November 21, 2024 • 67 mins
What do you get when you mix rock, world music, and folk elements with a dash of humor and a sprinkle of nostalgia? Join us for a lively exploration of Rusted Root's eclectic sounds, where we promise you'll learn something new about their breakthrough album "When I Woke" and the infectious tune "Send Me On My Way." We chat about the band's use of acoustic instruments, diving into their diverse influences from African, Latin, and Native American music, as well as celebrating their energetic live performances. With a spotlight on band members like Mike Glabicki, Liz Berlin, and Patrick Norman, we also share Tim's quirky preparation rituals with unique beverages, providing a humorous twist to our conversation.
Reminiscing about college days and the evolving drug scene, our musical journey is peppered with nods to Seth Rogen, "Family Guy," and SNL sketches. Get ready for a wild ride through basslines, guitar unity, and the impressive work of producers like Bill Bottrell. From hippie culture critiques to shoutouts to tea drinkers, we embrace the whimsical blend of music, exercise, and humor. Join us as we riff on music styles, from barbershop to jazz, appreciating Rusted Root's unpredictable tempo changes and over-the-top happy tunes. It's all about finding joy in the beats and maybe, just maybe, working up an appetite for a good tune or two!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I'm not gonna give you a light, I'm gonna show you
the light.
Speaker 3 (00:10):
Alright, thank you for listening to the Greatest,
Not Hits.
I'm Chris and playing well, ariff from I will call it Peter
Gabriel, but this is from RustedRoot American band, from a song
called Send Me On my Way, whichsampled Peter Gabriel's one of
(00:31):
Peter Gabriel's songs.
And we're listening to RustedRoot today, the album when I
Woke, which is their secondalbum.
This is the big song 500million listens on Spotify.
The next one is like Ecstasy,which is like 5 million listens,
(00:52):
but this is far and away thebig hit on the album.
And what we'll be doing todayis what we always do, which is
listening to all the hits, orall the non-hits, I should say,
and then ranking the top three,our favorite.
Listening to all the hits orall the non-hits, I should say,
and then ranking the top three,our favorite.
So for this one, well, it's hitand miss for me.
I'll be honest with you.
(01:12):
I think it is kind of for Timas well.
But I think what's interestingabout this band is that they
were formed in Pittsburgh in1990, and yet they embrace an
eclectic musical style.
They blend rock, world music,folk elements.
Their sound features a mix ofacoustic instruments, percussion
(01:34):
, a variety of musicalinfluences, including African,
there's Latin, there's alsoNative American music, but this
is their breakthrough album.
When I Woke Again is the title.
It was released in 1994.
The song sent me on my waygained really significant
exposure through its use infilms, commercials, tv shows,
(01:59):
and this is a band that's knownfor their energetic live
performances.
Apparently, they built a loyalfan base over the years.
They're still kicking Personnel, at least from this album they
had a number of people here.
I'm going to look up onWikipedia.
Speaker 2 (02:21):
This is the song sent me on my way.
Speaker 3 (02:24):
Let's take a look at the album.
Here we're talking mikeglubicki, um, lead vocals,
acoustic guitar, like yourguitar.
There's liz berlin who does thebacking vocals and percussion.
A lot of percussionists, a lotof drums on this.
Um, yeah, it kind of reminds meof a drum circle kind of thing.
(02:46):
I don't know.
We both are kind of nah on thatwhole thing.
There's too much going on,people feeding off of each other
, but nevertheless they're doingtheir best with this.
There's Patrick Norman whoplays bass, some electric guitar
backing vocals, john by neck,acoustic guitar, electric guitar
, flute, penny whistle there's alot of that.
(03:09):
Um, seems like they borrow froma number of different artists
who've had big hits paul simongraceland.
This is kind of you know.
They borrow from it a littlebit.
It's you know.
Graceland was phenomenal.
These guys are good musicians,don't get me wrong.
They do what they do reallywell.
(03:32):
I don't know.
I'm going to listen to it again.
I'll try to keep as open mindas possible when we listen to it
.
I haven't gotten into thedeeper tracks yet.
I listened to the first six orseven songs a few times.
We're going to go all the wayto the end.
I think there's like 13different tracks.
There's some other.
Jen Wertz is on this albumbacking vocals and percussion,
(03:56):
and Jim DeSperito congas Did Jembe?
I don't know what that isTalking drum, myriad hand
percussion.
I don't know what that iseither, but nevertheless I think
that they're still around.
I think currently right nowit's Glubicki and.
Patrick Norman and Liz Berlin.
I think that kind of makessense.
(04:17):
That's sort of a core of vocalsand bass and her percussion
contribution.
I guess they can have revolvingpeople in the back doing bongos
whatever.
But nevertheless this is achange of pace for us.
It's really kind of Tim'sgetting into it.
(04:40):
I don't know.
Let's listen to him for a while.
Yeah, it's kind of funny.
There's sort of like a littlebit of Willy Wonka in there and
they're almost to the pointwhere I think this is where this
(05:01):
rubs me the wrong there, youknow, and they're almost to the
point where I think this iswhere this rubs me the wrong way
this album.
Speaker 2 (05:09):
It's like it's almost too.
Speaker 3 (05:12):
You can hear it too much.
You can hear the influencealmost to the point where it's
like sort of copying it, likePeter Gabriel, the Leslie
Brickus from Willy Wonka pureimagination, it's almost.
But you know who am I right,that's just me.
Anyway, yeah, we've got a bunchof sound clips.
(05:35):
There's a song called Drum Tripthat starts off with.
There's another song calledEcstasy.
So yeah, there's going to betons of drug references.
Of course there's going to be.
It's going to get off the rails, we promise I don't know.
Tim is excited because he's gota whole.
He had an experience earliertoday.
(05:55):
He's going to share it with us.
How's it going, man?
Tell me what was on your platetoday.
What's going on?
Speaker 6 (06:01):
Well, you know, to get ready, ready for this, I had
a double shot of hydrogenatedashwagandha mushroom coffee, a
little half glass of, uh, francycoppola peanut noir and, uh,
I'm sipping on a little rich androbust roasted dandelion root
double bagger.
Uh, not backed by the fda, mindyou, but neither is this album.
(06:23):
You know, chris, that's right.
Throw away the recommendedsteep time of three to five
minutes.
Oh no, we're going a solid 10to 15 on this one.
Really get the uh, themarination, the rich and
robustness really needed to justdetox ourselves from the
struggles of life.
(06:44):
Really dial in here with GNH inthis sacred place to you know,
extend and be present so.
Speaker 3 (06:55):
I'm really excited, yeah, Okay well, yeah, Take it
easy champ.
Speaker 7 (07:00):
I mean, maybe sit the next couple plays out.
Speaker 3 (07:02):
No, no, no no, no, in seriousness, I mean the
mushrooms, though that's not.
No, no, no, no, no, no, inseriousness, I mean the
mushrooms, though that's not.
Speaker 6 (07:06):
The ashwagandha is helping me not be offended, but
yes, but it's not psychotropicor anything.
Speaker 3 (07:13):
Right, it's just Right, it's just like a
supplement, but the yeah, butthe Francis Ford Coppola wine,
that's.
Speaker 6 (07:25):
Oh yeah, that was in there A little bit, a little,
this A little uppers, a littledowners, that's good, it's all
right.
A little wine with your meal.
Lefters and writers.
Speaker 3 (07:32):
Yeah, no, it sounds lovely.
Speaker 6 (07:33):
Rich and robust, great, fantastic.
Yeah, the drums on this andbass are superb.
I mean, I think that's reallywhat propels this forward.
Speaker 3 (07:45):
I think, um I mean it's higher energy.
It seems like they're trying tobe positive.
It's just sort of like it'strying to be.
Speaker 6 (07:51):
It's a really uplifting kind of yes, exactly,
I'm not sure you know whatcracks the code and the mystery
behind this band you know theauthorities said you know best,
leave it.
Speaker 3 (08:10):
Let's dive right in, let's dive right in, because
yeah.
Well, I mean, this first songis Drum Trip, so it's like whoa,
whoa, hey, whoa, hey.
There we go.
Speaker 1 (08:19):
I don't know what that is Technical difficulties
it's technical.
Speaker 3 (08:24):
But we've got this going.
This is sort of coming toAmerica kind of thing at the
beginning.
Speaker 6 (08:28):
Little Joshua, little Jericho, little ham and eggs.
Speaker 3 (08:34):
Watch out for the griddles.
Speaker 7 (08:47):
Your first drummer was John Stumpy.
Speaker 3 (08:49):
Peeves John Stumpy, peeves Shout out to SmileTap.
Speaker 7 (08:56):
Great Tall blonde peeps.
John stumpy peeps shout out tosmile.
10.
Great three die.
Tall blonde geek with glassesgreat drama great uh, good drama
, great, look good drama.
Yeah, this building, thisbuilding.
(09:18):
Ah, good drama, right?
Speaker 6 (09:20):
yeah, he died we're getting like kind of trippy in
here.
This is quite an intro of analbum, don't you think?
Yeah, there's like talking tothat.
Speaker 3 (09:33):
Quite an intro of an album, don't you think?
Yeah, there's like talking tothem.
Speaker 6 (09:44):
What this is like some.
Yeah, it's sort of like DMTstuff.
He died in a bizarre gardeningaccident.
Speaker 3 (09:52):
It's subliminal, like subliminal messages.
Speaker 6 (09:55):
Oh gosh, they're giving it over to the record
executives to put these in tocontrol the masses.
That's right.
Yeah, it's bad.
Speaker 7 (10:05):
It's really one of those things.
Speaker 3 (10:09):
Best left unsolved.
Speaker 7 (10:11):
You know the authorities said you know best,
leave it Unsolved.
You know the authorities saidyou know best, leave it Unsolved
.
And he was replaced by StampyJoe Eric, stampy Joe.
And what happened to Stampy JoeEric, stampy Joe Child.
(10:32):
It's not a very pleasant story,but he died.
He choked on the officialexplanation, was he?
Speaker 1 (10:39):
choked on vomit.
Speaker 3 (10:43):
And you can't really dust for vomit.
Speaker 7 (10:45):
You can't really dust for vomit, prove whose vomit it
was.
Speaker 6 (10:58):
You know, this is my number one so far.
This is on your list already,yeah.
Speaker 7 (11:05):
Yeah, festival, Jazz blues festival.
Where was that Blues jazz?
Really Blues jazz?
Let's get it right, it was inthe oil.
I Love Lucy, yeah, I Love Lucy,and it was tragic really.
He exploded on stage.
Speaker 3 (11:27):
it just was like a flash of green light and that
was it the I Love Lucy bluesjazz festival and that was it
the I Love.
Speaker 6 (11:38):
Lucy Blues Jazz Festival.
I love Lucy, it's true.
Speaker 7 (11:42):
There's a little green globule on his drum seat,
like a stain really.
It was a small stain in aglobule actually.
You know several.
You know dozens of peoplespontaneously combust each year.
Speaker 3 (11:56):
Okay.
I like how the music kind ofgot.
It's kind of fading out rightafter that.
All right now, this is Ecstasy.
That's Peter Griffin on ecstasy.
Speaker 7 (12:21):
Ah, this.
Speaker 5 (12:22):
Ouch.
Dude this is all the world'sstuff.
Speaker 6 (12:34):
It's rejecting our society.
Speaker 3 (12:36):
It's like See the blisters growing.
Everything here is fantastic.
Speaker 5 (12:58):
No, oh man, the air is fantastic Malabar.
Speaker 7 (13:04):
You gave all these hippies permission to be here.
Speaker 2 (13:08):
Hippies out of Ramy.
Speaker 1 (13:13):
Society is in goal.
This is how you do it.
He's Angle, Now backwards ride.
Speaker 6 (13:22):
That was books.
He's saying books there.
Take away your continuous books, again and again, again.
Speaker 5 (13:45):
World went and got itself in a big damn hurry.
Speaker 6 (13:51):
Bass is excellent on this Bass and drums.
Yeah, the bass is excellent onthis bass and drums yeah, the
bass is good how you doing that.
How you doing that how youdoing that bass.
Good, shout out to Jack's BackRoom.
(14:13):
Maybe we should go there oneday.
Oh, that was their place.
They started playing.
Yeah, they were the house band.
Speaker 3 (14:18):
Like when they performed in the 1990s.
You don't feel it.
Speaker 6 (14:22):
I wonder if there's I don't feel a fucking thing.
A lot of powders and substancesgoing around the floor.
Yeah, probably.
Speaker 2 (14:34):
Fuck, no, my jaw feels really bad.
Yeah, probably what jaw?
Yeah, that's the drugs.
Drugs love a jaw.
Speaker 6 (14:43):
Drugs love a jaw.
Shout out to Seth Rogen.
That's right when.
Speaker 3 (14:49):
I was in college.
Long shot.
Yeah, no, I was in college inthe early 90s.
They used to call it ecstasy.
It was like a new thing.
It'd be like that guy'scrossing sticks.
Speaker 6 (14:59):
You know, like that yeah.
Speaker 1 (15:00):
X Crossing sticks.
Yeah, he's crossing sticks.
Speaker 3 (15:02):
All right, that never caught on, though, like after
that.
Oh, who knows, maybe we canpopularize it.
But what are the chances?
Everybody stops saying Bali andwe're called back for crossing
sticks.
Speaker 6 (15:17):
It's a completely different compound now.
Okay, I don't think it's splitwith so many things, it's like
just a I don't know Way down.
It's way down.
Yeah, it's dark.
Speaker 3 (15:33):
Okay, yeah.
Speaker 6 (15:35):
I mean.
Speaker 3 (15:35):
I've got greater life ambitions rather than remaining
Molly.
Speaker 6 (15:42):
But old Molly On a military that episode of family.
Speaker 3 (16:06):
He's like taking his shirt off on the couch.
He's like oh, brian, look atyour ears, look at that how you
doing that, how you doing that,how you doing, how you doing
that, how you doing that, howyou doing that, how you doing
that?
All right, okay, so that wasEcstasy.
(16:28):
That was track number two.
We're going to the next.
This is Send Me On my Way.
It's a way of life.
Speaker 6 (16:38):
It's a way of life.
Speaker 3 (16:39):
It's a way of looking at that wave and saying, hey,
bud, let's party.
Speaker 6 (16:54):
Shouts to Mr Hand Aloha Mr Hand.
Speaker 5 (16:56):
Shout out to Mr Hand Aloha, mr Hand, oh, mr Hand, oh,
mr Hand, oh Mr Hand.
Well, pick me up with goldenhand, mr Hand.
Oh, Mr Hand, oh Mr Hand.
Hey, for no particular reason,I decided to go for a little run
(17:19):
.
Well, I would like to hold mygun.
Speaker 6 (17:24):
I've heard this song a million freaking times.
It's like Toto in thebackground, like Africa, yeah.
Hey man I'm good with likeNixon hit.
Yeah, you ready, you ready todo it.
Speaker 3 (17:40):
You know, nothing would make me happy.
Speaker 2 (17:46):
Woohoo, you had me, and then you lost me, billy.
Speaker 3 (17:49):
All right, there we go.
All right, this is Cruel Son.
Speaker 5 (17:54):
All right, why Okay?
Okay, I mean I like the waythis is starting.
Speaker 3 (18:03):
It's a little bit more chill, sparse flutes.
Speaker 2 (18:10):
As your attorney, I advise you to take a hit out of
the little brown bottle in myshaving kit.
You won't need much.
Speaker 5 (18:25):
Nobody makes me bleed my own blood, nobody.
Oh, separation with the shitthey love.
Speaker 3 (18:42):
I think the bass line's kind of weird, but in a
good way.
Speaker 5 (18:45):
Power plays while the people die, yeah that's good.
Let it reign and protect usfrom this cruel sun Hippies.
Speaker 3 (19:02):
This is some hippie stuff.
Speaker 5 (19:05):
Fear and love.
Fear is in the negativespectrum and protect us from
this cruel sun.
Open up your eyes.
Speaker 6 (19:25):
It's Billy Burn, billy Burn.
Speaker 5 (19:30):
Open up your eyes, your eyes, and let the child
learn.
The problem is, if you see onehippie, there's probably a whole
lot more.
You're not seeing Hippie.
Speaker 2 (19:45):
it's out of rammy.
Speaker 5 (19:46):
Hipp, mammy, hippie.
The problem is, if you see onehippie, there's probably a whole
lot more you're not seeing.
Speaker 7 (19:53):
He just was like a flash of green light.
I remember asking why.
I remember asking why.
Speaker 5 (20:19):
You're hurt.
You're hurt real fucking bad.
I remember asking why.
I remember asking why.
Speaker 2 (20:32):
But you ain't dying.
Speaker 6 (20:37):
I kind of like this.
This is definitely on my list.
Listen to the bass on this oneand the little oh man that was
that good yeah, that's, this isgood why is everybody so tense?
It's a party.
Speaker 1 (20:59):
That was good.
Speaker 3 (21:02):
SNL Ryan Gosling.
Speaker 6 (21:06):
Santa Baby, that's right.
Speaker 2 (21:10):
Cuisinart this is beautiful.
Speaker 3 (21:17):
This is called like my love pump.
Speaker 6 (21:20):
Babusha Braga, oh oh.
Speaker 5 (21:39):
Oh.
Speaker 6 (21:42):
Drop it down, drop it down, oh Bass and guitar in
unity here, yeah.
Speaker 5 (21:53):
Say blah, say blah.
Speaker 6 (21:56):
Say blah.
Speaker 3 (22:00):
You know, what I want to give a shout out to is the
producer.
Yeah, the producer did a goodjob.
Speaker 6 (22:21):
This is definitely worth re-listening to again.
Yeah, bill Bottrell, I like thesecond one.
Speaker 3 (22:32):
Bottrell Batro.
Okay, cruel silence.
This is easy deeper and deeperway down.
They're doing a pretty good jobgoing down, coming back up,
yeah.
They're doing a pretty good jobgoing down, come back up, yeah.
Speaker 5 (23:14):
Yeah, why I Does one Care only the small man.
Why I Does one Care only thesmall man?
Think we're no, yes, we're no.
Think we're no, no, no.
(23:37):
What the fuck is he talkingabout?
Speaker 6 (23:40):
I can't hear what he's saying.
Yeah me either.
Speaker 3 (23:44):
Open up your eyes and let the child learn, so you
have like really big eyes.
Speaker 6 (23:51):
Open up your eyes, your eyes, and let the child run
.
Speaker 2 (24:06):
I'm not gonna give you the light.
I'm gonna show you the light.
Speaker 5 (24:32):
Take rise and shine campers.
Let it rain.
Western Pennsylvania, let itrain the western Pennsylvania
Ain't that gross tech dogs Fromthis cruel sun, I'm gonna teach
you.
Speaker 1 (24:46):
I'm gonna teach you, and I bet you might teach me a
little something also.
Let it rain.
The western Pennsylvania.
Speaker 5 (24:53):
Ain't that gross tech dogs From this cruel?
Speaker 6 (24:56):
sun.
This is great.
Yeah, this is that steep timeI'm talking about.
Yeah, shout out to the teadrinkers.
Yeah, shout out to the teadrinkers, let that dandelion
root just get to you.
Okay, this is kind of EddieVedder, pearl Jam-esque, almost.
(25:17):
It's like Pearl Jam mixed with.
It's like cold Pearl Jam.
Yeah, cold Pearl Jam.
Protect us from this cruelstorm.
Speaker 1 (25:39):
Attention campers.
Lunch has been cancelled todaydue to lack of hustle.
Speaker 3 (25:45):
Deal with it.
Alright, that was Cruel Son,Alright so next one coming up
Cat Turned Blue.
Alright.
What do we do?
Speaker 2 (26:05):
Meow, I kind of look a little silly and my feelings
are hurt.
Speaker 6 (26:10):
Well, thank you, saul , I like this.
This is good.
Yeah, catcher in Blue, thebongos for me.
Speaker 5 (26:20):
What is that?
You say you got a whistle inthe wind.
Yeah, go down, go down, go down, way down.
Feel for me, darling, feel foryou.
Speaker 6 (26:34):
Feel your feelings okay.
Yeah, Feel your feelings okay.
These guys are good.
You know they're playing insync, they're playing together,
it's decent, it's tolerable.
Speaker 3 (27:12):
Playing in sync, playing together.
It's decent.
Speaker 6 (27:21):
It's tolerable.
So apparently a lot of peoplethink this is about an overdose.
But Michael Golbicki thinksit's ambiguous and he lets
people infer into the meaning.
Speaker 3 (27:36):
Yeah, it's very general.
The words are not specific, hedoesn't feel the need to make it
make literal sense yeah, it'ssomething that you internalize,
you just take like the generalidea applies to you in your
specific situation.
Right it Right, you're supposedto connect with it in that way.
Speaker 6 (27:59):
Just take it whatever direction you want Way down,
way down.
Speaker 3 (28:15):
Way down Blue down.
One thing I do appreciate aboutthese songs is that they're not
too long.
Speaker 5 (28:26):
They're only like a report Right.
Speaker 2 (28:29):
Yes, yes, all the whole.
Oh no, yes, the whole railway.
And I was holding my cat and wewere going up and the whole.
Oh no, yes, the whole railway.
And I was holding my cat and wewere going up and the whole.
Oh my God, the whole goddamnthing went into a flip out and
it flipped and bent the wholerailing and it must have gotten
caught on the carpet on thestairs.
Speaker 6 (28:50):
Thank you, saul.
Thanks for calling in, that'sgood.
You got to wish the littlewitch again yeah, take it easy,
champ, Take it easy, champ, takeit easy.
Speaker 7 (29:01):
Your cat Maybe sit.
The next couple plays out.
Speaker 3 (29:15):
Didn't George, like the Seinfeld, get in a fight
over, like when the girl that hedated said that he owed her a
cat or something.
Oh yeah, it's like she wasgoing to die anyway.
I mean, if you just got her, Imean, yeah, okay, spring for a
new cat.
Speaker 2 (29:33):
You is.
Take this fine cassava melonover to him, show him what you
got, but don't let him have it.
Yeah.
Speaker 6 (29:44):
George and Foghorn would get along, I think, I
think so.
Speaker 3 (29:46):
That would be a weird combination actually.
Yeah, Guy from Manhattan in the90s with a cartoon rooster from
like I don't know when.
Do you think Foghorn Leghorn'sfrom Like North Carolina,
alabama, alabama.
Speaker 5 (30:08):
All right, he's from.
Speaker 3 (30:09):
Alabama Chicken from Alabama.
Speaker 1 (30:30):
I think it's on George.
George is the answer.
George is the answer, george isthe answer.
Speaker 6 (30:34):
What movie is this?
Fat Camp, fat Camp.
Speaker 1 (30:43):
Yeah, western Pennsylvania.
What movie is this?
Fat Camp, fat Camp.
Yeah, I'm going to teach you.
Speaker 3 (30:47):
I think you're going to teach me too.
Speaker 1 (30:49):
And I bet you might teach me something also.
Speaker 5 (30:52):
Oh, beautiful people, Rest you on down there, rest
you on down there, do it, do it,daddy what.
Speaker 3 (31:09):
There are a lot of songs about daddies that are not
hits Like.
I think it was like oh daddy,I'm not Sleep with me.
It was like oh daddy.
Speaker 5 (31:19):
Fleetwood Mac.
What is going on?
Here, Maybe Peter.
Speaker 6 (31:40):
Griffin can harmonize with them.
Speaker 5 (31:44):
I'm talking about addiction, shame.
Speaker 1 (31:47):
Shame.
Speaker 5 (31:47):
This is like about suicide Leave a note and tell me
.
Leave a note and tell me whylet's sing about suicide?
Leave a note and tell me.
Leave a note and tell me why,why, why.
Speaker 3 (32:14):
Why, oh beautiful people, Nancy yeah, it's not
against the law to have no classlike us, Nancy yeah it's not
against the law To have no classlike us, nancy.
Speaker 6 (32:26):
Talk amongst yourselves, oh god.
Speaker 3 (32:31):
I wonder if Nancy Kerrigan is a fan of.
Speaker 6 (32:34):
Rusted Roots.
I think she would like OxidizeSt.
Okay yeah, they're another 90sband that.
Oh yeah, that's right.
Oxidized stem.
It's a good one.
Speaker 5 (32:48):
Your home, go home you're too good Fear is in the
negative energy spectrum andlove is in the positive energy
spectrum.
Speaker 6 (33:06):
Thank you, Mrs Farmer .
Oh, oh I can't tell if I likethis one or not.
That much.
Speaker 3 (33:22):
I wonder if that's Jen Wertz or.
Speaker 6 (33:23):
Liz Berlin both of them and Mike.
Speaker 3 (33:32):
I wonder if a stripper's ever done a routine
with a song.
You know, like, how they playwith a song?
Okay, that was team with thesong.
You know, like, how they playit with the song?
Okay, that was yeah.
I don't know how I feel aboutthat.
Let's put a pin in that one.
This is Martyr.
These are all non-hits, exceptthe big one that we just skipped
(33:52):
over.
Speaker 2 (33:54):
Everything here is fantastic.
Speaker 6 (33:58):
It is.
I think you know we're back.
We're back here.
All right, here's happy daysare here again.
This one Happy days.
Speaker 3 (34:22):
I like this one.
Speaker 6 (34:30):
Yeah, this is fine.
Hippies are talking abouthorizons again.
Yeah, there's a lot of crawlingreferences as well.
Yeah, I wonder what that's allabout.
Speaker 3 (34:41):
It's a metaphor for something.
Speaker 6 (34:42):
Air river Are we seeing a theme here?
Horizons, I guess.
Speaker 5 (34:50):
Yeah, it's a way of life, a hobby, it's a way of
looking at that wave and saying,hey, bud, let's party.
Speaker 3 (35:07):
This should be happy, but something about it seems
kind of manic.
Oh, okay.
Speaker 6 (35:12):
Interesting.
Speaker 3 (35:12):
It doesn't feel authentic.
Speaker 5 (35:14):
All right, could have used a little more cowbell.
Speaker 3 (35:21):
Yeah, maybe that's what it was.
Speaker 6 (35:23):
It wasn't a cowbell Air.
He's talking about air now.
Speaker 5 (35:29):
It's tolerable.
Thank you, Kramer.
Kramer thinks it's tolerable.
Thank you, Kramer.
Speaker 6 (36:01):
Kramer thinks it's tolerable.
I could see him like being ontour with Rusted Root.
Kramer loves Rusted Root, hethinks he is.
Oh yeah.
Speaker 2 (36:22):
I like the music.
Call the fire department.
This was out of control.
Speaker 6 (36:31):
They're going over the top on this one.
Yeah, what are they saying?
How long should we play themartyr?
How long should we play themartyr?
Speaker 1 (36:39):
How long should we play the martyr.
How long should we play themartyr?
Speaker 6 (36:44):
I don't know.
Why does he have to say it likethat?
I'm sorry, yeah, no, yeah, Idon't think Brian Ferry would
like Rustin Root.
I don't know.
There's some people that thismight not be for everybody.
(37:13):
Whoa, we got a peeping Tomsituation.
Speaker 3 (37:21):
Well, you can do like a lot of dancing and this kind
of thing, like it's moreinteractive.
Speaker 5 (37:40):
Hey Rise and.
Speaker 7 (37:42):
Shine campers.
Good drama, great look, gooddrama yeah.
Speaker 3 (37:57):
This is like the third most played song Really On
this album.
Yeah, next to Send Me On theWay and Next to See Me.
Hippies out around me, hipmammy hippies.
This song's called Rain.
Speaker 7 (38:16):
Oh yeah, it just was like a flash of green light.
Speaker 3 (38:22):
This might be.
Speaker 6 (38:23):
This is John Bynum, oh yeah, oh, he plays the flute
and penny whistle.
Shout out to John Bynum, bynacBynum, yeah.
Speaker 3 (38:34):
Banjo with harmonicas .
It's all over this.
Speaker 6 (38:59):
In the bottom, joe banjo harmonicas.
It's all over this, joe, alldrama, joe, sleepy joe.
Speaker 3 (39:01):
Joe, our drummer, joe Sleepy, joe, scott Yards, you
can't really dust for Bob.
Speaker 5 (39:07):
Hey, hey, you're gonna blow my horn.
Hey, hey, you're gonna blowdown your head.
Hey, hey, you're gonna blow myhorn.
Speaker 2 (39:25):
Reckless, we're back.
Speaker 7 (39:29):
Could've used a little more cowbell.
Speaker 3 (39:36):
This is getting better.
I'm not gonna give you a light.
I'm not going to give you alight.
Speaker 2 (39:40):
I'm going to show you the light.
Yeehaw.
Speaker 6 (39:53):
Riding rope bonkos.
Speaker 3 (39:59):
It's still a little bit eerie.
Speaker 5 (40:01):
Rain, rain, rain, rain, rain, rain, rain, rain,
rain, rain, rain, rain, rain,rain, rain, rain, rain, rain,
(40:36):
rain, rain, rain, rain, rain,rain, rain, rain, rain rain rain
, rain, rain, rain.
Speaker 3 (40:38):
I'm happy to talk to you.
That's good.
Speaker 7 (40:51):
We'll hide her.
Prove who's from the good wordsA festival, jazz, blues
festival, blues jazz really,blues jazz festival, jazz blues
festival, blues jazz reallyBlues jazz festival.
Speaker 6 (41:09):
Alright, okay, it's going up a notch here.
Speaker 5 (41:17):
For no particular reason, I decided to go for the
little runner there.
Speaker 6 (41:21):
Shout out to the runners.
Speaker 3 (41:26):
Shout out to the walkers too.
If you're out there walking,you're moving at least right.
Speaker 6 (41:31):
Shout out to the movers and shakers Get on that
treadmill, Break out the oldshake weight.
Speaker 3 (41:39):
That is true.
Shout out to the shake waiters.
Alright.
Next one food and creative love.
I think we liked this oneearlier yeah, this is good.
(42:01):
I think one of the femalessings on this one Liz or Jen
Walton, I don't know get somefood, get some cassava melon,
get some cassava melon, get some.
Speaker 1 (42:35):
Leap from those wounds, okay, oh, yeah, I, I
wanna hear, yeah, yeah yeah,leap from the wounds.
Speaker 5 (42:53):
Leap from the wounds, leap from the wounds of your
friends Up here in the ear, here, here.
Leap from the wounds, leap fromthe wounds of your fears.
Fear, leap from the wounds.
Leap from the wounds.
Leap from the wounds of yourfears.
Speaker 1 (43:24):
Fear.
It's tolerable Ah.
Speaker 2 (43:38):
Look at the meatloaf.
Speaker 3 (43:39):
That is creative.
I could use a little morecowbell.
They're going up-tempo now.
Speaker 5 (43:51):
Let's cut it to blue.
Let me again.
Here he comes again.
Speaker 3 (43:59):
Ah, oh yeah, it's too bad.
Actually, it's like the cocaineis kicking in for them.
Speaker 5 (44:09):
I want to hear you.
We get some meatloaf.
All I want is food.
All I want is food.
All I want is food.
All I want is food.
All I want is food.
All I want is food.
All I want is food.
All I want is food and creativelove.
All I want is food.
All I want is food.
All I want is food and creativelove.
Attention campers All I want isfood and creative love.
(44:29):
All I want is food and creativelove.
All I want is food and creativelove.
All I want is food and creativelove.
All I want is food and creativelove.
Lunch has been cancelled today.
Speaker 1 (44:44):
Today do the Latin hustle.
Deal with it.
Speaker 2 (44:51):
Hey Rise and Shine campers.
I.
Speaker 3 (45:03):
Hold your hand.
There's no lack of hustle inthis song.
Speaker 5 (45:08):
Call the fire department.
What is going on right now?
I do look away, hit the ground,but I'm starting to blow but
I'm starting to blow what isgoing on right now.
Speaker 3 (45:28):
I, I, I want to hear you.
Speaker 2 (45:32):
I think he's saying all I want is food.
I want to hear you.
Speaker 5 (45:37):
As your attorney.
Speaker 2 (45:47):
Lift off the walls.
Speaker 5 (45:48):
Lift off the walls, lift off, hit out of the little
brown bottle in my shaving kit.
Love.
All I want is food and creativelove.
All I want is food and creativelove.
Speaker 2 (46:00):
All I want is food and creative love, oh fuck okay,
all right boo-hoo, you had meand then you lost me, billy.
Speaker 3 (46:17):
Shout out to Phil Hartman this is Lost in a Crowd.
Speaker 6 (46:21):
Okay, I like this one so far.
Very poppy, poppy world.
Speaker 5 (46:40):
The bass is popping here and there a little bit it's
going up and down.
Speaker 3 (46:44):
I like that Some good barbershop.
Kind of like playing with thetempo.
I like that yeah.
Speaker 6 (46:55):
You need to change it up a little bit bend the rules.
Yeah, I think they can evenslow it down even more, but I
don't think the drummer's goingto let them.
Yeah, they're like, you knowwhat I mean.
Sometimes the band needs toslow down and the drummer's
(47:16):
always freaking out.
Well, so he's yeah, drivefreaking out well.
Speaker 3 (47:20):
The timekeeping mechanism of the band had a flip
out.
Speaker 2 (47:24):
Yeah, they had a flippin out.
Speaker 6 (47:34):
It's just like take it easy, jim.
Yeah, maybe sit the next coupleplays out A little less
drumming.
Yeah, oh, they've got likeseven drummers over here, so
it's like what are you going todo?
Good, little bend there.
Yeah, let's get guitar player.
(47:59):
I would like to see more.
He plays like almost of arhythm solo here Instead of an
outright Van.
Speaker 2 (48:07):
Halen Acoustic yeah like a.
Speaker 6 (48:09):
Well, it's acoustic here, right.
Speaker 5 (48:15):
I really like the bass.
Speaker 3 (48:17):
Patrick Norm.
I think he's still with theband.
I think it's Patrick Norman andLiz Brunetti Glubicki are still
in the three.
Speaker 6 (48:26):
They're in for the long haul here.
Oh nice this is cool.
Speaker 3 (48:46):
Yes, I do like this.
It's been at the Jazz BluesFestival, the I Love Lucy Blues
Jazz Festival.
Speaker 5 (48:58):
A festival, a jazz blues festival.
Oh, it's that, it's that Bluesjazz really.
It's a jazz festival.
Oh yeah, Yesterday.
I was lost, oh yeah.
And you kicked me Some food.
Speaker 6 (49:22):
Food again.
Yeah, talking about food.
You know To be here with you ohnice.
Speaker 2 (49:39):
Oh, my gosh Skid piece here the bar goes.
Speaker 7 (49:48):
It's a little green Globule on his drum seat.
It was a small Globule actually.
Dozens of people spontaneouslyGet busted each year.
Speaker 6 (50:03):
You almost spontaneously combusted on that
song A little globule.
So it's called laugh as the sunokay no, anyway okay jeez,
(50:26):
that's, that's chong right, thatis chong, okay, this is good,
chong in.
Okay, this is good, you're likereaffirming yourself.
Speaker 1 (50:40):
No, I do.
Speaker 6 (50:45):
I like this.
Speaker 3 (50:48):
I'm trying to see the pause.
Speaker 6 (50:48):
I like their edge.
No, I like their edge in someof these songs.
Sometimes it gets over the topa little too happy.
Speaker 3 (50:59):
Yeah, there's something like inauthentic about
it.
I don't know what it is?
Speaker 6 (51:01):
I feel like they're.
Have you ever heard of who?
Is it A Beats Antique?
You ever heard of Beats Antique?
You ever heard of Beats Antique?
No, they've got a lot of thiskind of stuff going on Like a
world music yes, world, but theyjam more.
(51:23):
They take it to these sort ofmore world instruments even.
Speaker 5 (51:28):
Never did run, never did hide when you see your
bright light shine, but whenyou're still, the moment comes
for life as the sun, bright andloud, ha ha ha.
Yes, for life as the sun Life,as the snow Life, as the sun
Life, as the snow Life, as thesun Life, as the snow Life, as
(51:54):
the sun Life as the snow, ohyeah, a lot of good percussion
going on.
Speaker 3 (52:04):
Oh thanks, it always happens at the end of the album
I start to like this stuff.
You know, like right after awhile it's sort of once you get
deeper and deeper.
Yeah, it gets deeper and deeper.
Speaker 6 (52:19):
This also sounds like um, but I laughed at what's up
in the bright morning spangle.
It's an english dj that kind ofplays these kind of world DMT
jam like training club yeah,usually a club setting People
are out there.
(52:43):
Man, okay, everybody's wearingflowy tie-dye clothes.
There's dancers and firedancers oh yeah, I can just see
it.
Yeah, there's dancers and firedancers.
Oh yeah, I can just see it.
Yeah, shout out to the firedancers out there.
Yeah, the fire dancers with thebig eyes.
Speaker 5 (53:02):
So you have like really big eyes, and that freaks
me out sometimes.
Thank you.
Speaker 3 (53:08):
That's true.
People get all buggy-eyed,don't they?
Speaker 6 (53:13):
At these shows.
Speaker 3 (53:14):
yes, yeah now I've got to go see these guys.
(53:45):
Whoa, I could see this to be.
Speaker 2 (53:48):
I see how they have a following America, don't you?
The food is great, but thepublic service is terrible.
Speaker 5 (53:55):
I get so nervous when the spirit Thank you, George
Carlin.
I can't wait till that brightlight shines in.
It's the light.
Speaker 6 (54:09):
Go towards the light.
I can't wait to see your brightlight shine light, go towards
the light.
Speaker 5 (54:19):
Yes, life as a silver bone, life as a silver bone,
life as a silver bone, life as asilver bone Life as a silver
bone.
Speaker 2 (54:39):
I want you to hold on to God's unchanging hand, cause
it helped Joshua fight thebattle of Jericho.
Yes, it helped Daniel get outof the lion's den.
Speaker 6 (55:00):
This is tense.
Speaker 5 (55:01):
Yeah.
Why is everybody so tense?
Life by the sun.
Speaker 2 (55:18):
Life by the sun yes well, life by the sun, life by
the sun, Life by the sun.
Hey hell, get off the island.
Oh, Daniel, get out the lines.
Then, Mac, let's go back.
(55:38):
Help your code.
Speaker 3 (55:42):
Sorry, who was that?
Daniel, get out the lines thenGet off the island.
Speaker 2 (55:55):
It's a party, Daniel.
Get out the lion's den.
Speaker 3 (56:02):
Oh, this is like a sitar.
Speaker 6 (56:06):
Oh, let it steep here .
Oh yes, yeah, that's a goodending.
I like that.
It's all weird.
Speaker 2 (56:14):
He'll kill again.
Get off the island, okay.
Speaker 3 (56:21):
All right, so now this is called Infinite Tambura.
This is this.
Oh, I kind of like this.
This is the least downloadedsong on the album, but it's only
a minute 53.
Speaker 2 (56:57):
It's that palate cleanser in there.
Ah, that feels.
That feels better.
Speaker 6 (57:06):
Focus on your breath.
Focus on your breath.
Speaker 3 (57:27):
Gradually let the horseshit of the external world
fade from your awareness.
Let's play a little more ofthat.
I want to hear a little PeterGood.
Speaker 5 (57:39):
Ah, these clothes.
Speaker 3 (57:50):
Way down.
That's kind of cool.
Speaker 2 (58:00):
How you doing that.
How you doing that.
Speaker 3 (58:04):
Okay, this song this is the last one it's called Back
to the Earth.
This has the fourth highestdownloads.
Speaker 1 (58:17):
Okay, okay.
Speaker 5 (58:19):
I'm feeling this Back to the earth.
(58:40):
I scream now no one listens tome.
Back to the earth.
I live now For love.
Like I'm a commercial, my word,my word.
Like I'm a commercial, my word,my word.
Speaker 6 (58:53):
See my word, my word.
I really get the throat chakrason this one.
Sing along at home if you'reaware of who you are.
Speaker 5 (59:27):
If you're too good for your home, then you might be
somewhere else, that's true.
Speaker 6 (59:34):
Wow, I like that little whimper.
Speaker 3 (01:00:05):
Yeah, okay, changing it up now.
I was hoping it wasn't going tobe Come See my World for Five
Minutes.
Speaker 6 (01:00:16):
Oh, this is like a vocal jam.
They probably do a vocal jam onthis one.
Speaker 3 (01:00:22):
Well, it sounds like it's going in that direction,
doesn't it?
Speaker 5 (01:00:26):
Back to the earth.
I feel it.
Back to the earth, I'm hoping.
Back to the earth.
I'm falling Back to the earth.
I'm feeling.
Speaker 6 (01:00:42):
Back to the earth.
I'm falling Back to the earth.
Speaker 3 (01:00:46):
Okay, Back to the earth.
I'm falling.
Is that high?
Is that space?
Maybe Are you seeing something.
Speaker 6 (01:00:57):
What the fuck is he talking about?
Speaker 3 (01:00:59):
That was me.
I didn't know what the fuck Iwas talking about.
I don't know what he's talkingabout either.
What?
Speaker 6 (01:01:08):
I don't know, I kind of love his Whoa wait Alright,
kind of love is Whoa wait.
Speaker 1 (01:01:22):
All right, it's tolerable.
Yes.
Speaker 6 (01:01:28):
So he was talking about daddy earlier.
Now he's talking about mama.
Many divisions of me.
Speaker 3 (01:01:34):
Right my way, right my way.
Come see my world.
They're just like repeatingdifferent mattresses.
Speaker 6 (01:02:09):
Right, this one's making me a little nauseous.
Yeah, we're starting to get adrum circle and you can't dust
for a bomb.
Speaker 3 (01:02:21):
You want to ride it out?
We got another minute.
Speaker 6 (01:02:25):
Okay, let's ride it out, let's see if it does
anything.
Speaker 3 (01:02:33):
Yeah, no, it's doing the same thing.
Yeah, it's like an Eddie Vedderworld music.
Speaker 6 (01:02:53):
A little call and response maybe going on here.
It's very technical, it'stechnical, it's around and round
Going around.
Speaker 3 (01:03:21):
Oh yeah, All right, we got through it.
Oh.
Okay, All right.
So what are you thinking, man?
Speaker 6 (01:03:30):
Okay, who's going?
Speaker 3 (01:03:32):
number three what's yours?
Speaker 6 (01:03:34):
I was just levitating nauseously.
But now, okay, I have to choosehere.
I'm going to go Laugh at theSun.
Speaker 3 (01:03:43):
Number three Laugh as the sun.
Laugh as the sun.
Yes.
Speaker 6 (01:03:50):
Honorable mention to martyryr and food and creative
love.
Yeah, I think.
Well, that's my number three.
I was gonna.
Speaker 3 (01:03:59):
I'm going food and creative love For my number
three.
Okay, yeah, cause I liked Hervoice and it just took a
different direction.
It was a completely differentFemale singer.
Speaker 6 (01:04:09):
Yeah pace.
Speaker 3 (01:04:09):
You know.
I mean Relative to the rest ofthe album.
Okay, so, it was a standout tome, so that's my number three.
Speaker 6 (01:04:16):
Yeah, um, I like the uh it's x.
Ecstasy is a hit right.
Ecstasy and send me on my wayhow do you think it is?
I was gonna say, I've heardecstTC on the radio.
Speaker 3 (01:04:33):
I have too.
Speaker 6 (01:04:33):
That is a hit yeah, let's let's nix that yeah, those
two just out of, because thatprobably would be my number one
if it wasn't a hit, but I'mgoing to go.
Number two Cat Turned Blue it'skind of dark and, like you know
(01:04:55):
, it does a little flip out.
No, it's good, it's a good song.
It is a good song For what theydo.
Cat Turned Blue.
Speaker 3 (01:05:05):
Okay, Shout out to my number two is going to be Drum
Trip.
Speaker 2 (01:05:10):
Oh what.
Speaker 6 (01:05:13):
No way.
Speaker 3 (01:05:15):
Despite the fact that we've been ragging on drum
circles this whole time.
I think they did it pretty welland I kind of like it was kind
of weird and it had sort of likethis ominous kind of a.
Speaker 6 (01:05:26):
The record label.
It was like driving.
Yeah, I either.
Like Satanic messages in thebackground yeah, maybe.
Speaker 3 (01:05:32):
I'm brainwashed.
Yeah, they're messing with myhead.
They're making me think thatit's a good song.
Speaker 6 (01:05:41):
It really is, we're just going to glaze over that
Cruel Son is my number one.
Speaker 3 (01:05:44):
Oh, okay.
Speaker 6 (01:05:45):
That's just.
It's great.
I mean it's top of the album,it's on the first side, it's
high energy.
It's got good r album.
It's on the first side, it'shigh energy.
It's got good riffs, good bassline, okay, yeah, I really like
the structure of this album ingeneral.
I think they did a good jobputting it together, the
(01:06:08):
producers and all the worldinstruments?
Yeah, it was well done.
In that regard, I will say yeah, if you're listening to this
band, maybe find some similarbands and put some of their
non-hits on a playlist withother non-hits of other sort of
world music.
To round it out, Put some RaviShankar in there something like
(01:06:28):
that.
Speaker 3 (01:06:30):
Yeah, I was going to do a.
What the fuck is he talkingabout?
Speaker 4 (01:06:32):
But yeah, I you brought back the rabbit thing
and he saved it, so that's goodall right.
Can I get my number one?
Speaker 3 (01:06:40):
yeah, yes, yes uh, yeah, no, so uh, well, yeah,
okay, you know I'm, I think I'mgonna go cruel, son as well yes,
all right put that, yeah, I wasgonna, maybe I was.
Cat turned blue was a greatsong.
Lost in a crowd was good.
I don't think either of uspicked that one.
Oh and Laugh as the Sun is areally good song too.
Speaker 6 (01:06:57):
Those two as blocks, I think Okay, yeah.
Speaker 3 (01:07:00):
They felt like blocks , because one leads into the
other.
But, yeah, cruel Son was astandout, so I'm going to say
that's my number one as well.
Speaker 6 (01:07:07):
Nice, all right.
Oxidized stem is coming up next, oh is it Okay?
Speaker 3 (01:07:17):
Yeah, let's do it, man.
Another one, keep tuning in,check us out.
Thanks everybody for listening.
Like us All right, take careBye.
I'm not gonna give you a light, I'm gonna show you
the light.
Speaker 3 (00:10):
Alright, thank you for listening to the Greatest,
Not Hits.
I'm Chris and playing well, ariff from I will call it Peter
Gabriel, but this is from RustedRoot American band, from a song
called Send Me On my Way, whichsampled Peter Gabriel's one of
(00:31):
Peter Gabriel's songs.
And we're listening to RustedRoot today, the album when I
Woke, which is their secondalbum.
This is the big song 500million listens on Spotify.
The next one is like Ecstasy,which is like 5 million listens,
(00:52):
but this is far and away thebig hit on the album.
And what we'll be doing todayis what we always do, which is
listening to all the hits, orall the non-hits, I should say,
and then ranking the top three,our favorite.
Listening to all the hits orall the non-hits, I should say,
and then ranking the top three,our favorite.
So for this one, well, it's hitand miss for me.
I'll be honest with you.
(01:12):
I think it is kind of for Timas well.
But I think what's interestingabout this band is that they
were formed in Pittsburgh in1990, and yet they embrace an
eclectic musical style.
They blend rock, world music,folk elements.
Their sound features a mix ofacoustic instruments, percussion
(01:34):
, a variety of musicalinfluences, including African,
there's Latin, there's alsoNative American music, but this
is their breakthrough album.
When I Woke Again is the title.
It was released in 1994.
The song sent me on my waygained really significant
exposure through its use infilms, commercials, tv shows,
(01:59):
and this is a band that's knownfor their energetic live
performances.
Apparently, they built a loyalfan base over the years.
They're still kicking Personnel, at least from this album they
had a number of people here.
I'm going to look up onWikipedia.
Speaker 2 (02:21):
This is the song sent me on my way.
Speaker 3 (02:24):
Let's take a look at the album.
Here we're talking mikeglubicki, um, lead vocals,
acoustic guitar, like yourguitar.
There's liz berlin who does thebacking vocals and percussion.
A lot of percussionists, a lotof drums on this.
Um, yeah, it kind of reminds meof a drum circle kind of thing.
(02:46):
I don't know.
We both are kind of nah on thatwhole thing.
There's too much going on,people feeding off of each other
, but nevertheless they're doingtheir best with this.
There's Patrick Norman whoplays bass, some electric guitar
backing vocals, john by neck,acoustic guitar, electric guitar
, flute, penny whistle there's alot of that.
(03:09):
Um, seems like they borrow froma number of different artists
who've had big hits paul simongraceland.
This is kind of you know.
They borrow from it a littlebit.
It's you know.
Graceland was phenomenal.
These guys are good musicians,don't get me wrong.
They do what they do reallywell.
(03:32):
I don't know.
I'm going to listen to it again.
I'll try to keep as open mindas possible when we listen to it
.
I haven't gotten into thedeeper tracks yet.
I listened to the first six orseven songs a few times.
We're going to go all the wayto the end.
I think there's like 13different tracks.
There's some other.
Jen Wertz is on this albumbacking vocals and percussion,
(03:56):
and Jim DeSperito congas Did Jembe?
I don't know what that isTalking drum, myriad hand
percussion.
I don't know what that iseither, but nevertheless I think
that they're still around.
I think currently right nowit's Glubicki and.
Patrick Norman and Liz Berlin.
I think that kind of makessense.
(04:17):
That's sort of a core of vocalsand bass and her percussion
contribution.
I guess they can have revolvingpeople in the back doing bongos
whatever.
But nevertheless this is achange of pace for us.
It's really kind of Tim'sgetting into it.
(04:40):
I don't know.
Let's listen to him for a while.
Yeah, it's kind of funny.
There's sort of like a littlebit of Willy Wonka in there and
they're almost to the pointwhere I think this is where this
(05:01):
rubs me the wrong there, youknow, and they're almost to the
point where I think this iswhere this rubs me the wrong way
this album.
Speaker 2 (05:09):
It's like it's almost too.
Speaker 3 (05:12):
You can hear it too much.
You can hear the influencealmost to the point where it's
like sort of copying it, likePeter Gabriel, the Leslie
Brickus from Willy Wonka pureimagination, it's almost.
But you know who am I right,that's just me.
Anyway, yeah, we've got a bunchof sound clips.
(05:35):
There's a song called Drum Tripthat starts off with.
There's another song calledEcstasy.
So yeah, there's going to betons of drug references.
Of course there's going to be.
It's going to get off the rails, we promise I don't know.
Tim is excited because he's gota whole.
He had an experience earliertoday.
(05:55):
He's going to share it with us.
How's it going, man?
Tell me what was on your platetoday.
What's going on?
Speaker 6 (06:01):
Well, you know, to get ready, ready for this, I had
a double shot of hydrogenatedashwagandha mushroom coffee, a
little half glass of, uh, francycoppola peanut noir and, uh,
I'm sipping on a little rich androbust roasted dandelion root
double bagger.
Uh, not backed by the fda, mindyou, but neither is this album.
(06:23):
You know, chris, that's right.
Throw away the recommendedsteep time of three to five
minutes.
Oh no, we're going a solid 10to 15 on this one.
Really get the uh, themarination, the rich and
robustness really needed to justdetox ourselves from the
struggles of life.
(06:44):
Really dial in here with GNH inthis sacred place to you know,
extend and be present so.
Speaker 3 (06:55):
I'm really excited, yeah, Okay well, yeah, Take it
easy champ.
Speaker 7 (07:00):
I mean, maybe sit the next couple plays out.
Speaker 3 (07:02):
No, no, no no, no, in seriousness, I mean the
mushrooms, though that's not.
No, no, no, no, no, no, inseriousness, I mean the
mushrooms, though that's not.
Speaker 6 (07:06):
The ashwagandha is helping me not be offended, but
yes, but it's not psychotropicor anything.
Speaker 3 (07:13):
Right, it's just Right, it's just like a
supplement, but the yeah, butthe Francis Ford Coppola wine,
that's.
Speaker 6 (07:25):
Oh yeah, that was in there A little bit, a little,
this A little uppers, a littledowners, that's good, it's all
right.
A little wine with your meal.
Lefters and writers.
Speaker 3 (07:32):
Yeah, no, it sounds lovely.
Speaker 6 (07:33):
Rich and robust, great, fantastic.
Yeah, the drums on this andbass are superb.
I mean, I think that's reallywhat propels this forward.
Speaker 3 (07:45):
I think, um I mean it's higher energy.
It seems like they're trying tobe positive.
It's just sort of like it'strying to be.
Speaker 6 (07:51):
It's a really uplifting kind of yes, exactly,
I'm not sure you know whatcracks the code and the mystery
behind this band you know theauthorities said you know best,
leave it.
Speaker 3 (08:10):
Let's dive right in, let's dive right in, because
yeah.
Well, I mean, this first songis Drum Trip, so it's like whoa,
whoa, hey, whoa, hey.
There we go.
Speaker 1 (08:19):
I don't know what that is Technical difficulties
it's technical.
Speaker 3 (08:24):
But we've got this going.
This is sort of coming toAmerica kind of thing at the
beginning.
Speaker 6 (08:28):
Little Joshua, little Jericho, little ham and eggs.
Speaker 3 (08:34):
Watch out for the griddles.
Speaker 7 (08:47):
Your first drummer was John Stumpy.
Speaker 3 (08:49):
Peeves John Stumpy, peeves Shout out to SmileTap.
Speaker 7 (08:56):
Great Tall blonde peeps.
John stumpy peeps shout out tosmile.
10.
Great three die.
Tall blonde geek with glassesgreat drama great uh, good drama
, great, look good drama.
Yeah, this building, thisbuilding.
(09:18):
Ah, good drama, right?
Speaker 6 (09:20):
yeah, he died we're getting like kind of trippy in
here.
This is quite an intro of analbum, don't you think?
Yeah, there's like talking tothat.
Speaker 3 (09:33):
Quite an intro of an album, don't you think?
Yeah, there's like talking tothem.
Speaker 6 (09:44):
What this is like some.
Yeah, it's sort of like DMTstuff.
He died in a bizarre gardeningaccident.
Speaker 3 (09:52):
It's subliminal, like subliminal messages.
Speaker 6 (09:55):
Oh gosh, they're giving it over to the record
executives to put these in tocontrol the masses.
That's right.
Yeah, it's bad.
Speaker 7 (10:05):
It's really one of those things.
Speaker 3 (10:09):
Best left unsolved.
Speaker 7 (10:11):
You know the authorities said you know best,
leave it Unsolved.
You know the authorities saidyou know best, leave it Unsolved
.
And he was replaced by StampyJoe Eric, stampy Joe.
And what happened to Stampy JoeEric, stampy Joe Child.
(10:32):
It's not a very pleasant story,but he died.
He choked on the officialexplanation, was he?
Speaker 1 (10:39):
choked on vomit.
Speaker 3 (10:43):
And you can't really dust for vomit.
Speaker 7 (10:45):
You can't really dust for vomit, prove whose vomit it
was.
Speaker 6 (10:58):
You know, this is my number one so far.
This is on your list already,yeah.
Speaker 7 (11:05):
Yeah, festival, Jazz blues festival.
Where was that Blues jazz?
Really Blues jazz?
Let's get it right, it was inthe oil.
I Love Lucy, yeah, I Love Lucy,and it was tragic really.
He exploded on stage.
Speaker 3 (11:27):
it just was like a flash of green light and that
was it the I Love Lucy bluesjazz festival and that was it
the I Love.
Speaker 6 (11:38):
Lucy Blues Jazz Festival.
I love Lucy, it's true.
Speaker 7 (11:42):
There's a little green globule on his drum seat,
like a stain really.
It was a small stain in aglobule actually.
You know several.
You know dozens of peoplespontaneously combust each year.
Speaker 3 (11:56):
Okay.
I like how the music kind ofgot.
It's kind of fading out rightafter that.
All right now, this is Ecstasy.
That's Peter Griffin on ecstasy.
Speaker 7 (12:21):
Ah, this.
Speaker 5 (12:22):
Ouch.
Dude this is all the world'sstuff.
Speaker 6 (12:34):
It's rejecting our society.
Speaker 3 (12:36):
It's like See the blisters growing.
Everything here is fantastic.
Speaker 5 (12:58):
No, oh man, the air is fantastic Malabar.
Speaker 7 (13:04):
You gave all these hippies permission to be here.
Speaker 2 (13:08):
Hippies out of Ramy.
Speaker 1 (13:13):
Society is in goal.
This is how you do it.
He's Angle, Now backwards ride.
Speaker 6 (13:22):
That was books.
He's saying books there.
Take away your continuous books, again and again, again.
Speaker 5 (13:45):
World went and got itself in a big damn hurry.
Speaker 6 (13:51):
Bass is excellent on this Bass and drums.
Yeah, the bass is excellent onthis bass and drums yeah, the
bass is good how you doing that.
How you doing that how youdoing that bass.
Good, shout out to Jack's BackRoom.
(14:13):
Maybe we should go there oneday.
Oh, that was their place.
They started playing.
Yeah, they were the house band.
Speaker 3 (14:18):
Like when they performed in the 1990s.
You don't feel it.
Speaker 6 (14:22):
I wonder if there's I don't feel a fucking thing.
A lot of powders and substancesgoing around the floor.
Yeah, probably.
Speaker 2 (14:34):
Fuck, no, my jaw feels really bad.
Yeah, probably what jaw?
Yeah, that's the drugs.
Drugs love a jaw.
Speaker 6 (14:43):
Drugs love a jaw.
Shout out to Seth Rogen.
That's right when.
Speaker 3 (14:49):
I was in college.
Long shot.
Yeah, no, I was in college inthe early 90s.
They used to call it ecstasy.
It was like a new thing.
It'd be like that guy'scrossing sticks.
Speaker 6 (14:59):
You know, like that yeah.
Speaker 1 (15:00):
X Crossing sticks.
Yeah, he's crossing sticks.
Speaker 3 (15:02):
All right, that never caught on, though, like after
that.
Oh, who knows, maybe we canpopularize it.
But what are the chances?
Everybody stops saying Bali andwe're called back for crossing
sticks.
Speaker 6 (15:17):
It's a completely different compound now.
Okay, I don't think it's splitwith so many things, it's like
just a I don't know Way down.
It's way down.
Yeah, it's dark.
Speaker 3 (15:33):
Okay, yeah.
Speaker 6 (15:35):
I mean.
Speaker 3 (15:35):
I've got greater life ambitions rather than remaining
Molly.
Speaker 6 (15:42):
But old Molly On a military that episode of family.
Speaker 3 (16:06):
He's like taking his shirt off on the couch.
He's like oh, brian, look atyour ears, look at that how you
doing that, how you doing that,how you doing, how you doing
that, how you doing that, howyou doing that, how you doing
that?
All right, okay, so that wasEcstasy.
(16:28):
That was track number two.
We're going to the next.
This is Send Me On my Way.
It's a way of life.
Speaker 6 (16:38):
It's a way of life.
Speaker 3 (16:39):
It's a way of looking at that wave and saying, hey,
bud, let's party.
Speaker 6 (16:54):
Shouts to Mr Hand Aloha Mr Hand.
Speaker 5 (16:56):
Shout out to Mr Hand Aloha, mr Hand, oh, mr Hand, oh,
mr Hand, oh Mr Hand.
Well, pick me up with goldenhand, mr Hand.
Oh, Mr Hand, oh Mr Hand.
Hey, for no particular reason,I decided to go for a little run
(17:19):
.
Well, I would like to hold mygun.
Speaker 6 (17:24):
I've heard this song a million freaking times.
It's like Toto in thebackground, like Africa, yeah.
Hey man I'm good with likeNixon hit.
Yeah, you ready, you ready todo it.
Speaker 3 (17:40):
You know, nothing would make me happy.
Speaker 2 (17:46):
Woohoo, you had me, and then you lost me, billy.
Speaker 3 (17:49):
All right, there we go.
All right, this is Cruel Son.
Speaker 5 (17:54):
All right, why Okay?
Okay, I mean I like the waythis is starting.
Speaker 3 (18:03):
It's a little bit more chill, sparse flutes.
Speaker 2 (18:10):
As your attorney, I advise you to take a hit out of
the little brown bottle in myshaving kit.
You won't need much.
Speaker 5 (18:25):
Nobody makes me bleed my own blood, nobody.
Oh, separation with the shitthey love.
Speaker 3 (18:42):
I think the bass line's kind of weird, but in a
good way.
Speaker 5 (18:45):
Power plays while the people die, yeah that's good.
Let it reign and protect usfrom this cruel sun Hippies.
Speaker 3 (19:02):
This is some hippie stuff.
Speaker 5 (19:05):
Fear and love.
Fear is in the negativespectrum and protect us from
this cruel sun.
Open up your eyes.
Speaker 6 (19:25):
It's Billy Burn, billy Burn.
Speaker 5 (19:30):
Open up your eyes, your eyes, and let the child
learn.
The problem is, if you see onehippie, there's probably a whole
lot more.
You're not seeing Hippie.
Speaker 2 (19:45):
it's out of rammy.
Speaker 5 (19:46):
Hipp, mammy, hippie.
The problem is, if you see onehippie, there's probably a whole
lot more you're not seeing.
Speaker 7 (19:53):
He just was like a flash of green light.
I remember asking why.
I remember asking why.
Speaker 5 (20:19):
You're hurt.
You're hurt real fucking bad.
I remember asking why.
I remember asking why.
Speaker 2 (20:32):
But you ain't dying.
Speaker 6 (20:37):
I kind of like this.
This is definitely on my list.
Listen to the bass on this oneand the little oh man that was
that good yeah, that's, this isgood why is everybody so tense?
It's a party.
Speaker 1 (20:59):
That was good.
Speaker 3 (21:02):
SNL Ryan Gosling.
Speaker 6 (21:06):
Santa Baby, that's right.
Speaker 2 (21:10):
Cuisinart this is beautiful.
Speaker 3 (21:17):
This is called like my love pump.
Speaker 6 (21:20):
Babusha Braga, oh oh.
Speaker 5 (21:39):
Oh.
Speaker 6 (21:42):
Drop it down, drop it down, oh Bass and guitar in
unity here, yeah.
Speaker 5 (21:53):
Say blah, say blah.
Speaker 6 (21:56):
Say blah.
Speaker 3 (22:00):
You know, what I want to give a shout out to is the
producer.
Yeah, the producer did a goodjob.
Speaker 6 (22:21):
This is definitely worth re-listening to again.
Yeah, bill Bottrell, I like thesecond one.
Speaker 3 (22:32):
Bottrell Batro.
Okay, cruel silence.
This is easy deeper and deeperway down.
They're doing a pretty good jobgoing down, coming back up,
yeah.
They're doing a pretty good jobgoing down, come back up, yeah.
Speaker 5 (23:14):
Yeah, why I Does one Care only the small man.
Why I Does one Care only thesmall man?
Think we're no, yes, we're no.
Think we're no, no, no.
(23:37):
What the fuck is he talkingabout?
Speaker 6 (23:40):
I can't hear what he's saying.
Yeah me either.
Speaker 3 (23:44):
Open up your eyes and let the child learn, so you
have like really big eyes.
Speaker 6 (23:51):
Open up your eyes, your eyes, and let the child run
.
Speaker 2 (24:06):
I'm not gonna give you the light.
I'm gonna show you the light.
Speaker 5 (24:32):
Take rise and shine campers.
Let it rain.
Western Pennsylvania, let itrain the western Pennsylvania
Ain't that gross tech dogs Fromthis cruel sun, I'm gonna teach
you.
Speaker 1 (24:46):
I'm gonna teach you, and I bet you might teach me a
little something also.
Let it rain.
The western Pennsylvania.
Speaker 5 (24:53):
Ain't that gross tech dogs From this cruel?
Speaker 6 (24:56):
sun.
This is great.
Yeah, this is that steep timeI'm talking about.
Yeah, shout out to the teadrinkers.
Yeah, shout out to the teadrinkers, let that dandelion
root just get to you.
Okay, this is kind of EddieVedder, pearl Jam-esque, almost.
(25:17):
It's like Pearl Jam mixed with.
It's like cold Pearl Jam.
Yeah, cold Pearl Jam.
Protect us from this cruelstorm.
Speaker 1 (25:39):
Attention campers.
Lunch has been cancelled todaydue to lack of hustle.
Speaker 3 (25:45):
Deal with it.
Alright, that was Cruel Son,Alright so next one coming up
Cat Turned Blue.
Alright.
What do we do?
Speaker 2 (26:05):
Meow, I kind of look a little silly and my feelings
are hurt.
Speaker 6 (26:10):
Well, thank you, saul , I like this.
This is good.
Yeah, catcher in Blue, thebongos for me.
Speaker 5 (26:20):
What is that?
You say you got a whistle inthe wind.
Yeah, go down, go down, go down, way down.
Feel for me, darling, feel foryou.
Speaker 6 (26:34):
Feel your feelings okay.
Yeah, Feel your feelings okay.
These guys are good.
You know they're playing insync, they're playing together,
it's decent, it's tolerable.
Speaker 3 (27:12):
Playing in sync, playing together.
It's decent.
Speaker 6 (27:21):
It's tolerable.
So apparently a lot of peoplethink this is about an overdose.
But Michael Golbicki thinksit's ambiguous and he lets
people infer into the meaning.
Speaker 3 (27:36):
Yeah, it's very general.
The words are not specific, hedoesn't feel the need to make it
make literal sense yeah, it'ssomething that you internalize,
you just take like the generalidea applies to you in your
specific situation.
Right it Right, you're supposedto connect with it in that way.
Speaker 6 (27:59):
Just take it whatever direction you want Way down,
way down.
Speaker 3 (28:15):
Way down Blue down.
One thing I do appreciate aboutthese songs is that they're not
too long.
Speaker 5 (28:26):
They're only like a report Right.
Speaker 2 (28:29):
Yes, yes, all the whole.
Oh no, yes, the whole railway.
And I was holding my cat and wewere going up and the whole.
Oh no, yes, the whole railway.
And I was holding my cat and wewere going up and the whole.
Oh my God, the whole goddamnthing went into a flip out and
it flipped and bent the wholerailing and it must have gotten
caught on the carpet on thestairs.
Speaker 6 (28:50):
Thank you, saul.
Thanks for calling in, that'sgood.
You got to wish the littlewitch again yeah, take it easy,
champ, Take it easy, champ, takeit easy.
Speaker 7 (29:01):
Your cat Maybe sit.
The next couple plays out.
Speaker 3 (29:15):
Didn't George, like the Seinfeld, get in a fight
over, like when the girl that hedated said that he owed her a
cat or something.
Oh yeah, it's like she wasgoing to die anyway.
I mean, if you just got her, Imean, yeah, okay, spring for a
new cat.
Speaker 2 (29:33):
You is.
Take this fine cassava melonover to him, show him what you
got, but don't let him have it.
Yeah.
Speaker 6 (29:44):
George and Foghorn would get along, I think, I
think so.
Speaker 3 (29:46):
That would be a weird combination actually.
Yeah, Guy from Manhattan in the90s with a cartoon rooster from
like I don't know when.
Do you think Foghorn Leghorn'sfrom Like North Carolina,
alabama, alabama.
Speaker 5 (30:08):
All right, he's from.
Speaker 3 (30:09):
Alabama Chicken from Alabama.
Speaker 1 (30:30):
I think it's on George.
George is the answer.
George is the answer, george isthe answer.
Speaker 6 (30:34):
What movie is this?
Fat Camp, fat Camp.
Speaker 1 (30:43):
Yeah, western Pennsylvania.
What movie is this?
Fat Camp, fat Camp.
Yeah, I'm going to teach you.
Speaker 3 (30:47):
I think you're going to teach me too.
Speaker 1 (30:49):
And I bet you might teach me something also.
Speaker 5 (30:52):
Oh, beautiful people, Rest you on down there, rest
you on down there, do it, do it,daddy what.
Speaker 3 (31:09):
There are a lot of songs about daddies that are not
hits Like.
I think it was like oh daddy,I'm not Sleep with me.
It was like oh daddy.
Speaker 5 (31:19):
Fleetwood Mac.
What is going on?
Here, Maybe Peter.
Speaker 6 (31:40):
Griffin can harmonize with them.
Speaker 5 (31:44):
I'm talking about addiction, shame.
Speaker 1 (31:47):
Shame.
Speaker 5 (31:47):
This is like about suicide Leave a note and tell me
.
Leave a note and tell me whylet's sing about suicide?
Leave a note and tell me.
Leave a note and tell me why,why, why.
Speaker 3 (32:14):
Why, oh beautiful people, Nancy yeah, it's not
against the law to have no classlike us, Nancy yeah it's not
against the law To have no classlike us, nancy.
Speaker 6 (32:26):
Talk amongst yourselves, oh god.
Speaker 3 (32:31):
I wonder if Nancy Kerrigan is a fan of.
Speaker 6 (32:34):
Rusted Roots.
I think she would like OxidizeSt.
Okay yeah, they're another 90sband that.
Oh yeah, that's right.
Oxidized stem.
It's a good one.
Speaker 5 (32:48):
Your home, go home you're too good Fear is in the
negative energy spectrum andlove is in the positive energy
spectrum.
Speaker 6 (33:06):
Thank you, Mrs Farmer .
Oh, oh I can't tell if I likethis one or not.
That much.
Speaker 3 (33:22):
I wonder if that's Jen Wertz or.
Speaker 6 (33:23):
Liz Berlin both of them and Mike.
Speaker 3 (33:32):
I wonder if a stripper's ever done a routine
with a song.
You know, like, how they playwith a song?
Okay, that was team with thesong.
You know, like, how they playit with the song?
Okay, that was yeah.
I don't know how I feel aboutthat.
Let's put a pin in that one.
This is Martyr.
These are all non-hits, exceptthe big one that we just skipped
(33:52):
over.
Speaker 2 (33:54):
Everything here is fantastic.
Speaker 6 (33:58):
It is.
I think you know we're back.
We're back here.
All right, here's happy daysare here again.
This one Happy days.
Speaker 3 (34:22):
I like this one.
Speaker 6 (34:30):
Yeah, this is fine.
Hippies are talking abouthorizons again.
Yeah, there's a lot of crawlingreferences as well.
Yeah, I wonder what that's allabout.
Speaker 3 (34:41):
It's a metaphor for something.
Speaker 6 (34:42):
Air river Are we seeing a theme here?
Horizons, I guess.
Speaker 5 (34:50):
Yeah, it's a way of life, a hobby, it's a way of
looking at that wave and saying,hey, bud, let's party.
Speaker 3 (35:07):
This should be happy, but something about it seems
kind of manic.
Oh, okay.
Speaker 6 (35:12):
Interesting.
Speaker 3 (35:12):
It doesn't feel authentic.
Speaker 5 (35:14):
All right, could have used a little more cowbell.
Speaker 3 (35:21):
Yeah, maybe that's what it was.
Speaker 6 (35:23):
It wasn't a cowbell Air.
He's talking about air now.
Speaker 5 (35:29):
It's tolerable.
Thank you, Kramer.
Kramer thinks it's tolerable.
Thank you, Kramer.
Speaker 6 (36:01):
Kramer thinks it's tolerable.
I could see him like being ontour with Rusted Root.
Kramer loves Rusted Root, hethinks he is.
Oh yeah.
Speaker 2 (36:22):
I like the music.
Call the fire department.
This was out of control.
Speaker 6 (36:31):
They're going over the top on this one.
Yeah, what are they saying?
How long should we play themartyr?
How long should we play themartyr?
Speaker 1 (36:39):
How long should we play the martyr.
How long should we play themartyr?
Speaker 6 (36:44):
I don't know.
Why does he have to say it likethat?
I'm sorry, yeah, no, yeah, Idon't think Brian Ferry would
like Rustin Root.
I don't know.
There's some people that thismight not be for everybody.
(37:13):
Whoa, we got a peeping Tomsituation.
Speaker 3 (37:21):
Well, you can do like a lot of dancing and this kind
of thing, like it's moreinteractive.
Speaker 5 (37:40):
Hey Rise and.
Speaker 7 (37:42):
Shine campers.
Good drama, great look, gooddrama yeah.
Speaker 3 (37:57):
This is like the third most played song Really On
this album.
Yeah, next to Send Me On theWay and Next to See Me.
Hippies out around me, hipmammy hippies.
This song's called Rain.
Speaker 7 (38:16):
Oh yeah, it just was like a flash of green light.
Speaker 3 (38:22):
This might be.
Speaker 6 (38:23):
This is John Bynum, oh yeah, oh, he plays the flute
and penny whistle.
Shout out to John Bynum, bynacBynum, yeah.
Speaker 3 (38:34):
Banjo with harmonicas .
It's all over this.
Speaker 6 (38:59):
In the bottom, joe banjo harmonicas.
It's all over this, joe, alldrama, joe, sleepy joe.
Speaker 3 (39:01):
Joe, our drummer, joe Sleepy, joe, scott Yards, you
can't really dust for Bob.
Speaker 5 (39:07):
Hey, hey, you're gonna blow my horn.
Hey, hey, you're gonna blowdown your head.
Hey, hey, you're gonna blow myhorn.
Speaker 2 (39:25):
Reckless, we're back.
Speaker 7 (39:29):
Could've used a little more cowbell.
Speaker 3 (39:36):
This is getting better.
I'm not gonna give you a light.
I'm not going to give you alight.
Speaker 2 (39:40):
I'm going to show you the light.
Yeehaw.
Speaker 6 (39:53):
Riding rope bonkos.
Speaker 3 (39:59):
It's still a little bit eerie.
Speaker 5 (40:01):
Rain, rain, rain, rain, rain, rain, rain, rain,
rain, rain, rain, rain, rain,rain, rain, rain, rain, rain,
(40:36):
rain, rain, rain, rain, rain,rain, rain, rain, rain rain rain
, rain, rain, rain.
Speaker 3 (40:38):
I'm happy to talk to you.
That's good.
Speaker 7 (40:51):
We'll hide her.
Prove who's from the good wordsA festival, jazz, blues
festival, blues jazz really,blues jazz festival, jazz blues
festival, blues jazz reallyBlues jazz festival.
Speaker 6 (41:09):
Alright, okay, it's going up a notch here.
Speaker 5 (41:17):
For no particular reason, I decided to go for the
little runner there.
Speaker 6 (41:21):
Shout out to the runners.
Speaker 3 (41:26):
Shout out to the walkers too.
If you're out there walking,you're moving at least right.
Speaker 6 (41:31):
Shout out to the movers and shakers Get on that
treadmill, Break out the oldshake weight.
Speaker 3 (41:39):
That is true.
Shout out to the shake waiters.
Alright.
Next one food and creative love.
I think we liked this oneearlier yeah, this is good.
(42:01):
I think one of the femalessings on this one Liz or Jen
Walton, I don't know get somefood, get some cassava melon,
get some cassava melon, get some.
Speaker 1 (42:35):
Leap from those wounds, okay, oh, yeah, I, I
wanna hear, yeah, yeah yeah,leap from the wounds.
Speaker 5 (42:53):
Leap from the wounds, leap from the wounds of your
friends Up here in the ear, here, here.
Leap from the wounds, leap fromthe wounds of your fears.
Fear, leap from the wounds.
Leap from the wounds.
Leap from the wounds of yourfears.
Speaker 1 (43:24):
Fear.
It's tolerable Ah.
Speaker 2 (43:38):
Look at the meatloaf.
Speaker 3 (43:39):
That is creative.
I could use a little morecowbell.
They're going up-tempo now.
Speaker 5 (43:51):
Let's cut it to blue.
Let me again.
Here he comes again.
Speaker 3 (43:59):
Ah, oh yeah, it's too bad.
Actually, it's like the cocaineis kicking in for them.
Speaker 5 (44:09):
I want to hear you.
We get some meatloaf.
All I want is food.
All I want is food.
All I want is food.
All I want is food.
All I want is food.
All I want is food.
All I want is food.
All I want is food and creativelove.
All I want is food.
All I want is food.
All I want is food and creativelove.
Attention campers All I want isfood and creative love.
(44:29):
All I want is food and creativelove.
All I want is food and creativelove.
All I want is food and creativelove.
All I want is food and creativelove.
Lunch has been cancelled today.
Speaker 1 (44:44):
Today do the Latin hustle.
Deal with it.
Speaker 2 (44:51):
Hey Rise and Shine campers.
I.
Speaker 3 (45:03):
Hold your hand.
There's no lack of hustle inthis song.
Speaker 5 (45:08):
Call the fire department.
What is going on right now?
I do look away, hit the ground,but I'm starting to blow but
I'm starting to blow what isgoing on right now.
Speaker 3 (45:28):
I, I, I want to hear you.
Speaker 2 (45:32):
I think he's saying all I want is food.
I want to hear you.
Speaker 5 (45:37):
As your attorney.
Speaker 2 (45:47):
Lift off the walls.
Speaker 5 (45:48):
Lift off the walls, lift off, hit out of the little
brown bottle in my shaving kit.
Love.
All I want is food and creativelove.
All I want is food and creativelove.
Speaker 2 (46:00):
All I want is food and creative love, oh fuck okay,
all right boo-hoo, you had meand then you lost me, billy.
Speaker 3 (46:17):
Shout out to Phil Hartman this is Lost in a Crowd.
Speaker 6 (46:21):
Okay, I like this one so far.
Very poppy, poppy world.
Speaker 5 (46:40):
The bass is popping here and there a little bit it's
going up and down.
Speaker 3 (46:44):
I like that Some good barbershop.
Kind of like playing with thetempo.
I like that yeah.
Speaker 6 (46:55):
You need to change it up a little bit bend the rules.
Yeah, I think they can evenslow it down even more, but I
don't think the drummer's goingto let them.
Yeah, they're like, you knowwhat I mean.
Sometimes the band needs toslow down and the drummer's
(47:16):
always freaking out.
Well, so he's yeah, drivefreaking out well.
Speaker 3 (47:20):
The timekeeping mechanism of the band had a flip
out.
Speaker 2 (47:24):
Yeah, they had a flippin out.
Speaker 6 (47:34):
It's just like take it easy, jim.
Yeah, maybe sit the next coupleplays out A little less
drumming.
Yeah, oh, they've got likeseven drummers over here, so
it's like what are you going todo?
Good, little bend there.
Yeah, let's get guitar player.
(47:59):
I would like to see more.
He plays like almost of arhythm solo here Instead of an
outright Van.
Speaker 2 (48:07):
Halen Acoustic yeah like a.
Speaker 6 (48:09):
Well, it's acoustic here, right.
Speaker 5 (48:15):
I really like the bass.
Speaker 3 (48:17):
Patrick Norm.
I think he's still with theband.
I think it's Patrick Norman andLiz Brunetti Glubicki are still
in the three.
Speaker 6 (48:26):
They're in for the long haul here.
Oh nice this is cool.
Speaker 3 (48:46):
Yes, I do like this.
It's been at the Jazz BluesFestival, the I Love Lucy Blues
Jazz Festival.
Speaker 5 (48:58):
A festival, a jazz blues festival.
Oh, it's that, it's that Bluesjazz really.
It's a jazz festival.
Oh yeah, Yesterday.
I was lost, oh yeah.
And you kicked me Some food.
Speaker 6 (49:22):
Food again.
Yeah, talking about food.
You know To be here with you ohnice.
Speaker 2 (49:39):
Oh, my gosh Skid piece here the bar goes.
Speaker 7 (49:48):
It's a little green Globule on his drum seat.
It was a small Globule actually.
Dozens of people spontaneouslyGet busted each year.
Speaker 6 (50:03):
You almost spontaneously combusted on that
song A little globule.
So it's called laugh as the sunokay no, anyway okay jeez,
(50:26):
that's, that's chong right, thatis chong, okay, this is good,
chong in.
Okay, this is good, you're likereaffirming yourself.
Speaker 1 (50:40):
No, I do.
Speaker 6 (50:45):
I like this.
Speaker 3 (50:48):
I'm trying to see the pause.
Speaker 6 (50:48):
I like their edge.
No, I like their edge in someof these songs.
Sometimes it gets over the topa little too happy.
Speaker 3 (50:59):
Yeah, there's something like inauthentic about
it.
I don't know what it is?
Speaker 6 (51:01):
I feel like they're.
Have you ever heard of who?
Is it A Beats Antique?
You ever heard of Beats Antique?
You ever heard of Beats Antique?
No, they've got a lot of thiskind of stuff going on Like a
world music yes, world, but theyjam more.
(51:23):
They take it to these sort ofmore world instruments even.
Speaker 5 (51:28):
Never did run, never did hide when you see your
bright light shine, but whenyou're still, the moment comes
for life as the sun, bright andloud, ha ha ha.
Yes, for life as the sun Life,as the snow Life, as the sun
Life, as the snow Life, as thesun Life, as the snow Life, as
(51:54):
the sun Life as the snow, ohyeah, a lot of good percussion
going on.
Speaker 3 (52:04):
Oh thanks, it always happens at the end of the album
I start to like this stuff.
You know, like right after awhile it's sort of once you get
deeper and deeper.
Yeah, it gets deeper and deeper.
Speaker 6 (52:19):
This also sounds like um, but I laughed at what's up
in the bright morning spangle.
It's an english dj that kind ofplays these kind of world DMT
jam like training club yeah,usually a club setting People
are out there.
(52:43):
Man, okay, everybody's wearingflowy tie-dye clothes.
There's dancers and firedancers oh yeah, I can just see
it.
Yeah, there's dancers and firedancers.
Oh yeah, I can just see it.
Yeah, shout out to the firedancers out there.
Yeah, the fire dancers with thebig eyes.
Speaker 5 (53:02):
So you have like really big eyes, and that freaks
me out sometimes.
Thank you.
Speaker 3 (53:08):
That's true.
People get all buggy-eyed,don't they?
Speaker 6 (53:13):
At these shows.
Speaker 3 (53:14):
yes, yeah now I've got to go see these guys.
(53:45):
Whoa, I could see this to be.
Speaker 2 (53:48):
I see how they have a following America, don't you?
The food is great, but thepublic service is terrible.
Speaker 5 (53:55):
I get so nervous when the spirit Thank you, George
Carlin.
I can't wait till that brightlight shines in.
It's the light.
Speaker 6 (54:09):
Go towards the light.
I can't wait to see your brightlight shine light, go towards
the light.
Speaker 5 (54:19):
Yes, life as a silver bone, life as a silver bone,
life as a silver bone, life as asilver bone Life as a silver
bone.
Speaker 2 (54:39):
I want you to hold on to God's unchanging hand, cause
it helped Joshua fight thebattle of Jericho.
Yes, it helped Daniel get outof the lion's den.
Speaker 6 (55:00):
This is tense.
Speaker 5 (55:01):
Yeah.
Why is everybody so tense?
Life by the sun.
Speaker 2 (55:18):
Life by the sun yes well, life by the sun, life by
the sun, Life by the sun.
Hey hell, get off the island.
Oh, Daniel, get out the lines.
Then, Mac, let's go back.
(55:38):
Help your code.
Speaker 3 (55:42):
Sorry, who was that?
Daniel, get out the lines thenGet off the island.
Speaker 2 (55:55):
It's a party, Daniel.
Get out the lion's den.
Speaker 3 (56:02):
Oh, this is like a sitar.
Speaker 6 (56:06):
Oh, let it steep here .
Oh yes, yeah, that's a goodending.
I like that.
It's all weird.
Speaker 2 (56:14):
He'll kill again.
Get off the island, okay.
Speaker 3 (56:21):
All right, so now this is called Infinite Tambura.
This is this.
Oh, I kind of like this.
This is the least downloadedsong on the album, but it's only
a minute 53.
Speaker 2 (56:57):
It's that palate cleanser in there.
Ah, that feels.
That feels better.
Speaker 6 (57:06):
Focus on your breath.
Focus on your breath.
Speaker 3 (57:27):
Gradually let the horseshit of the external world
fade from your awareness.
Let's play a little more ofthat.
I want to hear a little PeterGood.
Speaker 5 (57:39):
Ah, these clothes.
Speaker 3 (57:50):
Way down.
That's kind of cool.
Speaker 2 (58:00):
How you doing that.
How you doing that.
Speaker 3 (58:04):
Okay, this song this is the last one it's called Back
to the Earth.
This has the fourth highestdownloads.
Speaker 1 (58:17):
Okay, okay.
Speaker 5 (58:19):
I'm feeling this Back to the earth.
(58:40):
I scream now no one listens tome.
Back to the earth.
I live now For love.
Like I'm a commercial, my word,my word.
Like I'm a commercial, my word,my word.
Speaker 6 (58:53):
See my word, my word.
I really get the throat chakrason this one.
Sing along at home if you'reaware of who you are.
Speaker 5 (59:27):
If you're too good for your home, then you might be
somewhere else, that's true.
Speaker 6 (59:34):
Wow, I like that little whimper.
Speaker 3 (01:00:05):
Yeah, okay, changing it up now.
I was hoping it wasn't going tobe Come See my World for Five
Minutes.
Speaker 6 (01:00:16):
Oh, this is like a vocal jam.
They probably do a vocal jam onthis one.
Speaker 3 (01:00:22):
Well, it sounds like it's going in that direction,
doesn't it?
Speaker 5 (01:00:26):
Back to the earth.
I feel it.
Back to the earth, I'm hoping.
Back to the earth.
I'm falling Back to the earth.
I'm feeling.
Speaker 6 (01:00:42):
Back to the earth.
I'm falling Back to the earth.
Speaker 3 (01:00:46):
Okay, Back to the earth.
I'm falling.
Is that high?
Is that space?
Maybe Are you seeing something.
Speaker 6 (01:00:57):
What the fuck is he talking about?
Speaker 3 (01:00:59):
That was me.
I didn't know what the fuck Iwas talking about.
I don't know what he's talkingabout either.
What?
Speaker 6 (01:01:08):
I don't know, I kind of love his Whoa wait Alright,
kind of love is Whoa wait.
Speaker 1 (01:01:22):
All right, it's tolerable.
Yes.
Speaker 6 (01:01:28):
So he was talking about daddy earlier.
Now he's talking about mama.
Many divisions of me.
Speaker 3 (01:01:34):
Right my way, right my way.
Come see my world.
They're just like repeatingdifferent mattresses.
Speaker 6 (01:02:09):
Right, this one's making me a little nauseous.
Yeah, we're starting to get adrum circle and you can't dust
for a bomb.
Speaker 3 (01:02:21):
You want to ride it out?
We got another minute.
Speaker 6 (01:02:25):
Okay, let's ride it out, let's see if it does
anything.
Speaker 3 (01:02:33):
Yeah, no, it's doing the same thing.
Yeah, it's like an Eddie Vedderworld music.
Speaker 6 (01:02:53):
A little call and response maybe going on here.
It's very technical, it'stechnical, it's around and round
Going around.
Speaker 3 (01:03:21):
Oh yeah, All right, we got through it.
Oh.
Okay, All right.
So what are you thinking, man?
Speaker 6 (01:03:30):
Okay, who's going?
Speaker 3 (01:03:32):
number three what's yours?
Speaker 6 (01:03:34):
I was just levitating nauseously.
But now, okay, I have to choosehere.
I'm going to go Laugh at theSun.
Speaker 3 (01:03:43):
Number three Laugh as the sun.
Laugh as the sun.
Yes.
Speaker 6 (01:03:50):
Honorable mention to martyryr and food and creative
love.
Yeah, I think.
Well, that's my number three.
I was gonna.
Speaker 3 (01:03:59):
I'm going food and creative love For my number
three.
Okay, yeah, cause I liked Hervoice and it just took a
different direction.
It was a completely differentFemale singer.
Speaker 6 (01:04:09):
Yeah pace.
Speaker 3 (01:04:09):
You know.
I mean Relative to the rest ofthe album.
Okay, so, it was a standout tome, so that's my number three.
Speaker 6 (01:04:16):
Yeah, um, I like the uh it's x.
Ecstasy is a hit right.
Ecstasy and send me on my wayhow do you think it is?
I was gonna say, I've heardecstTC on the radio.
Speaker 3 (01:04:33):
I have too.
Speaker 6 (01:04:33):
That is a hit yeah, let's let's nix that yeah, those
two just out of, because thatprobably would be my number one
if it wasn't a hit, but I'mgoing to go.
Number two Cat Turned Blue it'skind of dark and, like you know
(01:04:55):
, it does a little flip out.
No, it's good, it's a good song.
It is a good song For what theydo.
Cat Turned Blue.
Speaker 3 (01:05:05):
Okay, Shout out to my number two is going to be Drum
Trip.
Speaker 2 (01:05:10):
Oh what.
Speaker 6 (01:05:13):
No way.
Speaker 3 (01:05:15):
Despite the fact that we've been ragging on drum
circles this whole time.
I think they did it pretty welland I kind of like it was kind
of weird and it had sort of likethis ominous kind of a.
Speaker 6 (01:05:26):
The record label.
It was like driving.
Yeah, I either.
Like Satanic messages in thebackground yeah, maybe.
Speaker 3 (01:05:32):
I'm brainwashed.
Yeah, they're messing with myhead.
They're making me think thatit's a good song.
Speaker 6 (01:05:41):
It really is, we're just going to glaze over that
Cruel Son is my number one.
Speaker 3 (01:05:44):
Oh, okay.
Speaker 6 (01:05:45):
That's just.
It's great.
I mean it's top of the album,it's on the first side, it's
high energy.
It's got good r album.
It's on the first side, it'shigh energy.
It's got good riffs, good bassline, okay, yeah, I really like
the structure of this album ingeneral.
I think they did a good jobputting it together, the
(01:06:08):
producers and all the worldinstruments?
Yeah, it was well done.
In that regard, I will say yeah, if you're listening to this
band, maybe find some similarbands and put some of their
non-hits on a playlist withother non-hits of other sort of
world music.
To round it out, Put some RaviShankar in there something like
(01:06:28):
that.
Speaker 3 (01:06:30):
Yeah, I was going to do a.
What the fuck is he talkingabout?
Speaker 4 (01:06:32):
But yeah, I you brought back the rabbit thing
and he saved it, so that's goodall right.
Can I get my number one?
Speaker 3 (01:06:40):
yeah, yes, yes uh, yeah, no, so uh, well, yeah,
okay, you know I'm, I think I'mgonna go cruel, son as well yes,
all right put that, yeah, I wasgonna, maybe I was.
Cat turned blue was a greatsong.
Lost in a crowd was good.
I don't think either of uspicked that one.
Oh and Laugh as the Sun is areally good song too.
Speaker 6 (01:06:57):
Those two as blocks, I think Okay, yeah.
Speaker 3 (01:07:00):
They felt like blocks , because one leads into the
other.
But, yeah, cruel Son was astandout, so I'm going to say
that's my number one as well.
Speaker 6 (01:07:07):
Nice, all right.
Oxidized stem is coming up next, oh is it Okay?
Speaker 3 (01:07:17):
Yeah, let's do it, man.
Another one, keep tuning in,check us out.
Thanks everybody for listening.
Like us All right, take careBye.
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