The Hustle Season: Ep. 351 Christian News Network

Topics include:

• Next year is reunion season
• Linkin Park did not get the memo that scientology sucks
• Talk shows are losing ratings and money
• MBU: James Earl Jones, Frankie Beverly, Will Jennings, Sergio Mendes 
• SLAPS:  Linkin Park,  LL Cool J, Leon Bridges, Future Islands 

• Tan.gent on Spotify, Bandcamp
• Follow The Rumble Trio
• New NOBS Brass EP HERE

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Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hustle-season-podcast--2776072/support.

Episode Transcript

Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, man, Yeah, what's wrong with the bo we got?

Speaker 3 (00:09):
It's trash. It does not slapped call and response. What
are you guys even doing? I got that much ask
years ago. They tried to years ago. They tried to
put me in there. That means you're a lion Stram.

(00:33):
I did it with the peck.

Speaker 4 (00:35):
And the rock.

Speaker 2 (00:39):
Oh come on in, Bonator says he.

Speaker 3 (00:44):
The water's fine.

Speaker 5 (01:19):
Yeah, yeah, it's the Hustle Season podcast, show.

Speaker 3 (01:27):
Back again with you. It was like episode three hundred
and fifty one one for you one like Bike three.

Speaker 5 (01:36):
I'm really happy about that guy. I think we've I
think you know. I'm proud of what we do here
at the Hustle Season. I don't think we say that enough.

Speaker 3 (01:43):
No, but we all should.

Speaker 6 (01:46):
Yeah, man, uh shout to Hussies out there, All Hussies listen,
whatever you're listening to us, watching us on, just subscribe there,
put a good review or whatever.

Speaker 7 (01:57):
I don't care what you say in the comments, as
long as you leave the five stars whatever, because it
helps the algorithm. Shit and if you really like us,
go on Patreon because we have the link, and just
give us money.

Speaker 5 (02:09):
Basically, that's it, and we'd really appreciate that. And you
know what, we're worth it facts and you're worth it. Yeah,
and you yes, you deserve it. You deserve it, You
deserve it, deserve these slaps every Okay we did Uh
we had a regular amount of times since last episode.

Speaker 3 (02:28):
Right, Yeah, we didn't take a week off.

Speaker 8 (02:30):
Yeah, no, no week off. No, let's see real quick.
This Friday, which happens to be Friday the thirteenth, crazy.

Speaker 3 (02:40):
Haven't had one of those in a while.

Speaker 8 (02:41):
Okay, Friday the thirteenth, I'll be playing at the Savory
Grain with my quartet, Check Fryarson, Williams, Randall Farr, myself,
nine thirty to midnight for free, come through, hangout at
the Savory Grain.

Speaker 5 (02:59):
Let's see anything else. No, that's it, that's it. Oh,
but we're doing plugs right now. Yeah, September the nineteenth,
Nobs will be at anytime Beer Company north Side and
we've never played there before, so come home through with it.

Speaker 3 (03:21):
ABC, ABC, I like it. Rumble Trio.

Speaker 5 (03:26):
We don't have anything until October, but we are doing
North Side Fest and first Friday.

Speaker 3 (03:31):
Oh yeah, Gallery five. Yeah, we're doing north Side Fest too,
north By Northwest or.

Speaker 5 (03:36):
Sure or whatever it is for beers to put east in.
Oh no, that's the north Yeah, the only north Side musicians.

Speaker 7 (03:43):
Ye yeah, so me and gay Bar for us technically
isn't north side, but he's on that side of the
I mean he lives really close to me, so that's fine.

Speaker 3 (03:54):
But yeah, they did move. They did move. I lived
in the ward.

Speaker 5 (03:59):
What now they they've lived over by where the train
crossing is, okay by hardy would ok for like over
a year?

Speaker 3 (04:08):
Oh good, good, yeah, great, glad to hear that. Yeah, no,
it's the police. They got a pool and ship. It's nice. Great, Yeah,
it's a it's a it's a pool apartment.

Speaker 8 (04:18):
But oh really cool, very nice, all right, good, all right, sweet,
well been beautiful. Let's let's just get right into.

Speaker 3 (04:28):
It, get right into it.

Speaker 8 (04:29):
Yeah, I mean looks like twenty late twenty twenty four.
Twenty five seems to be the year of the reunions.
I mean a lot of bands coming back. Oasis just
announced that their return. Uh yeah, I mean facts, when
you really think about it, when you really think about

(04:51):
the songs, that you like from.

Speaker 3 (04:52):
Oasis three slaps. It's on one hand, for sure, you're
gonna give them forward. No, I was like, I'm trying
to get to five.

Speaker 8 (05:01):
I could get I think I could get to five
because I like, I like Live Forever.

Speaker 5 (05:05):
Of course, what is that that's we're gonna go live Ever?
That one that's not that's not on my list, that one,
that one was not there's man Bag that song.

Speaker 3 (05:17):
And I mean one that was a big hit. Okay, okay,
I don't think that that's that.

Speaker 8 (05:23):
That's that one, Okay, whatever, And then Wonderwall of course
Champagne Champagne Supernova.

Speaker 3 (05:30):
That's the best one. Don't look back in anger? Is
that the one that's kind of like the rockers, like I.

Speaker 5 (05:37):
Know, that's the that's the most beatles rip off, Okay, it's.

Speaker 8 (05:41):
Got I mean Champagne Champagne Supernova.

Speaker 3 (05:48):
That one in Champagne super Nova, I think are the
best ones.

Speaker 8 (05:52):
And then uh, and then there's they have a couple
high like high up temple joints.

Speaker 3 (05:57):
I cannot remember the name of it. I don't care about.
There was one and.

Speaker 8 (06:00):
Then I liked I liked the first single from the
follow up, the be Here now, I like the up
people right.

Speaker 3 (06:06):
Here, right now, you know what I mean?

Speaker 5 (06:09):
Yeah, yeah, they want wall that ship they're gonna play
it does have any idea the ballpark of how much
they're getting paid.

Speaker 8 (06:19):
We talked about a little bit last year, but they're
just speculated.

Speaker 3 (06:22):
No, it's is.

Speaker 8 (06:23):
It's been reported that it's up to upwards of four
hundred million.

Speaker 3 (06:27):
It's a it's a big, big payday.

Speaker 8 (06:30):
And supposedly supposedly they have a new album too, which
I'm like, that's a little different if they've been recording
the album the secret the whole time or whatever.

Speaker 3 (06:40):
Interesting to me.

Speaker 8 (06:42):
Uh So there's that, but also Lincoln Park, which we
could talk about that.

Speaker 3 (06:46):
In the second they announced that they're coming back.

Speaker 8 (06:50):
Yep, TV on the radio, one of my favorites. They're
back together.

Speaker 3 (06:55):
How are they gonna be back? They got some new members.

Speaker 8 (06:58):
They have the three and then yeah they have some
new guys because the I guess the dude Dave sit
Tech or whatever, the producer dude, Yeah he's out, Yeah,
he's out. And then the bass player passed away.

Speaker 3 (07:11):
I was gonna say one of them passed.

Speaker 8 (07:13):
Yeah, the bass player passed away a few years ago.
But the core three the singer, guitar player, other singer,
and the bass player or guitar.

Speaker 3 (07:22):
I'm interested in that. I like them. I think the guitar.

Speaker 8 (07:25):
The guitar player used to play drums in the band
and then he switched up to guitar because I'm pretty
I'm pretty sure he was like handling a different instrument before,
which is which is cool.

Speaker 3 (07:37):
He's like one of those dudes. Yeah, Paul's But I'm
excited for that band. Yeah, great, that's good. I'm into that.

Speaker 5 (07:46):
Yeah, Lincoln Park, Lincoln Park. I don't understand. I don't
quite understand. That's very very karaoke ish to just like
replace their singer, just with the way that band is
set up, like it's about to be an impression of
the guy. They got a woman to replace him, and
then she had mad baggage. She's showing up with baggage.
Were like pissed that it was her, right, Yeah, like

(08:10):
scientologists or something right leaned in.

Speaker 8 (08:13):
Yeah. Well, and also they say that she is a
grape apologist.

Speaker 3 (08:20):
Well that's the Danny Mashison thing, because he's a scientologist.

Speaker 8 (08:24):
Well no, no, no, no, no, no no no no, its
because knows because she went to court.

Speaker 5 (08:31):
Yeah, she supported him, supposedly like the you know what's
her face and dude.

Speaker 3 (08:36):
Well, they said they didn't know what that meant.

Speaker 5 (08:38):
They were like, they didn't understand how that was going
to get taken, like the what we mean when they
have to go when you go in and do a
character assessment or something like that. They thought they were
just doing something for the courts, and then it got
released to the public like we're still for the I
think they probably knew what it was for her, but
they I think they thought it was just some paperwork like, yeah,

(08:58):
we know this guy.

Speaker 3 (08:59):
We didn't know he was a monster.

Speaker 8 (09:02):
About you're talking about their There was a characters, right,
you know. I'm pretty sure that they did not.

Speaker 3 (09:10):
Think that was gonna be released.

Speaker 8 (09:11):
They were told it wasn't and I and I think
the lawyers probably were like I wanted to want to
make sure that they, Hey, see who he's still getting
support from everyone. He didn't do this, Yeah, and then
they had to come out and apologize for it.

Speaker 3 (09:23):
That was Ashton Kutcher.

Speaker 5 (09:24):
And but she wrote she she did some other extra
ship to like she was like on his side.

Speaker 3 (09:31):
Yeah, the talking.

Speaker 5 (09:32):
About uh and and.

Speaker 3 (09:35):
And home dude, but I don't even know you.

Speaker 5 (09:37):
People say Ashton and Mila they they wrote a thing
that's like a record like hey he's a good guy.
Yeah the courts but like yeah they got caught, but
like it's still they still suck. I agree, because there's
no way they didn't know that was the type of thing.

Speaker 3 (09:51):
It was like they knew that ship. They don't.

Speaker 5 (09:54):
You don't just go listen if some if you Reggie,
if you had a lawyer and he came to me
and was like can you say this stuff?

Speaker 3 (10:02):
Like Reggie's a good person.

Speaker 5 (10:03):
First of it's just like why what's going on? Like
what's he in trouble for? Like, I mean, that's pretty.

Speaker 3 (10:10):
I hear you.

Speaker 8 (10:11):
But I also feel that, uh that Ashton Kutcher, I
don't feel like he has like any type of real
team anymore because he doesn't really act.

Speaker 3 (10:20):
He's like he's like a business dude.

Speaker 5 (10:22):
I don't even need a team to like not I
think I think I think it's hard to it's hard
to say what order that kind of ship goes in, man,
because you don't know what he's accused of. Right and
then and like his lawyer reaches out to be like Hey,
you know him.

Speaker 3 (10:38):
Have you ever heard about him doing anything? Crazy?

Speaker 5 (10:41):
Official thing like they wrote down ship on a piece
of paper and talked about.

Speaker 3 (10:45):
How he ruled.

Speaker 8 (10:45):
This could have been I agree, I could this could
have been later in the trial because that when they
when they submitted this, this might have been just for sentencing,
for like to be lenient, right you know, So that.

Speaker 5 (10:56):
That that's even worse because then it's after you found
out everything.

Speaker 8 (11:00):
Now, that's that's what I know that I agree with that,
and that's what I think it was. I don't think
it was from the beginning. I don't think that's even.

Speaker 3 (11:09):
Situation. Yeah, it could be.

Speaker 8 (11:11):
But but Emily Emily what's her name from, uh, who's
now on Lincoln Park. She was seen supporting Danny Masterson
in the beginning, uh going to trial. She vaguely addressed
this on Instagram and like her instant stories or something
and said that she was going to support a friend

(11:32):
and wasn't did not know this and that I supposedly was.

Speaker 3 (11:37):
Not aware or whatever. Uh. And she.

Speaker 8 (11:41):
You know, she's so she does not support anything that
he did and a lot of that.

Speaker 5 (11:46):
So yeah, but then you know, the allegations were she
was a part of when Scientology goes around and harasses people,
and like she was like went to the house of
the women that were using Danny Masterson and like harassing
them and like harassing their friends, their family members, and
like hiding out in the bathroom and like yeah, because yeah,

(12:09):
because the woman that you know that accused the woman
that got Danny Masterson arrested, she said, because they were
like in scient all and Scientology together, you know, so anyway,
since she was a part of the like harassment campaign.
But anyway, that's just a wild person. Like what did
Lincoln Park didn't even need to replace them. They could
have just let him. They could have just let the crowd.

Speaker 7 (12:30):
Sing his parts, you know what I mean as somebody,
But man, I feel like the whole band kind of
singing it would have been just as good. I don't
know there was enough demand for, like for Lincoln Park
to have to get a singer to continue on.

Speaker 3 (12:45):
I agree. I'm just surprised about that.

Speaker 8 (12:48):
Really.

Speaker 3 (12:48):
Yeah, they were fucking.

Speaker 5 (12:49):
Huge, but they were broken up for a while. They've
been not doing anything. This is like a well, like
not a reunion, but this is a throwback thing an album,
and and he had another name to ten years that
band had another name before.

Speaker 3 (13:07):
Or whatever.

Speaker 5 (13:08):
Yeah, and then yeah, I agree, they must need it,
they must need to need the bread.

Speaker 8 (13:12):
Well no, no, I definitely need the demand. No no,
I I I'm sorry, I misunderstood. No, no, I definitely
believe that there's a demand because because that music is
I mean, it was built in the in the era
where kids were like really starting to use computers and
ship and use iPhones all that kind of stuff. It's
the end of it's it's kind of got that thing

(13:34):
where uh like kids are starting to find that kind
of stuff again, you know. So the weird thing was
also that Chester Benning Benningan's Bennington's son came out and
was really upset about this whole situation and said that,
uh said that they're trying to erase the legacy of

(13:55):
Chester and all that. But then he put out some
weird uh d ms or wherever where he was asking
for tickets to these shows mm hmm, and was like
it was like tagging the band.

Speaker 5 (14:08):
He's probably salty because they didn't ask him to be
in the band, because they let they let the dude
from Sublime son be in the band. Yeah, you know,
he's trying to he's trying to be in sucks by
the way, he's trying to be in the band.

Speaker 8 (14:18):
That ship is terrible. That's not going to last very
long at all.

Speaker 3 (14:22):
It's a weird one. It's a that's a weird one.

Speaker 8 (14:24):
He can they sound They didn't sound so barely play
like it's not really that good. Like literally, you know,
fifth graders are trying to learn Sublime and can play
it better probably than what this cat was doing.

Speaker 3 (14:37):
Yeah, the school of Rock got getting them out of here.
Uh now the local school kids.

Speaker 8 (14:44):
Bro, he looks like such a kid still. It's just
it's just you talk about needing money. There's the other
two dudes and Sublime.

Speaker 3 (14:52):
They're like in here Sublime, Sublime, Sublime.

Speaker 8 (14:57):
I don't think I've ever said their name ever in
my life.

Speaker 3 (15:00):
Sublime.

Speaker 8 (15:02):
But uh, the other thing is I wanted to say Emily.

Speaker 3 (15:06):
What's her name?

Speaker 8 (15:06):
I can't remember last nars Man, but from the bed
band Dead Sarah is the name of the band heard
of never heard of me either. Don't I feel like
that she should have like signed I feel like she
said have signed in on LinkedIn park.

Speaker 5 (15:21):
Oh I left.

Speaker 3 (15:27):
I'm ashamed of my coming today. Hey coming today.

Speaker 8 (15:32):
Hey, uh so fun stuff, guys. Let's see here, what
else do I have? Tonight Show? Downside to four episodes
a week.

Speaker 5 (15:45):
Which which the night showed the Jimmy Foul Jimmy found
Tonight Show is going to be four episodes a week.

Speaker 8 (15:51):
And then you know, we Seth Myers lost lost his band.

Speaker 3 (15:56):
He gave the band up, didn't he.

Speaker 5 (15:58):
I mean because his band was like Fred Armison and
like some other guys, right, No, Fred Armison left and
then they would do they would feature drummers, and they
had they had Fred Armerson was the band leader at first,
and then he stopped doing it.

Speaker 3 (16:12):
Yeah, yeah, that's what happened.

Speaker 5 (16:14):
Yeah, he stopped doing it, and then they had then
they started having like drummers do it.

Speaker 3 (16:17):
Yeah.

Speaker 8 (16:17):
Do you think it's the beginning of the end of
the of the talk show as we you know it?

Speaker 3 (16:24):
I don't think.

Speaker 5 (16:24):
I think it's maybe the time to do a change
of the guards, you know. I think about time for
someone that's not Jimmy Fallon, someone that's not Seth Myers
is pretty much a political uh pundit, not pundit, but
political comedian, not Jimmy fallon a circus.

Speaker 3 (16:43):
He does. He does a joker, he does a game show.

Speaker 8 (16:47):
But I mean Jimmy, Jimmy Kimmel and Seth Myers are
pretty Colbert Colberts.

Speaker 3 (16:53):
They're all really political and that's cool.

Speaker 5 (16:55):
But I think it's definitely they're not They need they
need their own space. They need their own space. That's
not the only late night thing you can find. That's
not late night entertainment. That's evening entertainment. Yeah, it's evening.
It's it's supposed to be funny.

Speaker 7 (17:12):
It's not like that's the pattern that it's it's funny stuff.

Speaker 3 (17:16):
No, it's funny.

Speaker 7 (17:17):
The late night shows are not supposed to be poignant
or dramatic or anything.

Speaker 5 (17:21):
Just I mean, those guys all think they're fucking funny.
Well that's part of the problem, you know. I think that,
like I do agree that that type of show. It's
weird for those to be the only thing available at
late night, you know what I mean, Because like Letterman,
he would say some dumb politics shit occasionally, but that
was not what the show is.

Speaker 3 (17:38):
It was only for the joke.

Speaker 7 (17:39):
Yeah, or these guys, these guys are talking politics because
they're feels strongly and and that's and like Stephen Colbert.

Speaker 3 (17:49):
You know, he came from a political show.

Speaker 5 (17:50):
You know, he had his you know, the Colbert Report jokes.
He was, he was on the Daily Show, used to
do funny stuff. But he's never not been on a
on a fun and straight up he was always kind
of the satire thing. And now he's buying it, Yeah,
from himself. He's he's he thinks he's like a legitimate.

Speaker 3 (18:10):
You know, he's like he's like a news reporter.

Speaker 5 (18:13):
I think they I think that there's like just to
be another spot for that, you know what I mean,
Like maybe turn those guys, make those guys shows earlier,
you know what I mean, replace those that's.

Speaker 3 (18:23):
Some eight pm show. I agree.

Speaker 7 (18:24):
Man, everybody just got off of the work, got back home.
They're trying to chill.

Speaker 3 (18:29):
What you got this dude talking about stop? Yeah, it
used to just be the Daily Show.

Speaker 7 (18:33):
Fucking you got you got Stephen Colbert like almost crying
about some dumb ship.

Speaker 3 (18:38):
It's like, talk about it just alienates everybody.

Speaker 5 (18:42):
It doesn't do that because the most of the majority
of their fans, I mean, they're very successful that show specifically,
but it's like they're all doing the Daily Show. You
know what I mean like it was like set to
the Daily Show. Oh ship comedians, people.

Speaker 8 (18:55):
Want to see just you can say that, until John
Stewart came back. Yeah, and he started doing it and
it was like, oh no, everybody's.

Speaker 3 (19:02):
Been dollar bad a bad version, yeah, a.

Speaker 8 (19:05):
Different show until he came back, and now it's like
it feels like his show again.

Speaker 7 (19:11):
Also, John Stewart is like willing to I don't know,
like disagree with people.

Speaker 3 (19:15):
Yeah not, you know, it's it's.

Speaker 7 (19:16):
Just John Stewart comes up with things he's and it's
him and he doesn't care and I'll just say it.
But then like like Jimmy Kimmell, especially Stephen Colbert are
very uh emotional, yeah, very emotional, very like uh like
company men's competing with Rogan, you know, it's like they

(19:37):
are as far as they're concerned, they're competing with like
what's another show that has twenty million people or having
many millions of people watching it, And like Rogan's very trump, right,
So it's like I think that's why they see it.

Speaker 3 (19:49):
I just I'm just super trump. He's definitely not.

Speaker 5 (19:51):
But Rogan is not on late night TV though, you
see what I'm like, Well, that's the thing well on
a podcast, which is more people are listening to podcasts
and watching.

Speaker 3 (20:01):
Well, that's kind of the thing.

Speaker 7 (20:02):
I don't think it's a changing of the guards and
needs to happen of the personnel, although that would be nice.

Speaker 3 (20:07):
Uh, it's that format, Like.

Speaker 5 (20:09):
People aren't watching any of you Have you ever seen
any in the past couple of years of late night
shows you ever watch?

Speaker 3 (20:16):
How often do you watch them on TV when they air? Hardly?

Speaker 8 (20:21):
Ever, I only I only catch them on YouTube?

Speaker 3 (20:23):
Really, oh yeah, YouTube?

Speaker 7 (20:24):
Just like I think most people are not even watching
SNL when it comes on TV. They're watching the reduced
versions afterwards, or like.

Speaker 3 (20:33):
The highlight read.

Speaker 5 (20:34):
Think SNEL might be the only one that's still yeah, yeah,
that's the only one that I feel like I can
still I can still go on the internet and I'll
still see it.

Speaker 8 (20:44):
I'll still still see people talking about the episode, whether
it was funny or not.

Speaker 5 (20:49):
Even if it's not funny, they will still It's very
clippable because it's a sketch comedy show. True, it would
almost be better if those shows were just like the
most high quality podcast ever. Just like well, I think
the TV thing is blurring to the video entertainment.

Speaker 3 (21:05):
They tried to do that.

Speaker 8 (21:06):
They've tried to do that in a certain way where
they like they've tried to make things more Internet friendly,
like as far as the interviews and stuff like that.
But I don't think it really worked. The the companies,
if you will, the company men and the companies, they
don't really like it.

Speaker 3 (21:22):
They don't really like that kind of shit.

Speaker 8 (21:23):
So they like stuff that is way more TV TV
family friendly format.

Speaker 3 (21:28):
That's what they like.

Speaker 8 (21:29):
So it's not it's not gonna ever work. And to
your point, James, I mean I think that's the thing
is like they are competing with YouTube. You know, they
because like years ago, I mean they you would be
it would be like taped over versions or whatever of
the Tonight Show on YouTube. You know, it would not
be good quality. Only to a few years ago where

(21:50):
they actually started actually trying to be competitive with it,
and they don't really get those kind of numbers like
they should.

Speaker 7 (21:55):
Also all of the Jimmy Fallon included, but all of
these people we've been talking about, I really don't think
any of the audience, especially the people that are tuning
into the actual show, I don't think there's anybody under
like thirty five that is even interested in this shit,
like because they're not going to be watching that medium

(22:15):
like that. Also, the younger they are, like the shorter
attention span they're going to have and gravitate more towards
clips and stuff that's on demand, they're not.

Speaker 3 (22:26):
You know.

Speaker 5 (22:26):
But even though like I don't, I don't see people
in their early twenties even knowing about the Stephen Colbert
Show existing.

Speaker 3 (22:35):
I disagree because.

Speaker 5 (22:39):
Yeah, but they're coming from a place where we remember
seeing him on television.

Speaker 3 (22:43):
No, no, like on cable TV. You know.

Speaker 8 (22:45):
The only prob the only problem with that is that again,
because some of them have adapted well to like Jimmy
Fallon is like some of his stuff is okay, But
Colbert and Kimmel especially, they definitely have tried to find
a way to make the make themselves more relevant on
TikTok viral. Yeah, the show and a lot of the

(23:07):
newer because he's funny and a lot of the newer artists,
uh will we'll be We'll go to Kim Kimmel and
they'll have some of the best sounding shows and that
the music will be will be clipped out for the
for that.

Speaker 3 (23:21):
So, like I do feel like that the young kids,
I don't.

Speaker 8 (23:25):
Feel like that they like I don't know if they
tune in like that, but I do think that they
do pay attention if it if it comes to a
newer artist of that kind of situation. As far as
like watching actors on there or any of that ship,
don't I feel like that's pointless.

Speaker 5 (23:40):
Don't forget Conan like left the whole late night thing
and is thriving with his own show on the internet.

Speaker 8 (23:47):
So yes, no, because he knows, he knew early.

Speaker 3 (23:49):
He also is actually funny.

Speaker 8 (23:51):
He's but he is funny. But he also has like
he has.

Speaker 3 (23:55):
Like a decent interviewer too.

Speaker 8 (23:57):
He has some kind of like amazing way to like, uh,
what's the word. I'm sorry, it's momentum, not momentum, but transcend.
He transcends mediums. I agree with like he literally, I
mean because he's does he does. He does podcasts, and
he doesn't seem to run out of materials live shows

(24:18):
all sell His podcasts are actually really good. He doesn't
do stand up for god, you know, because he just
like does content and he just understands that content is
is where it's at.

Speaker 3 (24:27):
And I think he just got wrong.

Speaker 5 (24:29):
He just had such a rough raw deal that happened
because I think his show would be destroying all these shows.
You know, if his show is just on now, like
when it versus these don't this competition, I think with
the way the climate now and stuff, how they are operating,
he would not have the control he'd want.

Speaker 8 (24:46):
And yeah, because he's not even paying, he doesn't really
he doesn't really even talk about current events like he's
he's he's just making Yeah, he's he's.

Speaker 3 (24:54):
Doing they all should be doing their own thing. He's
doing great interviews on his podcast.

Speaker 8 (24:58):
He's doing that cheers pot cast ship, which is actually
kind of funny too.

Speaker 3 (25:02):
Yeah.

Speaker 8 (25:03):
So yeah, it's interesting, man, some of these cats, like.

Speaker 5 (25:06):
Yeah, losing the band, I mean, I feel like it's
the first thing to happen on some of those shows.

Speaker 3 (25:09):
I mean, the man you see the.

Speaker 7 (25:12):
Roots the band there is for live broadcast, I mean
it's the point originally was to have something to do,
to come in and out of commercial breaks and to
entertain the audience.

Speaker 3 (25:24):
Well they're doing pre production, so really you don't need
that at all anymore.

Speaker 5 (25:29):
There's they don't have audiences in some of these there
is it's a very very tiny audience.

Speaker 3 (25:33):
A lot of the laughing is like canned laughter.

Speaker 5 (25:35):
And ship because they're not a part of the show,
and they were a part of the show.

Speaker 3 (25:39):
You know, it's a different bag.

Speaker 8 (25:41):
Yeah yeah, I mean, man, they had so many different
bag Yeah. Well yeah, I think it's interesting, man, because
I mean going to four nights a week. I mean,
like I was, like I said, you know, the Roots,
they're going back out on the road a lot more.
You see in them a lot, So they're kind of
the they kind of seem like they know what the
deal is. That probably twenty twenty eight might be the like,

(26:03):
because I think that's when Jimmy Fallon's deal is up.
I hope to replace him, not because I dislike him.

Speaker 5 (26:09):
I just think it's time, you know, man, just like
get an internet show, get like the dopest Internet show.

Speaker 3 (26:16):
If they want to keep.

Speaker 5 (26:16):
All this to move him earlier in the day, move
them earlier in the day, or get some dope like
Sam Seedter has his own, like you know YouTube.

Speaker 7 (26:22):
Politician would probably be more happy just go like Stephen
Colbert probably be more happy going like CNN or something
like that and having a being the I guess whatever
the equivalent is of Red Eye for CNN, Like.

Speaker 3 (26:35):
He wants to be like Bill Maher or something like that.

Speaker 5 (26:37):
But I think he wants to be a little more serious,
taken more seriously than Bill Maher, Bill mar I, Stephen Colbert.
Oh yeah, I think he would be happy on an actual.

Speaker 3 (26:46):
News I agree.

Speaker 5 (26:48):
Yep, Okay, super Bowl, SUPERB talk about Perle this. I
still don't really understand what exactly happened. But then nick
Naje say something about like what if Lowayne dies and
he never gets those to super Bowl?

Speaker 7 (27:07):
Oh yeah, yeah, I don't know if I've got this
completely right, but they announced he was going to be
at the super Bowl and it's in New Orleans. It's
in New Orleans, which is Lowayne's hometown. Uh, And Nicki
Minaj tweeted something that was basically like like god forbid,
they don't let uh Lol Wayne hosts this, you know,

(27:28):
perform at the super Bowl like he could.

Speaker 3 (27:30):
Basically, she says he could drop dead at any moment
and he would never get to the super Bowl.

Speaker 5 (27:35):
Like it's like I think low Wayne is doing like okay,
like he isn't dying or anything like. It's like a
it's like a completely Internet created problems, like they all
just kind of.

Speaker 3 (27:48):
An odd reaction that all of them. I feel like
everybody's reactions.

Speaker 8 (27:52):
I completely agree because it is the I mean, I feel.

Speaker 3 (27:57):
Like that they all should know better.

Speaker 8 (27:58):
They all should know that just because that person, some
person is the face of the brand or face of whatever,
does not mean they make all the decisions. Don't mean
it doesn't mean, it doesn't mean anything.

Speaker 5 (28:10):
It seems like they're fighting about the wrong shit all
of a sudden. It's like everybody knows the super Bowl
is just whoever they pick. They're making it seem like
now that the like the NFL is picking the artists
which based off of what city the super Bowl is
gonna be, but that only happened one time.

Speaker 3 (28:23):
But they're not saying that though. They're saying, like he's
supposed to, this is how it should be.

Speaker 8 (28:27):
But they also are saying Jay Z is salty and
is responsible for this whole entire situation there, for him
not being on it, for him not being on it.
They are saying that he saw. They're putting all kinds
of and they're.

Speaker 5 (28:40):
Trying to split teams up. Now it's they're trying to
be like it's a Drake thing, CARDI b.

Speaker 3 (28:46):
Are all team uh Lil Wayne, and then it's like crazy.

Speaker 8 (28:51):
It's been called the NFL Nicky Apple Music super Bowl
Halftime Special. Like Apple Music also has a big say
in what's going to be happening.

Speaker 7 (29:01):
Like that's interesting Apple Music because the whole Doctor for years, yeah, showcase.

Speaker 3 (29:07):
Yeah, it's been three years, right, he did the Usher.

Speaker 8 (29:10):
You know, like literally, and Kendrick has already been on
the stage before with Doctor Dre you know Doctor I
mean Kendrick Lamar is one of the biggest selling artists
of the of this past year. Lil Wayne has not
had a hit in years.

Speaker 5 (29:26):
I think also the show, you know, Kendrick's shows are
always very dramatic with the ships on the dancers, and
it's all art art. It's like art had Yeah, it's
like a theater production.

Speaker 3 (29:37):
Yeah.

Speaker 5 (29:37):
Yeah, to me, that seems like a no brainer. And
like low Wayne doesn't even have a song out.

Speaker 8 (29:41):
Like he has mad songs out, but like song yeah,
we listened to one with him a couple of weeks ago, but.

Speaker 5 (29:49):
A legacy Yeah, and I think he would do he
could show to a super Bowl with him, Lil Wayne
and friends.

Speaker 3 (29:56):
Well a Drake.

Speaker 7 (29:57):
Super Bowl makes a lot of sense though, and then
Drake would just bring a bunch of people, probably one
of when would be Lil Wayne.

Speaker 3 (30:04):
I would assume, So, all right.

Speaker 5 (30:05):
I guess if Drake did, Like, it's like everyone it's
kind of done that Drake hasn't done a Super Bowl.

Speaker 3 (30:10):
I think they just they.

Speaker 8 (30:11):
Just he's turned it down four times. Supposedly, Okay, he's
turned it down.

Speaker 5 (30:15):
But I think people just got themselves into a like
they just assumed Wayne was going to do it and
then notinally making it seem like it got taken away
from Wayne.

Speaker 3 (30:25):
Yeah, that's not what happened. That's what happened.

Speaker 5 (30:27):
Like the little Wayne be on TV with a cup
that no one's allowed to ask him what's in it?

Speaker 3 (30:33):
They're like, what's in my cup? Don't worry about what's
in my cup. It's my cup, you know. And they're like, Okay,
I don't know if Doritos is gonna let that fly.

Speaker 8 (30:43):
It's like, yeah, So it's just a it's just a
strange case of people that really should know act like
they don't know, and that is weird. That's a little
odd to me that that a lot of celebrities are
doing that and uh makeing jay Z like like the scapegoat,
which jay Z you know, he's just he's so good

(31:05):
at that kind of shit. He just does not really
address anything. He'll let any he'll let everybody else around
him address it without saying a word.

Speaker 3 (31:12):
Yeah, because it's all bullshit.

Speaker 5 (31:14):
Like when you got a bunch of people who are
mostly complaining about what you didn't do for them.

Speaker 3 (31:19):
What a bunch of bullshit. That's some artist bullshit.

Speaker 8 (31:23):
Okay, real quick? Uh Diddy double whammy this week. Michigan
inmate wins one hundred million default lawsuit in sexual assault
lawsuit a default judgment.

Speaker 3 (31:37):
Yeah said this again. Sorry.

Speaker 8 (31:40):
Michigan inmate wins one hundred million default judgment in sexual
assault lawsuit.

Speaker 3 (31:48):
Against against against Diddy.

Speaker 5 (31:50):
Yeah, and who was the guy the guy that that
one dude that was his name little Joe or what
was that guy's name?

Speaker 8 (31:56):
No, No, it's not him, some other guy. Yeah, it's
a different cat. Just got Lee Cardello Smith and he
will have to pay ten million monthly as part of
a payment schedule that begins October first. And he in
his lawsuit, he claimed that Didd he drugged and sexual
assaulted him at a party in nineteen ninety seven. The

(32:16):
two smoke weed and got naked to party with a
few women, and the person who's suing Diddy gave a
gave the woman oral sex, and claimed Diddy grab his buttock,
while also stating that the Bad Boy founder gave him
a drink that caused him to pass out, and he
said once he were gaining consciousness, he saw Diddy having
sex with a woman while a while allegically telling him

(32:40):
I did this to you too, so uh.

Speaker 3 (32:44):
And he won and he won? Wow did he did?

Speaker 8 (32:48):
He allegedly tried to offer him Cordello Smith two point
three million to throw out the lawsuit, visiting him in prison,
but the inmate turned him down and said he would
go through with the lawsuit and got a hundred and
then Combs allegedly told him you know how we get down,
which I don't.

Speaker 3 (33:05):
I don't know what threat Smith?

Speaker 8 (33:09):
Yeah, and then Cardelo Smith replied, I disagree with how
you get down? So yeah, this is this is, this
case has gone throne man. And then today, uh, there's
a lawsuit from Dawn Richards from uh Dandy Kine and
also did a couple of records with Diddy that were

(33:31):
pretty big records, and she also accuses Diddy of sexual
abuse in the new lawsuit. This one, this one to me,
even though the one hundred million dollar lawsuit is crazy
and uh well, I mean will probably be appealed somehow
and whatever. The Danny Kine singer, this person, she's like

(33:51):
pretty famous in the R and B world, you know.

Speaker 3 (33:55):
She she's like one.

Speaker 8 (33:56):
Of the few people that has actually sold records at
uh bad Boy Records in the past twenty years, compared
to most of these other people who haven't sold anything.
So this is like probably very very very credible, and
there's a lot of pieces to the puzzle in this one.
And I'm just like, man, this one looks this one

(34:18):
looks worse.

Speaker 3 (34:19):
Than I think.

Speaker 5 (34:19):
I think after that video came out, like everything seems credible.
Now he's done, like whatever whatever shield of you know,
with the benefit of the doubt, you know, you wanted
to give him, Like once that video came out, it
was just like, bro, we can't, can't nobody, can't nobody
stick up for you.

Speaker 8 (34:36):
And if I mean, I wonder, I just wonder how
much he's got to be able to settle, because I mean,
she's gonna he's a billionaire. Yeah, she might get the
Cassie deal.

Speaker 3 (34:45):
Man.

Speaker 8 (34:45):
I hope, I hope they hope everybody get it. I mean,
fuck it unbelievable. So okay, let's do mad big ups.
Oh wait, how come we don't ever go to jail though?
You just get like in fifteen lawsuits.

Speaker 5 (35:02):
But I guess the limitations probably, And then they got
these like defensive lawyers that are coming up with all
different types of revisions to like push it.

Speaker 3 (35:11):
Down the road longer, set stuff off.

Speaker 8 (35:14):
Yeah, some of them will be civil as well. Dave girl,
uh having sex outside side of the marriage.

Speaker 3 (35:22):
I don't know. Everybody acted like it was the Christian
News network.

Speaker 5 (35:25):
Yeah, everyone was, well, David.

Speaker 3 (35:32):
I think the more interesting story is that he's adult.

Speaker 5 (35:36):
Eighteen year old daughter is like in the band like
tours with the facts. Oh like she her Instagram embarrassing
disabled like it's you don't want to those comments man,
damn dead.

Speaker 3 (35:50):
Yeah, man, embarrassing the whole family.

Speaker 8 (35:53):
I had to say, probably was not the best the
best the best of news.

Speaker 5 (35:57):
Oh, I didn't like that one.

Speaker 3 (36:05):
Dawton prayers some prayers. Uh yeah, Mad big ups.

Speaker 5 (36:08):
Duston's gonna be able to give me way more to
see him chilling it a. Oh, we help him keep
to keep it together because he's definitely need to do
way more documentaries.

Speaker 3 (36:16):
Now, Oh man, you have to get bactive more settlement. Yes,
it's gonna be nasty.

Speaker 8 (36:20):
Oh, that's gonna be super together. They've been together for
like twenty some years. They've been together for a long time.

Speaker 5 (36:26):
Hopefully you can keep You didn't have to get that
bitch pregnant? No, what is what are you doing? Amateur
hour here? You should know better by this time. You
got fifty by b bro.

Speaker 3 (36:39):
It's been a rock star since.

Speaker 5 (36:41):
He was like twenty five at least at least. Yeah,
you had to know better than this.

Speaker 3 (36:46):
Man. This is amateur This is this is he was
holding it down with Kirk a man, it could have
been helding it down.

Speaker 8 (36:52):
Man.

Speaker 3 (36:53):
All right, it's a quaki clean mad big ups to that.
All right, mad, big ups. Let's go James Earl Jones, Man,
big ups. I mean, come on, man, it's.

Speaker 8 (37:08):
Just powerful, powerful voice lad amazing vasa yeah, uvasa CNN
all it? Uh, you know coming to America fences, I believe,
defences on Broadway.

Speaker 3 (37:24):
There's tons of like phone company. Yeah, oh man, the voice.

Speaker 8 (37:30):
I mean just tons, tons of works, man, And there's
a lot of amazing clips of him on stage. Was
theatrical Yeah, yeah, so yeah, ninety three years old. I
mean yeah, he was doing stuff for the Was he
doing for Disney some of the Star Wars shit or something?

Speaker 3 (37:51):
Oh yeah, he's dark later.

Speaker 5 (37:53):
Yeah, they probably had him do as much as he
could while his voice. Yeah, cloned up yep man. And
now there's a I think they got him in there
before they right before that.

Speaker 8 (38:04):
It's about to say like if he sold his voice or.

Speaker 5 (38:06):
Like did some Mark Hamill alom did that already. They
got the young Mark Hamill and the young Mark Campbell voice.
And yeah, Carrie Fisher.

Speaker 3 (38:14):
That's amazing man. Yeah, people people are doing that. J Lo.
She sold her likeness to an a company. That's right.
People are doing that. Ship. I forgot about that. Yeah,
she's in the commercials, but it's not her.

Speaker 4 (38:25):
Yeah.

Speaker 5 (38:25):
And then Karla Johansson is suing somebody, suing one of
those companies because they kind of stole her voice from
from her that movie Herry with the Joaquin Phoenix.

Speaker 3 (38:34):
You know what I'm talking about. They like, you can't
just steal my voice and make me, an assistant.

Speaker 8 (38:40):
Are you going to see that new Joker movie?

Speaker 3 (38:43):
I'll see I'll see it. To the lady, good guy,
I'll see it.

Speaker 5 (38:45):
It looks like something I probably want to watch at home,
but I'll see it just because it's a blockbuster.

Speaker 8 (38:50):
Geather reviews are block a buster. People were like, I
don't know, they look super mixed. It's gonna make a
lot of money.

Speaker 3 (38:55):
Though, I don't, Man, you can't be re reviews. Man,
don't don't reviews.

Speaker 8 (39:00):
Madd big Ups, James Earl Jones, Matt big Ups. So
many quotables with that cat right, all right? Will Jennings
co writer My Heart Will go On, Tears in Heaven,
serious classic, Where We Belong.

Speaker 5 (39:17):
The old school ballad, Grammy winning ballad writer.

Speaker 3 (39:21):
Just an old school songwriter, really.

Speaker 5 (39:23):
Yeah, because back in the like at those times, I
feel like in order to get awards, it had to
be a big ballad that was like, yeah, the time
of that, you know, I.

Speaker 3 (39:31):
Mean, look tears in Heaven there you look? Yeah, yeah,
drum where are We Belong?

Speaker 8 (39:41):
It was a yeah, the Titanic song my Heart Will
Go On, huge song. I thought Diane Warren had something
to do with that too, but I'll check the look
Tears in Heaven. It makes sense because I don't I
don't feel that air Clapton wrote a lot of that song.
I mean, I hate to say it, hot take, but
I definitely know that he definitely needs some help on

(40:01):
that one, because it's like you all of a sudden,
you like, write a good song after like thirty some years.
It's like Laila and Tears in Heaven. I don't believe
it and wasn't all him though, too fact, That's what
I'm saying. Collaboration.

Speaker 3 (40:13):
I'm pretty sure wrote yeah, wrote that You're right Yeah.

Speaker 8 (40:17):
Also wrote major hits with Whitney Houston, Steve Winwood, Deon Warwick,
Barry Manilow, and Tim McGraw.

Speaker 3 (40:26):
Oh Yeah. He wrote Higher Love and Roll with It.

Speaker 8 (40:29):
Steve Winwood, big hits, he wrote, Yeah, Yeah, back in
the high Life again.

Speaker 5 (40:36):
God to uh those are some hits.

Speaker 8 (40:41):
Looks like we made it. He wrote that song.

Speaker 5 (40:44):
God damn, dude, didn't we almost have. We actually wrote
all of that song.

Speaker 3 (40:49):
So they don't have cats.

Speaker 8 (40:50):
Man, Like this guy's been in the cut making money,
very man. That song has been wrong with the babe man.

Speaker 3 (41:03):
This is some old school music industry like power writer.
Yeah dudes. Yeah, it's like some movie dudes like this too.

Speaker 5 (41:08):
You don't even know their names, but they just get
brought in at the end to fix the script and
they get paid. They get paid more than like everybody
on the whole cat. They come in at the end,
come on the very end, get paid more than everybody.

Speaker 8 (41:18):
No royalties, just like they just give me a million.

Speaker 5 (41:20):
I need cash right up the front, went up to
the front, thie, give me a million.

Speaker 3 (41:24):
I don't want nothing to do with that back end shit.

Speaker 5 (41:26):
Yeah a million point two right now, right now, Buddy,
fixed this right for you, all right.

Speaker 3 (41:32):
Mad big ups two Okay.

Speaker 8 (41:36):
Herbie Flowers bassists Walk on the wild Side another another cat.
This dude's played on everybody's albums. Herbie Flowers also played
with David Bowie. He's on the early shit with Bowie Bowie.
He's on some Paul McCartney shit, Elton John.

Speaker 3 (41:55):
Uh Yeah.

Speaker 8 (41:56):
He played bass on Bowie's first album and played on Diamonds. Yeah,
Lou reed, I mean just I mean the cat the
cats on like just a ton of ship. It was
a big, big deal session player over in the over
the UK.

Speaker 3 (42:14):
Old school like union session player that's the story about
in the building all day. Yeah, like walking the wild side.

Speaker 7 (42:21):
He got paid twice because if you played more than
one instrument and he's he plays electric bass and over
dubs and upright on it.

Speaker 3 (42:29):
Oh yeah, if you listen as a boom boom boom
and the other one's calling boom boom.

Speaker 7 (42:37):
So yeah, he did the overdubb and they're like, all right,
well you make double scale because you play it's crazy.

Speaker 3 (42:42):
It's pretty fucking awesome. He's a cat. It over dubb,
give it up.

Speaker 8 (42:46):
He's also in t Rex as well.

Speaker 3 (42:48):
I didn't know that. Yeah he was. He was in
the band. Yeah, and he was.

Speaker 8 (42:53):
He was one of those cats that definitely did like, uh,
you know, fix ups, like cleanups, like he might feel me.
He might just be on a couple of rolling stones cuts, like.

Speaker 5 (43:02):
He just went up a couple of bars here and there.
Facts wouldn't even know it because he's just sloppy.

Speaker 3 (43:06):
As a bitch in here, really sloppy as a bitch. God. Yeah,
plug me up, Mick Jackson, plugged me right up to
the board. Yeah you know that.

Speaker 5 (43:19):
When they got the young guys in the band, when
they were later on, it was like fine, big guy
playing a time.

Speaker 3 (43:26):
A real baseball tip.

Speaker 8 (43:27):
We would trying to fire so many cats out of here,
bro trying to get Bill out of here. Damn carry
his weight, all right, wild sloppy one more for real? Okay,
Frankie Beverly, big one, big one, I mean, unbelievable, seventy

(43:53):
seven years old, same age as as my dad. He
was born a month after him in December forty six. Crazy.

Speaker 3 (44:03):
Yeah.

Speaker 8 (44:03):
He literally just did a farewell tour that ended in July.
And he's looking rough too. It was looking a little dark.

Speaker 5 (44:11):
Well.

Speaker 3 (44:12):
Clip that I saw I was like, like a Frankie
Valley show. Not that bad. No, he's still sing singing.

Speaker 5 (44:17):
He was still singing the Freaky Valley. Somebody need to
be arrested. I don't know what's going on.

Speaker 3 (44:22):
Just put a hologram up there with you. I will say.

Speaker 8 (44:25):
The band that they put together for him was a
good band because they were supporting him. The other band
supposedly had left in some kind of weird mutiny, is.

Speaker 3 (44:33):
What I heard.

Speaker 8 (44:34):
Uh, Like the like the last original memory of a maze.

Speaker 3 (44:38):
Right because the band went on tour without him.

Speaker 8 (44:40):
The band went on tour without him, and like got
some other singer and like was they call themselves a
different thing? But they Yeah, there was some kind of
weird mutiny that happened and the band and the band
rolled out, so they put together a new band for
him and uh, and he was going to have, uh
the band go out on tour and it was gonna
be called me. He's honoring Frank Beverly with a different

(45:02):
vocalist and like that was going to be part of
the estate and the whole nine. So that's the I mean,
so he had like a whole plan in the wood,
Yeah already. And the dude is us got Tony Lindsay
who sang with Santana. He's like on the big Santana records,
like the big big ones from the nineties and shit,
and uh, dude, sounds like.

Speaker 5 (45:22):
Sounds it sounds amazing, sounds amazing. The dude that plays
Kunga Is that what I'm talking about? Uh, he's on
is he on the one Supernatural?

Speaker 8 (45:29):
He's on Supernatural, but he's the he's the bald black dude. Okay, yeah, front,
I know he's talking about. He's in all the videos
and shit, and he was he was in Santana literally,
I think until a couple of years ago and uh yeah,
so he had a whole plan or whatever. But anyways,
Frank Beverly, uh was incredible. He was discovered by Marvin

(45:50):
Gay in nineteen seventy five. I believe when they were
called Rassoul, he told him to change their name to.

Speaker 3 (45:57):
May's Ross Hard. It's hard.

Speaker 8 (46:03):
He's from Philly, so it's said might as well said
like black dick in your mouth.

Speaker 3 (46:11):
I mean, I feel like it went that far.

Speaker 5 (46:16):
As what you say.

Speaker 3 (46:19):
Wrong, stop, it's terrible. Exactly what that's it, That's exactly
what it's.

Speaker 8 (46:30):
But uh so basically they yeah, he helped them get
a deal with Capitol Records and yeah, and like kind
of made their whole situation happen, and they took the
rain and pretty much had gold albums, gold and platinum albums.
I believe throughout throughout their career never really broke out
more than that.

Speaker 3 (46:51):
They were always stuck to like the R and B. Yeah,
R crossover.

Speaker 8 (46:56):
They never really crossed over, but yeah, they became like
really you know, the barbecue favorites, you know.

Speaker 3 (47:02):
What I mean, before I go before, I like people.

Speaker 8 (47:06):
But the but the the recordings are incredible. There's some
of my favorite recordings, you know, cats like bringing up
like Crusaders and all that kind of stuff. I feel
like I feel like May's was that and more right there,
you know. And Frankie Beverly's lyrics although they were like
mad simple, super simple, that's why I think everyone likes them.

Speaker 3 (47:29):
But they were effective.

Speaker 8 (47:32):
They were really effective the way that he would.

Speaker 3 (47:33):
Write for the band. They had a very unique voice,
iconic unique voice.

Speaker 8 (47:37):
Yep, yeah, yo, you guys should check out Live in
New Orleans.

Speaker 3 (47:43):
Maze Fired. That's on YouTube.

Speaker 8 (47:44):
That's on YouTube. It's disgusting. It's him as like vocal peak.
It's just that that's shied and uh playing well a
lot more guitar before he switched up and just kind
of did the lead thing. He's playing guitar on like
almost every song, and that's where it kind of I
feel like that they almost could have been like The
Black Grateful Dead for a second, and then he kind
of took a left and just went way more kind

(48:07):
of corporate R and b ish type like he kind
of like just switched it up a little bit right
after that. But yeah, Frankie Beverly Man bad big ups.
Let's go, Let's go right into slaps.

Speaker 3 (48:20):
Did you ever do last week? Did we ever do?
Sergio Mendez? Oh shit, that's the other one, the last
last one, fuck last one. All right here, let me
hit this again, man.

Speaker 5 (48:30):
Sergio Mendez, Yeah, seventy seven.

Speaker 3 (48:34):
Uh, passed away age eighty three.

Speaker 8 (48:38):
Yeah, I mean he was I mean he had Bostonova
classics kind of I would say, responsible for bringing that
groove to like the masses, you know, and like having
his own band, and the band was all swaggy, with
like the percussionist dancer dude, and like the female background
vocals and just swaggy.

Speaker 3 (48:56):
Band was swaggy. He always super stylish.

Speaker 5 (49:00):
All this shit is super well recorded, even like a
lot of the stuff was really poorly recorded, especially if
those those styles, you know what I mean. And he
got his bands into like real studios like before everybody else,
and so much you could put you could put his
discography on and just let it ride.

Speaker 3 (49:16):
You can let it ride for a day. So I
recommend you doing that, you know.

Speaker 8 (49:20):
Sergio Mendez Yeah, man, uh yeah, the the movie Rio,
he did a lot of the music for that. My
son loves that, oh is the most recent one, the
kids movie. Ye see that ship and uh yeah, going
going out of my Head. That that was like one
of his big one of his big joints that he did.

(49:43):
But yeah, he did like a weird collaboration with Black
Eyed Peas.

Speaker 3 (49:48):
You see that.

Speaker 5 (49:49):
Yeah, well they kind of they kind of sample one
of his songs. Oh they're kind of rapping up, but
he's apparently on it, you know how they do. Yeah,
you know he's on it, but it just like them
doing they use everything version of his song.

Speaker 8 (49:59):
Yeah, yeah, so they gotta credit him or whatever.

Speaker 3 (50:01):
Yeah, I got it, I got it, all right, Okay,
that's it. Let's go to slaps all right. I don't
condone it either.

Speaker 5 (50:15):
Just.

Speaker 8 (50:17):
Okay, yah here slappy duty once again. All right, James,
we got that new LinkedIn park.

Speaker 7 (50:27):
Yeah, let's just start with that because it's uh, it's
you really are pushing LinkedIn. He's gonna go, hey, guys,
titles title yea LinkedIn?

Speaker 3 (50:36):
Why not my foot? Right now? It's not gonna be
LinkedIn Park? Still have the new singer on this song?

Speaker 5 (50:44):
Yes, okay, so they're they're like, oh wow, yeah, they
got us worse to me.

Speaker 3 (50:48):
I thought they were just going on tour. No, this
isn't like journey or Queen Old Song. Okay, they're doing
They're doing a whole nother album. Yeah, man, let's see
if you see what happens. All right, all right, let's
see what's the name doesn't matter? Part two? This is
this is still gonna You're gonna love this son the

(51:12):
Emptiness Machine. Oh my god, let's go kind of like
the soft Pard my empty machine with the new singer
with Lincoln Park.

Speaker 9 (51:30):
Your blades are sharpen with precisions, slashing your favorite point
of view.

Speaker 3 (51:38):
And I know you're waiting in the.

Speaker 9 (51:42):
Distant just like you always do, just like you always do,
already pulling me in already on the muskin.

Speaker 3 (51:56):
And I know exactly how this sounds.

Speaker 9 (51:59):
I let's to cut me open, just to watch me play.
Gave up who I am for who you wanted me
to be.

Speaker 3 (52:09):
I don't know why I'm old man.

Speaker 8 (52:12):
What I won't say, falling for the promise songs say.

Speaker 3 (52:18):
Aunteen, this is the other guy, the.

Speaker 8 (52:34):
Call me bold.

Speaker 3 (52:37):
It's been side how we love.

Speaker 10 (52:43):
Because this is a.

Speaker 3 (52:47):
Man I keep on into, keep.

Speaker 9 (52:52):
Into, already pulling me in, already under my.

Speaker 11 (52:57):
Skin, and I know it's still cut me.

Speaker 12 (53:05):
Just jump.

Speaker 5 (53:13):
Out.

Speaker 9 (53:22):
Oh I only wanted to be cod.

Speaker 3 (53:30):
Of the Bridge. Really working those us back.

Speaker 5 (53:33):
Man, they keep turning them off, turning back and turn
them off, turn.

Speaker 3 (53:40):
Working, turning off, turn them on, turning back. All right, right,
so this man just so straight.

Speaker 5 (53:47):
They do have a like a guy that plays like
turn tables and samplers, Yes, just like that.

Speaker 3 (53:55):
I never I never listened to much Lincoln Park before.
What I've heard it was like kind of like rap.
They did.

Speaker 5 (54:06):
Rap, but like you know, there'd be like some drum
machine breaks and then there'd be a little bit this album,
like this sounds like a different type of band. It's
like the way she sings is kind of like that
Avril Levine type. It sounds it sounds like she's trying
to do an impression of the dude. It's just supposedly
that's higher than her yea. But yeah, it also feels

(54:27):
that she's got a different delivery from it because the
guy could sing really well and he could belt it out.

Speaker 3 (54:33):
But yeah, because it's more like, uh yeah, there's more
like the the the Avril Levine, like mall punk girl
type stuff.

Speaker 7 (54:43):
It's all like that, like all shouted type lyrics, and
it's like, I.

Speaker 5 (54:48):
Don't I don't remember them being like this sounds like
a new band, and is that what they're trying to do.
They definitely got songs that sound like this, man, Like yes,
like you know exactly like this, you know.

Speaker 3 (55:03):
Yeah, because it's the same kind of it's the same
kind of formula. Okay, yeah, you go higher for the cores.

Speaker 5 (55:10):
Yeah yeah, yeah, So I'm not I'm not into it,
Like I mean, I wasn't a big.

Speaker 3 (55:18):
Link apartment this. I don't think this is an improvement.
I agree.

Speaker 5 (55:23):
I'm gonna keep a short and sweet on this, like
it kind of sounds like some anime rock, but not
the kind of.

Speaker 3 (55:28):
Like Twitter is me?

Speaker 5 (55:30):
Sorry alright man, mad nah, but that's this is this
is not for me. I'm good on this. Production is
fine or whatever. It's like computer rock.

Speaker 8 (55:40):
Yeah, uh yeah, I agree, it is not. I agree,
But I don't think it's horrible. I think it's like,
I think it's decent. I feel like it's good that
it doesn't feel like it's a complete uh complete, like
they're doing something completely all over again or trying to

(56:02):
recreate something. I don't think this song is really substantial enough,
you know.

Speaker 3 (56:08):
What I mean. Like they were definitely trying to recreate it.

Speaker 5 (56:11):
I feel like they just dipping the toe out and
the next single he's gonna be rapping, and then she's
gonna come in and it's really gonna be the same.

Speaker 3 (56:17):
Yeah, that's what I think.

Speaker 8 (56:19):
That's gonna be weird. That's gonna where it's gonna get weird.

Speaker 3 (56:21):
That's on it.

Speaker 5 (56:21):
Yeah, because right now, since they're both singing, it's kind
of easy to not see that they're really doing the
same ship, you know what I mean.

Speaker 3 (56:29):
But yeah, once he gets back to rapping, if he
comes back, yeah, no matter.

Speaker 5 (56:32):
Heart to try one day.

Speaker 8 (56:40):
Yeah no, no, I'm not gonna doesn't get that. Nobody
likes you. No, thank you.

Speaker 5 (56:49):
Okay, so, uh we've got We didn't listen to all
cool j last week.

Speaker 3 (56:55):
This is this week. This is a new one. Right,
let's do it, ladies love Cool James. That's right.

Speaker 8 (57:02):
Uh.

Speaker 5 (57:02):
This song is calmed run it back. Let's go Okay,
run it back, boys.

Speaker 3 (57:19):
Run it back. Let's running numbers up and run it bag.
You see, it's how you get it to the bag.
Run the numbers up and run it back.

Speaker 8 (57:28):
Run run it back. You said, let's.

Speaker 4 (57:31):
Running numbers up.

Speaker 3 (57:31):
There by that bad I'm gonna say this out here.
You should you get your mad run joe Joey gave
him money.

Speaker 10 (57:40):
You really don't need to talk about it, right, did
you try this? Some chowder round it, chasing holes and
overthicking the process outside of the gates in that nonsense
on the pons, you begging women to come out, back
to back.

Speaker 3 (57:53):
Pulling until his minutes run.

Speaker 10 (57:54):
Out, begging for loose change, escaping the maintain or sipping
some eight stages and playing with wate change.

Speaker 3 (58:00):
I think you get the picture.

Speaker 10 (58:01):
We outside the break, get your Louis Hamilton or swerve
lane the lane, no gain, no gang.

Speaker 3 (58:06):
We bring storm intil the rains and we drive a gang.
Trade it to the Hall of fame. You niggas need
to pay attention.

Speaker 10 (58:12):
I was seventeen and had them shipping depensil. I was
sixteen stake with Russell Wimms. I was taking in the
basement way and get your number.

Speaker 1 (58:20):
Run it bag, let's running numbers up and run it
bag running running. Don't step it in your birkin bag
because he don't fuck with that. So just run it dad.
Let's running numbers up and run it bad. Run it
that we running numbers up and run it back, run

(58:40):
by trying to.

Speaker 10 (58:41):
Add to the psychele Thomas money, trying to run the numbers. Hyo,
when niggas learn hustling the early ship is hard? Why yo,
Bussell Felson not gonna plack a Talia a million dollars?

Speaker 3 (58:51):
Make the follow with Masaya, issue with Chelaton or really
take him high out.

Speaker 10 (58:55):
We am the man distributed supplias be getting fats and
signatures on the flyers.

Speaker 3 (59:00):
Listen, gotta make moves. If you really wanted just for
dudes eat your food, I said it'd be on it.
There's so much to be hustled today and escape from
the trap.

Speaker 10 (59:08):
Bron Table discussing the way that we get to the
rack matter of the game that you play.

Speaker 3 (59:12):
I'm just stating the packs they aim at the game
to be kicking and making the max. I was twenty
with a stack nineteen with a black eighteen. Next night, see,
I can't go, I told.

Speaker 8 (59:21):
A bag.

Speaker 3 (59:24):
Bag you see all right?

Speaker 5 (59:30):
Oh man, I go first. I mean I love the product.
I mean with an interesting texture.

Speaker 3 (59:36):
Yeah, you know what I mean.

Speaker 5 (59:37):
It was like the like the snit like spray cans,
high hats over here, like sh and then like the
sample was kind of rolling around over there, and then
the drums are like smack in the middle like it
was fired. It sounds great, sounds sound better than everybody,
sounds better than mad rappers he does.

Speaker 3 (59:56):
You know.

Speaker 5 (59:57):
So this definitely slaps from me. And this Q Tip
in his bag too. I mean that that that little
bounce that pocket.

Speaker 8 (01:00:05):
Yeah, that's that was fantastic. I enjoy that immensely. Uh I,
I was not expecting that. I love how el cool
Ja really seems to put his trust into his production
whoever is handling it and Q Tip, you know, definitely
being like I wanted to sound this kind of way
probably you know, is really amazing. And yeah, like old

(01:00:30):
cool J sounds like he's been rapping like it doesn't
sound like it doesn't sound like Will Smith like where
it's like, you know, I'm gonna practice this song. It
sounds like he's like literally kind of he's living this shit.

Speaker 3 (01:00:40):
He's like and it's like a regular rap song.

Speaker 5 (01:00:42):
It's not like he's coming at it like hey here now,
I'm ready to help you out, get you damn. It's
like motivational rap. You know, it's like music. It's actual music.
It's actually, yeah, it's fantastic. So yeah, this definitely slaps
for me. It's great to hear q Tip out there.
And I will say real quick, the ol Cool Jay

(01:01:02):
roll out, this is what y'all need to be doing.

Speaker 3 (01:01:05):
Loving it like j Lo.

Speaker 8 (01:01:08):
Everybody who's like the record, like didn't like bid it
this year follow the old Cool j model. He went
on everything, he went on everybody's show, and he's been
doing it the whole entire summer.

Speaker 5 (01:01:20):
You know, I'm entire summ I'm gonna say this too.
This music does not suck. That's really the issue. It's
a part of that Jaylo music was just terrible. It's
like it's like anybody was like everyone was just waiting
for me to drop something. So here's some like fucking
dance record or whatever.

Speaker 12 (01:01:36):
You know.

Speaker 8 (01:01:36):
Yeah, it helps if you got body, It helps you
have if you have quality, but it also even if
you don't. I think like even if the even if
the Ol Cool Jay record was like fine, even if
I feel like the fact that he was trying so
hard to hit everyone and also say something different at
every show, Like I haven't seen every interview, but he

(01:01:57):
has clips saying different things on everybody show like all
these different little gems and you know, all this stuff,
especially him just talking about how famous he was at
like seventeen eighteen years old.

Speaker 3 (01:02:08):
He talks about it in this song, you know.

Speaker 8 (01:02:10):
Yeah, like he talks about this song and so I
just feel like, you guys need to put like the
dude is beyond rich and like he's out here working
super hard to let everybody know about this record.

Speaker 3 (01:02:20):
So and I hope he'll be rewarded with with good numbers.

Speaker 5 (01:02:24):
I mean, he was like the first modern solo rapper ever,
you know, Before him, it was like Curtis Blow, but
then it was like Run DMC and Noise and like
those guys were those guys were from the disco era. Yeah,
you know, he's like the very first like be solo
rapper with like hit songs and shit. So yeah good anyway,

(01:02:44):
Yeah he killed that. I got to use bigger buttons.

Speaker 7 (01:02:52):
Are too close together and like the main stuff like
this needs to be Anyway, I liked it. Also, it
was really like dirty sounding, like uh, I don't want
to say low Fi signed it.

Speaker 3 (01:03:06):
It was just like blown out. It sounded cool.

Speaker 5 (01:03:09):
He was still sounded like he was still using the
same mic settings from back in the day too. It
was like a little bit of delay and it's a
little bit of distortion on his vocal saturation.

Speaker 3 (01:03:18):
Yeah, saturation, saturate. But uh yeah, I really liked it.
And yeah, the production was cool.

Speaker 5 (01:03:25):
It was raw sounding without it being like abrasive raw soul,
raw soul.

Speaker 3 (01:03:31):
Yeah, man, that was that was great.

Speaker 7 (01:03:33):
Uh and q tib sounds like youtip actually does. Uh yeah,
I really liked it. I give it a dank so
I'm gonna say, you know, yeah, man.

Speaker 3 (01:03:44):
In a while, in a while. Yeah, all right, let's
do another one. Slap slap. There's slap slapping and let's
too I got that's wrong?

Speaker 4 (01:03:59):
Uh.

Speaker 3 (01:03:59):
You guy's favorite band, Future Islands is on here. Do
you want to hear that? I mean, what else? What
else you got on the list? I feel like that ship.
Let's do Leon Bridges Bridges? All right, Leon.

Speaker 8 (01:04:13):
The last time we heard him, he was singing about niggas.

Speaker 3 (01:04:19):
I was just about to make a joke about I
couldn't get a joke out fast enough nigga. This one's
called Laredo. Okay, all right, he's back with Krong Bin.
I guess no. I think it's just him, Yeah all right.

Speaker 5 (01:04:37):
But see if it sounds like krong bink, see that
base sounds.

Speaker 12 (01:04:44):
Like I was running out of time, inspiration, out of fun, crosser,
real brend, take me to your city lights.

Speaker 8 (01:05:03):
I don't buy the river side. I know you understand.

Speaker 3 (01:05:10):
Then there's something down temper the darky and rock Steady
by here.

Speaker 12 (01:05:16):
Don't like him the front of you, and I couldn't.

Speaker 3 (01:05:19):
Fed as being ginger. Oh I'm just a.

Speaker 4 (01:05:24):
Begining on mother.

Speaker 8 (01:05:26):
If I stand in the riddle, all right, just.

Speaker 3 (01:05:30):
On one Forne, just one gonna.

Speaker 11 (01:05:36):
Die and the girl with the diamond crown who up
in a border town to me tooing me to die, such.

Speaker 4 (01:05:52):
A pretty city head and show me how to two step.

Speaker 3 (01:05:58):
Spring me back to the.

Speaker 8 (01:06:02):
Gave me something down temple, o, Katy and.

Speaker 12 (01:06:06):
Rock Steady body here that like timble falling for you?

Speaker 4 (01:06:11):
The kind of Fatti mores being ginger, I'm just a weekend.
Or whether if I stand in the middle, just the
one Forne, just the one.

Speaker 13 (01:06:27):
Onne O, no, no, no, you wish yeah, I think

(01:06:49):
you Versus Kenny, what would this says is Kenny, I'll.

Speaker 14 (01:06:54):
Be what it was though, No, thats versus Kenny and
Rock steady all right, body, hey man.

Speaker 5 (01:07:04):
To me, that's a breath of fresh air from him.
I've been tired of his ship for a bit for
a minute, So this is I think this is great. Man,
another extreme mix, I mean ultra stereoed out and then
ultra monode, other things and just a lot going on.
So I hope this still sounds good in earbuds. You

(01:07:25):
know they only audio filed that up, you know. Yeah, great,
that was awesome.

Speaker 3 (01:07:33):
Yeah, I agree.

Speaker 8 (01:07:34):
I felt like that He's his stuff has been like
a little stale for a little while. Hints why he's
been doing, like the collaborations and stuff. But this production
was was awesome lyrically, even even some of the corny
kind of you know, falling like confetti or whatever, like
some of the some of the lines out lets slide,
you know, the way they's singing it, yeah, the way

(01:07:56):
he's singing, in the way that the melody is working.
It could I'm not worried about, you know what I mean.
I'm like, oh, that's really cool. I like how how
how the whole melody line forms and stuff. It's really nice.
So yeah, this last for me, man, it's great. I'm
not gonna be mad at this is this?

Speaker 5 (01:08:14):
Uh?

Speaker 3 (01:08:14):
If I hear this at a brewery.

Speaker 7 (01:08:16):
Or yeah, it's kind of how I feel bad. It's like,
I'm not I'm not mad at it. Also I'm not
I'm happy with it.

Speaker 3 (01:08:24):
You're not gonna listen.

Speaker 5 (01:08:25):
I'm not happy with it, so I don't. I'm in
a weird position. It's Uh, I'm not saying it's trash.
But is this though congratulations material.

Speaker 3 (01:08:36):
All your heart?

Speaker 12 (01:08:37):
Man?

Speaker 8 (01:08:37):
I would think so because it's it's a it's a
fine song.

Speaker 3 (01:08:40):
It's not over the top.

Speaker 8 (01:08:42):
I feel like that it's not I feel like it's
not trying to call out to itself.

Speaker 3 (01:08:47):
It's not like a dual song. Yeah, I'm saying, but
I'm talking about for me, for me, for you? What
do people know? It's not your style. It's not my style.
I don't want to say it.

Speaker 7 (01:09:06):
And also I like, I almost forgot about it, but
you brought up the lyrics and like, yeah, I'm not
a big lyrics person. And if I actually noticed the lyrics,
then there's something going on. There's something to draw a
lot of attention to it, which means either really good
or more like it's really bad, really kind of.

Speaker 8 (01:09:23):
Corny or you know, yeah, there's some corny stuff in
the in the mix, but yeah there's happening, but yeah
it's not you know, yeah it's too sexy for you.

Speaker 3 (01:09:36):
I mean that's not exactly what I said, But go ahead,
whatever you whatever you think.

Speaker 8 (01:09:41):
All right, let's do one more.

Speaker 3 (01:09:42):
Do you want? We got toime with you one more? Okay,
what's the what's the options? Well, there's one of here
I didn't pull the art for because I didn't know.

Speaker 8 (01:09:51):
It was like on here, probably a suggestion from uh
is it the black Ice one or something like that.

Speaker 3 (01:09:59):
No, this is the one.

Speaker 8 (01:10:01):
Yeah, yeah, that's a that's a lated dish. You know,
we could wait on that if you want.

Speaker 3 (01:10:07):
I want to wait on that one. So Instagram one was.

Speaker 8 (01:10:09):
The suggestion from from a friend of the show. You
have Toro Toro moy Oh yeah, Tory moy Don Tolliver.

Speaker 3 (01:10:16):
Oh boy, that could be terrible.

Speaker 5 (01:10:18):
We just got a lot of R and B already.
All right, Well, maybe hit the feature on the song
then oh that's right, Yeah, we'll come back to this song.

Speaker 3 (01:10:28):
It's called Glimpse. Glimpse. You can see him doing this
dance already. Yep, yeah, wow yeah, sorry, like oh, Yeah,

(01:10:53):
that's right.

Speaker 2 (01:10:53):
This is the one with that weird Yeah, I've been
playing for a lot song you wist out in shadow Fire,

(01:11:15):
the Memories, Hottie the wrong One.

Speaker 3 (01:11:21):
We've been believing a.

Speaker 2 (01:11:22):
Lieble and carrying on the lady's soul shame.

Speaker 3 (01:11:32):
I havn't head and see the classic cod down all
having rampede talking shadow mister Green Brass scroll Oo me.

Speaker 4 (01:12:01):
O, where the wind the cream rad School, Oh.

Speaker 3 (01:12:21):
The pictures lost him the misery say father rod Uisu
school is he and kring Stones to the.

Speaker 6 (01:12:43):
Headline.

Speaker 3 (01:12:44):
I don't know what he said, that's.

Speaker 7 (01:12:50):
All right, and you know, just looking at him and
just being fucking obnoxious. I just looked at a picture
of this band because I didn't put it together and
not seeing them.

Speaker 3 (01:12:57):
They also look like like if you had to hang
out with them.

Speaker 7 (01:13:02):
At like because if you were gigging somewhere like there're
the other like they just look like painful, like sit
down and have a beer with I don't know, they
look like, let's talk about the song looks all right, well,
song embodies their energy and whatever, and I uh, I'm

(01:13:23):
not about it at all.

Speaker 3 (01:13:24):
I don't I like that type of music, but not
from these dudes.

Speaker 7 (01:13:29):
It was, uh, it's not good man, it's it's kind
of it's it's it sounds like it's more like a
an aesthetic than it is songs like.

Speaker 3 (01:13:42):
It was like a vibe. It was definitely they made
the song out, but I don't think anything.

Speaker 5 (01:13:46):
I think I came in with lyrics and everything, playing
like hey, this is I want to do this song,
and hell no it's not.

Speaker 3 (01:13:53):
They made this beat. They were like, yo, you think
you can do your dance at his beat?

Speaker 10 (01:13:56):
Right?

Speaker 3 (01:13:57):
He was like, yeah, I get down to this, and
he's all righty, throw some lyrics on this, all right.
I don't know, he said, I know, I'm gone. I

(01:14:17):
like to cut out just the lead up stall doors
and it's like there was one line in the middle.
He's like.

Speaker 4 (01:14:25):
That was worse.

Speaker 8 (01:14:26):
He's like, I know that line he didn't even he
didn't even was like I'm not even gonna fix that.

Speaker 3 (01:14:38):
That one particular. I was cracking out that. Let me
know how much effort he put into there. So there
was one take Jake on this. He was like, Yo,
you can pass me my notebook real quick. I'm just
going first verse, first verse.

Speaker 8 (01:14:49):
The lyrics were like okay, fine, and then all of
a sudden, he's just like green grass grow. I'm like,
then he said something, he said a couple of other things,
and I was like, okay, you wrote this all together.
It was like you wrote this song in about three
minutes because there there is no effort being he really

(01:15:09):
write it. He just channeled it and come to definitely
channeled it.

Speaker 3 (01:15:14):
This is this is this is yeah, so phoned in.
It's crazy. Yeah.

Speaker 8 (01:15:20):
Yeah, that was like, you sound sound band. Sounds amazing.

Speaker 5 (01:15:25):
They sound good. They sound like a new new goth band.
He can put some harmonies or something on this joint.
His voice is too loud and so like what it's like,
what are they trying to do? Is it looking to
be like kind of Danzig or something? You know, having
the voice like it always sounded like he's trying to
do a Morrisey Yeah, definitely more but yeah he yeah,

(01:15:47):
he's saying about grass growing over him.

Speaker 3 (01:15:49):
And then and then he said he said something about
the trees.

Speaker 8 (01:15:56):
I'm like, we're talking about trees right now? What this
song about? We'll talk about trees and grass.

Speaker 3 (01:16:06):
That was enough? All right, enough, all right, all right, y'all.
Thanks sign act for me Man and sadly, the podcast

(01:17:04):
is no more