's abeautiful song.
Speaker 4 (01:12:47):
It is.
It was a great song.
Speaker 5 (01:12:48):
See how hard this is for us.
It is hard, yeah, all right.
Speaker 4 (01:12:57):
All right, we got some good songs in there.
Great album, great artist.
Speaker 5 (01:13:00):
Hope you enjoyed the show.
Put it in the jar, put it inthe tray.
Speaker 4 (01:13:03):
We're talking about the tray.
That's the jar.
We're talking about the tray.
Kellett Williams is the tray.
String Cheese is the jar.
He's the tray.
Hope you enjoyed it.
Keep listening, take care.
I have some sad news to report.
A small puppy, not unlikeLassie, was just run over in the
parking lot.
Speaker 2 (00:07):
And now it's time for the comedy stylings of Homer
Simpson.
Speaker 3 (00:12):
Are you ready to laugh?
Poor dog I said are you readyto laugh?
Quiet, you awful man.
Speaker 4 (00:33):
All right, thank you for listening to the Greatest
Non-Hits.
I'm Chris and playing the songVabiace from Keller Williams'
album.
Laugh is my co-host.
Tim Laugh is the sixth studioalbum by Keller Williams, which
was released in 2002.
And that's going to be thealbum that we're going to listen
(00:55):
to today.
It's got 15 tracks, really 14.
The last one is like a repriseof the first song, which is
Freaker, by the Speaker, andKeller Williams is a jam
bandrise of the first song,which is freaker by the speaker,
and, uh, keller williams is ajam band kind of a guy, um, that
I wouldn't say.
You know no hits.
You know there's no hits onthis album.
You know he's more of a, he'skind of got a, he's got a
(01:16):
following within the jam bandscene which is a kind of a
culture in itself.
And, uh, he's um really uniqueand talented musician, um, but
he's, you know, for people whoaren't familiar with him, he's
really known for like aninnovative style.
Um, he's got impressive skills,multi-instrumentalists, um, a
(01:40):
lot of genre blending.
You know they're rock jam.
There's folk.
There's alternative rock.
There's rock jam, there's folk,there's alternative rock.
There's all kinds of stuff inhis music Bluegrass, some
electronic music, some rock.
You know references, you knowin pop culture all over the
place, but this is back in 2002.
So you know we're going to likewe do on every album, you know,
(02:03):
we'll listen to all the songs.
Tim and I are going to give youour three favorite non-hits
from this one.
A lot of Bob Barker in this oneReferences to Palm Pilots.
Again, that was a big thingback then.
Old Lady from Carlsbad is thename of the song Alligator Alley
.
We're going to have a lot offun.
(02:25):
We've recorded some funny soundclips, got a little Ryan Lochte
in there for a song calledAlligator Alley.
Freak Show, good stuff.
One other interesting thingabout Keller Williams is he's
kind of like a looping pioneer.
He does a lot of loopy likewith his multiple instruments.
(02:46):
He'll play like a riff and thenhit a loop, play another
instrument while the other uh,the looping from the bass,
guitar, drums, whatevercontinues to play.
He's uh, he did a lot of that.
But I mean, I mean I guess weall do that to an extent.
I mean we even do it on theshow from time to time, but he
(03:07):
was a real pioneer of it.
So he's credited for being verycreative in that way.
Apparently, I guess he's aself-taught musician, learned to
play guitar, other instruments,by ear, very individualistic
approach to music, I'd say, um,and interesting, like for a guy
(03:29):
who's, you know, not a householdname.
He's got a lot of albums and areally good musician, you know,
and, granted, popularity doesn'tnecessarily always equate to
credibility, and this guy's gota lot of chops, he's got a lot
of credibility with me.
I'm not a big fan.
(03:50):
Tim is a huge fan and he's seenhim, I think, multiple times.
He was in town recently.
I didn't go, but Tim went.
Maybe he can give his take onthat.
So, yeah, this is the sixthalbum he still has.
He's got a bunch of albums.
I think he came out with analbum just a couple of years ago
(04:11):
, so, but he's still out there,he's still touring and, uh, a
lot of good musicians um play onthis album.
One person or one, you know,the, the bass player on this.
I think his name the guy whoplays bass on this is Ty North,
I think is what it was.
Anyway, yeah, there's someinstrumental pieces on this
(04:34):
album and, yeah, the bass, Ithink it was.
I hear a fretless bass on acouple of the solos, I think at
least.
So he also collaborates on acouple of the solos.
I think at least he alsocollaborates with a lot of other
well-known artists StringCheese Incident, bob Weir, plays
(04:58):
a lot of festivals, that kindof thing.
He's done a tribute to TomPetty.
I guess they call it PettyGrass, so I guess it's a
bluegrass and a Tom Petty kindof a thing.
It's part of his tribute to hismusic.
So really innovative stuff, alot of it that I haven't gotten
into much but I'm sure afterthis I'll listen to this.
(05:24):
I listened to this whole album afew times this week and it
grows on you.
It's not too heavy.
He seems like a really laidback down to earth kind of a guy
.
I think Tim was telling me astory about in his early days
just living out of a van.
But you know, I guess you knowI think the guys from String
(05:44):
Cheese Incident, I guess I think, like the guys from String
Cheese Incident, I guess, havereally elevated him.
I guess they've reallyresonated with his music and
really helped him grow and builda following of his own.
So I can completely see bothsides of this where he's not a
household name but at the sametime really well respected and
(06:07):
liked by a dedicated, small butdedicated fan base.
So and again, like thoseelements, there's bluegrass,
there's folk, reggae.
I guess jazz I do.
I hear a lot of jazz in thisalbum.
Fredericksburg, virginia iswhere he's originally from.
Reggae, I guess.
Jazz I do.
I hear a lot of jazz in thisalbum.
(06:28):
Fredericksburg, virginia iswhere he's originally from.
Went to Wesleyan College,virginia, wesleyan in Virginia
Beach.
I'm just reading from Wikipedia.
He's toured with a bunch ofother bands besides those.
Umphreys McGee Probably knowsMike, my nephew George Shout out
to George.
He's probably a big fan.
(06:49):
I guess he moved out toColorado after college.
I think he's played gigs justfor ski passes.
I think that was another thingTim told me about.
I don't know.
There's a lot to dissect here.
There's a lot to.
There's a lot to dissect here.
There's a lot to listen to.
We're gonna have fun.
This is gonna be a good episode.
(07:11):
Like I said, we've got somefunny sound clips.
We're gonna listen to all thesongs rank our top three.
At the end.
Tim's putting his guitar away.
He's gonna get.
He's getting adjusted.
His dog is over here.
We're at my house.
He's like I don't know he'sgoing off the rails already.
Speaker 5 (07:35):
You can kind of hear him panting in the background.
He's like all right.
Speaker 4 (07:37):
Yeah, it's like so he's got the mixing board in
front of him.
He's adjusting his mic.
Speaker 1 (07:45):
Exactly right, there we mic.
Exactly right.
Speaker 4 (07:46):
There we go.
All right, A little Bob Barkerthere.
Tim, how are you doing?
Speaker 2 (07:49):
bud.
Speaker 1 (07:50):
Exactly right.
Speaker 4 (07:53):
Putting his headphones on turning his mic up
.
Speaker 5 (07:55):
Exactly right here.
All right, how are you doingman?
Doing good, doing good.
That was challenging to playDoing good Doing good.
That was challenging to play,you know.
Just to summarize, get theminor riff of that one was
(08:17):
there's really no resources tolearn Keller Williams because
he's flying by the seat of hisbucket shorts.
Sure, you know, maybe theshorts have uh extra pockets.
I think he's a he's a cargoshorts man, but uh well, he's a
funny guy, he's hilarious.
Speaker 4 (08:33):
Yeah, I mean, is he like on stage?
On stage Very quirky.
Speaker 5 (08:37):
Okay.
Speaker 4 (08:38):
Uh, he Improvises, yeah, he he goes.
Speaker 5 (08:42):
At set break, somebody came up behind me,
scared the shit out of me.
He was all playing while he'sdoing this and he's like you
gotta play some cold play, man.
And then.
So we had a half the audiencego.
Uh and then, and then the otherit was that was for the females
(09:02):
, and then the males were doingwatermelon avocado, watermelon
avocado, and then when he'sbringing everybody together.
So we basically helped himcover his kooky version of
(09:23):
Coldplay whatever song that was.
I got you.
You know what song that is, buthe's hilarious.
I mean, he forgot a verse andhe's like ah, you know, he shook
it off.
Well, he's been doing this fora long time songs.
Speaker 4 (09:36):
Well, he's still out there.
I mean think about thelongevity you know in order to
keep doing this for so manyyears.
His discography goes all theway back to like the mid 90s and
he's still putting out albumsand he's still, he's still
touring and so I'm sure he makesa fairly decent living I think
so you would think, but uh, it'sabout he's totally a freak.
Speaker 5 (09:57):
I mean he's just, he's crazy, what a freak.
I mean yeah he likes his earlydays.
He's always talking about hispack of camel, like sure you
know what a freak and living outof the blaze of bago, which is,
you know, his Winnebago.
The blaze of bago.
The blaze of bago.
Speaker 4 (10:16):
Okay, so he's a pothead, yeah, yeah.
Speaker 5 (10:23):
Excellent guitar player.
Yeah, and he had a 10-stringguild, that's just sort of
crafted for his sort of playingbass and rhythm and lead all at
the same time.
Speaker 4 (10:35):
Right.
Speaker 5 (10:35):
With his sort of pull-offs and up and down the
fretboard, the sliding.
I mean he's very animated,Gotcha.
Speaker 4 (10:43):
Okay.
Well, let's get into it, man,because we've got a lot of songs
to cover.
I'm freaking out.
I'm freaking out, man.
So let's get into it, man,because we got a lot of songs to
cover.
I'm freaking out, I'm freakingout man.
So well, here you go.
Here's like the big bass.
Wait, is this Ty North, or doyou?
Speaker 5 (10:56):
think that this is Keller.
This is all Keller.
Others fill in the gaps, okay,but if he's playing it live the
studio I don't know about, I wasjust reading from the Wikipedia
page of the album.
Speaker 4 (11:12):
It said Tye North on bass, but it's probably.
He plays all the instruments.
Like you said, they're allfill-ins.
He composes every day.
Speaker 6 (11:20):
Oh, shout out to Cameo Word up, Then right into a
(11:48):
backspin.
Freaker Never seem to getenough Priceless expression when
space is possession, like yeah,that's the stuff.
Classic chip, I like it thatway.
(12:09):
You're just freaking out here.
What a freak.
Speaker 2 (12:20):
Are you some kind of freak?
Speaker 4 (12:25):
There's always that one guy by the speaker going
nuts.
He's probably had memories ofbeing up on stage watching
someone in a purse and goingnuts.
Oh yeah, Festival crowds arekind of like that.
Yeah, you see that one purse,kind of drunk but really into
the music.
Speaker 6 (12:41):
Rave girl with a lollipop binky and a face full
of metal.
Speaker 5 (12:46):
Keller has a rave song where he on later albums.
Speaker 6 (12:49):
check it out.
I guess Just floored the pedal.
Her mental clearance is highAre you mental?
But the overpass is low.
She ducks her head and holds ontight.
When she gets through, she letsgo, let's go.
Let's go, let's go.
(13:10):
That's the stuff.
Speaker 3 (13:24):
You got good stuff here.
Classic chip I thought you weregoing out there with a loaded
gun.
Speaker 5 (13:42):
Alright, just watching him play, it's like.
Speaker 4 (13:45):
My fingers hurt Watching him play.
Speaker 6 (13:46):
It's like my fingers hurt.
Yellow shirt bouncers gather inthe corner.
I feel like the room just got alittle warmer.
Speaker 4 (13:56):
Yep, the bouncers are converging on him.
Speaker 6 (13:58):
What up with that?
But don't worry, yo, I got yourback.
Speaker 5 (14:03):
It tells a story too.
Speaker 6 (14:04):
It's like this is big as the both of us, Big all the
arms.
Big as a school bus Everybodyon the bus.
It tells a story too.
It's like it's cool Everybodyon the bus Good.
Speaker 3 (14:18):
That's like going out there with a loaded gun.
Speaker 6 (14:21):
Shout out to something about Mary, ah, about
Mary Ah.
That's what happens when youfeel the sound.
But if that was me, I would beon the ground.
I would not get up.
I would dance on my back, throwmy legs up in the air like I
don't care.
Speaker 5 (14:38):
Who did the windmill in basketball?
Speaker 6 (14:40):
Who did that?
I bust into a windmill.
The windmill dunk and rightinto a backspin.
Yeah, I don't know.
Jordan, I'm in here withfirearms.
Never seem to get enoughPriceless expression when space
is possession, like yeah, that'sthe stuff I just burned.
They try to steal me.
(15:01):
I'm fine, hold me for my lifeand I'll die.
It's good in the day, thesebabies can go off, but it's
perfectly normal at night.
It's good in the day.
Speaker 1 (15:08):
I like it that way.
Speaker 6 (15:08):
But it's perfectly normal at night.
Speaker 5 (15:14):
You think it's going to end there, but he does the
sort of ambient, sort of solo atthe end.
I love this song, oh yeah.
Speaker 2 (15:22):
Not familiar with fire huh, classic chip, that's
like going out there with aloaded gun.
Speaker 5 (15:32):
Is that like?
Speaker 4 (15:33):
Chris Elliott.
Is that what his name was?
I'm not sure.
Yeah, he was hilarious in SonAbout Mary.
Speaker 5 (15:41):
Yeah, the guy with the the face was breaking out.
He's got the boils Exactly.
All right, this next song.
Speaker 6 (15:46):
Why can't I?
Speaker 3 (15:48):
One hit wonder.
Speaker 4 (15:59):
Gotta give it a shout-outs to wonder wonders.
Speaker 6 (16:03):
Oh that you steal from a block away.
What is the deal?
I heard this song four timestoday, real to real, back by
heavies in LA.
No, he's been keen.
Overplay is the only way.
Iron Butterfly Iron Butterflyis the only way.
Oh, devita, oh yeah.
Speaker 4 (16:24):
And the guy with DeVita Shout out to AHA.
Oh so superb.
Take Davida.
Speaker 6 (16:30):
Shout out to A-Ha Take on me.
Shout out to Dexy's MidnightRunners 15 minutes, it's all me.
You're hurt.
Speaker 3 (16:40):
You're hurt, real fucking bad.
You're hurt.
Shout out to.
Speaker 6 (16:44):
Nate and Cherry For Buffalo Stains.
Modern English Shout out toTainted Love by Soft Slick.
Speaker 4 (17:01):
Shout out to I Want Candy.
Shout out to Vanilla Ice.
Speaker 6 (17:07):
Can't forget him, is that just I don't want to blow
it.
Speaker 5 (17:16):
He's kind of making fun of himself, right he's.
Speaker 6 (17:27):
Shot to David Letterman's life.
Yeah, shout out to DavidLetterman's laugh.
Yeah, shout out to.
Speaker 4 (17:37):
Dexy's Midnight Runners.
Speaker 6 (17:40):
Come on, eileen, come on.
Speaker 5 (17:44):
Eileen yeah.
Speaker 4 (17:46):
That's so, brandy, you're a fine girl.
Come on, eileen.
Yeah, that's a brandy, you're afine girl.
Shout out to Looking Glass.
Speaker 6 (17:58):
What a good wife, you would be In and out All right,
you can't feel, you can't, youcan't feel, you can't feel,
macarena, macarena what't?
Speaker 5 (18:08):
Simple little ditty, simple little ditty.
Get Macarena, macarena with asimple little ditty.
Speaker 6 (18:13):
Los Del Rio.
Speaker 5 (18:18):
We have a power cleanser after this song too.
Okay, I'll stop the hands andthe Thin air.
Yeah, thin air.
Speaker 6 (18:25):
Oh, why can't I Latch onto your brain and be that one
song that drives everyoneinsane?
Yeah, in thin air, this couldbe a hit From a black away.
What is?
Speaker 5 (18:38):
the deal.
Speaker 6 (18:39):
I heard this song five times today.
Speaker 5 (18:50):
This could be a hit.
We should make this a hit justout of irony.
Speaker 4 (18:57):
I don't know if we have that power to do that.
I know you're right.
I wish we did.
Speaker 5 (19:01):
Overplay is the only way.
Overplay is the only wayOverplay is the only way.
Speaker 6 (19:07):
Overplay is the only way.
Overplay is the only way.
Overplay is the only way.
Overplay is the only way.
Overplay is the only way.
What the fuck is he talkingabout?
Speaker 4 (19:15):
No, we know what he's talking about.
You overplay the song, andthat's what gets it popular.
That's how you get a one-hitone.
Speaker 6 (19:23):
Ice Ice Baby was just played all the time, 15 minutes
or so In and out.
Nobody gets hurt In and out.
This baby was just played allthe time You're hurting real
fucking bad.
Speaker 2 (19:40):
But you ain't dying.
Speaker 6 (19:41):
You ain't dying.
Speaker 5 (19:44):
Are you a doctor?
Speaker 6 (19:45):
Oh, yes, all right, let's do the palate cleanser.
Speaker 1 (19:56):
All right, you freakers doctor oh yes, all
right, let's do the palatecleanser?
All right, he's, you know, he'sa, that's a one hit wonder, two
hit wonder all right, shout outto cameo.
Speaker 4 (20:04):
Didn't he have like a cod piece?
I'm not going to go there.
Speaker 5 (20:10):
I'm a salmon guy.
He had a salmon piece.
Speaker 4 (20:20):
This is baby making music.
Shout out to Jacko Pistoriusyeah, Jacko.
Speaker 5 (20:29):
All I need is some.
Yeah, Jacko, All I need is sometasty waves, cool buzz and I'm
fine.
Speaker 4 (20:35):
This song is called Hunting Charm this is excellent.
Speaker 5 (20:39):
Shout out to the runners.
Oh yeah, really good running orexercise.
It's got that continuous sortof jazzy yeah, yeah, yeah.
Speaker 2 (20:47):
It's got that continuous sort of jazzy.
Yeah, yeah, oh yeah.
Speaker 5 (20:59):
This might be where Ty plays.
Based on this, I don't know.
Speaker 4 (21:02):
I hope so.
Yeah, he's good, ty North.
Speaker 3 (21:07):
It's just tight, yeah , drums, check it, check it,
check it, check it.
Is it tight north?
It's just tight, yeah, drums,check it, check it, check it
check it.
Speaker 5 (21:21):
Mmm, you know where it's going.
It's going mouth trumpet.
That's another thing.
He's got up his sleeve Mouthtrumpet.
Speaker 4 (21:29):
Oh, okay.
Yeah, I was just going to sayyou'll hear it.
I mean, all trumpets are mouthtrumpets, aren't they?
Speaker 5 (21:34):
Well, he doesn't actually have a trumpet.
Maybe these are actual trumpetsactually.
Let's see, Are these actual?
Speaker 4 (21:44):
trumpets.
This is Wikipedia.
Let's go to laugh.
Are these actual trumpets?
Yeah, this is Wikipedia.
Let's go to laugh.
Are you ready to laugh?
Speaker 5 (21:53):
Because he does do the mouth trumpet.
It's a trombone.
Speaker 4 (21:58):
Oh, wolf Quinn Shout out.
He's probably doing the mouthtrumpet with the real trumpet,
yeah.
Speaker 3 (22:21):
That's what's going on.
It's loaded.
Speaker 5 (22:26):
It's loaded.
I'm all thumbs tonight.
Yeah, it's alright.
Speaker 4 (22:45):
Yeah, the bass is super low.
Speaker 2 (22:46):
I like how they low it, oh God.
Speaker 4 (23:03):
It's getting crazy.
Yeah, shout out to WisconsinInfomaniac and Mike Crotty Shout
out to Crotty on the flute, onthe jazz flute.
Speaker 2 (23:16):
There's no flute on this one, though.
Speaker 5 (23:20):
I bet.
Speaker 1 (23:21):
This is Taylor.
Speaker 2 (23:27):
Probably it's a great song.
Yeah.
Speaker 4 (23:37):
Hunting Charlie.
All right, this is going to bea tough vote.
Yeah, I have no idea.
I think you always like,whenever you do your song, it's
always like a hint as to whereyou're going to go with your
vote.
Speaker 5 (23:57):
I really do like the instrumentals on this, but we'll
see Kidney in a Cooler at theend would be the hit to Keller
Williams fans.
Speaker 4 (24:07):
Mm-hmm, cooler at the end would be the hit to Keller
Williams fans.
Speaker 2 (24:14):
Okay, that was good.
Speaker 4 (24:16):
And the next one.
This is Alligator Alley.
Shout out to Ryan Lochte,Florida Gator.
Speaker 6 (24:37):
Oh man, it feels so weird to be dry.
Yeah, you don't want to swim inan alligator alley, that's so
cool.
Speaker 4 (24:53):
Shout out to the swimmers out there, Sure Shout
out to the backstrokers thebreaststrokers.
Speaker 5 (25:06):
All the uh, All the other strokers.
Speaker 4 (25:13):
Yeah to all the strokers out there, keep on
stroking.
Speaker 6 (25:16):
Wait, just a minute.
Speaker 4 (25:28):
Shout out to the air boaters.
I'm on the search forexcitement.
Speaker 5 (25:32):
The imaginary boaters .
Speaker 6 (25:35):
And I set Willie free Willie.
Speaker 5 (25:38):
Yeah, that was me.
You just said all thealligators free killer.
Speaker 6 (25:42):
What the hell man?
I'm stroked down AlligatorAlley Flipping to the freestyle.
Try to pick up some speed.
I would never swim an alligator.
Speaker 4 (26:05):
I wonder, if people do that, I guess you ain't dying
.
Speaker 5 (26:13):
I always thought it was more of a survival thing for
me.
I would never be a competitiveswimmer, I would just be a
survival swimmer.
I swam in high school.
Now that my legs are breakingdown You're a soccer player I'd
be willing to swim some strokes.
Speaker 4 (26:36):
I mean later on in life.
It doesn't break your jointsdown.
Speaker 6 (26:42):
Yeah, now we're going into something.
No, now we're going intosomething.
Now he's chained up.
Speaker 4 (26:58):
I don't know, yeah, I don't know where this is going.
I think.
Speaker 2 (27:02):
Where'd you get this jacket?
Speaker 3 (27:03):
I got this in the network Let me Shout to Spicoli.
Speaker 5 (27:09):
Oh the network.
Let me Shout out to Spicoli ohthe racket.
Good, open chords here.
Subtle lines in between Subtle.
I bet Jonathan would like thissong, oh yeah.
Speaker 6 (27:23):
Rollerball Jonathan.
Oh yeah, rollerball Chattin'with the fan, so I don't die
Doin' the backstroke down.
Alligator Alley, flip it to thefreestyle.
Try to pick up some speed.
(27:44):
Ain't no time for breaststroke.
I gotta get my ass to the otherside nice, uh, simple chord
(28:06):
Swim for your life.
Speaker 4 (28:07):
It's a nice, simple chord, simple chords there, swim
for your life.
It changes up the speeds,naturally.
This is really good.
This is a good song.
I always thought I'd be a goodFlorida hood.
All right, yeah, that's a greatway to end that one.
Speaker 2 (28:20):
All right, that was all too good.
Speaker 4 (28:21):
Good job.
Speaker 3 (28:23):
Hey, bud, let's party , Okay, so yeah, hey bud, let's
party.
Speaker 4 (28:26):
Okay, so, yeah.
So this is because this song iscalled Spring Buds, tasty waves
, cool buds and he's fine.
But this is very it's a tenderballad.
Speaker 5 (28:37):
Yeah, we have a tender Tender one here, yeah, so
On the last naked day of winter.
Speaker 4 (28:57):
On the eve of a fateful thaw.
Every good album's gotta have apower balance.
Speaker 6 (29:02):
I wasn't imprisoned in frozen tears.
Speaker 4 (29:04):
It's not even a power , it's just a balance.
It's not a power balance.
Of heartbroken love, I thinkpower is just a balance, not a
power balance.
Heartbroken laws.
Speaker 3 (29:18):
L-A-W-S.
Not loss, not heartbroken loss.
Speaker 6 (29:25):
That was a nice play on words.
This guy's a poet.
Speaker 4 (29:36):
Shout out to Scarface this really is Class A shit.
Speaker 2 (29:42):
Class A shit.
Speaker 3 (29:42):
It's beautiful, it's beautiful.
Speaker 6 (29:51):
Yeah.
Speaker 4 (29:52):
People have their lighters on.
Oh yeah, I don't think he playsthis live.
Maybe he have you heard any ofthese songs on this album live?
Any shows you've been to Kidneyin the?
Speaker 5 (30:03):
Cooler, okay, maybe Bobby Hachet.
Speaker 6 (30:06):
Okay.
Speaker 4 (30:08):
One of those crowd favorites in the Keller Williams
community.
Speaker 2 (30:13):
For sure.
Speaker 4 (30:13):
Freaker by the Speaker.
Yeah, it's a big one, it's ahit.
I could see that.
I don't know.
Speaker 5 (30:30):
Good drum on this, our altered states.
Speaker 6 (30:33):
Oh, mm Good drum on this, and sweet lightning struck
.
Speaker 4 (30:41):
And the earth opened up.
The earth opened us, not openedup Like spring.
Speaker 1 (30:51):
Yeah.
Speaker 5 (30:54):
Shout out to the gardeners out there.
Speaker 4 (30:57):
Shout out to the poets Digging that last simile.
Speaker 5 (31:02):
They're digging it.
Huh, the poet gardeners aredigging their last in Sinaloa,
yeah.
Speaker 6 (31:20):
Oh man In the sacred heart, share everything We'll
blossom through.
The spring spring star of themorning shines now on her own
two wings then sweet light doesit.
Speaker 3 (31:48):
Then sweet lightning struck, there's a slap, mm-hmm,
did you hear that?
Yeah, it does.
Like a, can the earth overcomeA?
Speaker 4 (31:54):
slap rhythm.
Yeah Well, that means employinga lot of different bass
techniques, like spring.
Speaker 5 (32:02):
Does it on all.
Like the whole, it's prettycool.
Then, sweet Lightning's Drum,I'll give you a topic Getting a
little verklempt.
Speaker 6 (32:21):
Like spring.
Speaker 4 (32:22):
The song Spring Buds by Keller Williams.
Discuss.
Speaker 5 (32:30):
Amazing, okay.
Buds by Keller Williams.
Discuss Amazing, oh God, okay.
Speaker 1 (32:33):
God, that chokes me up.
Speaker 5 (32:37):
We're on to Mental Instra.
Speaker 4 (32:40):
It's called Mental Instra.
Speaker 5 (32:43):
Are you mental?
Speaker 3 (32:44):
Exactly.
Speaker 5 (32:46):
It's going to get wild here.
This is more than half minutes,more than half a minute.
Speaker 4 (32:51):
Prowess on this.
Speaker 5 (32:52):
This is Keller.
Speaker 4 (32:53):
This isn't tied, it's all.
Keller, I got in a knickerbatch.
It's tolerable, officer andharmonics.
(33:50):
We'll have an axe coming at you.
Some people will be gettingriddles.
Speaker 5 (33:59):
This is wild.
This is good.
He does the tune and back Right, it's so he's employing heavy
metal techniques.
Speaker 6 (34:14):
Sure and acoustic Ah.
Speaker 5 (34:18):
His googly ass flute.
Speaker 4 (34:23):
Sounds like Joni Mitchell.
Speaker 6 (34:28):
Help me.
Speaker 4 (34:29):
I think I'm falling in love with you.
Are you mental?
Speaker 3 (34:48):
What the fuck is he talking about?
What the fuck?
Speaker 4 (34:59):
Shout out to Mike Crotty on that flute thing,
crotty.
Speaker 5 (35:06):
Cry, crotty, crotty, crotty.
I'm going to cry karate, karate, karate.
Speaker 4 (35:11):
Not to be confused with Ryan Lochte, you're the
next contestant on the Price isRight.
So it changed the tempo upbecause up and down, up and
(35:44):
downs.
I like this change.
(36:08):
You know where this is going.
Speaker 5 (36:12):
Bangers, bangers only .
Yeah, it's kind of headbanging.
Speaker 3 (36:21):
Acoustic.
Mom, I am going to rip off yourhead and shit down your neck
perfectly placed all right, yeahexactly right it's gonna be a
(36:55):
little laugh.
Speaker 4 (36:59):
Don't let this play out yeah we're streaking All
right Now.
This is the next song.
It's Babiace.
This is the one that Tim wasplaying earlier.
Speaker 2 (37:21):
It's a little.
Speaker 4 (37:22):
Letterman background there.
Letterman Leno Oprah on thereletter letterman leno oprah this
is the song for the runners andthe walkers just walking, make
sure you have your walking shoes.
Speaker 5 (37:37):
If you're walking, you're running shoes.
Speaker 4 (37:38):
If you're running, okay adjust your head buds a
little bit, a little loose ah,let's party with those head buds
.
Speaker 5 (37:47):
Wild card hey.
Speaker 6 (38:08):
Why is everybody so tense?
It's a party disregard for theuptight runner uptight runners.
Speaker 4 (38:17):
No, not our audience, not our it's gonna reference
the movie Rollerball 1975 aboutthe future, which is 2018.
Dystopian corporate takeoverkind of thing, James Caan.
Speaker 6 (38:46):
Shout out to the.
Speaker 4 (38:46):
Jonathans out there From that movie.
Speaker 6 (39:02):
Jonathan, jonathan, precision.
My mind is clear.
As a race car driver's, Icannot afford a poor decision.
I like this place.
I don't want to leave muchbetter than reality.
Speaker 3 (39:22):
This wasn't meant to be a game.
Speaker 4 (39:29):
A little clip from the 75.
John and Ben.
John and Ben.
Speaker 5 (39:36):
John and Ben.
Lots of pull-offs andhammer-ons.
Slides Endless, endless slides,hammer-ons and pull-offs.
Slides, endless, endless slides, hammer-ons and pull-offs.
All day, all day.
Speaker 6 (40:06):
I mean Keller's arms are it's are just very big.
Speaker 5 (40:12):
He's got some ham hocks no no, yeah, he can play.
Speaker 4 (40:18):
He's got to be strong to do that.
This is your kind of a song.
This is your deal.
This is good.
Speaker 6 (40:25):
Yeah, for you.
Speaker 4 (40:27):
Some of the little too.
There's a little bit too muchof that.
It's a little too noodley toeach his own.
There's gotta be a littlepushback.
You can't just like loveeverything yeah, it's supposed
to be.
Speaker 5 (40:41):
It's almost playing off of like heavy metal.
Well, yeah, in a tongue incheek, kindcheek kind of way, is
that?
Speaker 6 (40:50):
what the intention was.
I think it is Okay.
Speaker 5 (40:55):
It was all about how good he was, how fast he was.
Exactly, yes, when he plays.
There was one song that hecovered.
It was a classic rock song andthen he got to the solo and he
just went.
He stopped the whole song, didlike one, two, three, four notes
(41:15):
, and then and then he went, andthen he went back to the song
because the solo was just tooinsane for him to actually cover
it I got you he kind of just weknow he can play, so it's not
about I gotcha okay.
Speaker 4 (41:29):
So this one's called Bob Rules this is about Price is
Right.
Speaker 6 (41:33):
There's all kinds of references.
Speaker 1 (41:36):
Price is Wrong Bitch, exactly right.
Speaker 6 (41:41):
Shout out to Bob this is the bluegrass tune.
This is one of the Goodmandolin playing.
Speaker 4 (41:48):
It's the bluegrass tune.
Speaker 6 (41:51):
There's one mandolin playing there.
Shudder Danny nicely, themandolin Fools.
It's the Mitsubishi Miragefour-door sedan with a clutch.
Call my name and sit.
Come on down.
(42:11):
You're the next contestant.
Oh my God, I washyperventilating.
Speaker 1 (42:17):
We've all been there, you're just fucking out here.
Speaker 6 (42:21):
I hope I do not wake up from this dream.
It was what it was.
Speaker 1 (42:28):
After all, we have been on for 35 years.
35 years, yes, and it has neverhappened?
Speaker 4 (42:36):
Yeah, that was a reference to a guy who bid.
One guy bid $1,000, and thenthe last guy to bid he bid $9.99
.
Speaker 5 (42:44):
It's a dumb thing because you can't go over.
Speaker 4 (42:47):
But he guessed it right, like right on the nose.
It wasn't the only time that ithappened.
Stairmaster machine yeahstairmaster machine, our beloved
(43:08):
.
Speaker 5 (43:10):
Put me down, son, and feast your eyes over there.
Speaker 6 (43:15):
The sliding doors were a brand new car.
I was as happy as I could get,for it was a brand new car, a
Chevrolet Chevette.
All because the voice of anangel that belong to right Call
(43:37):
my name and say you're the nextcontestant.
Oh my god.
Speaker 3 (43:47):
Oh my god, I was hyperventilating.
Speaker 6 (43:50):
I hope I do not make a promise.
The price is wrong.
Bitch the price is wrong, bitchwhat Hi.
Speaker 5 (44:10):
That's what I would do.
Hi Mom, my mom, price is right,ma, ma Ma.
Speaker 6 (44:17):
Ma Ma.
Speaker 1 (44:19):
Hi, hi, mom Rod leapt from the stage into the
audience.
Speaker 4 (44:29):
The best swing.
You have two high prices.
The third one says $1.
And then the fourth guy says $2.
I've seen that before, that'ssad, you can't guess $1 too
early.
You have to be the last person.
The person that's been up therethe longest gets to pick last
(44:50):
because he gets the favor ofknowing what everybody else
picked.
It's gotta be embarrassing whenyou're picked right in the
beginning and you go the wholeway without making it up on
stage.
Speaker 5 (45:05):
This is a reference to.
Speaker 4 (45:09):
Gunsmoke?
I think yeah, something likethat.
Speaker 6 (45:11):
Westerns, so it's bluegrass and western at the
same time.
There it is they have adifferent games.
Speaker 4 (45:32):
I like Quanko, that was good.
The rock climber.
Speaker 6 (45:41):
The yodeler.
Speaker 2 (45:47):
The wheel.
Speaker 6 (45:48):
Showcase show.
The wheel, who did not like theshowcase and passed it on over
to me, crunching the numbers.
I tried to remain calm how muchis an all-expenses-paid trip to
Guam Guam?
Before I could answer a banginggame to my door, the
(46:11):
housekeeper said you must leavenow or pay more.
You have no good.
I guess that I fell back asleepand slept right through that
show.
But the next time I'm in LA,you know where I'm gonna go.
Speaker 1 (46:31):
Exactly right.
Speaker 6 (46:32):
And hope for the voice of an angel that belongs
to Rod Roddy.
Come on down.
I've called my name and sincecome on down, you're the next
contestant.
Hey, this wasn't meant to be agame.
I hope I don't hyperventilate.
I hope I do not wake up fromthis dream.
Speaker 1 (46:57):
You're just freaking out here.
Speaker 5 (47:01):
Which is what it will be.
Speaker 3 (47:03):
Oh God, oh God Okay.
Speaker 4 (47:07):
Alright, this one's called Freak Show.
Speaker 6 (47:10):
Look at you some kind of freak With the people on the
outside, don't?
know, I think the bond goes here, the tent goes up Is that what
this is?
And the tent comes down and allthat they see is the show.
The ladies on the horses lookso pretty and the lions are all
(47:31):
looking real mad and some of theclowns are happy, you know,
some of them are sad.
But underneath there's anexpression how am I funny like
I'm a clown?
How am I funny like I'm a clown?
I am you, you, how I mean?
Funny like I'm a clown.
It's about freedom.
It's about faking.
There's an art to the laughter,there is a science.
(47:55):
You need a lot of love andcompliance.
You need a lot of love andcompliance.
Welcome to the freak show.
Here we go.
It's just another freak show.
Welcome to the freak show.
Here we go.
It's just another freak show.
Here we go.
Welcome to the freak show.
Here we go.
It's just another freak show.
(48:16):
Here we go.
Welcome to the freak show.
Here we go.
It's kind of Hawaiian.
Here we go.
Speaker 5 (48:19):
Welcome to the freak show.
A little too repetitive.
Another freak show, here we go.
This is one of his big encoresongs that he plays usually okay
what a freak we live to hearthe slack jaw gasping.
Speaker 6 (48:40):
We live under a halo of held breath, and when the
children raise up a giant shieldof laughter, it's just like
they're fending off death and wecan see how they do.
At the end it's like you'respent the clowns will all take
off their makeup and all thepeople will all go home life on
the outside funny.
No elephants, no sequence, noparading around.
(49:04):
Yeah, the circus comes and thecircus goes and they're stuck in
this fucking town.
Yeah, this piece is calledDon't Lick my Love, pump Hi and
(49:25):
compliance.
You need a lot of.
Welcome to the Freak Show.
Here we go.
It's just another Freak Showhere we go.
Welcome to the Freak Show, herewe go.
It's just another Freak Showhere we go.
Speaker 4 (49:39):
Welcome to the Freak Show.
Here we go.
It's just another Freak Show,here we go.
Speaker 6 (49:42):
Welcome to the Freak Show here, we go, it's just
another Freak Show.
Here we go.
Welcome to the freak show.
Speaker 5 (49:47):
Here we go.
It's just another freak show.
Speaker 4 (49:50):
Here we go.
Welcome to the freak show.
Here we go.
It's just another freak show.
Here we go.
Speaker 6 (49:54):
Welcome to the freak show.
Here we go.
It's just another freak show.
Here we go.
Welcome to the freak show.
It's just another freak show.
It's mandatory Welcome to.
I love applesauce.
Speaker 4 (50:17):
Getting back to the jazz, here we go.
It's called Galavance.
A lot of songs on this he'sreally good.
Speaker 6 (50:59):
Yeah, he's really good, yeah, driving and a-diving
, dreaming and denying.
Speaker 2 (51:04):
Dream the diffusion Of the dying disillusion.
Speaker 3 (51:12):
Very poetic, yeah, thank you.
Speaker 4 (51:18):
Yeah, he's original.
Put a lot of thought, craftinto the words, the lyrics.
It's a lost art.
Speaker 5 (51:35):
He's not afraid to not have it fit perfectly.
Speaker 6 (51:38):
Right.
Speaker 4 (51:42):
That's an art in and of itself.
You don't have to rhyme exactly, it goes for it.
Eminem does that tooFlabbergasting.
Speaker 5 (51:54):
Yeah, eminem, in comparison to Keller Williams,
love that well, I mean twodifferent genres, but that's
what makes them good, is thatthey they can fit.
Speaker 4 (52:05):
Words in Neil Peart rushed it yeah, words that don't
normally fit and they don'tnecessarily rhyme.
The way you can make them rhymeand have it all fit together,
that's the that's the art,that's the genius part.
Speaker 6 (52:20):
Fit into a theme.
People don't do that.
Yeah, I know, flabbergastingGalavantine.
Speaker 4 (52:38):
It's probably one of the least.
Filler songs Listened to song,but not bad.
Speaker 2 (52:52):
I kind of liked it.
Speaker 4 (52:54):
Yeah, it was a filler , you're right.
What is that?
What's that?
In the background, not bad, Ikind of liked it.
Yeah, it was a filler, you'reright.
What is that?
What's that tobacco?
It sounds like he's swishinghis mouth with water or
something I'm sure he is Likegargling.
(53:21):
Definitely this one is called.
God is my Palm Pile.
There you go, see.
It's like oh God, oh crap.
Speaker 5 (53:33):
Yeah, I was playing this song and my dog started
barking about barking In adisturbed way.
Yeah, this part, the sort ofthroat singing, oh, this part
Disturbed.
So if you have animals andthey're sensitive to this one,
(53:57):
my dog seemed to this one yeah,my dog seemed to not like.
Speaker 4 (54:02):
Well, that's him kind of talking into the computer
frame thing Keep forgetting whatthat thing is called Auto.
Speaker 5 (54:09):
Yeah, auto Tune, no Well.
Speaker 4 (54:15):
It's not the Vibra Slap.
That's the Wi-Fi, though, okay.
Speaker 5 (54:25):
This is like a modern version of Pun Her Too the
(54:52):
Mongolian throat singers Throatsingers.
Speaker 4 (54:55):
I just wish he didn't have that part in it.
Speaker 2 (55:03):
It was such a cool transition, but that was a
little too much.
Speaker 3 (55:06):
Ha ha ha, it's getting louder.
Speaker 4 (55:15):
That's not us.
That's not us.
That's not us fucking aroundBoxing.
Speaker 3 (55:47):
Yeah, exactly right.
Speaker 4 (56:03):
This would be very radio friendly.
This is an egg.
No, I know why it's not an egg.
But I mean it's a good.
Speaker 3 (56:14):
It's a little harsh, but it's a good.
Speaker 4 (56:16):
It's a little, it's a little harsh, but it's got some
good stuff.
Almost tolerable, yeah, it'salmost tolerable.
Speaker 1 (56:27):
Much soft money Can I expect to collect in exchange
for my core values?
Speaker 5 (56:33):
We've got crooked here, this is called crooked.
Speaker 6 (56:45):
I ain't crooked, although I follow the path of
least resistance.
No, I ain't crooked, although Ifollow the path of least
resistance.
I just try and do my thing andmaintain my existence, maintain,
(57:07):
maintain.
Speaker 5 (57:09):
I ain't stupid.
Speaker 6 (57:15):
Although I did not complete all of my schooling.
No, I ain't stupid.
Speaker 4 (57:20):
He does a lot of accents.
Speaker 6 (57:23):
Although I did not complete all of my schooling.
I ain't crooked, I ain't stupid.
Speaker 4 (57:30):
I thought he graduated from Weston Virginia
Wilson.
Maybe he dropped out.
Speaker 3 (57:38):
They had so much fucking money in there, you
could build a house out ofstacks with a hundred dollar
bills.
Speaker 2 (57:42):
I got to cry.
Speaker 3 (57:48):
Let me have a few minutes.
Let me stop this.
Speaker 4 (57:52):
Eh, no one wants to hear it.
Richard makes it.
Speaker 2 (57:58):
I don't want to mess with you.
Speaker 6 (58:01):
Richard Nixon, Although I may appear to be
shaking, I ain't waking to thefaking baking partaking and the
(58:22):
headache and corn flaking.
I ain't faking baking.
What the fuck is he talkingabout?
But my mama tell me that it'strue.
What, Hi?
Speaker 3 (58:41):
And right now, which one of you is mom One thing is
for sure I'm lucky, I got you.
Speaker 4 (58:52):
Mom, I'm going to rip off your head and shit down it,
I'm having a right.
Speaker 3 (58:59):
You can take a penny from the tray From the crippled
children.
Speaker 6 (59:04):
No, that's the job.
I'm talking about the tray, thepennies are for everybody, oh,
for everybody.
Yeah.
Speaker 3 (59:10):
Well, those are whole pennies, All right.
I'm just talking aboutfractions of a penny, okay, but
we do it from a much bigger tray.
We do it a couple of milliontimes.
Speaker 4 (59:23):
Shout out to the Office Space fans.
Speaker 1 (59:27):
Hey buddy, how you doing this is Chickahop.
That's.
Fred Collins Just wondered ifthe monthly policy.
Speaker 4 (59:32):
What are the chances?
Speaker 1 (59:33):
that.
Speaker 4 (59:33):
Jennifer Aniston's Keller Boys fans.
Speaker 5 (59:38):
Name is Laurel Trappin' and his name is
Chickmunk Trappin'.
What?
Speaker 1 (59:41):
are the chances that Jennifer Aniston's Keller?
Speaker 3 (59:44):
Boyd's family.
You take a pen from the tray,from the crippled children.
Speaker 4 (59:48):
No, that's the jar I'm talking about the tray.
Speaker 6 (59:55):
What the fuck is he talking about?
You know, give me a call backsometime when you've got some
chance and we'll talk about sometramps.
Speaker 5 (01:00:04):
That's probably an actual call that I didn't quite
pick it up.
Speaker 4 (01:00:10):
What's going on in there?
Speaker 5 (01:00:12):
I have no idea.
Speaker 4 (01:00:13):
Why don't you give me a call back.
Speaker 6 (01:00:22):
Let's talk about it.
Speaker 4 (01:00:28):
Fraction of a penny From the crippled children no no
that's the jar.
Speaker 6 (01:00:34):
I'm talking about the tray.
Speaker 4 (01:00:38):
We've all been there at the gas station, don't touch
those pennies.
Speaker 6 (01:00:44):
Yeah, I get squeamish .
I just try and do my thing andmaintain my existence.
You just try and do your thingand maintain your existence.
Speaker 4 (01:00:54):
Right by those horoscope roll-up things by the
counter.
Speaker 6 (01:01:01):
What else is up there there's?
Speaker 4 (01:01:04):
like dirty pennies, the jar the horoscopes Some
ho-hos.
Yeah, the cigarillos.
Speaker 5 (01:01:14):
I always thought I'd be a good Florida whore, all
right.
Speaker 6 (01:01:50):
This is called Old Lady from Carl's Garden.
It's only a minute long.
It's kind of cool, verycharming, talking with an old
(01:02:12):
lady down at the corner bus stopTalking about Jesus and how her
heart he won.
Talking with an old lady downat the corner bus stop.
She said expect you a miracle,for today you done All right,
and now we're going to a kidneyand a cooler.
Speaker 4 (01:02:34):
This is a Of all the plays aside from Freaker by the
Speaker.
This one's got the most listens.
So far, so good, Good bassplaying.
Speaker 5 (01:03:04):
He's getting a little picky on this.
A little picky, a little pickup and down Perpendicular.
Speaker 6 (01:03:12):
A break in the schedule.
Sufficient cool, think.
Well, we thought we were doingthe right thing.
Now can I be too picky and shyon a Sunday?
Then I'd walk the mechanic withthe perpendicular teeth,
perpendicular teeth,perpendicular teeth,
(01:03:35):
perpendicular teeth.
Oh yeah, oh yeah, oh yeah.
Speaker 3 (01:03:37):
Perpendicular teeth.
Perpendicular teeth.
Speaker 6 (01:03:38):
Oh yeah, oh yeah, perpendicular teeth,
perpendicular teeth,perpendicular teeth oh yeah,
about 17th hour they pulled usup in the bay and foggy, too,
started taking down the hood.
(01:03:59):
Sailing now, yes.
Speaker 4 (01:04:20):
They're waiting for their car.
That's what's going on.
Speaker 6 (01:04:26):
We're going to sail.
Speaker 4 (01:04:45):
There's got to be a story behind this, I guess.
Speaker 6 (01:04:49):
Only two days later, on the way down to Deep Ellum,
we broke down in Oklahoma, wherea wind come behind the rain.
We got towed to Calgary where awoman's car took priority.
She had a kidney in a cooler,so two nights we had to stay so
she could deliver the kidney.
Speaker 3 (01:05:10):
Deliver the kidney.
Speaker 5 (01:05:11):
That sounds awful.
Deliver the kidney.
I think it's just a song out ofsome mixed up travel plans.
Things are going wrong.
There's a lien of cooler.
I'm sure it happened.
Speaker 6 (01:05:28):
Oh yeah, oh yeah.
Well, if you go down to DeepEllum to the gypsy tea room,
tell them I'm broke down inPerry and I'll try to make it
back soon.
Well, if you go down to DeepEllum to the Gypsy Tea Room,
tell them I broke down in Perryand I'll try to make it back
soon.
Oh sweet mama, your daddy gotthem.
Speaker 5 (01:05:48):
Deep Ellum blues.
Now he's going right into acompletely different song.
Speaker 6 (01:05:56):
Oh sweet mama, your daddy got them deep.
Villain bleeds.
Now I know I will be paying onthe concept after it's through.
Speaker 5 (01:06:05):
He puts the nod right in there, right but there's
something I got to do.
Speaker 6 (01:06:09):
It's pretty rare A big-ass bus with a satellite
dish, A double-decker,double-wide.
What I wish I a dream-openedeye.
Speaker 5 (01:06:16):
That this be true.
Oh, get ready for some raps,yeah.
Speaker 6 (01:06:19):
My double-decker double-wide, my double-decker
double-wide, my double-deckerdouble-wide, oh yeah, my
double-decker double-wide, mydouble-decker double-wide, my
double-decker double-wide.
Oh yeah, oh yeah, oh yeah, ohyeah, my double-decker
double-wide, oh yeah, oh yeah,oh yeah, oh yeah.
(01:06:42):
Yeah, it's gonna have two icemakers and both refrigerators, a
silent but violent generator Torun the subwoofers and the
disco ball, the escalator up tothe dance hall On the second
floor with a giant skylight, adriving range and a cool jet
light For skinny dipping rightafter the show.
Oh damn.
Perpendicular teethDouble-decker.
Speaker 4 (01:07:16):
Little America.
Speaker 6 (01:07:17):
I will work for my double-decker double-wide
Perpendicular teeth in LittleAmerica.
Deliver the kidney in mydouble-decker double-wide
Perpendicular teeth in LittleAmerica.
Deliver the kidney in mydouble-dagger double-wide
(01:07:39):
Perpendicular teeth in LittleAmerica.
Deliver the kidney in mydouble-dagger double-wide
Perpendicular teeth in LittleAmerica.
Deliver the kidney in mydouble-dagger double-wide.
Deliver the kidney In mydouble-decker A double-wide
Perpendicular teeth LittleAmerica.
(01:08:00):
Deliver the kidney In mydouble-decker Double-wide
Perpendicular teeth.
Speaker 4 (01:08:08):
Little America, little America.
Speaker 5 (01:08:11):
Double-decker, double-wide, the traditional
Freaker reprise.
Yes, but the traditional,amazing.
Speaker 4 (01:08:24):
All right.
So the reprise is going to playin the background.
We're going to turn it down alittle bit.
We'll give our top three.
We need to speak, all right.
So what are you thinking, man?
Let's get into the top threeand we always start with you.
So do you know what your topthree?
Speaker 5 (01:08:45):
is.
I think my top three has got tobe One Hit Wonder.
Just because you know what arewe doing here?
We're doing greatest non-hits.
How can it not be on my topthree, one-hit wonder?
Speaker 4 (01:09:04):
Of course, yeah, it's a great song, I agree, that's
your three Catchy, you know sortof drones on and overplay is
the only way.
Speaker 5 (01:09:13):
I kind of like just the composition of that one
Really good song.
Speaker 4 (01:09:21):
You know some of these songs.
He's really, really talented.
Don't get me wrong.
I just it's like sometimes lessis more, sometimes more is more
I like.
One of the things I liked aboutthis is the the instrumentals,
and so, like my number three isgoing to be one of the
instrumentals.
It's going to be mental instraw oh, amazing, that'll be
(01:09:44):
nice.
Speaker 5 (01:09:44):
This is great.
I knew you would like that oneI did.
Speaker 4 (01:09:47):
I liked it a lot.
You know, there was like a lotof tempo changes and it was like
it was just cool, it was justlike very easy to listen to and,
uh, just kind of cut throughall the noise.
And so that's my number three.
Okay, yeah, what about yournumber two?
What do you think?
Speaker 5 (01:10:06):
I mean I love Freak Show because I mean I love Freak
Show because excellent lyricsit really does.
Keller is that guy that willmake a song about the roadies.
You know the carnival behindthe show.
Yeah, he really is a workingman's musician and I think, yeah
(01:10:33):
, there's a lot of freaks in thejam jam world and he also pays
homage to them and, okay, theykind of make his career.
Speaker 4 (01:10:42):
So no, that's a good one, that's a.
You're going deep with that.
Um well, first of all, before Iget my number two is freaker by
the speaker again.
Are these all non-hits?
Yeah okay, I'm gonna go numbertwo.
Fre the Speaker.
Speaker 5 (01:10:55):
Nice, it had to be on there yeah.
Speaker 4 (01:10:57):
It had to be on there , and so it's a little bit newer
to me than it is for you, andso that's going to be my number
two.
Speaker 5 (01:11:04):
Okay yeah, really catchy yeah, and obviously a lot
of these songs on a differentday could be in the top three,
my top three For the listener'spoint of view.
Speaker 4 (01:11:24):
I mean.
Speaker 6 (01:11:24):
It's hard I want.
Speaker 5 (01:11:25):
Yeah, I'm going to go Hunting Charlie just because I
like the jazzy weirdness.
Yes, yeah, I've always lovedthat song so much on this album
as sort of a sleeper.
It deserves to be on there.
It's sort of jazzy.
Obviously, kidney In Cooler isa great sing-along.
If you've got kids and you needa good sing-along song, that's
(01:11:50):
a good one.
And obviously Bob YatcheGalavanting was great, crooked,
great song.
I'm going Hunting Charlie forthat.
Speaker 4 (01:12:00):
Okay, one spot Right on.
I'm going to go with One HitWonder.
Nice, I liked it.
Yeah, it was just I don't know.
I just think the way it'sconstructed and it's not too
much, it's not overbearing, oh,and it's not too much, it's not
overbearing, and it's smooth,and it's really good listening.
Speaker 5 (01:12:22):
Well, maybe I want to make Alligator Alley my number
one, I don't even know.
Speaker 4 (01:12:27):
Well, what are you going to change that Alligator?
Speaker 5 (01:12:28):
Alley, I'm striking it off.
Speaker 4 (01:12:31):
Well, I mean, are you backing out the other two?
Are you backing out One HitWonder out of it, or are you
going to go?
No, are you backing out one hitwonder out of it.
Or are you going to go, or areyou just going to take your
number one out of it allcompletely.
Speaker 5 (01:12:38):
Yes taking number one out of it completely Hunting
Charlie is out.
Okay, you wanted that to be aspoiler.
Alligator Alley, it's abeautiful song.
Speaker 4 (01:12:47):
It is.
It was a great song.
Speaker 5 (01:12:48):
See how hard this is for us.
It is hard, yeah, all right.
Speaker 4 (01:12:57):
All right, we got some good songs in there.
Great album, great artist.
Speaker 5 (01:13:00):
Hope you enjoyed the show.
Put it in the jar, put it inthe tray.
Speaker 4 (01:13:03):
We're talking about the tray.
That's the jar.
We're talking about the tray.
Kellett Williams is the tray.
String Cheese is the jar.
He's the tray.
Hope you enjoyed it.
Keep listening, take care.
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