The Hustle Season: Ep. 347 Jacksplaining

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, man, yeah, what's wrong with the bo we got?

Speaker 1 (00:09):
It's trash. It does not slapped.

Speaker 3 (00:12):
Call and response.

Speaker 4 (00:16):
What are you guys even doing?

Speaker 5 (00:19):
I got that much ask years ago. They tried to
years ago. They tried to put me in there. That
means you're a lion Stram.

Speaker 6 (00:33):
I did it with the peck and the rock.

Speaker 7 (00:39):
Oh come on in, Bonator says he The water's.

Speaker 8 (00:44):
Fine anyway, Kelly, I know, I don't you know.

Speaker 3 (01:19):
It's just like I believe, Yeah, you want us to
believe lesson you know, I don't know. People think less
encouragements like yeah, man, there you go, there you go, gasm, gasm.

Speaker 9 (01:40):
I feel like Corey is really having a moment, even
though I'm tired of him. I feel like you got
to stay on it because we're kind of pine, kind
of pioneering something.

Speaker 3 (01:46):
Some of the today people like kind of ripping us off,
like man, h first, like we saw him before the
Loser will tour because like for them, if you go
see him on Lose, it's like, oh, well, we live
Biscuit like some of their.

Speaker 10 (02:04):
Like new metal bands.

Speaker 4 (02:05):
But we just went to see him. That was it.

Speaker 9 (02:08):
And some of the bands we did not. Yeah, they
were just there. Yeah, they were there.

Speaker 4 (02:13):
I I you know, I do.

Speaker 3 (02:16):
We should repost the just him bantering all of it
where he's talking talking ship on his drummer and ex
drummer and ex wife. Yes, he doesn't know what day.
He also doesn't know what day of the week.

Speaker 9 (02:29):
It is to be like Corey Film and Richmond, Virginia,
you know, so we can like because people are just
posting their clips and it's being like the date on there.

Speaker 10 (02:38):
Yeah, we've been seeing him do a ship guitar solo.

Speaker 3 (02:40):
We saw that.

Speaker 10 (02:42):
People are just seeing that.

Speaker 3 (02:43):
Now we did not see the joke that had that
song when there, yeah, which I think is my favorite.

Speaker 4 (02:49):
Song that.

Speaker 5 (02:52):
It's funny to watch over again. Oh we uh the
clip the ship we talked about last week. I clipped
that out and put that up.

Speaker 3 (02:59):
So the side by side of two different sets of
him doing the actually worked on that guitar solo and
the move the choreography, the choreography while he's playing man, I.

Speaker 10 (03:13):
Get how everything but playing the guitar.

Speaker 5 (03:16):
Yeah, we're definitely on that ship.

Speaker 3 (03:18):
First, man, fuck, this is a mosquitoing here? What is
a mosquitoing here?

Speaker 5 (03:25):
I got swimming? Where is it?

Speaker 10 (03:30):
I saw it over there, but I haven't seen it since.

Speaker 5 (03:33):
Yeah, they out did it?

Speaker 10 (03:34):
Get me soon enough cool?

Speaker 5 (03:38):
It loves the melanin you know s all right?

Speaker 11 (03:45):
Game something the way I mean, don't don't sing thing
to come back game man, nobody, I'm mean.

Speaker 3 (04:16):
Man, hearing that lie, it's like nobody can sing like
he come, he come back.

Speaker 4 (04:24):
Come back, king.

Speaker 9 (04:26):
The slapping it all. Put back in there. He's been
better off putting the track in there with lips.

Speaker 4 (04:32):
Put it in there.

Speaker 5 (04:33):
Most of his lyrics mostly sound the same because he
end up sounding like uh like. Even on the joke, he's.

Speaker 12 (04:38):
Like like, jo, joke, I couldn't remember that.

Speaker 5 (04:56):
He's like running out of breath and joke.

Speaker 4 (05:02):
Yeah, what you're gonna do?

Speaker 10 (05:10):
So he's not cool enough to know that he should
go into that.

Speaker 5 (05:12):
You should go into that.

Speaker 3 (05:14):
Yeah, bad boys, you want what you want?

Speaker 4 (05:19):
Right there, he quick out that he's never ever do that.

Speaker 9 (05:30):
No, that would go off, that would be that would
go off, but not put in no games, That's what.

Speaker 5 (05:37):
He's missing that's what he's missing from the show. He
needs some.

Speaker 3 (05:41):
Like all sounding reggae.

Speaker 5 (05:44):
Yes, you need some st reggae. And he needs some
like current song like mashups with ship that would be fire.

Speaker 9 (05:53):
He needs some this goes sounding ship, you know, like
that needs more dance sent Millennium.

Speaker 10 (05:58):
Its kind of went off the bad bro because it's like.

Speaker 5 (06:02):
That's dude in Richmond. That ship went on off.

Speaker 3 (06:05):
I said, John, Man, here's that thing where he's like,
that's the only one he could have. He almost got
the little Michael Jackson swag on. That's that's one or something.

Speaker 4 (06:19):
He was riding around.

Speaker 9 (06:19):
Oh yeah, you're ye in that weird hood. Oh my god,
do his wizard dance?

Speaker 5 (06:26):
Yeah, man, yep, all the above man doing on me.

Speaker 4 (06:32):
We might as well just introduce the episode.

Speaker 3 (06:34):
Badly basically started it. Let's go everybody, It's the Hustle season.

Speaker 4 (06:42):
Come Back Kings, the original.

Speaker 3 (06:45):
Comeback King, James, Kelly, Reggie coming back at you.

Speaker 10 (06:50):
The joke is on you.

Speaker 4 (06:55):
Shout out to all the Corey Felderman fans out there.

Speaker 3 (06:59):
Hopefully so of our listeners have gotten a chance to
go to the Loserville tour.

Speaker 4 (07:03):
Didn't come anywhere close to here.

Speaker 3 (07:05):
Enough, don't want to go, but I just want to say,
Hustle Season did it first? Uh? We were going out
and seeing Corey Feldman and taking videos of it and
going live the whole time for any before school.

Speaker 5 (07:19):
Yeah, definitely, and it still isn't cool really well.

Speaker 9 (07:23):
Yeah, we gotta put like, just post the ships on
the clips. Yep, fresh clips.

Speaker 5 (07:29):
Go to our YouTube because we got to clips.

Speaker 4 (07:32):
Yeah, we do have a ton of course.

Speaker 5 (07:33):
Yeah, we interviewed his last drummer too, who happens to
be the son of Steve Gadd. Didn't even know that
legendary drummer.

Speaker 3 (07:40):
Actually we should all right, we gotta put that outa
that's under push.

Speaker 10 (07:43):
That's an exclusive exclusive.

Speaker 3 (07:45):
Yeah, if you're all listening, you should go to YouTube
and subscribe to us there. Yeah, exclusive season. You can
see us live recording the shows and then we put
up all types of clips of you know, all the
best of what happens, right, Yeah, fucking live guys, best around.

Speaker 5 (08:03):
I want to say real quick, I'm playing this Friday
with Ben White and his band at Brambley Park. Hopefully
the weather will hold out for us. Tonight is tonight
you're watching live? Yeah, Friday, Bramley Park nine o'clock, myself,

(08:24):
Todd Harrington, also Scott Clark electronic percussion.

Speaker 3 (08:32):
He's doing electronic like the I don't.

Speaker 5 (08:36):
Even know what he's bringing. I don't even know what
he's bringing. The first time that takes a video of that. Yeah,
him great, I've ever played together.

Speaker 3 (08:42):
And also I think he's gonna play it with mallets.

Speaker 5 (08:46):
Yes, probably. I'm always jealous of his mouth.

Speaker 10 (08:48):
That's the first time.

Speaker 3 (08:49):
He's the best mallad. He's like the best mallet player.

Speaker 5 (08:54):
Yeah, you know, I'm always jealous of about it.

Speaker 3 (08:56):
He has mad mallets, mallet control bro Ha like a
horse brush every single time, or anty mallets every single time.

Speaker 5 (09:04):
I go to uh now Guitar Center. Whenever I look
at I just see the mallets. I just get pissed
off right away because it's so expensive. It's like ninety dollars,
and I think it Scott Clark, I'll be like, Man,
he has mad ballots that he's just had over the
years those Marching band years. Man, he puts the investment
in for the mallets, man, because they're no joke right now.

Speaker 9 (09:21):
So this is the first time y'all playing again. I
guess it's not that weird because you both play drums,
well both, Yeah, it's not that weird. Yeah yeah, Like
but you wanna fight, you're gonna fight probably, you.

Speaker 3 (09:30):
Know what I'm saying, Belly'll make altercation.

Speaker 10 (09:32):
Yeah, started to do something.

Speaker 5 (09:34):
I can I could bring up something, you know what
I'm saying.

Speaker 4 (09:37):
At one time at Commercial Taphouse, you're bobbing me out.

Speaker 5 (09:43):
He's been he's been there. He's been there at some
of my worst points. And he didn't even care, you
know what I mean, he didn't care he did anything
because no, because like for real, you never know, man,
you really never know. But I mean Scott seriously, he's
a dope drummer. He also plays in that uh in
the eight is it called eight bit the big band?

Speaker 4 (10:01):
Oh?

Speaker 10 (10:02):
Is he doing that gig?

Speaker 5 (10:03):
I feel like he's done one of those.

Speaker 9 (10:04):
They came through town and they're picking up I know
they're picking up players when they came through town.

Speaker 5 (10:08):
Okay, okay, that's like, what's the do you know what
the name of that is?

Speaker 10 (10:10):
A big band?

Speaker 5 (10:11):
Yeah, eight Bit big Bed. You guys should check them
out because yeah, they just came through town. But I
think Randall played with him doing a couple of games
Jays Ship's fire. Yeah, but playing this Friday, Ben White
is gonna be a fun show, weather permitting. And uh,
let's see next week, I'm doing a hip hop and

(10:31):
strings shows Pop and Strings. That's the name of the show,
you said. The weird thing is that is the name
of the show. It's called Candle It's called Candlelight Concerts.

Speaker 10 (10:43):
I see these on my algorithms all the time.

Speaker 5 (10:45):
I didn't see it until I got hired for it.

Speaker 4 (10:47):
Man.

Speaker 9 (10:47):
I was like, I had ever been to a theater
and it's gonna be candles everywhere.

Speaker 5 (10:51):
Candles every fucking where, and you have to tell him
to move the candles so my drum sit down right.

Speaker 9 (10:56):
But it's a lot of them too real not real candles.

Speaker 10 (11:00):
But it looks like it.

Speaker 5 (11:02):
It totally does. It looks like when you walk through it,
you'll be like, you're like, this's a plastic yeah.

Speaker 4 (11:07):
Yeah, but boiler alert.

Speaker 5 (11:10):
But I will have more info about that next week
because I can't remember the name of the venue. But
I will talk about it. Yeah, what do you guys
got going on?

Speaker 9 (11:19):
Friday is also the beginning of the mingis Awareness Project
Jazz this in town.

Speaker 10 (11:25):
It's over three days, so that Friday.

Speaker 9 (11:27):
It will be at the Basement and the Brian Jones
Trio is playing with Kim Rall who's playing on that
but you can check it out. It's on a CBS
six and a couple of the places have the the
lineups there, but there's two sets there. And on Saturdays
when I'm playing, Nobs is playing at the Ember with
Mike Hawkins and the Brotherhood. Mike Hawkins and the Brotherhood

(11:49):
come through. We're playing Mingis songs like arrangements we have
from our Mingius album we put out a while back. Yeah,
and plus plus a new one just for the show.

Speaker 10 (11:59):
Nice Sam singing on.

Speaker 9 (12:01):
Oh nice yeah doing that some of those verses from
the Joni Mitchell version of that Mega thing.

Speaker 10 (12:09):
Uh So that's dope.

Speaker 5 (12:10):
Hell yeah.

Speaker 9 (12:11):
And on Sunday at the Firehouse is the Toby Whitaker
Ensemble and which I'm sitting in and playing one one
song with, and also the Charles Owens Trio.

Speaker 5 (12:21):
Hell yeah, that's the lineup man.

Speaker 9 (12:23):
Yeah, it's a lot of jazz also the Richmond Jazz
and Music Festival, which is funny to say jazz and music.

Speaker 5 (12:31):
Yeah, it's also this weekend. Yeah, I was for you
ballers out there, I would say, for more bang for
your buck. Really, y'all should go to the Mingus. You
would say so too, go to the Minga ship. You
know what I'm saying. Like it, you know, And they're
all inside. I believe all those shows are inside, all
the inside, so that except for my show, my show
will not be inside. We'll be outside. And therefore I

(12:53):
hope it. I hope it goes. Watch you naturally, I
hope I see hope, I see you guys out there.
But y'all shows are inside. Therefore they can always happen.
To make sure you guys go to the Minga shows
at all three venues this this upcoming weekend.

Speaker 9 (13:08):
Speaking of that last week, I got rained the hell
out at the A four day, four day.

Speaker 5 (13:13):
It was.

Speaker 9 (13:13):
It was a nice I was sitting, I was excuse me.
I was subbing in Candensia, subbing for I think Pete
Anderson is the only playing that.

Speaker 5 (13:22):
Yeah, yeah, he's awesome.

Speaker 9 (13:23):
Sausa band were and we're at the Loving stage the
stage to the Mark stage, yes, Mark, So I was
on the other stage. That's what I heard. I walked
over there and saw a little bit of it. But yeah,
the weather started picking up, like right before we're gonna play.
And then and then Mark's like almost flew away because
his tent came up off the ground and he grabbed

(13:43):
it and it almost took him with it with a.

Speaker 10 (13:47):
Couple of people grabbed it, you know, starting raining.

Speaker 3 (13:51):
Yeah, ascu as you started raining, I saw UHVN like
with a keyboard, like, oh.

Speaker 5 (13:56):
No, dude, yeah, and this thing was loaded with it
was gonna be really dope. I saw like some of
the rehearsal and I was like, oh, ship, the mom's playing.
Yeah it was. It would look like man that really,
you know, I felt. I felt lorain And then I
had also had a private gig over by the river

(14:20):
and so yeah, that ship got we lost power the
whole nine We could not play at all anyways, so
that sucked. Uh, it was one of those nights you
know for everybody, it sounds so good.

Speaker 10 (14:32):
I think I went home and watched a movie or something,
so it was all good.

Speaker 7 (14:35):
You know.

Speaker 3 (14:35):
I got I got home at a more reasonable hour
than I would have otherwise.

Speaker 5 (14:40):
You know, Yeah, I got shitty food right away. I
went to Bamboo for a little bit with a few
of the cats from from payback, Todd Rap and Frank
Jackson shoutouts. But uh, and then I got a sub
after that steak sub.

Speaker 10 (14:55):
Boom as steak.

Speaker 9 (14:59):
As steak a steak, yes, bad bad ass steak bad
ass as Steaks.

Speaker 4 (15:07):
Yeah, maybe they weren't allowed to put the other s
on there.

Speaker 3 (15:11):
That's not a typo.

Speaker 5 (15:12):
No, that's the name of the actual bad Why I
don't know.

Speaker 10 (15:18):
It says better than Philly on the sign.

Speaker 4 (15:20):
Yeah damn.

Speaker 5 (15:22):
Yeah, sounds is pretty good, but I don't know.

Speaker 3 (15:25):
You know, they're going.

Speaker 4 (15:26):
Hard the bad ass either way.

Speaker 5 (15:29):
Their their subs are bad ass, feel amazing. They're really good,
and you don't have to You really don't have to
be wasted. It's not like in the Scanti's kind of thing.

Speaker 4 (15:37):
Whoa you mean it's not garbage.

Speaker 5 (15:39):
Yes, it's not garbage. It's not garbage that tastes good
and then comes out as garbage later. No, this ship
is actually really good. They're one of my favorite spots,
so check it. Check it out.

Speaker 4 (15:50):
Why would it come out as anything other than garbage.

Speaker 5 (15:53):
Later, because it would because it doesn't taste like garbage
when you're drunk, depending on what you got from a Santi's.
I used to get the chicken florentine ship.

Speaker 9 (16:03):
That's wild, tough, that's wild. That's why I work, Kelly,
what's the chicken fluorantine? To get a pizza like normal?

Speaker 5 (16:10):
I think I think.

Speaker 3 (16:12):
Sketchiest pizza, chicken chicken sach what it was most chicken
chicken chicken florentine pizza.

Speaker 5 (16:21):
The shittiest, booziest pizza is what I would get usually
you sucking up man, get the four cheese pizza, dry
ass pizza. Chicken sh It was pretty good. It was
kind of crazy. That's kind of crazy. I was drinking
a lot back then.

Speaker 9 (16:33):
Yeah, you know, that's all righty different, Yeah, it was
a different time. Facts back in our day. It was
a different time.

Speaker 5 (16:41):
James, you got any shows coming up that you wanted to.

Speaker 3 (16:43):
Uh uh not not soon enough to even talk about him.
At the end of the month, we got some stuff going.

Speaker 10 (16:50):
On pedal update.

Speaker 3 (16:53):
Oh yeah, that's what I did most of the weekend
when I wasn't you know, uh, yeah, it was great.
I've been trying to finish up all of the final
things that involve the measurements of where the poles in
the boxes are to be for the knobs, because I
need to have that completely one hundred percent sure that's

(17:13):
where they're gonna go before we start printing on the boxes.

Speaker 4 (17:16):
Right.

Speaker 3 (17:17):
Yeah, So I'm actually waiting as of today when we're
recording this, I should be getting some stuff in the
mail tomorrow and then I send back or revised circuit board,
and then they'll send me back that stuff and then
I can start and I can order risk parts and
finish them all in the US symblem.

Speaker 4 (17:35):
Here I'm assembling them here, and I think this is
gonna be the last time I'm gonna do most of
the assembling here.

Speaker 10 (17:40):
I think just gonna use respects.

Speaker 3 (17:42):
Yeah, I think from here on out I'm to be
using components provided by the Basically, maybe it's so that
the the production house that makes them will put all
of the parts on the board, solder there like assemble everything.
So all it happens is like I just get it
back in the mail and I put it into the

(18:04):
box and do minimal soldering and then we're done. So
it says to me a lot of time and you know, uh,
but I'm sorry, it's gonna be.

Speaker 9 (18:12):
You gonna put like any of your blood into the
paint job or like that. That's into tears, tears and blood.

Speaker 3 (18:24):
If my way, I would wouldn't even touch the product,
like it would just be made and done.

Speaker 9 (18:31):
And Tony Stark some robots with some robots. Well, the
ship is getting made in China and it's not people.

Speaker 3 (18:38):
It's definitely robot produced things like that's what every everything
is just automated machines there that just make what.

Speaker 4 (18:45):
It it is.

Speaker 3 (18:46):
The company that does the circuit boards, Like I'm not
even scratching the surface of what it's capable of doing,
Like people go there to make motherboards for computers or
like cell phones, Like it's like that grade of stuff
I'm doing, like dumb, you know, pedals and ship so
uh yeah, very high. Also a bunch of people putting

(19:08):
pre orders already order, just speeding everything up. I got
a meet with the screenprinting guy next week to discuss
how that set up is going to go and what
colors I can get and all that ship.

Speaker 5 (19:22):
But yeah, that's very cool man.

Speaker 10 (19:26):
What's it called one more time?

Speaker 4 (19:28):
The ache? The ache Ache? Yeah, and there's.

Speaker 3 (19:35):
A I just want to share this link how it
looks on my computer. Look, why does this modern link
look like it was geocytes?

Speaker 5 (19:42):
The dude that is weird. That is odd. Let me see. No,
that's strange because that is from the actual web page. Yeah,
it's just like that is not formatic.

Speaker 4 (19:54):
What is it?

Speaker 3 (19:55):
What do I need to do? I think it just zoom.
I think you're just really zoomed in.

Speaker 5 (20:00):
Well maybe zoom out.

Speaker 4 (20:02):
You know, there isn't it. I'm not zoomed in. Weird.

Speaker 5 (20:06):
Yeah, that is uh double click. That is very odd.
Would look at that is.

Speaker 10 (20:13):
What it is?

Speaker 5 (20:14):
Uh? Okay, so is this the story you're talking about that? Yeah,
this is talking about the Yeah, let's get into music news. Sorry,
just kind of So the the replacement bass player for
zz top Elwood his name, yeah, Elwood Francis. So he

(20:37):
has he has to play this seventeen strings bass that
he uh that he's got here the.

Speaker 10 (20:44):
War is that the one of the war acts or
whatever they call that.

Speaker 5 (20:47):
I have no fucking idea what this? So like? He Yeah,
that's that's that's that's wild that that website is looks
like that. That is that's Guitar World's fault. Maybe they're
having an issue or something. But uh, but yeah, it
seems like their website is formatted for mobile and not
for not for an actual not for desktop, which is

(21:09):
it makes sense, it doesn't, but anyways, he plays a
seventeen string bass. The bass looks absurd.

Speaker 10 (21:17):
It looks like it.

Speaker 3 (21:18):
I'll put it on the screen here.

Speaker 5 (21:20):
Yeah, it looks crazy.

Speaker 9 (21:23):
I saw a metal band play come through and a
guy played and something that looked a lot like this,
But it wasn't this big that you know that band
was it? Behold the Arctopus you heard of them? Guy
plays guitar. Looks like that, but it doesn't. That's insane.

Speaker 10 (21:37):
Yeah, so like hat so this was crazy.

Speaker 4 (21:41):
I watched the video of.

Speaker 3 (21:42):
Them doing this.

Speaker 5 (21:44):
There's a video on the on that.

Speaker 4 (21:45):
Yeah, well, good luck trying to get that to work.

Speaker 5 (21:48):
Let's let's let's try it, because I do. I would
like to watch something.

Speaker 4 (21:52):
I can just put it into.

Speaker 5 (21:55):
YouTube, yeah, or just hit the link and it will
take you to Yeah, it'll take you there.

Speaker 4 (21:59):
But but this is yeah, that's.

Speaker 5 (22:01):
So the thing. The point of the of the article
is him saying that how much he hates the fucking bass,
he hates.

Speaker 10 (22:09):
It, has to play it.

Speaker 5 (22:10):
He has to play because the ship went viral. He
played it like he played it like for a for
one or two songs during his debut with the band,
and the ship went fucking viral and went insane, and
now he has to play the bass when.

Speaker 3 (22:27):
He plays for a couple songs. Man, it just got
to be stupid heavy. It's gotta be.

Speaker 5 (22:33):
Yeah, I kind of want to look at it because, uh,
I mean, he only plays the like the bottom two strings,
I guess, just because the other ones are impossible to play, right.
I feel like Tony.

Speaker 10 (22:44):
Lev like, how could you rip wrap your arm around
the bottom?

Speaker 4 (22:47):
Can't?

Speaker 3 (22:48):
He just plays the ones closest. These are like real instruments.
It's just like plays this.

Speaker 9 (22:56):
Yeah, you couldn't play it, like you couldn't turn it,
turn it up like turn it up vertical and play
it a little.

Speaker 10 (23:02):
More, you know what I mean.

Speaker 4 (23:03):
Known, So yeah, looks like it's a chiller on your back.

Speaker 5 (23:07):
Yeah, I mean, look how the way he's like there's.

Speaker 9 (23:11):
A lot of drums over there too. See now he's
got his hands on the top.

Speaker 5 (23:18):
Okay, that's the first time I've seen him actually play the.

Speaker 10 (23:21):
He's playing he's playing the open string.

Speaker 5 (23:30):
So maybe he only plays a Verst song.

Speaker 3 (23:32):
Still, it's kind of yeah, I know, it's like they
don't utilize it like a gimmick.

Speaker 10 (23:38):
Yeah, just do something with it.

Speaker 4 (23:40):
Yeah, you think they'd like tune in the middle like
a harp, and he do something.

Speaker 9 (23:44):
Like that, or at least like make that top string
real low. You know, it is pretty.

Speaker 4 (23:48):
It sounded really low.

Speaker 3 (23:50):
But play him, like play it.

Speaker 4 (23:55):
That's pretty so basic, sounds like garbage.

Speaker 5 (24:00):
It's got the Fender logo, got the Fender logo on it.

Speaker 3 (24:04):
So but I mean, uh, they've always had cool gimmicks,
though I don't want to call them gimmicks since they're
actually a great band.

Speaker 4 (24:12):
But the fuzzy fuzzy guitars they.

Speaker 3 (24:15):
Did spun around, that's cool. It's but it's cool.

Speaker 9 (24:20):
This is not it's it's like this music doesn't it's
it's got to look like a piece of furniture because
like there's nothing in the music that he could possibly
do that would touch any of these all these strings.

Speaker 3 (24:35):
Solo bass.

Speaker 4 (24:37):
Now he's just playing a base line.

Speaker 3 (24:39):
He's playing a base line and it's mostly hammering a
big kind of because he can't reach both sides. And
what's this is what sucks about the basis all their
strings are like ringing and ship the whole time.

Speaker 5 (24:50):
Yeah, yes, yeah, right, I mean and By the way,
zz Top are still like literally one of the best
bands out there touring. They always sound great, like always
they're the best trio they are.

Speaker 3 (25:05):
I do you if you ever listened to the early
earlies easy Top stuff where it's like like the first
couple of records, it's really cool.

Speaker 4 (25:16):
So now he plays he plays that thing on every song.

Speaker 3 (25:18):
Now, I don't think I don't know they has to
have but he has to do it in every shows.

Speaker 4 (25:23):
Every show.

Speaker 5 (25:24):
Yeah, and he.

Speaker 3 (25:27):
Uh, well, you gotta have it.

Speaker 9 (25:29):
He can't be another brother man. You gotta like, you know,
have something. Yeah, at least he don't have like a
chicken bucket of his head. You know, like people have
to come up with some way to stand out.

Speaker 5 (25:38):
Well, what's your what do you have your Do you
have any problems with buckethead?

Speaker 9 (25:42):
No, I'm just saying like he had to do that
right because it's like just being good at guitar wasn't enough.

Speaker 4 (25:47):
No, it was it was more than that.

Speaker 9 (25:48):
Yeah, he's tall and weird and he's got the bucket
on the mask and you know.

Speaker 3 (25:52):
He's had like like weird anxiety problems and was like
and it ended that just ended up being the character yeah,
but yeah, so but it, you know, helped him. I
guess like if you were like right now, the closest
you could do would be like an Internet star with
like just trying to be a guitar player, you know
what I mean, be like Corey Wong or something like that.

Speaker 10 (26:14):
Right, you're just like making a.

Speaker 9 (26:15):
Ship to the about the guitar, which is different than
like being like Slash. Right, some like people are calling
you to do like guitar solos on songs, right, you
know what I mean, it's kind of like that whole
like like a superhero guitar player. There's still like space
for that. But I think you have to have some
sort of like thing to stand out other than just

(26:36):
being good, you know, because people are.

Speaker 3 (26:38):
So Slash is like from the before Internet time and
he still had it though, you know, he was good
and he still had to have a thing.

Speaker 5 (26:46):
But he had a look. But he had the look.
I mean, the look was that was it. I mean
I didn't even think Slash was like literally, I didn't
think Slash had a face for like the first four
years that he was out there because he didn't really
even he didn't do it interviews, you know what I'm
saying like he was like literally just like that shadowy dude,
like crushing it back there. So anyway, yeah, I thought

(27:09):
that was interesting and I wanted to watch that video.

Speaker 10 (27:12):
Goofy Goops based son.

Speaker 4 (27:14):
Yeah, yeah, he.

Speaker 5 (27:16):
Feels the same. Uh So In old old band News Journey,
they decided to go back out on the road and
said that everything was fine within the band. They've had
a lot of issues, but it's not mad anymore.

Speaker 4 (27:32):
Keyboard players like all cool now.

Speaker 5 (27:34):
They were definitely trying to pull that off with several interviews.
They definitely were like, oh, yeah, everything's fine.

Speaker 9 (27:42):
That dude was mad annoying in the documentary about them,
that keyboard player, he seemed he was acting like a band.

Speaker 3 (27:48):
How did that?

Speaker 4 (27:49):
But he was so lame as we was he trying
to sue.

Speaker 5 (27:52):
Him so he Yeah, they had some litigation a couple
of years ago where the keyboards Jonathan Caine sued Neil Sean,
the co founder really the founder of the band, over
spending and saying that he overspends. They say that they
have like a set amount of like I think like

(28:15):
fifteen hundred a day or something. Oh wow, it's like
that's how much you could spend on the card and
he was going over ten plus regularly. Damn so. And
also I read another interview where they were saying that
they're like, well, who manages the band? And he said, well,
he's self manage. It's basically Neil and John and their wives.

(28:39):
Oh in on this. And Neil Shawn's wife is a
actual housewife, like she was on one of those shows.
Oh for real, Yeah, she was on. She was married
to a different cat.

Speaker 4 (28:53):
She's a manager manager.

Speaker 10 (28:55):
How are you going to assume him?

Speaker 4 (28:58):
You know what I mean?

Speaker 9 (28:58):
Like, how do you if like I guess, if you
have a joint bank account, essentially.

Speaker 5 (29:02):
Just because he because he maxed out, he maxed out.
I think if he can show that he's had I guess,
I guess.

Speaker 9 (29:10):
If you just had a joint bank account and one
person was like whacker than the other, that would be
more of like a fight the two of you have.

Speaker 4 (29:16):
But that's that would be a personal bank account.

Speaker 3 (29:18):
This is a business like a business.

Speaker 5 (29:19):
Account, their business account. Yeah, this is a business account
for the band. So like you know, everybody can spend
a total of I think, like on hotels, that must
have been it must be in righting. Then this is yeah, okay, yeah, yeah,
something was they broke the rule, especially the American Express
and like the black cards and all that kind of stuff.
They don't play with that ship, you know what I'm saying.

(29:42):
As far as like when you max out and if
it's not.

Speaker 9 (29:44):
Fraud, He's like, damn man, I'm trying to ball. Man,
we got hits. Bro He's like, yeah, he got hits.

Speaker 5 (29:49):
Him and him and the wife supposedly are the ones
that are doing this, but they even.

Speaker 10 (29:53):
Know how their wives got into the even the conversation.

Speaker 5 (29:56):
This is, this is this is one of the worst things.

Speaker 3 (29:58):
They spending it together.

Speaker 4 (30:00):
That can never he just went with her to wherever they.

Speaker 5 (30:04):
Having I mean like, I mean, my wife even knows this.
But like unless like unless your wife is actually like
really really fucking knowlgeable and it's actually in the biz.
It's very odd for the wives to be involved in
the actual band business ever. But the problem is is
that when the wives talk like it can just become

(30:26):
a problem.

Speaker 9 (30:27):
It can just come Tom I don't understand how they
got in the room at all.

Speaker 10 (30:30):
I don't get it.

Speaker 5 (30:30):
Yeah, that's that's what has happening.

Speaker 9 (30:35):
Laps Well only got no slaps comes the demand with slaps.

Speaker 10 (30:40):
They got no slaps at all.

Speaker 5 (30:42):
So uh yeah, he is suing them because, uh he
is suing Neil because uh Neil maxed out one of
the cards at one million dollars.

Speaker 10 (30:52):
That is that's going hard for those guys.

Speaker 3 (30:54):
It's like they're not getting bottle service at like a
club and like paying for like you know, throwing hundreds
all over the place by doing like vacation like ye,
taking the resorts, giant fan resorts. Yeah, big ass barbecues
catered yeah yeah, food everywhere.

Speaker 10 (31:11):
It's like the party was catered, yes, yes.

Speaker 5 (31:14):
Yes, crazy crazy, so uh yeah. And they've had like
a really long history of lawsuits and that's really between
the two cats since twenty twenty. And that's around the
time when uh when Neil got with this housewife. Okay,
so so now the drama, it's all about the drama now,

(31:37):
a lot of Druma's drama in the house. Yeah yeah, yeah.
And they were trying to play off that there was
no drama. And I just saw that their European tour
was canceled.

Speaker 9 (31:45):
I don't know why they'd be fighting for fighting like
this about the fifteen hundred dollars and canceling the shows.
You know what I mean, I feel like some of
these problems, I don't know, that.

Speaker 5 (31:55):
Might be a whole nother thing the issue. Yeah, but
I mean it.

Speaker 10 (31:59):
Took up my man from the Philippines singing lead.

Speaker 9 (32:02):
Yeah. Man, you know he's salty. He's like, can y'all
get it together so we can get back on the road. Man, Like,
I don't care about none of this ship I'll talking about.

Speaker 5 (32:08):
I mean, they're making retarded money, but like, I mean, dude,
it's it's rough. The cat from Polo Mud West Scanlon
was arrested after a standoff. That guy, that guy, you
know that guy. He tries to sing Nirvana all right,
Oh I forgot.

Speaker 10 (32:30):
I'm like, is that the pudl of Mudd? Is that
other song? I can't even remember?

Speaker 4 (32:33):
How take it?

Speaker 9 (32:38):
I don't know what I'm talking about.

Speaker 3 (32:42):
I don't know.

Speaker 9 (32:43):
I mean, so it's that goes exactly like that, and
they have one other song. I only know those two know.
I know that you take it all the way, take
it all. And then there's also she fucking hates me.

Speaker 3 (32:59):
Oh I forgot, that's.

Speaker 5 (33:03):
That's puddle the mud. But yeah, he had a standoff
with SWAT. Uh last week with the SWAT team. With
the SWAT team, that's crazy over He just refused to
get out the car. He already had a I think
he already had a warrant for his arrest as well. So, uh, yeah,
he was speeding and refused to stop, and uh they

(33:24):
had to get a negotiator in there.

Speaker 4 (33:27):
What the fuck?

Speaker 5 (33:28):
Uh? Yeah, he's doing pretty bad right now. He had
fired his whole band. He's uh, there's been shows booked,
uh and he has not shown up to them, and
then they've been canceled. And then he says that his
team that he had hired was uh, was booking shows
without his knowledge. And then it's yeah, so.

Speaker 4 (33:52):
It happens more than you think.

Speaker 5 (33:54):
What's going over there, Reggie?

Speaker 10 (33:55):
I was trying to find that song?

Speaker 5 (33:57):
Is that?

Speaker 3 (33:57):
Trying to find this I couldn't find that.

Speaker 5 (34:01):
That's the take It All Away song? Yeah, that's all Yes.

Speaker 3 (34:08):
I was like, okay, yeah, that's it's one of the other.

Speaker 5 (34:11):
Hits, yeah them yeah blurry take It All Away all Away? Ye.
So yeah, thoughts of prayers, thoughts and prayers, man, you're
going to jail. Yeah, he definitely probably going to jail. Bro,
you're definitely going to jail. I don't know he can.
I mean his royalties hopefully can pay for a good lawyer,
you know what I'm saying. So the slaps man, Saint

(34:36):
Vincent thinks that John Mayor's Daughters is the worst song.

Speaker 9 (34:39):
Ever written, worst song ever written, worst song ever written.
That's up there, that's a rough song. Who says who?
Who was saying?

Speaker 4 (34:46):
Saint Vincent says that John Mayor's.

Speaker 3 (34:48):
Daughters there's one of the wonder who who's trying to
get attention here?

Speaker 4 (34:58):
That's so dumb out of a yeah.

Speaker 5 (35:05):
But she has been doing a rollouts.

Speaker 3 (35:09):
She's had an opinion on something. She's rolling out that's
oh my god. She doesn't like everything.

Speaker 5 (35:16):
But they're hot takes, their hot takes.

Speaker 9 (35:17):
I don't think dissing John Mayor is a medium take. Yeah,
that's kind of I think a lot of people are
with you that. Yeah, that's a real I think he's
a real easy one to like to throw something down
and people be like, yeah.

Speaker 10 (35:29):
That guy.

Speaker 5 (35:29):
But I think people hold Daughters up to like a
really high whatever you know.

Speaker 9 (35:34):
To care about that. But let's talk about what is
the worst song ever written? That's I don't know if
that were near the worst. That's not even as bad
as a yeah we did it, yeah, I mean, yeah
we did it is worse than Yeah.

Speaker 10 (35:48):
What else is worse than that?

Speaker 5 (35:49):
I mean? Is also one we saw.

Speaker 3 (35:52):
Corey Feldman, Yeah we saw yeah.

Speaker 4 (35:55):
Yeah. Yeah.

Speaker 5 (35:57):
That's a hard one. That's a hard toss up.

Speaker 10 (36:00):
Because if you enjoy it in any way, can it
make the list?

Speaker 9 (36:03):
I know, I think it makes it less, you know
what I'm saying, because like Mambo number five is terrible.

Speaker 4 (36:08):
I hate it. I don't want nothing about it.

Speaker 9 (36:10):
It's kind of funny, though, Like I think it's kind
of as funny as we did it.

Speaker 10 (36:14):
It's not as funny as.

Speaker 3 (36:15):
We did it though, or or struck oh yeah yeah yeah, yes, yes,
Lady show.

Speaker 4 (36:29):
You can't do it.

Speaker 13 (36:30):
You can't do take a drinking from over yeah, make
you somebody.

Speaker 3 (36:42):
You want that buddy he wanted to.

Speaker 10 (36:52):
And man, man he's so good. You can get a
little taste of that.

Speaker 9 (36:57):
Just just remember you know, I got it right, Yeah,
I'll pull it, man, I got What else was is
the worst song ever written?

Speaker 5 (37:06):
I was gonna say any of the songs from the
nineties that became big one hit wonders. Macarena could be
one of the worst songs.

Speaker 10 (37:14):
I don't hate the macarena.

Speaker 4 (37:15):
I don't hate that the macharna, you know.

Speaker 9 (37:19):
I think that's I feel like something like, you know,
like the Superman song Three Doors Down.

Speaker 10 (37:25):
That Superman song.

Speaker 4 (37:26):
Wow, that's a rough song. You can call me mawn
That shit is crazy that.

Speaker 3 (37:36):
I hate it my head brewery bands cover that. That
is a brewery band song. Oh man, that's a rough song.

Speaker 5 (37:44):
Man. What is one of the worst songs of all time?

Speaker 9 (37:49):
I know songs I don't want to hear ever again,
but they're not you know, American Pie.

Speaker 3 (37:53):
I don't want to hear that ever again.

Speaker 5 (37:54):
Yeah, that's I think one of the worst songs ever written.
I'm stupid.

Speaker 9 (38:00):
I'm that's a hot I think that's a hot take
that being the worst song ever. I don't think it's
tore As song. Yeah, I think the hot time that's
one of that. Yeah, scatman, Oh, that's a terrible.

Speaker 4 (38:16):
Why you.

Speaker 5 (38:21):
Name what's the goal?

Speaker 7 (38:23):
Man?

Speaker 8 (38:25):
I mean.

Speaker 10 (38:28):
His dead face right here?

Speaker 2 (38:29):
Yes, look at that, but you shouldn't do that.

Speaker 3 (38:35):
This is just within saw.

Speaker 9 (38:42):
It took that check Lady, Saw took this check back.

Speaker 5 (38:46):
Get me man, Will Smith could never still feels unfinished.

Speaker 10 (38:56):
Something in there.

Speaker 4 (38:57):
Yeah, guitar and.

Speaker 3 (39:02):
He was my favorite.

Speaker 4 (39:06):
This shot.

Speaker 14 (39:09):
What you can This is the whole album of that
wasn't not anything to do with each other.

Speaker 9 (39:28):
Song right now, that is a terrible song. But is
it the worst song ever made? No, I don't think so.
I think we did it is up there. We did
it as I love here. I love we did it though.
See that's what I'm saying. It don't doesn't count, but no.

Speaker 5 (39:40):
No it does because like that's like a guilty pleasure.
I mean, that's a real guilty pleasure. We did it.
It is, like it's not good, but man, it's amazing.

Speaker 9 (39:53):
Like it's gotta be some one of those like Eagle songs.

Speaker 2 (39:57):
You know what.

Speaker 5 (39:57):
I think, take It to the Limit could be one
of the worst songs everday, Like they got a couple of.

Speaker 9 (40:00):
They got some songs that statement Radio and Sunrise or whatever.

Speaker 5 (40:05):
That song is terrible, but uh.

Speaker 10 (40:08):
Cheezburger in Paradise is pretty bad.

Speaker 5 (40:10):
That's Jimmy Buffett. Yeah, yeah, he's got some of the
worst songs. Actually, that's a rough song. Yeah.

Speaker 4 (40:22):
No, ironically, I think I like.

Speaker 5 (40:28):
Obviously put some nice little auto tune on uh John rules.

Speaker 4 (40:33):
Oh yeah, the fact.

Speaker 3 (40:40):
So like it drums late or something.

Speaker 15 (40:42):
Yeah, you're talking so far, like the drums ain't loud enough. Yeah,
it's like, man, this is a lesson.

Speaker 4 (41:02):
Lay like a diller thing that much.

Speaker 3 (41:04):
It's wait, very subtle, any woman, I won't please, man,
I give up.

Speaker 5 (41:10):
You can touch a touch a boot.

Speaker 3 (41:15):
Only two thous.

Speaker 5 (41:22):
So bad is so bad. It's just like such a weird.

Speaker 3 (41:28):
It's like.

Speaker 5 (41:31):
Jame's Headfield's vocal just sounds like it sounds bad in
same Yeah.

Speaker 4 (41:36):
Remember, I'm like, what what straight man man? We are
We're not.

Speaker 3 (41:43):
We're almost a quarter of the way through this yeah song.
He's the long, long long as for four minutes and
forty five seconds and skill it takes John Mayer's daughters.

Speaker 5 (41:55):
Okay, yeah, let's yeah. Because he's just commenting on the
lyrics and how like that, how the lyrics are really
bad and they're very uh and they're very sexist, you know,
the sexist lyrics.

Speaker 9 (42:10):
Bro man, indie musicians fighting over lyrics, that's you can
that's just boring. It's just boring, man, That's all it
is to it. The subjective. You think it's Yeah, I
agree with that's so subjective.

Speaker 5 (42:23):
I agree with that. It's it's pointless to argue about
super pointless about interpretation, like come on, man, let it go.

Speaker 10 (42:32):
Write what's song you want?

Speaker 3 (42:33):
Right?

Speaker 10 (42:33):
Don't play that one no more?

Speaker 4 (42:39):
Even the video over this, Like I'm not watching that.

Speaker 5 (42:42):
Put it up? Put up the video?

Speaker 3 (42:49):
How many other views you got?

Speaker 5 (42:52):
Millions?

Speaker 4 (42:59):
No?

Speaker 3 (43:03):
The way he like looks like, I feel like, this can't.

Speaker 5 (43:07):
I can't.

Speaker 9 (43:07):
It can't be the worst song. Yeah, but it ain't
the worst song in the world because it sounds good. Yeah,
some of the his voice sounds good.

Speaker 10 (43:15):
You know, it's tasteful. Yeah, it's just it's corny.

Speaker 7 (43:19):
Yeah.

Speaker 9 (43:19):
Yeah, that's why I think it falls into the just
like not for me bag, because like the worst song I.

Speaker 3 (43:26):
Ever heard, you know what I mean? Yeah, it's not
a lullaby dude singing about his daughter.

Speaker 4 (43:31):
Yeah, yeah, I see your daughter.

Speaker 5 (43:33):
It's not it's not the worst.

Speaker 4 (43:34):
I can't.

Speaker 3 (43:35):
It's not like we built the city on rock and
roll nah, or something like that.

Speaker 5 (43:40):
Your Body's a Wonderland could be.

Speaker 10 (43:41):
I feel like that's worse.

Speaker 5 (43:42):
That's that could be on there.

Speaker 10 (43:44):
Yeah, your Body's Wonderland is the worse song.

Speaker 5 (43:46):
Because some of those Some of those songs like literally
started up genres, genres genre right, adult contempt its genre,
you know what I mean? Like that that sound, that
sound of that song like people just ripped on that ship.

Speaker 9 (44:00):
Ultra ultra close acoustic guitar and the Daylon acoustic guitar
is like inside of a vocal booth.

Speaker 10 (44:08):
You know, everybody holding their breath.

Speaker 5 (44:10):
Do you want to listen to that real quick with
that Body's of wonderland?

Speaker 4 (44:12):
No, we know what that sounds.

Speaker 10 (44:15):
That's worse.

Speaker 4 (44:17):
That definitely is.

Speaker 10 (44:18):
That's worse.

Speaker 5 (44:19):
Okay, let me see here.

Speaker 10 (44:21):
Kiss has got some pretty terrible songs too.

Speaker 5 (44:23):
Now there you go. They were talking about worst songs.

Speaker 4 (44:25):
They got some bad songs. Let's put the X and sex.

Speaker 3 (44:29):
Come on, man, I don't even know what that That
ship is terrible, so terrible, there's.

Speaker 5 (44:37):
They got so many they got some rough songster children's music.

Speaker 10 (44:41):
I'm gonna say, Kiss is probably worse than John Mayor take.

Speaker 5 (44:45):
That's not that's not a hot take at all. They
are terrible. They have terrible songs.

Speaker 10 (44:51):
And there's and the light shows off the chain though.

Speaker 5 (44:53):
And I feel crazy when I hear it when I
when I like a couple of them like, I like
that uh I was Made for Loving You song. I
kind of like that song.

Speaker 10 (45:02):
Idea, what you're talking about?

Speaker 5 (45:03):
My friend?

Speaker 4 (45:03):
Is there the other one? There's another one, this old
boy rock and roll Jesus.

Speaker 5 (45:10):
It's like when they were doing kind of new waving, Like.

Speaker 3 (45:17):
It's like with the it's from the early early stuff
when it was still like yeah that made for Loving You.
That's like disco Gene Simmons like, that's weird ship.

Speaker 5 (45:27):
Yeah yeah, I mean there's just like some that's.

Speaker 4 (45:30):
The boogie Wonderland equivalent for a kiss.

Speaker 5 (45:33):
Yeah damn yeah, they definitely got some boogie wonderlands. Sure
they have multiple song is kind of fire. So because
there's a real songwriter, Desmond Childs, who wrote some big songs.
He's a big he's a good writer.

Speaker 3 (45:51):
Like the dude that did Don't Move is a heist.
He wrote one of the uh hits, that kiss.

Speaker 5 (45:59):
At That was a ballad.

Speaker 3 (46:00):
Yeah, it wasn't back, but it was the other ballad. Yeah. Yeah.

Speaker 5 (46:04):
Speaking of speaking of maybe some guilty pleasures from the eighties, Aerosmith.

Speaker 10 (46:11):
Retiring, why are we acting like?

Speaker 4 (46:14):
Well?

Speaker 3 (46:14):
I thought they they haven't like gigged together in a
long time, because ever since that tour when they fired
their drummer, they got mad and then they had the
new guy. But then they haven't been playing in a while.

Speaker 5 (46:25):
No, they were playing up until they were playing up
until twenty twenty three. They also had like a little
Vegas residency that was that was going on.

Speaker 3 (46:34):
So it happened.

Speaker 5 (46:35):
So I guess he damaged his larynx, Steven Tyler. Yeah,
damaged his larynx and nodes or you can't fix it
on a gig. It was supposedly from a gig. Maybe
he blew out his voice or something like just badly
and uh yeah.

Speaker 9 (46:53):
He's a lot of screeching man, he did it. He
I mean he had quite to run for a lot
of hollering and screeching. Yeah, and he always sounded pretty good.
There were model of videos of them in which he
sounded like ship sounds like someone that was like sick.
He'll be funny, like yeah, even on drugs.

Speaker 3 (47:10):
Yeah but he coming yeah yeah.

Speaker 5 (47:15):
Right, yeah, but yeah, Like but his voice is kind
of a hard one to like to fake. Yeah, you know,
his yeah, wanted to impressionist. It's dependable, you know what
I'm saying. Steven Tyler is like, you know some guys
like their voice is like a brand, and Steven Tyler
is one that's like has been dependable for like sixty years,

(47:35):
fifty years maybe sorry, yeah, but uh it has changed,
but it has gotten better. Like but man, they're eighties
ship Love an elevator, Take me to the other side. Uh,
Janie's gone, Like that's's got good.

Speaker 4 (47:51):
All that.

Speaker 5 (47:53):
And permanent vacation that angel like, I mean all that
ship gets played three fucking day, dude.

Speaker 3 (48:02):
Dream on dreams the time.

Speaker 5 (48:04):
Every day.

Speaker 10 (48:05):
I hear that shit on her all the time.

Speaker 5 (48:07):
Walk this Way, Walk this Way, sweet emotion.

Speaker 9 (48:10):
I to this. When I first when I saw the
Walk this Way video, I didn't know they were a
band irishman. Yeah, you thought.

Speaker 4 (48:17):
There's some actors.

Speaker 3 (48:18):
Yeah, I thought there were some actors like the right band. Yeah,
I can see that.

Speaker 9 (48:24):
I was like, oh, okay, look for a character because
like in that video he looks like kind of like
the Ultimate Warrior or something.

Speaker 10 (48:31):
He's got like tassels coming.

Speaker 5 (48:32):
Off his elbows, had full chest.

Speaker 4 (48:34):
Yeah.

Speaker 10 (48:34):
I was like, oh, there's like some wrestlers or something.
I didn't even know they were a band.

Speaker 5 (48:39):
Ud dude. Well yeah, so yeah, they were retired. They
said they were going to retire from the road. I
do not believe them.

Speaker 9 (48:48):
If he can get that voice back going, they'll go
back out and he might really must not be able
to sing it all.

Speaker 5 (48:53):
No, they're gonna go go back out with somebody else's
they're gonna do something different.

Speaker 4 (48:58):
I gotta say, he's still alive and they've had a
long run.

Speaker 3 (49:01):
Just leave it bag. I don't like that either.

Speaker 4 (49:03):
Everybody is there except for him.

Speaker 3 (49:05):
Yeah, I don't like that.

Speaker 4 (49:06):
They just said, it's just that you can't fuck with
the singer. They have.

Speaker 5 (49:11):
They've always been funky with Steven Tyler when he wanted
to do his own thing or they or his voice.
They like, there's just like mad, passive, aggressive, like all
the time.

Speaker 10 (49:20):
He really didn't do much stuff without them.

Speaker 5 (49:22):
He really didn't.

Speaker 10 (49:23):
He didn't do like that.

Speaker 5 (49:24):
He did see the cameo. He did a solo album
that was terrible solo album in like twenty fourteen.

Speaker 3 (49:32):
Perry was hating.

Speaker 5 (49:33):
They were hating on each other because he was like,
I'm going solo. They both went so when he started
getting sucked up again, then he like left the band
and then they were like, oh, you get fucked up.

Speaker 9 (49:42):
You know, they would get mad Joe Perry Blues Explosion
or whatever. Yeah, exactly was trash anybody that's not the
name of it, butte.

Speaker 5 (49:56):
Another Hollywood vampire, Hollywood Vampire's record. No, I try to
hear that ship either, but.

Speaker 10 (50:03):
Yeah, you and Dave Navarro put the cowboy hats on.

Speaker 5 (50:07):
I'm telling you right now, mark my words, Mark my words.
Before the end of the year, Joe Perry and the
rest of the cats are gonna they're going back there.
They're gonna go back out. I bet you it won't
be called Aerosmith, but they.

Speaker 4 (50:23):
Find some teenage Russian dude. No, they're gonna go over.
They could do the exactly like exactly.

Speaker 5 (50:29):
Look like Miles Kennedy or.

Speaker 10 (50:31):
Somebody like this would be somebody like Pink.

Speaker 9 (50:33):
They would get Pink to do it, you know what
I mean, somebody like that's like just like somebody just
the out of the songs that don't sound nothing like
Stevens would tear that ship down.

Speaker 5 (50:45):
Fergie would crush it. Yeah, should I take me to
the other sor.

Speaker 3 (50:56):
She would go crazy over that. She'd be doing cart
wheels during that song.

Speaker 5 (50:59):
Bro, you know, get Christian Aguilera. They're gonna do it.
I'm telling you it's it's crazy.

Speaker 9 (51:07):
I think honestly, that's why I stop giving a ship
about Journey once they once my man and Steve Perry
wasn't anymore. I mean, I don't care about this now.
That other guy, that's a great story. I watched that documentary.
That's amazing. You get a gig from karaoke like and
then going to world tour. That's amazing. And they treated
him like they were like giving him music boot camp.
Those dudes were so lame that that piano player is

(51:29):
so lame man. He's like, dude, this dude knows all
the songs, man, while you got why are you pretending
like you're giving him voice lessons?

Speaker 10 (51:34):
You already found him.

Speaker 5 (51:35):
Yeah yeah, Yo.

Speaker 10 (51:36):
They're trying to make it like this is how you
actually see this.

Speaker 4 (51:40):
Show.

Speaker 3 (51:40):
And this dude was like sprinting all over the stage.
He's like, this guy is fine.

Speaker 9 (51:43):
Man, if you've actually never been a front man of
a rock band ever, so you know, yeah, I haven't
you know your your opinion on this?

Speaker 5 (51:52):
You know, you gotta definitely check out that document.

Speaker 10 (51:57):
Is it called Don't Stop Believing? It may be something
goofy like that.

Speaker 5 (52:00):
Yeah, I think that's what it's called. Yeah, let's see
here real quick. Do you think that hip hop should
have a adult contemporary hip hop category?

Speaker 3 (52:12):
I thought it already did. Yeah, Golden age or whatever.

Speaker 5 (52:16):
I don't think. I don't think it's like official a fish.

Speaker 4 (52:19):
What what that mean?

Speaker 3 (52:20):
I guess is the question?

Speaker 9 (52:21):
Is it like slow jam rap or is it like
rap of older older people?

Speaker 5 (52:25):
I think rap of just older people.

Speaker 9 (52:27):
I think that's kind of whack. It's gotta be about
the music, whatever the name of it is.

Speaker 3 (52:31):
It's not about the audience of the Yeah, the audio, Yeah,
fuck that.

Speaker 5 (52:35):
That's a good, good point.

Speaker 10 (52:36):
That's my opinion.

Speaker 4 (52:37):
We're talking about the muse.

Speaker 9 (52:38):
You call it classic, right, You go like, oh, like
classic rock is like a particular era, while it's like
heavy metal is like a particular genre, you know what
I mean? But they sound different? Yeah, got it sound different?

Speaker 5 (52:54):
Okay. The last couple of things I have here. One
is like just an announcement that I think that people
have seen it probably by now. But Drake put out
like a hundred gigs of like stuff on a website
and put like three three new songs and a bunch
of like behind the scenes shit, you know, like him
in the studio and all this kind of stuff and

(53:15):
like pictures them doing recording at Abbey Road and stuff
like that.

Speaker 10 (53:20):
Right, Drake fans, you know, I eat it up.

Speaker 5 (53:23):
I think it's it kind of reminds me of the
paral thing where he dropped that album that's not the
Secret album now streaming and you know, Jack White put
out a vinyl that's not on streaming, you know, which,
like you know, all right, but uh, you know I
like people doing this.

Speaker 9 (53:41):
I do too, especially if you're already rich. You know,
if you're already rich, like help us, you know what
I mean? Like people that the only reason those streaming
services work is because like Drake and like Beyonce, Taylor
Swift and maybe one other person is like ninety five
percent of the music industry, like at all. So if
those four or five people weren't there, they would used

(54:03):
to be stuck with regular people.

Speaker 10 (54:06):
Yep, and that'll be better. But you know, yeah, take
your ships off there.

Speaker 5 (54:13):
Nobody ain't nobody trying to do that word because they
all have exclusive different deals, exclusives where they have exclusives,
different deals with Spotify than the mirror.

Speaker 9 (54:23):
You know, a rough trade people like records records, records,
rough Trade record. Yeah, they kind of drop a lot
of like music seems to be dropped there.

Speaker 5 (54:33):
Okay, is that the cool thing to do?

Speaker 4 (54:35):
I guess I don't. Yeah.

Speaker 5 (54:36):
In fact, rough Trade is definitely a cool It's a
cool place on the internet and drop your album at
the fucking like band store. Yeah, all the above pop up.
But I went actually to check this out this website,
and uh, you guys should check it out as well.
If I remember, I'll put in the show notes. But
you're sorry to find it by that time.

Speaker 4 (54:57):
No sound.

Speaker 5 (55:00):
Last thing here. David Gilmour says his Due album is
the best album he has made. David since the oldest
this is all old people news. This is this best
album he has made since Pink Floyd's Dark Side of
the Move.

Speaker 3 (55:18):
Okay, No, probably probably not, bro, we'll check it out.

Speaker 4 (55:23):
Probably not Man White wait till now White waits now
to be something.

Speaker 3 (55:27):
As good as that you should have been, I think
it would probably be like right out of your last week.

Speaker 9 (55:33):
How about even like thirty years between it is that
album seventy one or something in that album come seventy two?
Especially when Ago Man, especially when the cat that made
it says fifty years ago.

Speaker 5 (55:46):
Like it's like what these all these dudes are searching
for all the time. Like Peter Gabriel like he's got
his own huge ass beautiful studio, has not made one
hit in thirty years. Yeah, but he's like, but then
you come out with the album when he's seventy years old,
and you'd be like, this is the best shit I
made since Sledgehammer.

Speaker 9 (56:05):
It's like, come on, man, so it's not don't do that. No,
don't bring it up, like let us forget about it.
Don't let's forget about it. Don't bring Sledgehammer up. That's
just still slapping bro slapping on that better than any
song on regular radio.

Speaker 5 (56:19):
Prince used to do that all the time in the
late two thousand whatever. He would be like, this is
the best album since Sign of the Times. It would
and it would be every album, and I'm like, stop
doing stop calling the favorite album that the fans love.
Don't say that this album is going to be that album.
It can't.

Speaker 10 (56:37):
It's impossible.

Speaker 5 (56:39):
Don't do it. Like Dave Gilmore is mad old, He's
like super duper old. Ain't no way it's close to
dark side.

Speaker 10 (56:46):
Did Roger Waters say anything about.

Speaker 3 (56:47):
This bron taking care of things in the middle?

Speaker 5 (56:54):
Oh, that's right, Yeah, that's it. That's all I have.

Speaker 3 (57:00):
Thank Ye, I'm done with the Pink Floyd people. That's like,
come on, man.

Speaker 5 (57:09):
I thought that was funny.

Speaker 4 (57:10):
Expands it to the next generation.

Speaker 3 (57:12):
A couple down, fifty years.

Speaker 4 (57:14):
It's been a really long time, twenty twenty four.

Speaker 9 (57:18):
Yeah, insane, it's like this best please man, come on, man,
please stop giving interviews.

Speaker 10 (57:24):
Yeah, like I'm giving his.

Speaker 5 (57:26):
He's been doing a little too much, to be honest
with you, Like I think he might be the Corey
Feldman of the UK, Like he's now like that.

Speaker 9 (57:32):
He can't be because now he has a hit. Yeah,
it's real funny, guy. This band is a part of
music history. Man, No, don't do that.

Speaker 4 (57:39):
Yeah, don't.

Speaker 3 (57:41):
The goonies right now?

Speaker 5 (57:42):
Yeah it was a hot take. Yeah yeah, but uh hey,
we'll be.

Speaker 9 (57:46):
Back with hot take goonies sorright, that's a hot take
for you goonies.

Speaker 8 (57:56):
Just slept.

Speaker 5 (57:59):
Okay, James, you got some slaps over there. I do
not remember what I threw up there.

Speaker 3 (58:05):
So yeah, we got a we got another song from
mister Billy Corgan here, Okay, you Smashing Pumpkins.

Speaker 10 (58:15):
This is actually Smashing Pumpkins.

Speaker 4 (58:17):
Now, yeah, Smashing Pumpkins. It's a full album from It's
not just you know what.

Speaker 10 (58:22):
I think I heard about this. Someone told me they
had an album.

Speaker 3 (58:25):
Yeah, yeah, and one another one another one.

Speaker 4 (58:35):
Cool and uh was it?

Speaker 3 (58:37):
Wow, he's got some funny name, Siam. I don't know, Siam.

Speaker 16 (58:44):
I have no idea of Smashing Pumpkins.

Speaker 2 (59:10):
Nails to Quick, Sandy done, Lightest.

Speaker 5 (59:15):
Say a dash.

Speaker 6 (59:18):
Swep one out.

Speaker 3 (59:23):
Last day, no sho.

Speaker 4 (59:29):
Jima te bad.

Speaker 17 (59:38):
I'm with chant spot chesling wood By, lights up, swell
on his change.

Speaker 4 (59:53):
Because take out any worn sound like some south right
rap yach.

Speaker 3 (59:58):
What does he say he.

Speaker 7 (01:00:03):
Is?

Speaker 10 (01:00:03):
Yeah he is speaking English, right Yeah.

Speaker 3 (01:00:06):
Well, the names of the songs all weird dreaming.

Speaker 6 (01:00:13):
Sound.

Speaker 3 (01:00:17):
It's a share.

Speaker 4 (01:00:18):
This explains.

Speaker 6 (01:00:26):
You can't I can't look.

Speaker 3 (01:00:29):
No words. I think he said excellent for scart. I
just gotta saying all the names of the album and
all the songs all like nonsense words.

Speaker 4 (01:00:39):
Maybe this is like he made up his own language
or something.

Speaker 5 (01:00:43):
Yeah, I'm sure there's something we're missing here.

Speaker 3 (01:00:52):
What you.

Speaker 4 (01:00:54):
Know kind of sounds like you know when Bork is
singing an ice landing or whatever.

Speaker 18 (01:01:03):
No, not.

Speaker 5 (01:01:12):
Her next avation?

Speaker 6 (01:01:23):
Stop?

Speaker 3 (01:01:25):
What?

Speaker 13 (01:01:27):
Alright?

Speaker 17 (01:01:31):
All right?

Speaker 5 (01:01:31):
All right? You know, I might I might not just
be like a big fan of Smash of Pumpkins or anything,
like I liked songs from a certain period from them,
but like there's been nothing that's that's really been appealing

(01:01:52):
for me at all since it's since ninety seven.

Speaker 4 (01:01:55):
You know, I don't.

Speaker 5 (01:01:58):
Maybe I'm just not really a fan like that because
like his voice gets on my nerves, Like I don't
like what's happening there, like the auto tune stuff or
whatever was that what was going?

Speaker 10 (01:02:08):
I didn't know what was happening.

Speaker 5 (01:02:11):
There's some weird shit on it.

Speaker 3 (01:02:13):
I'm trying to look up.

Speaker 4 (01:02:13):
What the deals with the name of the album. I'm
not finding anything. People are asking how to pronounce.

Speaker 5 (01:02:19):
It though they are, Okay, yeah, so we are. We're
not the only ones that.

Speaker 3 (01:02:22):
We're not the only ones, like at Auto Filled when
I put the new album English after it.

Speaker 4 (01:02:28):
So I don't know.

Speaker 3 (01:02:30):
I guess other people are asking the same question. So
the verdict, you know, jury's out on that.

Speaker 4 (01:02:34):
We don't know. We don't know, you know what.

Speaker 9 (01:02:36):
Honestly, I thought the band sounded fine, and I thought
the riffs sounded cool. I mean, I did think it
sounded a very much of a throwback. I mean, just
like a pro tools up clean it, like clean, right
down the center, alternative rock.

Speaker 3 (01:02:51):
Yeah, you know what I mean.

Speaker 9 (01:02:53):
But I kind of saw what he was trying to
do with the singing, but it was so unintelligible. Yeah
that like we couldn't he couldn't really get whatever sauce
that was on it, you know, like it's because he
was kind of moving in and out and off the
beat and this and that, but it just sounded.

Speaker 4 (01:03:08):
Like overly Billy Corgan.

Speaker 9 (01:03:13):
It was like extra Corgan sauce, like yeah, yeah, man, imitation. Yeah,
It's like I couldn't understand. I wouldn't even not even
trying to be funny, almost not understand a word of it. Yeah,
So I can't let it. I can't let it slap.
I might with you too, man, other than like tonight

(01:03:33):
and like you know, what's the world is a Vampire
and like about three three more.

Speaker 3 (01:03:39):
About I think I give him about three more songs
after that, But yeah, you're right, man, I can't do
nothing with this.

Speaker 4 (01:03:47):
I have to agree, I didn't.

Speaker 3 (01:03:50):
It. You know, it had all the smashing Conk's flavors
that the core changes and the little guitar sound. Yeah,
but it's not.

Speaker 4 (01:04:01):
I can't.

Speaker 3 (01:04:01):
But I I thought to praisers for Billy Corgan because
he's doing wrestling stuff.

Speaker 4 (01:04:05):
Now, I think that's great, But man, the hits. We
can understand what he said he said, we can, I know,
I don't know what he's going through right now.

Speaker 3 (01:04:15):
Yeah, because it's like this didn't used to be problem
yeah with old age, Okay, yeah, but yeah, I don't.

Speaker 4 (01:04:24):
Think it slaps.

Speaker 5 (01:04:26):
Okay, easy say anything? Did you did you give an answer?

Speaker 3 (01:04:31):
Oh?

Speaker 5 (01:04:32):
Yeah, pretty early.

Speaker 4 (01:04:33):
I didn't know.

Speaker 10 (01:04:34):
I mean I didn't. I didn't hear show no slaps.

Speaker 5 (01:04:36):
Yeah, I mean I think my opinion. Yeah, it was
like kind of going in that direction where no, all right,
well no.

Speaker 4 (01:04:43):
Nobody likes you.

Speaker 3 (01:04:45):
Damn.

Speaker 9 (01:04:45):
Okay, that's some wild ship they're doing with that vocal production.
It's like it's like ultra stereo. There wasn't none of
them in the middle, and the harmony is coming up
behind it.

Speaker 4 (01:04:55):
Yeah, if you want to talk about vocal production, I'm
gonna listen. Lo YACHTI.

Speaker 3 (01:05:00):
Oh yeah, who knows? What he's gonna have. What guitar
pedal is going to be? We had the trembline wonder
last time, okay, so wait, hold.

Speaker 4 (01:05:11):
On, So actually it's Mike Will made it.

Speaker 10 (01:05:14):
Okay, But Loui Yadi.

Speaker 4 (01:05:16):
And La Wayne are the features on this.

Speaker 5 (01:05:19):
Okay. Yeah, what's the name of the jam?

Speaker 3 (01:05:23):
Higher with a three instead of an e?

Speaker 5 (01:05:26):
Right, okay, ghost.

Speaker 10 (01:05:35):
Piano competition.

Speaker 4 (01:05:42):
Already, So.

Speaker 5 (01:05:48):
Just better take flight, get a bit out of parents.

Speaker 2 (01:05:51):
I'm trying to to sights like this is the last
time I see you and all my right now, I'm.

Speaker 3 (01:06:02):
Like I'm flying.

Speaker 2 (01:06:03):
Then they didn't think I'm styber now, but then love
agapen for three days.

Speaker 6 (01:06:09):
You're doing enough?

Speaker 2 (01:06:10):
Tired, my mother. I want to take you higher.

Speaker 8 (01:06:15):
I want to.

Speaker 4 (01:06:18):
Character or something like.

Speaker 3 (01:06:21):
No one is telling anymore. You can't hear any lyrics.

Speaker 10 (01:06:24):
And I'm like, I actually understand.

Speaker 3 (01:06:25):
It's a lot better.

Speaker 4 (01:06:27):
And that's when you walked up.

Speaker 2 (01:06:28):
Yeah, it's just like a cho just like I heard that.

Speaker 3 (01:06:33):
Shower quickie, you can stick you billy.

Speaker 10 (01:06:36):
Last year, you'll run your.

Speaker 4 (01:06:41):
Billy slacking right.

Speaker 2 (01:06:42):
Was already and I heard her beep. I just received
me and wire.

Speaker 4 (01:06:46):
You know, shoe washed him.

Speaker 10 (01:06:51):
But I think that's still him already off. He's got
a different voice.

Speaker 2 (01:06:54):
I've been rolling.

Speaker 5 (01:06:56):
I still had that.

Speaker 10 (01:06:57):
It's like a trim.

Speaker 5 (01:06:58):
But it's like it's like out our parents.

Speaker 2 (01:07:02):
I'm trying to face it to.

Speaker 10 (01:07:03):
Sight right, that's where. That's where a little ways time
I see.

Speaker 4 (01:07:06):
You in all of my life. Later, I don't know.

Speaker 18 (01:07:09):
They come on your its just like Fazer's pressing out
like Pier.

Speaker 5 (01:07:14):
The most one.

Speaker 2 (01:07:14):
They ask come maor she asked me, so I.

Speaker 5 (01:07:18):
Can't she say why, sir?

Speaker 2 (01:07:20):
I told her that I's call it be your sex
you advisor.

Speaker 4 (01:07:24):
I don't play game.

Speaker 5 (01:07:27):
Get how you if it's a plug out?

Speaker 11 (01:07:28):
She gay, how you?

Speaker 2 (01:07:29):
I stit in th don fieture the fright. I kicked the.

Speaker 5 (01:07:32):
Mose out and be like hi ya.

Speaker 18 (01:07:33):
If she explodes, He's like she's an soda, like a vampire.

Speaker 6 (01:07:37):
Sixty nine of this.

Speaker 5 (01:07:38):
They can reclonel channel.

Speaker 8 (01:07:40):
They coming from Rhino.

Speaker 2 (01:07:43):
And right now do nothing whom him timing up three days.

Speaker 18 (01:07:49):
Look when I say out the PJ the shoes because
like ding K, they don't come out to three K
shouting and the U K listening to you g.

Speaker 4 (01:07:58):
K my plugs AGAs kill OK. I called him.

Speaker 18 (01:08:05):
Ignition, you having wear dreams because you're sleeping with the fishing.

Speaker 4 (01:08:10):
With no competition.

Speaker 2 (01:08:14):
She watched him back already.

Speaker 5 (01:08:18):
Okay, boy.

Speaker 3 (01:08:21):
Does it? Yeah, man, it's like something that's some breath
he talk, breathy talking.

Speaker 5 (01:08:28):
I don't like that.

Speaker 4 (01:08:31):
Face.

Speaker 5 (01:08:32):
Yeah, yeah, it's definitely go first.

Speaker 9 (01:08:34):
I'm gonna let it slap. I thought it was kind
of fun. Thought it was fun. Eat the vagina like
I'm a parhina had me.

Speaker 5 (01:08:41):
Week sixty nine and like a recline sixty sixty.

Speaker 9 (01:08:45):
Nine, like a recliner. Yeah, vagina like a parhina. Yay
slapping facts Little Wayne.

Speaker 5 (01:08:57):
Yeah, I agree, that's lap for me. I thought that
was fun. I thought it was entertaining.

Speaker 13 (01:09:03):
Uh.

Speaker 5 (01:09:04):
I thought they used the beat very well. I thought
Little Yachty list.

Speaker 10 (01:09:10):
The Wild makes the Wild Clipping mix crazy broke. He
likes that.

Speaker 5 (01:09:17):
That's his sound right now, and it's it's hot fire. Okay,
Drake is coming to him for for the hot fire
right now. So I think Little Yachty's question it. I
liked how he switched, you know, uh, octaves or whatnot
for each different voices, different voices. I thought that was dope.
I thought that was actually kept kept me interested in

(01:09:38):
what he was saying. Yeah, that's lap all.

Speaker 4 (01:09:42):
Right, cool, did you give me? You gave me? There
you do another one for you? Thank you?

Speaker 8 (01:09:50):
Uh wow.

Speaker 4 (01:09:53):
It's like just had all this, like not all, but
a lot of stuff that just annoys me with like.

Speaker 3 (01:09:59):
Like all the you know, and then like poorly mixed
like ship that kind of sounds like garbage, but then
like the base, like the lowers and like insane.

Speaker 6 (01:10:11):
Yeah.

Speaker 3 (01:10:12):
Head, it's like when you listen, it kind of sounds
like music that's just made for like those uh, those
those car stereo competitions, like this is made for that ship. Yes,
it's just a lot of stuff that I think is
fucking annoying.

Speaker 4 (01:10:29):
Uh but you know, all right, God bless God bless Uh.

Speaker 10 (01:10:39):
So that's that was fun.

Speaker 4 (01:10:40):
Yeah, that's cool.

Speaker 3 (01:10:41):
I guess this one I was like excited about at first,
and then I realized like all of it. But you know,
I'll just I'll just I'll just pull it up. So
there's this thing that was Vernon Reid on here, and
I thought it was like a thing that he did,
but it's not. It's just it's an empty five. But
I thought that was like, iam.

Speaker 4 (01:11:01):
Possible because I thought they're all like dead and stuff.

Speaker 5 (01:11:05):
They had one album that they were working on or
was already done with, like a couple of years ago.
I think, okay, just putting it out.

Speaker 3 (01:11:13):
Okay, it says Vernon read Dennis Thompson, who I don't know.

Speaker 5 (01:11:17):
I don't know who that is.

Speaker 10 (01:11:18):
I don't know.

Speaker 5 (01:11:19):
Actually maybe he's a singer or something.

Speaker 4 (01:11:22):
Not well, I mean, who knows, can't be found as
the name of the song.

Speaker 7 (01:11:41):
Come out at about it won't to tell.

Speaker 19 (01:11:43):
Me the rues kim being bound seeing it with my
whole I says they're not enough broke.

Speaker 7 (01:11:52):
Kim Bo, kim me understanding in a that's anyway Kimby,
I'm hanging bodrown.

Speaker 6 (01:12:06):
And im out a spy.

Speaker 20 (01:12:09):
He's not about a cold laser because maybe so outside
ain't about the won't humility and grace kepting fyn can't.

Speaker 6 (01:12:21):
Of stop the line.

Speaker 2 (01:12:25):
Keeping fine.

Speaker 5 (01:12:28):
Gets a baker stuff I.

Speaker 6 (01:12:32):
Was about and.

Speaker 19 (01:12:34):
You know the mother laws all I've accepted, the cow
all the rooms of deception, all right.

Speaker 5 (01:12:46):
Then the terms up, the SA.

Speaker 4 (01:12:49):
Nobody wants to listen, and the more.

Speaker 5 (01:12:53):
Bout bad I got the change in the nods.

Speaker 4 (01:12:55):
Imagine ever.

Speaker 10 (01:12:58):
From that's right, Ali, what.

Speaker 2 (01:13:35):
Well the grass is that treking?

Speaker 5 (01:13:38):
If it's all?

Speaker 19 (01:13:42):
When I reachonally talking more about nob you now just.

Speaker 3 (01:13:48):
Ho alright there yeah yeah, yeah, alright, social so your things?

Speaker 4 (01:13:57):
Yeah, tell me about who this?

Speaker 5 (01:13:58):
So Dennis Thompson at the because the original drummer from
the band so and so they're saying that he recorded
on this album because he just also just passed away,
so the good So what.

Speaker 3 (01:14:10):
So who what makes aside from the drummer, what else
makes this band?

Speaker 5 (01:14:16):
MC five? Wayne Kramer? Wayne Cramer is also on the Yeah, yeah,
this is like the last album that he did. Well, yeah,
they both did, and they both passed away this year.
So yeah, I'm not sure who's singing. I don't know
if that's who singing. Who's singing all? But it could
be it could be him, I guess who Wayne? Yeah

(01:14:38):
maybe maybe I don't know, it could be him.

Speaker 3 (01:14:40):
He usually doesn't like that's not usually what he sounds like.
And again it's been a long time, man. This is
like some southern rock too, just doing doing that southern
rock twang. To think of it in the context of
not being the MC five and seeing what I think
about it, it's different than if I know they're the
MC five.

Speaker 5 (01:15:00):
Yeah, yeah, so, uh yeah, that's that is the MC five,
though I guess it is at the last version of it.
But yeah, I thought that was fine. You know, I
thought it sounded good. I thought the drumming was really dope.
It was really energetic and uh just had a lot

(01:15:20):
of feeling to it. I thought the guitars were great,
the vocals susan you know, right whatever, the lyrics were
okay enough uh and uh yeah, I'm gonna let that slap.
That was fun.

Speaker 4 (01:15:36):
Me go ahead.

Speaker 10 (01:15:38):
Yeah, yeah, I thought it all sounded fine, but this
is like, this is not for me at all.

Speaker 2 (01:15:44):
Yeah.

Speaker 10 (01:15:46):
I thought that it was a great guitar solo.

Speaker 4 (01:15:48):
That was the best part.

Speaker 9 (01:15:49):
That was the best part because I was like, how
is he gonna fit into this? This is a pretty end,
you know what I mean?

Speaker 3 (01:15:53):
And he was killing it. He was killing that ship.
Just the singing, just like I don't want to hear that.
I don't want to hear that again. Yeah all right, So.

Speaker 4 (01:16:04):
Yeah, I'm just gonna say I like the guitar soul
a lot.

Speaker 3 (01:16:08):
I don't think it really is goodness. It did the
best it could to fit in the song. It was
really kind of another thing and whatever. I just like
hearing him play.

Speaker 13 (01:16:16):
Uh.

Speaker 3 (01:16:17):
I don't know, man, it's not this is one of
those things where I mean, good for y'all, but this
is like a band that like had a brief period
of time that was like destroyed and then like they
didn't have like the same I mean, it's just I
feel like it's done like this, it's been over for
a long time.

Speaker 4 (01:16:35):
You all weren't even like into it until your almost dead,
like you know.

Speaker 3 (01:16:39):
That's I don't know, it's just like and if none
of these they haven't been like putting out things consistently.
So yeah, it's hard for me to get hype about
stuff like this. So man, it's weird.

Speaker 10 (01:16:54):
Yeah, that's not that's not it.

Speaker 5 (01:16:56):
Yeah, who do we first listen to?

Speaker 4 (01:16:58):
Who we listened to?

Speaker 3 (01:17:02):
Uh? Smashing No it wasn't, Yeah, Smashing Spaslashing Pumpkins.

Speaker 5 (01:17:07):
Yeah you're like, no, it wasn't because it was terrible.

Speaker 4 (01:17:09):
Okay, So then we'll do one more. Jack White has
a song.

Speaker 3 (01:17:15):
Oh yep, all right, Uh, and it is called here
That's how I'm feeling, all right, Oh boy, explain some ship.

Speaker 4 (01:17:28):
There we go, Jack explaining.

Speaker 5 (01:17:50):
When it's cold upside, I.

Speaker 4 (01:18:01):
Need to strength you.

Speaker 6 (01:18:05):
Yes, I say yes, I says sound.

Speaker 18 (01:18:16):
Yes, son, Yeah, when I see you at night, I

(01:18:53):
needed that streamline.

Speaker 3 (01:18:57):
And when you call me and call.

Speaker 5 (01:19:00):
You only hear a dial zone. He needs pulling outside.

Speaker 18 (01:19:06):
I need to strength to steal alive, even win the minms.

Speaker 6 (01:19:10):
I need to straighten wheel off sounds sounds yell oh yeah.

Speaker 4 (01:19:41):
Over here, all right, you really like the way that sounds.

Speaker 3 (01:19:48):
Yeah, guitar stuff and just the whole mix that was
really cool.

Speaker 5 (01:19:53):
Yeah, go ahead.

Speaker 4 (01:19:58):
No, it was just like, well it sounded great, and
all that stuff is just like.

Speaker 10 (01:20:04):
Not I mean, your words, use the words.

Speaker 4 (01:20:09):
This is so plain.

Speaker 3 (01:20:11):
It's so bland really, and it doesn't it isn't like
catchy like everything else he does.

Speaker 4 (01:20:18):
As it's like hooks.

Speaker 5 (01:20:19):
This is just like no, no no no no no
no no no no no no no no no no no.

Speaker 4 (01:20:24):
It's just that the whole time. Man. Uh, I'm know,
I'm not impressed. I don't think that was that great.

Speaker 8 (01:20:31):
Uh.

Speaker 3 (01:20:31):
It did have all the sounds of things I like,
but the content of it is not. It was not interesting,
to too stripped down, not too simple, to to vanilla
to uh like almost like uh like when I say
stuff sounds like it's made by AI, like has characteristics

(01:20:53):
of it, but none of the actual human creativity to
make like catchy hooks and you know that type of thing.

Speaker 4 (01:21:00):
It's very uh.

Speaker 5 (01:21:03):
Bland bland.

Speaker 3 (01:21:04):
Yes, there's not puts more flavor in it. Yeah, uninspired,
But what do I know?

Speaker 5 (01:21:14):
Interesting because it feels like what he's it feels like
that he's trying to sound inspired, you know, doing a
good performance, you know, and I think that it is
a little bit of trickery, you know. I do think
there's a little bit of that going on with the
because it makes you definitely feel like that there is
a fresh thing happening, right because of the how the

(01:21:38):
other guitar comes in, because of the guitar and the
way that you're talking about how simple it comes. You know,
it's like it sounds simple. It's like I'm just going
to rocket.

Speaker 3 (01:21:47):
Well his stuff is a lot of times it's been
very simple, but it's been more effective and more the more.

Speaker 4 (01:21:53):
Yeah, it's been smarter.

Speaker 5 (01:21:55):
So I think that it could have been fleshed out
a little bit more, you know, I think that it
could have used a female voice maybe or.

Speaker 10 (01:22:04):
The tempo was a little awkward.

Speaker 4 (01:22:06):
I was telling me, like, if it was a little
slower or a little faster, if it's.

Speaker 3 (01:22:15):
This kind of sounds more white stripes, because it was
kind of like the stripped down to the distortion, which
is like the big white stripe, right thing right, And
then he had his like cook like the sports hook
in the middle, not it's not sports hook, but like
the like, you know, just the two sections.

Speaker 10 (01:22:31):
I see the song probably going off, you know, yeah, I.

Speaker 5 (01:22:35):
Think I think it's going to go off because of
how simple it is, but.

Speaker 10 (01:22:40):
Definitely like it's about it too.

Speaker 5 (01:22:42):
I feel like the lyrics could have been flushed out
just a little bit, you know what I'm saying, or
maybe a couple of sections could have been cut, you know,
to keep that kind of long lyrics section urgency going. Yeah, yeah,
that's true too, But that's what I'm saying. It's like
it could have been developed a little bit or like
just added some another always for for you know, for

(01:23:02):
some like variety, you know, it could have it could
have got there, you know, but I feel like it's
like it feels too stripped down. I don't think it
feels bland, but I do think it feels like that
he could have pushed the envelope a little bit, you know. Okay,
so it's cool, but it's not you know, it's I

(01:23:25):
can't let that slap.

Speaker 3 (01:23:29):
You know what.

Speaker 9 (01:23:29):
I felt like he did do his formula of the
simple glassline thing, but the actual riff that he ended
up with is just like you I agree, it's it's
like two vanilla.

Speaker 10 (01:23:42):
I think about bomb boom boom boom boom bomb, you
know what I mean of whatever it is. You know,
it's like it's just a little bit more or that.

Speaker 5 (01:23:52):
No no, no, no, no, no, no no no.

Speaker 10 (01:23:54):
Think think about the ones that made it. They're simple.

Speaker 9 (01:23:57):
But the riff itself is it's goods to catch your song,
and this is not catchy. It's very like, you know, yeah,
because I'm trying to remember how the hook went right now,
and I can't.

Speaker 5 (01:24:07):
Remember because it's simple. He's trying.

Speaker 4 (01:24:12):
That's like.

Speaker 5 (01:24:16):
He's trying to make that catchy because yeah, but that's
just like, that's not catchy.

Speaker 4 (01:24:23):
That's what goes on under the hook that you're singing.

Speaker 3 (01:24:26):
But he's not saying anything. He didn't do anything else.
It's lazy.

Speaker 9 (01:24:30):
Try harder man, all right, you know, I agree with
most of it, James says, but I don't think it
was lazy. I think he got like I think it
was like overproduced, you know what I mean. They like
he's constantly taking it out. It's like not that, not this,
not that, and then like the one bell or whistle
that could have made this into something got I think

(01:24:51):
got taken out.

Speaker 5 (01:24:52):
It's over reduced.

Speaker 9 (01:24:53):
Yeah, over it got oversimplified. Yeah, I can't let it
slap either, even though I do like the way she's
not going to go into the list of Jack White
songs that I'm hell.

Speaker 5 (01:25:03):
Now all the like little like hipster type ship that
you like in a record when you hear the drums
and how like cool they sound in the room and
ship it's like all that was there and the guitars,
and it was like it just didn't add up.

Speaker 9 (01:25:19):
To Like it's a little bit of the vibe too,
because like people talk ship about, you know Meg, But
I feel like the way that she was like speed
up for a second and just like stop or slow
down for a second kind of like made that ship
pop a little.

Speaker 4 (01:25:33):
Yeah, you know, the arrangements are more stripped down, yeah.

Speaker 9 (01:25:37):
Because it's just It's like that kind of made it pop,
you know, like she would be out for a second.
You know, like the fact that they're like kind of
chasing each other kind of made the fact that it's
part of some simple.

Speaker 4 (01:25:48):
Part of that garage man vibe. Because it's definitely sounds.

Speaker 9 (01:25:55):
This is super it's ultra produce, you know, too overly
massage maybe, you know, yeah, that's that's my opinion.

Speaker 5 (01:26:03):
What am I?

Speaker 3 (01:26:05):
But that's how it goes and slash. You know that
was three yeah, that was three notes?

Speaker 5 (01:26:10):
Yeah well now four yeah, well yeah, three notes, but
I gave a couple too, I mean just.

Speaker 3 (01:26:17):
For this song.

Speaker 10 (01:26:18):
You know, this is nobody likes you, which is surprising surprising.

Speaker 5 (01:26:22):
Jack Whites never really you know, been like a fave here, Like.

Speaker 3 (01:26:27):
You think, usually think it's cool, you know songs sometimes
sometimes he has cool songs.

Speaker 10 (01:26:32):
Yeah, sometimes guitar sounds and cool solos. I feel like
usually it's enough.

Speaker 4 (01:26:36):
We expected better.

Speaker 3 (01:26:38):
Yeah, I think I think it's what I expected better.

Speaker 5 (01:26:41):
I don't like Lucy's to sound like Lucy's like this
sounds like just like this was like out there. He
just like this is a thing, and it didn't feel
like that it was fletched out like I keep saying that,
but you know what I mean, Like the lyric, you know,
the lyric was just like so simple, but it wasn't
like power Yeah, yeah, I got you. Bye.

Speaker 4 (01:27:01):
That's it.

Speaker 10 (01:27:02):
It's it, okay, peace y'all

Speaker 1 (01:27:55):
And sadly the podcast is no more

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.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

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.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}My Favorite Murder with Karen Kilgariff and Georgia Hardstark

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