October 8, 2025 • 49 mins
Mauler spends Halloween in a cornfield, Rush demands order from Taylor Swift, Jenni carries a baguette in case someone has low blood sugar, and Brady forgets a patty in the microwave. Love the podcast? Leave us a review!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Four people in a room talking about everything or talking
about really nothing at all.
Speaker 2 (00:06):
You decide.
Speaker 3 (00:06):
Welcome.
Speaker 4 (00:07):
This is the hot Tub Podcast with Maler, Rush, Jenny
and Brady.
Speaker 5 (00:12):
Welcome to the hot Tub Podcast. We're Maller, Rush, Jenny
and Brady. And at any point in time, you can
send us a note through any of the you know, socials,
not sort of things. Well, I answer questions. It could
be directed at one of us, all four of us,
two of the four of us, It doesn't matter. Yeah, yeah, yeah,
we'll usually answer everything.
Speaker 3 (00:30):
Yeah, this is fun. I think it's kind of easy though,
and I would love for you guys to weigh in.
It comes to us from Jamie.
Speaker 5 (00:37):
You've got Mayo.
Speaker 3 (00:38):
Yeah, Jamie said, you're given one million dollars to hide
a paper clip from a detective. He has seven days
to find it. Where are you hiding it?
Speaker 5 (00:48):
Oh?
Speaker 3 (00:49):
Yeah, she said she just started listening to the podcast,
and she's already on episode two hundred and fifty. I
don't feel like you just started. So I have a
paper clean yeah, and you got to hide it from
a detect And I guess it's a really really good detective.
They're gonna try to figure out where it is, and
he has seven days to find ride it.
Speaker 2 (01:05):
In plain sight in pliny where they're not going to look. Listen.
This all comes from what movie was it that I
was watching, Oh, Shindler's List. I think it was No
the Pianist. I can't remember one of the two, two
different movies, but World War Two Money down.
Speaker 5 (01:20):
She was going to say happy Gore.
Speaker 2 (01:25):
No. But they're trying to hide their money, and they say,
let's just leave it on the table underneath the newspaper
because they won't search there, right, so they're thinking, you're
going to tear the place apart, leave it in plain sight.
He's going to think you've hid hit somewhere really hard.
Speaker 6 (01:36):
I had a similar kind of idea.
Speaker 4 (01:39):
I would probably put it on Gary, one of our
sales basils here on Gary's desk. Again, that's one of
those things that it's kind of been plain sight, like
I basically give it to Gary with him not knowing
I gave it to.
Speaker 5 (01:52):
Him, but they find it on his desk.
Speaker 6 (01:56):
Sure, I guess he will it a murder paper clip.
Speaker 3 (02:01):
I'm assumed as well, there's the money, You're given a
million dollars this paper clip.
Speaker 4 (02:05):
Because again, they're not going to think that Gary has it,
and and again, if you put it in a hiding.
Speaker 2 (02:11):
Place, I can literally hear Gary, why is there?
Speaker 4 (02:16):
And then pay Gary sends down an email.
Speaker 5 (02:22):
He'll leave the building with it.
Speaker 4 (02:24):
You'll never see that even if I if he leaves
a building with it, he has to go for a week,
But I travels with it.
Speaker 6 (02:30):
That's fine.
Speaker 5 (02:31):
Do you have to give the paper clip over after?
Speaker 3 (02:34):
I feel like you have to have the paper clip
in the week, right.
Speaker 4 (02:37):
Yeah, I think that's fine. I still think I could
put it on or even if I put it, Gary
said like his desk drawer where he doesn't open it,
and I think it's fine.
Speaker 3 (02:47):
I think I think any good detective is going to
tear part at the office, right.
Speaker 4 (02:50):
Not Gary's office. No one thinks anything in Gary's office.
Speaker 3 (02:57):
I was going to say, of course, I'm eating the
paper clup.
Speaker 2 (02:59):
Do you know dangerous? That is something very dangerous.
Speaker 4 (03:02):
But again, the detective is immediately just gonna go do
an X ray on you. And they can't just X
ray because they're trying to find you.
Speaker 6 (03:10):
They're going to arrest you. They search you, and you're done.
Speaker 2 (03:14):
Paper clip guys getting.
Speaker 4 (03:20):
Arrest, their first thought is going to be that it's
on you, whether it be in your pocket or inside
your body. They're gonna check there, get there day one,
and then they're gonna they're gonna leave you, wait till.
Speaker 6 (03:30):
You pass you pass it and.
Speaker 5 (03:32):
Ask the question in this weird world, Yeah, they're checking
the inside of your body with X rays and stuff
like that, but they're not following you with cameras to
see where you put it, Like why is one existing
and not the other in that scenario?
Speaker 4 (03:43):
Following me the cameras is one different thing. Like the
first thought they're gonna have is, oh, he's carrying the
paper clip on him, will search him.
Speaker 3 (03:50):
They're not gonna like so insant get the paper clip.
Speaker 6 (03:54):
Okay, you were gonna stand with you until you got
a week. It's not gonna sit wait you you absolutely.
Speaker 3 (04:05):
By side of that sweating.
Speaker 4 (04:09):
One of these two guys, none of us in this paper.
Speaker 5 (04:15):
Thanks for the really weird question, and let's begin the
Hot Up Podcast, The.
Speaker 1 (04:21):
Hot Podcast with Maller, Rush Jenny and Brady.
Speaker 5 (04:25):
Christmas Jenny Merry Christmas. Maller right, not early at all.
Speaker 2 (04:32):
Let's hear the jingle bells.
Speaker 5 (04:33):
It's like very very Brady, worry your jingle bells.
Speaker 6 (04:39):
Was excited.
Speaker 2 (04:43):
It's Merry Christmas.
Speaker 5 (04:45):
Little thanks Brady. Those are your pants? Yes?
Speaker 3 (04:51):
That was my other my jingle. Never mind.
Speaker 5 (04:58):
The Hallmark Channel has announced the men competing for Finding
Mister Christmas. How about this? A new batch of holly
jolly hunks is here. Jenny Finding Mister Christmas return for
season two. The network just announced ten men who will
compete for a chance to be their next star.
Speaker 6 (05:15):
But how are they going to top season one?
Speaker 5 (05:17):
Well, let me tell you. The reality competition with a
holiday twist follows ten aspiring actors who compete in a
variety of outrageous Christmas theme competitions to prove that they
have what it takes to land to be the next
Hallmark leader.
Speaker 2 (05:32):
Man, I need to know what they make them do
so they're.
Speaker 5 (05:34):
Gonna present wrapping. Oh I fail there. I can't be
mister Chris. You're making gingerbread houses. I can't know.
Speaker 2 (05:42):
I'm so bad at that.
Speaker 4 (05:44):
You and I are a terrible That's simple because they
tell you have to wait. When you put like a
wall up, you have to wait. You wait ten seconds, then.
Speaker 6 (05:54):
The house falls apart and you're like, I don't know.
Speaker 5 (05:58):
I don't feel like they give me enough of the ic.
Speaker 6 (06:02):
You need to wait.
Speaker 2 (06:04):
It's a patient I want to get the hair blower
and dry it, you know, so patient.
Speaker 5 (06:11):
Dancing, they're gonna have to do some Christmas dance.
Speaker 2 (06:13):
Anything humiliating is good.
Speaker 5 (06:16):
And even on screen kissing. They've got to practice that
because they're going to be a leading guy, and.
Speaker 3 (06:22):
I've heard that's important.
Speaker 5 (06:24):
Each week one of the contestants will be sent home
for the holidays. Yes, and the winter Lands a role
in a lifetime one of these Lifetime movies or Hallmark
movies at this year's countdown to Christmas lineup.
Speaker 2 (06:40):
I mean, you don't have to be a great actor
any of the movies.
Speaker 5 (06:44):
I kind of want to audition. They filmed so many
in our area.
Speaker 2 (06:48):
I just want to be an extra thank you.
Speaker 3 (06:50):
We can definitely do that.
Speaker 5 (06:52):
Yes, I'm finding why buy usually.
Speaker 3 (06:56):
Okay, then maybe giant candy cane.
Speaker 5 (06:59):
Why are you and I had like a tree lot
and we're picking out a tree?
Speaker 2 (07:03):
Yeah, we could point you know, we're having my parents.
Speaker 3 (07:06):
To sell it to you. I like that because they
sell Christmas trees for charity.
Speaker 4 (07:11):
That but I don't think anybody is going to be
on board if Jenny doesn't have a bag.
Speaker 3 (07:14):
Get Yeah, that's true.
Speaker 5 (07:16):
Also, I don't know if they have the budget to,
you know, go to Montreal to shoot your parents.
Speaker 3 (07:21):
Don't they can fly my parents in.
Speaker 6 (07:23):
Oh yeah, yeah, yeah, I get it.
Speaker 3 (07:26):
And it has to be by plane.
Speaker 2 (07:27):
It would be really weird though. If I am picking
out a Christmas tree.
Speaker 7 (07:31):
With a yeah, like you need to do it, you
probably not a good backyard backyard background actor. If you're
doing that, you're going to a chance you're going to
get a lot of attention if you're eating a baguette
in the background.
Speaker 2 (07:45):
I think it would It would make it more realistic
for the odds, and.
Speaker 3 (07:49):
Also you will be paying attention to the continuity is
going to be.
Speaker 5 (07:51):
All so if you and I are in the Christmas
tree lots in the background. A lot of these times
when they shoot these scenes with the extress, we have
to pretending be pretending to have a conversation, right, What
is the thing that they always make the extra different.
Speaker 6 (08:10):
There's different ones.
Speaker 3 (08:11):
It's like nutmeg or something.
Speaker 4 (08:13):
No, that's there's something that's there's the walla Wallas and
then there's another.
Speaker 2 (08:18):
Yeah, I think we would just have a real conversation.
Speaker 5 (08:24):
Because they don't want people reading lips.
Speaker 3 (08:31):
Barb is another one.
Speaker 5 (08:32):
Tell Jenny and I how we look doing peas and
carrots at the Christmas tree Christmas? You're ready okay and carrots.
Speaker 6 (08:42):
Terrible?
Speaker 3 (08:42):
You're different places.
Speaker 5 (08:45):
There's multiple trees you.
Speaker 3 (08:46):
Can't but neither of you are looking with the other
person's pointing.
Speaker 2 (08:50):
There's lots of trees, like you just about that tree,
and I'm talking about that exactly.
Speaker 4 (08:58):
The problem is that you guys are demanding attention in
the background position.
Speaker 3 (09:03):
You're both pointing up to the sky because obviously I.
Speaker 5 (09:06):
Have low blood sugar without any baghead in me.
Speaker 2 (09:11):
Well, that's what we can do exactly. You're helping me
with my insulin or something.
Speaker 6 (09:16):
Again, you were distracting from the story.
Speaker 3 (09:22):
Parents.
Speaker 5 (09:24):
You and I would kill it. There's any local, but
there's there's always somebody.
Speaker 3 (09:30):
Is such a day. You know how hard I tried
to get rush on law and order.
Speaker 5 (09:35):
That's that would be impossible.
Speaker 3 (09:37):
This thing, I'm close, I got really close.
Speaker 5 (09:40):
I should have walked over. They filmed right behind my house,
walked over like hey, I drove by. I should have
just went and knocked on.
Speaker 2 (09:48):
The make like you need an acquaintance or somebody like,
just get your foot in the door, right, Yeah, I
really believe ye.
Speaker 3 (09:55):
Again, I feel like they film in the summer, don't they.
Speaker 5 (09:57):
Yeah, most well I think they filmed. Now you're round, Okay.
Speaker 2 (10:00):
Yeah that's true. So I mean, come on, come on, Brady,
thank you.
Speaker 3 (10:04):
That would be so obviously if we're going to do this,
I'm gonna be in there to there it is.
Speaker 2 (10:08):
The odds go down the more people we ask.
Speaker 6 (10:14):
Your amazing acting skills.
Speaker 5 (10:15):
Yes, you're a weird son.
Speaker 3 (10:19):
Why do we three people thinking up trees?
Speaker 5 (10:23):
How about the first?
Speaker 3 (10:26):
That's alright, you need a point done? Peas and carrots carrots.
Speaker 5 (10:35):
Rush you on in?
Speaker 6 (10:36):
No, not at all?
Speaker 3 (10:36):
Are you sure?
Speaker 4 (10:37):
No?
Speaker 6 (10:37):
I'm good.
Speaker 2 (10:38):
That could be a quadruple interesting.
Speaker 3 (10:42):
Poly squad.
Speaker 4 (10:43):
I'll be pointing downwards, why because they are all You're
all pointing out words.
Speaker 2 (10:49):
And I'm just gonna have to look exhausted, man. Okay,
it's a lot of word paintaining three marriage that's.
Speaker 3 (11:01):
Gotta stay fueled up those carves.
Speaker 5 (11:06):
Oh yeah, what a mess of movie of us again
in a relationship with bag guts everywhere, yelling piece and
maybe don't.
Speaker 6 (11:12):
Share ideas the concept of background.
Speaker 3 (11:18):
Dear x y Z. We are the mornings. We would
like to play a poly cru couple in the background
of your movie.
Speaker 5 (11:27):
We will bring our own backus and we only shoot
from ten to noon every day.
Speaker 3 (11:33):
Max, don't forget to fly my parents hand. Thank you. Brady.
Speaker 5 (11:39):
Does everybody want a trailer? Oh?
Speaker 6 (11:41):
Yeah, ye can't work.
Speaker 3 (11:45):
Dr Pepper, doctor doctor Pepper. Yeah, if you put the
doctor Pepper for Jenny, all right, us are easy.
Speaker 5 (11:58):
Yeah, yeah, okay, excellent, and we have to practice, that's right.
Speaker 3 (12:03):
Yeah, please tell us where to point or do we
figure that out ourselves?
Speaker 6 (12:12):
That's good. Yeah, you're taking initiative.
Speaker 5 (12:15):
If we got that far and we're filming the scenes
there everywhere, we're all holding hands, pointing, and we're pointing
at the trees and stuff, and Russia's pointing down, they
go cut, Why is that guy pointing down?
Speaker 6 (12:26):
They're all pointing up. I want it to be different.
Speaker 4 (12:30):
My character would not point upwards.
Speaker 1 (12:34):
Podcast with Moller, Rush, Jenny and Brady.
Speaker 2 (12:37):
An early Halloween poll found seventy nine percent of adults
planned to celebrate Halloween this year, but that doesn't mean
that they're dressing up for it. Most of us won't. Actually,
less than half of adults plan to celebrate Halloween will
wear a costume at thirty nine percent, and two things
can predict how into Halloween you are age and kids. Okay,
ninety three percent of Gen Z adults will celebrate in
(12:59):
one way or another compared to sixty six percent of boomers.
That includes dressing up, handing out candy, or just putting
a pumpkin on your doorstep. People with kids at home
are also more likely to go big on Halloween. Of course,
fifty two percent of parents will dress up compared to
twenty nine percent of people without kids. So half of
parents will also go trick or treating, and so will
seventeen percent of adults without kids.
Speaker 4 (13:20):
Well, I think everybody's very excited. You know, the Halloween
is on a Saturday, yea, And that's that's really good. Friday, Friday,
Friday Saturday the next year. So so we have this
for me, like Friday and Saturdays a night that we're
more likely to go out. And so I like, I
like it when it's on a Tuesday, because I'm a
home anyway.
Speaker 6 (13:36):
I like opening for Halloween.
Speaker 3 (13:37):
It ends so early anyway, Yeah, on a Friday, it's
like eight o'clock around the kids are done.
Speaker 6 (13:42):
You kill the door. But I've already had dinner by now.
Speaker 2 (13:45):
Okay, you're already in bed, having sleepy time.
Speaker 3 (13:48):
Exactly why. That's why I love the Friday because then,
especially with our new place, hopefully we have some kids.
Oh yeah, which we haven't had ever.
Speaker 2 (13:56):
Y your here, you can set a precedent for your
house for the years to go, or.
Speaker 3 (14:01):
Even me too.
Speaker 5 (14:02):
Yeah, I have to now answer the damn door.
Speaker 2 (14:05):
Yeah you do do Yeah?
Speaker 3 (14:07):
Are you excited? No, we're talking about making a haunted house.
Maybe not this year, but next year.
Speaker 2 (14:12):
You know you've got to do it. This year, you're
gonna do it. Nobody's gonna trust.
Speaker 3 (14:16):
Get into it. Got easy?
Speaker 2 (14:17):
Can I help?
Speaker 3 (14:18):
Yeah? You have your own house, Jenny, No, but.
Speaker 2 (14:21):
This is more fun because I don't have to do
all the stuff. I'll just show up and like I'll
do something like you put me, put me somewhere, I'll
do whatever. Okay, No, put me in a costume like
put me keep going.
Speaker 5 (14:35):
Yeah, you're not helping yourself like cowgirls.
Speaker 2 (14:40):
Closet.
Speaker 1 (14:41):
Yeah.
Speaker 2 (14:42):
I can also work.
Speaker 5 (14:43):
Yeah, absolutely all. You need boots, that's it, just boots.
Speaker 2 (14:50):
I don't scare people.
Speaker 6 (14:53):
No, that's not we're talking.
Speaker 3 (14:57):
About.
Speaker 6 (14:59):
You mean the thing is smaller.
Speaker 4 (15:00):
You could have opened any other year before you moved,
like you just you could have just turned on your lights.
Speaker 5 (15:06):
No, no, there's no honestly, all jokers. There's no kids
in our neighborhood that ever came to the door. There
would they drove to other neighborhoods because it was.
Speaker 3 (15:16):
Spread upon.
Speaker 5 (15:18):
This year, we're going to be inundated, so I have
to move out.
Speaker 2 (15:23):
It was a mistake.
Speaker 3 (15:25):
Are you going to dress up? Are you going to
have like decorations? Are you going to set things up?
Speaker 2 (15:29):
What are you going to do?
Speaker 5 (15:29):
Well? Like I told you, we have the cornfield and
I would love to dress as a clown and scare
the hell. Yeah, that's but it's like my wife would
have to sort of direct them towards the back. She'd
have to go, what's that over there? And I could
just come running.
Speaker 3 (15:42):
Out with you.
Speaker 2 (15:43):
Can I help? Can I get Jenny? What you have?
Speaker 8 (15:46):
Plans're in my closet with Cowboy that was this is
that's yeah, you tell Ruth you go by the corn
I'll be here in the close.
Speaker 3 (15:57):
Jenny's overwhelmed. It's not going to every well and all
go wrong.
Speaker 5 (16:01):
Especially if I'm.
Speaker 6 (16:05):
Not gonna help.
Speaker 1 (16:06):
The Hot Podcast with Mallard, Rush, Jenny and Brady.
Speaker 5 (16:11):
All Right, what was the last music festival you think
you were at? You guys.
Speaker 3 (16:17):
One a couple of weeks ago.
Speaker 2 (16:18):
Me too.
Speaker 6 (16:20):
Yeah, it was incredible.
Speaker 2 (16:25):
Why Yeah, great to get home to, like nine to three.
Speaker 6 (16:30):
Yea, And I went to a music I went to
one just this in July.
Speaker 5 (16:34):
Wow.
Speaker 6 (16:35):
Who do you see with Brady Jones? Oh yeah, yeah,
technically I went to a festival.
Speaker 3 (16:46):
Yeah, moll, that sounds like I gotta drag you out
to a festival.
Speaker 5 (16:49):
Yeah, I'd love to go with that.
Speaker 3 (16:51):
I would love to go with you.
Speaker 5 (16:52):
Although I'm gonna now put the brakes on because I
have to share this story with you. Okay, People you know,
go to the supposed to have a few drinks, of course,
to see their friends, to watch obviously lots of live music,
and go growing to growing with people.
Speaker 3 (17:10):
I get that that's a big part of festival. Yeah,
oh sure, yeah, you got to growing.
Speaker 6 (17:14):
Yeah.
Speaker 5 (17:15):
No, and that's, by the way, not the name of
a band.
Speaker 2 (17:19):
A Terrible Man.
Speaker 4 (17:20):
No.
Speaker 5 (17:20):
Again, it turns out more it's more common than you think.
According to new survey, one in five people one in
five people who've attended a music festival in the last
five years have gotten lucky, and I mean gone.
Speaker 3 (17:35):
Twenty percent. That's crazy.
Speaker 5 (17:36):
Yeah, now listen to this.
Speaker 6 (17:38):
I get it.
Speaker 5 (17:39):
Well, let me go through these stats and then we'll
break everything down. Thirty eight percent of the people that
have gotten lucky said they did it with a stranger
at the festival. No, they're almost half.
Speaker 3 (17:49):
I've totally a million.
Speaker 2 (17:51):
What do you watch?
Speaker 3 (17:52):
Yeah, absolutely, especially if you go to like like EDM
festivals or something like that and you know people are
feeling good. Yeah, yeah, there's love in the air man.
Speaker 5 (18:00):
Fifty three percent. Fifty three percent did it with a
significant other. That makes more sense, sure, sixteen percent with
a friend or someone they came to the festival with. Yeah,
I guess maybe knowing that was going to happen. And
sixteen percent backslid and hooked up with an X.
Speaker 3 (18:18):
Wow, we're talking like all the way, but all the way.
Speaker 5 (18:22):
We're talking about all the way?
Speaker 3 (18:23):
Yeah, I don't know about all the way.
Speaker 5 (18:25):
The most popular location, what do you think my question? Yeah,
you want to hear this for sure. No, thirty three
percent right in the middle of the crowd.
Speaker 6 (18:35):
That's what I was gonna imagine that's the most likely place.
Speaker 3 (18:38):
Yes, I don't think this is all the way.
Speaker 5 (18:39):
One in three people. Yeah, this is what it's all about. This,
I don't know.
Speaker 3 (18:43):
That's crazy.
Speaker 6 (18:44):
I know how, and I mean it's easy to do.
Speaker 5 (18:48):
I can't even say it out loud. So with the
help of my good friend Brady Jones, why me, because
you're the master of all sound effects.
Speaker 3 (18:58):
Sure.
Speaker 5 (19:00):
They also shared with this survey the most popular position that.
Speaker 2 (19:09):
No way, Yes, you can't hide that.
Speaker 5 (19:11):
I know I'm bored by this. Thirty one percent that.
Speaker 2 (19:18):
That that it can't be.
Speaker 5 (19:19):
It just can't do.
Speaker 2 (19:20):
People just turn a blind eye.
Speaker 5 (19:22):
Yes, yeah, and they're high and check.
Speaker 6 (19:25):
I guess that way. Both can still be watching the show.
Speaker 2 (19:30):
Got Money.
Speaker 6 (19:31):
I guess.
Speaker 5 (19:34):
You like part the red seat, and you can make
everybody like, go to this side.
Speaker 6 (19:39):
What's going on? We're watching over there watching?
Speaker 5 (19:44):
I guess have we lost our minds? Yes? Oh my god,
that's crazy, right, Yes, are all quiet?
Speaker 1 (19:52):
It?
Speaker 3 (19:53):
It just can't be.
Speaker 2 (19:53):
It's just that I almost don't believe it.
Speaker 3 (19:56):
Hooking up can mean different things for different people, and
I don't.
Speaker 5 (19:59):
Not if they're talking that yeah, that's what that means.
Speaker 3 (20:02):
Yeah, that's crazy.
Speaker 4 (20:04):
I mean, I guess and people go to these festivals
and stuff, they sort of revert back to sort of
an animalistic mindset and home.
Speaker 6 (20:11):
I mean, hey, animals don't care about doing it in
front of people.
Speaker 3 (20:14):
Sure, there's a lot of festivals that are like overnight
festials to people can't bat in those cases, that's percent right.
Like if everybody's got a tent in, tents are a rocking.
Speaker 6 (20:23):
I mean you go back realized when you say tent
multiple tess, you go way back to the sixties at
Woodstock people were doing this.
Speaker 5 (20:34):
This isn't new, but that was before everybody had a
camera right in their hands.
Speaker 2 (20:38):
Yeah, you know, that's the thing it was, and it
was all on that. I wouldn't imagine that you're gonna
end up all over.
Speaker 5 (20:46):
Sure, think about the cold Play couple.
Speaker 2 (20:52):
Do this survey a year from now. The numbers just
absolutely pumish.
Speaker 5 (20:58):
That alone.
Speaker 3 (20:58):
You definitely do see people coming out of the porta
multiple multiple people.
Speaker 5 (21:02):
Well that's where I thought one was to do it.
Speaker 3 (21:05):
It's just awful.
Speaker 5 (21:07):
I would rather do in the.
Speaker 2 (21:08):
Middle of Yeah, yeah, so bad, No, Like what are
you nothing?
Speaker 6 (21:19):
Just leave it?
Speaker 5 (21:20):
You know, it's funny, like it's obviously way more discreet.
But when you're on vacation and you're at the beach
and you see a couple go in the ocean and
then you know, five minutes later they come out of
the ocean, you go, okay, well I never even thought
about that.
Speaker 2 (21:35):
I'm the peep person, like, oh, they totally just went
in the ocean to pete. I've never even hugged.
Speaker 5 (21:48):
Do you not watch them float together and they're romantic.
Speaker 2 (21:52):
Yea very romantic some of the margin, yeah, little never
even Yeah, that's what they were doing. Really.
Speaker 5 (22:01):
Never, Oh my wife and I will sit on the beach,
go look watch them. There they go. It's happening. Yeah,
for sure.
Speaker 2 (22:08):
Is that without people noticing?
Speaker 5 (22:10):
Well you do notice in the middle of a concert. Yeah,
by the way, you're saying, how do they notice that?
But then you're watching people pee, well you.
Speaker 2 (22:19):
Know when they're only going waist up, they sit for
a minute and then they're just like, oh, I'm cold,
I'm cooled off. You know, No, you're not.
Speaker 6 (22:25):
They British, they become brit Yes, that's how it works.
Speaker 2 (22:31):
Don't get me wrong. I do it too, Like I'll
go in and go pee and then get out as well,
what did I sound.
Speaker 6 (22:38):
The other people do? So I was wondering if you did.
Speaker 5 (22:41):
Oh man, So if you're going to a concert festival soon,
be on the lookout for all of this. Yeah. Sure,
even though Brady Jones doesn't believe any of them.
Speaker 3 (22:50):
I can't believe those numbers. That's high and all in
the last five years.
Speaker 5 (22:54):
I get it.
Speaker 3 (22:54):
Maybe if it was like some people are, like, oh,
twenty years ago I did it, maybe those numbers would
be a little high. But in the last five years,
that's wild.
Speaker 5 (23:01):
So Brady, you're admitting nothing then.
Speaker 3 (23:03):
But what you do at the concert that's between me
and my wife from the port's disgusting. Good job that
smells and the sights, knowing what's right next.
Speaker 5 (23:18):
To you, it's so bad. No, no, anyway, good morning.
Speaker 1 (23:28):
With Jenny Brady.
Speaker 5 (23:31):
Well, we had a lot of big things planned here
to talk about with Taylor Swift and the life of
a showgirl. But Rush is waving us what.
Speaker 4 (23:39):
You guys wanted to do this? I know you guys
were very, very excited. You said the big day, everybody's
talking about the intro.
Speaker 3 (23:47):
Just get we go. Sure, because he's forcing us to
do it. Now, it's time for that's not very punny.
On the morning Hot Tub with Maller, Rush, Jenny and Brady.
Speaker 5 (24:00):
Okay, here's Rush with his little thing where he does.
Speaker 3 (24:05):
What is even going on? What are we doing this?
Speaker 6 (24:07):
I don't know if you've heard about this, but Taylor
Swift has a new album. We know, we know a
lot of people talking about Taylor Swift. Yeah, it's very
popular these days. Yeah, I'm really I I predict big
things for her.
Speaker 4 (24:25):
So I've got a few little jokes that I thought,
you know, we can all have here, so sure I
could get started.
Speaker 6 (24:33):
Smaller? Yeah, Why did Taylor Swift go to an art class?
Speaker 5 (24:40):
Why did Taylor Swift go to an art class to.
Speaker 6 (24:43):
Draw inspiration for her next album?
Speaker 3 (24:54):
The same thing with Jenny.
Speaker 6 (24:57):
Hey, Jenny, what do you call a pop star and
a what? Taylor adrift? Brady? What do you call a
pop star and an elevator?
Speaker 3 (25:10):
What do you call a pop star in an elevator?
Speaker 6 (25:12):
Taylor Lift?
Speaker 3 (25:15):
All right?
Speaker 5 (25:16):
Does everybody remember what else is gonna?
Speaker 6 (25:20):
What do you call a pop star with a cold?
Speaker 2 (25:23):
What?
Speaker 6 (25:23):
Taylor snin?
Speaker 5 (25:24):
Eff?
Speaker 9 (25:25):
Wow?
Speaker 6 (25:27):
God you'd like those? Jenny? What is Taylor Swift due
to dry off? Her umbrella? What she shakes it off? Yeah?
You like that? God, Brady, Oh, this is a sad one.
How can you tell if Taylor is.
Speaker 4 (25:44):
In a bad mood by all the tear drops on
her guitarer?
Speaker 6 (25:54):
Yes, sir, why didn't the vampire bite Taylor Swift?
Speaker 5 (25:57):
Oh? Why didn't the vampire?
Speaker 6 (26:00):
Because she has bad blood?
Speaker 4 (26:05):
That Jenny, what do you call a song after Taylor
Swift sings at karaoke night?
Speaker 6 (26:13):
Taylor's version?
Speaker 2 (26:19):
These are the worst I think ever?
Speaker 6 (26:21):
Literally? Ever? Brady, Where does Taylor Swift keep all her
favorite songs? Where on her tail list?
Speaker 5 (26:35):
Taylor reference?
Speaker 4 (26:36):
Moller, Sir, why did Taylor Swift start a knitting club?
I'm trying to think she wanted to work on her cardigans?
Speaker 2 (26:48):
Ever?
Speaker 4 (26:50):
All right, I can do one moment and I have
to go all right, all right, Jenny, Yeah, what did
Taylor Swift say when she walked into a demolished house?
Speaker 6 (27:00):
What I knew you were rubble when I walked in?
Swift jokes that, Oh that was good.
Speaker 5 (27:14):
We're trying to celebrate the release.
Speaker 6 (27:19):
Those are pretty strong.
Speaker 2 (27:20):
Not at all, and I'm usually somewhat on board.
Speaker 1 (27:25):
Hot Tom podcast with Moller, Rush, Jenny and Brady find
the gang on their socials follow at Moller Maller, at
One True Rush, at Hot Last Jenny, and at Brady
Jones Radio.
Speaker 2 (27:36):
There's been a lot of talk about supply chains, you know,
in recent years, and now criminals are ditching stores and
they're actually to attack those supply chains directly. Right, So
we've heard about this like truck loads, a bunch of stuffs. Well,
a truck and trailer was stolen about a week ago
and it was packed with thirty five thousand dollars worth
of salsa. The truck was later abandoned, but the trailer
(27:58):
and salca are still missing. It's unclear what kind of
salce it is, but it must be good, you would assume, right.
It's unclear if the thieves got bad intel, if it
was a crime of opportunity and they were you know,
hoping it had something more valuable, or the thieves are
just super big into salta and chips.
Speaker 6 (28:12):
I get it.
Speaker 5 (28:13):
They're getting rid of getting ready for the Super Bowl.
Speaker 3 (28:16):
Hot Times.
Speaker 2 (28:17):
That's a good idea early planning, Jenny.
Speaker 3 (28:20):
You don't often tell me what your story is going
to be about, so I can cute music, but sometimes
you do, and you wrote salsa music. Yeah, that means
something very different.
Speaker 2 (28:27):
Than I know, but I thought it would pair well
with it. You do like Mexican you know kind of
you know, well, so it's unclear. Sorry, So the problem
is salsa seems like a difficult product to offload for cast.
Speaker 6 (28:42):
But this is what I'm saying, Like, who wants black markets?
Speaker 5 (28:45):
Well I would, I know, but this Isn't there a
black market for everything?
Speaker 2 (28:50):
For sure?
Speaker 3 (28:50):
They just sell the restaurants.
Speaker 2 (28:52):
Yeah, yeah, yeah, sure, that's that's got to be what
it is.
Speaker 3 (28:55):
That's a sealed Yeah, I don't know.
Speaker 2 (28:57):
Police are asking for the public's help.
Speaker 3 (28:59):
You know what.
Speaker 2 (29:00):
You know, suddenly came home with crates of salt dark exactly,
just the tostitos alone that you would need.
Speaker 6 (29:09):
Somebody who's got a chip on their shoulders.
Speaker 3 (29:16):
That terrible, I will tell you.
Speaker 5 (29:17):
In our pantry, the thing we have the most of
is that, yes, we have probably five jars on standby.
Speaker 2 (29:26):
Do you not go to the place with the big
parking spots and get like the huge ones.
Speaker 5 (29:29):
Too much of a commitment.
Speaker 6 (29:31):
I get that.
Speaker 5 (29:31):
I don't. I don't like the big jar in the fridge,
five small jars, because then we're making nonchos for the
six of us A perfect size.
Speaker 2 (29:42):
Okay, okay, yeah, I always get the big jar.
Speaker 6 (29:45):
I go through a lot of those.
Speaker 5 (29:46):
Are the big plastic? Yeah too much?
Speaker 2 (29:48):
I use a lot of salsa, man.
Speaker 3 (29:49):
I guess you yeah, get that.
Speaker 5 (29:51):
That's not a great brand.
Speaker 2 (29:52):
Oh no, what brand do you go with? I didn't
look that one. No, because of all the other brands,
I like that one the most the most.
Speaker 5 (30:00):
You only like it because you buy them both?
Speaker 1 (30:02):
Yeah?
Speaker 4 (30:02):
Maybe, yeah, you have like I mean, we prefer the
fresh stuff that is only good for a few days yet.
Speaker 6 (30:08):
Oh yeah, so that's that's that's that's that for me.
Speaker 3 (30:11):
That's more like dipping in. If I'm having actual nachos,
I want like the classic yeah you know what I mean.
Speaker 5 (30:16):
I might not even put it as I might. I might.
Speaker 2 (30:20):
You don't do the sur and salsa dip like j.
Speaker 4 (30:25):
Would not put on top if you want it if
you want to dip afterwards, ye yeah, with it on top.
Speaker 3 (30:30):
Yeah, to do that on top and then you make
like a little sandwich. You know, you take like two
you trust me, Jenny, this is my this is my world.
Speaker 2 (30:36):
What do you do with the sour cream?
Speaker 3 (30:38):
I put it on top to really. Yeah, sometimes even
we even had patties. So on Friday night at like
one am, we're walking home at the party and we.
Speaker 5 (30:47):
Had a hold on hold Friday night, one o'clock in
the morning.
Speaker 3 (30:51):
Saturday morning, we had we had a hanker in for
for some nachos. I've been craving. I've been talking about
not just for a couple days. So we hit a
corner store. We bought anything we need. We went home.
We made some bomb nachos. They were incredible.
Speaker 2 (31:03):
Can I tell you in that part of that story
that you just told much stands out to me is
the idea of getting home at one and then doing
anything and not immediately going to bed and freaking out
that I have to go to bed later because I
need to make nachos.
Speaker 3 (31:14):
That's why we made incredible nachos. I like hamburger patties
in the in the fridge, and I put one in
the microwave and I was heating it up. I forgot
about it, found it the next.
Speaker 2 (31:27):
What were you going to do? Chop up the hamburger patty.
Speaker 3 (31:30):
The beef everywhere.
Speaker 6 (31:31):
Yes, that's not a bad idea, I just know. To me,
that's that's very heavy for right before bed?
Speaker 3 (31:38):
Yeah, before bed, it's in bed.
Speaker 5 (31:40):
Aren't you waking up like so parched? By three? A?
Speaker 4 (31:43):
M oh?
Speaker 3 (31:43):
I drank plenty.
Speaker 5 (31:46):
You're drinking makes you more?
Speaker 2 (31:48):
Okay, okay, So do you have a TV in your bedroom?
Speaker 3 (31:51):
Yeah?
Speaker 2 (31:51):
Okay, that makes sense.
Speaker 6 (31:52):
I don't know why.
Speaker 2 (31:53):
I just think that you did because I was imagining
that going and just sitting in bed eating nachos and
like sting and talking.
Speaker 3 (32:01):
Oh god, that's ridiculous.
Speaker 2 (32:02):
Why didn't they sit in the living room and he
said he took them to bed?
Speaker 3 (32:05):
I think we didn't know. We we did eat in
the living room, but we could have taken it to bed.
Speaker 4 (32:09):
And you have.
Speaker 6 (32:10):
Oh yeah, yes, for sure.
Speaker 3 (32:11):
Million are amazing. Oh my god, they're the best.
Speaker 5 (32:14):
How long could you live with Brady for?
Speaker 6 (32:17):
I mean this that that one night sounds like much.
Speaker 3 (32:20):
I think you guy should take turns just one night?
Speaker 2 (32:22):
Oh man?
Speaker 3 (32:23):
Yes, people go to find something else to do.
Speaker 4 (32:25):
You imagine how much Brady would hate it? Like we say,
how could we live with Brady? Because it would be
terrible for us if Brady had to live our lives.
I don't think he could get through a week.
Speaker 3 (32:34):
It's literal prison live as if you're in prison, you
go to ben at a certain time, about an hour
of outdoor time.
Speaker 5 (32:42):
And though you should go to prison week nights, you're
a little more reasonable.
Speaker 2 (32:49):
I've got a week night. If I have to stay
with Brady on.
Speaker 3 (32:51):
A Monday, it's like it's an early night, you know,
I want to be in bed by like nine o'clock,
and then it gets a little later Thursdays. I could
be wrecked.
Speaker 5 (32:58):
You and I text like even some of it was
at eleven o'clock in a week now, yeah, yeah, yeah,
like I know of the four of it. I can
get a hold of.
Speaker 6 (33:04):
You the usually are you texting in bed at that point?
Speaker 3 (33:09):
Yeah? Probably, but I'm still like active.
Speaker 2 (33:15):
I got it.
Speaker 1 (33:19):
With Moller Brush, Jenny and Brady.
Speaker 6 (33:21):
Guys.
Speaker 3 (33:22):
I have a question for you. Both of you are parents,
and actually this is good because parents of kids of
different agents. So Roy's what thirteen thirteen? Yes, and your
daughter Russia twenty nine? My god, wild? How long I
actually know what I'll lost this first? How much of
your kid's childhood art.
Speaker 1 (33:43):
Do you have?
Speaker 2 (33:44):
That's such a good question, Thank you very much. I
came up with it myself. I just went through I'm
talking the last six months. Yeah, all the stuff that
I've kept from and I am telling you I can
stuff that. It was just him with one marker. Oh no,
and he had there was a line.
Speaker 3 (34:00):
I kept that and you're like, beautiful, creative, genius.
Speaker 2 (34:03):
Great, and he was like too, you know, So I
went through and I've kept maybe not even a quarter
I had.
Speaker 3 (34:11):
And so how so what determined what made the cut
and what didn't make it?
Speaker 2 (34:14):
If there was feeling behind it, if it was like
this is my family and he drew like you know,
a car and the son and you know what, if
it was something that had meeting behind it that he
needed to think about.
Speaker 3 (34:24):
To create sure or just random, then it's then it's
gone and it's gone. What about any like like anything
with the noodles?
Speaker 2 (34:33):
No, that's just a nightmare. Would everything it's all trying? Yeah, yeah, no,
what about you?
Speaker 6 (34:40):
I've got I think a Christmas ornament than that. I
think mom has some stuff. But no, no, we didn't.
Speaker 5 (34:46):
We didn't.
Speaker 3 (34:46):
He didn't hang on to anything. It was it painful
to throw that stuff out.
Speaker 2 (34:50):
No, it actually felt really liberated.
Speaker 6 (34:53):
Again, he doesn't care.
Speaker 2 (34:55):
He doesn't care at all, and he's not gonna That
was my thought. What will he care to look at
when he he's like forty and has kids or thirty
and has.
Speaker 3 (35:02):
Kids, Like, would he remember any of that stuff?
Speaker 4 (35:03):
No?
Speaker 2 (35:04):
No, he won't remember doing anything any of it. But
it's neat to go and think, Okay, in that moment,
what is he going to find? Neat to look at?
And even the stuff I kept, he's probably like, mom,
really you kept this right? Even?
Speaker 3 (35:14):
Did you show him any of the stuff a little bit?
Speaker 6 (35:16):
Yes?
Speaker 2 (35:17):
There was actually a book he wrote and it was
really cute and went over that school and I found
the first book that I wrote in school.
Speaker 5 (35:24):
To compare.
Speaker 2 (35:24):
It's all about Jenny going to the dentist who who.
Speaker 6 (35:26):
Did a better job on their book? I don't want
to say, okay, I think I was like Rory, all right.
Speaker 3 (35:34):
Well, the reason I ask you about kid's art is
because I don't know if he has heard about this
Australian kindergarten. You guys got your art for free. His
parents at this kindergarten don't, unfortunately, have that luxury. It
sparked a public outcry after they asked parents to pay.
Speaker 6 (35:50):
It's an art show sort of, okay.
Speaker 3 (35:53):
Two thousand dollars the equivalent of two thousand dollars Canadian
each for their own children's art port. Yeah, so all
the stuff they worked on, they kind of held it
hostage at the end of the year and then we're like, hey,
it's going to cost you too grand.
Speaker 5 (36:08):
To get that.
Speaker 6 (36:09):
Where does the money go that?
Speaker 3 (36:11):
Even still, so the kindergartens has some money issues. It's
a it's a private kindergarten. Things aren't going so well.
They're laid on, like paying bills and paying staff and
and so I guess this is their idea to make.
Speaker 2 (36:21):
Some extra cash, and you have to start charging more.
If it's a private facility for the kids to go there,
that's on them. No, you can't hold their art hostage.
Speaker 3 (36:30):
That's literally exactly doing Hey childhood memories. Now, would you
put yourself in that position? Would you pay that money.
Speaker 6 (36:37):
To get the right hang on? So this is a
private school, Yeah, so they have to pay to go.
Speaker 4 (36:45):
So if they say, you know what, we don't want
to actually, I know your child likes going here. We
don't want to keep your kids from going here, but
we need money. We won't say your kid can't go here.
We're not going to raise our rates, but we really
need some help here. But this is a nice way
of saying, Okay, you can still come next year. We're
not going to raise our prices here, but this is
a way that we can still make some money.
Speaker 2 (37:06):
You have to decide that at the beginning of the
year that the art, the kindergarten art, we're going to
do a fundraiser and it's going to raise money to
keep if they're informed at the beginning. That's one thing.
Speaker 3 (37:14):
You can't spring it all right, That's exactly it. It's
the dishonesty part of it. They said that rush had
they been like, hey, we're going through some money issues,
you know what I mean, We would love it if
everybody can kick in a little bit more and we'll
keep this this party going into next year. But that's
not what they said. But they said was, hey, all
that stuff that your kids made, you're not getting it
because exactly you have to. They're they're literally holding it hospital.
Speaker 2 (37:34):
Also just do a I don't know it is.
Speaker 3 (37:39):
What happened, like rice Krispy Squares.
Speaker 4 (37:42):
I think I think the alternative is I said, okay, listen,
if you want to come back next year, we have
to raise our prices two thousand dollars, and people will
be like, and here's what question. You know, not everybody
does have to pay it, and so if you don't
pay it, but.
Speaker 3 (37:53):
Then you don't get your kids. Don't get the kids
about a poor parent who might also be in financial difficulty.
Speaker 6 (37:59):
They might all say, you get a look at this.
Jenny went through this stuff, and I mean maybe most
of it was macaroni art. You don't want to keep
it anyway.
Speaker 3 (38:06):
Maybe it's beautiful art, maybe it's important.
Speaker 2 (38:08):
And in the moment, keep in mind, this is six
months ago. Rory's thirteen. It took me that long to
get rid of so at four years old.
Speaker 3 (38:17):
Is the most It was a little mark.
Speaker 2 (38:18):
On a piece of paper.
Speaker 10 (38:18):
I'm like, oh god, I want it, you know, Like
so I guess it, but no, I just I think
you have to be upfront.
Speaker 2 (38:29):
And I would worry as a parent, who is spending
money to send my child to this private school? Where's
the money going?
Speaker 5 (38:36):
Then?
Speaker 2 (38:36):
Like are they financially respondible?
Speaker 6 (38:39):
It makes you wonder. I will agree, like I don't
hate this. I will say the price.
Speaker 3 (38:44):
Is a little steep, thousand, saying okay, well it gets crazy. Okay,
So It was widely condemned. The state premier even called
it emotional blackmail, which I don't disagree.
Speaker 2 (38:58):
Uh.
Speaker 3 (38:58):
And then the situation escalated one one parent just like
showed up at the school and took their child's art
back without paying, and then the owners of the kindergarten
filed a police support for theft.
Speaker 2 (39:10):
No, this is next level, this is next leg.
Speaker 6 (39:13):
They said it's two thousand dollars.
Speaker 2 (39:17):
I see them doing this almost tongue in cheek, like
if anybody wants to donate, and it gets crazy.
Speaker 3 (39:27):
Yes, because police are also investigating a midnight break and
enter at the kindergarten, which people think might be related. Yeah,
so this is a different thing that they think a
parent might have broken in. We don't have confirmations, might
have broken in at midnight to get their child's.
Speaker 2 (39:44):
Okay, So I want you to imagine yourself at home
and you're waiting for it to be midnight, and you've
got your bella clava and your flashlight and everything, and
you're going here, I go, this is my life for
my child's art.
Speaker 3 (39:54):
Come on, I mean, maybe maybe it's something special, maybe
it's I don't know.
Speaker 6 (39:59):
I don't know, But are our parents that would do Yeah, yeah,
absolutely enough.
Speaker 3 (40:03):
I think this school is gonna have a tough time attracting.
Speaker 2 (40:05):
New themselves in Yeah, sure, definitely.
Speaker 1 (40:13):
With Maller, Rush, Jenny and Brady.
Speaker 5 (40:15):
Oh, we haven't done this in a while. How about
we bang our gavels.
Speaker 3 (40:19):
All now, it's time for the morning hot tub to
bang our gavels with Maller, Rush, Jenny and Brady.
Speaker 5 (40:30):
All Right, it's Judge Maller, Judge Rush and Judge Jenny.
All right, Bailey, Bayla Brady, thank you. The alliteration's great.
We have to.
Speaker 3 (40:43):
Be honest.
Speaker 5 (40:44):
So obviously, the talk of the world is Taylor Shift's
new album, The Life of a Show Girl. Everybody streaming it,
listening to it, loving it, and also pointing out so
many songs on there sound like a.
Speaker 6 (40:58):
Lot of us song There's a lot going on there.
Speaker 5 (41:02):
Yes, yeah, So we have two that we want to
exploit today and we as the judges, will decide whether
or not Taylor might get sued or even like have
to give another band or artist some writing credits.
Speaker 3 (41:14):
And keep in mind, Taylor has done this to other
or at least Taylor's people done this to other artists.
Remember Olivia Rodrigo had a song that vaguely sounded like
a Taylor Swift song, give Taylor writing credit.
Speaker 5 (41:24):
And and right off the bat, Taylor gave George Michaels
a state credit. So I'm not sure why some of
these other ones she just didn't throw that.
Speaker 4 (41:31):
I mean with that one, the song title just makes
people think of been right away, so probably a safer.
Speaker 5 (41:37):
Yeah, it's Can we start with the two of the
lesser I think it's Wood exactly?
Speaker 3 (41:42):
Yeah, Wood, which is a song about Travis Kelsey's anyway,
and uh yeah, sure is Redwood if you Will and
Want You Back by Jackson five. They sound very very
very similar, especially like right at the beginning. So that's
really all I'm gonna play for you, guys. Is It's
going to start with Wood. Yeah, okay, here's watching back Okay,
(42:20):
back to Wood.
Speaker 5 (42:24):
Yeah, okay, I certainly hear it. Judge Mallards, Well, you
know what I this is the thing I think I'm
going to reserve because I know what else is coming.
Speaker 6 (42:41):
So I am going to Judge Maller, would you please
make your ruling?
Speaker 5 (42:48):
Ah not not guilty, not guilty. Okay, I don't know
why you rushing.
Speaker 6 (42:59):
All sad here the judges bailiff, I will have order
in this floor.
Speaker 2 (43:04):
Oh, here we go.
Speaker 5 (43:05):
I always forgot when we do this.
Speaker 3 (43:09):
It's very unruly.
Speaker 6 (43:11):
You were going to reserve judgment. We don't have time
for that. We have another song to get to, so
there's no time for reserving judgment.
Speaker 5 (43:17):
All the time. You've wasted.
Speaker 6 (43:20):
This order in this court.
Speaker 5 (43:23):
All right, what you're ruling.
Speaker 6 (43:26):
I find the defendant, Taylor Swift, not guilty.
Speaker 2 (43:30):
Okay, okay, can you bang my gabble or can I
bang my gable?
Speaker 5 (43:35):
Yeah?
Speaker 3 (43:36):
You have to make your judgment though, Okay, no.
Speaker 2 (43:37):
I want to bang it now.
Speaker 6 (43:39):
Just yell, yell, you want order?
Speaker 5 (43:41):
Order you have in your hands. I know, I know.
Speaker 2 (43:45):
I just want to make sure it was okay, it's okay,
I say not guilty as well. It's close. Yeah, not guilty.
Speaker 5 (43:54):
What's interesting about it is the internet believes it. And
if there's thousands of people online that believe it, you
gotta kind of question it.
Speaker 2 (44:01):
Yeah.
Speaker 6 (44:02):
No, I think they're looking for something.
Speaker 5 (44:04):
Okay, okay, all right, right now the biggie, Yeah, I
mean this is I'm sorry. Maybe I'm letting the cat
out of the bag here, but I think we all
know how this is.
Speaker 6 (44:11):
I think we do, I think we do.
Speaker 3 (44:13):
Ahead, So this is Life of a Showgirl, which is
the final song on the album. It features Sabrina Carpenter.
It's an amazing song.
Speaker 6 (44:19):
I love this song.
Speaker 3 (44:20):
And then a song we know pretty well cool by
the Jonas brother Yeah. Okay, so I'm gonna play a
couple of different parts of the song here for you.
The first one is right off the top, like the
first verse. Okay, both songs. First one is the Life
of a Showgirl.
Speaker 9 (44:32):
Her name was Kitty, had her money, being pretty and witty.
They gave her the keys to this city and they
said she didn't do it legitly.
Speaker 2 (44:42):
I'm feelings so cool up to the bottom, just cool, heavy, little.
Speaker 6 (44:51):
Damn it.
Speaker 5 (44:51):
I'm finished, so cool.
Speaker 3 (44:54):
Okay, Now we're gonna go to the chorus of each song.
Speaker 9 (44:57):
Okay, thank you, So the lovely boo Okay, sweeter than
a beach for you don't out the life of.
Speaker 2 (45:05):
So girl way and you never have anna.
Speaker 3 (45:12):
Up the bottom just.
Speaker 2 (45:19):
So cool?
Speaker 5 (45:23):
Okay, all right, what do we think, Judge Mullin, Well,
thank you, first of all, Bailiff Brady for putting all
that together. Yeah, good job, Thank you. Uh, it's it's
it's a no brainer. I can't even believe the tailor
used to she used to date Joe Jonah's r. Right,
like to rip off your ex boyfriend. Yeah, really bizarre
to me because people are definitely gonna call that out. Guilty, guilty, guilty, guilty.
Speaker 4 (45:49):
Sometimes we find these these scenarios that you know, an
artist ripped off, an artist that we've never heard of,
someone that recorded something twenty years ago and it was
not successful, and you know, hey, maybe you heard the
song and you written it off and you'd think that
nobody would notice.
Speaker 6 (46:03):
This was a big song.
Speaker 4 (46:04):
It was a popular song, did quite well, and as
you mentioned, there's a history with her.
Speaker 2 (46:15):
Just give us guilty. You're not guilty, you're I will
have this bailiff.
Speaker 6 (46:23):
Do not make me find you in contempt. Okay, I
will do it. You are shaking ground, judge.
Speaker 5 (46:32):
He can't arrest himself.
Speaker 6 (46:37):
We need another bailiff. I find the defended Taylor Swift guilty.
Speaker 2 (46:44):
All right, I'll keep it breathing.
Speaker 3 (46:46):
I still have your.
Speaker 5 (46:48):
Order.
Speaker 6 (46:49):
It works.
Speaker 3 (46:51):
Guilty guilty, Yeah, okay, guilty.
Speaker 2 (46:54):
Yeah, that's wild, it is it is.
Speaker 3 (46:56):
They're both great songs.
Speaker 6 (46:57):
Yeah, and we're sure that there's no writing credit given
to the Jonas.
Speaker 3 (47:01):
As far as we can tell, No, not yet. But
I also think that, like I think she'll give him writing.
Speaker 6 (47:06):
Done on her purpose.
Speaker 2 (47:07):
No, no, I can't imagine.
Speaker 5 (47:10):
You know, it's interesting with this whole album and I've
been listening to it and I've been reading everything online.
I can't believe the producer on the other side of
the glass didn't say to Taylor, you know this sounds
a lot exactly again, Yeah.
Speaker 6 (47:20):
It's not. It's not a song that you know. People
think they don't know it. This was a big song.
The producers know this song.
Speaker 4 (47:26):
It feels like it was done on purpose to get buzz,
and then there's like, oh yeah, we'll give you a
writing credit.
Speaker 6 (47:31):
It's weird.
Speaker 5 (47:32):
Okay monologue boy, I mean I will have or in discourse.
Did you want to add something there, Bailiff, Uh No,
don't worry about it.
Speaker 3 (47:44):
I don't think it was done intentionally. I'm sure she's
gonna give them a right, Yeah she will.
Speaker 2 (47:47):
Like yeah, somebody else said this, and I hear it
as well that life of a show Girl sounds like
no air.
Speaker 5 (47:53):
Oh yeah that yet online as well.
Speaker 3 (47:55):
Yea, yeah, Yeah, I can hear that too. Yeah. Cool,
it was written by It's like Ryan tetor song in
Life of a Showgirls written Taylor and Max Martin. They're
all like, they all know each other, they're all written together.
They're all pals. Yeah, I'm sure someone's gonna get a
little bit of cash.
Speaker 6 (48:09):
You know, something like that.
Speaker 5 (48:10):
Yes, why don't you tell Brady just gonna calm down?
Why don't you tell him that because you respect?
Speaker 6 (48:19):
Okay, somebody who's got a gavel, Jenny, I can't.
Speaker 3 (48:24):
Believe Jennie, hold them in contemp.
Speaker 2 (48:27):
You're in contemner.
Speaker 5 (48:32):
Put down the cavel, all right. She's also having crab
for lunch, like.
Speaker 3 (48:47):
What you just heard? Friend.
Speaker 4 (48:49):
They can listen to The Hot Tail Podcast with Maller, Rush,
Jenny and Brady wherever podcasts are found.
Speaker 1 (48:54):
Follow the Gang on socials for more fun at Maler
Maller at What True, Rush and Hot Flash Jenny and
Up Brady Jones Radio.
Speaker 6 (49:01):
The Hot Tough
Speaker 4 (49:02):
Podcast a part of the Stingray podcast Network
Four people in a room talking about everything or talking
about really nothing at all.
Speaker 2 (00:06):
You decide.
Speaker 3 (00:06):
Welcome.
Speaker 4 (00:07):
This is the hot Tub Podcast with Maler, Rush, Jenny
and Brady.
Speaker 5 (00:12):
Welcome to the hot Tub Podcast. We're Maller, Rush, Jenny
and Brady. And at any point in time, you can
send us a note through any of the you know, socials,
not sort of things. Well, I answer questions. It could
be directed at one of us, all four of us,
two of the four of us, It doesn't matter. Yeah, yeah, yeah,
we'll usually answer everything.
Speaker 3 (00:30):
Yeah, this is fun. I think it's kind of easy though,
and I would love for you guys to weigh in.
It comes to us from Jamie.
Speaker 5 (00:37):
You've got Mayo.
Speaker 3 (00:38):
Yeah, Jamie said, you're given one million dollars to hide
a paper clip from a detective. He has seven days
to find it. Where are you hiding it?
Speaker 5 (00:48):
Oh?
Speaker 3 (00:49):
Yeah, she said she just started listening to the podcast,
and she's already on episode two hundred and fifty. I
don't feel like you just started. So I have a
paper clean yeah, and you got to hide it from
a detect And I guess it's a really really good detective.
They're gonna try to figure out where it is, and
he has seven days to find ride it.
Speaker 2 (01:05):
In plain sight in pliny where they're not going to look. Listen.
This all comes from what movie was it that I
was watching, Oh, Shindler's List. I think it was No
the Pianist. I can't remember one of the two, two
different movies, but World War Two Money down.
Speaker 5 (01:20):
She was going to say happy Gore.
Speaker 2 (01:25):
No. But they're trying to hide their money, and they say,
let's just leave it on the table underneath the newspaper
because they won't search there, right, so they're thinking, you're
going to tear the place apart, leave it in plain sight.
He's going to think you've hid hit somewhere really hard.
Speaker 6 (01:36):
I had a similar kind of idea.
Speaker 4 (01:39):
I would probably put it on Gary, one of our
sales basils here on Gary's desk. Again, that's one of
those things that it's kind of been plain sight, like
I basically give it to Gary with him not knowing
I gave it to.
Speaker 5 (01:52):
Him, but they find it on his desk.
Speaker 6 (01:56):
Sure, I guess he will it a murder paper clip.
Speaker 3 (02:01):
I'm assumed as well, there's the money, You're given a
million dollars this paper clip.
Speaker 4 (02:05):
Because again, they're not going to think that Gary has it,
and and again, if you put it in a hiding.
Speaker 2 (02:11):
Place, I can literally hear Gary, why is there?
Speaker 4 (02:16):
And then pay Gary sends down an email.
Speaker 5 (02:22):
He'll leave the building with it.
Speaker 4 (02:24):
You'll never see that even if I if he leaves
a building with it, he has to go for a week,
But I travels with it.
Speaker 6 (02:30):
That's fine.
Speaker 5 (02:31):
Do you have to give the paper clip over after?
Speaker 3 (02:34):
I feel like you have to have the paper clip
in the week, right.
Speaker 4 (02:37):
Yeah, I think that's fine. I still think I could
put it on or even if I put it, Gary
said like his desk drawer where he doesn't open it,
and I think it's fine.
Speaker 3 (02:47):
I think I think any good detective is going to
tear part at the office, right.
Speaker 4 (02:50):
Not Gary's office. No one thinks anything in Gary's office.
Speaker 3 (02:57):
I was going to say, of course, I'm eating the
paper clup.
Speaker 2 (02:59):
Do you know dangerous? That is something very dangerous.
Speaker 4 (03:02):
But again, the detective is immediately just gonna go do
an X ray on you. And they can't just X
ray because they're trying to find you.
Speaker 6 (03:10):
They're going to arrest you. They search you, and you're done.
Speaker 2 (03:14):
Paper clip guys getting.
Speaker 4 (03:20):
Arrest, their first thought is going to be that it's
on you, whether it be in your pocket or inside
your body. They're gonna check there, get there day one,
and then they're gonna they're gonna leave you, wait till.
Speaker 6 (03:30):
You pass you pass it and.
Speaker 5 (03:32):
Ask the question in this weird world, Yeah, they're checking
the inside of your body with X rays and stuff
like that, but they're not following you with cameras to
see where you put it, Like why is one existing
and not the other in that scenario?
Speaker 4 (03:43):
Following me the cameras is one different thing. Like the
first thought they're gonna have is, oh, he's carrying the
paper clip on him, will search him.
Speaker 3 (03:50):
They're not gonna like so insant get the paper clip.
Speaker 6 (03:54):
Okay, you were gonna stand with you until you got
a week. It's not gonna sit wait you you absolutely.
Speaker 3 (04:05):
By side of that sweating.
Speaker 4 (04:09):
One of these two guys, none of us in this paper.
Speaker 5 (04:15):
Thanks for the really weird question, and let's begin the
Hot Up Podcast, The.
Speaker 1 (04:21):
Hot Podcast with Maller, Rush Jenny and Brady.
Speaker 5 (04:25):
Christmas Jenny Merry Christmas. Maller right, not early at all.
Speaker 2 (04:32):
Let's hear the jingle bells.
Speaker 5 (04:33):
It's like very very Brady, worry your jingle bells.
Speaker 6 (04:39):
Was excited.
Speaker 2 (04:43):
It's Merry Christmas.
Speaker 5 (04:45):
Little thanks Brady. Those are your pants? Yes?
Speaker 3 (04:51):
That was my other my jingle. Never mind.
Speaker 5 (04:58):
The Hallmark Channel has announced the men competing for Finding
Mister Christmas. How about this? A new batch of holly
jolly hunks is here. Jenny Finding Mister Christmas return for
season two. The network just announced ten men who will
compete for a chance to be their next star.
Speaker 6 (05:15):
But how are they going to top season one?
Speaker 5 (05:17):
Well, let me tell you. The reality competition with a
holiday twist follows ten aspiring actors who compete in a
variety of outrageous Christmas theme competitions to prove that they
have what it takes to land to be the next
Hallmark leader.
Speaker 2 (05:32):
Man, I need to know what they make them do
so they're.
Speaker 5 (05:34):
Gonna present wrapping. Oh I fail there. I can't be
mister Chris. You're making gingerbread houses. I can't know.
Speaker 2 (05:42):
I'm so bad at that.
Speaker 4 (05:44):
You and I are a terrible That's simple because they
tell you have to wait. When you put like a
wall up, you have to wait. You wait ten seconds, then.
Speaker 6 (05:54):
The house falls apart and you're like, I don't know.
Speaker 5 (05:58):
I don't feel like they give me enough of the ic.
Speaker 6 (06:02):
You need to wait.
Speaker 2 (06:04):
It's a patient I want to get the hair blower
and dry it, you know, so patient.
Speaker 5 (06:11):
Dancing, they're gonna have to do some Christmas dance.
Speaker 2 (06:13):
Anything humiliating is good.
Speaker 5 (06:16):
And even on screen kissing. They've got to practice that
because they're going to be a leading guy, and.
Speaker 3 (06:22):
I've heard that's important.
Speaker 5 (06:24):
Each week one of the contestants will be sent home
for the holidays. Yes, and the winter Lands a role
in a lifetime one of these Lifetime movies or Hallmark
movies at this year's countdown to Christmas lineup.
Speaker 2 (06:40):
I mean, you don't have to be a great actor
any of the movies.
Speaker 5 (06:44):
I kind of want to audition. They filmed so many
in our area.
Speaker 2 (06:48):
I just want to be an extra thank you.
Speaker 3 (06:50):
We can definitely do that.
Speaker 5 (06:52):
Yes, I'm finding why buy usually.
Speaker 3 (06:56):
Okay, then maybe giant candy cane.
Speaker 5 (06:59):
Why are you and I had like a tree lot
and we're picking out a tree?
Speaker 2 (07:03):
Yeah, we could point you know, we're having my parents.
Speaker 3 (07:06):
To sell it to you. I like that because they
sell Christmas trees for charity.
Speaker 4 (07:11):
That but I don't think anybody is going to be
on board if Jenny doesn't have a bag.
Speaker 3 (07:14):
Get Yeah, that's true.
Speaker 5 (07:16):
Also, I don't know if they have the budget to,
you know, go to Montreal to shoot your parents.
Speaker 3 (07:21):
Don't they can fly my parents in.
Speaker 6 (07:23):
Oh yeah, yeah, yeah, I get it.
Speaker 3 (07:26):
And it has to be by plane.
Speaker 2 (07:27):
It would be really weird though. If I am picking
out a Christmas tree.
Speaker 7 (07:31):
With a yeah, like you need to do it, you
probably not a good backyard backyard background actor. If you're
doing that, you're going to a chance you're going to
get a lot of attention if you're eating a baguette
in the background.
Speaker 2 (07:45):
I think it would It would make it more realistic
for the odds, and.
Speaker 3 (07:49):
Also you will be paying attention to the continuity is
going to be.
Speaker 5 (07:51):
All so if you and I are in the Christmas
tree lots in the background. A lot of these times
when they shoot these scenes with the extress, we have
to pretending be pretending to have a conversation, right, What
is the thing that they always make the extra different.
Speaker 6 (08:10):
There's different ones.
Speaker 3 (08:11):
It's like nutmeg or something.
Speaker 4 (08:13):
No, that's there's something that's there's the walla Wallas and
then there's another.
Speaker 2 (08:18):
Yeah, I think we would just have a real conversation.
Speaker 5 (08:24):
Because they don't want people reading lips.
Speaker 3 (08:31):
Barb is another one.
Speaker 5 (08:32):
Tell Jenny and I how we look doing peas and
carrots at the Christmas tree Christmas? You're ready okay and carrots.
Speaker 6 (08:42):
Terrible?
Speaker 3 (08:42):
You're different places.
Speaker 5 (08:45):
There's multiple trees you.
Speaker 3 (08:46):
Can't but neither of you are looking with the other
person's pointing.
Speaker 2 (08:50):
There's lots of trees, like you just about that tree,
and I'm talking about that exactly.
Speaker 4 (08:58):
The problem is that you guys are demanding attention in
the background position.
Speaker 3 (09:03):
You're both pointing up to the sky because obviously I.
Speaker 5 (09:06):
Have low blood sugar without any baghead in me.
Speaker 2 (09:11):
Well, that's what we can do exactly. You're helping me
with my insulin or something.
Speaker 6 (09:16):
Again, you were distracting from the story.
Speaker 3 (09:22):
Parents.
Speaker 5 (09:24):
You and I would kill it. There's any local, but
there's there's always somebody.
Speaker 3 (09:30):
Is such a day. You know how hard I tried
to get rush on law and order.
Speaker 5 (09:35):
That's that would be impossible.
Speaker 3 (09:37):
This thing, I'm close, I got really close.
Speaker 5 (09:40):
I should have walked over. They filmed right behind my house,
walked over like hey, I drove by. I should have
just went and knocked on.
Speaker 2 (09:48):
The make like you need an acquaintance or somebody like,
just get your foot in the door, right, Yeah, I
really believe ye.
Speaker 3 (09:55):
Again, I feel like they film in the summer, don't they.
Speaker 5 (09:57):
Yeah, most well I think they filmed. Now you're round, Okay.
Speaker 2 (10:00):
Yeah that's true. So I mean, come on, come on, Brady,
thank you.
Speaker 3 (10:04):
That would be so obviously if we're going to do this,
I'm gonna be in there to there it is.
Speaker 2 (10:08):
The odds go down the more people we ask.
Speaker 6 (10:14):
Your amazing acting skills.
Speaker 5 (10:15):
Yes, you're a weird son.
Speaker 3 (10:19):
Why do we three people thinking up trees?
Speaker 5 (10:23):
How about the first?
Speaker 3 (10:26):
That's alright, you need a point done? Peas and carrots carrots.
Speaker 5 (10:35):
Rush you on in?
Speaker 6 (10:36):
No, not at all?
Speaker 3 (10:36):
Are you sure?
Speaker 4 (10:37):
No?
Speaker 6 (10:37):
I'm good.
Speaker 2 (10:38):
That could be a quadruple interesting.
Speaker 3 (10:42):
Poly squad.
Speaker 4 (10:43):
I'll be pointing downwards, why because they are all You're
all pointing out words.
Speaker 2 (10:49):
And I'm just gonna have to look exhausted, man. Okay,
it's a lot of word paintaining three marriage that's.
Speaker 3 (11:01):
Gotta stay fueled up those carves.
Speaker 5 (11:06):
Oh yeah, what a mess of movie of us again
in a relationship with bag guts everywhere, yelling piece and
maybe don't.
Speaker 6 (11:12):
Share ideas the concept of background.
Speaker 3 (11:18):
Dear x y Z. We are the mornings. We would
like to play a poly cru couple in the background
of your movie.
Speaker 5 (11:27):
We will bring our own backus and we only shoot
from ten to noon every day.
Speaker 3 (11:33):
Max, don't forget to fly my parents hand. Thank you. Brady.
Speaker 5 (11:39):
Does everybody want a trailer? Oh?
Speaker 6 (11:41):
Yeah, ye can't work.
Speaker 3 (11:45):
Dr Pepper, doctor doctor Pepper. Yeah, if you put the
doctor Pepper for Jenny, all right, us are easy.
Speaker 5 (11:58):
Yeah, yeah, okay, excellent, and we have to practice, that's right.
Speaker 3 (12:03):
Yeah, please tell us where to point or do we
figure that out ourselves?
Speaker 6 (12:12):
That's good. Yeah, you're taking initiative.
Speaker 5 (12:15):
If we got that far and we're filming the scenes
there everywhere, we're all holding hands, pointing, and we're pointing
at the trees and stuff, and Russia's pointing down, they
go cut, Why is that guy pointing down?
Speaker 6 (12:26):
They're all pointing up. I want it to be different.
Speaker 4 (12:30):
My character would not point upwards.
Speaker 1 (12:34):
Podcast with Moller, Rush, Jenny and Brady.
Speaker 2 (12:37):
An early Halloween poll found seventy nine percent of adults
planned to celebrate Halloween this year, but that doesn't mean
that they're dressing up for it. Most of us won't. Actually,
less than half of adults plan to celebrate Halloween will
wear a costume at thirty nine percent, and two things
can predict how into Halloween you are age and kids. Okay,
ninety three percent of Gen Z adults will celebrate in
(12:59):
one way or another compared to sixty six percent of boomers.
That includes dressing up, handing out candy, or just putting
a pumpkin on your doorstep. People with kids at home
are also more likely to go big on Halloween. Of course,
fifty two percent of parents will dress up compared to
twenty nine percent of people without kids. So half of
parents will also go trick or treating, and so will
seventeen percent of adults without kids.
Speaker 4 (13:20):
Well, I think everybody's very excited. You know, the Halloween
is on a Saturday, yea, And that's that's really good. Friday, Friday,
Friday Saturday the next year. So so we have this
for me, like Friday and Saturdays a night that we're
more likely to go out. And so I like, I
like it when it's on a Tuesday, because I'm a
home anyway.
Speaker 6 (13:36):
I like opening for Halloween.
Speaker 3 (13:37):
It ends so early anyway, Yeah, on a Friday, it's
like eight o'clock around the kids are done.
Speaker 6 (13:42):
You kill the door. But I've already had dinner by now.
Speaker 2 (13:45):
Okay, you're already in bed, having sleepy time.
Speaker 3 (13:48):
Exactly why. That's why I love the Friday because then,
especially with our new place, hopefully we have some kids.
Oh yeah, which we haven't had ever.
Speaker 2 (13:56):
Y your here, you can set a precedent for your
house for the years to go, or.
Speaker 3 (14:01):
Even me too.
Speaker 5 (14:02):
Yeah, I have to now answer the damn door.
Speaker 2 (14:05):
Yeah you do do Yeah?
Speaker 3 (14:07):
Are you excited? No, we're talking about making a haunted house.
Maybe not this year, but next year.
Speaker 2 (14:12):
You know you've got to do it. This year, you're
gonna do it. Nobody's gonna trust.
Speaker 3 (14:16):
Get into it. Got easy?
Speaker 2 (14:17):
Can I help?
Speaker 3 (14:18):
Yeah? You have your own house, Jenny, No, but.
Speaker 2 (14:21):
This is more fun because I don't have to do
all the stuff. I'll just show up and like I'll
do something like you put me, put me somewhere, I'll
do whatever. Okay, No, put me in a costume like
put me keep going.
Speaker 5 (14:35):
Yeah, you're not helping yourself like cowgirls.
Speaker 2 (14:40):
Closet.
Speaker 1 (14:41):
Yeah.
Speaker 2 (14:42):
I can also work.
Speaker 5 (14:43):
Yeah, absolutely all. You need boots, that's it, just boots.
Speaker 2 (14:50):
I don't scare people.
Speaker 6 (14:53):
No, that's not we're talking.
Speaker 3 (14:57):
About.
Speaker 6 (14:59):
You mean the thing is smaller.
Speaker 4 (15:00):
You could have opened any other year before you moved,
like you just you could have just turned on your lights.
Speaker 5 (15:06):
No, no, there's no honestly, all jokers. There's no kids
in our neighborhood that ever came to the door. There
would they drove to other neighborhoods because it was.
Speaker 3 (15:16):
Spread upon.
Speaker 5 (15:18):
This year, we're going to be inundated, so I have
to move out.
Speaker 2 (15:23):
It was a mistake.
Speaker 3 (15:25):
Are you going to dress up? Are you going to
have like decorations? Are you going to set things up?
Speaker 2 (15:29):
What are you going to do?
Speaker 5 (15:29):
Well? Like I told you, we have the cornfield and
I would love to dress as a clown and scare
the hell. Yeah, that's but it's like my wife would
have to sort of direct them towards the back. She'd
have to go, what's that over there? And I could
just come running.
Speaker 3 (15:42):
Out with you.
Speaker 2 (15:43):
Can I help? Can I get Jenny? What you have?
Speaker 8 (15:46):
Plans're in my closet with Cowboy that was this is
that's yeah, you tell Ruth you go by the corn
I'll be here in the close.
Speaker 3 (15:57):
Jenny's overwhelmed. It's not going to every well and all
go wrong.
Speaker 5 (16:01):
Especially if I'm.
Speaker 6 (16:05):
Not gonna help.
Speaker 1 (16:06):
The Hot Podcast with Mallard, Rush, Jenny and Brady.
Speaker 5 (16:11):
All Right, what was the last music festival you think
you were at? You guys.
Speaker 3 (16:17):
One a couple of weeks ago.
Speaker 2 (16:18):
Me too.
Speaker 6 (16:20):
Yeah, it was incredible.
Speaker 2 (16:25):
Why Yeah, great to get home to, like nine to three.
Speaker 6 (16:30):
Yea, And I went to a music I went to
one just this in July.
Speaker 5 (16:34):
Wow.
Speaker 6 (16:35):
Who do you see with Brady Jones? Oh yeah, yeah,
technically I went to a festival.
Speaker 3 (16:46):
Yeah, moll, that sounds like I gotta drag you out
to a festival.
Speaker 5 (16:49):
Yeah, I'd love to go with that.
Speaker 3 (16:51):
I would love to go with you.
Speaker 5 (16:52):
Although I'm gonna now put the brakes on because I
have to share this story with you. Okay, People you know,
go to the supposed to have a few drinks, of course,
to see their friends, to watch obviously lots of live music,
and go growing to growing with people.
Speaker 3 (17:10):
I get that that's a big part of festival. Yeah,
oh sure, yeah, you got to growing.
Speaker 6 (17:14):
Yeah.
Speaker 5 (17:15):
No, and that's, by the way, not the name of
a band.
Speaker 2 (17:19):
A Terrible Man.
Speaker 4 (17:20):
No.
Speaker 5 (17:20):
Again, it turns out more it's more common than you think.
According to new survey, one in five people one in
five people who've attended a music festival in the last
five years have gotten lucky, and I mean gone.
Speaker 3 (17:35):
Twenty percent. That's crazy.
Speaker 5 (17:36):
Yeah, now listen to this.
Speaker 6 (17:38):
I get it.
Speaker 5 (17:39):
Well, let me go through these stats and then we'll
break everything down. Thirty eight percent of the people that
have gotten lucky said they did it with a stranger
at the festival. No, they're almost half.
Speaker 3 (17:49):
I've totally a million.
Speaker 2 (17:51):
What do you watch?
Speaker 3 (17:52):
Yeah, absolutely, especially if you go to like like EDM
festivals or something like that and you know people are
feeling good. Yeah, yeah, there's love in the air man.
Speaker 5 (18:00):
Fifty three percent. Fifty three percent did it with a
significant other. That makes more sense, sure, sixteen percent with
a friend or someone they came to the festival with. Yeah,
I guess maybe knowing that was going to happen. And
sixteen percent backslid and hooked up with an X.
Speaker 3 (18:18):
Wow, we're talking like all the way, but all the way.
Speaker 5 (18:22):
We're talking about all the way?
Speaker 3 (18:23):
Yeah, I don't know about all the way.
Speaker 5 (18:25):
The most popular location, what do you think my question? Yeah,
you want to hear this for sure. No, thirty three
percent right in the middle of the crowd.
Speaker 6 (18:35):
That's what I was gonna imagine that's the most likely place.
Speaker 3 (18:38):
Yes, I don't think this is all the way.
Speaker 5 (18:39):
One in three people. Yeah, this is what it's all about. This,
I don't know.
Speaker 3 (18:43):
That's crazy.
Speaker 6 (18:44):
I know how, and I mean it's easy to do.
Speaker 5 (18:48):
I can't even say it out loud. So with the
help of my good friend Brady Jones, why me, because
you're the master of all sound effects.
Speaker 3 (18:58):
Sure.
Speaker 5 (19:00):
They also shared with this survey the most popular position that.
Speaker 2 (19:09):
No way, Yes, you can't hide that.
Speaker 5 (19:11):
I know I'm bored by this. Thirty one percent that.
Speaker 2 (19:18):
That that it can't be.
Speaker 5 (19:19):
It just can't do.
Speaker 2 (19:20):
People just turn a blind eye.
Speaker 5 (19:22):
Yes, yeah, and they're high and check.
Speaker 6 (19:25):
I guess that way. Both can still be watching the show.
Speaker 2 (19:30):
Got Money.
Speaker 6 (19:31):
I guess.
Speaker 5 (19:34):
You like part the red seat, and you can make
everybody like, go to this side.
Speaker 6 (19:39):
What's going on? We're watching over there watching?
Speaker 5 (19:44):
I guess have we lost our minds? Yes? Oh my god,
that's crazy, right, Yes, are all quiet?
Speaker 1 (19:52):
It?
Speaker 3 (19:53):
It just can't be.
Speaker 2 (19:53):
It's just that I almost don't believe it.
Speaker 3 (19:56):
Hooking up can mean different things for different people, and
I don't.
Speaker 5 (19:59):
Not if they're talking that yeah, that's what that means.
Speaker 3 (20:02):
Yeah, that's crazy.
Speaker 4 (20:04):
I mean, I guess and people go to these festivals
and stuff, they sort of revert back to sort of
an animalistic mindset and home.
Speaker 6 (20:11):
I mean, hey, animals don't care about doing it in
front of people.
Speaker 3 (20:14):
Sure, there's a lot of festivals that are like overnight
festials to people can't bat in those cases, that's percent right.
Like if everybody's got a tent in, tents are a rocking.
Speaker 6 (20:23):
I mean you go back realized when you say tent
multiple tess, you go way back to the sixties at
Woodstock people were doing this.
Speaker 5 (20:34):
This isn't new, but that was before everybody had a
camera right in their hands.
Speaker 2 (20:38):
Yeah, you know, that's the thing it was, and it
was all on that. I wouldn't imagine that you're gonna
end up all over.
Speaker 5 (20:46):
Sure, think about the cold Play couple.
Speaker 2 (20:52):
Do this survey a year from now. The numbers just
absolutely pumish.
Speaker 5 (20:58):
That alone.
Speaker 3 (20:58):
You definitely do see people coming out of the porta
multiple multiple people.
Speaker 5 (21:02):
Well that's where I thought one was to do it.
Speaker 3 (21:05):
It's just awful.
Speaker 5 (21:07):
I would rather do in the.
Speaker 2 (21:08):
Middle of Yeah, yeah, so bad, No, Like what are
you nothing?
Speaker 6 (21:19):
Just leave it?
Speaker 5 (21:20):
You know, it's funny, like it's obviously way more discreet.
But when you're on vacation and you're at the beach
and you see a couple go in the ocean and
then you know, five minutes later they come out of
the ocean, you go, okay, well I never even thought
about that.
Speaker 2 (21:35):
I'm the peep person, like, oh, they totally just went
in the ocean to pete. I've never even hugged.
Speaker 5 (21:48):
Do you not watch them float together and they're romantic.
Speaker 2 (21:52):
Yea very romantic some of the margin, yeah, little never
even Yeah, that's what they were doing. Really.
Speaker 5 (22:01):
Never, Oh my wife and I will sit on the beach,
go look watch them. There they go. It's happening. Yeah,
for sure.
Speaker 2 (22:08):
Is that without people noticing?
Speaker 5 (22:10):
Well you do notice in the middle of a concert. Yeah,
by the way, you're saying, how do they notice that?
But then you're watching people pee, well you.
Speaker 2 (22:19):
Know when they're only going waist up, they sit for
a minute and then they're just like, oh, I'm cold,
I'm cooled off. You know, No, you're not.
Speaker 6 (22:25):
They British, they become brit Yes, that's how it works.
Speaker 2 (22:31):
Don't get me wrong. I do it too, Like I'll
go in and go pee and then get out as well,
what did I sound.
Speaker 6 (22:38):
The other people do? So I was wondering if you did.
Speaker 5 (22:41):
Oh man, So if you're going to a concert festival soon,
be on the lookout for all of this. Yeah. Sure,
even though Brady Jones doesn't believe any of them.
Speaker 3 (22:50):
I can't believe those numbers. That's high and all in
the last five years.
Speaker 5 (22:54):
I get it.
Speaker 3 (22:54):
Maybe if it was like some people are, like, oh,
twenty years ago I did it, maybe those numbers would
be a little high. But in the last five years,
that's wild.
Speaker 5 (23:01):
So Brady, you're admitting nothing then.
Speaker 3 (23:03):
But what you do at the concert that's between me
and my wife from the port's disgusting. Good job that
smells and the sights, knowing what's right next.
Speaker 5 (23:18):
To you, it's so bad. No, no, anyway, good morning.
Speaker 1 (23:28):
With Jenny Brady.
Speaker 5 (23:31):
Well, we had a lot of big things planned here
to talk about with Taylor Swift and the life of
a showgirl. But Rush is waving us what.
Speaker 4 (23:39):
You guys wanted to do this? I know you guys
were very, very excited. You said the big day, everybody's
talking about the intro.
Speaker 3 (23:47):
Just get we go. Sure, because he's forcing us to
do it. Now, it's time for that's not very punny.
On the morning Hot Tub with Maller, Rush, Jenny and Brady.
Speaker 5 (24:00):
Okay, here's Rush with his little thing where he does.
Speaker 3 (24:05):
What is even going on? What are we doing this?
Speaker 6 (24:07):
I don't know if you've heard about this, but Taylor
Swift has a new album. We know, we know a
lot of people talking about Taylor Swift. Yeah, it's very
popular these days. Yeah, I'm really I I predict big
things for her.
Speaker 4 (24:25):
So I've got a few little jokes that I thought,
you know, we can all have here, so sure I
could get started.
Speaker 6 (24:33):
Smaller? Yeah, Why did Taylor Swift go to an art class?
Speaker 5 (24:40):
Why did Taylor Swift go to an art class to.
Speaker 6 (24:43):
Draw inspiration for her next album?
Speaker 3 (24:54):
The same thing with Jenny.
Speaker 6 (24:57):
Hey, Jenny, what do you call a pop star and
a what? Taylor adrift? Brady? What do you call a
pop star and an elevator?
Speaker 3 (25:10):
What do you call a pop star in an elevator?
Speaker 6 (25:12):
Taylor Lift?
Speaker 3 (25:15):
All right?
Speaker 5 (25:16):
Does everybody remember what else is gonna?
Speaker 6 (25:20):
What do you call a pop star with a cold?
Speaker 2 (25:23):
What?
Speaker 6 (25:23):
Taylor snin?
Speaker 5 (25:24):
Eff?
Speaker 9 (25:25):
Wow?
Speaker 6 (25:27):
God you'd like those? Jenny? What is Taylor Swift due
to dry off? Her umbrella? What she shakes it off? Yeah?
You like that? God, Brady, Oh, this is a sad one.
How can you tell if Taylor is.
Speaker 4 (25:44):
In a bad mood by all the tear drops on
her guitarer?
Speaker 6 (25:54):
Yes, sir, why didn't the vampire bite Taylor Swift?
Speaker 5 (25:57):
Oh? Why didn't the vampire?
Speaker 6 (26:00):
Because she has bad blood?
Speaker 4 (26:05):
That Jenny, what do you call a song after Taylor
Swift sings at karaoke night?
Speaker 6 (26:13):
Taylor's version?
Speaker 2 (26:19):
These are the worst I think ever?
Speaker 6 (26:21):
Literally? Ever? Brady, Where does Taylor Swift keep all her
favorite songs? Where on her tail list?
Speaker 5 (26:35):
Taylor reference?
Speaker 4 (26:36):
Moller, Sir, why did Taylor Swift start a knitting club?
I'm trying to think she wanted to work on her cardigans?
Speaker 2 (26:48):
Ever?
Speaker 4 (26:50):
All right, I can do one moment and I have
to go all right, all right, Jenny, Yeah, what did
Taylor Swift say when she walked into a demolished house?
Speaker 6 (27:00):
What I knew you were rubble when I walked in?
Swift jokes that, Oh that was good.
Speaker 5 (27:14):
We're trying to celebrate the release.
Speaker 6 (27:19):
Those are pretty strong.
Speaker 2 (27:20):
Not at all, and I'm usually somewhat on board.
Speaker 1 (27:25):
Hot Tom podcast with Moller, Rush, Jenny and Brady find
the gang on their socials follow at Moller Maller, at
One True Rush, at Hot Last Jenny, and at Brady
Jones Radio.
Speaker 2 (27:36):
There's been a lot of talk about supply chains, you know,
in recent years, and now criminals are ditching stores and
they're actually to attack those supply chains directly. Right, So
we've heard about this like truck loads, a bunch of stuffs. Well,
a truck and trailer was stolen about a week ago
and it was packed with thirty five thousand dollars worth
of salsa. The truck was later abandoned, but the trailer
(27:58):
and salca are still missing. It's unclear what kind of
salce it is, but it must be good, you would assume, right.
It's unclear if the thieves got bad intel, if it
was a crime of opportunity and they were you know,
hoping it had something more valuable, or the thieves are
just super big into salta and chips.
Speaker 6 (28:12):
I get it.
Speaker 5 (28:13):
They're getting rid of getting ready for the Super Bowl.
Speaker 3 (28:16):
Hot Times.
Speaker 2 (28:17):
That's a good idea early planning, Jenny.
Speaker 3 (28:20):
You don't often tell me what your story is going
to be about, so I can cute music, but sometimes
you do, and you wrote salsa music. Yeah, that means
something very different.
Speaker 2 (28:27):
Than I know, but I thought it would pair well
with it. You do like Mexican you know kind of
you know, well, so it's unclear. Sorry, So the problem
is salsa seems like a difficult product to offload for cast.
Speaker 6 (28:42):
But this is what I'm saying, Like, who wants black markets?
Speaker 5 (28:45):
Well I would, I know, but this Isn't there a
black market for everything?
Speaker 2 (28:50):
For sure?
Speaker 3 (28:50):
They just sell the restaurants.
Speaker 2 (28:52):
Yeah, yeah, yeah, sure, that's that's got to be what
it is.
Speaker 3 (28:55):
That's a sealed Yeah, I don't know.
Speaker 2 (28:57):
Police are asking for the public's help.
Speaker 3 (28:59):
You know what.
Speaker 2 (29:00):
You know, suddenly came home with crates of salt dark exactly,
just the tostitos alone that you would need.
Speaker 6 (29:09):
Somebody who's got a chip on their shoulders.
Speaker 3 (29:16):
That terrible, I will tell you.
Speaker 5 (29:17):
In our pantry, the thing we have the most of
is that, yes, we have probably five jars on standby.
Speaker 2 (29:26):
Do you not go to the place with the big
parking spots and get like the huge ones.
Speaker 5 (29:29):
Too much of a commitment.
Speaker 6 (29:31):
I get that.
Speaker 5 (29:31):
I don't. I don't like the big jar in the fridge,
five small jars, because then we're making nonchos for the
six of us A perfect size.
Speaker 2 (29:42):
Okay, okay, yeah, I always get the big jar.
Speaker 6 (29:45):
I go through a lot of those.
Speaker 5 (29:46):
Are the big plastic? Yeah too much?
Speaker 2 (29:48):
I use a lot of salsa, man.
Speaker 3 (29:49):
I guess you yeah, get that.
Speaker 5 (29:51):
That's not a great brand.
Speaker 2 (29:52):
Oh no, what brand do you go with? I didn't
look that one. No, because of all the other brands,
I like that one the most the most.
Speaker 5 (30:00):
You only like it because you buy them both?
Speaker 1 (30:02):
Yeah?
Speaker 4 (30:02):
Maybe, yeah, you have like I mean, we prefer the
fresh stuff that is only good for a few days yet.
Speaker 6 (30:08):
Oh yeah, so that's that's that's that's that for me.
Speaker 3 (30:11):
That's more like dipping in. If I'm having actual nachos,
I want like the classic yeah you know what I mean.
Speaker 5 (30:16):
I might not even put it as I might. I might.
Speaker 2 (30:20):
You don't do the sur and salsa dip like j.
Speaker 4 (30:25):
Would not put on top if you want it if
you want to dip afterwards, ye yeah, with it on top.
Speaker 3 (30:30):
Yeah, to do that on top and then you make
like a little sandwich. You know, you take like two
you trust me, Jenny, this is my this is my world.
Speaker 2 (30:36):
What do you do with the sour cream?
Speaker 3 (30:38):
I put it on top to really. Yeah, sometimes even
we even had patties. So on Friday night at like
one am, we're walking home at the party and we.
Speaker 5 (30:47):
Had a hold on hold Friday night, one o'clock in
the morning.
Speaker 3 (30:51):
Saturday morning, we had we had a hanker in for
for some nachos. I've been craving. I've been talking about
not just for a couple days. So we hit a
corner store. We bought anything we need. We went home.
We made some bomb nachos. They were incredible.
Speaker 2 (31:03):
Can I tell you in that part of that story
that you just told much stands out to me is
the idea of getting home at one and then doing
anything and not immediately going to bed and freaking out
that I have to go to bed later because I
need to make nachos.
Speaker 3 (31:14):
That's why we made incredible nachos. I like hamburger patties
in the in the fridge, and I put one in
the microwave and I was heating it up. I forgot
about it, found it the next.
Speaker 2 (31:27):
What were you going to do? Chop up the hamburger patty.
Speaker 3 (31:30):
The beef everywhere.
Speaker 6 (31:31):
Yes, that's not a bad idea, I just know. To me,
that's that's very heavy for right before bed?
Speaker 3 (31:38):
Yeah, before bed, it's in bed.
Speaker 5 (31:40):
Aren't you waking up like so parched? By three? A?
Speaker 4 (31:43):
M oh?
Speaker 3 (31:43):
I drank plenty.
Speaker 5 (31:46):
You're drinking makes you more?
Speaker 2 (31:48):
Okay, okay, So do you have a TV in your bedroom?
Speaker 3 (31:51):
Yeah?
Speaker 2 (31:51):
Okay, that makes sense.
Speaker 6 (31:52):
I don't know why.
Speaker 2 (31:53):
I just think that you did because I was imagining
that going and just sitting in bed eating nachos and
like sting and talking.
Speaker 3 (32:01):
Oh god, that's ridiculous.
Speaker 2 (32:02):
Why didn't they sit in the living room and he
said he took them to bed?
Speaker 3 (32:05):
I think we didn't know. We we did eat in
the living room, but we could have taken it to bed.
Speaker 4 (32:09):
And you have.
Speaker 6 (32:10):
Oh yeah, yes, for sure.
Speaker 3 (32:11):
Million are amazing. Oh my god, they're the best.
Speaker 5 (32:14):
How long could you live with Brady for?
Speaker 6 (32:17):
I mean this that that one night sounds like much.
Speaker 3 (32:20):
I think you guy should take turns just one night?
Speaker 2 (32:22):
Oh man?
Speaker 3 (32:23):
Yes, people go to find something else to do.
Speaker 4 (32:25):
You imagine how much Brady would hate it? Like we say,
how could we live with Brady? Because it would be
terrible for us if Brady had to live our lives.
I don't think he could get through a week.
Speaker 3 (32:34):
It's literal prison live as if you're in prison, you
go to ben at a certain time, about an hour
of outdoor time.
Speaker 5 (32:42):
And though you should go to prison week nights, you're
a little more reasonable.
Speaker 2 (32:49):
I've got a week night. If I have to stay
with Brady on.
Speaker 3 (32:51):
A Monday, it's like it's an early night, you know,
I want to be in bed by like nine o'clock,
and then it gets a little later Thursdays. I could
be wrecked.
Speaker 5 (32:58):
You and I text like even some of it was
at eleven o'clock in a week now, yeah, yeah, yeah,
like I know of the four of it. I can
get a hold of.
Speaker 6 (33:04):
You the usually are you texting in bed at that point?
Speaker 3 (33:09):
Yeah? Probably, but I'm still like active.
Speaker 2 (33:15):
I got it.
Speaker 1 (33:19):
With Moller Brush, Jenny and Brady.
Speaker 6 (33:21):
Guys.
Speaker 3 (33:22):
I have a question for you. Both of you are parents,
and actually this is good because parents of kids of
different agents. So Roy's what thirteen thirteen? Yes, and your
daughter Russia twenty nine? My god, wild? How long I
actually know what I'll lost this first? How much of
your kid's childhood art.
Speaker 1 (33:43):
Do you have?
Speaker 2 (33:44):
That's such a good question, Thank you very much. I
came up with it myself. I just went through I'm
talking the last six months. Yeah, all the stuff that
I've kept from and I am telling you I can
stuff that. It was just him with one marker. Oh no,
and he had there was a line.
Speaker 3 (34:00):
I kept that and you're like, beautiful, creative, genius.
Speaker 2 (34:03):
Great, and he was like too, you know, So I
went through and I've kept maybe not even a quarter
I had.
Speaker 3 (34:11):
And so how so what determined what made the cut
and what didn't make it?
Speaker 2 (34:14):
If there was feeling behind it, if it was like
this is my family and he drew like you know,
a car and the son and you know what, if
it was something that had meeting behind it that he
needed to think about.
Speaker 3 (34:24):
To create sure or just random, then it's then it's
gone and it's gone. What about any like like anything
with the noodles?
Speaker 2 (34:33):
No, that's just a nightmare. Would everything it's all trying? Yeah, yeah, no,
what about you?
Speaker 6 (34:40):
I've got I think a Christmas ornament than that. I
think mom has some stuff. But no, no, we didn't.
Speaker 5 (34:46):
We didn't.
Speaker 3 (34:46):
He didn't hang on to anything. It was it painful
to throw that stuff out.
Speaker 2 (34:50):
No, it actually felt really liberated.
Speaker 6 (34:53):
Again, he doesn't care.
Speaker 2 (34:55):
He doesn't care at all, and he's not gonna That
was my thought. What will he care to look at
when he he's like forty and has kids or thirty
and has.
Speaker 3 (35:02):
Kids, Like, would he remember any of that stuff?
Speaker 4 (35:03):
No?
Speaker 2 (35:04):
No, he won't remember doing anything any of it. But
it's neat to go and think, Okay, in that moment,
what is he going to find? Neat to look at?
And even the stuff I kept, he's probably like, mom,
really you kept this right? Even?
Speaker 3 (35:14):
Did you show him any of the stuff a little bit?
Speaker 6 (35:16):
Yes?
Speaker 2 (35:17):
There was actually a book he wrote and it was
really cute and went over that school and I found
the first book that I wrote in school.
Speaker 5 (35:24):
To compare.
Speaker 2 (35:24):
It's all about Jenny going to the dentist who who.
Speaker 6 (35:26):
Did a better job on their book? I don't want
to say, okay, I think I was like Rory, all right.
Speaker 3 (35:34):
Well, the reason I ask you about kid's art is
because I don't know if he has heard about this
Australian kindergarten. You guys got your art for free. His
parents at this kindergarten don't, unfortunately, have that luxury. It
sparked a public outcry after they asked parents to pay.
Speaker 6 (35:50):
It's an art show sort of, okay.
Speaker 3 (35:53):
Two thousand dollars the equivalent of two thousand dollars Canadian
each for their own children's art port. Yeah, so all
the stuff they worked on, they kind of held it
hostage at the end of the year and then we're like, hey,
it's going to cost you too grand.
Speaker 5 (36:08):
To get that.
Speaker 6 (36:09):
Where does the money go that?
Speaker 3 (36:11):
Even still, so the kindergartens has some money issues. It's
a it's a private kindergarten. Things aren't going so well.
They're laid on, like paying bills and paying staff and
and so I guess this is their idea to make.
Speaker 2 (36:21):
Some extra cash, and you have to start charging more.
If it's a private facility for the kids to go there,
that's on them. No, you can't hold their art hostage.
Speaker 3 (36:30):
That's literally exactly doing Hey childhood memories. Now, would you
put yourself in that position? Would you pay that money.
Speaker 6 (36:37):
To get the right hang on? So this is a
private school, Yeah, so they have to pay to go.
Speaker 4 (36:45):
So if they say, you know what, we don't want
to actually, I know your child likes going here. We
don't want to keep your kids from going here, but
we need money. We won't say your kid can't go here.
We're not going to raise our rates, but we really
need some help here. But this is a nice way
of saying, Okay, you can still come next year. We're
not going to raise our prices here, but this is
a way that we can still make some money.
Speaker 2 (37:06):
You have to decide that at the beginning of the
year that the art, the kindergarten art, we're going to
do a fundraiser and it's going to raise money to
keep if they're informed at the beginning. That's one thing.
Speaker 3 (37:14):
You can't spring it all right, That's exactly it. It's
the dishonesty part of it. They said that rush had
they been like, hey, we're going through some money issues,
you know what I mean, We would love it if
everybody can kick in a little bit more and we'll
keep this this party going into next year. But that's
not what they said. But they said was, hey, all
that stuff that your kids made, you're not getting it
because exactly you have to. They're they're literally holding it hospital.
Speaker 2 (37:34):
Also just do a I don't know it is.
Speaker 3 (37:39):
What happened, like rice Krispy Squares.
Speaker 4 (37:42):
I think I think the alternative is I said, okay, listen,
if you want to come back next year, we have
to raise our prices two thousand dollars, and people will
be like, and here's what question. You know, not everybody
does have to pay it, and so if you don't
pay it, but.
Speaker 3 (37:53):
Then you don't get your kids. Don't get the kids
about a poor parent who might also be in financial difficulty.
Speaker 6 (37:59):
They might all say, you get a look at this.
Jenny went through this stuff, and I mean maybe most
of it was macaroni art. You don't want to keep
it anyway.
Speaker 3 (38:06):
Maybe it's beautiful art, maybe it's important.
Speaker 2 (38:08):
And in the moment, keep in mind, this is six
months ago. Rory's thirteen. It took me that long to
get rid of so at four years old.
Speaker 3 (38:17):
Is the most It was a little mark.
Speaker 2 (38:18):
On a piece of paper.
Speaker 10 (38:18):
I'm like, oh god, I want it, you know, Like
so I guess it, but no, I just I think
you have to be upfront.
Speaker 2 (38:29):
And I would worry as a parent, who is spending
money to send my child to this private school? Where's
the money going?
Speaker 5 (38:36):
Then?
Speaker 2 (38:36):
Like are they financially respondible?
Speaker 6 (38:39):
It makes you wonder. I will agree, like I don't
hate this. I will say the price.
Speaker 3 (38:44):
Is a little steep, thousand, saying okay, well it gets crazy. Okay,
So It was widely condemned. The state premier even called
it emotional blackmail, which I don't disagree.
Speaker 2 (38:58):
Uh.
Speaker 3 (38:58):
And then the situation escalated one one parent just like
showed up at the school and took their child's art
back without paying, and then the owners of the kindergarten
filed a police support for theft.
Speaker 2 (39:10):
No, this is next level, this is next leg.
Speaker 6 (39:13):
They said it's two thousand dollars.
Speaker 2 (39:17):
I see them doing this almost tongue in cheek, like
if anybody wants to donate, and it gets crazy.
Speaker 3 (39:27):
Yes, because police are also investigating a midnight break and
enter at the kindergarten, which people think might be related. Yeah,
so this is a different thing that they think a
parent might have broken in. We don't have confirmations, might
have broken in at midnight to get their child's.
Speaker 2 (39:44):
Okay, So I want you to imagine yourself at home
and you're waiting for it to be midnight, and you've
got your bella clava and your flashlight and everything, and
you're going here, I go, this is my life for
my child's art.
Speaker 3 (39:54):
Come on, I mean, maybe maybe it's something special, maybe
it's I don't know.
Speaker 6 (39:59):
I don't know, But are our parents that would do Yeah, yeah,
absolutely enough.
Speaker 3 (40:03):
I think this school is gonna have a tough time attracting.
Speaker 2 (40:05):
New themselves in Yeah, sure, definitely.
Speaker 1 (40:13):
With Maller, Rush, Jenny and Brady.
Speaker 5 (40:15):
Oh, we haven't done this in a while. How about
we bang our gavels.
Speaker 3 (40:19):
All now, it's time for the morning hot tub to
bang our gavels with Maller, Rush, Jenny and Brady.
Speaker 5 (40:30):
All Right, it's Judge Maller, Judge Rush and Judge Jenny.
All right, Bailey, Bayla Brady, thank you. The alliteration's great.
We have to.
Speaker 3 (40:43):
Be honest.
Speaker 5 (40:44):
So obviously, the talk of the world is Taylor Shift's
new album, The Life of a Show Girl. Everybody streaming it,
listening to it, loving it, and also pointing out so
many songs on there sound like a.
Speaker 6 (40:58):
Lot of us song There's a lot going on there.
Speaker 5 (41:02):
Yes, yeah, So we have two that we want to
exploit today and we as the judges, will decide whether
or not Taylor might get sued or even like have
to give another band or artist some writing credits.
Speaker 3 (41:14):
And keep in mind, Taylor has done this to other
or at least Taylor's people done this to other artists.
Remember Olivia Rodrigo had a song that vaguely sounded like
a Taylor Swift song, give Taylor writing credit.
Speaker 5 (41:24):
And and right off the bat, Taylor gave George Michaels
a state credit. So I'm not sure why some of
these other ones she just didn't throw that.
Speaker 4 (41:31):
I mean with that one, the song title just makes
people think of been right away, so probably a safer.
Speaker 5 (41:37):
Yeah, it's Can we start with the two of the
lesser I think it's Wood exactly?
Speaker 3 (41:42):
Yeah, Wood, which is a song about Travis Kelsey's anyway,
and uh yeah, sure is Redwood if you Will and
Want You Back by Jackson five. They sound very very
very similar, especially like right at the beginning. So that's
really all I'm gonna play for you, guys. Is It's
going to start with Wood. Yeah, okay, here's watching back Okay,
(42:20):
back to Wood.
Speaker 5 (42:24):
Yeah, okay, I certainly hear it. Judge Mallards, Well, you
know what I this is the thing I think I'm
going to reserve because I know what else is coming.
Speaker 6 (42:41):
So I am going to Judge Maller, would you please
make your ruling?
Speaker 5 (42:48):
Ah not not guilty, not guilty. Okay, I don't know
why you rushing.
Speaker 6 (42:59):
All sad here the judges bailiff, I will have order
in this floor.
Speaker 2 (43:04):
Oh, here we go.
Speaker 5 (43:05):
I always forgot when we do this.
Speaker 3 (43:09):
It's very unruly.
Speaker 6 (43:11):
You were going to reserve judgment. We don't have time
for that. We have another song to get to, so
there's no time for reserving judgment.
Speaker 5 (43:17):
All the time. You've wasted.
Speaker 6 (43:20):
This order in this court.
Speaker 5 (43:23):
All right, what you're ruling.
Speaker 6 (43:26):
I find the defendant, Taylor Swift, not guilty.
Speaker 2 (43:30):
Okay, okay, can you bang my gabble or can I
bang my gable?
Speaker 5 (43:35):
Yeah?
Speaker 3 (43:36):
You have to make your judgment though, Okay, no.
Speaker 2 (43:37):
I want to bang it now.
Speaker 6 (43:39):
Just yell, yell, you want order?
Speaker 5 (43:41):
Order you have in your hands. I know, I know.
Speaker 2 (43:45):
I just want to make sure it was okay, it's okay,
I say not guilty as well. It's close. Yeah, not guilty.
Speaker 5 (43:54):
What's interesting about it is the internet believes it. And
if there's thousands of people online that believe it, you
gotta kind of question it.
Speaker 2 (44:01):
Yeah.
Speaker 6 (44:02):
No, I think they're looking for something.
Speaker 5 (44:04):
Okay, okay, all right, right now the biggie, Yeah, I
mean this is I'm sorry. Maybe I'm letting the cat
out of the bag here, but I think we all
know how this is.
Speaker 6 (44:11):
I think we do, I think we do.
Speaker 3 (44:13):
Ahead, So this is Life of a Showgirl, which is
the final song on the album. It features Sabrina Carpenter.
It's an amazing song.
Speaker 6 (44:19):
I love this song.
Speaker 3 (44:20):
And then a song we know pretty well cool by
the Jonas brother Yeah. Okay, so I'm gonna play a
couple of different parts of the song here for you.
The first one is right off the top, like the
first verse. Okay, both songs. First one is the Life
of a Showgirl.
Speaker 9 (44:32):
Her name was Kitty, had her money, being pretty and witty.
They gave her the keys to this city and they
said she didn't do it legitly.
Speaker 2 (44:42):
I'm feelings so cool up to the bottom, just cool, heavy, little.
Speaker 6 (44:51):
Damn it.
Speaker 5 (44:51):
I'm finished, so cool.
Speaker 3 (44:54):
Okay, Now we're gonna go to the chorus of each song.
Speaker 9 (44:57):
Okay, thank you, So the lovely boo Okay, sweeter than
a beach for you don't out the life of.
Speaker 2 (45:05):
So girl way and you never have anna.
Speaker 3 (45:12):
Up the bottom just.
Speaker 2 (45:19):
So cool?
Speaker 5 (45:23):
Okay, all right, what do we think, Judge Mullin, Well,
thank you, first of all, Bailiff Brady for putting all
that together. Yeah, good job, Thank you. Uh, it's it's
it's a no brainer. I can't even believe the tailor
used to she used to date Joe Jonah's r. Right,
like to rip off your ex boyfriend. Yeah, really bizarre
to me because people are definitely gonna call that out. Guilty, guilty, guilty, guilty.
Speaker 4 (45:49):
Sometimes we find these these scenarios that you know, an
artist ripped off, an artist that we've never heard of,
someone that recorded something twenty years ago and it was
not successful, and you know, hey, maybe you heard the
song and you written it off and you'd think that
nobody would notice.
Speaker 6 (46:03):
This was a big song.
Speaker 4 (46:04):
It was a popular song, did quite well, and as
you mentioned, there's a history with her.
Speaker 2 (46:15):
Just give us guilty. You're not guilty, you're I will
have this bailiff.
Speaker 6 (46:23):
Do not make me find you in contempt. Okay, I
will do it. You are shaking ground, judge.
Speaker 5 (46:32):
He can't arrest himself.
Speaker 6 (46:37):
We need another bailiff. I find the defended Taylor Swift guilty.
Speaker 2 (46:44):
All right, I'll keep it breathing.
Speaker 3 (46:46):
I still have your.
Speaker 5 (46:48):
Order.
Speaker 6 (46:49):
It works.
Speaker 3 (46:51):
Guilty guilty, Yeah, okay, guilty.
Speaker 2 (46:54):
Yeah, that's wild, it is it is.
Speaker 3 (46:56):
They're both great songs.
Speaker 6 (46:57):
Yeah, and we're sure that there's no writing credit given
to the Jonas.
Speaker 3 (47:01):
As far as we can tell, No, not yet. But
I also think that, like I think she'll give him writing.
Speaker 6 (47:06):
Done on her purpose.
Speaker 2 (47:07):
No, no, I can't imagine.
Speaker 5 (47:10):
You know, it's interesting with this whole album and I've
been listening to it and I've been reading everything online.
I can't believe the producer on the other side of
the glass didn't say to Taylor, you know this sounds
a lot exactly again, Yeah.
Speaker 6 (47:20):
It's not. It's not a song that you know. People
think they don't know it. This was a big song.
The producers know this song.
Speaker 4 (47:26):
It feels like it was done on purpose to get buzz,
and then there's like, oh yeah, we'll give you a
writing credit.
Speaker 6 (47:31):
It's weird.
Speaker 5 (47:32):
Okay monologue boy, I mean I will have or in discourse.
Did you want to add something there, Bailiff, Uh No,
don't worry about it.
Speaker 3 (47:44):
I don't think it was done intentionally. I'm sure she's
gonna give them a right, Yeah she will.
Speaker 2 (47:47):
Like yeah, somebody else said this, and I hear it
as well that life of a show Girl sounds like
no air.
Speaker 5 (47:53):
Oh yeah that yet online as well.
Speaker 3 (47:55):
Yea, yeah, Yeah, I can hear that too. Yeah. Cool,
it was written by It's like Ryan tetor song in
Life of a Showgirls written Taylor and Max Martin. They're
all like, they all know each other, they're all written together.
They're all pals. Yeah, I'm sure someone's gonna get a
little bit of cash.
Speaker 6 (48:09):
You know, something like that.
Speaker 5 (48:10):
Yes, why don't you tell Brady just gonna calm down?
Why don't you tell him that because you respect?
Speaker 6 (48:19):
Okay, somebody who's got a gavel, Jenny, I can't.
Speaker 3 (48:24):
Believe Jennie, hold them in contemp.
Speaker 2 (48:27):
You're in contemner.
Speaker 5 (48:32):
Put down the cavel, all right. She's also having crab
for lunch, like.
Speaker 3 (48:47):
What you just heard? Friend.
Speaker 4 (48:49):
They can listen to The Hot Tail Podcast with Maller, Rush,
Jenny and Brady wherever podcasts are found.
Speaker 1 (48:54):
Follow the Gang on socials for more fun at Maler
Maller at What True, Rush and Hot Flash Jenny and
Up Brady Jones Radio.
Speaker 6 (49:01):
The Hot Tough
Speaker 4 (49:02):
Podcast a part of the Stingray podcast Network
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