June 29, 2024 • 76 mins
What’s the story behind the iconic album "Siamese Dream" by The Smashing Pumpkins, and how did the band overcome personal struggles to create a masterpiece? Join us as we unravel the album's production timeline and explore the pivotal roles played by producer Butch Vig, frontman Billy Corgan, and band members James Iha, D'arcy Wretzky, and Jimmy Chamberlin. From the orchestral touches added by Mike Mills, Eric Remschneider, and David Ragsdale, to the intense pressures of recording amid Chamberlin's heroin addiction and Corgan's mental health battles, you'll gain a deeper appreciation of the album's eclectic mix of alt-rock influences and its standout tracks like "Cherub Rock," "Today," and "Disarm."
What connects barbershop raga and Seinfeld references to the emotional turbulence in Billy Corgan's music? We dive into eclectic and humorous topics, reflecting on quirky characters and the absurdity of certain cultural phenomena. You'll hear our playful banter as we analyze song lyrics, compare Corgan's work with Rush, and reminisce about the 1994 Lollapalooza concert. In between the laughs and personal anecdotes, we highlight the creative nuances of "Siamese Dream," appreciating its dreamy yet psycho aesthetic and the intricate compositions within.
Ever wondered what makes "Silverfuck" a standout track? We energetically dissect the song’s chaotic energy, drawing fascinating parallels to Jane's Addiction’s raw emotional intensity. Our conversation blends musical critique with light-hearted reflections, including amusing hypothetical scenarios like "Silverfuck" as pre-job interview material. We wrap up on a soothing note with "Luna," a contrast to the rollercoaster of emotions found throughout the album. Stick around as we appreciate the technical prowess behind the band's fast-paced musicianship and share a special track from the "Sesame Sessions" rough mix, leaving you with smiles and gratitude for tuning in.
What connects barbershop raga and Seinfeld references to the emotional turbulence in Billy Corgan's music? We dive into eclectic and humorous topics, reflecting on quirky characters and the absurdity of certain cultural phenomena. You'll hear our playful banter as we analyze song lyrics, compare Corgan's work with Rush, and reminisce about the 1994 Lollapalooza concert. In between the laughs and personal anecdotes, we highlight the creative nuances of "Siamese Dream," appreciating its dreamy yet psycho aesthetic and the intricate compositions within.
Ever wondered what makes "Silverfuck" a standout track? We energetically dissect the song’s chaotic energy, drawing fascinating parallels to Jane's Addiction’s raw emotional intensity. Our conversation blends musical critique with light-hearted reflections, including amusing hypothetical scenarios like "Silverfuck" as pre-job interview material. We wrap up on a soothing note with "Luna," a contrast to the rollercoaster of emotions found throughout the album. Stick around as we appreciate the technical prowess behind the band's fast-paced musicianship and share a special track from the "Sesame Sessions" rough mix, leaving you with smiles and gratitude for tuning in.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's like waking up from a dream After a while.
Speaker 2 (00:06):
one's experience begins to have what I would call
a haven't-we-been-here-beforefeeling.
Speaker 4 (00:18):
All right, thank you for listening to the Greatest
Non-Hits.
I'm Chris, and playing CherubRock from the album Siamese
Dream from the Smashing Pumpkinsis my co-host, Tim.
I want to thank you for tuningin, listening and sharing an
hour with us.
We're going to listen to thealbum Siamese Dream, which was
(00:41):
recorded by the.
Smashing Pumpkins betweenDecember of 1992 and March of
1993.
It was officially released onJuly 27th of 1993.
So this was like their secondalbum after Agish was released.
Agish was more of a collegealbum.
(01:03):
This received a lot ofmainstream play.
So it's a second studio album bythe band on Virgin Records.
So it was produced by Butch Vigand frontman Billy Corgan, who
(01:26):
is the I think he plays rhythmguitar and the vocalists.
The other personnel are JamesEhott on guitars, darcy Retsky
on bass guitar, backing vocalsand Jimmy Chamberlain on drums.
Now there were some additionalpeople.
I'm just reading from Wikipedia.
(01:48):
There was Mike Mills, a memberof REM, played piano on the song
Soma.
Eric Remschneider and DavidRagsdale were involved with
string arrangements.
Eric was on cello on Disarm andLuna David played violin on
(02:08):
Disarm and Luna.
So yeah, there was Butch Vigwho did production engineering,
jeff Tomei engineering, AlanMulder, I think, did the mixing.
After all, the recording wasdone Apparently you know from
reading.
I just read from Wikipedia youcan read it yourself but it
(02:30):
sounded like this was a reallyto put it extremely mildly a
high-maintenance endeavor, andone of those things where, you
know, there was a lot of drama.
Of course, jimmy Chamberlainwas addicted to heroin,
guitarist James E Hahn, thebassist Darcy, ended a romantic
(02:52):
relationship and Corrigan hadbattles with his weight,
suicidal depression, writer'sblock.
Those were, and this wassupposed to be, the big album of
all time.
This is going to be the answerto Nirvana's Nevermind.
So while I mean, this is aclassic, don't get us wrong.
(03:14):
This is a legendary album andone of my favorites too.
I listen to it a lot, the band'sfrom Chicago.
I listen to it a lot, theband's from Chicago.
It was recorded mostly, though,at Triclop Studios in Marietta,
georgia, and I think they didso so that they could avoid
(03:39):
local friends distractions.
Chamberlain needed to be cutoff from his drug connections.
I guess you know fromadditional reading, butch Vig,
billy Corgan raised theexpectations super high on the
album, so they were working12-hour days.
You know Billy Corgan suffereda nervous breakdown seeing a
(04:00):
therapist.
So you know, just like allgreat high art, you know,
there's always, you know,tension, turmoil, drama going on
in the lives of the artists.
So I mean you can definitelyfeel it all coming through.
It strikes the right balance,you know, between high art and
(04:24):
you know art, without it beingjust completely out there.
But I guess they were realperfectionists about it.
They spent a ton of time onmaking sure everything was just
right.
I think that, even though Ithink it created some tensions
and they were running up onmoney and stuff like that, I
(04:48):
think it paid off many fold whenyou look back on it in history.
So, yeah, kudos for Corrigansticking to his guns, even
though maybe he didn't make awhole lot of friends within the
band and record label and allthat.
So great, great album Singles.
(05:10):
So we're going to do what wealways do, which is listen to
the whole album.
We're going to yuck it up,we're going to play stupid clips
, we're going to have a goodtime and it's going to go off
the rails, as always.
But at the end of it all, we'regoing to rank our top three
non-hits.
So, for the purposes of whatare going to be considered hits,
there were four singlesreleased, which was Cherub, rock
(05:33):
Today, disarm and Rocket.
So apparently, mayonnaise wasalso a fifth single that was
released.
Actually, it was released in2023.
Okay, I mean, maybe it wasreleased as a single.
I think that's kind of weird.
Speaker 3 (05:51):
But whatever the case is Okay, well, let's make those
five out of contention.
Speaker 4 (05:58):
Tim's nodding his head.
So it'll be those five and therest of them will be up for
discussion.
So what else can we talk abouthere?
Gish was released on CarolineRecords.
This one was Virgin Records.
Composition and lyrics.
(06:21):
It was mostly Corrigan, I think.
It's considered.
Alt-rock has many differentinfluences shoegaze, dream pop.
There is a lot of heavy metal.
There's a heck of a lot of likefuzz guitar distortion.
It's pretty heavy.
Space Boy was written as atribute to his half-brother,
(06:45):
jesse, so you got that going forhim.
Cherub Rock is a great song.
I love that song.
I love Today All of the hits.
There's a ton of great non-hitson this album too.
I'm super excited.
You should be too.
Tim sounds like he's wrappingup while he does that.
(07:10):
Uh, let me uh again.
Thank all of you for beingdedicated listeners.
Uh, we just got off of a hiatus.
We're feeling fresh, we'regonna, we're gonna rock and we
got a ton of great clips.
We're super excited.
Have fun tonight, watch funtonight.
Watch or listen to some reallygood music, some heavier stuff
than what we've done recently upto and after the hiatus.
(07:35):
So we've got a bunch of otherheavy stuff coming from the 90s
in the next few weeks as well.
So thanks, folks, for hangingin there with us.
Love you and love the podcast.
Give us a shout out, tell us,tell us what you like.
Um, you know, um.
With that being said, tim is,uh, getting settled in.
(07:57):
He's getting his headphones on.
How you doing, bud, oh?
Speaker 7 (08:01):
living the dream, all right, living the dream Tim's
been talking about all week.
Speaker 4 (08:06):
You know, he just he couldn't get back.
He couldn't get back fastenough.
Speaker 7 (08:10):
You know, the chair by my shoulder said get back in
there guy, that's right.
Speaker 3 (08:14):
Those headphones on.
Speaker 4 (08:17):
That's right.
I mean, we're not even close touh retiring, to retire in the
headphones anytime soon.
What did you think of the album?
I mean because this is in mywheelhouse from you know post.
I want to say post-college dayfor me.
You have an origin of.
You know this album.
What were your thoughts?
(08:38):
Where are you at with it?
Speaker 7 (08:42):
I always thought Smashing Pumpkins were like the
bad boy band.
Nirvana was everybody loved.
So it was like.
But if you liked SmashingPumpkins in middle school, I
guess you were wow you wereserious.
Speaker 4 (09:03):
Yeah, you were a bad kid.
Speaker 7 (09:04):
You were avant-garde.
Speaker 4 (09:05):
Yeah, you're smashing pumpkins, you know that's right
, it's expressive yeah, it'slike you know cheech in his
neighborhood and like all theguys walk around.
Speaker 7 (09:13):
My neighborhood had too many asses, man look like a
pumpkin, like that well that'ssomething like that yeah, some
bad kids.
Yeah right, but amazing album.
While the teen angst is gone,the appreciation for this album
is is still there the fair.
Speaker 4 (09:32):
Yeah, it is kind of dated and it's we're past that
stage in our life, like by far,but it doesn't make it less any
less cool.
Speaker 7 (09:39):
Am I angsty?
Yeah, love interests.
Speaker 4 (09:43):
Yeah.
Speaker 7 (09:44):
Maybe, yeah, self-loathing, oh, for sure.
Speaker 4 (09:49):
I can't wait to get into it.
Yeah, all right, here we goReady, let's do it.
Got cherub rock, this littledrum thing.
Speaker 7 (09:58):
Schoolhouse rock here , that's right.
Speaker 4 (10:04):
Just let it out.
Just saying let it out, Give itsome air man, Play with it.
That's right.
I wonder if they ever thoughtabout naming this Let Me Out or
Let it Out.
But it was charitable.
Speaker 2 (10:19):
What a freak.
Speaker 7 (10:25):
Is that Billy, Billy's kind of a freak?
Yeah?
Speaker 4 (10:27):
Yeah, well, that was Chaz Reingold, a character that
was likeaz Reingold, thecharacter that was like Lil'
Pharaoh's character in WeddingCrashers.
He's like oh, what a freak,he's getting married Good.
Speaker 7 (10:45):
Or for you and me, a freak out, given sometimes the
marriage community, that's rightpulls you in got a wedding
freak out good more for
Speaker 3 (11:04):
me and you stay cool.
Speaker 7 (11:33):
Out there it's hot, it is scorch, it is Scorch.
Honey, honey, honey.
I love honey.
Speaker 1 (11:36):
Manuka Just saying let it out.
Speaker 7 (11:39):
The little manuka.
Speaker 1 (11:41):
Everybody.
Come on in, grab a drink, getthose clothes off.
Speaker 4 (11:45):
Shout out to what's that guy's name?
Speaker 7 (11:46):
Mark Rubile, here we go, shout out, shout out to that
guy.
Speaker 1 (11:49):
Everybody, come on in grab a drink.
Get those clothes off.
Let's get in Mark Rubile.
Here we go, shout out, Shoutout to that guy.
Everybody, come on in Grab adrink, get those clothes off,
let's get in the pool Get in thepool, beware.
Speaker 7 (12:03):
Angels with their wings glued on.
Speaker 4 (12:08):
Folks, when you get a chance, look at the album cover
.
The Siamese Twins on it.
It's really kind of likeShining-ish, you know.
Speaker 1 (12:15):
Light of my life.
You know that guy.
Speaker 3 (12:19):
As long as it's a love you.
Speaker 5 (12:29):
Who wants that honey?
Let me out.
Speaker 3 (12:37):
Let me out.
That's some heavy shit, man,let me out.
Yeah, what was that line?
Speaker 4 (12:48):
That was some heavy shit.
Let me out.
Yeah, what was that line?
Speaker 7 (12:50):
That was some heavy shit Because we're down deep, we
are frightened, we're scared.
If you don't stare.
I mean this whole yeah.
Speaker 4 (13:00):
Yeah, but beware all those angels with their wings
glued on, because deep downwe're frightened and we're
scared.
Speaker 3 (13:07):
Okay.
Speaker 7 (13:09):
He knows, he knows us all at our core.
That's right he does.
Speaker 4 (13:17):
There's all that buzz and that distortion.
The hell are you even saying?
Speaker 7 (13:40):
All your secrets.
Just get the diary out.
Speaker 4 (13:48):
So I guess the lyrics relate to his relationship with
his perception of the indierock community in larger media.
And he was a reallyself-absorbed guy man.
He writes lyrics that areself-absorbed.
Yeah, this is I think that'sthe only criticism I have of it.
Maybe, but it's.
It sounds like he sang it justfrom the complete, I don't know
(14:13):
from the outside.
I'm sorry.
I need to sit in this coupleplays now.
This is there's a lot going onhere.
Call the fire department.
Speaker 1 (14:23):
This one's out of control.
Speaker 4 (14:25):
Oh, according to Corrigan, the song's
introductory drum riff is adirect lift from Rush's 1975
song by Tour in the Snow Dog.
No, it isn't.
Oh, according to Corrigan, thesong's introductory drum riff is
a direct lift from Rush's 1975song by Tour in the Snow Dog.
No, it isn't.
Oh, man by.
Is that?
No, the that little drum thing?
Okay, maybe it is, maybe, Ididn't know that.
My favorite band, I like thatending Heavy shit.
(14:54):
All right, this song is calledQuiet, quiet.
Speaker 5 (15:03):
Shh.
Speaker 3 (15:10):
Ah, that's better Okay.
Speaker 5 (15:15):
That feels better.
Speaker 4 (15:24):
Need a little hope.
For years I've been sleeping.
Couldn't tell a soul soul.
What is this about?
Probably some Corgan Psychostuff.
Speaker 7 (15:41):
Yeah, Shane's.
Speaker 3 (15:42):
Yeah, shane.
Speaker 2 (15:50):
Shane Shame.
Speaker 4 (16:05):
I like the guitars.
Speaker 7 (16:14):
It's relentless, this Relics.
Speaker 3 (16:20):
That's some heavy shit, man.
Speaker 7 (16:24):
So there's easy to deny.
Speaker 2 (16:29):
Shame.
Speaker 3 (16:37):
That sounds so weird.
My eyes never forget it it'sreally just.
Speaker 4 (16:41):
It's just barbershop raga with distortion there's a
lot of raga on this.
It's a little raga.
Speaker 3 (17:09):
On the shop raga.
I need an adult.
Speaker 6 (17:15):
Is happening?
What's happening?
What happened to Soda?
Speaker 4 (17:18):
Shout out to the Seinfeld fans out there, he's
flying, he's flying.
Chamberlain's flying.
He's rocking it.
He's rocking it.
Speaker 7 (17:33):
He's no fool, he's not Clark Griswold.
Speaker 1 (17:38):
Ed, I'm not your ordinary everyday fool okay.
Speaker 2 (17:54):
Shame.
Speaker 3 (18:00):
I'm sorry, shame Eyes .
Speaker 5 (18:08):
Also, you have, like really big eyes and that freaks
me out Sometimes.
Speaker 3 (18:12):
Thank you.
Speaker 7 (18:22):
That was a little early.
Early palate cleanser.
Early palate cleanser.
Speaker 4 (18:26):
Yeah, but yeah, we had heard enough of that.
Speaker 7 (18:29):
Save me from that awful sound.
Speaker 5 (18:33):
Yeah.
Speaker 7 (18:33):
That was the end.
Oh, oh man.
Speaker 4 (18:39):
This is today.
Speaker 5 (18:43):
Today Junior.
Speaker 4 (18:47):
That was good timing, that was good timing, billy.
Speaker 7 (18:53):
Come on.
That was good timing, billy.
Come on Making fun of Children.
Speaker 4 (18:59):
That is in poor taste .
In a fictional Narrative, goshExactly, you're the heir of a
Some sort of a big corporation.
Speaker 7 (19:12):
Ooh, all right, let's talk about this one.
Let's get into it here.
Speaker 5 (19:17):
Okay.
Speaker 7 (19:17):
Greatest day Tomorrow's, when she lost.
Oh well, you got to.
In my opinion, maybe every dayhas got to be the greatest day,
even tomorrow.
Okay, oh, he's got to get outagain.
Wait what?
He's burning His eyes.
I thought it was the greatestday, and then he pulled the rug
(19:43):
out.
Speaker 4 (19:46):
I mean, he was having some emotional problems while
he was doing this.
So I mean, maybe this is one ofthose details he overlooked a
little bit or it was maybe onpurpose.
You know, good is bad.
Maybe he's trying to gaslightus or something.
Speaker 6 (20:03):
I don't know.
Well, this piece is called Lickmy Love Pump.
This is very Lick my LovePump-ish.
Speaker 7 (20:09):
Yeah, pump Raga, that's right.
Speaker 3 (20:15):
Get out.
Speaker 5 (20:19):
Shout out to the Just saying let it out.
Speaker 7 (20:22):
The pink ribbon wearers.
Speaker 3 (20:26):
You know Everybody come on in and grab a drink.
Speaker 4 (20:35):
My man Didn't we have one where he like freaks out?
Speaker 5 (20:40):
He was just like get in the goddamn pool, okay, yeah.
Speaker 7 (20:46):
He does.
He's got like split personalityand he's like on the mic, it's
great.
Yeah, it's all measured out too.
It's a comedy skit.
He's hilarious.
Speaker 3 (20:58):
He is hilarious.
Speaker 7 (21:01):
He does a bunch of free ones and just videotapes it
.
Speaker 6 (21:12):
Oh, oh, oh, no feel feeling in the heart.
Speaker 4 (21:23):
Turn you turn.
Speaker 1 (21:28):
I'm the Boo-Kuku Dolores today.
Speaker 4 (21:41):
It's a great day for a non-hits, a junior salad.
Speaker 2 (21:44):
I have a junior salad .
Speaker 7 (21:47):
That's all you've had today.
Just a junior, that's right.
Speaker 2 (21:51):
I have a junior salad , no dressing.
Speaker 4 (21:56):
Poor guy man.
He had a steak.
Guy had every bad habit in thebook this is a weird little.
Yeah, this is what is thisTwerked out?
Speaker 7 (22:05):
This isn't his twerk.
Speaker 5 (22:08):
Oh yeah, this is Hummer.
Speaker 2 (22:13):
Hummers.
What kind of jerk would drive?
Speaker 7 (22:14):
one of those Is that true, I don't know.
Shout out to the Hummer drivers.
Speaker 4 (22:20):
Yeah, shout out to the Hummers.
If you're listening, if you'reon a Hummer.
God bless you.
Speaker 7 (22:24):
Get him from the military For a discount.
That's right.
Speaker 3 (22:29):
Dude, this car kicks ass Wonder.
Speaker 1 (22:39):
Wonder what fraternity You're from, brother.
Speaker 7 (22:44):
I ate a pie okay, we're on something about sin
charm fools promises we'resleeping here.
What else we got?
Speaker 4 (23:02):
uh eyes, probably something like that and I can
watch madagascar while I'mdriving shout to the hummer
drivers listening to watchingmadagasc her while you drive.
Speaker 1 (23:47):
I'm not your ordinary everyday fool okay.
Speaker 7 (24:00):
That was Promise.
Speaker 6 (24:03):
Well, this piece is called Lick my Love Pump.
Speaker 4 (24:17):
I think every song on this album has like lick my
love pump moments, you know.
Speaker 3 (24:22):
Yeah, for sure.
Speaker 4 (24:26):
It's all like subdued For sure, because it's Siamese
Dream.
So they wanted to have thislike dreamy aesthetic, but
psycho at the same time.
Speaker 5 (24:47):
It's only a dream.
Speaker 7 (24:50):
It's too awful.
Will I feel okay?
Speaker 4 (25:00):
The dahlia.
Speaker 5 (25:06):
That feels, that feels better.
Speaker 7 (25:23):
Like a bird Fly far away.
Speaker 3 (25:29):
I'm there now.
Speaker 7 (25:31):
Yeah, this is a good one.
I like this.
What am I supposed to do aboutyou?
Yeah, I love you, it's true.
Speaker 4 (25:40):
It's nice, it's nice, it's nice stuff.
Speaker 6 (25:44):
It can't be that hard .
I mean, you've been in lovebefore, yeah.
Speaker 7 (26:07):
I kick his ass, and I can watch Madagascar while I'm
driving.
What kind of music do you like,gloria?
Life's a drag, is it, is it no?
Speaker 1 (26:25):
Nice sustain, hippo hop, woohoo, yeah, baby.
Speaker 2 (26:27):
Ha, ha, ha ha ha.
Dude, those animals are sofucking funny.
They make me want to mergewithout looking.
Speaker 4 (26:38):
You ready for the accident?
Ask yourself a question.
Speaker 2 (26:51):
Yeah, Rumsfeld.
Speaker 5 (26:53):
Okay.
Speaker 4 (26:56):
We needed a juxtaposition there.
Speaker 3 (26:58):
Ask yourself a question.
Maybe you want money, are you?
Speaker 7 (27:07):
free.
You ask for it you lie, are youfree?
Speaker 4 (27:32):
Do If it Love.
Speaker 7 (27:37):
This album's all over the place this is great.
No, this is, I feel like we'vecome full circle, like with the
song, with the songs.
Four songs already we've gone.
I know Up, down, up, I knowDown, up, down, up, down.
(27:59):
I know it feels like we'velisted up, down, up, down.
Speaker 4 (28:00):
I know it feels like we've listed 17 songs.
We're only on number four.
Speaker 3 (28:05):
In a good way.
Speaker 5 (28:06):
I mean I'm sick, I can see the composure on this
one.
Speaker 7 (28:08):
Yeah, this is really well done.
So Hummer is a hit or no, it isnot.
Okay.
Well, this little jam here,this little medley I kind of
(28:28):
walk the dog at these.
We'll tell Trey and the boys to.
Trey and the boys need to learnthis one.
Speaker 4 (28:36):
Yeah, they came out like right after they started to
break, right after this album.
Yeah, that's good.
And there's this thing.
Speaker 1 (28:48):
I'm the Booker Dolores today.
Speaker 4 (28:51):
All right, now this goes into rock.
This is a hit.
Okay, I saw the 1994Lollapalooza At, I think I said
At Pine Knob.
At the time it was an outdooramphitheater North of Detroit
and they were headlining andthey opened this song.
Speaker 3 (29:12):
And it was killer 11th or 12th row.
Speaker 4 (29:17):
It was Wow.
I was rocking it at that time.
I was starting to make moneyyeah.
Lead in your own life, dream ofyour own life.
Speaker 5 (29:58):
Oh my, nobody makes me bleed my own blood Deeper and
deeper Way down.
Speaker 7 (30:16):
Oh yeah, this is also very good, well composed.
Speaker 4 (30:23):
Yeah, you can tell you put a ton of time into it.
Speaker 3 (30:32):
I mean.
Speaker 7 (30:36):
The four of them.
Yeah, the four of them yeah,mm-hmm.
Speaker 4 (30:43):
Up-tempo a little bit right here, yep.
So I mean, there are 13 trackson this album Not to take away
from the song.
Yeah, there's a 14th.
There's a song called aJapanese edition bonus track
called Piss Ant.
Yes, yes, We've got to listen.
Well, we don't have to listen,we can listen.
Yeah, we should, we called ajapanese edition bonus track
called pissant.
Speaker 7 (31:01):
Yes and uh, yes, we gotta listen.
Uh, well, we don't have, we canlisten.
Yeah, we should, we should.
All right, well, maybe we'llplay it at the end.
Speaker 4 (31:05):
Yeah, a little something there sweet, sweet
goes by fast.
Okay, relax at least as hikarijust relax and fade away with us
.
Speaker 7 (31:16):
We got we still got more out in here, right, realize
all that shit is fuckingbullshit.
That's right, okay, you know.
Tell your mind to shut up, youknow.
Speaker 3 (31:30):
Shut up and don't say anything.
Okay.
Speaker 5 (31:39):
Just acknowledge that all that shit is fucking
bullshit three of the voices.
Speaker 7 (31:46):
Oh, the burning.
Speaker 1 (32:05):
Oh, call the fire department this one's out of
control.
Speaker 4 (32:15):
He's saying free, but Free.
Speaker 5 (32:17):
Free, free.
Speaker 7 (32:27):
That's right, I'm like Baskin Robbins.
Speaker 4 (32:42):
You get one free taste, then you gotta buy the
scoop.
Yeah live, they were just likeit's going out of control at
this point I need an adult yeah,I did need an adult oh yeah, we
have liftoff.
Yeah, these guys weren'tmessing around.
Speaker 7 (33:27):
Oh, very technical strumming here.
Speaker 4 (33:32):
I forget the strings too.
You got the cello, oh.
Speaker 1 (33:37):
A little hard to repeat, it's technical.
Speaker 4 (33:46):
What are these guys?
Ragsdale Playing violin, thenRem Schneider on cello.
Speaker 7 (33:54):
Ragsdale to Richesdale, ragsdale to
Richesville, thatagsdale toRichesville.
Speaker 4 (34:01):
That deserves another Dynauts clip there A little
hard to repeat, it's technical.
Speaker 7 (34:09):
Smoothly and softly, I'm going to jerk it out.
Speaker 5 (34:12):
I send this smile on you smoothly and safely so you
don't just jerk it out smoothlyand safely.
Speaker 4 (34:31):
Just have me with a smile.
Speaker 3 (34:37):
No, I just jerk it out so wither in denial?
Speaker 7 (34:43):
No, I'm just jerking, it's wither in denial, oh wait
just a minute Once you leftalone.
Speaker 3 (34:51):
Oh it's dangerous.
Speaker 7 (34:52):
Burn, burn, burning, burn, burn, burn, burning.
Speaker 3 (35:02):
Burn, burn, oh, oh, oh.
You know what?
Speaker 1 (35:08):
I'm talking about oh.
Speaker 2 (35:14):
With joy in your heart.
Speaker 7 (35:19):
Thank you, Billy.
Speaker 3 (35:23):
Billy Bob.
Speaker 4 (35:24):
Thank you, Billy.
Speaker 3 (35:28):
Billy Bob.
Speaker 7 (35:40):
You already figured the script.
Yeah, right.
Speaker 3 (35:46):
It's all about smiles and cries.
What did you make that out of?
Speaker 7 (35:49):
What the fuck is that ?
Smiles and cries, baby.
What movie was that fromTraining Day?
Oh, that's right, it's allabout smiles and cries.
Yeah and they're like Mathis Idon't know Well he is, because
he's framing him and he made himsmoke it in the middle of the
street.
Speaker 4 (36:10):
Ugh Alright, beautiful.
Speaker 1 (36:14):
I'm the Booker Dolores.
Speaker 7 (36:20):
This has a really long sensitivo sectionis.
Speaker 4 (36:28):
Yeah, this is the song that Mike Mills plays piano
on so it's called soma, but Idon't know I probably call it.
Speaker 7 (36:51):
Well, this piece is called I lick my laugh pump,
it's d minor, the saddest of thekeys.
Yeah, that's right, it's uh thesecrets that you keep way down
in your heart.
Speaker 4 (37:27):
Shout out to the runners.
Speaker 7 (37:29):
Tea drinkers.
Shout out to the commutersShout out to the commuters,
those that are begrudginglyvisiting your friend or brother
(37:53):
Seeing a new house.
Speaker 4 (38:08):
Shh Shh Runners, just make sure you look left and
right if you feel a twinge ofpain, maybe take shelter.
Speaker 7 (38:30):
Opiate of blame.
Speaker 3 (38:31):
Wow, oh gee the hell, are you even saying?
Speaker 4 (38:52):
a little mid-song palate cleanser there, but maybe
we needed it we did.
Yeah, this is really sad.
It's like when Linda was sad inthe past.
Speaker 1 (39:04):
Anyhow, if you think that I'm going to sit around and
wait for you, you can forget it.
I'm not your ordinary, everydayfool, okay.
Speaker 7 (39:26):
Kiss off bless day, fool, okay kiss up bless kiss
marge homer.
Speaker 5 (39:29):
I'm making people happy.
I'm the magical man from happyland in a gumdrop house on
Lollipop Lane.
Speaker 4 (39:42):
Oh, by the way, I was being sarcastic, good timing.
Now it rocks After Homer slamsthe door.
Speaker 7 (39:55):
I like it.
It's midnight, you gotta get alast kiss.
It's midnight, you gotta get aLast kiss.
Speaker 3 (40:02):
It's midnight.
Speaker 7 (40:13):
I'm myself.
This is a good one too.
Speaker 3 (40:18):
As I always have, this is a good one too.
Speaker 7 (40:21):
This is Soma and Hummer are projecting themselves
into the stratosphere here forexcellent songs that I had not
(40:42):
been on my radar.
So this is great.
Speaker 4 (40:47):
I mean I I don't know how many times I drank and
passed out to this album.
Speaker 7 (40:52):
Really yeah.
Speaker 3 (40:53):
So I mean I it's sad to say I mean.
Speaker 4 (40:59):
I'm passing nowadays, but come mean, I'm past it
nowadays, but I'm just sayingyeah, but I mean, no matter what
state of mind you're in, thisis a great album.
Speaker 7 (41:08):
Right.
Speaker 5 (41:17):
It's true sadness.
Speaker 7 (41:25):
Yeah, it makes for creative.
Uh, moisture like mushrooms.
You know Moisture and mushrooms.
Speaker 1 (41:42):
Okay.
Speaker 7 (41:48):
Moisture mushrooms Emotional moisture mushrooms,
sadness.
Speaker 4 (41:56):
This song is on a completely different plane From
Prince's Purple Rain, but I mean, there's a song on Purple Rain
that builds to this kind of acrescendo.
And I feel like he sort ofborrows from building up a sound
(42:19):
and then dropping it back down.
Speaker 7 (42:21):
That's what all good songs and artists should do, to
be honest.
So many don't do that, though,and they're still considered
good, so hey.
Speaker 4 (42:31):
It's just one of many effects.
Speaker 7 (42:38):
When you're playing live.
You've got to think about it.
Speaker 4 (42:41):
Yeah, you know, if you're a live band.
Speaker 7 (42:43):
You need that.
Speaker 4 (42:43):
Yeah, and you write the songs so that they can stand
on their own.
You're just listening, or?
Speaker 7 (42:49):
live, build and release.
You build up a little towerwith your nephew.
He smacks it down.
He gets the release.
You usually get the build in.
Shout out to Alden.
We got Greek USA here.
Speaker 4 (43:02):
Geek but you can say Greek.
Speaker 3 (43:04):
I don't care oh.
Speaker 7 (43:10):
Why is your plan tricks on me?
Shout out to the Greeks outthere in the US.
Thank you.
Speaker 4 (43:20):
We're just in the US, thank you, we're just in the US
.
Fuck the Greek-Canadians.
Is that what you're saying?
Speaker 7 (43:24):
No, Greek-Canadians, all the Greeks everywhere.
Speaker 1 (43:27):
Yeah.
Speaker 7 (43:27):
You're always.
You know, that's right.
Speaker 4 (43:33):
Shout out to everybody, all nationalities.
Speaker 7 (43:35):
We love you Thanks for listening.
The Diamond people Shout outall nationalities, we love you.
Speaker 4 (43:42):
The diamond people shout out yeah, except the blood
diamond people.
Speaker 7 (43:45):
We're not, we're not, no you said it, not me, but yes
, oh okay.
Speaker 4 (43:52):
Yeah, I usually go there, we're neutral you want
the bloodiest ring in the case,right?
Speaker 7 (43:58):
no, I want.
I want a ring made out ofmushrooms.
Okay, a mushroom ring Petrified.
Speaker 4 (44:11):
It's like Jack, no, no, I pass, I pass on mushrooms.
I am not an angel dust dealer,I am not an angel dust dealer.
Speaker 6 (44:23):
With almighty God as my witness, I am not an angel
dust dealer.
Oh, that's good, that's sweet.
Speaker 7 (44:34):
Don't be so sad.
Don't be a shop full ofdiamonds.
Knowing you, I like this one.
It's five minutes, holy crap.
Where are they gonna go fromhere?
Speaker 4 (44:50):
Well they go here.
It gets lick my love puppy likeright around here.
Speaker 7 (45:00):
It gets Lick my Love pumpy like right around here.
Maybe it's time for a littleSagan interlude.
What do you think?
Go for it.
Speaker 2 (45:06):
The very matter that makes us up.
Speaker 5 (45:30):
This piece is called Lick my Love Pump.
Speaker 3 (45:46):
Oh, I can't believe it.
When the sun is alive, I needto go no, this they're.
Speaker 4 (46:03):
They're rocking right here.
What's happening?
Normally, this is like too muchchaos for me, and just for some
reason, this is like too muchchaos for me.
For some reason, this is justConnecting with me so hard right
(46:24):
now.
Speaker 7 (46:27):
I'm zoning out a little on this one.
I'm trying to enjoy the nuanceof the, the pace.
Speaker 4 (46:38):
It is so hard right now.
But they get to a transitionpoint because the pace is fast
right now and they slow it down,but they're still going hard at
a slow pace.
Speaker 7 (46:55):
Gave in to my disease of my needs.
That's interesting Shout out tomy disease of my needs.
That's interesting.
Speaker 4 (47:00):
And shout out to Darcy for the low bass part.
I love that transition, how itjust goes fast.
Speaker 7 (47:17):
Her dad says it's okay.
Speaker 1 (47:23):
Oh, how it just goes fast.
Speaker 3 (47:23):
Her dad says it's okay.
Speaker 7 (47:57):
Oh, gave it all away, that's good, I like the ending.
I like the ending.
Oh, gave it all away.
That's good, I like the ending.
I like the ending.
Speaker 4 (48:06):
That was a great ending.
Kind of let you off the hookthere at the end.
So this is mayonnaise.
What does that mean?
Is that literal?
Is it figurative?
Is it code for something?
Speaker 7 (48:26):
Definitely code.
Speaker 6 (48:36):
Oh wait, just a minute.
Speaker 4 (48:41):
You had to know that was coming.
No pun intended, heyo.
Got the title for the songafter looking in his
(49:09):
refrigerator Okay, okay.
In 2012, rolling Stone readersvoted Mayonnaise as their
favorite song in the band'scatalog and Stone readers voted
Mayonnaise as their favoritesong in the band's catalog.
Speaker 7 (49:25):
Oh, this sounds like.
Oh my gosh, this sounds exactlylike Not exactly like, but
Radiohead's Lift.
Speaker 4 (49:37):
I think this came before that.
Speaker 7 (49:40):
Yes, they both sound a little similar in the heavier
parts, but Radiohead has a moresubdued song About being stuck
in a lift at an elevator.
Speaker 4 (50:01):
Oh, okay, I was thinking chairlift for skiing.
But yeah, the lift, Eitherwould be.
Speaker 5 (50:06):
Yeah, but yeah the.
British yeah.
Speaker 7 (50:09):
If it was a hot elevator and you had some
mayonnaise in your pocket, thatcould be messy.
You know what I'm saying.
Speaker 4 (50:20):
Yeah, is that what the kids Are calling it?
Mayonnaise in your pocket,anyway, there's like a
mayonnaise Thing.
It's like 666.
Oh, so it was an image From.
Speaker 3 (50:32):
The.
Speaker 4 (50:32):
Wikipedia page Of mayonnaise.
Speaker 3 (50:36):
Oh, that was sweet.
Speaker 7 (50:50):
When I can, I will.
Speaker 5 (50:54):
I will.
Speaker 4 (51:01):
Oh, I will.
So Corgan later stated in aninterview with a Colombian radio
station that the name standsfor the phonetics of my own eyes
.
It's like mayonnaise, or my owneyes, ah.
Speaker 7 (51:14):
My own eyes Shout out to Luis Franco.
Armand de Villarino de Place,duke de Richelieu, the French
(51:36):
chef who created mayonnaise.
Speaker 4 (51:38):
Oh, okay, yeah, thanks for the.
Yeah, it's the trivia.
Yeah, no problem.
Speaker 7 (51:48):
Made of cream and eggs.
Speaker 5 (51:51):
So this is a yeah, a Corgan and Eha compilation Out
of wind and out of season, outof love and out of feeling.
Speaker 4 (52:08):
Compilation that feels.
It feels better.
So he came up with the chords.
He played it for Philly.
He liked it, came up with themelody and the lyrics.
They worked the arrangementtogether.
Speaker 7 (52:23):
Kind of cool, nice little collab corgan's voice is
good on this one.
Speaker 4 (52:55):
Okay.
So in the Netflix series, beeffeatures the song in the final
scene of the final episode,right on A pop culture reference
.
The Beef viewers out there,yeah, shout out to the Beef
viewers the way I can, ohAlright.
(53:25):
Yeah, that's worthy of beingOut of the scope of what we're
gonna.
We've got some good contendersthough.
Speaker 6 (53:31):
Yeah, what is, what does?
Speaker 7 (53:38):
What does Betty Davis say?
Speaker 4 (53:41):
Yeah, what would she say?
Speaker 3 (53:43):
Now, when I'm very good and do as I am told, I'm
mama's little angel and papasays I'm good as gold.
Speaker 5 (53:55):
Alright, so what do?
Speaker 7 (53:58):
we got here the Space Boy, space Boy Moving right
along here.
Speaker 4 (54:05):
Shout out to the Betty Davis fans out there.
Speaker 7 (54:10):
Good as gold.
Speaker 4 (54:20):
Okay, break your bones, mr Jones.
Speaker 7 (54:25):
And me.
Speaker 3 (54:27):
To taste me as I bleed.
To taste my Space boy.
Speaker 6 (54:40):
I miss you, oh Any way you choose me, you'll break.
(55:00):
Nobody makes me bleed my ownblood.
Speaker 4 (55:03):
Nobody Watch me Death defy To buy my life.
So where are you at?
On Spaceboy.
Speaker 7 (55:24):
I like it Good.
Speaker 4 (55:33):
The singing's really good yeah.
Speaker 1 (55:34):
The rage.
Speaker 5 (55:41):
Just go home, that's go home.
Speaker 3 (55:42):
That's your home.
Are you too good for your home?
Answer me.
Speaker 7 (55:50):
It's solid.
I like the little flute soundin the background.
Yeah, they're adding some soundeffects here.
Speaker 5 (56:05):
Yeah.
Speaker 4 (56:06):
The strings, the woodwinds.
Speaker 2 (56:13):
The very matter that makes us up was generated long
ago and far away in red giantstars.
Speaker 4 (56:22):
Well said, well spoken, carl.
Speaker 2 (56:28):
Carl.
Speaker 4 (56:29):
Carl, carl Say it, son of a bitch you.
Speaker 3 (56:40):
Jeez, I hope I don't die.
Comedians don't want to die,that's Carl Lynn.
Hey, chaz man hey.
Speaker 4 (56:59):
I wonder if Carl Sagan's middle name is Lin,
because if it was, he'd beCarlin.
Speaker 7 (57:06):
Sagan.
Speaker 4 (57:06):
He'd be Carlin Sagan.
Carlin Sagan Like George CarlinSagan.
All right, I'll sit the nextcouple of plays.
I don't know what you said.
Yeah, maybe it's just like thesuicide stuff, wasn't he?
Speaker 1 (57:41):
suicidal.
Speaker 4 (57:42):
While he was doing this, I think this is one of
these deep tracks.
That's great man.
Speaker 6 (58:03):
That's what we think of that.
Speaker 4 (58:09):
He is a dead man.
Speaker 7 (58:15):
We have some.
Speaker 4 (58:17):
Yeah, there's some weird space boy shit still going
on.
Okay, this is silver.
Fuck Alright.
Speaker 1 (58:34):
Finally got to the Showing her my oh face.
Oh, oh, oh.
You know what I'm talking about.
Speaker 4 (58:39):
We knew that was coming.
Finally got to the Showing hermy O face, O O O.
You know what I'm talking about, O.
Speaker 3 (58:44):
We knew that was coming.
If anyone's a freak out outthere, okay, we've got to keep
our composure.
We've come too far there's toomuch to lose.
Speaker 7 (58:57):
We've got to keep our composure.
Speaker 2 (59:03):
Thank you Will.
Why should he get to ditch wheneverybody else has to go?
Speaker 1 (59:07):
You could ditch.
Speaker 6 (59:08):
Yeah, I'd get caught.
Speaker 7 (59:14):
Winning, let's go.
Sir David loves this song too.
Speaker 4 (59:21):
I remember this in concert Don't mess with the bull
, young man, You'll get thehorns.
Now they played this one.
Speaker 7 (59:33):
This was good.
Silver fuck, Silver Fuck.
Like what a song title.
This is like the best songtitle I've ever heard.
Speaker 4 (59:48):
I know, yeah, it's better than Lick my Love, pump
Silver Fuck.
Jeez yeah, I've been working 15, 16 hour nights to make silver
fuck.
Speaker 7 (01:00:09):
I know right, you really did though.
Speaker 4 (01:00:11):
You did yeah.
Speaker 7 (01:00:12):
I mean yeah.
Speaker 4 (01:00:15):
But it's a silver fuck you can be proud of.
You know it is he's not a fool.
Speaker 1 (01:00:20):
I'm not your ordinary , everyday fool.
Speaker 7 (01:00:22):
Okay, he's Billy fucking Corgan.
Speaker 4 (01:00:26):
That's right and Is this before or after the nervous
breakdown.
Speaker 7 (01:00:33):
I want to say During, after, and he manifests part of
that nervous breakdown everytime he hits the recording
studio.
Speaker 3 (01:00:49):
Oh, the burning hot.
Whoa so discordant, big hairLong.
Speaker 4 (01:01:18):
This reminds me of Jane's Addiction.
This reminds me of their rantswhen they go off on these
musical tangents.
Speaker 7 (01:01:24):
Yeah, it's kind of like a three days kind of a
thing.
There's five minutes and 20seconds left of this song.
Speaker 5 (01:01:35):
More or less.
Speaker 7 (01:01:37):
This is insane.
Speaker 4 (01:01:38):
Well, this isn't silver shit, this is silver fuck
.
Speaker 5 (01:01:42):
Fuck like a bird, like a bird.
What.
Speaker 4 (01:01:53):
Ah, this is like I Torn the Snow Dog.
This is like my tour in thesnow dog what yeah, jimmy
(01:02:13):
Chamberlain probably wrote thisthis is all like druggy, so
fetch, I probably wrote thisthis is all like druggy, so
fetch, adorable, adorable.
(01:02:39):
Now we gotta go.
Eric Carman after this one,just for the oh, I almost forgot
you want to go full blownduring the song?
No, no, we gotta wait, yeahit's, it's talk amongst
yourselves.
Speaker 7 (01:02:55):
everybody, we're this is tolerable.
Speaker 4 (01:03:07):
Shot to Kramer, it's tolerable.
It's tolerable.
Speaker 7 (01:03:21):
We're hitting some like Another dimension here.
If you would see me and Chrisright now, both our heads are
slowly spinning in circles.
Speaker 4 (01:03:38):
Yeah, no, I'm just uh , just uh, I'm in a trance.
Speaker 7 (01:03:41):
You know, we're trying we're tranced out over
here yeah, I mean, my mind iswandering double, I mean maybe
triple chamomile.
Speaker 4 (01:03:49):
Yeah, yeah, this is yeah, this is like chamomile
status right now lying in yourbed of course you're gonna be
rudely awakened for when he goes, gets the axe just wondering if
(01:04:23):
it would be, if it would begood or bad to listen to this
right before a job interview.
Speaker 7 (01:04:29):
Probably bad yeah, with your hands in the air.
Do you know?
You just got your big girl bed.
You just need your big girl bed.
Speaker 2 (01:04:38):
You just need a big girl promotion Ready for your
very own big girl bed.
Speaker 4 (01:04:49):
Easy champ.
Where is that?
Speaker 7 (01:04:57):
What Bang bang?
Speaker 4 (01:05:02):
what bang?
Okay, here's the suicidal stuffhere yes, yikes.
That's great man man.
Speaker 5 (01:05:36):
Problem is, if you see one hippie, they'll tell you
a whole lot more.
Speaker 1 (01:05:45):
You're nuts Long loser man.
It's a smash hit.
How do you feel about?
Speaker 7 (01:05:48):
that it's like surfing in some oil spillage
yeah it is like that Smash,smashing, mm Smashing.
Well, dude they are smashing,mmm Smashing.
Well, dude, they are smashing.
Speaker 4 (01:06:11):
Yeah, this was a cool part of the concert actually.
Speaker 1 (01:06:13):
I remember this, Just saying let it out, Give it some
air.
Speaker 4 (01:06:15):
Man Play with it.
Speaker 5 (01:06:19):
Light to help my life .
Speaker 4 (01:06:22):
Attention all planets of the Solar Federation.
We have assumed control.
Speaker 1 (01:06:29):
This is.
Speaker 4 (01:06:31):
That's heavy shit, man.
Speaker 2 (01:06:41):
I have a junior salad , no dressing.
With joy in your heart alright.
Speaker 4 (01:06:55):
so where are we at in the process here?
Maybe we got like a Lunasomething or other Calling it a
day after that.
Speaker 7 (01:07:03):
Unless you want to do pissant, oh Sweet sweet.
Oh, that's good, that's sweetSweet.
Speaker 4 (01:07:15):
We can leave a little room for pissant, why not?
Speaker 1 (01:07:18):
Why not At the?
Speaker 4 (01:07:19):
end.
Why don't we do the voting andthen piss in as an outro?
Speaker 7 (01:07:25):
Yeah, that's a good idea.
We'll do that.
That's a good idea.
Speaker 3 (01:07:57):
Yeah.
Speaker 4 (01:07:57):
This is kind of folky , it is Well isn't that special.
This was kind of a catchylittle tune.
Speaker 3 (01:08:34):
It didn't suck.
Speaker 7 (01:08:37):
Pop and flush your flowers and Thank you, Sir David
.
Speaker 5 (01:08:38):
Thank you, sir David.
Ah, that feels, that feelsbetter.
Speaker 4 (01:08:47):
Well, we're on the home stretch, man, this is the
last one, right, luna, luna,this is in the Lick, my Love
Pump camp, ah sweet.
Speaker 2 (01:09:21):
who belongs?
Speaker 4 (01:09:22):
oh sweet so sweet it is is there some sort of uh
sweet story behind this song?
Speaker 7 (01:09:53):
There, always is.
It's whether we know it or not.
Speaker 4 (01:10:14):
That's a nice little tune here.
Speaker 3 (01:10:26):
Babies.
Speaker 4 (01:10:32):
I'm glad they end on a nicer note.
I mean, I was just Agreed.
I'm glad it just wasn't likesilver and then life sucks.
Good night, yeah if that washappening well it went to like a
really dark place there there'dbe questions.
Speaker 7 (01:10:53):
You know it would be like it's happening.
Speaker 3 (01:10:56):
Yeah, it would be like it's happening.
Speaker 4 (01:11:03):
Gosh, I don't know where I'm going with my vote
here.
I think I've narrowed it downto three.
I just don't know the order.
Speaker 6 (01:11:20):
It can't be that hard .
I'm in love with you and youI'm in love with you.
You can't be that hard.
I mean, you've been in lovebefore, Uh well, just once With
you.
Speaker 7 (01:11:31):
Oh, joey, joey, Joey, he's like Joseph.
Now I'm going to go pickwildflowers for Rachel.
Speaker 5 (01:11:52):
Central Park.
All right, that did feel betterAll right, that did feel better
.
All right.
Speaker 4 (01:12:02):
So let's take it from the top.
We've got our top three.
We've got to vote for.
Are you ready?
Are you ready to give us yournumber three?
Speaker 7 (01:12:17):
Let me see here, I mean there's so many good songs
I want to say every single oneof them was good to me Silver
Fuck is number three for mesolid, slow section that really
somehow validated all the fastdissident sections.
(01:12:37):
Yeah, I know it's anaccomplishment.
Speaker 4 (01:12:37):
Silver Fuck was an accomplishment.
The fast dissonant sections.
Speaker 7 (01:12:39):
Yeah, I know Somehow it's an accomplishment for sure.
Silver Fuck was anaccomplishment.
Speaker 4 (01:12:43):
It was.
It was good.
My number three is going to beGeek USA Wow.
Speaker 7 (01:12:47):
I liked it.
Speaker 3 (01:12:48):
Because at the end it finished off.
Speaker 4 (01:12:51):
Yeah, it gets really manic and chaotic in the middle
of it, and then it kind of slowsdown and has that bass line and
then it goes into the drums andit goes.
Speaker 5 (01:13:01):
Yeah.
Speaker 4 (01:13:02):
Na-na-na-na-na, na-na-na-na-na-na.
So I thought it was kind ofcool how it moved through the
song.
So that was my number three.
Speaker 7 (01:13:11):
Rocket is a hit right .
Speaker 4 (01:13:12):
Rocket's a hit, my number two is Soma, soma yeah.
Speaker 7 (01:13:23):
Piano very good yeah.
Speaker 4 (01:13:27):
Mike Mills contribution there.
My number two is going to beHummer.
Speaker 7 (01:13:32):
Nice.
Speaker 4 (01:13:36):
Yeah, I like the slow tempo.
You go from Lick my Love Pumpto something kind of manic or
just something like hard rockand grooving.
And it was my number two.
Nice, what's your number one?
Speaker 7 (01:13:51):
Hummer yeah.
Speaker 4 (01:13:53):
I figured yeah, yeah.
Speaker 7 (01:13:55):
Just cruising down the highway listening to that
with my Hummer.
I would love that For myself.
Yeah Right on, it's a greatsong.
Speaker 4 (01:14:04):
We flip flopped one and two.
Mine is Soma.
Speaker 7 (01:14:07):
Yeah, I'm glad you had Geek USA.
It's good yeah.
Speaker 4 (01:14:12):
Well, I mean Silver.
I'm glad you had Silver Fuck.
Speaker 7 (01:14:14):
Manny's Shout Out Spaceboy.
Definitely Shout Out toSpaceboy.
Actually, yeah, space Spaceboy.
Definitely shout out toSpaceboy.
Actually, yeah, spaceboy,spaceboy won me over.
Quiet, could have done better.
It had a strong placement butit didn't hit for me that much.
Speaker 4 (01:14:30):
You know I appreciate the musicianship in playing at
that fast of a pace, and all insync too.
That's really really hard to doso.
From the acrobatic standpointit's really.
Technically, it's one of thebest songs.
But wait, did you hear numberone?
Yeah, Soma oh, Soma, yeah.
I mean I really didn't get intowhy but I don't really think it
(01:14:51):
needs to be.
Oh, it is, it's song yeah, butuh, I think that wraps it up.
Uh, we want to thank you againfor listening.
Let's leave you with piss and Idon't know.
Cue it up, man, you got it pissant sesame is sessions rough
(01:15:11):
mix woo, all right, take careguys no pissing on ants, all
right, sure.
Take care.
Speaker 7 (01:15:36):
Red Bull.
There's some wings.
Some Red Bull at this timewould be good.
I think this is before Red Bull.
There's some wings.
Some Red Bull At this timeWould be Would be good, I think
this is before Red Bull.
Speaker 4 (01:15:42):
I don't even know.
I think I had it.
Yeah, we didn't.
We had something like that.
We had like these Shitty energydrinks and all like there's no
brand.
Yeah, got normalized later.
Yeah, alright, wrapping it up,let's wrap it up.
Let's wrap it up.
All right, take care folks.
It's like waking up from a dream After a while.
Speaker 2 (00:06):
one's experience begins to have what I would call
a haven't-we-been-here-beforefeeling.
Speaker 4 (00:18):
All right, thank you for listening to the Greatest
Non-Hits.
I'm Chris, and playing CherubRock from the album Siamese
Dream from the Smashing Pumpkinsis my co-host, Tim.
I want to thank you for tuningin, listening and sharing an
hour with us.
We're going to listen to thealbum Siamese Dream, which was
(00:41):
recorded by the.
Smashing Pumpkins betweenDecember of 1992 and March of
1993.
It was officially released onJuly 27th of 1993.
So this was like their secondalbum after Agish was released.
Agish was more of a collegealbum.
(01:03):
This received a lot ofmainstream play.
So it's a second studio album bythe band on Virgin Records.
So it was produced by Butch Vigand frontman Billy Corgan, who
(01:26):
is the I think he plays rhythmguitar and the vocalists.
The other personnel are JamesEhott on guitars, darcy Retsky
on bass guitar, backing vocalsand Jimmy Chamberlain on drums.
Now there were some additionalpeople.
I'm just reading from Wikipedia.
(01:48):
There was Mike Mills, a memberof REM, played piano on the song
Soma.
Eric Remschneider and DavidRagsdale were involved with
string arrangements.
Eric was on cello on Disarm andLuna David played violin on
(02:08):
Disarm and Luna.
So yeah, there was Butch Vigwho did production engineering,
jeff Tomei engineering, AlanMulder, I think, did the mixing.
After all, the recording wasdone Apparently you know from
reading.
I just read from Wikipedia youcan read it yourself but it
(02:30):
sounded like this was a reallyto put it extremely mildly a
high-maintenance endeavor, andone of those things where, you
know, there was a lot of drama.
Of course, jimmy Chamberlainwas addicted to heroin,
guitarist James E Hahn, thebassist Darcy, ended a romantic
(02:52):
relationship and Corrigan hadbattles with his weight,
suicidal depression, writer'sblock.
Those were, and this wassupposed to be, the big album of
all time.
This is going to be the answerto Nirvana's Nevermind.
So while I mean, this is aclassic, don't get us wrong.
(03:14):
This is a legendary album andone of my favorites too.
I listen to it a lot, the band'sfrom Chicago.
I listen to it a lot, theband's from Chicago.
It was recorded mostly, though,at Triclop Studios in Marietta,
georgia, and I think they didso so that they could avoid
(03:39):
local friends distractions.
Chamberlain needed to be cutoff from his drug connections.
I guess you know fromadditional reading, butch Vig,
billy Corgan raised theexpectations super high on the
album, so they were working12-hour days.
You know Billy Corgan suffereda nervous breakdown seeing a
(04:00):
therapist.
So you know, just like allgreat high art, you know,
there's always, you know,tension, turmoil, drama going on
in the lives of the artists.
So I mean you can definitelyfeel it all coming through.
It strikes the right balance,you know, between high art and
(04:24):
you know art, without it beingjust completely out there.
But I guess they were realperfectionists about it.
They spent a ton of time onmaking sure everything was just
right.
I think that, even though Ithink it created some tensions
and they were running up onmoney and stuff like that, I
(04:48):
think it paid off many fold whenyou look back on it in history.
So, yeah, kudos for Corrigansticking to his guns, even
though maybe he didn't make awhole lot of friends within the
band and record label and allthat.
So great, great album Singles.
(05:10):
So we're going to do what wealways do, which is listen to
the whole album.
We're going to yuck it up,we're going to play stupid clips
, we're going to have a goodtime and it's going to go off
the rails, as always.
But at the end of it all, we'regoing to rank our top three
non-hits.
So, for the purposes of whatare going to be considered hits,
there were four singlesreleased, which was Cherub, rock
(05:33):
Today, disarm and Rocket.
So apparently, mayonnaise wasalso a fifth single that was
released.
Actually, it was released in2023.
Okay, I mean, maybe it wasreleased as a single.
I think that's kind of weird.
Speaker 3 (05:51):
But whatever the case is Okay, well, let's make those
five out of contention.
Speaker 4 (05:58):
Tim's nodding his head.
So it'll be those five and therest of them will be up for
discussion.
So what else can we talk abouthere?
Gish was released on CarolineRecords.
This one was Virgin Records.
Composition and lyrics.
(06:21):
It was mostly Corrigan, I think.
It's considered.
Alt-rock has many differentinfluences shoegaze, dream pop.
There is a lot of heavy metal.
There's a heck of a lot of likefuzz guitar distortion.
It's pretty heavy.
Space Boy was written as atribute to his half-brother,
(06:45):
jesse, so you got that going forhim.
Cherub Rock is a great song.
I love that song.
I love Today All of the hits.
There's a ton of great non-hitson this album too.
I'm super excited.
You should be too.
Tim sounds like he's wrappingup while he does that.
(07:10):
Uh, let me uh again.
Thank all of you for beingdedicated listeners.
Uh, we just got off of a hiatus.
We're feeling fresh, we'regonna, we're gonna rock and we
got a ton of great clips.
We're super excited.
Have fun tonight, watch funtonight.
Watch or listen to some reallygood music, some heavier stuff
than what we've done recently upto and after the hiatus.
(07:35):
So we've got a bunch of otherheavy stuff coming from the 90s
in the next few weeks as well.
So thanks, folks, for hangingin there with us.
Love you and love the podcast.
Give us a shout out, tell us,tell us what you like.
Um, you know, um.
With that being said, tim is,uh, getting settled in.
(07:57):
He's getting his headphones on.
How you doing, bud, oh?
Speaker 7 (08:01):
living the dream, all right, living the dream Tim's
been talking about all week.
Speaker 4 (08:06):
You know, he just he couldn't get back.
He couldn't get back fastenough.
Speaker 7 (08:10):
You know, the chair by my shoulder said get back in
there guy, that's right.
Speaker 3 (08:14):
Those headphones on.
Speaker 4 (08:17):
That's right.
I mean, we're not even close touh retiring, to retire in the
headphones anytime soon.
What did you think of the album?
I mean because this is in mywheelhouse from you know post.
I want to say post-college dayfor me.
You have an origin of.
You know this album.
What were your thoughts?
(08:38):
Where are you at with it?
Speaker 7 (08:42):
I always thought Smashing Pumpkins were like the
bad boy band.
Nirvana was everybody loved.
So it was like.
But if you liked SmashingPumpkins in middle school, I
guess you were wow you wereserious.
Speaker 4 (09:03):
Yeah, you were a bad kid.
Speaker 7 (09:04):
You were avant-garde.
Speaker 4 (09:05):
Yeah, you're smashing pumpkins, you know that's right
, it's expressive yeah, it'slike you know cheech in his
neighborhood and like all theguys walk around.
Speaker 7 (09:13):
My neighborhood had too many asses, man look like a
pumpkin, like that well that'ssomething like that yeah, some
bad kids.
Yeah right, but amazing album.
While the teen angst is gone,the appreciation for this album
is is still there the fair.
Speaker 4 (09:32):
Yeah, it is kind of dated and it's we're past that
stage in our life, like by far,but it doesn't make it less any
less cool.
Speaker 7 (09:39):
Am I angsty?
Yeah, love interests.
Speaker 4 (09:43):
Yeah.
Speaker 7 (09:44):
Maybe, yeah, self-loathing, oh, for sure.
Speaker 4 (09:49):
I can't wait to get into it.
Yeah, all right, here we goReady, let's do it.
Got cherub rock, this littledrum thing.
Speaker 7 (09:58):
Schoolhouse rock here , that's right.
Speaker 4 (10:04):
Just let it out.
Just saying let it out, Give itsome air man, Play with it.
That's right.
I wonder if they ever thoughtabout naming this Let Me Out or
Let it Out.
But it was charitable.
Speaker 2 (10:19):
What a freak.
Speaker 7 (10:25):
Is that Billy, Billy's kind of a freak?
Yeah?
Speaker 4 (10:27):
Yeah, well, that was Chaz Reingold, a character that
was likeaz Reingold, thecharacter that was like Lil'
Pharaoh's character in WeddingCrashers.
He's like oh, what a freak,he's getting married Good.
Speaker 7 (10:45):
Or for you and me, a freak out, given sometimes the
marriage community, that's rightpulls you in got a wedding
freak out good more for
Speaker 3 (11:04):
me and you stay cool.
Speaker 7 (11:33):
Out there it's hot, it is scorch, it is Scorch.
Honey, honey, honey.
I love honey.
Speaker 1 (11:36):
Manuka Just saying let it out.
Speaker 7 (11:39):
The little manuka.
Speaker 1 (11:41):
Everybody.
Come on in, grab a drink, getthose clothes off.
Speaker 4 (11:45):
Shout out to what's that guy's name?
Speaker 7 (11:46):
Mark Rubile, here we go, shout out, shout out to that
guy.
Speaker 1 (11:49):
Everybody, come on in grab a drink.
Get those clothes off.
Let's get in Mark Rubile.
Here we go, shout out, Shoutout to that guy.
Everybody, come on in Grab adrink, get those clothes off,
let's get in the pool Get in thepool, beware.
Speaker 7 (12:03):
Angels with their wings glued on.
Speaker 4 (12:08):
Folks, when you get a chance, look at the album cover
.
The Siamese Twins on it.
It's really kind of likeShining-ish, you know.
Speaker 1 (12:15):
Light of my life.
You know that guy.
Speaker 3 (12:19):
As long as it's a love you.
Speaker 5 (12:29):
Who wants that honey?
Let me out.
Speaker 3 (12:37):
Let me out.
That's some heavy shit, man,let me out.
Yeah, what was that line?
Speaker 4 (12:48):
That was some heavy shit.
Let me out.
Yeah, what was that line?
Speaker 7 (12:50):
That was some heavy shit Because we're down deep, we
are frightened, we're scared.
If you don't stare.
I mean this whole yeah.
Speaker 4 (13:00):
Yeah, but beware all those angels with their wings
glued on, because deep downwe're frightened and we're
scared.
Speaker 3 (13:07):
Okay.
Speaker 7 (13:09):
He knows, he knows us all at our core.
That's right he does.
Speaker 4 (13:17):
There's all that buzz and that distortion.
The hell are you even saying?
Speaker 7 (13:40):
All your secrets.
Just get the diary out.
Speaker 4 (13:48):
So I guess the lyrics relate to his relationship with
his perception of the indierock community in larger media.
And he was a reallyself-absorbed guy man.
He writes lyrics that areself-absorbed.
Yeah, this is I think that'sthe only criticism I have of it.
Maybe, but it's.
It sounds like he sang it justfrom the complete, I don't know
(14:13):
from the outside.
I'm sorry.
I need to sit in this coupleplays now.
This is there's a lot going onhere.
Call the fire department.
Speaker 1 (14:23):
This one's out of control.
Speaker 4 (14:25):
Oh, according to Corrigan, the song's
introductory drum riff is adirect lift from Rush's 1975
song by Tour in the Snow Dog.
No, it isn't.
Oh, according to Corrigan, thesong's introductory drum riff is
a direct lift from Rush's 1975song by Tour in the Snow Dog.
No, it isn't.
Oh, man by.
Is that?
No, the that little drum thing?
Okay, maybe it is, maybe, Ididn't know that.
My favorite band, I like thatending Heavy shit.
(14:54):
All right, this song is calledQuiet, quiet.
Speaker 5 (15:03):
Shh.
Speaker 3 (15:10):
Ah, that's better Okay.
Speaker 5 (15:15):
That feels better.
Speaker 4 (15:24):
Need a little hope.
For years I've been sleeping.
Couldn't tell a soul soul.
What is this about?
Probably some Corgan Psychostuff.
Speaker 7 (15:41):
Yeah, Shane's.
Speaker 3 (15:42):
Yeah, shane.
Speaker 2 (15:50):
Shane Shame.
Speaker 4 (16:05):
I like the guitars.
Speaker 7 (16:14):
It's relentless, this Relics.
Speaker 3 (16:20):
That's some heavy shit, man.
Speaker 7 (16:24):
So there's easy to deny.
Speaker 2 (16:29):
Shame.
Speaker 3 (16:37):
That sounds so weird.
My eyes never forget it it'sreally just.
Speaker 4 (16:41):
It's just barbershop raga with distortion there's a
lot of raga on this.
It's a little raga.
Speaker 3 (17:09):
On the shop raga.
I need an adult.
Speaker 6 (17:15):
Is happening?
What's happening?
What happened to Soda?
Speaker 4 (17:18):
Shout out to the Seinfeld fans out there, he's
flying, he's flying.
Chamberlain's flying.
He's rocking it.
He's rocking it.
Speaker 7 (17:33):
He's no fool, he's not Clark Griswold.
Speaker 1 (17:38):
Ed, I'm not your ordinary everyday fool okay.
Speaker 2 (17:54):
Shame.
Speaker 3 (18:00):
I'm sorry, shame Eyes .
Speaker 5 (18:08):
Also, you have, like really big eyes and that freaks
me out Sometimes.
Speaker 3 (18:12):
Thank you.
Speaker 7 (18:22):
That was a little early.
Early palate cleanser.
Early palate cleanser.
Speaker 4 (18:26):
Yeah, but yeah, we had heard enough of that.
Speaker 7 (18:29):
Save me from that awful sound.
Speaker 5 (18:33):
Yeah.
Speaker 7 (18:33):
That was the end.
Oh, oh man.
Speaker 4 (18:39):
This is today.
Speaker 5 (18:43):
Today Junior.
Speaker 4 (18:47):
That was good timing, that was good timing, billy.
Speaker 7 (18:53):
Come on.
That was good timing, billy.
Come on Making fun of Children.
Speaker 4 (18:59):
That is in poor taste .
In a fictional Narrative, goshExactly, you're the heir of a
Some sort of a big corporation.
Speaker 7 (19:12):
Ooh, all right, let's talk about this one.
Let's get into it here.
Speaker 5 (19:17):
Okay.
Speaker 7 (19:17):
Greatest day Tomorrow's, when she lost.
Oh well, you got to.
In my opinion, maybe every dayhas got to be the greatest day,
even tomorrow.
Okay, oh, he's got to get outagain.
Wait what?
He's burning His eyes.
I thought it was the greatestday, and then he pulled the rug
(19:43):
out.
Speaker 4 (19:46):
I mean, he was having some emotional problems while
he was doing this.
So I mean, maybe this is one ofthose details he overlooked a
little bit or it was maybe onpurpose.
You know, good is bad.
Maybe he's trying to gaslightus or something.
Speaker 6 (20:03):
I don't know.
Well, this piece is called Lickmy Love Pump.
This is very Lick my LovePump-ish.
Speaker 7 (20:09):
Yeah, pump Raga, that's right.
Speaker 3 (20:15):
Get out.
Speaker 5 (20:19):
Shout out to the Just saying let it out.
Speaker 7 (20:22):
The pink ribbon wearers.
Speaker 3 (20:26):
You know Everybody come on in and grab a drink.
Speaker 4 (20:35):
My man Didn't we have one where he like freaks out?
Speaker 5 (20:40):
He was just like get in the goddamn pool, okay, yeah.
Speaker 7 (20:46):
He does.
He's got like split personalityand he's like on the mic, it's
great.
Yeah, it's all measured out too.
It's a comedy skit.
He's hilarious.
Speaker 3 (20:58):
He is hilarious.
Speaker 7 (21:01):
He does a bunch of free ones and just videotapes it
.
Speaker 6 (21:12):
Oh, oh, oh, no feel feeling in the heart.
Speaker 4 (21:23):
Turn you turn.
Speaker 1 (21:28):
I'm the Boo-Kuku Dolores today.
Speaker 4 (21:41):
It's a great day for a non-hits, a junior salad.
Speaker 2 (21:44):
I have a junior salad .
Speaker 7 (21:47):
That's all you've had today.
Just a junior, that's right.
Speaker 2 (21:51):
I have a junior salad , no dressing.
Speaker 4 (21:56):
Poor guy man.
He had a steak.
Guy had every bad habit in thebook this is a weird little.
Yeah, this is what is thisTwerked out?
Speaker 7 (22:05):
This isn't his twerk.
Speaker 5 (22:08):
Oh yeah, this is Hummer.
Speaker 2 (22:13):
Hummers.
What kind of jerk would drive?
Speaker 7 (22:14):
one of those Is that true, I don't know.
Shout out to the Hummer drivers.
Speaker 4 (22:20):
Yeah, shout out to the Hummers.
If you're listening, if you'reon a Hummer.
God bless you.
Speaker 7 (22:24):
Get him from the military For a discount.
That's right.
Speaker 3 (22:29):
Dude, this car kicks ass Wonder.
Speaker 1 (22:39):
Wonder what fraternity You're from, brother.
Speaker 7 (22:44):
I ate a pie okay, we're on something about sin
charm fools promises we'resleeping here.
What else we got?
Speaker 4 (23:02):
uh eyes, probably something like that and I can
watch madagascar while I'mdriving shout to the hummer
drivers listening to watchingmadagasc her while you drive.
Speaker 1 (23:47):
I'm not your ordinary everyday fool okay.
Speaker 7 (24:00):
That was Promise.
Speaker 6 (24:03):
Well, this piece is called Lick my Love Pump.
Speaker 4 (24:17):
I think every song on this album has like lick my
love pump moments, you know.
Speaker 3 (24:22):
Yeah, for sure.
Speaker 4 (24:26):
It's all like subdued For sure, because it's Siamese
Dream.
So they wanted to have thislike dreamy aesthetic, but
psycho at the same time.
Speaker 5 (24:47):
It's only a dream.
Speaker 7 (24:50):
It's too awful.
Will I feel okay?
Speaker 4 (25:00):
The dahlia.
Speaker 5 (25:06):
That feels, that feels better.
Speaker 7 (25:23):
Like a bird Fly far away.
Speaker 3 (25:29):
I'm there now.
Speaker 7 (25:31):
Yeah, this is a good one.
I like this.
What am I supposed to do aboutyou?
Yeah, I love you, it's true.
Speaker 4 (25:40):
It's nice, it's nice, it's nice stuff.
Speaker 6 (25:44):
It can't be that hard .
I mean, you've been in lovebefore, yeah.
Speaker 7 (26:07):
I kick his ass, and I can watch Madagascar while I'm
driving.
What kind of music do you like,gloria?
Life's a drag, is it, is it no?
Speaker 1 (26:25):
Nice sustain, hippo hop, woohoo, yeah, baby.
Speaker 2 (26:27):
Ha, ha, ha ha ha.
Dude, those animals are sofucking funny.
They make me want to mergewithout looking.
Speaker 4 (26:38):
You ready for the accident?
Ask yourself a question.
Speaker 2 (26:51):
Yeah, Rumsfeld.
Speaker 5 (26:53):
Okay.
Speaker 4 (26:56):
We needed a juxtaposition there.
Speaker 3 (26:58):
Ask yourself a question.
Maybe you want money, are you?
Speaker 7 (27:07):
free.
You ask for it you lie, are youfree?
Speaker 4 (27:32):
Do If it Love.
Speaker 7 (27:37):
This album's all over the place this is great.
No, this is, I feel like we'vecome full circle, like with the
song, with the songs.
Four songs already we've gone.
I know Up, down, up, I knowDown, up, down, up, down.
(27:59):
I know it feels like we'velisted up, down, up, down.
Speaker 4 (28:00):
I know it feels like we've listed 17 songs.
We're only on number four.
Speaker 3 (28:05):
In a good way.
Speaker 5 (28:06):
I mean I'm sick, I can see the composure on this
one.
Speaker 7 (28:08):
Yeah, this is really well done.
So Hummer is a hit or no, it isnot.
Okay.
Well, this little jam here,this little medley I kind of
(28:28):
walk the dog at these.
We'll tell Trey and the boys to.
Trey and the boys need to learnthis one.
Speaker 4 (28:36):
Yeah, they came out like right after they started to
break, right after this album.
Yeah, that's good.
And there's this thing.
Speaker 1 (28:48):
I'm the Booker Dolores today.
Speaker 4 (28:51):
All right, now this goes into rock.
This is a hit.
Okay, I saw the 1994Lollapalooza At, I think I said
At Pine Knob.
At the time it was an outdooramphitheater North of Detroit
and they were headlining andthey opened this song.
Speaker 3 (29:12):
And it was killer 11th or 12th row.
Speaker 4 (29:17):
It was Wow.
I was rocking it at that time.
I was starting to make moneyyeah.
Lead in your own life, dream ofyour own life.
Speaker 5 (29:58):
Oh my, nobody makes me bleed my own blood Deeper and
deeper Way down.
Speaker 7 (30:16):
Oh yeah, this is also very good, well composed.
Speaker 4 (30:23):
Yeah, you can tell you put a ton of time into it.
Speaker 3 (30:32):
I mean.
Speaker 7 (30:36):
The four of them.
Yeah, the four of them yeah,mm-hmm.
Speaker 4 (30:43):
Up-tempo a little bit right here, yep.
So I mean, there are 13 trackson this album Not to take away
from the song.
Yeah, there's a 14th.
There's a song called aJapanese edition bonus track
called Piss Ant.
Yes, yes, We've got to listen.
Well, we don't have to listen,we can listen.
Yeah, we should, we called ajapanese edition bonus track
called pissant.
Speaker 7 (31:01):
Yes and uh, yes, we gotta listen.
Uh, well, we don't have, we canlisten.
Yeah, we should, we should.
All right, well, maybe we'llplay it at the end.
Speaker 4 (31:05):
Yeah, a little something there sweet, sweet
goes by fast.
Okay, relax at least as hikarijust relax and fade away with us
.
Speaker 7 (31:16):
We got we still got more out in here, right, realize
all that shit is fuckingbullshit.
That's right, okay, you know.
Tell your mind to shut up, youknow.
Speaker 3 (31:30):
Shut up and don't say anything.
Okay.
Speaker 5 (31:39):
Just acknowledge that all that shit is fucking
bullshit three of the voices.
Speaker 7 (31:46):
Oh, the burning.
Speaker 1 (32:05):
Oh, call the fire department this one's out of
control.
Speaker 4 (32:15):
He's saying free, but Free.
Speaker 5 (32:17):
Free, free.
Speaker 7 (32:27):
That's right, I'm like Baskin Robbins.
Speaker 4 (32:42):
You get one free taste, then you gotta buy the
scoop.
Yeah live, they were just likeit's going out of control at
this point I need an adult yeah,I did need an adult oh yeah, we
have liftoff.
Yeah, these guys weren'tmessing around.
Speaker 7 (33:27):
Oh, very technical strumming here.
Speaker 4 (33:32):
I forget the strings too.
You got the cello, oh.
Speaker 1 (33:37):
A little hard to repeat, it's technical.
Speaker 4 (33:46):
What are these guys?
Ragsdale Playing violin, thenRem Schneider on cello.
Speaker 7 (33:54):
Ragsdale to Richesdale, ragsdale to
Richesville, thatagsdale toRichesville.
Speaker 4 (34:01):
That deserves another Dynauts clip there A little
hard to repeat, it's technical.
Speaker 7 (34:09):
Smoothly and softly, I'm going to jerk it out.
Speaker 5 (34:12):
I send this smile on you smoothly and safely so you
don't just jerk it out smoothlyand safely.
Speaker 4 (34:31):
Just have me with a smile.
Speaker 3 (34:37):
No, I just jerk it out so wither in denial?
Speaker 7 (34:43):
No, I'm just jerking, it's wither in denial, oh wait
just a minute Once you leftalone.
Speaker 3 (34:51):
Oh it's dangerous.
Speaker 7 (34:52):
Burn, burn, burning, burn, burn, burn, burning.
Speaker 3 (35:02):
Burn, burn, oh, oh, oh.
You know what?
Speaker 1 (35:08):
I'm talking about oh.
Speaker 2 (35:14):
With joy in your heart.
Speaker 7 (35:19):
Thank you, Billy.
Speaker 3 (35:23):
Billy Bob.
Speaker 4 (35:24):
Thank you, Billy.
Speaker 3 (35:28):
Billy Bob.
Speaker 7 (35:40):
You already figured the script.
Yeah, right.
Speaker 3 (35:46):
It's all about smiles and cries.
What did you make that out of?
Speaker 7 (35:49):
What the fuck is that ?
Smiles and cries, baby.
What movie was that fromTraining Day?
Oh, that's right, it's allabout smiles and cries.
Yeah and they're like Mathis Idon't know Well he is, because
he's framing him and he made himsmoke it in the middle of the
street.
Speaker 4 (36:10):
Ugh Alright, beautiful.
Speaker 1 (36:14):
I'm the Booker Dolores.
Speaker 7 (36:20):
This has a really long sensitivo sectionis.
Speaker 4 (36:28):
Yeah, this is the song that Mike Mills plays piano
on so it's called soma, but Idon't know I probably call it.
Speaker 7 (36:51):
Well, this piece is called I lick my laugh pump,
it's d minor, the saddest of thekeys.
Yeah, that's right, it's uh thesecrets that you keep way down
in your heart.
Speaker 4 (37:27):
Shout out to the runners.
Speaker 7 (37:29):
Tea drinkers.
Shout out to the commutersShout out to the commuters,
those that are begrudginglyvisiting your friend or brother
(37:53):
Seeing a new house.
Speaker 4 (38:08):
Shh Shh Runners, just make sure you look left and
right if you feel a twinge ofpain, maybe take shelter.
Speaker 7 (38:30):
Opiate of blame.
Speaker 3 (38:31):
Wow, oh gee the hell, are you even saying?
Speaker 4 (38:52):
a little mid-song palate cleanser there, but maybe
we needed it we did.
Yeah, this is really sad.
It's like when Linda was sad inthe past.
Speaker 1 (39:04):
Anyhow, if you think that I'm going to sit around and
wait for you, you can forget it.
I'm not your ordinary, everydayfool, okay.
Speaker 7 (39:26):
Kiss off bless day, fool, okay kiss up bless kiss
marge homer.
Speaker 5 (39:29):
I'm making people happy.
I'm the magical man from happyland in a gumdrop house on
Lollipop Lane.
Speaker 4 (39:42):
Oh, by the way, I was being sarcastic, good timing.
Now it rocks After Homer slamsthe door.
Speaker 7 (39:55):
I like it.
It's midnight, you gotta get alast kiss.
It's midnight, you gotta get aLast kiss.
Speaker 3 (40:02):
It's midnight.
Speaker 7 (40:13):
I'm myself.
This is a good one too.
Speaker 3 (40:18):
As I always have, this is a good one too.
Speaker 7 (40:21):
This is Soma and Hummer are projecting themselves
into the stratosphere here forexcellent songs that I had not
(40:42):
been on my radar.
So this is great.
Speaker 4 (40:47):
I mean I I don't know how many times I drank and
passed out to this album.
Speaker 7 (40:52):
Really yeah.
Speaker 3 (40:53):
So I mean I it's sad to say I mean.
Speaker 4 (40:59):
I'm passing nowadays, but come mean, I'm past it
nowadays, but I'm just sayingyeah, but I mean, no matter what
state of mind you're in, thisis a great album.
Speaker 7 (41:08):
Right.
Speaker 5 (41:17):
It's true sadness.
Speaker 7 (41:25):
Yeah, it makes for creative.
Uh, moisture like mushrooms.
You know Moisture and mushrooms.
Speaker 1 (41:42):
Okay.
Speaker 7 (41:48):
Moisture mushrooms Emotional moisture mushrooms,
sadness.
Speaker 4 (41:56):
This song is on a completely different plane From
Prince's Purple Rain, but I mean, there's a song on Purple Rain
that builds to this kind of acrescendo.
And I feel like he sort ofborrows from building up a sound
(42:19):
and then dropping it back down.
Speaker 7 (42:21):
That's what all good songs and artists should do, to
be honest.
So many don't do that, though,and they're still considered
good, so hey.
Speaker 4 (42:31):
It's just one of many effects.
Speaker 7 (42:38):
When you're playing live.
You've got to think about it.
Speaker 4 (42:41):
Yeah, you know, if you're a live band.
Speaker 7 (42:43):
You need that.
Speaker 4 (42:43):
Yeah, and you write the songs so that they can stand
on their own.
You're just listening, or?
Speaker 7 (42:49):
live, build and release.
You build up a little towerwith your nephew.
He smacks it down.
He gets the release.
You usually get the build in.
Shout out to Alden.
We got Greek USA here.
Speaker 4 (43:02):
Geek but you can say Greek.
Speaker 3 (43:04):
I don't care oh.
Speaker 7 (43:10):
Why is your plan tricks on me?
Shout out to the Greeks outthere in the US.
Thank you.
Speaker 4 (43:20):
We're just in the US, thank you, we're just in the US
.
Fuck the Greek-Canadians.
Is that what you're saying?
Speaker 7 (43:24):
No, Greek-Canadians, all the Greeks everywhere.
Speaker 1 (43:27):
Yeah.
Speaker 7 (43:27):
You're always.
You know, that's right.
Speaker 4 (43:33):
Shout out to everybody, all nationalities.
Speaker 7 (43:35):
We love you Thanks for listening.
The Diamond people Shout outall nationalities, we love you.
Speaker 4 (43:42):
The diamond people shout out yeah, except the blood
diamond people.
Speaker 7 (43:45):
We're not, we're not, no you said it, not me, but yes
, oh okay.
Speaker 4 (43:52):
Yeah, I usually go there, we're neutral you want
the bloodiest ring in the case,right?
Speaker 7 (43:58):
no, I want.
I want a ring made out ofmushrooms.
Okay, a mushroom ring Petrified.
Speaker 4 (44:11):
It's like Jack, no, no, I pass, I pass on mushrooms.
I am not an angel dust dealer,I am not an angel dust dealer.
Speaker 6 (44:23):
With almighty God as my witness, I am not an angel
dust dealer.
Oh, that's good, that's sweet.
Speaker 7 (44:34):
Don't be so sad.
Don't be a shop full ofdiamonds.
Knowing you, I like this one.
It's five minutes, holy crap.
Where are they gonna go fromhere?
Speaker 4 (44:50):
Well they go here.
It gets lick my love puppy likeright around here.
Speaker 7 (45:00):
It gets Lick my Love pumpy like right around here.
Maybe it's time for a littleSagan interlude.
What do you think?
Go for it.
Speaker 2 (45:06):
The very matter that makes us up.
Speaker 5 (45:30):
This piece is called Lick my Love Pump.
Speaker 3 (45:46):
Oh, I can't believe it.
When the sun is alive, I needto go no, this they're.
Speaker 4 (46:03):
They're rocking right here.
What's happening?
Normally, this is like too muchchaos for me, and just for some
reason, this is like too muchchaos for me.
For some reason, this is justConnecting with me so hard right
(46:24):
now.
Speaker 7 (46:27):
I'm zoning out a little on this one.
I'm trying to enjoy the nuanceof the, the pace.
Speaker 4 (46:38):
It is so hard right now.
But they get to a transitionpoint because the pace is fast
right now and they slow it down,but they're still going hard at
a slow pace.
Speaker 7 (46:55):
Gave in to my disease of my needs.
That's interesting Shout out tomy disease of my needs.
That's interesting.
Speaker 4 (47:00):
And shout out to Darcy for the low bass part.
I love that transition, how itjust goes fast.
Speaker 7 (47:17):
Her dad says it's okay.
Speaker 1 (47:23):
Oh, how it just goes fast.
Speaker 3 (47:23):
Her dad says it's okay.
Speaker 7 (47:57):
Oh, gave it all away, that's good, I like the ending.
I like the ending.
Oh, gave it all away.
That's good, I like the ending.
I like the ending.
Speaker 4 (48:06):
That was a great ending.
Kind of let you off the hookthere at the end.
So this is mayonnaise.
What does that mean?
Is that literal?
Is it figurative?
Is it code for something?
Speaker 7 (48:26):
Definitely code.
Speaker 6 (48:36):
Oh wait, just a minute.
Speaker 4 (48:41):
You had to know that was coming.
No pun intended, heyo.
Got the title for the songafter looking in his
(49:09):
refrigerator Okay, okay.
In 2012, rolling Stone readersvoted Mayonnaise as their
favorite song in the band'scatalog and Stone readers voted
Mayonnaise as their favoritesong in the band's catalog.
Speaker 7 (49:25):
Oh, this sounds like.
Oh my gosh, this sounds exactlylike Not exactly like, but
Radiohead's Lift.
Speaker 4 (49:37):
I think this came before that.
Speaker 7 (49:40):
Yes, they both sound a little similar in the heavier
parts, but Radiohead has a moresubdued song About being stuck
in a lift at an elevator.
Speaker 4 (50:01):
Oh, okay, I was thinking chairlift for skiing.
But yeah, the lift, Eitherwould be.
Speaker 5 (50:06):
Yeah, but yeah the.
British yeah.
Speaker 7 (50:09):
If it was a hot elevator and you had some
mayonnaise in your pocket, thatcould be messy.
You know what I'm saying.
Speaker 4 (50:20):
Yeah, is that what the kids Are calling it?
Mayonnaise in your pocket,anyway, there's like a
mayonnaise Thing.
It's like 666.
Oh, so it was an image From.
Speaker 3 (50:32):
The.
Speaker 4 (50:32):
Wikipedia page Of mayonnaise.
Speaker 3 (50:36):
Oh, that was sweet.
Speaker 7 (50:50):
When I can, I will.
Speaker 5 (50:54):
I will.
Speaker 4 (51:01):
Oh, I will.
So Corgan later stated in aninterview with a Colombian radio
station that the name standsfor the phonetics of my own eyes
.
It's like mayonnaise, or my owneyes, ah.
Speaker 7 (51:14):
My own eyes Shout out to Luis Franco.
Armand de Villarino de Place,duke de Richelieu, the French
(51:36):
chef who created mayonnaise.
Speaker 4 (51:38):
Oh, okay, yeah, thanks for the.
Yeah, it's the trivia.
Yeah, no problem.
Speaker 7 (51:48):
Made of cream and eggs.
Speaker 5 (51:51):
So this is a yeah, a Corgan and Eha compilation Out
of wind and out of season, outof love and out of feeling.
Speaker 4 (52:08):
Compilation that feels.
It feels better.
So he came up with the chords.
He played it for Philly.
He liked it, came up with themelody and the lyrics.
They worked the arrangementtogether.
Speaker 7 (52:23):
Kind of cool, nice little collab corgan's voice is
good on this one.
Speaker 4 (52:55):
Okay.
So in the Netflix series, beeffeatures the song in the final
scene of the final episode,right on A pop culture reference
.
The Beef viewers out there,yeah, shout out to the Beef
viewers the way I can, ohAlright.
(53:25):
Yeah, that's worthy of beingOut of the scope of what we're
gonna.
We've got some good contendersthough.
Speaker 6 (53:31):
Yeah, what is, what does?
Speaker 7 (53:38):
What does Betty Davis say?
Speaker 4 (53:41):
Yeah, what would she say?
Speaker 3 (53:43):
Now, when I'm very good and do as I am told, I'm
mama's little angel and papasays I'm good as gold.
Speaker 5 (53:55):
Alright, so what do?
Speaker 7 (53:58):
we got here the Space Boy, space Boy Moving right
along here.
Speaker 4 (54:05):
Shout out to the Betty Davis fans out there.
Speaker 7 (54:10):
Good as gold.
Speaker 4 (54:20):
Okay, break your bones, mr Jones.
Speaker 7 (54:25):
And me.
Speaker 3 (54:27):
To taste me as I bleed.
To taste my Space boy.
Speaker 6 (54:40):
I miss you, oh Any way you choose me, you'll break.
(55:00):
Nobody makes me bleed my ownblood.
Speaker 4 (55:03):
Nobody Watch me Death defy To buy my life.
So where are you at?
On Spaceboy.
Speaker 7 (55:24):
I like it Good.
Speaker 4 (55:33):
The singing's really good yeah.
Speaker 1 (55:34):
The rage.
Speaker 5 (55:41):
Just go home, that's go home.
Speaker 3 (55:42):
That's your home.
Are you too good for your home?
Answer me.
Speaker 7 (55:50):
It's solid.
I like the little flute soundin the background.
Yeah, they're adding some soundeffects here.
Speaker 5 (56:05):
Yeah.
Speaker 4 (56:06):
The strings, the woodwinds.
Speaker 2 (56:13):
The very matter that makes us up was generated long
ago and far away in red giantstars.
Speaker 4 (56:22):
Well said, well spoken, carl.
Speaker 2 (56:28):
Carl.
Speaker 4 (56:29):
Carl, carl Say it, son of a bitch you.
Speaker 3 (56:40):
Jeez, I hope I don't die.
Comedians don't want to die,that's Carl Lynn.
Hey, chaz man hey.
Speaker 4 (56:59):
I wonder if Carl Sagan's middle name is Lin,
because if it was, he'd beCarlin.
Speaker 7 (57:06):
Sagan.
Speaker 4 (57:06):
He'd be Carlin Sagan.
Carlin Sagan Like George CarlinSagan.
All right, I'll sit the nextcouple of plays.
I don't know what you said.
Yeah, maybe it's just like thesuicide stuff, wasn't he?
Speaker 1 (57:41):
suicidal.
Speaker 4 (57:42):
While he was doing this, I think this is one of
these deep tracks.
That's great man.
Speaker 6 (58:03):
That's what we think of that.
Speaker 4 (58:09):
He is a dead man.
Speaker 7 (58:15):
We have some.
Speaker 4 (58:17):
Yeah, there's some weird space boy shit still going
on.
Okay, this is silver.
Fuck Alright.
Speaker 1 (58:34):
Finally got to the Showing her my oh face.
Oh, oh, oh.
You know what I'm talking about.
Speaker 4 (58:39):
We knew that was coming.
Finally got to the Showing hermy O face, O O O.
You know what I'm talking about, O.
Speaker 3 (58:44):
We knew that was coming.
If anyone's a freak out outthere, okay, we've got to keep
our composure.
We've come too far there's toomuch to lose.
Speaker 7 (58:57):
We've got to keep our composure.
Speaker 2 (59:03):
Thank you Will.
Why should he get to ditch wheneverybody else has to go?
Speaker 1 (59:07):
You could ditch.
Speaker 6 (59:08):
Yeah, I'd get caught.
Speaker 7 (59:14):
Winning, let's go.
Sir David loves this song too.
Speaker 4 (59:21):
I remember this in concert Don't mess with the bull
, young man, You'll get thehorns.
Now they played this one.
Speaker 7 (59:33):
This was good.
Silver fuck, Silver Fuck.
Like what a song title.
This is like the best songtitle I've ever heard.
Speaker 4 (59:48):
I know, yeah, it's better than Lick my Love, pump
Silver Fuck.
Jeez yeah, I've been working 15, 16 hour nights to make silver
fuck.
Speaker 7 (01:00:09):
I know right, you really did though.
Speaker 4 (01:00:11):
You did yeah.
Speaker 7 (01:00:12):
I mean yeah.
Speaker 4 (01:00:15):
But it's a silver fuck you can be proud of.
You know it is he's not a fool.
Speaker 1 (01:00:20):
I'm not your ordinary , everyday fool.
Speaker 7 (01:00:22):
Okay, he's Billy fucking Corgan.
Speaker 4 (01:00:26):
That's right and Is this before or after the nervous
breakdown.
Speaker 7 (01:00:33):
I want to say During, after, and he manifests part of
that nervous breakdown everytime he hits the recording
studio.
Speaker 3 (01:00:49):
Oh, the burning hot.
Whoa so discordant, big hairLong.
Speaker 4 (01:01:18):
This reminds me of Jane's Addiction.
This reminds me of their rantswhen they go off on these
musical tangents.
Speaker 7 (01:01:24):
Yeah, it's kind of like a three days kind of a
thing.
There's five minutes and 20seconds left of this song.
Speaker 5 (01:01:35):
More or less.
Speaker 7 (01:01:37):
This is insane.
Speaker 4 (01:01:38):
Well, this isn't silver shit, this is silver fuck
.
Speaker 5 (01:01:42):
Fuck like a bird, like a bird.
What.
Speaker 4 (01:01:53):
Ah, this is like I Torn the Snow Dog.
This is like my tour in thesnow dog what yeah, jimmy
(01:02:13):
Chamberlain probably wrote thisthis is all like druggy, so
fetch, I probably wrote thisthis is all like druggy, so
fetch, adorable, adorable.
(01:02:39):
Now we gotta go.
Eric Carman after this one,just for the oh, I almost forgot
you want to go full blownduring the song?
No, no, we gotta wait, yeahit's, it's talk amongst
yourselves.
Speaker 7 (01:02:55):
everybody, we're this is tolerable.
Speaker 4 (01:03:07):
Shot to Kramer, it's tolerable.
It's tolerable.
Speaker 7 (01:03:21):
We're hitting some like Another dimension here.
If you would see me and Chrisright now, both our heads are
slowly spinning in circles.
Speaker 4 (01:03:38):
Yeah, no, I'm just uh , just uh, I'm in a trance.
Speaker 7 (01:03:41):
You know, we're trying we're tranced out over
here yeah, I mean, my mind iswandering double, I mean maybe
triple chamomile.
Speaker 4 (01:03:49):
Yeah, yeah, this is yeah, this is like chamomile
status right now lying in yourbed of course you're gonna be
rudely awakened for when he goes, gets the axe just wondering if
(01:04:23):
it would be, if it would begood or bad to listen to this
right before a job interview.
Speaker 7 (01:04:29):
Probably bad yeah, with your hands in the air.
Do you know?
You just got your big girl bed.
You just need your big girl bed.
Speaker 2 (01:04:38):
You just need a big girl promotion Ready for your
very own big girl bed.
Speaker 4 (01:04:49):
Easy champ.
Where is that?
Speaker 7 (01:04:57):
What Bang bang?
Speaker 4 (01:05:02):
what bang?
Okay, here's the suicidal stuffhere yes, yikes.
That's great man man.
Speaker 5 (01:05:36):
Problem is, if you see one hippie, they'll tell you
a whole lot more.
Speaker 1 (01:05:45):
You're nuts Long loser man.
It's a smash hit.
How do you feel about?
Speaker 7 (01:05:48):
that it's like surfing in some oil spillage
yeah it is like that Smash,smashing, mm Smashing.
Well, dude they are smashing,mmm Smashing.
Well, dude, they are smashing.
Speaker 4 (01:06:11):
Yeah, this was a cool part of the concert actually.
Speaker 1 (01:06:13):
I remember this, Just saying let it out, Give it some
air.
Speaker 4 (01:06:15):
Man Play with it.
Speaker 5 (01:06:19):
Light to help my life .
Speaker 4 (01:06:22):
Attention all planets of the Solar Federation.
We have assumed control.
Speaker 1 (01:06:29):
This is.
Speaker 4 (01:06:31):
That's heavy shit, man.
Speaker 2 (01:06:41):
I have a junior salad , no dressing.
With joy in your heart alright.
Speaker 4 (01:06:55):
so where are we at in the process here?
Maybe we got like a Lunasomething or other Calling it a
day after that.
Speaker 7 (01:07:03):
Unless you want to do pissant, oh Sweet sweet.
Oh, that's good, that's sweetSweet.
Speaker 4 (01:07:15):
We can leave a little room for pissant, why not?
Speaker 1 (01:07:18):
Why not At the?
Speaker 4 (01:07:19):
end.
Why don't we do the voting andthen piss in as an outro?
Speaker 7 (01:07:25):
Yeah, that's a good idea.
We'll do that.
That's a good idea.
Speaker 3 (01:07:57):
Yeah.
Speaker 4 (01:07:57):
This is kind of folky , it is Well isn't that special.
This was kind of a catchylittle tune.
Speaker 3 (01:08:34):
It didn't suck.
Speaker 7 (01:08:37):
Pop and flush your flowers and Thank you, Sir David
.
Speaker 5 (01:08:38):
Thank you, sir David.
Ah, that feels, that feelsbetter.
Speaker 4 (01:08:47):
Well, we're on the home stretch, man, this is the
last one, right, luna, luna,this is in the Lick, my Love
Pump camp, ah sweet.
Speaker 2 (01:09:21):
who belongs?
Speaker 4 (01:09:22):
oh sweet so sweet it is is there some sort of uh
sweet story behind this song?
Speaker 7 (01:09:53):
There, always is.
It's whether we know it or not.
Speaker 4 (01:10:14):
That's a nice little tune here.
Speaker 3 (01:10:26):
Babies.
Speaker 4 (01:10:32):
I'm glad they end on a nicer note.
I mean, I was just Agreed.
I'm glad it just wasn't likesilver and then life sucks.
Good night, yeah if that washappening well it went to like a
really dark place there there'dbe questions.
Speaker 7 (01:10:53):
You know it would be like it's happening.
Speaker 3 (01:10:56):
Yeah, it would be like it's happening.
Speaker 4 (01:11:03):
Gosh, I don't know where I'm going with my vote
here.
I think I've narrowed it downto three.
I just don't know the order.
Speaker 6 (01:11:20):
It can't be that hard .
I'm in love with you and youI'm in love with you.
You can't be that hard.
I mean, you've been in lovebefore, Uh well, just once With
you.
Speaker 7 (01:11:31):
Oh, joey, joey, Joey, he's like Joseph.
Now I'm going to go pickwildflowers for Rachel.
Speaker 5 (01:11:52):
Central Park.
All right, that did feel betterAll right, that did feel better
.
All right.
Speaker 4 (01:12:02):
So let's take it from the top.
We've got our top three.
We've got to vote for.
Are you ready?
Are you ready to give us yournumber three?
Speaker 7 (01:12:17):
Let me see here, I mean there's so many good songs
I want to say every single oneof them was good to me Silver
Fuck is number three for mesolid, slow section that really
somehow validated all the fastdissident sections.
(01:12:37):
Yeah, I know it's anaccomplishment.
Speaker 4 (01:12:37):
Silver Fuck was an accomplishment.
The fast dissonant sections.
Speaker 7 (01:12:39):
Yeah, I know Somehow it's an accomplishment for sure.
Silver Fuck was anaccomplishment.
Speaker 4 (01:12:43):
It was.
It was good.
My number three is going to beGeek USA Wow.
Speaker 7 (01:12:47):
I liked it.
Speaker 3 (01:12:48):
Because at the end it finished off.
Speaker 4 (01:12:51):
Yeah, it gets really manic and chaotic in the middle
of it, and then it kind of slowsdown and has that bass line and
then it goes into the drums andit goes.
Speaker 5 (01:13:01):
Yeah.
Speaker 4 (01:13:02):
Na-na-na-na-na, na-na-na-na-na-na.
So I thought it was kind ofcool how it moved through the
song.
So that was my number three.
Speaker 7 (01:13:11):
Rocket is a hit right .
Speaker 4 (01:13:12):
Rocket's a hit, my number two is Soma, soma yeah.
Speaker 7 (01:13:23):
Piano very good yeah.
Speaker 4 (01:13:27):
Mike Mills contribution there.
My number two is going to beHummer.
Speaker 7 (01:13:32):
Nice.
Speaker 4 (01:13:36):
Yeah, I like the slow tempo.
You go from Lick my Love Pumpto something kind of manic or
just something like hard rockand grooving.
And it was my number two.
Nice, what's your number one?
Speaker 7 (01:13:51):
Hummer yeah.
Speaker 4 (01:13:53):
I figured yeah, yeah.
Speaker 7 (01:13:55):
Just cruising down the highway listening to that
with my Hummer.
I would love that For myself.
Yeah Right on, it's a greatsong.
Speaker 4 (01:14:04):
We flip flopped one and two.
Mine is Soma.
Speaker 7 (01:14:07):
Yeah, I'm glad you had Geek USA.
It's good yeah.
Speaker 4 (01:14:12):
Well, I mean Silver.
I'm glad you had Silver Fuck.
Speaker 7 (01:14:14):
Manny's Shout Out Spaceboy.
Definitely Shout Out toSpaceboy.
Actually, yeah, space Spaceboy.
Definitely shout out toSpaceboy.
Actually, yeah, spaceboy,spaceboy won me over.
Quiet, could have done better.
It had a strong placement butit didn't hit for me that much.
Speaker 4 (01:14:30):
You know I appreciate the musicianship in playing at
that fast of a pace, and all insync too.
That's really really hard to doso.
From the acrobatic standpointit's really.
Technically, it's one of thebest songs.
But wait, did you hear numberone?
Yeah, Soma oh, Soma, yeah.
I mean I really didn't get intowhy but I don't really think it
(01:14:51):
needs to be.
Oh, it is, it's song yeah, butuh, I think that wraps it up.
Uh, we want to thank you againfor listening.
Let's leave you with piss and Idon't know.
Cue it up, man, you got it pissant sesame is sessions rough
(01:15:11):
mix woo, all right, take careguys no pissing on ants, all
right, sure.
Take care.
Speaker 7 (01:15:36):
Red Bull.
There's some wings.
Some Red Bull at this timewould be good.
I think this is before Red Bull.
There's some wings.
Some Red Bull At this timeWould be Would be good, I think
this is before Red Bull.
Speaker 4 (01:15:42):
I don't even know.
I think I had it.
Yeah, we didn't.
We had something like that.
We had like these Shitty energydrinks and all like there's no
brand.
Yeah, got normalized later.
Yeah, alright, wrapping it up,let's wrap it up.
Let's wrap it up.
All right, take care folks.
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