July 9, 2025 • 43 mins
Ever wondered what happens when comedy meets rock music in perfect harmony? Join us as we break format to celebrate This Is Spinal Tap's brilliant soundtrack – an album that walks the razor-thin line between parody and genuine musical accomplishment.
Fresh from seeing the 1984 cult classic on the big screen, we couldn't resist diving into these tracks that somehow manage to be both ridiculous and legitimately good. From the pompous prog-rock excesses of "Rock and Roll Creation" to the triple-bass absurdity of "Big Bottom," each song perfectly captures the essence of 70s and 80s rock while mercilessly mocking its worst tendencies.
What makes these songs so special isn't just their hilarious lyrics about sex farms and tiny Stonehenge monuments – it's how musically competent they are. We hear echoes of Black Sabbath, Deep Purple, The Who, and Rush throughout the album, all filtered through a lens of satire that somehow enhances rather than diminishes the music. The double entendres may be juvenile, but the musicianship is anything but.
As we eagerly await Spinal Tap 2 (coming September 2025), join us in ranking our favorite tracks from the original soundtrack. Which song goes to eleven? Will it be the mandolin-infused "Stonehenge," the classical-meets-heavy-metal "Heavy Duty," or perhaps the hilariously patriotic "America" with its references to the Brady Bunch and apple pie? Listen now to find out which tracks deserve to be turned up to eleven and which belong in the "Where Are They Now?" file.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 2 (00:20):
all right, thank you for listening to the greatest
non Non-Hits.
All right, I'm Chris, andplaying the end part of Heavy
Duty from the this Is Spinal Tapsoundtrack is my co-host, tim.
Thank you so much for listening, as you always do.
Um, this is we're.
(00:41):
We're breaking from our formata little bit for this episode.
Uh, we're.
We're in season four.
We're supposed to be doing uh2000 albums.
We want to break it up a littlebit because, um, tim and I went
to see uh the this is spinal tapmovie made in 1984.
Um, we saw a movie with uh themover the weekend and we thought
(01:02):
let's listen to the soundtrack.
We'll do the whole format wherewe'll go through all the songs,
we'll listen to them, we'llyuck it up, we're going to play
Spinal Tap clips within thesongs and at the end we'll rank
our top three songs from thealbum.
We're going to consider all ofthe songs non-hits but we've got
(01:27):
the benefit of the lyrics.
You know, like, when you like,for example, on spotify, if you
click in or type in this isspinal tap, it's going to give
you a list of 13 songs that youhear when you you know that are
in the movie.
You know there's there's theclassics.
You know there's.
That was heavy duty when he wasplaying.
You know it's got like theclassical music at heavy duty
when he was playing.
It's got the classical music atthe end but he's playing in a
(01:47):
heavy riff kind of guitar thing.
That's heavy duty.
There's other songs like.
There's Hell Hole Tonight.
I'm Gonna Rock you Tonight.
Rock and Roll Creation.
There's Cups and Cakes from ifyou've seen the original movie.
That's a hit from a long timeago when they were the Thamesmen
(02:07):
.
Let's see.
There's Sex Farm, if you recallthe movie.
They played that at the AirForce Base.
That was when, I think, nigelcompletely loses it, smashes his
guitar and leaves the band.
There's also Stonehenge, youknow.
There's the classic moment inthe movie where the uh, the
(02:30):
triptychs uh come down from therafters and uh, it's super small
because uh, yeah, theymislabeled on the napkin that it
was uh inches instead of feet.
So you get it Really good stuff.
Give me some money.
Listen to the flower people istowards the end, big bottom,
(02:50):
where the three guys are playingbass all at the same time.
No guitar, no lead classics.
So we're going to listen to allthose.
At the end we're going to giveour top three.
I think I know what my top oneis.
Um, the other two there are alot of.
The thing is, what's the finaltap?
(03:11):
Is that they they think thatthey're these brilliant geniuses
and they're kind of idiots and,um, the music is, you know, a
lot more simple than you know.
They try to make it out to beso, but at the same time, the
roots of the song are hilarious,and so we're going to have a
good time.
It's going to be fun stuff.
(03:31):
I don't know, man, I think Timhas his certain things.
There's the subplot of Janinein the movie that, um, but yeah,
we want to talk aboutthroughout.
Just, it was just hilarious andI'm excited because on
september 12th of this year iswhen they're releasing spinal
(03:54):
tap to the end continues.
So, as we're recording this, wehaven't seen the movie yet.
So if you're listening beyondseptember 12th of 2025, then, uh
, you, if you're listeningbeyond September 12th of 2025,
then you're listening in thefuture.
You've seen the movie and Ihope it was good.
I hope you enjoyed it, but inthe meantime we're excited to
(04:16):
have fun with this one, and Ihaven't talked to Tim about what
his top three are, tim, how youdoing buddy.
Speaker 4 (04:24):
Rock and roll, hello cleveland back in the saddle and
back in this hellhole gosh.
You know we've got lots of timeon our hands it's a complete
catastrophe just people, mbs,people, mbs uh-huh, you know,
it's just, we are, you know, inthis point in our careers.
Speaker 3 (04:45):
People should be envying us.
You know, I envy us.
Yeah, I do Me too.
Speaker 4 (04:49):
Me too.
We just we are who we are andwho we are yeah.
Speaker 2 (04:54):
No matter how delusional we are, it's just
simple, it's clever.
Yeah, simple lines.
Speaker 4 (04:59):
Could be anything.
Speaker 3 (05:00):
Yeah.
Speaker 2 (05:05):
It's such a fine line between stupid and clever.
Yes, exactly, and try to dothat with this podcast.
Speaker 4 (05:08):
This is our saucy jack yeah, this could be our
saucy jack, because you knowwe've had all these ideas and
yeah this is the parody.
Speaker 2 (05:16):
Do that thing with the london philharmonic yeah
it's delusional, but you know,yeah, I mean, I've been thinking
about, yeah, the jack, theripper yeah, remember what we
were.
Speaker 3 (05:24):
Do you project?
At the Luton Palace.
Speaker 4 (05:25):
We were talking about the Luton Palace.
Speaker 3 (05:27):
The musical based on the life of Jack the Ripper
Saucy.
Speaker 2 (05:31):
Jack, saucy Jack, I like the who.
Speaker 1 (05:33):
You're a naughty one Pinball wizard.
Speaker 2 (05:34):
Saucy Jack, you're a naughty one.
Speaker 4 (05:47):
Yeah, it was a great experience to see that in the
theater.
Big screen on the big screen,uh, wow, yeah, and the the
trailer.
You know it was.
I'm not gonna spoil anythingwith the trailer, but yeah, I
wonder, yeah, who knows?
Well, we can listen to thisagain after hopefully they get a
full size stonehenge, you knowyeah, I wonder.
Speaker 2 (06:03):
Yeah, that new drummer too, like Joe mama bass.
I wonder, how he worked Do theymake reference to him.
Speaker 4 (06:08):
Yeah.
Speaker 2 (06:08):
I think in like one of the like the an interview in
1991 when they came out withbreak like the wind, they were
interviewing them and he saidsomething to the fact that he
and Janine, like David StHubbins is like he and Janine
got married in 1986 and yeah,but she's back in London and
she's got some sort of business.
I don't know.
So maybe they'll make referenceto those things.
(06:29):
Yeah, they were mad at market,marty DeBerge in that, in that
interview.
interview after the moviebecause it made him look stupid
and they were like mad at thattime.
I just wonder if that thatcomes up or they're double
dipping with the interview.
Speaker 4 (06:43):
They just need to stay elusive, and the more
elusive, the more the allure.
That's what I think.
Yeah, with this they can make acupcake business and sell
thousands, yeah, cups and cakes.
Vanilla chocolate strawberryRight.
Speaker 2 (07:02):
Derek Smalls, aka Everybody loves sweets.
Nigel Derek Smalls, akaEverybody loves sweets, you know
, yeah, nigel.
Speaker 4 (07:07):
Nigel would have a couple cupcakes.
Yeah, they could do that.
Speaker 2 (07:11):
Yeah, from their big hit Cups and Cakes.
Speaker 4 (07:13):
Yeah.
Speaker 2 (07:13):
Yeah, Look at you man .
Yeah, you know we could set upour own bakery and business and
just call that Cups and Cakesand just rip them off.
Yeah in business and just callthat cups and cakes and just rip
them off.
Yeah, you can get them.
Maybe they can sponsor us yeahwell, but then they.
We just gave them the idea.
Speaker 4 (07:29):
So well they'll have us it was a dream they'll show,
they'll reciprocate, you know,yeah, yeah, anyway let's get
into the let's go.
Speaker 2 (07:38):
You know non-hits yeah, let's go hellhole is the
first song.
All right, right out of thegate yeah, all right, that's bib
savage on the keyboards.
(07:58):
Shout out.
Shout out to Viv.
Speaker 1 (08:00):
I'm a man.
I'm a man.
Speaker 2 (08:21):
Now we're going with all smiles out of the clips.
Speaker 3 (08:25):
They see us on stage.
They see us on stage with tighttrousers.
We've got, you know, armadillosin our trousers.
I mean, it's really quitefrightening, the size.
Speaker 4 (08:54):
The lady next to me in the theater really liked that
armadillos reference.
Oh yes, she was cracking up,she.
It's good to hear other peoplelaughing as reference.
Oh yeah, she's cracking up.
It's good to hear other peoplelaughing at stuff, oh.
Speaker 1 (09:05):
I know.
Speaker 4 (09:07):
Yeah, got a little steak and lobster.
A sauna they got the sauna yeah.
Speaker 2 (09:15):
Ooh.
Speaker 1 (09:18):
Ooh.
Speaker 2 (09:19):
Man, the kitchen stinks of boiling snails, so
they're boiling snails, sothey're supposed to be like
these.
Speaker 4 (09:23):
The pools are too hot .
It's a heated pool darn.
It's a hell hole.
The butler quit.
It's rich person problems.
Speaker 2 (09:36):
Taxman's comment the butler quit.
This ain't no place to be.
Who's gonna clean up aroundhere?
Speaker 4 (09:42):
Taxman's comment about where this ain't no place
who's?
Speaker 3 (09:50):
gonna, he's gonna clean up around here.
I mean I just, I don't.
I don't do dishes.
I Read so that I put this Right.
So then it's like this but thisdoesn't work because then it's
all.
Because it hangs out like thatLook, would you be holding it?
No, I wouldn't want to beholding my mouth.
Speaker 2 (10:05):
All right, A exhibit A.
Speaker 3 (10:09):
All right, a exhibit, a Look this miniature bread.
It's like I've been workingwith this for about half an hour
and I can't figure out.
Let's say, the bite, right,you've got this.
You have an M, exactly.
I don't understand how it'slike you could fold it, well, no
, then it's half the size and Ikeep folding, yeah, but then it
breaks up, it breaks apart, likethis no, no, no, you put it on
(10:35):
the bread like this, see, butthen if you keep, and then
everything has to be folded andthen it's this that was ripping
Look who's in here?
No one.
Speaker 2 (10:53):
All right, this is tonight.
I'm going to rock you tonight.
Speaker 4 (11:02):
He did not repeat himself.
Speaker 2 (11:06):
The title is Tonight I'm Gonna Rock you Tonight.
I love that I know.
Speaker 4 (11:15):
So Hell Hole has got to be like.
We're thinking Alice Cooper,yeah, this one could be.
Who are they parodying?
Yeah, like Directly.
Speaker 2 (11:32):
Like Godzilla, maybe like with that organ, maybe like
Blue Oyster Cult, like BlueOyster Cult UFO Thin Lizzy yeah,
like Blue Oyster Cult.
Like Blue Oyster Cult UFO ThinLizzy, yeah, even Kiss.
Speaker 4 (11:46):
Yes, here it is.
Yes, this is Kiss, yeah, forsure, the Rocka yeah, and it's
Alice.
Speaker 2 (11:55):
Cooper, ted Nugent.
It's like the song's about theyounger, you know.
It's like how you know howAlice Cooper or no, it's like
Ted Nugent.
It's like his song's about likethe younger, you know.
It's like how you know how,like Alice Cooper or no, it's
like Ted Nugent, you're tooyoung.
Yeah, like adopted hisgirlfriend so he could marry her
, or whatever you know.
It's like, oh my God.
And so it's like, I think it'slike parodying that.
It's disgusting.
He, woody Allen'd it.
Ah, oh.
Speaker 4 (12:16):
God it's cringy.
Speaker 2 (12:18):
Yeah, this is these guys are.
Yeah, this song is like takingit to the end.
Speaker 4 (12:23):
It's a parody Of course, yeah, they're not Real
rock crew.
Yeah, which is crazy.
How the music is this good forit not being an actual band?
Speaker 2 (12:36):
I don't understand how this is not a bad song.
Who?
Speaker 4 (12:39):
makes the song.
Speaker 2 (12:47):
So that's it right.
Who are the ghost writersexactly?
Yeah, who were they?
I mean, we gotta, yeah, lookthat up, maybe like shame on us,
but not even they, like, whowrote these songs?
I mean, I think it was justlike all of them.
Speaker 4 (13:03):
Maybe they did write them.
That's the brilliance of itthey actually made songs for
this.
Speaker 2 (13:13):
It's like proggy.
It kind of goes from high tolow.
Speaker 3 (13:22):
They mix opera and, yeah, maybe Boston with the oh
yeah emerson lake and palmer,like keith emerson, there's a
little guy look yeah, so it's acomplete catastrophe you're
right yeah, this is heavy duty.
Speaker 2 (13:37):
This is what Dan was playing.
Speaker 1 (13:39):
Oh damn it, Damn it man.
Speaker 4 (13:41):
You know, this song would be really good if they
were dressed up as animals.
Speaker 2 (13:47):
Oh yeah, any idea what it will cost to dress up as
animals?
Speaker 3 (13:53):
Oh it doesn't cost anything.
They're not animals.
Speaker 2 (13:56):
They're not animals.
Speaker 3 (13:57):
It's a way to fight the drabs.
Speaker 2 (14:00):
It's a way to fight the drabs.
It's a way to fight the drabs.
Speaker 3 (14:04):
Mine would look better in doubly.
It was done in doubly.
Speaker 4 (14:10):
Meditation stuff makes you go blind.
I love it.
Speaker 2 (14:15):
Scrape that volume.
Speaker 4 (14:20):
What are the hits on here?
Speaker 2 (14:23):
I mean my intro.
I was just like I don't thinkthese are hits, are they?
None, None, none.
Speaker 4 (14:30):
None more black None.
No hits, it's in the.
Where are they now file?
Speaker 2 (14:40):
Why waste good music on a?
Speaker 4 (14:41):
brain.
Yeah, I think they.
Speaker 2 (14:52):
Said like a heavy riff with classical music.
Speaker 4 (14:56):
Yeah, also in the movie like you hit many a wrong
note, which was just evenfunnier.
Yeah, they were like it waswarts and all.
Speaker 2 (15:09):
When they were in front of Elvis's grave.
They're trying to do thebarbershop raga.
It's like well, since my babyleft me, they're like no, no, no
.
Speaker 1 (15:21):
He's like, yeah, no, that's good Attitude, attitude
it's.
Speaker 2 (15:24):
Barbershop Raga.
Yeah, and just because it pays,that ain't no crime.
Heavy, heavy Duty, duty, heavyduty.
Rock and roll.
Rock and roll, roll.
Speaker 1 (16:10):
Heavy duty, heavy duty, heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
heavy duty, heavy duty heavyduty heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
(16:30):
heavy duty, heavy duty, heavyduty, heavy Simple lines
intertwining.
Speaker 3 (16:31):
It's the guitar solo sucks, don't touch it.
Speaker 1 (16:32):
Don't touch it.
I wasn't going to touch it.
No, don't touch it, I was justpointing at it.
Well, don't point, even youdon't even point.
Speaker 3 (16:38):
No, it can't be played.
Never Can I look at it.
Speaker 4 (16:41):
No, oh good, drumming here.
Speaker 2 (16:54):
Yeah, he's done that fill a couple of times.
Speaker 3 (16:58):
He just was like a flash of green light a couple of
times.
Speaker 1 (17:01):
he just was like a flash of green light.
Speaker 2 (17:10):
Yeah, the character was mick shrimpton and then he
combusted on stage and theyreplaced him with joe mama bass.
Yeah, we just don't knowthere's.
No, I don't think there was anydialogue that addressed him.
I wonder if that'll be aquestion asked or if they'll
write a line in about that.
Speaker 4 (17:31):
There's people working around the clock.
We still have to figure outwhat this is, what riff that is.
Speaker 2 (17:45):
Yeah, it's classical.
Yeah, it shows arguments Idon't know.
Yeah, anyways.
Speaker 4 (17:52):
Excellent stuff, it's excellent.
Straight through this door heredown the hall, yeah, turn right
, yeah.
And then there's a little jogthere.
Speaker 3 (18:00):
Shout out to the joggers, shout out to the
joggers.
Speaker 2 (18:02):
Shout out to the runners.
We don't have time for that.
Speaker 4 (18:08):
Oh, they're doing it in doubly.
All right, this is rock androll creation.
Speaker 2 (18:12):
This is a rock psalm, one critic said.
It prompts the question Onwhich day did the Lord Create
Spinal Tap, and couldn't he haverested on that day too?
Speaker 4 (18:33):
Is that an actual review from the movie?
Well, that was like a line.
Speaker 2 (18:36):
I don't know what they were saying.
You got negative reviews.
This this was like from thealbum.
Uh, from their album.
Speaker 4 (18:46):
The rock songs spinals have something like that
salvation we're just, it's outof the emptiness, you know, yeah
, creation.
Speaker 1 (19:03):
Oh, Big Bang Mutation .
Speaker 2 (19:08):
Yin was searching for his, yang One of the best lines
in the whole album, in myopinion.
He looked and he saw that itwas good.
Speaker 4 (19:19):
It's a good thing yeah, a little cardamom, that's
right.
Speaker 2 (19:30):
When I'm alone beneath the stars and feeling
insignificant.
This is like Black Sabbath.
Oh, for sure To see the forcesthat created me.
Yes, I mean, it's a kind oftotemistic thing, you know.
Oh yeah, ian Faith Shout out toIan Faith, the manager.
Speaker 4 (19:52):
Road manager.
Now we're into the who.
Went from Aussie Black Sabbathto the who.
Speaker 2 (19:59):
Froggy it's like King Crimson.
Yeah, derek Smalls.
Speaker 4 (20:13):
Derek.
Speaker 2 (20:14):
Killing it and Viv Savage on it, yeah this is.
Speaker 4 (20:19):
This is good, this is good, this is good, this is a
good song.
Speaker 1 (20:24):
Oh Sean.
Speaker 4 (20:34):
Oh, sean, is it maybe a little bit right rush?
Maybe even this part, yeah?
Speaker 2 (20:40):
this is rush.
Yeah, the pitch the key changes, of course.
Yeah, we're not above it.
Yeah, yeah, yeah.
Speaker 4 (20:52):
There's so much going on, there's so many bands that
they carry yeah, white Snake.
Speaker 2 (21:06):
Poison, yeah, white snake poison.
Uh, that was a little bit after, I would say maybe earlier
white snake deep purple, deeppurple, definitely.
Yeah, um uriah heap ufo.
Now you're naming some of theones that are less.
Speaker 4 (21:22):
Yeah, Uriah Heep UFO.
Now you're naming some of theones that are less.
Speaker 2 (21:26):
Motorhead.
Speaker 4 (21:27):
Yeah, okay, yeah, yeah, like Prague rock All right
, king Crimson yes.
Speaker 3 (21:35):
All this free time is so elastic.
It's a gift time is so elasticgive boston kansas all right
jazz blues festival where wasthat?
Speaker 1 (21:52):
blues jazz, really blues jazz festival me all right
, this one's called america likebabies from our home, across
the sea to see america, and thepeople have opened up their arms
(22:18):
to welcome us.
Okay, this gets like superheavy halfway through we came
our children from a far anddistant land to see America.
Speaker 2 (22:38):
I very like the band America a little bit.
We'll venture a highway.
Speaker 4 (22:56):
Not bad.
Speaker 2 (23:01):
Yeah so say all of us tap into America.
Sweet, dennis Eaton, hug.
Yeah, mitch Shrifton.
Sir Dennis Eaton Hogg, allright, yeah, mitch Shrimpton.
(23:27):
Yeah, this is like Ozzy.
Black Sabbath, deep Purple,children of the Children of the
Grave.
This is Judas Priest.
Yeah, iron Maiden.
Brady Bunch and Smokey Bear.
Brady Bunch and Smokey Bear.
Speaker 4 (23:55):
Oh, that is good yes, that is good Brady Bunch.
And.
Speaker 2 (24:00):
Spokane Buildings.
Reaching the sky, afrosheen andapple pie.
Speaker 1 (24:07):
PTA and FBI.
Yeah.
Speaker 4 (24:24):
Chuck begins to run yeah babe.
Speaker 2 (24:33):
Yeah, this is reminiscent of like Blinded by
the Night, Manfred Mann.
Speaker 4 (24:40):
It's trippy, yeah.
Now they're going into thislike yeah, really froggy yeah.
Speaker 2 (25:00):
I like the last line in this.
This is hilarious.
Speaker 4 (25:06):
Peace, religion, race and greed.
Speaker 2 (25:09):
God bless Chinese apple seed.
Speaker 4 (25:12):
Oh, my gosh Greed needs seed.
They did it.
Oh yes, america.
Speaker 3 (25:25):
That was good man.
Speaker 4 (25:27):
Definitely up there.
Speaker 1 (25:28):
Put that on at a party.
See where it takes you yeah.
Speaker 2 (25:33):
No, I agree that ripped.
Speaker 1 (25:39):
This is a little.
Speaker 3 (25:41):
Oh, what good things.
Speaker 1 (25:43):
Oh, this is when they were the Thamesmen.
Speaker 3 (25:45):
You're on your direction when you take it with
me.
What a gay time it was.
Speaker 2 (25:52):
Like right after that , when they play this, cups and
cakes.
Speaker 1 (25:55):
Cups and cakes.
Please make sure that Nothingbreaks that China's so dear.
Speaker 4 (26:04):
You can hear Nigel there Am.
Speaker 1 (26:05):
I, I hear a little Nigel, oh yeah.
Okay.
Speaker 2 (26:18):
This is like Michael McKean.
I'm like Barbershop Raga withhim.
Speaker 3 (26:35):
Cups and cakes.
Cups and cakes.
Speaker 1 (26:38):
I'm so full.
Speaker 4 (26:39):
My tummy aches.
How sad it must end.
But I'm so full my tummy aches.
Speaker 1 (26:42):
How sad it must end, but I'm glad I don't vent.
Speaker 3 (26:45):
Sharing cups and cakes with me and cakes with me.
So British.
Speaker 4 (26:56):
I think that's Shout out to the Brits.
Speaker 2 (26:57):
Yeah, currently residing in the.
Where Are they Now fight?
Oh man, all right.
Fine, oh man All right.
This is big bottom.
We can't turn our back on thethree, three basement song.
No, no Three basement.
Speaker 4 (27:18):
They're doing it.
Speaker 2 (27:21):
Amphib Savage on the keyboards.
I like how they come in for acouple.
Speaker 4 (27:36):
The drums are playing with us a little bit here.
Speaker 2 (27:40):
It's good.
The mini-move is good.
Speaker 4 (27:45):
The swing of the cushion.
That's how to start a song.
That's what I said.
You didn't stutter the loose ofthe waistband.
Speaker 2 (27:53):
The deep of the quicksand.
What so I have red.
My baby fits me like a fleshtuxedo.
I like to sink her with my pinktorpedo.
Oh my God, Talk about bum cakes.
Speaker 4 (28:15):
My girl's got them Cups and cakes and bums.
Speaker 2 (28:21):
How could I leave this behind?
Cups and cakes and bums?
How could I leave this behind?
Double entendre.
I met her on Monday.
It was my lucky fun day.
You know what I mean.
It was my lucky fun day.
(28:41):
You know what I mean.
It was my lucky fun day.
I love her each weekday, eachvelvet-inching day.
You know what I mean my lovegun's loaded and she's in my
sights.
Big Dave is waiting thereinside her tights.
Speaker 1 (28:59):
Yeah, big bottle, big bottle.
Sights.
B-dame is waiting there insight.
They're tight, big bottom, bigbottom.
Speaker 4 (29:06):
Talk about mudflats, my girl's got them Shout out to
truckers out there.
Yep, I like the organ.
Musically, I think this is,like, honestly, way better than
(29:32):
the other ones.
Lyrically, I'm justflabbergasted.
It's horrible, isn't it?
It's a parody.
I'm thinking Beard Al yeah.
Speaker 2 (29:47):
It's very, but these songs are original and they're
just good enough to where youcan see how they would be
successful.
Speaker 4 (29:57):
But not be at the same time.
Speaker 2 (30:03):
Yeah, they're like all burnt out, they're out of
control, they're delusional,they think that this is profound
, they're heavily sedated.
I never knew Big Bottom havesuch a dramatic ending.
(30:31):
That was kind of cool, it'ssuch a fine line between stupid
and clever.
All right, this is Sex Pod.
It's the song that they'replaying at the Air Force Base
and Nigel's cordless guitarpicks up frequencies and gets
(30:52):
pissed off, stares down Janineand leaves.
She's playing tambourine at thenext gig, poking your head.
Tim's disapproving.
I don't think he's enjoyingthis song as much.
Speaker 1 (31:14):
I can't even sing that.
Speaker 2 (31:20):
Not even I can't even tell you that.
Not even I can tell you that.
This is what.
Don't you see my silo risinghigh?
Speaker 4 (31:40):
Ah Don't you see my silo rising high?
Speaker 2 (31:48):
Sex farm?
Oh, it's on your bar door.
Thirteen-year lifestyle.
You know what I mean.
What?
Speaker 4 (32:12):
What, what?
This is too much, yeah, this isoh wow.
Speaker 1 (32:29):
I'll let my office stand.
Speaker 2 (32:32):
Don't you hear my tractor rumbling by?
Speaker 4 (32:36):
Or just People need to make real playlists Of like
Van Halen and like some of these, and then sneak these in and
see if your friends notice.
Oh okay, be like.
What band is that?
Speaker 2 (32:53):
Just like a heavy rock playlist.
Spinal Tap Put it into theviolins Sex bomb.
Trying to raise some hard love,cutting out my pencil it into
the old ones Time to get out thepitch for us A lot of double
(33:13):
entendre, triple, quadruple,quadruple, entendres, yeah.
Of course, here comes thefroggy that's all of these that
have them.
Speaker 4 (33:25):
They just elongate it yeah.
Speaker 2 (33:34):
I guess you have to have a big climax.
Speaker 4 (33:37):
That's good.
That's good.
Thank you, that was good.
I'll be here all week.
Speaker 1 (33:42):
Just like get off.
Fine ass, that's good, that'sgood.
Thank you, that was good, allright, wow.
Speaker 2 (33:52):
Okay, this is Stonehenge.
Speaker 1 (33:56):
Yes.
Speaker 3 (33:58):
In ancient times, hundreds of years before the
dawn of history.
Speaker 4 (34:06):
Dawn Dawn lived a strange race of people.
Speaker 2 (34:11):
Race of people, the Druids.
Speaker 4 (34:19):
So historical, no one knows.
Speaker 2 (34:23):
No one knows who they were or what they were doing.
Speaker 3 (34:29):
What they were doing, so stupid, but their legacy
remains Hewn into the livingrock of Stonehenge.
Speaker 2 (34:58):
Stonehenge, where the demons dwell, where the
banshees live, and they do livewell.
Speaker 1 (35:04):
Stonehenge, where the madmen, mine and the children
dance To the pipes of time.
What the pipes of pan thechildren dance?
Speaker 4 (35:15):
to the pipes.
What Pipes and pan?
Speaker 2 (35:20):
The children dance to the pipes.
Yeah, pan.
Speaker 4 (35:23):
Place like a Alright, alright Place, those pipes, pan
pipes, pipes of pan Duh Dragonin space.
Speaker 1 (35:36):
Virgins Sky Dragon in space when the virgins lie and
the prayers of devils Fill themidnight sky.
And you, my love, weren't youtaken by hand?
We'll go back in time To thatmystic land when the dewdrops
(36:01):
cry and the cats meow.
I will take you there, I willshow you how?
Speaker 2 (36:27):
yeah, it was this part where you know those
triptychs.
Come down super small.
Dwarfs are trampling upon them.
This part it's like they'recoming down.
Come down super small, thedwarves are trampling upon them.
This part it's like they'recoming down now.
Speaker 4 (37:01):
The mandolin yeah, yes, it's awesome.
This is entertaining, this isgreat Shout out to the RenFest
(37:28):
people.
Yeah, renaissance Fest, let'sgo, let's go.
Speaker 1 (37:35):
Let's do it.
Speaker 3 (37:51):
And where are they now, the little people of Stone
Age?
And what would they say to usif we were here?
Speaker 2 (38:04):
tonight, tonight have you now, and there were they
now the little people of StoneAge Are there with a man, the
little people of Stan and Ange.
Speaker 1 (38:26):
Alright.
Speaker 2 (38:29):
Stop wasting my time, just give me some money.
You know what I want.
Speaker 1 (38:36):
You know what I need.
You know what I need, all right, oh, maybe you don't.
You doing this one.
Do I have to come right flat?
Speaker 2 (38:44):
out and tell you We'll cut that one out.
I think Give Me Some Money islike from a we want to do like
the.
Is that it?
This is Flower People.
I think these are additions.
This is christmas with thedevil.
Look through this one.
We'll put this one in here.
Actually, I don't even thinkthis is on here.
Speaker 4 (39:17):
I don't think they're on here, no.
Speaker 2 (39:18):
No, all right, we're cutting Christmas with the devil
out.
This is a disqualifier.
Speaker 4 (39:24):
Yeah, I think that was it yeah.
Speaker 2 (39:26):
Yeah, well, I think it was.
I think you're right.
So like, yeah, these are likesome of the ending ones, but
we're going to cut these out.
So what are you thinking?
Speaker 4 (39:38):
man.
Well, uh, excuse me, um, Igotta go.
Number three Stonehenge.
Number three because themandolin rock.
Oh okay, man Shout out to Eddiethe mandolin or uh, check them
(39:58):
out but, uh, yeah, the mandolinwith the heavy prog was just so
cool.
Yeah, I mean they go back totheir folk days.
You know, sure, their flowerpeople days, right okay on that,
it comes full circle.
It's my number three.
What do you?
Speaker 2 (40:17):
got.
My number three is gonna beamerica.
You know that was.
I don't even remember that fromthe movie, but I just think
it's it was kind of hilariousyeah, the way it was going from
extremes, you know, from superchill and mellow at the
beginning, and it just goes intolike a black sabbath kind of a
thing and right.
Speaker 4 (40:34):
They take you there.
Speaker 2 (40:35):
Yeah, but then there's also like America and it
was just uh, yeah, I, I enjoyedit, it was, it was entertaining
.
So the number three for me.
Speaker 4 (40:44):
Yeah, I'm going to go um number two, big bottom Like
it deserves to you know queenhad.
You know Queen had a song thatcomes to mind.
It's rock and roll-esque.
Speaker 2 (41:02):
Yeah, what I like about that one and spoiler alert
.
That's not going to be in mytop three, but I like the fact
that the lyrics are neither moreor less stupid.
Speaker 4 (41:18):
There was a lot of stupid and clever.
Speaker 2 (41:21):
And I liked how they play off of one another.
It's so stupid with thecleverness.
It's stupid humor.
Speaker 4 (41:27):
It's on the precipice , it's on the line.
Brilliantly done.
It's a knife's edge.
That's right.
Could be either.
Right on, yeah.
Speaker 2 (41:40):
But lyrics with the rock and like there's, there's
some songs I kind of like yeah,that's why I'm glad we're doing
this.
Um, I'm gonna say, my numbertwo is gonna be stone edge nice,
yeah, it's just, it rips yeah,the druids, and like in the
middle, like the yes, thekeyboard, it's kind of like
Emerson Lake and Powley thatkind of thing.
And then there's like the bassand it's proggy.
(42:05):
Yeah, so that's my number two.
Speaker 4 (42:08):
All right, I'm going heavy.
Duty number one, really.
Speaker 2 (42:16):
Oh yeah, of course I mean that's your signature move.
It's heavy duty number onereally.
Oh yeah, of course I meanthat's your signature move.
Speaker 4 (42:18):
I didn't, it's yeah heavy duty, it's just so the
duty, it's, it's the sound justmakes you just, you know,
potentially void your bowels.
I mean it's that, it's thatheavy, it's pretty wild, it's
that heavy, it's pretty wild.
Speaker 2 (42:36):
Sure.
Speaker 4 (42:44):
Well, I'm glad those were mentioned, like the guitar
part.
Speaker 2 (42:47):
Yeah, it's worth mentioning, for sure.
Speaker 4 (42:50):
It brings it back up to classy and renowned Right on.
Speaker 2 (43:00):
With that, it's full circle.
Very good, uh, for my numberone, I'm gonna go rock and roll
creation.
All right, yeah, just that wasjust a really good song.
It was like.
It was like by far I like thatmore than the others, yeah, so
jim was looking for his yang youknow.
It's funny it's you know, pokingfun at them.
The genre it's satirical, butthe music is good at the same
(43:22):
time.
It sounds pretty original.
It actually isn't, but it is.
It's kind of poppy it's, it's,it's.
It's dated to that era, early80s so yeah good stuff all right
, yeah, it kept us tapping.
Speaker 4 (43:36):
Keep you know.
Tap into america, tap in, let'sgo.
That's right, you know keepthose spines healthy, stretch it
out stretch out your spines,yeah but we're ready, we're
about ready to tap out.
We're tapping out.
All right, take care.
all right, thank you for listening to the greatest
non Non-Hits.
All right, I'm Chris, andplaying the end part of Heavy
Duty from the this Is Spinal Tapsoundtrack is my co-host, tim.
Thank you so much for listening, as you always do.
Um, this is we're.
(00:41):
We're breaking from our formata little bit for this episode.
Uh, we're.
We're in season four.
We're supposed to be doing uh2000 albums.
We want to break it up a littlebit because, um, tim and I went
to see uh the this is spinal tapmovie made in 1984.
Um, we saw a movie with uh themover the weekend and we thought
(01:02):
let's listen to the soundtrack.
We'll do the whole format wherewe'll go through all the songs,
we'll listen to them, we'llyuck it up, we're going to play
Spinal Tap clips within thesongs and at the end we'll rank
our top three songs from thealbum.
We're going to consider all ofthe songs non-hits but we've got
(01:27):
the benefit of the lyrics.
You know, like, when you like,for example, on spotify, if you
click in or type in this isspinal tap, it's going to give
you a list of 13 songs that youhear when you you know that are
in the movie.
You know there's there's theclassics.
You know there's.
That was heavy duty when he wasplaying.
You know it's got like theclassical music at heavy duty
when he was playing.
It's got the classical music atthe end but he's playing in a
(01:47):
heavy riff kind of guitar thing.
That's heavy duty.
There's other songs like.
There's Hell Hole Tonight.
I'm Gonna Rock you Tonight.
Rock and Roll Creation.
There's Cups and Cakes from ifyou've seen the original movie.
That's a hit from a long timeago when they were the Thamesmen
(02:07):
.
Let's see.
There's Sex Farm, if you recallthe movie.
They played that at the AirForce Base.
That was when, I think, nigelcompletely loses it, smashes his
guitar and leaves the band.
There's also Stonehenge, youknow.
There's the classic moment inthe movie where the uh, the
(02:30):
triptychs uh come down from therafters and uh, it's super small
because uh, yeah, theymislabeled on the napkin that it
was uh inches instead of feet.
So you get it Really good stuff.
Give me some money.
Listen to the flower people istowards the end, big bottom,
(02:50):
where the three guys are playingbass all at the same time.
No guitar, no lead classics.
So we're going to listen to allthose.
At the end we're going to giveour top three.
I think I know what my top oneis.
Um, the other two there are alot of.
The thing is, what's the finaltap?
(03:11):
Is that they they think thatthey're these brilliant geniuses
and they're kind of idiots and,um, the music is, you know, a
lot more simple than you know.
They try to make it out to beso, but at the same time, the
roots of the song are hilarious,and so we're going to have a
good time.
It's going to be fun stuff.
(03:31):
I don't know, man, I think Timhas his certain things.
There's the subplot of Janinein the movie that, um, but yeah,
we want to talk aboutthroughout.
Just, it was just hilarious andI'm excited because on
september 12th of this year iswhen they're releasing spinal
(03:54):
tap to the end continues.
So, as we're recording this, wehaven't seen the movie yet.
So if you're listening beyondseptember 12th of 2025, then, uh
, you, if you're listeningbeyond September 12th of 2025,
then you're listening in thefuture.
You've seen the movie and Ihope it was good.
I hope you enjoyed it, but inthe meantime we're excited to
(04:16):
have fun with this one, and Ihaven't talked to Tim about what
his top three are, tim, how youdoing buddy.
Speaker 4 (04:24):
Rock and roll, hello cleveland back in the saddle and
back in this hellhole gosh.
You know we've got lots of timeon our hands it's a complete
catastrophe just people, mbs,people, mbs uh-huh, you know,
it's just, we are, you know, inthis point in our careers.
Speaker 3 (04:45):
People should be envying us.
You know, I envy us.
Yeah, I do Me too.
Speaker 4 (04:49):
Me too.
We just we are who we are andwho we are yeah.
Speaker 2 (04:54):
No matter how delusional we are, it's just
simple, it's clever.
Yeah, simple lines.
Speaker 4 (04:59):
Could be anything.
Speaker 3 (05:00):
Yeah.
Speaker 2 (05:05):
It's such a fine line between stupid and clever.
Yes, exactly, and try to dothat with this podcast.
Speaker 4 (05:08):
This is our saucy jack yeah, this could be our
saucy jack, because you knowwe've had all these ideas and
yeah this is the parody.
Speaker 2 (05:16):
Do that thing with the london philharmonic yeah
it's delusional, but you know,yeah, I mean, I've been thinking
about, yeah, the jack, theripper yeah, remember what we
were.
Speaker 3 (05:24):
Do you project?
At the Luton Palace.
Speaker 4 (05:25):
We were talking about the Luton Palace.
Speaker 3 (05:27):
The musical based on the life of Jack the Ripper
Saucy.
Speaker 2 (05:31):
Jack, saucy Jack, I like the who.
Speaker 1 (05:33):
You're a naughty one Pinball wizard.
Speaker 2 (05:34):
Saucy Jack, you're a naughty one.
Speaker 4 (05:47):
Yeah, it was a great experience to see that in the
theater.
Big screen on the big screen,uh, wow, yeah, and the the
trailer.
You know it was.
I'm not gonna spoil anythingwith the trailer, but yeah, I
wonder, yeah, who knows?
Well, we can listen to thisagain after hopefully they get a
full size stonehenge, you knowyeah, I wonder.
Speaker 2 (06:03):
Yeah, that new drummer too, like Joe mama bass.
I wonder, how he worked Do theymake reference to him.
Speaker 4 (06:08):
Yeah.
Speaker 2 (06:08):
I think in like one of the like the an interview in
1991 when they came out withbreak like the wind, they were
interviewing them and he saidsomething to the fact that he
and Janine, like David StHubbins is like he and Janine
got married in 1986 and yeah,but she's back in London and
she's got some sort of business.
I don't know.
So maybe they'll make referenceto those things.
(06:29):
Yeah, they were mad at market,marty DeBerge in that, in that
interview.
interview after the moviebecause it made him look stupid
and they were like mad at thattime.
I just wonder if that thatcomes up or they're double
dipping with the interview.
Speaker 4 (06:43):
They just need to stay elusive, and the more
elusive, the more the allure.
That's what I think.
Yeah, with this they can make acupcake business and sell
thousands, yeah, cups and cakes.
Vanilla chocolate strawberryRight.
Speaker 2 (07:02):
Derek Smalls, aka Everybody loves sweets.
Nigel Derek Smalls, akaEverybody loves sweets, you know
, yeah, nigel.
Speaker 4 (07:07):
Nigel would have a couple cupcakes.
Yeah, they could do that.
Speaker 2 (07:11):
Yeah, from their big hit Cups and Cakes.
Speaker 4 (07:13):
Yeah.
Speaker 2 (07:13):
Yeah, Look at you man .
Yeah, you know we could set upour own bakery and business and
just call that Cups and Cakesand just rip them off.
Yeah in business and just callthat cups and cakes and just rip
them off.
Yeah, you can get them.
Maybe they can sponsor us yeahwell, but then they.
We just gave them the idea.
Speaker 4 (07:29):
So well they'll have us it was a dream they'll show,
they'll reciprocate, you know,yeah, yeah, anyway let's get
into the let's go.
Speaker 2 (07:38):
You know non-hits yeah, let's go hellhole is the
first song.
All right, right out of thegate yeah, all right, that's bib
savage on the keyboards.
(07:58):
Shout out.
Shout out to Viv.
Speaker 1 (08:00):
I'm a man.
I'm a man.
Speaker 2 (08:21):
Now we're going with all smiles out of the clips.
Speaker 3 (08:25):
They see us on stage.
They see us on stage with tighttrousers.
We've got, you know, armadillosin our trousers.
I mean, it's really quitefrightening, the size.
Speaker 4 (08:54):
The lady next to me in the theater really liked that
armadillos reference.
Oh yes, she was cracking up,she.
It's good to hear other peoplelaughing as reference.
Oh yeah, she's cracking up.
It's good to hear other peoplelaughing at stuff, oh.
Speaker 1 (09:05):
I know.
Speaker 4 (09:07):
Yeah, got a little steak and lobster.
A sauna they got the sauna yeah.
Speaker 2 (09:15):
Ooh.
Speaker 1 (09:18):
Ooh.
Speaker 2 (09:19):
Man, the kitchen stinks of boiling snails, so
they're boiling snails, sothey're supposed to be like
these.
Speaker 4 (09:23):
The pools are too hot .
It's a heated pool darn.
It's a hell hole.
The butler quit.
It's rich person problems.
Speaker 2 (09:36):
Taxman's comment the butler quit.
This ain't no place to be.
Who's gonna clean up aroundhere?
Speaker 4 (09:42):
Taxman's comment about where this ain't no place
who's?
Speaker 3 (09:50):
gonna, he's gonna clean up around here.
I mean I just, I don't.
I don't do dishes.
I Read so that I put this Right.
So then it's like this but thisdoesn't work because then it's
all.
Because it hangs out like thatLook, would you be holding it?
No, I wouldn't want to beholding my mouth.
Speaker 2 (10:05):
All right, A exhibit A.
Speaker 3 (10:09):
All right, a exhibit, a Look this miniature bread.
It's like I've been workingwith this for about half an hour
and I can't figure out.
Let's say, the bite, right,you've got this.
You have an M, exactly.
I don't understand how it'slike you could fold it, well, no
, then it's half the size and Ikeep folding, yeah, but then it
breaks up, it breaks apart, likethis no, no, no, you put it on
(10:35):
the bread like this, see, butthen if you keep, and then
everything has to be folded andthen it's this that was ripping
Look who's in here?
No one.
Speaker 2 (10:53):
All right, this is tonight.
I'm going to rock you tonight.
Speaker 4 (11:02):
He did not repeat himself.
Speaker 2 (11:06):
The title is Tonight I'm Gonna Rock you Tonight.
I love that I know.
Speaker 4 (11:15):
So Hell Hole has got to be like.
We're thinking Alice Cooper,yeah, this one could be.
Who are they parodying?
Yeah, like Directly.
Speaker 2 (11:32):
Like Godzilla, maybe like with that organ, maybe like
Blue Oyster Cult, like BlueOyster Cult UFO Thin Lizzy yeah,
like Blue Oyster Cult.
Like Blue Oyster Cult UFO ThinLizzy, yeah, even Kiss.
Speaker 4 (11:46):
Yes, here it is.
Yes, this is Kiss, yeah, forsure, the Rocka yeah, and it's
Alice.
Speaker 2 (11:55):
Cooper, ted Nugent.
It's like the song's about theyounger, you know.
It's like how you know howAlice Cooper or no, it's like
Ted Nugent.
It's like his song's about likethe younger, you know.
It's like how you know how,like Alice Cooper or no, it's
like Ted Nugent, you're tooyoung.
Yeah, like adopted hisgirlfriend so he could marry her
, or whatever you know.
It's like, oh my God.
And so it's like, I think it'slike parodying that.
It's disgusting.
He, woody Allen'd it.
Ah, oh.
Speaker 4 (12:16):
God it's cringy.
Speaker 2 (12:18):
Yeah, this is these guys are.
Yeah, this song is like takingit to the end.
Speaker 4 (12:23):
It's a parody Of course, yeah, they're not Real
rock crew.
Yeah, which is crazy.
How the music is this good forit not being an actual band?
Speaker 2 (12:36):
I don't understand how this is not a bad song.
Who?
Speaker 4 (12:39):
makes the song.
Speaker 2 (12:47):
So that's it right.
Who are the ghost writersexactly?
Yeah, who were they?
I mean, we gotta, yeah, lookthat up, maybe like shame on us,
but not even they, like, whowrote these songs?
I mean, I think it was justlike all of them.
Speaker 4 (13:03):
Maybe they did write them.
That's the brilliance of itthey actually made songs for
this.
Speaker 2 (13:13):
It's like proggy.
It kind of goes from high tolow.
Speaker 3 (13:22):
They mix opera and, yeah, maybe Boston with the oh
yeah emerson lake and palmer,like keith emerson, there's a
little guy look yeah, so it's acomplete catastrophe you're
right yeah, this is heavy duty.
Speaker 2 (13:37):
This is what Dan was playing.
Speaker 1 (13:39):
Oh damn it, Damn it man.
Speaker 4 (13:41):
You know, this song would be really good if they
were dressed up as animals.
Speaker 2 (13:47):
Oh yeah, any idea what it will cost to dress up as
animals?
Speaker 3 (13:53):
Oh it doesn't cost anything.
They're not animals.
Speaker 2 (13:56):
They're not animals.
Speaker 3 (13:57):
It's a way to fight the drabs.
Speaker 2 (14:00):
It's a way to fight the drabs.
It's a way to fight the drabs.
Speaker 3 (14:04):
Mine would look better in doubly.
It was done in doubly.
Speaker 4 (14:10):
Meditation stuff makes you go blind.
I love it.
Speaker 2 (14:15):
Scrape that volume.
Speaker 4 (14:20):
What are the hits on here?
Speaker 2 (14:23):
I mean my intro.
I was just like I don't thinkthese are hits, are they?
None, None, none.
Speaker 4 (14:30):
None more black None.
No hits, it's in the.
Where are they now file?
Speaker 2 (14:40):
Why waste good music on a?
Speaker 4 (14:41):
brain.
Yeah, I think they.
Speaker 2 (14:52):
Said like a heavy riff with classical music.
Speaker 4 (14:56):
Yeah, also in the movie like you hit many a wrong
note, which was just evenfunnier.
Yeah, they were like it waswarts and all.
Speaker 2 (15:09):
When they were in front of Elvis's grave.
They're trying to do thebarbershop raga.
It's like well, since my babyleft me, they're like no, no, no
.
Speaker 1 (15:21):
He's like, yeah, no, that's good Attitude, attitude
it's.
Speaker 2 (15:24):
Barbershop Raga.
Yeah, and just because it pays,that ain't no crime.
Heavy, heavy Duty, duty, heavyduty.
Rock and roll.
Rock and roll, roll.
Speaker 1 (16:10):
Heavy duty, heavy duty, heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
heavy duty, heavy duty heavyduty heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
heavy duty, heavy duty, heavyduty, heavy duty, heavy duty,
(16:30):
heavy duty, heavy duty, heavyduty, heavy Simple lines
intertwining.
Speaker 3 (16:31):
It's the guitar solo sucks, don't touch it.
Speaker 1 (16:32):
Don't touch it.
I wasn't going to touch it.
No, don't touch it, I was justpointing at it.
Well, don't point, even youdon't even point.
Speaker 3 (16:38):
No, it can't be played.
Never Can I look at it.
Speaker 4 (16:41):
No, oh good, drumming here.
Speaker 2 (16:54):
Yeah, he's done that fill a couple of times.
Speaker 3 (16:58):
He just was like a flash of green light a couple of
times.
Speaker 1 (17:01):
he just was like a flash of green light.
Speaker 2 (17:10):
Yeah, the character was mick shrimpton and then he
combusted on stage and theyreplaced him with joe mama bass.
Yeah, we just don't knowthere's.
No, I don't think there was anydialogue that addressed him.
I wonder if that'll be aquestion asked or if they'll
write a line in about that.
Speaker 4 (17:31):
There's people working around the clock.
We still have to figure outwhat this is, what riff that is.
Speaker 2 (17:45):
Yeah, it's classical.
Yeah, it shows arguments Idon't know.
Yeah, anyways.
Speaker 4 (17:52):
Excellent stuff, it's excellent.
Straight through this door heredown the hall, yeah, turn right
, yeah.
And then there's a little jogthere.
Speaker 3 (18:00):
Shout out to the joggers, shout out to the
joggers.
Speaker 2 (18:02):
Shout out to the runners.
We don't have time for that.
Speaker 4 (18:08):
Oh, they're doing it in doubly.
All right, this is rock androll creation.
Speaker 2 (18:12):
This is a rock psalm, one critic said.
It prompts the question Onwhich day did the Lord Create
Spinal Tap, and couldn't he haverested on that day too?
Speaker 4 (18:33):
Is that an actual review from the movie?
Well, that was like a line.
Speaker 2 (18:36):
I don't know what they were saying.
You got negative reviews.
This this was like from thealbum.
Uh, from their album.
Speaker 4 (18:46):
The rock songs spinals have something like that
salvation we're just, it's outof the emptiness, you know, yeah
, creation.
Speaker 1 (19:03):
Oh, Big Bang Mutation .
Speaker 2 (19:08):
Yin was searching for his, yang One of the best lines
in the whole album, in myopinion.
He looked and he saw that itwas good.
Speaker 4 (19:19):
It's a good thing yeah, a little cardamom, that's
right.
Speaker 2 (19:30):
When I'm alone beneath the stars and feeling
insignificant.
This is like Black Sabbath.
Oh, for sure To see the forcesthat created me.
Yes, I mean, it's a kind oftotemistic thing, you know.
Oh yeah, ian Faith Shout out toIan Faith, the manager.
Speaker 4 (19:52):
Road manager.
Now we're into the who.
Went from Aussie Black Sabbathto the who.
Speaker 2 (19:59):
Froggy it's like King Crimson.
Yeah, derek Smalls.
Speaker 4 (20:13):
Derek.
Speaker 2 (20:14):
Killing it and Viv Savage on it, yeah this is.
Speaker 4 (20:19):
This is good, this is good, this is good, this is a
good song.
Speaker 1 (20:24):
Oh Sean.
Speaker 4 (20:34):
Oh, sean, is it maybe a little bit right rush?
Maybe even this part, yeah?
Speaker 2 (20:40):
this is rush.
Yeah, the pitch the key changes, of course.
Yeah, we're not above it.
Yeah, yeah, yeah.
Speaker 4 (20:52):
There's so much going on, there's so many bands that
they carry yeah, white Snake.
Speaker 2 (21:06):
Poison, yeah, white snake poison.
Uh, that was a little bit after, I would say maybe earlier
white snake deep purple, deeppurple, definitely.
Yeah, um uriah heap ufo.
Now you're naming some of theones that are less.
Speaker 4 (21:22):
Yeah, Uriah Heep UFO.
Now you're naming some of theones that are less.
Speaker 2 (21:26):
Motorhead.
Speaker 4 (21:27):
Yeah, okay, yeah, yeah, like Prague rock All right
, king Crimson yes.
Speaker 3 (21:35):
All this free time is so elastic.
It's a gift time is so elasticgive boston kansas all right
jazz blues festival where wasthat?
Speaker 1 (21:52):
blues jazz, really blues jazz festival me all right
, this one's called america likebabies from our home, across
the sea to see america, and thepeople have opened up their arms
(22:18):
to welcome us.
Okay, this gets like superheavy halfway through we came
our children from a far anddistant land to see America.
Speaker 2 (22:38):
I very like the band America a little bit.
We'll venture a highway.
Speaker 4 (22:56):
Not bad.
Speaker 2 (23:01):
Yeah so say all of us tap into America.
Sweet, dennis Eaton, hug.
Yeah, mitch Shrifton.
Sir Dennis Eaton Hogg, allright, yeah, mitch Shrimpton.
(23:27):
Yeah, this is like Ozzy.
Black Sabbath, deep Purple,children of the Children of the
Grave.
This is Judas Priest.
Yeah, iron Maiden.
Brady Bunch and Smokey Bear.
Brady Bunch and Smokey Bear.
Speaker 4 (23:55):
Oh, that is good yes, that is good Brady Bunch.
And.
Speaker 2 (24:00):
Spokane Buildings.
Reaching the sky, afrosheen andapple pie.
Speaker 1 (24:07):
PTA and FBI.
Yeah.
Speaker 4 (24:24):
Chuck begins to run yeah babe.
Speaker 2 (24:33):
Yeah, this is reminiscent of like Blinded by
the Night, Manfred Mann.
Speaker 4 (24:40):
It's trippy, yeah.
Now they're going into thislike yeah, really froggy yeah.
Speaker 2 (25:00):
I like the last line in this.
This is hilarious.
Speaker 4 (25:06):
Peace, religion, race and greed.
Speaker 2 (25:09):
God bless Chinese apple seed.
Speaker 4 (25:12):
Oh, my gosh Greed needs seed.
They did it.
Oh yes, america.
Speaker 3 (25:25):
That was good man.
Speaker 4 (25:27):
Definitely up there.
Speaker 1 (25:28):
Put that on at a party.
See where it takes you yeah.
Speaker 2 (25:33):
No, I agree that ripped.
Speaker 1 (25:39):
This is a little.
Speaker 3 (25:41):
Oh, what good things.
Speaker 1 (25:43):
Oh, this is when they were the Thamesmen.
Speaker 3 (25:45):
You're on your direction when you take it with
me.
What a gay time it was.
Speaker 2 (25:52):
Like right after that , when they play this, cups and
cakes.
Speaker 1 (25:55):
Cups and cakes.
Please make sure that Nothingbreaks that China's so dear.
Speaker 4 (26:04):
You can hear Nigel there Am.
Speaker 1 (26:05):
I, I hear a little Nigel, oh yeah.
Okay.
Speaker 2 (26:18):
This is like Michael McKean.
I'm like Barbershop Raga withhim.
Speaker 3 (26:35):
Cups and cakes.
Cups and cakes.
Speaker 1 (26:38):
I'm so full.
Speaker 4 (26:39):
My tummy aches.
How sad it must end.
But I'm so full my tummy aches.
Speaker 1 (26:42):
How sad it must end, but I'm glad I don't vent.
Speaker 3 (26:45):
Sharing cups and cakes with me and cakes with me.
So British.
Speaker 4 (26:56):
I think that's Shout out to the Brits.
Speaker 2 (26:57):
Yeah, currently residing in the.
Where Are they Now fight?
Oh man, all right.
Fine, oh man All right.
This is big bottom.
We can't turn our back on thethree, three basement song.
No, no Three basement.
Speaker 4 (27:18):
They're doing it.
Speaker 2 (27:21):
Amphib Savage on the keyboards.
I like how they come in for acouple.
Speaker 4 (27:36):
The drums are playing with us a little bit here.
Speaker 2 (27:40):
It's good.
The mini-move is good.
Speaker 4 (27:45):
The swing of the cushion.
That's how to start a song.
That's what I said.
You didn't stutter the loose ofthe waistband.
Speaker 2 (27:53):
The deep of the quicksand.
What so I have red.
My baby fits me like a fleshtuxedo.
I like to sink her with my pinktorpedo.
Oh my God, Talk about bum cakes.
Speaker 4 (28:15):
My girl's got them Cups and cakes and bums.
Speaker 2 (28:21):
How could I leave this behind?
Cups and cakes and bums?
How could I leave this behind?
Double entendre.
I met her on Monday.
It was my lucky fun day.
You know what I mean.
It was my lucky fun day.
(28:41):
You know what I mean.
It was my lucky fun day.
I love her each weekday, eachvelvet-inching day.
You know what I mean my lovegun's loaded and she's in my
sights.
Big Dave is waiting thereinside her tights.
Speaker 1 (28:59):
Yeah, big bottle, big bottle.
Sights.
B-dame is waiting there insight.
They're tight, big bottom, bigbottom.
Speaker 4 (29:06):
Talk about mudflats, my girl's got them Shout out to
truckers out there.
Yep, I like the organ.
Musically, I think this is,like, honestly, way better than
(29:32):
the other ones.
Lyrically, I'm justflabbergasted.
It's horrible, isn't it?
It's a parody.
I'm thinking Beard Al yeah.
Speaker 2 (29:47):
It's very, but these songs are original and they're
just good enough to where youcan see how they would be
successful.
Speaker 4 (29:57):
But not be at the same time.
Speaker 2 (30:03):
Yeah, they're like all burnt out, they're out of
control, they're delusional,they think that this is profound
, they're heavily sedated.
I never knew Big Bottom havesuch a dramatic ending.
(30:31):
That was kind of cool, it'ssuch a fine line between stupid
and clever.
All right, this is Sex Pod.
It's the song that they'replaying at the Air Force Base
and Nigel's cordless guitarpicks up frequencies and gets
(30:52):
pissed off, stares down Janineand leaves.
She's playing tambourine at thenext gig, poking your head.
Tim's disapproving.
I don't think he's enjoyingthis song as much.
Speaker 1 (31:14):
I can't even sing that.
Speaker 2 (31:20):
Not even I can't even tell you that.
Not even I can tell you that.
This is what.
Don't you see my silo risinghigh?
Speaker 4 (31:40):
Ah Don't you see my silo rising high?
Speaker 2 (31:48):
Sex farm?
Oh, it's on your bar door.
Thirteen-year lifestyle.
You know what I mean.
What?
Speaker 4 (32:12):
What, what?
This is too much, yeah, this isoh wow.
Speaker 1 (32:29):
I'll let my office stand.
Speaker 2 (32:32):
Don't you hear my tractor rumbling by?
Speaker 4 (32:36):
Or just People need to make real playlists Of like
Van Halen and like some of these, and then sneak these in and
see if your friends notice.
Oh okay, be like.
What band is that?
Speaker 2 (32:53):
Just like a heavy rock playlist.
Spinal Tap Put it into theviolins Sex bomb.
Trying to raise some hard love,cutting out my pencil it into
the old ones Time to get out thepitch for us A lot of double
(33:13):
entendre, triple, quadruple,quadruple, entendres, yeah.
Of course, here comes thefroggy that's all of these that
have them.
Speaker 4 (33:25):
They just elongate it yeah.
Speaker 2 (33:34):
I guess you have to have a big climax.
Speaker 4 (33:37):
That's good.
That's good.
Thank you, that was good.
I'll be here all week.
Speaker 1 (33:42):
Just like get off.
Fine ass, that's good, that'sgood.
Thank you, that was good, allright, wow.
Speaker 2 (33:52):
Okay, this is Stonehenge.
Speaker 1 (33:56):
Yes.
Speaker 3 (33:58):
In ancient times, hundreds of years before the
dawn of history.
Speaker 4 (34:06):
Dawn Dawn lived a strange race of people.
Speaker 2 (34:11):
Race of people, the Druids.
Speaker 4 (34:19):
So historical, no one knows.
Speaker 2 (34:23):
No one knows who they were or what they were doing.
Speaker 3 (34:29):
What they were doing, so stupid, but their legacy
remains Hewn into the livingrock of Stonehenge.
Speaker 2 (34:58):
Stonehenge, where the demons dwell, where the
banshees live, and they do livewell.
Speaker 1 (35:04):
Stonehenge, where the madmen, mine and the children
dance To the pipes of time.
What the pipes of pan thechildren dance?
Speaker 4 (35:15):
to the pipes.
What Pipes and pan?
Speaker 2 (35:20):
The children dance to the pipes.
Yeah, pan.
Speaker 4 (35:23):
Place like a Alright, alright Place, those pipes, pan
pipes, pipes of pan Duh Dragonin space.
Speaker 1 (35:36):
Virgins Sky Dragon in space when the virgins lie and
the prayers of devils Fill themidnight sky.
And you, my love, weren't youtaken by hand?
We'll go back in time To thatmystic land when the dewdrops
(36:01):
cry and the cats meow.
I will take you there, I willshow you how?
Speaker 2 (36:27):
yeah, it was this part where you know those
triptychs.
Come down super small.
Dwarfs are trampling upon them.
This part it's like they'recoming down.
Come down super small, thedwarves are trampling upon them.
This part it's like they'recoming down now.
Speaker 4 (37:01):
The mandolin yeah, yes, it's awesome.
This is entertaining, this isgreat Shout out to the RenFest
(37:28):
people.
Yeah, renaissance Fest, let'sgo, let's go.
Speaker 1 (37:35):
Let's do it.
Speaker 3 (37:51):
And where are they now, the little people of Stone
Age?
And what would they say to usif we were here?
Speaker 2 (38:04):
tonight, tonight have you now, and there were they
now the little people of StoneAge Are there with a man, the
little people of Stan and Ange.
Speaker 1 (38:26):
Alright.
Speaker 2 (38:29):
Stop wasting my time, just give me some money.
You know what I want.
Speaker 1 (38:36):
You know what I need.
You know what I need, all right, oh, maybe you don't.
You doing this one.
Do I have to come right flat?
Speaker 2 (38:44):
out and tell you We'll cut that one out.
I think Give Me Some Money islike from a we want to do like
the.
Is that it?
This is Flower People.
I think these are additions.
This is christmas with thedevil.
Look through this one.
We'll put this one in here.
Actually, I don't even thinkthis is on here.
Speaker 4 (39:17):
I don't think they're on here, no.
Speaker 2 (39:18):
No, all right, we're cutting Christmas with the devil
out.
This is a disqualifier.
Speaker 4 (39:24):
Yeah, I think that was it yeah.
Speaker 2 (39:26):
Yeah, well, I think it was.
I think you're right.
So like, yeah, these are likesome of the ending ones, but
we're going to cut these out.
So what are you thinking?
Speaker 4 (39:38):
man.
Well, uh, excuse me, um, Igotta go.
Number three Stonehenge.
Number three because themandolin rock.
Oh okay, man Shout out to Eddiethe mandolin or uh, check them
(39:58):
out but, uh, yeah, the mandolinwith the heavy prog was just so
cool.
Yeah, I mean they go back totheir folk days.
You know, sure, their flowerpeople days, right okay on that,
it comes full circle.
It's my number three.
What do you?
Speaker 2 (40:17):
got.
My number three is gonna beamerica.
You know that was.
I don't even remember that fromthe movie, but I just think
it's it was kind of hilariousyeah, the way it was going from
extremes, you know, from superchill and mellow at the
beginning, and it just goes intolike a black sabbath kind of a
thing and right.
Speaker 4 (40:34):
They take you there.
Speaker 2 (40:35):
Yeah, but then there's also like America and it
was just uh, yeah, I, I enjoyedit, it was, it was entertaining
.
So the number three for me.
Speaker 4 (40:44):
Yeah, I'm going to go um number two, big bottom Like
it deserves to you know queenhad.
You know Queen had a song thatcomes to mind.
It's rock and roll-esque.
Speaker 2 (41:02):
Yeah, what I like about that one and spoiler alert
.
That's not going to be in mytop three, but I like the fact
that the lyrics are neither moreor less stupid.
Speaker 4 (41:18):
There was a lot of stupid and clever.
Speaker 2 (41:21):
And I liked how they play off of one another.
It's so stupid with thecleverness.
It's stupid humor.
Speaker 4 (41:27):
It's on the precipice , it's on the line.
Brilliantly done.
It's a knife's edge.
That's right.
Could be either.
Right on, yeah.
Speaker 2 (41:40):
But lyrics with the rock and like there's, there's
some songs I kind of like yeah,that's why I'm glad we're doing
this.
Um, I'm gonna say, my numbertwo is gonna be stone edge nice,
yeah, it's just, it rips yeah,the druids, and like in the
middle, like the yes, thekeyboard, it's kind of like
Emerson Lake and Powley thatkind of thing.
And then there's like the bassand it's proggy.
(42:05):
Yeah, so that's my number two.
Speaker 4 (42:08):
All right, I'm going heavy.
Duty number one, really.
Speaker 2 (42:16):
Oh yeah, of course I mean that's your signature move.
It's heavy duty number onereally.
Oh yeah, of course I meanthat's your signature move.
Speaker 4 (42:18):
I didn't, it's yeah heavy duty, it's just so the
duty, it's, it's the sound justmakes you just, you know,
potentially void your bowels.
I mean it's that, it's thatheavy, it's pretty wild, it's
that heavy, it's pretty wild.
Speaker 2 (42:36):
Sure.
Speaker 4 (42:44):
Well, I'm glad those were mentioned, like the guitar
part.
Speaker 2 (42:47):
Yeah, it's worth mentioning, for sure.
Speaker 4 (42:50):
It brings it back up to classy and renowned Right on.
Speaker 2 (43:00):
With that, it's full circle.
Very good, uh, for my numberone, I'm gonna go rock and roll
creation.
All right, yeah, just that wasjust a really good song.
It was like.
It was like by far I like thatmore than the others, yeah, so
jim was looking for his yang youknow.
It's funny it's you know, pokingfun at them.
The genre it's satirical, butthe music is good at the same
(43:22):
time.
It sounds pretty original.
It actually isn't, but it is.
It's kind of poppy it's, it's,it's.
It's dated to that era, early80s so yeah good stuff all right
, yeah, it kept us tapping.
Speaker 4 (43:36):
Keep you know.
Tap into america, tap in, let'sgo.
That's right, you know keepthose spines healthy, stretch it
out stretch out your spines,yeah but we're ready, we're
about ready to tap out.
We're tapping out.
All right, take care.
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