October 14, 2024 • 76 mins
Imagine the colorful tapestry of sound you get when bluegrass, rock, jazz, and funk are all woven together. That's precisely what the original lineup of The String Cheese Incident achieved with their debut album, "Born on the Wrong Planet." Reflecting on the evocative performances of Bill Nershey, Keith Mosley, Michael Kang, and Michael Travis, we celebrate the band's vibrant energy, exploring how they earned their dedicated Cheeseheads fanbase. You'll hear tales of philanthropy and humor, painting a picture of their spirited festival vibe and musical versatility.
Ever wondered how a band can seamlessly fuse traditional Americana with modern flair? Our discussion on an Americana band, whose tracks like "Texas”, “Jellyfish" and "Resume Man" continue to turn heads, offers some answers. We delve into their evolution and collaborations with artists like Tony Furtado and Keller Williams. Personal stories of captivating performances and band interactions highlight their technical skill, passion, and authenticity, resonating with the charm of Telluride, Colorado, and beyond.
From the surreal imagery of Elvis Presley jamming with a didgeridoo to pondering the whimsical exploits of Pepe the King Prawn, this episode is packed with humor and creativity. Picture astronauts munching on ham, egg, and cheese while discussing jazz fusion and Eric Clapton—it's all part of our playful narrative. As we navigate through musical musings, small-town escapades, and live performance tales, we bring you a unique blend of storytelling that's sure to entertain.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hello Earth, hello, what If that's the Earth where
the cunt can pick a heck of amoney?
Speaker 2 (00:08):
You are on Mars, isn't that lovely?
Yes, very curious.
Speaker 4 (00:20):
Yes, All right, thank you for listening to the
Greatest Non-Hits.
I'm Chris and playing.
What are we playing?
Born on the Wrong Planet?
Yes, the song Born on the WrongPlanet from the album Born on
the Wrong Planet from the StringCheese Incident.
(00:42):
All right, thank you so muchfor joining us.
Uh, we're gonna.
We're gonna cover a band that's, uh, under the radar somewhat.
You know a big part of the jamband scene and this is their
debut album from their 1996first studio album, released
january.
Released January 1996 atAkashic Recording Studios.
Speaker 5 (01:06):
So yeah, the.
Speaker 4 (01:07):
String Cheese Incident jam band bluegrass.
This is a band that's known fortheir eclectic blend of musical
styles.
It's not just bluegrass, orwhatever.
I mean it's rock, it's bluegrass, it's jazz, there's electronic
music in there.
They really fill out a lot ofspace.
(01:30):
Tremendous musicians.
They were formed in the sameyear, 1996, in Crested Butte,
Colorado.
The original lineup is thepersonnel on this band, which is
Bill Nershey on acoustic guitarand vocals.
(01:51):
Keith Mosley is the bass guitarplayer, vocals the two elder
statesmen, I would say the band.
There's also Michael Kang,who's mandolin violin player
fills in a lot of the space.
And incredible musician,arguably the best of the lineup.
They're all great.
And michael travis, who playspercussion conga drums, provides
(02:15):
vocals, multiple instruments.
And there's some additionalpersonnel that fills in.
There's a tony furtado thatplays some banjo, paul Armstrong
plays a Hammond organ.
Liza Oxnard does some backupvocals, jamie Genover on bongos
vocals and the didgeridoo.
We'll talk a little didgeridoolater.
(02:37):
There's Maya Dorn on flute.
Stacey Bublow does someadditional vocals and does some
other the the flig dig.
So, uh, the production team, uh, I guess the string cheese
incident themselves producedthis.
But uh, jamie, you know we'recontributed.
Speaker 3 (02:57):
Steve McNamara did some mastering et cetera.
Speaker 4 (03:01):
So anyway, uh, we're going to do what we always do.
Speaker 3 (03:06):
We're going to do what we always do.
Speaker 4 (03:07):
We're going to listen to all the songs.
We're going to give you our topthree, not hits at the very end
.
We're going to have a bunch oflaughs along the way We've got.
Speaker 5 (03:14):
We've got an ode, a shout out to the Cheeseheads.
Speaker 4 (03:17):
This is what the.
Speaker 5 (03:19):
This is the name of the following the Cheeseheads.
Speaker 4 (03:22):
Little Wisconsin Overtone, but uh, shout out to
the cheeseheads oh god, oh crapshout out to the wisconsin
nymphomaniac there she is rightthere and uh, yeah, so we've got
all that and more coming um.
But yeah, again the musicalstyle.
(03:43):
It's a band that's known fortheir fusion of genres,
combining elements of bluegrass,rock, jazz, funk.
You can hear it in Tim'splaying there.
It's the performances, though.
Speaker 3 (04:01):
Now Tim, I've never seen them live.
Speaker 4 (04:03):
I've heard their songs at parties and all great.
Speaker 5 (04:07):
But I think you really need to see them live in
order to really understand whatthey're all about.
Speaker 4 (04:13):
Tim could probably elaborate a little bit more on
that.
I think he's seen them about 20times.
They're very energetic, they'rereally fan-friendly and you can
even hear it when you listen tothe songs.
Energetic, they're really fanfriendly and you can even hear
it like when you listen to thesongs.
They're kind of long songs,festival-y kind of songs that
just go on for a long time butand you're just like running
through the crowd.
Yeah, you're running to get abeer or whatever.
(04:34):
You know getting back andeverybody's in a good mood, um,
but anyway, what else can we sayabout this?
Um, this is one of a few studioalbums.
There's another one called onestep closer, that we made out in
2005 uh, song in my head.
It was in 2014.
(04:55):
I've had a ton of songs in myhead this week.
I was watching.
I was watching like the lyleand eric menendez.
Uh, they have like a netflixdocumentary, so I saw that
there's a lot of millie vanilliein that and those songs are now
like can't get them out.
Hopefully this will.
(05:15):
This is definitely help.
That was brutal, um, butgetting back to the band, um, I
guess they're really good guys.
Apparently they're intophilanthropy.
They've been involved invarious charitable efforts and
initiatives, often donatingproceeds from concerts to
support environmental andhumanitarian causes.
(05:38):
God bless them.
It's definitely a cool thing.
It's a part of the culture.
When you go to the festivalsand jam bands.
Everybody's super smart andcool and all that.
Yeah, they play festivals likeBonnaroo, electric Forest, high
Sierra Music Festival.
(05:58):
I don't know if Tim's ever beento any of those.
I'm sure he has.
Yeah, I can hear Wrong Planetin that.
That's good.
So before he wraps it up, again, thank you for listening.
(06:20):
Thanks for downloading us.
Wherever you download yourpodcasts, continue to support us
.
You know, hit us up and thelike.
Tim's going to wrap up.
Speaker 3 (06:31):
He's going to join us .
Speaker 4 (06:34):
And what else.
I would say, yeah, there's justseveral songs on this album
that, like Texas Jellyfish youknow, later on in the album
those are really good songs.
Um, you know what are someother ones?
Yeah, I mean, land's end wasgood.
I mean, even resume man wasdecent.
(06:55):
I thought bigger isn't better.
It's kind of an ode to clapton,but but let's hear what Tim has
to say.
How you doing bud.
Speaker 6 (07:06):
Hey doing well.
Hey shout out to the aliens outthere, Don't go taking us over
too quickly.
All right, at least listen tothis album, Okay.
Speaker 1 (07:19):
Pardon me, Tom, but could you rent me a U-Dry flying
saucer?
I've got to get back to theEarth.
Speaker 2 (07:25):
The Earth, oh, the Earth will be gone in just a few
seconds.
Speaker 6 (07:30):
Keep us around, okay, that's all we ask, that's right
.
Keep those flying saucersWD-40'd for us, okay, that's
right.
Speaker 4 (07:42):
Give us your expert opinion on this album.
What's your deal with it?
Cause you have a betteraffinity to the band.
Speaker 6 (07:48):
So we want to hear from you.
Yeah, I've seen again cheeseand small clubs and you know
theater venues uh the hippodromeBaltimore DC um festivals.
What do you like about them?
Speaker 4 (08:06):
What's your hook with them?
I think Because we did Mo lastweek.
You said you like these guysbetter?
Speaker 6 (08:14):
I think, it's hard to .
Yeah, I think I like cheese alittle bit more than Mo.
But what they do is they reallydistill old Americana music and
they bring it into the 21stcentury.
They're constantly trying toevolve with music and they will
(08:35):
throw a crazy electro set intowhat they're doing and they play
bluegrass and they'll be likebefore they play.
We're going to play some morebluegrass and they'll be like
before they play the.
We're gonna play some more goldbluegrass for you after like
these crazy rock, like spiraling, you know effects jams.
So uh, kyle hollingsworth, uhthat he's not on this one, but
(08:59):
he's not on this one, but he wasum, he's from maryland and was
uh taught by, I think, my highschool piano teacher or
something like that they tookprivate lessons.
There's a tie there, travis.
I met Bill and said what's up?
Kind of got like stage frightwhen I met him.
(09:20):
It's just like.
Speaker 5 (09:21):
Hey, you're great, I like he's like cool.
Thanks.
Speaker 6 (09:25):
I was like I like what you do.
He's like cool, thanks.
I was like I like what?
Speaker 4 (09:29):
you do, he's like uh-huh.
And then that's when rodypolitely removed you from there
well, big gulps, see you later.
Speaker 6 (09:36):
I mean, he's just chill.
I I don't know, that's cool.
I mean this band is uh, yeahand kang, with the way he plays
guitar, mandolin and violin isjust with vigor, with this crazy
passion, the guy's you knowBerklee, you see Berklee, he's
(09:56):
been an EMT.
You said he's had aninteresting life, ski patrol
Cool, definitely an athlete, agood person, an amazing musician
.
I can't say enough about theseguys.
They're just so humble andchill, that's awesome.
What else yeah?
Speaker 4 (10:16):
No, I mean, I think that says it all yeah no, I mean
, let's listen, man, let's do it, let's get into it.
This is Black.
Speaker 6 (10:24):
Cloud.
This is the very first song.
These naughty computers.
Oh at, these naughty computers.
Oh dread these computers.
Speaker 4 (10:33):
Very bluegrass-y.
A lot of notes.
Yeah, they want to preserveAmericana, they want to preserve
bluegrass.
Bring it between your center.
How much more black bluegrassBring?
It to 21st century.
Speaker 5 (10:47):
How much more black could this be?
And the answer is none Is thatgood?
Speaker 4 (10:53):
Is that good?
Yeah, I think it is.
Speaker 5 (11:06):
Black clouds rolling up the valley.
Speaker 6 (11:08):
Black clouds covering up the sun.
Play his banjo on this.
Black clouds rolling up thevalley.
How can I be short, john?
It's Tony Furtado.
Tony Furtado, yeah, they alsocollaborate with a lot of
artists Keller Williams, okay.
Speaker 5 (11:27):
Rivers rushing through the canyons collaborate
with a lot of artists KellerWilliams, okay.
Speaker 6 (11:39):
They all harmonize again, like Fish and Mo.
I think Nershi, keith andTravis and Kang all sing.
Speaker 4 (11:51):
Right, it's sort of like a barbershop quartet, like
layered on top of it.
You know Barbershop braga.
Yeah, I mean it's good though,but it is.
It is barbershop.
Yeah, this is Michael isBarbershop, yeah.
Speaker 6 (12:07):
This is Michael.
Yes, Michael K.
He also plays guitarexcellently and it's a truncated
guitar.
He's kind of smaller.
Yeah, he's a smaller guy,Michael.
Speaker 4 (12:29):
Travis does a good job too.
Okay, I see they've got a widerrange than Moe, maybe.
Yes, for sure they're fromBuffalo.
These guys are from Telluride,colorado.
It's more authentic in terms ofthe country, yeah.
Speaker 6 (12:51):
They're mountain folk , they're mountain banjoists.
Speaker 4 (12:58):
They're ski people.
Yeah, this is very ski MountainNice.
Speaker 6 (13:08):
Tony.
Shout out to Vail oh my goshShout out to Beaver Creek.
They do little mini skifestivals at the foot of the
mountains, a lot of it,telluride especially.
Yeah, that's what I've heard.
Speaker 1 (13:31):
And a lot of their audience is there A little hard
to repeat, it's technical.
They are technical.
Speaker 5 (14:02):
A lot of notes.
Speaker 2 (14:03):
Let's make a choice now.
Stick together or go ourseparate ways, Rolling on the
river.
That's where she'd be.
Speaker 4 (14:22):
I like that.
Don not split in there.
Speaker 1 (14:26):
Hey, I know what might be fun.
Speaker 4 (14:29):
Shout out to Don.
Speaker 2 (14:34):
I know, yeah, this is what we'll do.
We'll have a song, we'll allsing.
You know, one of those roundy,roundy things.
Speaker 4 (14:41):
There's a lot of roundy roundy things on that one
.
That was good.
Speaker 6 (14:43):
Going round and round Black clouds.
Well, we'll start out withthese escargots.
Alright, we're getting classyhere.
Yeah, exactly.
Speaker 4 (14:56):
Shout out to Three's Company Alright.
Next song Born on the WrongPlanet.
Are we ready this?
Speaker 1 (15:02):
is the Trigger, a Martian exploration vehicle,
alright, this is the Trigger, aMartian exploration vehicle, all
right man, george Washingtonman.
Speaker 2 (15:14):
He was in a cult and the cult was in Aliens man.
You didn't know that.
Speaker 4 (15:22):
It's a great movie.
Speaker 1 (15:24):
Laser-focused Yep Dazed lasers, earthlings, and
this one not withoutintelligence or technological
(15:46):
education?
Speaker 2 (15:46):
Oh, these computers they're so naughty.
Speaker 4 (15:51):
What about the?
Speaker 6 (15:51):
horns.
Where's that?
Um, there's no credits for thehorns.
Speaker 2 (15:59):
So complex.
Speaker 4 (16:02):
I could pinch them.
Speaker 6 (16:03):
It's just horns overdub.
Oh, maybe it's the piano.
Uh, vocals, vocals.
Speaker 4 (16:19):
Yeah, I mean, if it was a like from a keystrap, show
(16:44):
it to Liza Liza, liza, lizaMaya.
Liza Oxen Maya.
Speaker 3 (16:48):
Dorn Stacy Butler.
Speaker 6 (16:57):
Yeah, we got some female singers here.
All right, shout out to thestargazers out there.
Speaker 4 (17:18):
You've got to love the stargazers.
Speaker 6 (17:22):
Stargazing Little stargazing music.
Speaker 4 (17:30):
He shot the Keith Mosley too.
He's rocking this one and nowit goes to the guitars.
It's probably Nershey.
Yeah, this is Nershey.
He wrote this song as well.
He wrote Black Clouds and thisone.
Speaker 6 (17:47):
I feel like Black Clouds is a modern day classic.
Honestly.
Speaker 4 (17:52):
Yeah.
Speaker 6 (17:56):
For a folky bluegrass number.
You'd think it was covered, butit's an original.
That's what's cool about it.
Yeah, it sounds like a cover.
Yeah, that's pretty cool.
But then, yeah, these are theirsort of jam, filler mo kind of
(18:16):
songs, although they don't playthis that much what the fuck is
he talking about?
Speaker 3 (18:27):
I?
Speaker 1 (18:29):
don't have any eggs coming at you.
Hold on, people.
I think I get griddles, allright.
Speaker 2 (18:44):
I don't got my space suit.
Speaker 3 (18:48):
Well, that you're now can be what I consider the past
.
Speaker 2 (18:53):
What the fuck is he talking about?
Your now can be what.
Speaker 1 (18:59):
I consider the future .
Speaker 6 (19:08):
I'll get my spacesuit and your now is every bit as
valid as my now Shout out to thepeople living in the moment
here.
Speaker 2 (19:19):
That's right, Maybe preferably not in front of a
computer.
But hey, I like this organ.
Speaker 3 (19:25):
It's kind of like me Then we learned that the past
must be real.
Speaker 2 (19:31):
I must admit that I felt that way once or twice
before.
Speaker 3 (19:33):
Where.
I can't think what to say as Iwalk into a control.
Oh, for sure.
Speaker 4 (19:40):
The backup singers and that hand and organ from
Paul Armstrong.
I think that was him yes, shoutout to.
Speaker 6 (19:50):
Paul, that's right In the dance.
Speaker 2 (19:59):
The future must be real.
Speaker 3 (20:01):
They could be your now.
Speaker 4 (20:03):
Okay, yeah, that was another song.
Speaker 3 (20:04):
What the fuck is he talking about?
Speaker 4 (20:08):
Sit.
The next couple plays out champ.
Speaker 6 (20:10):
I'll bring my space suit.
Hold on, we've got a littlepaddle cleanser for the next
song, which was written by whowas that?
Tim O'Brien here we go.
All that shit is fuckingbullshit oh that was strong.
Speaker 4 (20:23):
Okay, okay, yeah, no, I like that.
That was a good palate cleanser.
Now this is Lantern.
Very interesting Instrumental,at least in the very beginning,
(20:51):
I can.
This is a good festival song.
Speaker 6 (20:56):
Yeah, this is their Magnus Opus, magnus Opus, magna
Opus.
And now it's like their MagnumOpus, magna Opus.
Speaker 4 (21:05):
It's like their Magnum Opus.
Speaker 6 (21:09):
This is their Magnum Opus.
Okay, and it's not even theirsong.
It was written by Tim O'Brien.
I know, I didn't even know thatuntil he did this.
I thought it was their song.
It is now, I guess.
Yeah, I didn't even know thatuntil he did this.
Speaker 3 (21:25):
I thought it was their song.
Speaker 4 (21:26):
It is now, I guess.
Yeah, I guess.
So he wrote it for them.
Well, he's just like a bouzoukiplayer.
No, he plays a lot moreMandolin fiddle, banjo
mandichello.
He's released more than 10studio albums.
Good for him, we should checkstudio albums.
Good for him, we should checkhim out.
What a song.
Speaker 6 (21:54):
Also, the tempo is a little bit easier on this one.
Travis is trying to speed it up, but the band's like slow down
there, guy, oh yeah that's true.
The drums do sound like they'replaying a little bit ahead if
anybody was born on a differentplanet, it was definitely Travis
.
Michael Travis, why do you saythat?
(22:16):
Oh, he's just got that intensecrazy eye when he plays his
head's moving around his tongue.
That intense crazy eye when heplays His head's moving around
His tongue is flinging out ofhis mouth most of the time.
It's a spectacle.
Speaker 4 (22:33):
He's a spectacle.
Yeah, I haven't seen any videosor anything like that.
Speaker 6 (22:36):
Yet I'm surprised, his head doesn't fall off
sometimes.
How much he moves his neck, hishead doesn't fall off sometimes
.
Speaker 4 (22:43):
How much he moves his neck.
They should do a Michael Travisbobble at night.
Yeah, they should.
I haven't.
I could make a little extracoin on the side Speeding up the
(23:04):
tempo.
This is cool.
The festival is in full swing.
They could almost pair thiswith a Renaissance festival too.
Speaker 2 (23:26):
Hey, we can't even get into like a second-rate
hotel, I mean a second-ratemotel, you think?
Speaker 4 (23:54):
Yes, very curious, very interesting, no, it is.
This is interesting stuff forsure.
Who's playing the guitar here?
This?
Speaker 6 (24:04):
is Kang, is it Kang?
Okay, this is guitar, which Idon't.
Wikipedia has it wrong becausehe plays guitar on this.
You know what I'm saying?
Yeah, kind of this is hislittle tiny guitar.
Speaker 4 (24:17):
Yeah, he's playing electric guitar.
Uh-huh, and there she isacoustic Mm-hmm.
He's usually electric guitar.
Speaker 6 (24:22):
And there she is acoustic.
She's usually always acoustic.
Sometimes he'll plug in theFender Strat, okay, and the
audience will cheer that.
Speaker 4 (24:47):
As one does in the other.
Speaker 6 (24:48):
It's a nice melody Similar to Remobula, don't you
think Kind of, yeah, a littlebit.
Yeah, it's in that same kind ofkey.
It's overlapped Like C or G.
Yeah, it's not as fast asRemobula.
It's not as fast as Remobula,again also like Fluffhead or
(25:10):
Fluff's Travels for the fishpeople.
All these songs are kind of thesame vein of construction,
these long flowy parts.
Bill sounds great here.
Speaker 4 (25:37):
Oh, how cool, Love that ending man.
Speaker 6 (25:44):
That's right Killer.
Yeah, I feel like that songcould have gone in more minutes,
but I know it's.
Speaker 4 (25:51):
Uh, it's so good, it is good.
All right, this is theremington right.
Hank, penny hank remington song.
Speaker 6 (25:58):
Yeah, I believe so, any Hank.
Speaker 4 (26:01):
Remington song yeah, I believe so.
Yeehaw, yep, pink Penny.
This goes all the way back to.
Let's read about Pink Penny alittle bit here.
Yeah, it's a western swinggenre.
(26:25):
He was a comedian best knownfor his Backwoods character,
that plain old country boy on TVwith Spade Cooley.
He was married to countrysinger Sue Thompson, sue.
Speaker 6 (26:39):
Sue.
Speaker 4 (26:43):
Hank Penny.
Speaker 1 (26:45):
Well, so long as we've got some time to kill, I
think I'll have a beer.
I don't have no beer.
Speaker 5 (26:54):
Like a boy.
Speaker 1 (27:06):
Wow, is this for Toto ?
Speaker 6 (27:15):
Yeah, this is Tony.
Tony is amazing.
I think they cut this track tolike give Tony some some cheese
to cut on here.
I hope so he's cutting on somecheese.
Yeah, he's killing it.
Does he ever go on tour withhim too?
No, I don't think so.
Sorry if I'm cutting on somecheese there too.
(27:37):
Chris, I don't know.
Speaker 4 (27:39):
Oh, no, I haven't.
Speaker 6 (27:40):
Oh, you haven't heard anything.
Yeah, you haven't heard Smelt.
Yeah, okay, I mean, I haven'tsmelt it, so that's just my BO
If it isn't smelt.
Speaker 4 (27:49):
Then it isn't delved.
You know, it's like a Treefalling in the woods, kind of
thing.
Speaker 6 (27:53):
Yes, this has like a Less, quite Less Paul kind of
thing going on Sure.
Speaker 4 (28:11):
I'm glad they took it from the old West West on swing
.
This guy, penny, had some otherhits.
(28:31):
Get Yourself a Redneck andBloodshot Eyes.
Speaker 6 (28:59):
Steel Guitar Stop, that's a plane right there.
Oh, we got Susie.
Speaker 3 (29:03):
I wonder what Susie would think of this.
Oh me Susie Chapstick, heySusie Chapstick.
Speaker 4 (29:07):
Hey brother, she was probably from there somewhere.
Yeah, she's from Telluride,susie Chapstick she was cute.
Speaker 1 (29:20):
Somebody's been down here with the ugly stick.
Speaker 6 (29:22):
No, the cute stick.
Speaker 4 (29:28):
Chevy yeah, she was an alpine ski racer.
Speaker 3 (29:31):
Freestyle ballet early 70s.
Speaker 4 (29:35):
Susie Chapstick.
Keith is getting it.
Speaker 6 (29:38):
Did you hear Keith right there?
Speaker 4 (29:40):
She's from Rutland Vermont, Okay.
Speaker 6 (29:43):
It makes more sense Shout out to Keith on that one.
Speaker 4 (29:49):
Oh, yeah, he was killing it.
Speaker 5 (29:53):
Try not to get into too much troubles, okay, okay.
Speaker 4 (29:59):
Alright, this is Resume.
Damn that.
Speaker 2 (30:07):
They were wailing on that, it feels better.
Speaker 6 (30:13):
Shout out to the job searchers out there Excuse me
Russell, but I believe Irequested the hand job.
Shout out to the Wayne's Worldfans out there Got to put the
explicit label on Get your handsto work On a resume, all right.
Speaker 5 (30:35):
You don't want to say that during a resume.
I'm your man.
He said I work the door, I loadyour gear, when your boys get
thirsty I'll go for beer, and ifit ever breaks down I can even
fix your van.
This is Keith.
Yeah, so good oh he's on sync.
I work.
Right down the road I got amelon stand.
(30:56):
Yeah, the bassist I set up in ashady spot.
I sell watermelons in a littlegood pot.
Last year I made damn near 30grand.
Speaker 4 (31:05):
Yep, keith, mostly he's the one who wrote?
It.
You're right yeah.
Speaker 6 (31:08):
Yeah, bill, this is Kang.
That's Billy, this is Kang Gotit.
Speaker 1 (31:18):
They had so much fucking money in it.
Speaker 4 (31:22):
Shout out to.
Speaker 5 (31:26):
What's his?
Speaker 4 (31:27):
name my cousin.
Speaker 5 (31:33):
Joe Pesci.
Speaker 4 (31:38):
Joe Pesci on the sound clip.
Speaker 5 (31:40):
Dollar bill.
You know, done it all when I'vebeen around, had a lot of good
jobs, seen a lot of rough towns.
Like to offer you my servicesfor hire.
How much soft money can Iexpect to collect in exchange?
Speaker 1 (31:52):
for my core values.
Speaker 5 (31:54):
Sang bass in the Mormon Tabernacle Choir.
Speaker 3 (31:57):
He's a resume.
Speaker 5 (31:58):
man, he's a resume man.
If he can't do it, I don't knowwho can.
Speaker 6 (32:06):
It says right here it says right there, don't be
lying 50 years on the job andthe man's only 45.
It's got that extra five yearsof experience.
Speaker 4 (32:20):
Yeah, 50 years on the job and man's only 45.
Cool what the hell.
Speaker 5 (32:26):
Is that the things that started feeling a little
weird when he looked at Mike andtook a swig of beer and said
what's with the lady?
She really blows my mind.
Well, so long as we've got sometime to kill, I think I'll have
beer, but it wasn't exactly thehelp we hoped to find.
(32:48):
He's a resume man.
What the hell is that man?
What?
Speaker 3 (33:01):
the fuck is he talking about?
Speaker 4 (33:03):
Fuck it.
Speaker 1 (33:08):
We'll have an ex coming at you.
Hold on people.
Speaker 5 (33:16):
We've got new gritties.
No one can it, says right herehere.
It's qualified 50 years on thejob and the man's only 45.
Speaker 4 (33:31):
50 years on the job and the man's only 45.
Wellness anxiety how we breathe, can directly influence the
brain.
All right, nice little palatecleanser at the end there, tim.
All right, keep it going.
We're moving along, and Elvis'Wild Ride is the next one.
Speaker 3 (33:57):
The King, your very own Big Girl Band.
Speaker 4 (34:08):
Big Girl Five Alright , alright, little.
Speaker 1 (34:14):
Elvis.
There the image is one thingand a human being is another.
Speaker 4 (34:20):
He's trying to say my image is one thing, I'm a
different person.
Speaker 6 (34:24):
He's a different person.
He was an interesting character.
Maybe an alien.
Maybe an alien.
Yes, it was the gold belt thatmade me think you were an alien.
Speaker 4 (34:37):
That sounds about right, I'll go with that.
Speaker 6 (34:47):
Elvis, what do you think about Kang's mandolin here
?
Speaker 1 (34:51):
Oh, y'all never done sound too much.
Speaker 6 (34:58):
Elvis, elvis.
Speaker 1 (35:00):
Oh, okay.
Speaker 6 (35:03):
Elvis, we're going to cut you off here.
Speaker 4 (35:15):
Elvis, what was your favorite Bible passage?
I want you to hold on to God'sunchanging hand.
Speaker 1 (35:21):
God help Joshua fight the battle of Jericho.
Yes.
Speaker 6 (35:43):
Yeah Kang.
Speaker 4 (35:59):
It's like that.
Speaker 6 (36:12):
Yeah.
Speaker 1 (36:16):
Oh, it's disintegrating with this jam.
The drop on you is mydisintegrating pistol and
brother, when it disintegrates,it disintegrates, disintegrates.
Speaker 6 (36:31):
Disintegrates Again.
Very technical.
Speaker 4 (36:40):
A little hard to repeat.
Oh, is that the?
Is that the Aborigine thing?
Speaker 6 (36:47):
Yes, the aboriginal.
Speaker 1 (36:48):
I was born In that.
Speaker 4 (36:51):
USA.
Alright, thank you.
Thank you, Billy Billy, BillyCrystal Doing Sammy Davis Jr.
We'll have an ex come.
Speaker 1 (37:02):
And ask you about people.
There you go.
It's doing Sammy Davis Jr.
We'll have an egg scum.
Actually Hold on.
People, there you go.
Speaker 6 (37:08):
I've got my space suit.
I wonder if the astronauts lovea ham egg and cheese.
Speaker 4 (37:17):
The Elvis is wild ride.
You know, this is kind ofgrowing on me.
It's almost put me in a trance.
Speaker 1 (37:29):
Probably never down south too much, elvis.
Speaker 6 (37:32):
He's going crazy.
Elvis, you're cut off.
We never agreed to have you asour guest.
Okay, I know, stop timetraveling, elvis.
Speaker 4 (37:45):
Cut it out.
That was the first time therewas Elvis and a didgeridoo in
the back.
Speaker 6 (37:54):
Apparently with dinner.
Elvis even eats with the beat.
Speaker 1 (37:57):
I heard you should have seen me at dinner tonight
when I was going In tempo.
Oh yeah, I went up to thebathroom and did a little
didgeridoo.
Speaker 4 (38:04):
I never swallowed anything Didgeridoo.
Speaker 3 (38:05):
You should have seen me at dinner tonight, man In
tempo, oh yeah, climbing up thebathroom.
Speaker 1 (38:07):
I never swallowed anything.
Didgeridoo, didgeridoo, old sonof a.
Speaker 4 (38:13):
Whoa, I need a didgeridoo after that.
Okay, all right.
All right, bigger is better isthe name of this next one.
Speaker 3 (38:24):
Excuse me, russell, but I believe I requested the
hand job, yeah.
Speaker 4 (38:36):
So this is Bigger Isn't Better, but it's got like
the same lyrics as like the nextsong.
Speaker 6 (38:42):
It doesn't right now, it's got it the same lyrics as
like the next song doesn't
Speaker 3 (38:46):
right now it's it's got it, no, okay I don't know
what that was now we got somelike jazz fusion going on.
Speaker 6 (39:03):
Yeah with.
Speaker 4 (39:03):
Eric Clapton.
It sounds like Clapton singing.
Speaker 6 (39:07):
It does sound like a little Clapton.
Yeah, I think this is maybeKang singing.
Speaker 4 (39:21):
Oh, really Wow.
Speaker 6 (39:26):
He's really talented Jeez.
I like this one a lot.
Speaker 4 (39:34):
I do too.
He's got a relaxing tempo too.
I can spend the afternoons allalone.
Speaker 3 (39:44):
Don't need much, Don't you know, I don't need a
TV.
I can see what's right.
All you people, you're tryingto sell the land.
You don't see the problem.
Speaker 1 (39:59):
You don't seem to understand To win is making one
big mess the problem.
Hello, I am Pepe the King Prawnagain Pepe the King Prawn.
Speaker 3 (40:06):
Bigger is it better.
Speaker 6 (40:10):
Money is enough in that.
Are you as big as a shrimp, oris a prawn as?
Speaker 4 (40:16):
Prawns are usually bigger than shrimp.
Speaker 6 (40:17):
Oh yeah, but it's not always better.
Speaker 4 (40:21):
Yeah.
The point of this song, kingPrawn.
I'm'm sorry, we're auditioningfor a spokes shrimp.
Yeah, you can't be a prawn, bea spokes shrimp I am actor, I
can do shrimp okay I'm a prawnbut I can do shrimp.
Speaker 6 (40:42):
I can be a shrimp pepe is always smoking hash dude
that guy, that prawn, I tellyou incredible.
Speaker 1 (40:52):
No, what's this?
What's this I can do?
Happy, okay, he's happy, I amhappy, that's great, great, okay
.
No, no, wait, wait, I should.
Speaker 4 (41:08):
This is like his resume in a way.
Oh yeah.
Speaker 6 (41:15):
This reminds me of like some Schofield sort of like
government mule-y, schofield-y,really.
Speaker 3 (41:25):
Yeah.
Speaker 6 (41:26):
Song.
Speaker 4 (41:27):
Yeah, government-y.
Speaker 6 (41:29):
Sort of Schofield-y Government.
Mule and Schofield have thatsort of band collab.
Speaker 4 (41:34):
Oh yeah, yeah, it's a different band.
Speaker 6 (41:36):
yeah, Okay.
Speaker 1 (41:37):
It is melancholy, okay, melancholy, all right.
Speaker 6 (41:41):
But uh, oh, I'm Mellen Cully, okay, alright,
this is see these jams.
I don't think they ever playthis live, pepe.
(42:01):
Cully M Cully, I don't know, Idon't even know if that's a
guitar, you can hear it onacoustic, and then Kang's on his
little mini guitar.
Speaker 4 (42:16):
There's some feedback .
A little while ago Maybe thatwas just feedback on a guitar.
Oh, you know, like feedback ona guitar.
Oh, you know, like thatscreeching earlier.
Speaker 6 (42:27):
They have the Hammond organ on this one too.
Speaker 1 (42:30):
I am so melancholy again.
Speaker 3 (42:32):
That looked exactly like happy.
Speaker 4 (42:36):
I am so melancholy.
Speaker 6 (42:40):
How can you be melancholy and listen to the
cheese incident?
It is very unpleasant.
Speaker 1 (42:50):
Well, I only took the one acting class again.
Speaker 6 (42:56):
You don't have to act to like this.
I would think Pepe would digthis oh yeah, he'd be in the
front row Getting a heart attack.
Kang would jump down.
Give him a little CPR.
Speaker 3 (43:23):
Resuscitate his puppet ass.
You can always Now we dopension, get the Wisconsin.
Speaker 4 (43:29):
Nymphomania copy too.
Oh yeah, do a little CPR orsomething like that.
Oh God, oh.
Speaker 3 (43:36):
God, oh crap, oh crap , oh crap.
Speaker 1 (43:40):
No, no, no, no, please, that's all right.
Speaker 3 (43:42):
Just read what you have there oh crap, oh crap.
Speaker 6 (44:03):
What it is, bro, what it is, I'm from out of town.
We'll get there.
Speaker 3 (44:17):
Number two no, try to get out, but I don't have a
heart.
Leave all my friends, make youstand, oh crap.
Three, try number three.
Speaker 6 (44:44):
This is long.
This is a long John.
Speaker 1 (44:48):
Oh, this is good because winter is coming.
I can use these long Johns,okay, okay.
Speaker 6 (44:52):
Johnny Cash, johnny Cash.
Speaker 2 (44:57):
Here's a song that's guaranteed to make you feel good
all over and over and overagain, about Johnny Cash and his
close friend.
Speaker 3 (45:29):
Why not try?
This is like cartoonish this isyeah, this is like.
Speaker 6 (45:46):
This band isn't a show, yeah.
Speaker 4 (45:57):
They're wailing now.
Speaker 5 (46:08):
Our new number three variety platter, where's he
going?
Speaker 2 (46:29):
Yeah, where is he going, johnny?
Speaker 5 (46:46):
Cash is on the train and he ain't never coming back.
No, that's some heavy shit, man.
Speaker 2 (47:27):
No, no man.
Well, well, well.
I saw John laying on the track.
Asked the boy when he's comingback.
Said I don't know, but when Ido I'll bring Elvis to the party
with you all All.
Speaker 3 (47:36):
Hello man.
Yeah, you ain't gonna know.
Speaker 4 (47:41):
You ain't gonna know.
So there's, like this crossover, johnny Cash and Elvis.
That's me then.
Thank you very much, thank you.
Speaker 3 (47:51):
Gave all these hippies permission to be here.
Speaker 1 (48:01):
Yes, yes, All the whole.
Oh no, yes, the all the thewhole.
Oh no, yes, the whole railwayand I was holding my cat and we
were going up and the whole, ohmy god, the whole.
Speaker 6 (48:15):
Yeah Kang Railway.
Oh god, the choo-choos and theand the mandolins, oh God, oh.
God, I need an adult, that'swhat I think about festivals.
These little kids runningaround oh my gosh, it's insane
Festival parents God bless them.
(48:35):
I know how you doing.
Speaker 4 (48:41):
Got a ring with your little dog?
Yeah, this is amusing.
Speaker 6 (48:46):
Is that casino money?
How's that casino money comingon this song?
Speaker 1 (48:51):
Now are you funny?
Like I'm a clown, I amuse you.
Speaker 6 (48:56):
No, no, joe, Joe, you're good man, yes, you amuse
us, but just chill, god.
Just dance with the hippies.
Speaker 4 (49:04):
Come on, hey, I keep saying your name, I give my
advice to Judge Reinhold.
Speaker 3 (49:09):
Oh wait, just a minute.
Speaker 6 (49:13):
See, here's Kang again.
Multi-dimensional, multi-verse.
Speaker 3 (49:25):
A gay couple.
Truckers call the firedepartment.
This one's out of control.
Speaker 2 (49:43):
Drive the train, drive the train, drive the train
on down the track that track.
Drive the train to that burningring of fire.
Oh, on down the track, johnnyCash is on the train.
He ain't never coming back,johnny Cash.
Speaker 6 (50:04):
Johnny Cash, Johnny Cash.
Shout out to the conductors outthere.
Speaker 2 (50:07):
Johnny Cash don't smoke cash.
He's at that line on the track,johnny Cash is on the train and
he ain't never coming back,johnny.
Speaker 6 (50:20):
Cash, johnny Cash, johnny Cash.
Train sound is not an originalaudio.
Yeah, it's just a hit.
Speaker 3 (50:33):
Never coming back.
Speaker 5 (50:39):
Never coming back the train and he ain't never coming
back.
How much more black.
Speaker 4 (50:55):
Could this be?
The answer is none, none.
All right, what are we?
Speaker 6 (50:56):
looking at oh man, what do we got next?
Speaker 4 (50:58):
What are we doing, lester?
Oh, the Coconut song All right.
This is kind of Caribbean right.
Speaker 5 (51:13):
We're going down south too much.
Speaker 6 (51:21):
We're going down.
We're going down south on thisone.
Yeah, we're going down.
We're going down south on thisone.
Yeah, we're going down.
Antigua, yeah.
Bahamas, aruba, jamaica, tomTom's Hot Tail.
Speaker 1 (51:32):
Yeah.
Speaker 6 (51:33):
You know, get some Cayman Islands Cranberry juice.
Speaker 3 (51:40):
Yeah.
Speaker 4 (51:41):
A little punch.
Speaker 6 (51:49):
A little Goon Bay, smashay smash.
Little daiquiri.
Yeah, hurricane, coconuts,coconuts all day.
Speaker 4 (51:52):
I love the hurricane the train, not like milton King.
Speaker 1 (52:12):
Kong.
I'm sorry, we're auditioningfor a spokes shrimp, I can do
shrimp okay.
Speaker 6 (52:28):
Shout out to the shrimp eaters.
Yeah, what is this?
Yeah, I mean, this song justbroadens their mass appeal,
calypso sort of Right.
Do they have any steel drums?
I don't know, didn't service.
(52:49):
I don't think travis playssteel drumming.
There's a conga conga.
Yes, definitely conga.
It's a conga steel drum.
That'd be cool if they includedthat there.
Yeah, yeah.
(53:10):
Shout out to Jamie Janover onthis, I'm sure.
Speaker 4 (53:17):
Yeah, playing bongos.
Yeah, Well, she's the one whodid the didgeridoo or?
Is it a guy?
I don't know.
It could be either one.
I don't want to get intoJamie's pronouns or anything.
I just you know.
Speaker 3 (53:37):
Jamie did a great job on these things.
Let's put it that way.
Speaker 1 (53:41):
Hmm, good, hmm, gender Edible.
No, yeah, that was fine.
What's this, what's this,what's that?
Speaker 4 (53:51):
Jamie's gender is irrelevant in this conversation.
Speaker 6 (53:54):
Keith knows, you know Keith's one of those names, you
don't get wrong.
Yeah, there's a lot of femaleKeiths out there.
Speaker 1 (54:02):
Yeah, lot of female keith keiths out there yeah,
shout out to the female keithsout there.
I can do happy okay yeah, yeahyeah, are there any female tims?
Speaker 4 (54:11):
I don't, tim is almost all.
Yeah, I don't know, chris, yeah, it's ambidextrous, goes either
way, that's true, lefthanded,right-handed, yeah or yeah,
elvis is Androgynous.
Speaker 6 (54:29):
Elvis is androgynously, ambiguously,
ambidextrous, ambidextrous,androgynously ambidextrous.
Speaker 4 (54:42):
A mammarouser ambidextrous androgynously
ambidextrous, a man or a sirforget him or her?
Speaker 1 (54:49):
or whatever it may be , don't get my spacesuit it's
time for androgyny don't get myspacesuit here comes Pat.
Speaker 6 (54:58):
I thought that you're now.
Speaker 3 (55:01):
I was born in that USA.
Speaker 1 (55:07):
You can't go.
All the plants are going to die.
Speaker 6 (55:12):
Shout out to the plant people.
Speaker 4 (55:14):
That's like a clip from every movie I saw in the
70s.
Speaker 3 (55:20):
I know what might be fun.
Speaker 4 (55:26):
All right, this is digging in.
Speaker 2 (55:31):
Hey, we can't even get into like a second-rate
hotel, I mean a second-ratemotel, you dig.
Speaker 4 (55:40):
Like a boy.
This reminds me of Coming toAmerica.
Speaker 6 (55:46):
Oh yeah, it's a good song, it's more congas More
flutes.
Speaker 2 (55:54):
Joshua, what the hell is that that's a didgeridoo.
Speaker 4 (56:02):
Yes, it's Jamie Genova.
That's a didgeridoo.
Yes, it's Jamie Genova, likeall over the place.
Speaker 5 (56:09):
Big girl bed, big girl five, all right.
Speaker 6 (56:13):
Thank you, cousin Jesse, big girl high five, or
big guy high five to Jamie.
Breathing is a safe andeffective way of fighting death
(56:35):
and death-related symptoms.
Shout out to the breathers.
We're doing it here.
Born on the wrong planet.
This is like a set break song.
Speaker 4 (56:47):
It's a palate cleanser in and of itself.
Not that long it's only Alittle more than two and a half
minutes A little hard to repeat,it's technical.
Speaker 2 (57:04):
Oh these computers, they're so naughty and so
complex.
Speaker 3 (57:08):
I could pinch them.
Speaker 5 (57:13):
How much more black could this be?
Yes, how much more black couldthis be?
Speaker 2 (57:19):
Very curious, very interesting.
Speaker 6 (57:31):
I know Chandler likes this.
Chandler, hey, wait, hey, hereally likes this one.
This song evades his privacy.
It's good, okay, just like hisroommates.
(57:52):
Oh, hey, hey, whoa, whoa, niceAll right, nice Alright.
Speaker 4 (58:06):
This song is something else, yeah this is.
This is a welcome escape fromthe conga drums.
Speaker 1 (58:19):
Say uh, excuse me, Holmes, aha, what it is, bro,
we're from out of town, no shit.
Speaker 4 (58:38):
Okay, well, that's a time.
Speaker 1 (58:39):
So long as we've got some time to kill, I think it's
a nice image.
Speaker 6 (58:57):
It tells a story.
Speaker 2 (59:04):
Yeah, tells a story, yeah.
Speaker 4 (59:16):
Time to kill.
I think I'll have a beer.
Speaker 2 (59:19):
So you're having beer in mushrooms and you're in
Texas now.
Okay, so you're running intothe army.
Pardon me, this is not good,pardon me.
Speaker 6 (59:38):
Everybody just chill.
Speaker 3 (59:40):
Man Chill.
Speaker 1 (59:47):
Pardon me, I wonder if you could tell me how to get
back on the expressway.
Fuck your mama.
Thank you very much.
Speaker 2 (01:00:05):
But she wouldn't listen.
Listen, she was calling thecops Cause her gutter had been
smashed.
And the next thing I knew.
I walked outside there werepolice all around Asking who was
driving the vehicle.
Can I see your license?
What you doing in our town?
Speaker 1 (01:00:24):
Pig oink oink police officer.
Speaker 2 (01:00:28):
Get me out of this small-time Texas town, cause I
don't wanna be stuck in jailwhen the sun goes down.
But you can't bust me if youdon't know what you found.
What's going to happen?
Speaker 4 (01:00:44):
next.
Speaker 6 (01:00:54):
Pardon me.
Yeah, it's.
That's why I love this.
They set you up for this littlestory and then they have a solo
like Right, and they leave youwondering.
Speaker 4 (01:01:11):
So they're gonna search the car.
Speaker 2 (01:01:15):
What are they gonna find?
I think I'm gonna wake up backin the jungle.
They're gonna find themushrooms, yeah well.
Speaker 6 (01:01:23):
It's a cooking mushrooms, mushrooms.
Yeah, well, it's cookingmushrooms, come on yeah.
Speaker 3 (01:01:35):
I'm tired of this, Grandpa.
That's too damn bad.
You keep digging.
Speaker 6 (01:01:45):
Digging those jams.
Speaker 2 (01:01:47):
Digging those jams and our little stash.
But they didn't know what itwas and let us go Minus 80 bucks
(01:02:10):
in cash Woo.
Speaker 5 (01:02:14):
Try not to get into too much trouble, because I
don't want to be stuck in jail.
Speaker 2 (01:02:20):
When the sun goes down.
You can't bust me If you don'twant to be stuck in jail when
the sun goes down, but you can'tbust me If you don't know what
you found.
Speaker 4 (01:02:27):
No, Wow, they were lucky.
Speaker 2 (01:02:30):
Get me out of this small town.
It sounds like a true story.
Speaker 6 (01:02:33):
Oh, I'm sure I'll be running as soon as my feet hit
the ground.
Speaker 2 (01:02:36):
It sounds like something plausible.
You can't bust me Cause youdon't know what you found.
Speaker 6 (01:02:41):
The premise is excellent.
It's like a.
It just goes.
This song, this is definitelyone of their.
Speaker 4 (01:03:03):
Well, it's long but it's pleasant, you know, it
keeps you wondering, it keepsyou engaged.
Speaker 6 (01:03:10):
For live performances .
Texas is always up there.
Yeah, as a set closer, or?
Speaker 1 (01:03:20):
Somebody's been down here with the ugly stick.
Speaker 6 (01:03:34):
You're all beautiful in Texas, okay, oh, I didn't
know that that was directedtowards Beautiful women.
Speaker 4 (01:03:43):
Shout out to the Texas women.
Speaker 6 (01:03:53):
Travis is in the jungle, travis.
Every time I think I'm gonnawake up Back in the jungle.
Speaker 4 (01:04:33):
It's insane how good Travis is.
That's a cool jam right here.
Speaker 5 (01:04:37):
Could've used a little more cowbell.
Speaker 4 (01:04:41):
It's true.
Speaker 6 (01:04:52):
Oh, this is Kang on his little effects and guitar.
I don't know why they don'tcredit guitar for guitar on this
Wikipedia.
They're wrong.
That's not right.
Just check out liveperformances of it, You'll see
it.
The guitar just looks so likeit piques your interest because
(01:05:15):
it looks like a mandolin.
But it's not, I know.
But when?
Speaker 4 (01:05:18):
I'm listening to this .
You can hear just a little bitof David Gilmour.
Oh, a little Gilmour.
Speaker 6 (01:05:23):
Interesting.
When I'm listening to this youcan hear just a little bit of
David Gilmour.
Oh, A little GilmourInteresting I'm hearing a little
bit.
Speaker 4 (01:05:31):
Wow, it's just Pink Floyd-ish, like that part, like
shining a crazy diamond.
Whoa, a little bit in there,wow, you heard.
Speaker 6 (01:05:38):
I don't know, am I making shit up?
No, that's, I'm hearing thesame thing.
Speaker 2 (01:05:44):
That's cool, Micah boy.
Speaker 6 (01:05:55):
The sustain that he keeps is really good.
Yeah, I agree.
Speaker 4 (01:06:03):
Except for Blue Wave.
Speaker 6 (01:06:13):
If you listen to this band with that auto-generator,
that little sound wave thingthat they used to offer for like
Windows Media Player, oh, it'sso good.
Sure, yeah, just like.
Speaker 3 (01:06:32):
What the fuck is he?
Speaker 6 (01:06:32):
talking about the auto generator that you know the
abstract lines that they make.
Speaker 4 (01:06:42):
It's cool how they put those congas at the end.
Wow, Okay, this last one.
This is the last song You'redoing great.
It's Jellyfish Interesting.
Now we were talking about PinkFloyd and now they start this
off with a clock Kind of like.
All right, yeah.
Here we go, this guy's hungoveron tequila.
Speaker 1 (01:07:11):
His brain is a jellyfish.
Speaker 2 (01:07:13):
We don't have no beer , just tequila.
Just a jellyfish in the oceanin my head, because I drank too
much tequila and I woke upseeing red, and now all I really
want from life is to crawl backinto bed On account that my
brain is just a jellyfish in theocean.
Speaker 4 (01:07:30):
Who's singing this?
Speaker 2 (01:07:31):
Well, I woke up this morning and the phone was
ringing.
My boss was talking, just kepton talking like a vacuum cleaner
, Like a barking dog, like aheadache screaming in my mental.
Five Pulled out my pants, hadto toss the door but the room
began to spin and I fell Notsure.
Come with us to Santa Fe.
Speaker 4 (01:07:56):
Okay, so he's in the back of the Saab.
He's supposed to be going towork.
They're expecting him.
He's got a hangover.
Speaker 2 (01:08:05):
Sounds miserable.
Speaker 4 (01:08:21):
It's too awful, shout out to Alice from Ice a
dreamboat.
It's too awful, she talked toAlice, that's why she chose.
Speaker 2 (01:08:30):
It's only a dream, mary's mom.
Speaker 6 (01:08:32):
Oh.
Speaker 2 (01:08:42):
About to do some harm .
Speaker 4 (01:08:53):
I don't know what it's for, like a mouse, oh wow.
So he escapes.
It's only a dream.
Speaker 2 (01:09:15):
This guy's going back to work Cause I drank too much
tequila and I woke up seeing red, and now all I really want from
life is to crawl back into bedOn account that my brain is just
a jellyfish in the ocean of myhead.
Speaker 5 (01:09:33):
Yeah, it's like beer.
Is it fattening?
Yeah it hurts.
Speaker 4 (01:09:39):
Alright chatty Latinas.
Speaker 1 (01:09:40):
Forget it If it's like beer we'll have some Three
tequilas, sure sure.
Chevy Latinas Forget it.
If it's like beer, we'll havesome Three tequilas, sure sure
amigo.
Speaker 2 (01:09:51):
I arrived at work earlier the next morning.
They said where have you been?
Because the boss has beenroaring.
Never mind that.
Listen to what I say, If youdrink too much tequila.
Speaker 5 (01:10:05):
Stay at home the next day.
Try not to get into too muchtrouble, okay.
Speaker 4 (01:10:15):
I like the horn part.
Is it just like a generic thingthat they're laying over it?
Speaker 6 (01:10:21):
I think they have a horn guy.
I just don't know who they'regiving credit to this.
Yeah, who's the horn guy?
It's not on there.
It's too awful.
It's only a dream, santa Fe.
Yeah, yeah, I'm digging this.
(01:10:49):
This is, I know, the horn.
I'm digging this.
This is another horn.
Check out the carnival 99version of jellyfish.
(01:11:12):
And Texas is on there as well.
All listeners check outcarnival 99.
That's the classics.
15 minute miss you really good,takes you on a journey yeah,
I'll have to check it out DavidAttenborough, he loves cheese,
(01:11:37):
he's a cheese head ok, I did notknow that.
Speaker 4 (01:11:42):
So is he's a cheesehead.
Speaker 6 (01:11:44):
Okay, I did not know that so is.
Uh, what else is a cheesehead?
Speaker 4 (01:11:52):
Sandra Bullock probably Sure, why not yeah.
Speaker 6 (01:11:58):
Our jellyfish.
A life spent drifting in theempty ocean could be a lonely
one, but not for this jellyfish.
Speaker 4 (01:12:09):
Alright.
Okay, we're at the end, man,Good listen.
So now we gotta bring it fullcircle.
Top three Are you ready?
Let's see here.
Alright, Top three in thewaiting.
Speaker 6 (01:12:24):
And Are you ready?
Let's see here.
All right, Top three in thewaiting, and since they're all
up for debate.
Ideally this would be easy, butit's not.
Speaker 4 (01:12:36):
It really is.
There's a lot of good songs onhere, but I know what my three
are.
Speaker 6 (01:12:40):
They haven't changed All right a lot of good songs on
here, but I I know what mythree are.
They haven't.
All right, I'm gonna go numberthree.
Speaker 4 (01:12:48):
It's gonna be land's end okay, yeah, I can see that.
Yeah, great song it's got to beon there.
Speaker 6 (01:12:56):
Okay, that's your number three.
Takes you away anotherdimension like that
verydo-do-do-do-do-do-do-do-do.
Like that beginning, veryrhythmic, very meditative.
That's my three, yeah.
Speaker 4 (01:13:09):
Okay, my number three is going to be Jellyfish, the
one that we just heard oh okay,yeah, I can see that for you.
Well, I like the story.
You know this is kind of new tome, like that song, and as I
read it it was just it drew mein instantly.
I want to know where.
You know I like the storiesthat they're telling in these
you know, things yeah Kind oftall tales or whatever you know,
(01:13:30):
based off of real life eventkind of things.
And we've all kind of been therewhere you got a really bad
hangover and you got abductedand you come back to work the
next day.
It's like this is all happeningwhile you're having a hangover.
You're being all cool about it,and so that's why it's my
number three.
Speaker 6 (01:13:48):
Okay, all right, yeah , I mean number two, oh, man,
and definitely I'm going to givebigger isn't better to another
listen and Johnny Cash.
Those both deserve honorablementions, I agree.
(01:14:09):
Um, and black clouds, obviouslyhonorable mention.
It feels feels wrong to notinclude them, but they're all
great songs.
Um, and we'll throw Lester, hada coconut in there for mention,
but yeah, really it wasdifferent.
I agree, I'm going Texas.
Speaker 4 (01:14:28):
Number two Okay, now we're talking.
Speaker 1 (01:14:32):
Yeah.
Speaker 4 (01:14:33):
Nice.
Speaker 6 (01:14:36):
It's such a good song , it's this journey, it's the
getting out of, getting out ofdodge, but also, you know,
taking some risks and your risk,uh, and you know, getting out
of your comfort zone and also,yeah, getting away with it, I
guess right, in a way, there yougo yeah beating the system is
(01:14:59):
kind of good yeah, that was thatsort of like the yeah, you,
yeah, that's true, because theyget out of it.
Speaker 4 (01:15:04):
My number two is Land's End.
And I like the trippiness of itand it was very melodic and
kind of soothing at times.
But it takes you on a journeyand you go to different places
and the music is yeah, you godeeper and deeper, and that's
why that's my number.
Speaker 6 (01:15:20):
Down music is yeah, you go deeper and deeper and
that's why that's my number twohell, yeah, all right, yeah,
well then, I guess you know thejellyfish is going to be my
number one.
It is, yeah.
Shout out to janicek forteaching those lyrics on the
soccer, soccer pitch in highschool.
To get me into string cheese,man.
You gotta know string cheese,yeah, man.
Speaker 3 (01:15:40):
You got to know string cheese yeah.
Speaker 6 (01:15:40):
It's like you know, get almost indoctrinated with
these jam bands early.
Yeah, and uh, yeah.
I mean seeing them is just aphenomenal experience.
Speaker 4 (01:15:52):
Yeah, I'd love to see so many cool people so many.
Yeah, it's just a, it's like a,like a plot is a good it, but
it's a good environment, it's agood atmosphere, good music,
positive, that kind of thing.
Speaker 6 (01:16:03):
Yeah, tight eyes.
Speaker 4 (01:16:05):
Yeah.
Speaker 6 (01:16:05):
How many clothes everywhere?
Speaker 4 (01:16:08):
All right, it's great .
My number one is going to beTexas.
Oh yeah, it's just a great songand I like the story.
Again, great storytelling andyou're wondering what's going on
.
And it's kind of hilarious atthe end where they beat the man
because they don't know whatthey found.
Speaker 6 (01:16:25):
And Alice, and Alice's mom.
Speaker 4 (01:16:28):
Yep.
Speaker 6 (01:16:28):
Oh no, that's Texas yeah.
Speaker 4 (01:16:30):
Well, that's my number one.
Yeah, in Texas.
Yeah, that's a part of it.
Speaker 6 (01:16:35):
Yeah, I get those two confused, but yes, All right
man.
Well, are you all right, man,well, you're gonna put a bow on
this, let's just tie it up realtight here we go.
Speaker 4 (01:16:46):
All right, it's tied.
Yeah well, everybody, thanksagain for listening.
Keep keep listening, keepdownloading.
All right, jam on, have a goodone bye.
Hello Earth, hello, what If that's the Earth where
the cunt can pick a heck of amoney?
Speaker 2 (00:08):
You are on Mars, isn't that lovely?
Yes, very curious.
Speaker 4 (00:20):
Yes, All right, thank you for listening to the
Greatest Non-Hits.
I'm Chris and playing.
What are we playing?
Born on the Wrong Planet?
Yes, the song Born on the WrongPlanet from the album Born on
the Wrong Planet from the StringCheese Incident.
(00:42):
All right, thank you so muchfor joining us.
Uh, we're gonna.
We're gonna cover a band that's, uh, under the radar somewhat.
You know a big part of the jamband scene and this is their
debut album from their 1996first studio album, released
january.
Released January 1996 atAkashic Recording Studios.
Speaker 5 (01:06):
So yeah, the.
Speaker 4 (01:07):
String Cheese Incident jam band bluegrass.
This is a band that's known fortheir eclectic blend of musical
styles.
It's not just bluegrass, orwhatever.
I mean it's rock, it's bluegrass, it's jazz, there's electronic
music in there.
They really fill out a lot ofspace.
(01:30):
Tremendous musicians.
They were formed in the sameyear, 1996, in Crested Butte,
Colorado.
The original lineup is thepersonnel on this band, which is
Bill Nershey on acoustic guitarand vocals.
(01:51):
Keith Mosley is the bass guitarplayer, vocals the two elder
statesmen, I would say the band.
There's also Michael Kang,who's mandolin violin player
fills in a lot of the space.
And incredible musician,arguably the best of the lineup.
They're all great.
And michael travis, who playspercussion conga drums, provides
(02:15):
vocals, multiple instruments.
And there's some additionalpersonnel that fills in.
There's a tony furtado thatplays some banjo, paul Armstrong
plays a Hammond organ.
Liza Oxnard does some backupvocals, jamie Genover on bongos
vocals and the didgeridoo.
We'll talk a little didgeridoolater.
(02:37):
There's Maya Dorn on flute.
Stacey Bublow does someadditional vocals and does some
other the the flig dig.
So, uh, the production team, uh, I guess the string cheese
incident themselves producedthis.
But uh, jamie, you know we'recontributed.
Speaker 3 (02:57):
Steve McNamara did some mastering et cetera.
Speaker 4 (03:01):
So anyway, uh, we're going to do what we always do.
Speaker 3 (03:06):
We're going to do what we always do.
Speaker 4 (03:07):
We're going to listen to all the songs.
We're going to give you our topthree, not hits at the very end
.
We're going to have a bunch oflaughs along the way We've got.
Speaker 5 (03:14):
We've got an ode, a shout out to the Cheeseheads.
Speaker 4 (03:17):
This is what the.
Speaker 5 (03:19):
This is the name of the following the Cheeseheads.
Speaker 4 (03:22):
Little Wisconsin Overtone, but uh, shout out to
the cheeseheads oh god, oh crapshout out to the wisconsin
nymphomaniac there she is rightthere and uh, yeah, so we've got
all that and more coming um.
But yeah, again the musicalstyle.
(03:43):
It's a band that's known fortheir fusion of genres,
combining elements of bluegrass,rock, jazz, funk.
You can hear it in Tim'splaying there.
It's the performances, though.
Speaker 3 (04:01):
Now Tim, I've never seen them live.
Speaker 4 (04:03):
I've heard their songs at parties and all great.
Speaker 5 (04:07):
But I think you really need to see them live in
order to really understand whatthey're all about.
Speaker 4 (04:13):
Tim could probably elaborate a little bit more on
that.
I think he's seen them about 20times.
They're very energetic, they'rereally fan-friendly and you can
even hear it when you listen tothe songs.
Energetic, they're really fanfriendly and you can even hear
it like when you listen to thesongs.
They're kind of long songs,festival-y kind of songs that
just go on for a long time butand you're just like running
through the crowd.
Yeah, you're running to get abeer or whatever.
(04:34):
You know getting back andeverybody's in a good mood, um,
but anyway, what else can we sayabout this?
Um, this is one of a few studioalbums.
There's another one called onestep closer, that we made out in
2005 uh, song in my head.
It was in 2014.
(04:55):
I've had a ton of songs in myhead this week.
I was watching.
I was watching like the lyleand eric menendez.
Uh, they have like a netflixdocumentary, so I saw that
there's a lot of millie vanilliein that and those songs are now
like can't get them out.
Hopefully this will.
(05:15):
This is definitely help.
That was brutal, um, butgetting back to the band, um, I
guess they're really good guys.
Apparently they're intophilanthropy.
They've been involved invarious charitable efforts and
initiatives, often donatingproceeds from concerts to
support environmental andhumanitarian causes.
(05:38):
God bless them.
It's definitely a cool thing.
It's a part of the culture.
When you go to the festivalsand jam bands.
Everybody's super smart andcool and all that.
Yeah, they play festivals likeBonnaroo, electric Forest, high
Sierra Music Festival.
(05:58):
I don't know if Tim's ever beento any of those.
I'm sure he has.
Yeah, I can hear Wrong Planetin that.
That's good.
So before he wraps it up, again, thank you for listening.
(06:20):
Thanks for downloading us.
Wherever you download yourpodcasts, continue to support us
.
You know, hit us up and thelike.
Tim's going to wrap up.
Speaker 3 (06:31):
He's going to join us .
Speaker 4 (06:34):
And what else.
I would say, yeah, there's justseveral songs on this album
that, like Texas Jellyfish youknow, later on in the album
those are really good songs.
Um, you know what are someother ones?
Yeah, I mean, land's end wasgood.
I mean, even resume man wasdecent.
(06:55):
I thought bigger isn't better.
It's kind of an ode to clapton,but but let's hear what Tim has
to say.
How you doing bud.
Speaker 6 (07:06):
Hey doing well.
Hey shout out to the aliens outthere, Don't go taking us over
too quickly.
All right, at least listen tothis album, Okay.
Speaker 1 (07:19):
Pardon me, Tom, but could you rent me a U-Dry flying
saucer?
I've got to get back to theEarth.
Speaker 2 (07:25):
The Earth, oh, the Earth will be gone in just a few
seconds.
Speaker 6 (07:30):
Keep us around, okay, that's all we ask, that's right
.
Keep those flying saucersWD-40'd for us, okay, that's
right.
Speaker 4 (07:42):
Give us your expert opinion on this album.
What's your deal with it?
Cause you have a betteraffinity to the band.
Speaker 6 (07:48):
So we want to hear from you.
Yeah, I've seen again cheeseand small clubs and you know
theater venues uh the hippodromeBaltimore DC um festivals.
What do you like about them?
Speaker 4 (08:06):
What's your hook with them?
I think Because we did Mo lastweek.
You said you like these guysbetter?
Speaker 6 (08:14):
I think, it's hard to .
Yeah, I think I like cheese alittle bit more than Mo.
But what they do is they reallydistill old Americana music and
they bring it into the 21stcentury.
They're constantly trying toevolve with music and they will
(08:35):
throw a crazy electro set intowhat they're doing and they play
bluegrass and they'll be likebefore they play.
We're going to play some morebluegrass and they'll be like
before they play the.
We're gonna play some more goldbluegrass for you after like
these crazy rock, like spiraling, you know effects jams.
So uh, kyle hollingsworth, uhthat he's not on this one, but
(08:59):
he's not on this one, but he wasum, he's from maryland and was
uh taught by, I think, my highschool piano teacher or
something like that they tookprivate lessons.
There's a tie there, travis.
I met Bill and said what's up?
Kind of got like stage frightwhen I met him.
(09:20):
It's just like.
Speaker 5 (09:21):
Hey, you're great, I like he's like cool.
Thanks.
Speaker 6 (09:25):
I was like I like what you do.
He's like cool, thanks.
I was like I like what?
Speaker 4 (09:29):
you do, he's like uh-huh.
And then that's when rodypolitely removed you from there
well, big gulps, see you later.
Speaker 6 (09:36):
I mean, he's just chill.
I I don't know, that's cool.
I mean this band is uh, yeahand kang, with the way he plays
guitar, mandolin and violin isjust with vigor, with this crazy
passion, the guy's you knowBerklee, you see Berklee, he's
(09:56):
been an EMT.
You said he's had aninteresting life, ski patrol
Cool, definitely an athlete, agood person, an amazing musician
.
I can't say enough about theseguys.
They're just so humble andchill, that's awesome.
What else yeah?
Speaker 4 (10:16):
No, I mean, I think that says it all yeah no, I mean
, let's listen, man, let's do it, let's get into it.
This is Black.
Speaker 6 (10:24):
Cloud.
This is the very first song.
These naughty computers.
Oh at, these naughty computers.
Oh dread these computers.
Speaker 4 (10:33):
Very bluegrass-y.
A lot of notes.
Yeah, they want to preserveAmericana, they want to preserve
bluegrass.
Bring it between your center.
How much more black bluegrassBring?
It to 21st century.
Speaker 5 (10:47):
How much more black could this be?
And the answer is none Is thatgood?
Speaker 4 (10:53):
Is that good?
Yeah, I think it is.
Speaker 5 (11:06):
Black clouds rolling up the valley.
Speaker 6 (11:08):
Black clouds covering up the sun.
Play his banjo on this.
Black clouds rolling up thevalley.
How can I be short, john?
It's Tony Furtado.
Tony Furtado, yeah, they alsocollaborate with a lot of
artists Keller Williams, okay.
Speaker 5 (11:27):
Rivers rushing through the canyons collaborate
with a lot of artists KellerWilliams, okay.
Speaker 6 (11:39):
They all harmonize again, like Fish and Mo.
I think Nershi, keith andTravis and Kang all sing.
Speaker 4 (11:51):
Right, it's sort of like a barbershop quartet, like
layered on top of it.
You know Barbershop braga.
Yeah, I mean it's good though,but it is.
It is barbershop.
Yeah, this is Michael isBarbershop, yeah.
Speaker 6 (12:07):
This is Michael.
Yes, Michael K.
He also plays guitarexcellently and it's a truncated
guitar.
He's kind of smaller.
Yeah, he's a smaller guy,Michael.
Speaker 4 (12:29):
Travis does a good job too.
Okay, I see they've got a widerrange than Moe, maybe.
Yes, for sure they're fromBuffalo.
These guys are from Telluride,colorado.
It's more authentic in terms ofthe country, yeah.
Speaker 6 (12:51):
They're mountain folk , they're mountain banjoists.
Speaker 4 (12:58):
They're ski people.
Yeah, this is very ski MountainNice.
Speaker 6 (13:08):
Tony.
Shout out to Vail oh my goshShout out to Beaver Creek.
They do little mini skifestivals at the foot of the
mountains, a lot of it,telluride especially.
Yeah, that's what I've heard.
Speaker 1 (13:31):
And a lot of their audience is there A little hard
to repeat, it's technical.
They are technical.
Speaker 5 (14:02):
A lot of notes.
Speaker 2 (14:03):
Let's make a choice now.
Stick together or go ourseparate ways, Rolling on the
river.
That's where she'd be.
Speaker 4 (14:22):
I like that.
Don not split in there.
Speaker 1 (14:26):
Hey, I know what might be fun.
Speaker 4 (14:29):
Shout out to Don.
Speaker 2 (14:34):
I know, yeah, this is what we'll do.
We'll have a song, we'll allsing.
You know, one of those roundy,roundy things.
Speaker 4 (14:41):
There's a lot of roundy roundy things on that one
.
That was good.
Speaker 6 (14:43):
Going round and round Black clouds.
Well, we'll start out withthese escargots.
Alright, we're getting classyhere.
Yeah, exactly.
Speaker 4 (14:56):
Shout out to Three's Company Alright.
Next song Born on the WrongPlanet.
Are we ready this?
Speaker 1 (15:02):
is the Trigger, a Martian exploration vehicle,
alright, this is the Trigger, aMartian exploration vehicle, all
right man, george Washingtonman.
Speaker 2 (15:14):
He was in a cult and the cult was in Aliens man.
You didn't know that.
Speaker 4 (15:22):
It's a great movie.
Speaker 1 (15:24):
Laser-focused Yep Dazed lasers, earthlings, and
this one not withoutintelligence or technological
(15:46):
education?
Speaker 2 (15:46):
Oh, these computers they're so naughty.
Speaker 4 (15:51):
What about the?
Speaker 6 (15:51):
horns.
Where's that?
Um, there's no credits for thehorns.
Speaker 2 (15:59):
So complex.
Speaker 4 (16:02):
I could pinch them.
Speaker 6 (16:03):
It's just horns overdub.
Oh, maybe it's the piano.
Uh, vocals, vocals.
Speaker 4 (16:19):
Yeah, I mean, if it was a like from a keystrap, show
(16:44):
it to Liza Liza, liza, lizaMaya.
Liza Oxen Maya.
Speaker 3 (16:48):
Dorn Stacy Butler.
Speaker 6 (16:57):
Yeah, we got some female singers here.
All right, shout out to thestargazers out there.
Speaker 4 (17:18):
You've got to love the stargazers.
Speaker 6 (17:22):
Stargazing Little stargazing music.
Speaker 4 (17:30):
He shot the Keith Mosley too.
He's rocking this one and nowit goes to the guitars.
It's probably Nershey.
Yeah, this is Nershey.
He wrote this song as well.
He wrote Black Clouds and thisone.
Speaker 6 (17:47):
I feel like Black Clouds is a modern day classic.
Honestly.
Speaker 4 (17:52):
Yeah.
Speaker 6 (17:56):
For a folky bluegrass number.
You'd think it was covered, butit's an original.
That's what's cool about it.
Yeah, it sounds like a cover.
Yeah, that's pretty cool.
But then, yeah, these are theirsort of jam, filler mo kind of
(18:16):
songs, although they don't playthis that much what the fuck is
he talking about?
Speaker 3 (18:27):
I?
Speaker 1 (18:29):
don't have any eggs coming at you.
Hold on, people.
I think I get griddles, allright.
Speaker 2 (18:44):
I don't got my space suit.
Speaker 3 (18:48):
Well, that you're now can be what I consider the past
.
Speaker 2 (18:53):
What the fuck is he talking about?
Your now can be what.
Speaker 1 (18:59):
I consider the future .
Speaker 6 (19:08):
I'll get my spacesuit and your now is every bit as
valid as my now Shout out to thepeople living in the moment
here.
Speaker 2 (19:19):
That's right, Maybe preferably not in front of a
computer.
But hey, I like this organ.
Speaker 3 (19:25):
It's kind of like me Then we learned that the past
must be real.
Speaker 2 (19:31):
I must admit that I felt that way once or twice
before.
Speaker 3 (19:33):
Where.
I can't think what to say as Iwalk into a control.
Oh, for sure.
Speaker 4 (19:40):
The backup singers and that hand and organ from
Paul Armstrong.
I think that was him yes, shoutout to.
Speaker 6 (19:50):
Paul, that's right In the dance.
Speaker 2 (19:59):
The future must be real.
Speaker 3 (20:01):
They could be your now.
Speaker 4 (20:03):
Okay, yeah, that was another song.
Speaker 3 (20:04):
What the fuck is he talking about?
Speaker 4 (20:08):
Sit.
The next couple plays out champ.
Speaker 6 (20:10):
I'll bring my space suit.
Hold on, we've got a littlepaddle cleanser for the next
song, which was written by whowas that?
Tim O'Brien here we go.
All that shit is fuckingbullshit oh that was strong.
Speaker 4 (20:23):
Okay, okay, yeah, no, I like that.
That was a good palate cleanser.
Now this is Lantern.
Very interesting Instrumental,at least in the very beginning,
(20:51):
I can.
This is a good festival song.
Speaker 6 (20:56):
Yeah, this is their Magnus Opus, magnus Opus, magna
Opus.
And now it's like their MagnumOpus, magna Opus.
Speaker 4 (21:05):
It's like their Magnum Opus.
Speaker 6 (21:09):
This is their Magnum Opus.
Okay, and it's not even theirsong.
It was written by Tim O'Brien.
I know, I didn't even know thatuntil he did this.
I thought it was their song.
It is now, I guess.
Yeah, I didn't even know thatuntil he did this.
Speaker 3 (21:25):
I thought it was their song.
Speaker 4 (21:26):
It is now, I guess.
Yeah, I guess.
So he wrote it for them.
Well, he's just like a bouzoukiplayer.
No, he plays a lot moreMandolin fiddle, banjo
mandichello.
He's released more than 10studio albums.
Good for him, we should checkstudio albums.
Good for him, we should checkhim out.
What a song.
Speaker 6 (21:54):
Also, the tempo is a little bit easier on this one.
Travis is trying to speed it up, but the band's like slow down
there, guy, oh yeah that's true.
The drums do sound like they'replaying a little bit ahead if
anybody was born on a differentplanet, it was definitely Travis
.
Michael Travis, why do you saythat?
(22:16):
Oh, he's just got that intensecrazy eye when he plays his
head's moving around his tongue.
That intense crazy eye when heplays His head's moving around
His tongue is flinging out ofhis mouth most of the time.
It's a spectacle.
Speaker 4 (22:33):
He's a spectacle.
Yeah, I haven't seen any videosor anything like that.
Speaker 6 (22:36):
Yet I'm surprised, his head doesn't fall off
sometimes.
How much he moves his neck, hishead doesn't fall off sometimes
.
Speaker 4 (22:43):
How much he moves his neck.
They should do a Michael Travisbobble at night.
Yeah, they should.
I haven't.
I could make a little extracoin on the side Speeding up the
(23:04):
tempo.
This is cool.
The festival is in full swing.
They could almost pair thiswith a Renaissance festival too.
Speaker 2 (23:26):
Hey, we can't even get into like a second-rate
hotel, I mean a second-ratemotel, you think?
Speaker 4 (23:54):
Yes, very curious, very interesting, no, it is.
This is interesting stuff forsure.
Who's playing the guitar here?
This?
Speaker 6 (24:04):
is Kang, is it Kang?
Okay, this is guitar, which Idon't.
Wikipedia has it wrong becausehe plays guitar on this.
You know what I'm saying?
Yeah, kind of this is hislittle tiny guitar.
Speaker 4 (24:17):
Yeah, he's playing electric guitar.
Uh-huh, and there she isacoustic Mm-hmm.
He's usually electric guitar.
Speaker 6 (24:22):
And there she is acoustic.
She's usually always acoustic.
Sometimes he'll plug in theFender Strat, okay, and the
audience will cheer that.
Speaker 4 (24:47):
As one does in the other.
Speaker 6 (24:48):
It's a nice melody Similar to Remobula, don't you
think Kind of, yeah, a littlebit.
Yeah, it's in that same kind ofkey.
It's overlapped Like C or G.
Yeah, it's not as fast asRemobula.
It's not as fast as Remobula,again also like Fluffhead or
(25:10):
Fluff's Travels for the fishpeople.
All these songs are kind of thesame vein of construction,
these long flowy parts.
Bill sounds great here.
Speaker 4 (25:37):
Oh, how cool, Love that ending man.
Speaker 6 (25:44):
That's right Killer.
Yeah, I feel like that songcould have gone in more minutes,
but I know it's.
Speaker 4 (25:51):
Uh, it's so good, it is good.
All right, this is theremington right.
Hank, penny hank remington song.
Speaker 6 (25:58):
Yeah, I believe so, any Hank.
Speaker 4 (26:01):
Remington song yeah, I believe so.
Yeehaw, yep, pink Penny.
This goes all the way back to.
Let's read about Pink Penny alittle bit here.
Yeah, it's a western swinggenre.
(26:25):
He was a comedian best knownfor his Backwoods character,
that plain old country boy on TVwith Spade Cooley.
He was married to countrysinger Sue Thompson, sue.
Speaker 6 (26:39):
Sue.
Speaker 4 (26:43):
Hank Penny.
Speaker 1 (26:45):
Well, so long as we've got some time to kill, I
think I'll have a beer.
I don't have no beer.
Speaker 5 (26:54):
Like a boy.
Speaker 1 (27:06):
Wow, is this for Toto ?
Speaker 6 (27:15):
Yeah, this is Tony.
Tony is amazing.
I think they cut this track tolike give Tony some some cheese
to cut on here.
I hope so he's cutting on somecheese.
Yeah, he's killing it.
Does he ever go on tour withhim too?
No, I don't think so.
Sorry if I'm cutting on somecheese there too.
(27:37):
Chris, I don't know.
Speaker 4 (27:39):
Oh, no, I haven't.
Speaker 6 (27:40):
Oh, you haven't heard anything.
Yeah, you haven't heard Smelt.
Yeah, okay, I mean, I haven'tsmelt it, so that's just my BO
If it isn't smelt.
Speaker 4 (27:49):
Then it isn't delved.
You know, it's like a Treefalling in the woods, kind of
thing.
Speaker 6 (27:53):
Yes, this has like a Less, quite Less Paul kind of
thing going on Sure.
Speaker 4 (28:11):
I'm glad they took it from the old West West on swing
.
This guy, penny, had some otherhits.
(28:31):
Get Yourself a Redneck andBloodshot Eyes.
Speaker 6 (28:59):
Steel Guitar Stop, that's a plane right there.
Oh, we got Susie.
Speaker 3 (29:03):
I wonder what Susie would think of this.
Oh me Susie Chapstick, heySusie Chapstick.
Speaker 4 (29:07):
Hey brother, she was probably from there somewhere.
Yeah, she's from Telluride,susie Chapstick she was cute.
Speaker 1 (29:20):
Somebody's been down here with the ugly stick.
Speaker 6 (29:22):
No, the cute stick.
Speaker 4 (29:28):
Chevy yeah, she was an alpine ski racer.
Speaker 3 (29:31):
Freestyle ballet early 70s.
Speaker 4 (29:35):
Susie Chapstick.
Keith is getting it.
Speaker 6 (29:38):
Did you hear Keith right there?
Speaker 4 (29:40):
She's from Rutland Vermont, Okay.
Speaker 6 (29:43):
It makes more sense Shout out to Keith on that one.
Speaker 4 (29:49):
Oh, yeah, he was killing it.
Speaker 5 (29:53):
Try not to get into too much troubles, okay, okay.
Speaker 4 (29:59):
Alright, this is Resume.
Damn that.
Speaker 2 (30:07):
They were wailing on that, it feels better.
Speaker 6 (30:13):
Shout out to the job searchers out there Excuse me
Russell, but I believe Irequested the hand job.
Shout out to the Wayne's Worldfans out there Got to put the
explicit label on Get your handsto work On a resume, all right.
Speaker 5 (30:35):
You don't want to say that during a resume.
I'm your man.
He said I work the door, I loadyour gear, when your boys get
thirsty I'll go for beer, and ifit ever breaks down I can even
fix your van.
This is Keith.
Yeah, so good oh he's on sync.
I work.
Right down the road I got amelon stand.
(30:56):
Yeah, the bassist I set up in ashady spot.
I sell watermelons in a littlegood pot.
Last year I made damn near 30grand.
Speaker 4 (31:05):
Yep, keith, mostly he's the one who wrote?
It.
You're right yeah.
Speaker 6 (31:08):
Yeah, bill, this is Kang.
That's Billy, this is Kang Gotit.
Speaker 1 (31:18):
They had so much fucking money in it.
Speaker 4 (31:22):
Shout out to.
Speaker 5 (31:26):
What's his?
Speaker 4 (31:27):
name my cousin.
Speaker 5 (31:33):
Joe Pesci.
Speaker 4 (31:38):
Joe Pesci on the sound clip.
Speaker 5 (31:40):
Dollar bill.
You know, done it all when I'vebeen around, had a lot of good
jobs, seen a lot of rough towns.
Like to offer you my servicesfor hire.
How much soft money can Iexpect to collect in exchange?
Speaker 1 (31:52):
for my core values.
Speaker 5 (31:54):
Sang bass in the Mormon Tabernacle Choir.
Speaker 3 (31:57):
He's a resume.
Speaker 5 (31:58):
man, he's a resume man.
If he can't do it, I don't knowwho can.
Speaker 6 (32:06):
It says right here it says right there, don't be
lying 50 years on the job andthe man's only 45.
It's got that extra five yearsof experience.
Speaker 4 (32:20):
Yeah, 50 years on the job and man's only 45.
Cool what the hell.
Speaker 5 (32:26):
Is that the things that started feeling a little
weird when he looked at Mike andtook a swig of beer and said
what's with the lady?
She really blows my mind.
Well, so long as we've got sometime to kill, I think I'll have
beer, but it wasn't exactly thehelp we hoped to find.
(32:48):
He's a resume man.
What the hell is that man?
What?
Speaker 3 (33:01):
the fuck is he talking about?
Speaker 4 (33:03):
Fuck it.
Speaker 1 (33:08):
We'll have an ex coming at you.
Hold on people.
Speaker 5 (33:16):
We've got new gritties.
No one can it, says right herehere.
It's qualified 50 years on thejob and the man's only 45.
Speaker 4 (33:31):
50 years on the job and the man's only 45.
Wellness anxiety how we breathe, can directly influence the
brain.
All right, nice little palatecleanser at the end there, tim.
All right, keep it going.
We're moving along, and Elvis'Wild Ride is the next one.
Speaker 3 (33:57):
The King, your very own Big Girl Band.
Speaker 4 (34:08):
Big Girl Five Alright , alright, little.
Speaker 1 (34:14):
Elvis.
There the image is one thingand a human being is another.
Speaker 4 (34:20):
He's trying to say my image is one thing, I'm a
different person.
Speaker 6 (34:24):
He's a different person.
He was an interesting character.
Maybe an alien.
Maybe an alien.
Yes, it was the gold belt thatmade me think you were an alien.
Speaker 4 (34:37):
That sounds about right, I'll go with that.
Speaker 6 (34:47):
Elvis, what do you think about Kang's mandolin here
?
Speaker 1 (34:51):
Oh, y'all never done sound too much.
Speaker 6 (34:58):
Elvis, elvis.
Speaker 1 (35:00):
Oh, okay.
Speaker 6 (35:03):
Elvis, we're going to cut you off here.
Speaker 4 (35:15):
Elvis, what was your favorite Bible passage?
I want you to hold on to God'sunchanging hand.
Speaker 1 (35:21):
God help Joshua fight the battle of Jericho.
Yes.
Speaker 6 (35:43):
Yeah Kang.
Speaker 4 (35:59):
It's like that.
Speaker 6 (36:12):
Yeah.
Speaker 1 (36:16):
Oh, it's disintegrating with this jam.
The drop on you is mydisintegrating pistol and
brother, when it disintegrates,it disintegrates, disintegrates.
Speaker 6 (36:31):
Disintegrates Again.
Very technical.
Speaker 4 (36:40):
A little hard to repeat.
Oh, is that the?
Is that the Aborigine thing?
Speaker 6 (36:47):
Yes, the aboriginal.
Speaker 1 (36:48):
I was born In that.
Speaker 4 (36:51):
USA.
Alright, thank you.
Thank you, Billy Billy, BillyCrystal Doing Sammy Davis Jr.
We'll have an ex come.
Speaker 1 (37:02):
And ask you about people.
There you go.
It's doing Sammy Davis Jr.
We'll have an egg scum.
Actually Hold on.
People, there you go.
Speaker 6 (37:08):
I've got my space suit.
I wonder if the astronauts lovea ham egg and cheese.
Speaker 4 (37:17):
The Elvis is wild ride.
You know, this is kind ofgrowing on me.
It's almost put me in a trance.
Speaker 1 (37:29):
Probably never down south too much, elvis.
Speaker 6 (37:32):
He's going crazy.
Elvis, you're cut off.
We never agreed to have you asour guest.
Okay, I know, stop timetraveling, elvis.
Speaker 4 (37:45):
Cut it out.
That was the first time therewas Elvis and a didgeridoo in
the back.
Speaker 6 (37:54):
Apparently with dinner.
Elvis even eats with the beat.
Speaker 1 (37:57):
I heard you should have seen me at dinner tonight
when I was going In tempo.
Oh yeah, I went up to thebathroom and did a little
didgeridoo.
Speaker 4 (38:04):
I never swallowed anything Didgeridoo.
Speaker 3 (38:05):
You should have seen me at dinner tonight, man In
tempo, oh yeah, climbing up thebathroom.
Speaker 1 (38:07):
I never swallowed anything.
Didgeridoo, didgeridoo, old sonof a.
Speaker 4 (38:13):
Whoa, I need a didgeridoo after that.
Okay, all right.
All right, bigger is better isthe name of this next one.
Speaker 3 (38:24):
Excuse me, russell, but I believe I requested the
hand job, yeah.
Speaker 4 (38:36):
So this is Bigger Isn't Better, but it's got like
the same lyrics as like the nextsong.
Speaker 6 (38:42):
It doesn't right now, it's got it the same lyrics as
like the next song doesn't
Speaker 3 (38:46):
right now it's it's got it, no, okay I don't know
what that was now we got somelike jazz fusion going on.
Speaker 6 (39:03):
Yeah with.
Speaker 4 (39:03):
Eric Clapton.
It sounds like Clapton singing.
Speaker 6 (39:07):
It does sound like a little Clapton.
Yeah, I think this is maybeKang singing.
Speaker 4 (39:21):
Oh, really Wow.
Speaker 6 (39:26):
He's really talented Jeez.
I like this one a lot.
Speaker 4 (39:34):
I do too.
He's got a relaxing tempo too.
I can spend the afternoons allalone.
Speaker 3 (39:44):
Don't need much, Don't you know, I don't need a
TV.
I can see what's right.
All you people, you're tryingto sell the land.
You don't see the problem.
Speaker 1 (39:59):
You don't seem to understand To win is making one
big mess the problem.
Hello, I am Pepe the King Prawnagain Pepe the King Prawn.
Speaker 3 (40:06):
Bigger is it better.
Speaker 6 (40:10):
Money is enough in that.
Are you as big as a shrimp, oris a prawn as?
Speaker 4 (40:16):
Prawns are usually bigger than shrimp.
Speaker 6 (40:17):
Oh yeah, but it's not always better.
Speaker 4 (40:21):
Yeah.
The point of this song, kingPrawn.
I'm'm sorry, we're auditioningfor a spokes shrimp.
Yeah, you can't be a prawn, bea spokes shrimp I am actor, I
can do shrimp okay I'm a prawnbut I can do shrimp.
Speaker 6 (40:42):
I can be a shrimp pepe is always smoking hash dude
that guy, that prawn, I tellyou incredible.
Speaker 1 (40:52):
No, what's this?
What's this I can do?
Happy, okay, he's happy, I amhappy, that's great, great, okay
.
No, no, wait, wait, I should.
Speaker 4 (41:08):
This is like his resume in a way.
Oh yeah.
Speaker 6 (41:15):
This reminds me of like some Schofield sort of like
government mule-y, schofield-y,really.
Speaker 3 (41:25):
Yeah.
Speaker 6 (41:26):
Song.
Speaker 4 (41:27):
Yeah, government-y.
Speaker 6 (41:29):
Sort of Schofield-y Government.
Mule and Schofield have thatsort of band collab.
Speaker 4 (41:34):
Oh yeah, yeah, it's a different band.
Speaker 6 (41:36):
yeah, Okay.
Speaker 1 (41:37):
It is melancholy, okay, melancholy, all right.
Speaker 6 (41:41):
But uh, oh, I'm Mellen Cully, okay, alright,
this is see these jams.
I don't think they ever playthis live, pepe.
(42:01):
Cully M Cully, I don't know, Idon't even know if that's a
guitar, you can hear it onacoustic, and then Kang's on his
little mini guitar.
Speaker 4 (42:16):
There's some feedback .
A little while ago Maybe thatwas just feedback on a guitar.
Oh, you know, like feedback ona guitar.
Oh, you know, like thatscreeching earlier.
Speaker 6 (42:27):
They have the Hammond organ on this one too.
Speaker 1 (42:30):
I am so melancholy again.
Speaker 3 (42:32):
That looked exactly like happy.
Speaker 4 (42:36):
I am so melancholy.
Speaker 6 (42:40):
How can you be melancholy and listen to the
cheese incident?
It is very unpleasant.
Speaker 1 (42:50):
Well, I only took the one acting class again.
Speaker 6 (42:56):
You don't have to act to like this.
I would think Pepe would digthis oh yeah, he'd be in the
front row Getting a heart attack.
Kang would jump down.
Give him a little CPR.
Speaker 3 (43:23):
Resuscitate his puppet ass.
You can always Now we dopension, get the Wisconsin.
Speaker 4 (43:29):
Nymphomania copy too.
Oh yeah, do a little CPR orsomething like that.
Oh God, oh.
Speaker 3 (43:36):
God, oh crap, oh crap , oh crap.
Speaker 1 (43:40):
No, no, no, no, please, that's all right.
Speaker 3 (43:42):
Just read what you have there oh crap, oh crap.
Speaker 6 (44:03):
What it is, bro, what it is, I'm from out of town.
We'll get there.
Speaker 3 (44:17):
Number two no, try to get out, but I don't have a
heart.
Leave all my friends, make youstand, oh crap.
Three, try number three.
Speaker 6 (44:44):
This is long.
This is a long John.
Speaker 1 (44:48):
Oh, this is good because winter is coming.
I can use these long Johns,okay, okay.
Speaker 6 (44:52):
Johnny Cash, johnny Cash.
Speaker 2 (44:57):
Here's a song that's guaranteed to make you feel good
all over and over and overagain, about Johnny Cash and his
close friend.
Speaker 3 (45:29):
Why not try?
This is like cartoonish this isyeah, this is like.
Speaker 6 (45:46):
This band isn't a show, yeah.
Speaker 4 (45:57):
They're wailing now.
Speaker 5 (46:08):
Our new number three variety platter, where's he
going?
Speaker 2 (46:29):
Yeah, where is he going, johnny?
Speaker 5 (46:46):
Cash is on the train and he ain't never coming back.
No, that's some heavy shit, man.
Speaker 2 (47:27):
No, no man.
Well, well, well.
I saw John laying on the track.
Asked the boy when he's comingback.
Said I don't know, but when Ido I'll bring Elvis to the party
with you all All.
Speaker 3 (47:36):
Hello man.
Yeah, you ain't gonna know.
Speaker 4 (47:41):
You ain't gonna know.
So there's, like this crossover, johnny Cash and Elvis.
That's me then.
Thank you very much, thank you.
Speaker 3 (47:51):
Gave all these hippies permission to be here.
Speaker 1 (48:01):
Yes, yes, All the whole.
Oh no, yes, the all the thewhole.
Oh no, yes, the whole railwayand I was holding my cat and we
were going up and the whole, ohmy god, the whole.
Speaker 6 (48:15):
Yeah Kang Railway.
Oh god, the choo-choos and theand the mandolins, oh God, oh.
God, I need an adult, that'swhat I think about festivals.
These little kids runningaround oh my gosh, it's insane
Festival parents God bless them.
(48:35):
I know how you doing.
Speaker 4 (48:41):
Got a ring with your little dog?
Yeah, this is amusing.
Speaker 6 (48:46):
Is that casino money?
How's that casino money comingon this song?
Speaker 1 (48:51):
Now are you funny?
Like I'm a clown, I amuse you.
Speaker 6 (48:56):
No, no, joe, Joe, you're good man, yes, you amuse
us, but just chill, god.
Just dance with the hippies.
Speaker 4 (49:04):
Come on, hey, I keep saying your name, I give my
advice to Judge Reinhold.
Speaker 3 (49:09):
Oh wait, just a minute.
Speaker 6 (49:13):
See, here's Kang again.
Multi-dimensional, multi-verse.
Speaker 3 (49:25):
A gay couple.
Truckers call the firedepartment.
This one's out of control.
Speaker 2 (49:43):
Drive the train, drive the train, drive the train
on down the track that track.
Drive the train to that burningring of fire.
Oh, on down the track, johnnyCash is on the train.
He ain't never coming back,johnny Cash.
Speaker 6 (50:04):
Johnny Cash, Johnny Cash.
Shout out to the conductors outthere.
Speaker 2 (50:07):
Johnny Cash don't smoke cash.
He's at that line on the track,johnny Cash is on the train and
he ain't never coming back,johnny.
Speaker 6 (50:20):
Cash, johnny Cash, johnny Cash.
Train sound is not an originalaudio.
Yeah, it's just a hit.
Speaker 3 (50:33):
Never coming back.
Speaker 5 (50:39):
Never coming back the train and he ain't never coming
back.
How much more black.
Speaker 4 (50:55):
Could this be?
The answer is none, none.
All right, what are we?
Speaker 6 (50:56):
looking at oh man, what do we got next?
Speaker 4 (50:58):
What are we doing, lester?
Oh, the Coconut song All right.
This is kind of Caribbean right.
Speaker 5 (51:13):
We're going down south too much.
Speaker 6 (51:21):
We're going down.
We're going down south on thisone.
Yeah, we're going down.
We're going down south on thisone.
Yeah, we're going down.
Antigua, yeah.
Bahamas, aruba, jamaica, tomTom's Hot Tail.
Speaker 1 (51:32):
Yeah.
Speaker 6 (51:33):
You know, get some Cayman Islands Cranberry juice.
Speaker 3 (51:40):
Yeah.
Speaker 4 (51:41):
A little punch.
Speaker 6 (51:49):
A little Goon Bay, smashay smash.
Little daiquiri.
Yeah, hurricane, coconuts,coconuts all day.
Speaker 4 (51:52):
I love the hurricane the train, not like milton King.
Speaker 1 (52:12):
Kong.
I'm sorry, we're auditioningfor a spokes shrimp, I can do
shrimp okay.
Speaker 6 (52:28):
Shout out to the shrimp eaters.
Yeah, what is this?
Yeah, I mean, this song justbroadens their mass appeal,
calypso sort of Right.
Do they have any steel drums?
I don't know, didn't service.
(52:49):
I don't think travis playssteel drumming.
There's a conga conga.
Yes, definitely conga.
It's a conga steel drum.
That'd be cool if they includedthat there.
Yeah, yeah.
(53:10):
Shout out to Jamie Janover onthis, I'm sure.
Speaker 4 (53:17):
Yeah, playing bongos.
Yeah, Well, she's the one whodid the didgeridoo or?
Is it a guy?
I don't know.
It could be either one.
I don't want to get intoJamie's pronouns or anything.
I just you know.
Speaker 3 (53:37):
Jamie did a great job on these things.
Let's put it that way.
Speaker 1 (53:41):
Hmm, good, hmm, gender Edible.
No, yeah, that was fine.
What's this, what's this,what's that?
Speaker 4 (53:51):
Jamie's gender is irrelevant in this conversation.
Speaker 6 (53:54):
Keith knows, you know Keith's one of those names, you
don't get wrong.
Yeah, there's a lot of femaleKeiths out there.
Speaker 1 (54:02):
Yeah, lot of female keith keiths out there yeah,
shout out to the female keithsout there.
I can do happy okay yeah, yeahyeah, are there any female tims?
Speaker 4 (54:11):
I don't, tim is almost all.
Yeah, I don't know, chris, yeah, it's ambidextrous, goes either
way, that's true, lefthanded,right-handed, yeah or yeah,
elvis is Androgynous.
Speaker 6 (54:29):
Elvis is androgynously, ambiguously,
ambidextrous, ambidextrous,androgynously ambidextrous.
Speaker 4 (54:42):
A mammarouser ambidextrous androgynously
ambidextrous, a man or a sirforget him or her?
Speaker 1 (54:49):
or whatever it may be , don't get my spacesuit it's
time for androgyny don't get myspacesuit here comes Pat.
Speaker 6 (54:58):
I thought that you're now.
Speaker 3 (55:01):
I was born in that USA.
Speaker 1 (55:07):
You can't go.
All the plants are going to die.
Speaker 6 (55:12):
Shout out to the plant people.
Speaker 4 (55:14):
That's like a clip from every movie I saw in the
70s.
Speaker 3 (55:20):
I know what might be fun.
Speaker 4 (55:26):
All right, this is digging in.
Speaker 2 (55:31):
Hey, we can't even get into like a second-rate
hotel, I mean a second-ratemotel, you dig.
Speaker 4 (55:40):
Like a boy.
This reminds me of Coming toAmerica.
Speaker 6 (55:46):
Oh yeah, it's a good song, it's more congas More
flutes.
Speaker 2 (55:54):
Joshua, what the hell is that that's a didgeridoo.
Speaker 4 (56:02):
Yes, it's Jamie Genova.
That's a didgeridoo.
Yes, it's Jamie Genova, likeall over the place.
Speaker 5 (56:09):
Big girl bed, big girl five, all right.
Speaker 6 (56:13):
Thank you, cousin Jesse, big girl high five, or
big guy high five to Jamie.
Breathing is a safe andeffective way of fighting death
(56:35):
and death-related symptoms.
Shout out to the breathers.
We're doing it here.
Born on the wrong planet.
This is like a set break song.
Speaker 4 (56:47):
It's a palate cleanser in and of itself.
Not that long it's only Alittle more than two and a half
minutes A little hard to repeat,it's technical.
Speaker 2 (57:04):
Oh these computers, they're so naughty and so
complex.
Speaker 3 (57:08):
I could pinch them.
Speaker 5 (57:13):
How much more black could this be?
Yes, how much more black couldthis be?
Speaker 2 (57:19):
Very curious, very interesting.
Speaker 6 (57:31):
I know Chandler likes this.
Chandler, hey, wait, hey, hereally likes this one.
This song evades his privacy.
It's good, okay, just like hisroommates.
(57:52):
Oh, hey, hey, whoa, whoa, niceAll right, nice Alright.
Speaker 4 (58:06):
This song is something else, yeah this is.
This is a welcome escape fromthe conga drums.
Speaker 1 (58:19):
Say uh, excuse me, Holmes, aha, what it is, bro,
we're from out of town, no shit.
Speaker 4 (58:38):
Okay, well, that's a time.
Speaker 1 (58:39):
So long as we've got some time to kill, I think it's
a nice image.
Speaker 6 (58:57):
It tells a story.
Speaker 2 (59:04):
Yeah, tells a story, yeah.
Speaker 4 (59:16):
Time to kill.
I think I'll have a beer.
Speaker 2 (59:19):
So you're having beer in mushrooms and you're in
Texas now.
Okay, so you're running intothe army.
Pardon me, this is not good,pardon me.
Speaker 6 (59:38):
Everybody just chill.
Speaker 3 (59:40):
Man Chill.
Speaker 1 (59:47):
Pardon me, I wonder if you could tell me how to get
back on the expressway.
Fuck your mama.
Thank you very much.
Speaker 2 (01:00:05):
But she wouldn't listen.
Listen, she was calling thecops Cause her gutter had been
smashed.
And the next thing I knew.
I walked outside there werepolice all around Asking who was
driving the vehicle.
Can I see your license?
What you doing in our town?
Speaker 1 (01:00:24):
Pig oink oink police officer.
Speaker 2 (01:00:28):
Get me out of this small-time Texas town, cause I
don't wanna be stuck in jailwhen the sun goes down.
But you can't bust me if youdon't know what you found.
What's going to happen?
Speaker 4 (01:00:44):
next.
Speaker 6 (01:00:54):
Pardon me.
Yeah, it's.
That's why I love this.
They set you up for this littlestory and then they have a solo
like Right, and they leave youwondering.
Speaker 4 (01:01:11):
So they're gonna search the car.
Speaker 2 (01:01:15):
What are they gonna find?
I think I'm gonna wake up backin the jungle.
They're gonna find themushrooms, yeah well.
Speaker 6 (01:01:23):
It's a cooking mushrooms, mushrooms.
Yeah, well, it's cookingmushrooms, come on yeah.
Speaker 3 (01:01:35):
I'm tired of this, Grandpa.
That's too damn bad.
You keep digging.
Speaker 6 (01:01:45):
Digging those jams.
Speaker 2 (01:01:47):
Digging those jams and our little stash.
But they didn't know what itwas and let us go Minus 80 bucks
(01:02:10):
in cash Woo.
Speaker 5 (01:02:14):
Try not to get into too much trouble, because I
don't want to be stuck in jail.
Speaker 2 (01:02:20):
When the sun goes down.
You can't bust me If you don'twant to be stuck in jail when
the sun goes down, but you can'tbust me If you don't know what
you found.
Speaker 4 (01:02:27):
No, Wow, they were lucky.
Speaker 2 (01:02:30):
Get me out of this small town.
It sounds like a true story.
Speaker 6 (01:02:33):
Oh, I'm sure I'll be running as soon as my feet hit
the ground.
Speaker 2 (01:02:36):
It sounds like something plausible.
You can't bust me Cause youdon't know what you found.
Speaker 6 (01:02:41):
The premise is excellent.
It's like a.
It just goes.
This song, this is definitelyone of their.
Speaker 4 (01:03:03):
Well, it's long but it's pleasant, you know, it
keeps you wondering, it keepsyou engaged.
Speaker 6 (01:03:10):
For live performances .
Texas is always up there.
Yeah, as a set closer, or?
Speaker 1 (01:03:20):
Somebody's been down here with the ugly stick.
Speaker 6 (01:03:34):
You're all beautiful in Texas, okay, oh, I didn't
know that that was directedtowards Beautiful women.
Speaker 4 (01:03:43):
Shout out to the Texas women.
Speaker 6 (01:03:53):
Travis is in the jungle, travis.
Every time I think I'm gonnawake up Back in the jungle.
Speaker 4 (01:04:33):
It's insane how good Travis is.
That's a cool jam right here.
Speaker 5 (01:04:37):
Could've used a little more cowbell.
Speaker 4 (01:04:41):
It's true.
Speaker 6 (01:04:52):
Oh, this is Kang on his little effects and guitar.
I don't know why they don'tcredit guitar for guitar on this
Wikipedia.
They're wrong.
That's not right.
Just check out liveperformances of it, You'll see
it.
The guitar just looks so likeit piques your interest because
(01:05:15):
it looks like a mandolin.
But it's not, I know.
But when?
Speaker 4 (01:05:18):
I'm listening to this .
You can hear just a little bitof David Gilmour.
Oh, a little Gilmour.
Speaker 6 (01:05:23):
Interesting.
When I'm listening to this youcan hear just a little bit of
David Gilmour.
Oh, A little GilmourInteresting I'm hearing a little
bit.
Speaker 4 (01:05:31):
Wow, it's just Pink Floyd-ish, like that part, like
shining a crazy diamond.
Whoa, a little bit in there,wow, you heard.
Speaker 6 (01:05:38):
I don't know, am I making shit up?
No, that's, I'm hearing thesame thing.
Speaker 2 (01:05:44):
That's cool, Micah boy.
Speaker 6 (01:05:55):
The sustain that he keeps is really good.
Yeah, I agree.
Speaker 4 (01:06:03):
Except for Blue Wave.
Speaker 6 (01:06:13):
If you listen to this band with that auto-generator,
that little sound wave thingthat they used to offer for like
Windows Media Player, oh, it'sso good.
Sure, yeah, just like.
Speaker 3 (01:06:32):
What the fuck is he?
Speaker 6 (01:06:32):
talking about the auto generator that you know the
abstract lines that they make.
Speaker 4 (01:06:42):
It's cool how they put those congas at the end.
Wow, Okay, this last one.
This is the last song You'redoing great.
It's Jellyfish Interesting.
Now we were talking about PinkFloyd and now they start this
off with a clock Kind of like.
All right, yeah.
Here we go, this guy's hungoveron tequila.
Speaker 1 (01:07:11):
His brain is a jellyfish.
Speaker 2 (01:07:13):
We don't have no beer , just tequila.
Just a jellyfish in the oceanin my head, because I drank too
much tequila and I woke upseeing red, and now all I really
want from life is to crawl backinto bed On account that my
brain is just a jellyfish in theocean.
Speaker 4 (01:07:30):
Who's singing this?
Speaker 2 (01:07:31):
Well, I woke up this morning and the phone was
ringing.
My boss was talking, just kepton talking like a vacuum cleaner
, Like a barking dog, like aheadache screaming in my mental.
Five Pulled out my pants, hadto toss the door but the room
began to spin and I fell Notsure.
Come with us to Santa Fe.
Speaker 4 (01:07:56):
Okay, so he's in the back of the Saab.
He's supposed to be going towork.
They're expecting him.
He's got a hangover.
Speaker 2 (01:08:05):
Sounds miserable.
Speaker 4 (01:08:21):
It's too awful, shout out to Alice from Ice a
dreamboat.
It's too awful, she talked toAlice, that's why she chose.
Speaker 2 (01:08:30):
It's only a dream, mary's mom.
Speaker 6 (01:08:32):
Oh.
Speaker 2 (01:08:42):
About to do some harm .
Speaker 4 (01:08:53):
I don't know what it's for, like a mouse, oh wow.
So he escapes.
It's only a dream.
Speaker 2 (01:09:15):
This guy's going back to work Cause I drank too much
tequila and I woke up seeing red, and now all I really want from
life is to crawl back into bedOn account that my brain is just
a jellyfish in the ocean of myhead.
Speaker 5 (01:09:33):
Yeah, it's like beer.
Is it fattening?
Yeah it hurts.
Speaker 4 (01:09:39):
Alright chatty Latinas.
Speaker 1 (01:09:40):
Forget it If it's like beer we'll have some Three
tequilas, sure sure.
Chevy Latinas Forget it.
If it's like beer, we'll havesome Three tequilas, sure sure
amigo.
Speaker 2 (01:09:51):
I arrived at work earlier the next morning.
They said where have you been?
Because the boss has beenroaring.
Never mind that.
Listen to what I say, If youdrink too much tequila.
Speaker 5 (01:10:05):
Stay at home the next day.
Try not to get into too muchtrouble, okay.
Speaker 4 (01:10:15):
I like the horn part.
Is it just like a generic thingthat they're laying over it?
Speaker 6 (01:10:21):
I think they have a horn guy.
I just don't know who they'regiving credit to this.
Yeah, who's the horn guy?
It's not on there.
It's too awful.
It's only a dream, santa Fe.
Yeah, yeah, I'm digging this.
(01:10:49):
This is, I know, the horn.
I'm digging this.
This is another horn.
Check out the carnival 99version of jellyfish.
(01:11:12):
And Texas is on there as well.
All listeners check outcarnival 99.
That's the classics.
15 minute miss you really good,takes you on a journey yeah,
I'll have to check it out DavidAttenborough, he loves cheese,
(01:11:37):
he's a cheese head ok, I did notknow that.
Speaker 4 (01:11:42):
So is he's a cheesehead.
Speaker 6 (01:11:44):
Okay, I did not know that so is.
Uh, what else is a cheesehead?
Speaker 4 (01:11:52):
Sandra Bullock probably Sure, why not yeah.
Speaker 6 (01:11:58):
Our jellyfish.
A life spent drifting in theempty ocean could be a lonely
one, but not for this jellyfish.
Speaker 4 (01:12:09):
Alright.
Okay, we're at the end, man,Good listen.
So now we gotta bring it fullcircle.
Top three Are you ready?
Let's see here.
Alright, Top three in thewaiting.
Speaker 6 (01:12:24):
And Are you ready?
Let's see here.
All right, Top three in thewaiting, and since they're all
up for debate.
Ideally this would be easy, butit's not.
Speaker 4 (01:12:36):
It really is.
There's a lot of good songs onhere, but I know what my three
are.
Speaker 6 (01:12:40):
They haven't changed All right a lot of good songs on
here, but I I know what mythree are.
They haven't.
All right, I'm gonna go numberthree.
Speaker 4 (01:12:48):
It's gonna be land's end okay, yeah, I can see that.
Yeah, great song it's got to beon there.
Speaker 6 (01:12:56):
Okay, that's your number three.
Takes you away anotherdimension like that
verydo-do-do-do-do-do-do-do-do.
Like that beginning, veryrhythmic, very meditative.
That's my three, yeah.
Speaker 4 (01:13:09):
Okay, my number three is going to be Jellyfish, the
one that we just heard oh okay,yeah, I can see that for you.
Well, I like the story.
You know this is kind of new tome, like that song, and as I
read it it was just it drew mein instantly.
I want to know where.
You know I like the storiesthat they're telling in these
you know, things yeah Kind oftall tales or whatever you know,
(01:13:30):
based off of real life eventkind of things.
And we've all kind of been therewhere you got a really bad
hangover and you got abductedand you come back to work the
next day.
It's like this is all happeningwhile you're having a hangover.
You're being all cool about it,and so that's why it's my
number three.
Speaker 6 (01:13:48):
Okay, all right, yeah , I mean number two, oh, man,
and definitely I'm going to givebigger isn't better to another
listen and Johnny Cash.
Those both deserve honorablementions, I agree.
(01:14:09):
Um, and black clouds, obviouslyhonorable mention.
It feels feels wrong to notinclude them, but they're all
great songs.
Um, and we'll throw Lester, hada coconut in there for mention,
but yeah, really it wasdifferent.
I agree, I'm going Texas.
Speaker 4 (01:14:28):
Number two Okay, now we're talking.
Speaker 1 (01:14:32):
Yeah.
Speaker 4 (01:14:33):
Nice.
Speaker 6 (01:14:36):
It's such a good song , it's this journey, it's the
getting out of, getting out ofdodge, but also, you know,
taking some risks and your risk,uh, and you know, getting out
of your comfort zone and also,yeah, getting away with it, I
guess right, in a way, there yougo yeah beating the system is
(01:14:59):
kind of good yeah, that was thatsort of like the yeah, you,
yeah, that's true, because theyget out of it.
Speaker 4 (01:15:04):
My number two is Land's End.
And I like the trippiness of itand it was very melodic and
kind of soothing at times.
But it takes you on a journeyand you go to different places
and the music is yeah, you godeeper and deeper, and that's
why that's my number.
Speaker 6 (01:15:20):
Down music is yeah, you go deeper and deeper and
that's why that's my number twohell, yeah, all right, yeah,
well then, I guess you know thejellyfish is going to be my
number one.
It is, yeah.
Shout out to janicek forteaching those lyrics on the
soccer, soccer pitch in highschool.
To get me into string cheese,man.
You gotta know string cheese,yeah, man.
Speaker 3 (01:15:40):
You got to know string cheese yeah.
Speaker 6 (01:15:40):
It's like you know, get almost indoctrinated with
these jam bands early.
Yeah, and uh, yeah.
I mean seeing them is just aphenomenal experience.
Speaker 4 (01:15:52):
Yeah, I'd love to see so many cool people so many.
Yeah, it's just a, it's like a,like a plot is a good it, but
it's a good environment, it's agood atmosphere, good music,
positive, that kind of thing.
Speaker 6 (01:16:03):
Yeah, tight eyes.
Speaker 4 (01:16:05):
Yeah.
Speaker 6 (01:16:05):
How many clothes everywhere?
Speaker 4 (01:16:08):
All right, it's great .
My number one is going to beTexas.
Oh yeah, it's just a great songand I like the story.
Again, great storytelling andyou're wondering what's going on
.
And it's kind of hilarious atthe end where they beat the man
because they don't know whatthey found.
Speaker 6 (01:16:25):
And Alice, and Alice's mom.
Speaker 4 (01:16:28):
Yep.
Speaker 6 (01:16:28):
Oh no, that's Texas yeah.
Speaker 4 (01:16:30):
Well, that's my number one.
Yeah, in Texas.
Yeah, that's a part of it.
Speaker 6 (01:16:35):
Yeah, I get those two confused, but yes, All right
man.
Well, are you all right, man,well, you're gonna put a bow on
this, let's just tie it up realtight here we go.
Speaker 4 (01:16:46):
All right, it's tied.
Yeah well, everybody, thanksagain for listening.
Keep keep listening, keepdownloading.
All right, jam on, have a goodone bye.
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