The Hustle Season: Ep. 352 Your Wife's Nephew

Topics include:

• Jane's Affliction is over
• REO Speedwagon is over too
• MBU: Tito Jackson
• SLAPS: Sting, Tears for Fears, Van Morrison ft. Joss Stone

• Tan.gent on Spotify, Bandcamp
• Follow The Rumble Trio
• New NOBS Brass EP HERE

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The Hustle Season on Patreon
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Episode Transcript

Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, man, Yeah, what's wrong with the bo we got?
It's trash. It does not slapped call and response. What
are you guys even doing? I got that much ask
years ago.

Speaker 3 (00:22):
They tried to years ago.

Speaker 2 (00:25):
They tried to put me in there. That means you're
a lion.

Speaker 3 (00:28):
Stram I did it with the peck.

Speaker 4 (00:35):
And the rock. Oh, come on in, Bonator says he.

Speaker 2 (00:44):
The water's fine. All right, everyone, listen up.

Speaker 5 (01:19):
The Hustle Season podcast is here again. We're here today
today in this studio.

Speaker 2 (01:25):
This room with you live. That's right.

Speaker 1 (01:29):
I'm James Stress, that's Kelly Strawberry, just Regi Pace. Once again,
we're here to talk about all the things that really
matter in life that we think are awesome, music, shit,
stuff like that. But hey, wherever you're listening to us,
are watching us, go subscribe to stuff you see when
we do things. Yeah, give us all as many stars
as you can.

Speaker 2 (01:45):
You know all that.

Speaker 1 (01:46):
It would be great and even better if you really
like this lot, go to the Patreon join that.

Speaker 2 (01:51):
Let's go help us out. Yeah, let's go, let's do it. Shit,
Yeah yeah, I maang, wake up.

Speaker 5 (01:58):
I got nothing right, I got nothing from this week.
Oh other than the Beer album release coming out next Friday,
and we're doing the album release at the Camel with
the way we'd leaves and Iona come on out Friday.

Speaker 2 (02:13):
What what's the date of that?

Speaker 5 (02:14):
I'm sorry, that's gonna be Thursday. That's Thursday, thursdaydays all
mixed up the twenty six Okay, Thursday, September twenty six,
and then and then Friday will be at Dirty Nellie's, uh,
doing our every Dirty Nelly's residency.

Speaker 2 (02:29):
Where's that ville? Okay?

Speaker 1 (02:31):
It sounds like one of those places where the the
the weight staff is like mean to you, you guys,
hat on your head and says stupid.

Speaker 5 (02:40):
On it and you guys the Rumble Trio would crush there.
You guys should go play.

Speaker 2 (02:44):
I didn't know that place existed, you should it existed?
Like this?

Speaker 1 (02:48):
Yeah, well it's not on my radar. I ain't know
you knew about.

Speaker 5 (02:53):
You knew about that fucking Ted Nugent punk band or
whatever from sucking the sixties.

Speaker 1 (02:58):
That's actually like, that's actually kind of a pretty well
known I don't think so all right, but.

Speaker 2 (03:03):
I mean for people you know sixty and up. Yes,
dirty Ellie's.

Speaker 5 (03:06):
Yes, it is a Charlottesville is a legendary Charlottesvield bar
uh and uh yeah they have music there. We play
there every other month. It's really dope. I've it's I
always love that room and uh food there is dope people.
They are cool.

Speaker 2 (03:21):
Always hooking me up with the person that does the
fucking thing. You know, he's not allowed to do that.
I think that is.

Speaker 5 (03:30):
I don't think I'm even friends with him on Facebook
or whatever, but I will.

Speaker 2 (03:34):
I will do that.

Speaker 5 (03:35):
It's for Beer's contact, but I will share.

Speaker 2 (03:38):
Also also for Beer.

Speaker 1 (03:39):
Should tell him about you should tell you so he
hears people talking about and then when I do contact him,
he's like, oh hey he's a yeah yeah yeah, like
Evil Knievel used to do. Before you go, he call
and pretend he wasn't evil. Can eevil and ask him
about evil evil?

Speaker 5 (03:51):
Okay, well, uh we did talk about on the Hustle
season with all the Hussies, so uh the word will spread.

Speaker 2 (03:58):
Yeah.

Speaker 5 (03:59):
So yeah, that's next week. That's all. That's all promoting Saturday.

Speaker 6 (04:04):
Nobody else is playing at the East end festival in Churchill.

Speaker 2 (04:08):
Come on out.

Speaker 6 (04:08):
We play around three. That should be nice and fun
and then night Ideas. Record release party is October the
twenty six at Get Tight Lounge. New album Rocky Coast.
It's Hot Fire. The video we'll do a premiere here
or something.

Speaker 5 (04:24):
The videos job I'm doing for that or fire.

Speaker 2 (04:27):
Yeah, the music video. I can't wait for everybody to
see the whole thing.

Speaker 5 (04:30):
It's crazy, just the just the preview of what you
guys at the ward.

Speaker 2 (04:33):
Oh good.

Speaker 6 (04:34):
So yeah we got some good fittish from a Chris
Damon and the crew and the ward. Yeah, shout out
to Cup and who else Zach Zach Fitcher.

Speaker 2 (04:44):
Yeah yeah, yeah, yeah, so it was. It was a
good time.

Speaker 1 (04:49):
James uh Man, I'm in recording gigs and shit next
week or so. Oh, but the first Friday of October
we're doing Gallery five first Friday, and then the next
day at two pm we are playing the north Side Fest.

Speaker 2 (05:07):
A bunch of bands yea from Northern Northern nor By Northwest. Yeah,
there you go.

Speaker 1 (05:12):
So we're playing there or what we're doing with the
early ones, So two pm that day or checks out
the night before, uh.

Speaker 2 (05:18):
You know, cool Rumble trio. Who's who's else on that
KOFE uh.

Speaker 5 (05:25):
Anymbol?

Speaker 2 (05:28):
Yeah?

Speaker 1 (05:28):
I think uk is and on the That's right because
I know he lives over here.

Speaker 5 (05:32):
So yeah, yeah, yeah, I was close to doing that
gig with him.

Speaker 2 (05:35):
But check this. I actually do have this right here.
It is yeah, oh ninety.

Speaker 1 (05:40):
Nine Sex Mackenzie Rourke in the Hot Pants Rumble Trio,
Kofy Shepsu, trishtan Doherty, Uh, Danger Birds and there's some
other ones that are not on here.

Speaker 2 (05:50):
Ope, here's another one.

Speaker 1 (05:52):
Uh Leslie and the Dots.

Speaker 2 (05:55):
I know who that is.

Speaker 1 (05:57):
The symbol is on this, Okay, Yeah cool man, Brian
Caperton's on that. Uh oh, and our buddy DJ Snwinder Okay.

Speaker 2 (06:07):
Very cool, shout outs word. All right, let's just.

Speaker 5 (06:11):
Get into music, get into its plenty of it, plenty
of it to go round music news. Well, I mean,
let's just get into it. The fight scene.

Speaker 2 (06:26):
Right round the world. Yeah, man, that heard around the weakest.

Speaker 6 (06:32):
This is the first time his noodle arm punch, I
mean noodlelius armed punch.

Speaker 2 (06:38):
I've ever seen weakest chest bumping. All right, So for those.

Speaker 1 (06:43):
Frail uh, I don't know what we're talking about.

Speaker 2 (06:48):
Uh. The band Jane's addiction.

Speaker 1 (06:50):
Who is the It was a crazy la you know,
early band in their late eighties early nineties. Yeah, it's yeah,
it's like funky that old stuff.

Speaker 2 (07:01):
Uh. They have been doing gigs again, old reunion.

Speaker 1 (07:04):
Thing with the original bass player who had left uh earlier,
Dave navarroes here, Steve Perkins.

Speaker 5 (07:12):
Eric Avery Avery. He also auditioned from Metallica, which is
in in that movie.

Speaker 2 (07:19):
And those are some weak auditions.

Speaker 6 (07:21):
So dude from Maryland man, So he was because he
was trying to like pick it out.

Speaker 1 (07:28):
It's like it's like y'all didn't learn they didn't know
which one they thought they like, I don't know, I
know in the same man should be good. It's like
none of these guys have ever done it. They've never auditioned, right,
that's true. But anyway, so they're out on tour again.

Speaker 2 (07:49):
Uh.

Speaker 1 (07:50):
Recently there was an incident on stage where Perry Farrell,
a singer also founder of the Lollapalooza Yes festival, that
that guy, Uh, he got upset and went over to
Dave Navarro, the guitarist at the end of a song
and started yelling at him and pushing around and shove

(08:12):
he didn't really get a punch in anything. And then
it was broken up and the stage the spotlights turn off,
but you can kind of see what's happening still. So
I don't know what should I show the video first
and then we can break it down. We gotta put
it on, yeah, so we just need to like and
I'm gonna use the one that seems to be the
best fidelity, Like most zoom highest quality is where you

(08:34):
get to see most of it.

Speaker 6 (08:35):
I think this is also my man's name, go back,
whose video is this? Shout out to them?

Speaker 2 (08:40):
Oh yeah, let's says brooks Brooksley. Shout out to you, Brooksy. Yeah,
Brooksy got the best You got the best looking vid.

Speaker 6 (08:47):
Alright, alright, wow, he already looks like a maniac.

Speaker 2 (08:53):
Up there, Yes he does, all right, So.

Speaker 1 (08:57):
Okay, sharing the screen here. Okay, So this is yeah, Parapholier.
So they're at the end of near the end of
a song. Let's see what happens.

Speaker 2 (09:09):
I'm not even singing. He looks so fucked up, just
doing nothing.

Speaker 6 (09:22):
This is during the guitar solo in his the end
of the song. So just shoved them at the end
of the guitar solo, he said he shot the.

Speaker 2 (09:31):
Watch close though. After the lights go off, this is
actually my guy. What is he doing?

Speaker 7 (09:37):
Damn?

Speaker 5 (09:38):
And then and then yes, the bass player is actually throwing.
He throws like three punches through three still throwing punches there. Yeah,
they had they had him almost.

Speaker 6 (09:52):
They're still fighting. He just had a that was like
a psychotic break.

Speaker 2 (10:00):
Well. Okay, so I don't Kelly, did you the other
video you sent me?

Speaker 1 (10:05):
I don't know if it has it, but so I
saw a clip that was a little started earlier.

Speaker 5 (10:10):
It's a little bit longer.

Speaker 1 (10:11):
Yeah, yeah that way, So, I mean you're not gonna
be able to hear it from this, but anyway, in
the video, uh, Dave Navar is playing guitar, and Perry
Froll looks kind of like confused and stuff, and then
he's singing or starts singing. Then Dave all like goes
over to him and kind of like nudges him and
then goes like this like signals because like that's the

(10:34):
solo to end the song. Yeah, so he does that,
and then when he walks over to like back to
where his guitar is and everything, they're the you know,
where his station is, like the camera stays on Perry froll.

Speaker 2 (10:47):
And he has his look on it.

Speaker 1 (10:48):
You ever had like a drunk friend and like they're
acting out of pocket and everybody's like, yo, stop, yo,
don't do that, and they just look like get quiet,
and they're like, dude, he had that look on his face.
So and so that goes on also leading up to this,
from the press release or whatever post that his wife

(11:09):
put up making excuses for him peril. Yeah, what's his
last time Perry Farrell?

Speaker 2 (11:15):
Yeah.

Speaker 1 (11:16):
Yeah, his wife, his chick goes on, goes on Internet,
starts talking about how it was they had a problem
with stage volume, like he couldn't hear things on stage.

Speaker 2 (11:26):
First, Yo, that's bullshit.

Speaker 1 (11:28):
I mean, they have lineer monitors, they like this is
they have a crazy huge budget.

Speaker 2 (11:33):
That is definitely not They've been for thirty years.

Speaker 1 (11:36):
And his wife said that people in the front row,
the people who know everything about everything, said they couldn't
hear him.

Speaker 5 (11:44):
Okay, So I read some more about that because his
wife went on Instagram and replied to a lot of people.
She said that supposedly they've been struggling with this.

Speaker 2 (11:54):
For a lot of the shows.

Speaker 5 (11:56):
Stage, the stage volume and the fact that they're in it,
because I've heard about this from other bands where they
don't know how to fucking use.

Speaker 2 (12:04):
Their fucking in ear monitors.

Speaker 5 (12:06):
They don't, they just they just seems like they don't
know what they're I think that's that's true. But I
think what she's saying is fucking cat because the other
three members of the band, whom I remind you, are
playing things that put out more sound than the human voice.
Like the drummer is there, he's got ship on, he
can hear everything else. I think Perry doesn't fucking get

(12:29):
how this shit works, or maybe he like insists on
using floor monitors or like, I don't.

Speaker 2 (12:34):
Know, but I feel like this, this can be solved.

Speaker 6 (12:37):
I feel like monitors, especially at this level, this is
this is that's crazy, amateur er. Yeah, that's crazy, you know,
and it's definitely not a go punch the guitar player problem. Well,
and so here's the deal.

Speaker 1 (12:48):
So when Perry Frawl is like, he was like, hey man,
it's you're in the wrong spot, you know, because I
also feel like this not being able to hear shit
is also an excuse because he's too fucked up. You
know where he is in the song right, okay, but
pretty I'm leaning towards Peri Frell has a problem and yeah,
and he's not holding it together anymore, okay, so and
so and so they go over so they over happens,

(13:11):
the bass player runs over, starts at fucking way on it,
which rightly so, because like he's acting.

Speaker 2 (13:19):
Like and and and and.

Speaker 1 (13:21):
Back in the day though, this was the band that
they all four of them got in fist fights in
the middle of shows on stage all the time, okay,
and the like. It was like a thing. That's why
the band broke up. They were like literally fighting with
each other constantly. Okay, okay, so they're known for this.
The other three members of the band seem to be
over this ship, and Perry Farrell also depends not to

(13:42):
be too much of a psychologist here, but we're looking
at three like very established musicians, and Perry Frell's thing
is like he was the singer in Jean's Addiction, Like
he's he I wouldn't be I won't doubt that he
maybe has some leftover feelings from back in the day
from he doesn't the singer in that band, and whatever
inequality things happened.

Speaker 6 (14:02):
They got it all off of him, yes, you know,
or something like that. But I know, bringing it back
to the modern times. You know, all of the shows
of this tour so so far, like the crowd has
been complaining about Perry.

Speaker 5 (14:14):
I've seen I've seen from the house they've been like,
I've seen a mix of both. I've seen a mix
of There's been people that have seen great shows, including
people from Richmond that said they saw him in a
they were in Portsmith, I think like a week or
two ago. So uh yeah, uh. His wife said number

(14:35):
one that he is actually not a drinker, that she's
the drinker, so he looked drunk.

Speaker 2 (14:41):
Well, they said that.

Speaker 5 (14:42):
Uh, they said that that's supposedly that wine that he's
like chugging on stage, supposedly that is a.

Speaker 2 (14:49):
Prop I mean, I can't think of any other wine.
She's saying. No, she's saying it's real wine. But the
way that he's like swinging.

Speaker 1 (14:57):
Out of it, even drinking full bottles at one time,
that's not how you're supposed to drink wine.

Speaker 2 (15:01):
I don't think.

Speaker 5 (15:02):
Well, I'm saying he's supposedly not really like drinking it,
like it's like more.

Speaker 2 (15:06):
Of a prop.

Speaker 5 (15:07):
She says, well, he said that he's not really drinking.

Speaker 1 (15:10):
Because that's interesting because Ricky said that when he for
the time brief time he worked at the National not
por for Virus Jean's Addiction was playing there and supposedly
Parapherial had the flu when they played, and he just
said he was drinking from the bottle the whole show.

Speaker 2 (15:27):
So I don't know if that's so. That's kind of
a link.

Speaker 1 (15:30):
Like understand like Motley Crue chugging fakeah, But like is
it like Eddie Vedder drinks wine out of a bat
during the show. It's not like a that.

Speaker 5 (15:40):
Seems that seems real.

Speaker 2 (15:41):
I feel like that that's playing it.

Speaker 5 (15:43):
I feel like they're definitely trying to play it, you know,
like really like the nineties in a weird way because
like drinking from a drinking from a wine bottle on
stage is not cool. That is nothing cool.

Speaker 2 (15:55):
About it, especially in ninety like a rocker, what.

Speaker 5 (16:00):
Isn't Eddie Vedder with the glass?

Speaker 1 (16:02):
But it's a doable thing, Like any of us could
go on a stage and care, you know, drink like
you know what the thing is. Dave Navarro and Perry
Farrell in that band had super bad addiction, like not alcohol.

Speaker 2 (16:17):
So I don't know.

Speaker 1 (16:19):
Man, it's more likely because let's just say so, he
doesn't drink all the time, so he has a wine
prop or something.

Speaker 2 (16:25):
I don't understand what's going on.

Speaker 6 (16:26):
How does this help these shows going bad? No, Okay,
I don't see it, Cord.

Speaker 5 (16:31):
That's that's what I was just mentioning that because that's
what she mentioned, because she she responded.

Speaker 2 (16:35):
To help him at all.

Speaker 5 (16:36):
She responded to she responded to a bunch of stuff
on there. But the other thing is no, I I agree.
I do think that there's something else happening, because there
had the other shows that they've been talking about. They
said that he's been like going on rants. He's talking
to also does stuff like that, but not hearing Perry
because I find it hard to believe that the band

(16:57):
played amazing.

Speaker 1 (16:59):
The instrument sound really good. They definitely have a really
good crew, And the only thing I think of is
many of the perish you fucked up to hold the
microphone right and just doing dumb shit the whole time.

Speaker 5 (17:10):
No, because man, I've I saw him do stern with
the band and he sounded he sounded fine.

Speaker 2 (17:17):
Yeah, but he's not going to be wasted going on Stern.
It's all, we don't know who knows. We don't know
that he has a problem. He looks like somebody that
was fucked up on something. He didn't.

Speaker 6 (17:26):
He didn't look he didn't look like he's not a
sober guy that wasn't a sober.

Speaker 2 (17:29):
I'm saying that he knows.

Speaker 5 (17:31):
I'm saying that he definitely.

Speaker 1 (17:32):
Uh All, this is hard doing some cup talk and
I'm not hearing any real answers.

Speaker 5 (17:37):
It's kind of it's kind of yeah, I feel you
on that. But they all came out and said they apologize,
and now they have canceled the remaining shams of all
of them shows, the whole tours canceled. Uh they and
like they said that Perry Ferrell is going to be
addressing his mental health.

Speaker 2 (17:54):
So when I mean, I mean.

Speaker 5 (17:58):
Twenty twenty five, probably, I mean we're gonna we're definitely
gonna find out something after this free at.

Speaker 2 (18:04):
Some point in twenty twenty five.

Speaker 5 (18:05):
Yeah, I agree with you, James, because the thing is
that when you think about it, I mean, this cat's
put on like mad festivals.

Speaker 2 (18:12):
This is mad mad big up.

Speaker 5 (18:14):
No, not parapheral. Yeah, there's other guys Peripell. He's the
one that he's bringing back the fucking band.

Speaker 2 (18:21):
Like, that's the thing.

Speaker 5 (18:23):
I don't know who's asking for James addiction for real,
I don't know who's out theres Uh.

Speaker 2 (18:28):
We all would if it was good. Yeah, if it
was slapping.

Speaker 5 (18:32):
I didn't, you know, but I just yeah, there's definitely
not a real answer for what happened here other than
you know, is he a drinker? Is he not a drinker?
We do know that the bass player took some cheap shots.

Speaker 2 (18:45):
He was not cheap shots. He tried to shot.

Speaker 1 (18:48):
No, he tried to push around Dave put it back on. Yeah,
because and he is not like he's like, what you
doing to Dave Man? What he didn't do his chip wrong?

Speaker 6 (18:56):
He told you he came in throwing blows like he
was already in the fight.

Speaker 2 (19:00):
That's what he came from the other side of the stage.
I'm saying because he was pushing around on watch watch.
I say he's from from there. Is good because what
is he doing now?

Speaker 1 (19:12):
This is the end of the song where he's like
yelling really loud and trying to be all aggressive and mean,
and Dave's face and Dave is like thinking about shredding.

Speaker 2 (19:20):
He's like what he's already selling. He's like, what are
you doing? Bro? He's like, he's not paying attention to me.
He said, fuck you, that was weird.

Speaker 6 (19:34):
Yeah that look there he has it's blacked out. That's like, yeah,
that's how drunk look person. Man, this doesn't make any sense.
You know, he can't fight, and.

Speaker 5 (19:44):
Even with his goofy makeup on Dave Navarre, you can
see how confused he's just like.

Speaker 2 (19:48):
What is happening right now? All right now?

Speaker 5 (19:50):
Then then then the base player comes up.

Speaker 2 (19:53):
He's like, what the fund the wait.

Speaker 5 (19:57):
Right there in the star at the batch, Yeah, that's
what just happened. But they basically look sober. That's really
the difference. Yes, like if maybe he has some drinks,
but he looks dangerous, definitely sober.

Speaker 2 (20:12):
Like the cat, he's sober.

Speaker 5 (20:13):
That cat had like long COVID for like a couple
of years or something. He was gonna make it, couldn't
play music, so like the dude is like it. The
dude's like an incredible shape.

Speaker 1 (20:22):
The rest of the band, let's not forget they've been
playing dates already.

Speaker 2 (20:25):
That bass player is sick. Yeah, he's sick. I couldn't wait. No, no,
because that's the thing.

Speaker 5 (20:32):
They've been showing a lot of passive aggressive ship on stage,
where like pray Forell is like fucking talking and ship
and uh, Dave Navarro hit like some loud gord or whatever,
but the bass player like do some.

Speaker 2 (20:44):
Ship stopped talking?

Speaker 5 (20:46):
Yeah, So I mean they definitely are sick of each
other already. I don't even know how long the tour
has been going, but.

Speaker 2 (20:51):
Like less than a month, a couple of weeks. I
think Florida.

Speaker 5 (20:55):
They played in August. They played in August for sure,
but I'm not sure how long it went.

Speaker 2 (20:59):
It's part of the struggle. Is great, just listen, this
is so but listen listen. Oh the echo laid out
like dug down, like don't what are you doing?

Speaker 3 (21:17):
Man?

Speaker 2 (21:17):
Man man working over?

Speaker 1 (21:21):
Like yeah, but when I saw when I saw the
bass player jumping and started punching, I was like I
get it.

Speaker 2 (21:26):
I get it, Like you know, sucks, I don't. I
don't think.

Speaker 5 (21:31):
I don't know if you really need to like go
heavy and like sock him in the stomach.

Speaker 2 (21:35):
Like I don't know what he said.

Speaker 5 (21:38):
We're talking about a band that was like nothing, You're right,
he would base beforehand.

Speaker 2 (21:44):
But the bass player.

Speaker 5 (21:45):
The bass player is like literally like Conan's height, like
he's a weight. He's pretty tall. Yeah, dude, it's pretty big.

Speaker 1 (21:51):
He's sick of that ship. He was actually I think
the first one to leave. I think or no, he
didn't come back when they did the first reunion.

Speaker 2 (21:59):
Right, No, he's like that.

Speaker 6 (22:00):
Yeah, he was hoping. Dave jumped in. He was like,
come on, you're not You're not gonna get it. Didn't
get a couple of.

Speaker 1 (22:07):
Maybe He's like, now the damn shiver. I've got to
be extra badass.

Speaker 2 (22:10):
He's the one that had extra incentives.

Speaker 5 (22:11):
He really wanted to do this ship because they've been
doing shows without him. Yeah, so he really wanted to
do this. This was his first tour coming back from
uh ruined it. Yeah, so you kind of they ruined it.

Speaker 3 (22:21):
Yeah.

Speaker 2 (22:22):
So such a.

Speaker 1 (22:23):
Cool band though, like real and like the thing sound amazing.
Everybody that saw them those dates are like the band
sound perfect.

Speaker 2 (22:31):
They're great.

Speaker 5 (22:32):
I love Catt stealing. I really didn't know the other
songs until they did that first reunion in ninety seven. Yeah,
with Flee, I didn't know. Jane says, I really like.

Speaker 2 (22:40):
That song nothing Shocking is really cool too.

Speaker 1 (22:43):
That album, the one right before uh before the big
album Ritual.

Speaker 5 (22:50):
Yeah, okay, all right, yeah, I thought some prayers, Yeah,
I thought some prayers have a seat.

Speaker 2 (22:57):
Let's see alsome man.

Speaker 1 (22:58):
I've been listening to what that point for Pyr's album
a lot recently, Good God's Urge, the One that Had
which also has Dave Navarro and Flee on two of
the songs, and Mike Watt plays bass on some of it.

Speaker 2 (23:11):
Oh, really the big one with Pets No, that's the
one before this. Oh okay, this one, in my.

Speaker 1 (23:16):
Opinion, has more bangers on it than the album that
Pets was on.

Speaker 2 (23:22):
No pets Bro anyway, all right.

Speaker 5 (23:29):
Morrisy says that Johnny Marr has acquired the Smith's trademark
can replace him as band's vocalist. He's probably been waiting
for this whole time.

Speaker 2 (23:38):
How is that possible?

Speaker 5 (23:40):
I mean trademarks, trademarks.

Speaker 1 (23:43):
Did not have a trademark, So you're like, well, what, No,
So he owns the rights, he's officially the boss, I guess.

Speaker 2 (23:49):
Yeah, he owns as the scene.

Speaker 5 (23:51):
Yeah, yeah, you know what I think?

Speaker 1 (23:53):
Right here though, would be the best thing and the
most offensive to Morrisey would be for him to say, hey, man,
I bought the Smiths. I own it now and I
would rather never tour again than have you be a.

Speaker 6 (24:06):
Part of the Smiths, right, And that's what he should do.
That's what happened with the Bill Cosby did that with
Little Rascals. He was like, I don't like the way
Little Rascals make us look on TV. He bought that
ship and so no one could play it on.

Speaker 2 (24:16):
TV again out of all the people, of all the people,
Yeah he bought on TV. No more.

Speaker 5 (24:24):
I didn't know that.

Speaker 6 (24:24):
Yeah, he buried it. So that's great. Okay, what does
this mean? What does this matter? It's like the Smith's
going back on tour.

Speaker 5 (24:32):
There's I mean, you know, it's because no, it was
just because the reunion stuff. Really, that's probably the only
reason why that this has been brought up.

Speaker 1 (24:39):
Yeah, I think the catalog might have something to do
with it, because people that love the Smiths in their
prime are now the age of people that you know,
are like film executives and stuff. It's like people in
their fifties now are like, oh I love the Smiths,
let's put them move in Netflix.

Speaker 6 (24:54):
Yeah, you know, yeah, yeah, it's like all these dudes
like Jane's addiction and this band Tu and Oasi and
all of them is liked all this time to like
get some therapy or just like go for a walk.

Speaker 2 (25:06):
Or get poor enough to be desperate enough to do.

Speaker 6 (25:08):
What I mean, They just they just like didn't learn nothing,
Like all these years, they can't come together and be like,
hey man, why don't we look at this like a
job and just get through the tour and maybe let's
not talk at all, yeah, or whatever it takes, Like
none of them could like come to that conclusion even
after thirty years.

Speaker 1 (25:27):
Like it's odd how across the board they're like that,
all of them.

Speaker 2 (25:31):
It's like you have a certain amount.

Speaker 1 (25:32):
Of success, you're the odds of you still being somewhat
grounded in reality.

Speaker 2 (25:39):
In that respect, ye kind of go out the window.
Like as far as the ego thing goes.

Speaker 1 (25:43):
It's not also like how we are the world thing
where everybody sucked and then like a couple of the
artists were just like normal.

Speaker 3 (25:50):
It is good.

Speaker 1 (25:51):
Yeah, yeah, I feel like it flips like most people
are fairly normal, but when you get into that world,
it's just it's a rarity to not be extra.

Speaker 6 (25:59):
I think some of them were addicted to the headlines
and like paparazzi and like all that shit, and now
it's turned people used to kind of clap for that
kind of shit and that it's old.

Speaker 1 (26:09):
It's old news, and they're old. It's also paparazzi shit.
It's like the enter is social media.

Speaker 2 (26:13):
If there was two twenty year olds.

Speaker 6 (26:15):
If a twenty year old singer and a twenty year
old guitar player got into a fight, people would be like, oh, okay,
whatever they are.

Speaker 2 (26:22):
Just man, that was kind of cool, I would say
at fifty. It's also it's also also the thing that
the British.

Speaker 5 (26:28):
The British they stick their heels in, I mean when
it comes when it comes to certain thing. I mean
the Kinks. I mean they've tried to get him Floyd
Night multiple times. Pink Floyd only did different fight.

Speaker 2 (26:38):
They did it for one dude is sold one day.

Speaker 5 (26:41):
They did it for charity when they got together in
five they did the Live Live eight.

Speaker 2 (26:46):
Thing or whatever.

Speaker 5 (26:47):
But I mean, you know what I'm saying, They're like,
no number you could throw it at. It's going to
make us get back to gel like will do it.

Speaker 1 (26:54):
Maybe that's not such a bad thing if at least
they have the integrity to be like, we will not
do it for anything.

Speaker 2 (26:59):
You know that if they could do it, it probably
wouldn't be that great.

Speaker 6 (27:02):
That's probably that's that's probably the most the healthiest way,
other than just like having the ability to just have
to go with it.

Speaker 2 (27:07):
Yes, to see who.

Speaker 5 (27:09):
Wants to see an older act just going out there
to to get money to make it because they're they're struggling.

Speaker 2 (27:15):
If you want to see them because they're like, hey man,
old times, let's do it again. That's what you want
to see. They're having a good time.

Speaker 5 (27:22):
Yeah, yeah, you know, I wish the I mean this
is like this is not the same genre. But uh,
I mean R and B the Commodores. If the Commodos
could get back together with Lye, Ritchie and the actual
can do the actual crew.

Speaker 2 (27:37):
But they can't do it.

Speaker 5 (27:38):
I've definitely pinpointed who is the problem uh in that
it sounds like it's the Uh, it's the trumpet player. Wow,
is he the primary writer or something? No, he was
just he's just like one of the cats. But he
didn't write that. He wrote He wrote some songs, but man,
there's one clip that I'm gonna I'm gonna find it.
I'm gonna clip it out. But there's a concert that

(28:00):
they did in like eighty and man, uh, Lionel Richie
and this dude collide on stage and you would have
swore that like.

Speaker 2 (28:10):
They were about to fight. They did.

Speaker 5 (28:12):
They just did like this quick like walk by, but
like but Lionel shoulder and Lionel kind of touched home.
Dude and the whole dude just like like scrap like
like a cat, Like okay, like if two lions were
walking on the savannah.

Speaker 2 (28:29):
It was like this little little foot. I was like,
oh ship. I was like, oh they what they about
to fight about?

Speaker 5 (28:37):
Because because they were jealous of the line because you know, yeah,
he started writing those hits and they were like.

Speaker 2 (28:43):
Lying man, lion Now now bro man.

Speaker 5 (28:48):
They were all cubs and Line now you know what
I mean?

Speaker 2 (28:51):
Even Lincoln Park.

Speaker 6 (28:52):
Even even Lincoln Park, right, they trying to go They're
trying to do a reunion, but had to splash with
some stupid ship.

Speaker 2 (28:59):
They had to. Like they could have got anybody to
be the lead singer. Anybody could have did that.

Speaker 1 (29:04):
I forgot to send you, uh this Lincoln Park video
today is kind of like the gay Metallica be like
it was like gay Lincoln Park.

Speaker 2 (29:11):
Be like it, I'll send.

Speaker 1 (29:14):
That's quite fun. Yeah, good series. Have you guys ever
seen that on the internet? Gay artists be like yeah, no,
it's great. AI the best of AI.

Speaker 2 (29:24):
Real quick? What is this? What is this? Right here?
Is this? That's the this is the church thing. That's
the church thing.

Speaker 5 (29:30):
Okay, yeah, we don't have to shay that. I mean, okay, cool,
I mean what I mean. I don't know where else
is gonna fit in, so pause.

Speaker 2 (29:37):
It's just funny. Yeah. Well here, well Kelly's looking for
that other thing.

Speaker 1 (29:40):
I'm gonna play this this thing right here, so.

Speaker 2 (29:44):
Let me I'll refresh.

Speaker 5 (29:46):
I do have this also, this clip of Juicy J
doing a jazz version of slab on my.

Speaker 2 (29:50):
Nab man I was. I tried to watch it, then
I was like, stupid, we only reference one stripper. This
is Aur and that's the one that took off glory.

Speaker 6 (29:59):
This is as to put on humanity and then put
naked on a cross.

Speaker 2 (30:06):
That's the time for both.

Speaker 3 (30:07):
You and me.

Speaker 2 (30:08):
I don't like what I don't know. And he's the
one that puts that bread in my box. This is
like it, dude, this is wow wow right wow wow.

Speaker 1 (30:27):
Now I'm just watching it. You guys say, I'm crazy
trying to put a video on the church.

Speaker 2 (30:31):
Look at that.

Speaker 6 (30:32):
This is of the bag, right, Kanye. This is a concert. Yeah,
it's a full venue. It's a venue.

Speaker 2 (30:40):
Wow.

Speaker 6 (30:40):
You got the floor lights like they could do stand
up specials in there. You see those lights on the stage.

Speaker 2 (30:45):
Yeah, pointed up. That's amazing. Let's see they're going off
at church. Shout out to y'all. Yeah.

Speaker 5 (30:52):
I also saw today that Ario speed Wagons. Also Jesus,
they have grinded.

Speaker 2 (30:58):
To a halt.

Speaker 6 (30:59):
Oh all right, yeah they yeah, no that it was done.
They're calling it done.

Speaker 2 (31:06):
R S. B. Waggon been out here. They're not done.
They've been out here for a while. But I thought
they was done. Sorry, excuse me, bro, you may put
some respect on I don't have. I didn't know. I
didn't know. You say that. Are they doing well?

Speaker 3 (31:19):
No?

Speaker 5 (31:19):
So I guess one of the cats in the band
had a back had back surgery.

Speaker 2 (31:23):
Back the oat of me. Sorry is that funny? But
uh it's an old laughing.

Speaker 5 (31:27):
But no, he's like, and so the psychopath.

Speaker 2 (31:34):
They don't want they don't want to wait for him
to heal up. Damn you want to. It's kind of cold.

Speaker 5 (31:47):
You know you can't heal We gotta go now, heard
and all this, but it's like, I'm trying to go
out right now.

Speaker 2 (31:53):
Yeah, I heard about you a little bit, all the
shots supporting, all the money, Okay, I can't. I can't
wait for you to get better.

Speaker 5 (31:59):
Bagster's son, I'm not gonna wait for him. It's like no, no, no, no,
we fired him.

Speaker 2 (32:05):
No.

Speaker 5 (32:05):
They were like no, because he's not gonna do it.
And then the other dude's like he can't go out
as R speed Wagon without the other dude. Oh okay,
So he's like, well then I'm going I'm gonna go
out by myself all right. Yeah, pretty much that that
happened today as well, just just people just breaking up

(32:26):
and stuff. Uh, Mick g That is hilarious.

Speaker 2 (32:31):
Is a video director dude, Yes, yes, exactly.

Speaker 5 (32:33):
He is in talks to direct Kiss biopic Shout it
out Loud.

Speaker 6 (32:40):
I might see it because that would be the most
I would know about Kiss would be from that.

Speaker 5 (32:44):
It's gonna do amazing, But that's gonna be it's not
gonna be like kids.

Speaker 2 (32:48):
It's gonna be like stranger things and they grow up
and be kissed.

Speaker 5 (32:50):
Bro, it's gonna be so cornball, it's gonna be so
ready for family audiences. It's I mean, it's gonna be
everything that they want, you know, it's really is. I
can see it happening.

Speaker 2 (33:02):
How it's gonna be family, How much gonna be family friendly?

Speaker 5 (33:05):
Just like how they mean a family.

Speaker 2 (33:07):
It's like it did Bill.

Speaker 5 (33:09):
Or fucking Elton John. Like Elton John, I don't think
that was rated R. And he did like tons of
drugs and gay sex.

Speaker 2 (33:16):
You know, I'm allowed to do that bisex. Yeah, it's allowed,
I'm saying.

Speaker 5 (33:22):
I'm saying there they allude to it, you know in
these movies when like it was like a big part
of their lives, you know what I'm saying. And we're
talking about how they straight wall, how they straight. Yeah,
that's what I'm saying, how they mean.

Speaker 2 (33:32):
And they're gonna do the same thing with kiss, you
know kiss Kiss never was I was gonna say, he's Simmons,
he's pretty conservative.

Speaker 6 (33:39):
I could see him wanting to like look cool, like yeah,
make sure it's nudity in this joint.

Speaker 1 (33:43):
Gene Simmons was just about he just fucked a lot.
He didn't do any drugs. Might want kind of fucking dork.

Speaker 5 (33:51):
Yeah, I mean Ace actually will probably be the breakout
fun character of Peter Cris both of them.

Speaker 6 (33:56):
And they shredding and have a even haleing and there, Yes,
who would be like that scene in Crossroads and Eddie
van Hallen versus Ace and Ace would just dusting. Now
he's to hang out with earth Win Fire because then
they like they like borrow their lighting guys or something.

Speaker 2 (34:11):
Yeah, oh really, they like earth Win and Fire.

Speaker 6 (34:13):
Parliament and Kiss have like some of the same lighting
and like costume people.

Speaker 2 (34:18):
Yeah.

Speaker 1 (34:18):
Oh wow, well they all had amazing stage Yes, those
Sage shows Fire because they were playing they were playing
stadiums or arenas.

Speaker 2 (34:25):
Or whatever at that time.

Speaker 5 (34:26):
But uh uh, was I gonna say you.

Speaker 2 (34:30):
Got a dad joke about Kiss? Yeah, oh, I was
gonna say.

Speaker 5 (34:34):
I was gonna say that Ace Freely is just gonna
be like I just need to be He's like, I
just need to be there for one scene. And when
Eddie van hill is looking.

Speaker 2 (34:40):
At that's right, make sure that I want a young Eddie.

Speaker 6 (34:43):
Yes, and me sitting Criss Cross Apple Sauce on the
floor in front of me while I play guitar.

Speaker 2 (34:49):
That's what I want. That's what he's gonna say. He
was sing Chris Cross Apple Sauce right there. He was
right there. He loved me. I told him everything. You know.
Listen to this, right bro, he clicks that guitar on.

Speaker 5 (35:05):
It's the loudest, oh so funny. Okay, that's it for
music News. Let's go to mad big ups, I mean,
huge shock Tito Jackson and r I P. I mean,

(35:31):
you know, people have said a lot of really good
things about him, and it's true that he was kind
of unfortunately because he had a funny name, you know
what I'm saying, Like he was the butt of a
lot of Jackson jokes.

Speaker 2 (35:42):
A lot. Yeah, you don't want to beat you, you know,
it's like a joke, I mean joke.

Speaker 5 (35:47):
He would always be Yeah, it would be like he's
always the one crying in the back or whatever.

Speaker 2 (35:53):
Was like next to the oldest. He was one of
the older one. Yes, yeah him, here's the guitar on.

Speaker 5 (36:00):
Him and Jackie were kind of the older and Tito
was the first to get married out of all of them.
He got married.

Speaker 1 (36:08):
Also, Tito had that weird situation with his wife, right
the drown in a pool.

Speaker 2 (36:13):
Yeah, kind of like William Shatner's wife.

Speaker 5 (36:15):
But they were already divorced. They were already divorced and
she was dating somebody else. They probably killed her, yeah,
they kind of. They still think that. I don't know
if he actually got convicted or not, but yeah, that
was like justice. Yeah, so that never really it's always
mysterious story. But he was the first to get married

(36:35):
out the Jackson's. And look, his guitar was plugged in, man,
I mean it was on. It was on, same with
Jermaine's bass. Yep I and I people, people, people, people,
y'all need to go check out Live Jackson's. Check out
check out the Jacksons from nineteen eighty for the Victory tour. Yes,

(36:56):
Jermaine Solos, Jermaine is there in the mix Jackson Fiver.

Speaker 1 (37:01):
They didn't play those two, didn't play a guitar bass
on any of those.

Speaker 5 (37:07):
Louie Shelton is on those. I know like they're a
studio band. Yeah, it's a studio band. But they learned
those songs, they did and they played them live. They
would play them live.

Speaker 1 (37:16):
There's a Beach Boys thing where they studio band there
then they.

Speaker 5 (37:19):
Tore yeah facts, Yeah, because they definitely had help, you.

Speaker 2 (37:22):
Know, they tried to play on them. They're just like nah.

Speaker 1 (37:25):
I mean, and you think of it, they are kind
of like the R and B Black Beach Boys to
America in a way, kind of like in soul music,
you're kind of the fan being a family band that
is vocal, multi vocal based.

Speaker 2 (37:39):
It's true they did have armor.

Speaker 5 (37:41):
Yeah, They're kind of like their own lions, and they're
self contained. I think that's the only difference is that
they weren't as self contained as the Beach Boys the Jackson's.

Speaker 2 (37:51):
Yeah. But but you look at the scope of their career.

Speaker 1 (37:55):
I think it even touring versus what's on the albums
as far as studio.

Speaker 5 (38:00):
Sure, I mean that's because Brian Wilson.

Speaker 2 (38:03):
Was playing on most of them. That's a good point.

Speaker 5 (38:05):
And and listen, Jackie was respected as an actual bass player.
I mean, like I've seen like you know, ads and
stuff where he was i mean, he was producing records,
he was playing bass on all. He was actually playing
based on all of his soul ship. You know, it's
him on Let's Make Love Tonight. That's a that's a
fucking like disco joint. He's he's a question on uh
rock cush what's his name, Ron Kushner, Don Cushner's Rock

(38:28):
concert or whatever. He's playing that ship live, playing bass.
He's right there, so you know, I mean they were
they were not as respected as musicians. They should have been,
for sure, right.

Speaker 2 (38:38):
And Tino's the same way. He's playing guitar solos on.

Speaker 5 (38:41):
I Am Love and uh like a lot of their
later stuff, a lot of the catchy shit on a
lot of the Jackson's records.

Speaker 6 (38:49):
Tea Jackson's record. I mean, that's that's the one anyway,
the Victory Tour.

Speaker 5 (38:54):
There's a there's that one was nineteen eighty one, the
Triumph Live record.

Speaker 2 (38:58):
Okay, that one. I mean he's crushed feeling on that joint.

Speaker 5 (39:00):
Fucking can you feel it? Killing that that's him questioning it.
Tito bad man, so uh mad, big ups, Tito Jackson Man.
I mean that's Tito Jackson and Freddie excuse me, and
Frankie Beverly in one week.

Speaker 2 (39:20):
Yes, that's that's that's tough. That's a rough one.

Speaker 8 (39:23):
Uh.

Speaker 5 (39:23):
And I've definitely been enjoying listening to Frankie Beverly all
over again. Uh, I definitely that gig.

Speaker 2 (39:29):
That gospel singer was like mad big up. He didn't
say mad big ups, but he.

Speaker 1 (39:33):
Recognized you might as well have he recognized Frankie Beverly
and you.

Speaker 2 (39:37):
Know, do a whole set right there.

Speaker 5 (39:39):
Yeah, man, all right, well we're going to all right,
let's you want to go right into it?

Speaker 1 (39:45):
Yeah, let me all right, I switch. It'll just take
five for real quick a right slaps up next like the.

Speaker 6 (39:58):
Just okay, loaded up, yeah, loaded up?

Speaker 2 (40:07):
Hit it again, James, Man, we have.

Speaker 6 (40:09):
Got a legacy day to let's go. We've been talking
about old men smacking each other all day.

Speaker 1 (40:16):
Hell yeah, well you know what, this is an old
man that has been known for smacking up some other
old man.

Speaker 2 (40:20):
Let's go uh sting, Oh yeah, they smacked. They were
definitely fighting. Oh yeah, they fight a lot. Yeah, yeah,
they fight constantly.

Speaker 6 (40:28):
I think they they waited till after the show was
over there. I've never seen a video of them getting
into it on stage.

Speaker 2 (40:34):
There's that TV.

Speaker 1 (40:36):
Clip wher they went on tour with them and like
you can see them start fighting, like Stuart Copeland hit
Sting in the back of the head with a beer.

Speaker 2 (40:45):
Can or something, and then they brought off and.

Speaker 6 (40:47):
Then have an actually off camera Yeah, lions man, too
many lines.

Speaker 2 (40:53):
Of the Lions, bro. I just I just want to
I want to see what. I want to see what
you I know, what makes you align? Wait? What?

Speaker 3 (41:03):
Uh?

Speaker 1 (41:04):
So this song by Sting is I wrote your name
upon my heart boy.

Speaker 5 (41:10):
This is Sting three point oh, which is uh.

Speaker 2 (41:12):
That STI don't know what. That's the name of the album.
This is the Maybe So.

Speaker 5 (41:18):
This is because it's a trio and yeah, and like
he's doing you know, he's doing this. He's doing this
vibe again because he used to do like really scale
down bands for some of his tours Police. So yeah,
it's kind of like the Police. Yeah exactly, so three
point oh.

Speaker 2 (41:33):
Wow, all right, here we go.

Speaker 9 (41:46):
Ad.

Speaker 3 (42:01):
I look at him too.

Speaker 7 (42:02):
Oh man set us.

Speaker 2 (42:08):
With job shoo, he's a little.

Speaker 3 (42:14):
What we're doing?

Speaker 5 (42:16):
Oh god, dude, it's rich is like this this also
like what's wrong with this horn?

Speaker 2 (42:25):
It's just lower? It got lower? But like what a part?

Speaker 3 (42:31):
Looking stop?

Speaker 2 (42:32):
I was like, they're trying to throw up, not gonna
or this MOUs play?

Speaker 3 (42:36):
Oh man, set us with Josh shoot.

Speaker 2 (42:40):
Ship and quarte. He's the only had steak I've heard
it's all mine. That's the area that's as hard to
do that part. They should say they should cut that
old hole a part of this section. It's like steak.
Hear me up here we go.

Speaker 3 (42:52):
I was like than.

Speaker 2 (42:54):
At a brewery. Now it's not God, No, it's like brewery.
Stop looking stop, n it's right here.

Speaker 6 (43:09):
This is like an unhunky version of like mate it's
supposed to be.

Speaker 2 (43:14):
I don't know what a pot.

Speaker 9 (43:18):
Hold yo loud one and that wait joke.

Speaker 6 (43:24):
Come on, maybe like it was our player Rode six
part or something.

Speaker 2 (43:31):
Mama has a shock and awake. Sorry this stuff? Yeah,
what's up?

Speaker 3 (43:36):
Oh man?

Speaker 2 (43:36):
This sellers ship.

Speaker 3 (43:43):
Slod dame well.

Speaker 2 (43:46):
No forself? They shot playing for a second, everyone else.

Speaker 3 (43:51):
Look good? Stop my.

Speaker 2 (43:58):
Hell is doing?

Speaker 3 (44:00):
Man?

Speaker 2 (44:00):
Alright? Product, it's gonna be a bridge. Did they already
had this section before? Yeah, we've got a got less
than a minute left? All right, that's say you want
to hear that a bridge.

Speaker 6 (44:17):
Bridge ridge right now, but there's no bridge.

Speaker 2 (44:22):
This is ABC ok. Yeah, because there's not enough time
to go back. Yeah, then goes back to that n
it went a B C A B C in two seeds.
So now back, all right, all.

Speaker 1 (44:41):
Right, dude, I don't know Sting personally, Like if somebody
I knew was personal friends of Sting, I'd go like, hey, man,
have you talked to Sting lately? Like, I mean, is
he doing all right? Like what's you know? Like I
think it's something people should ask how he's doing.

Speaker 2 (44:59):
Man, this is weird, like this is not Sting. Like
we couldn't do better than this. He couldn't loose. He's
way better than this. What is he doing hanging out
in Tampa? You think in Vegas? I think he.

Speaker 6 (45:15):
Really liked he's not hanging out. This absolutely does not
slap for me. I don't understand what kind of groove
that was supposed to be. It was like somehow complicated
and unfunky and only two notes somehow not grooving complicated

(45:36):
and it's just like awkward. How about that and somehow awkward? Yeah,
I can't get behind. I'm gonna stop talking. I love Sting,
so I'm gonna stop talking right now, but I don't
know what's going on. No, I'm not I'm not gonna
stop talking. Why was he growling like that? What is
going on with that? He's like his voice isn't loud

(45:56):
enough in the mix for like just like.

Speaker 1 (45:59):
He's growling because he can't be heard, like they purposely
turned his headphones.

Speaker 2 (46:04):
Down something man like, man, this is this? This bums
me out.

Speaker 1 (46:11):
I really like Sting a lot, and this is I
thought as Sting got older he'd get more into like
loots and stuff like that. Yeah, this is not what
I saw and like this, Yeah, this is not a
left field.

Speaker 2 (46:23):
This is he he.

Speaker 6 (46:25):
Want more of that seven days, Like this is the
perk he could He could get into instan funk. He
could have Jacob Collier put five million chords and do
a song in seven and Vinnie called and like they
could this is the perfect time.

Speaker 2 (46:37):
Is the perfect time, the perfect.

Speaker 1 (46:40):
Also the other thing against you that this is three
point is a trio. I have no idea who the
fuck these other dudes are, but the Sting came from
like one of the most prolific rock pop trios ever
and for him to come out with another like three
point zero is in like it's a new I don't
want to say it's the new Police, but like new trio,

(47:01):
but it's this new trio and it doesn't like, come on, man, Sting,
are you okay? It's just like your wife's like nephews,
people like I don't understand why he's doing this.

Speaker 2 (47:13):
I agree.

Speaker 6 (47:13):
I didn't even think of that, but I agree because
this can't do it for him.

Speaker 2 (47:17):
Stuart Copeland is like a music store. God.

Speaker 6 (47:20):
I think there would have been like, oh, who wants
the chair for the new Sting trio?

Speaker 1 (47:25):
Well, the guitar players is even worse, like he's what's
his dude doing?

Speaker 2 (47:31):
Yeah? This should have been an audition for this. This
is not right, So I gotta say absolutely not.

Speaker 1 (47:36):
I'm very disappointed in Sting and I think somebody should
call him see he's okay, wellness check.

Speaker 5 (47:42):
Yeah, Senior Sting is doing just fine.

Speaker 2 (47:45):
I don't know that.

Speaker 6 (47:46):
Sounds like he this is better when he was just
on tour with Shaggy, they was just doing the duo.

Speaker 2 (47:51):
That was better than this. Yeah, that was better. You're
having fun he was they were doing it wasn't me listen.

Speaker 5 (48:03):
I completely agree with you guys. This is abhorrent.

Speaker 10 (48:08):
Oh wow, I mean like hit him with the vocab
the drums bill over here. Drums uh are terrible, Like, man,
they sound insane and like the opposite of I would
expect that even Sting would like like, I'm like, he
likes this.

Speaker 1 (48:27):
They sound like the arena preset on a V drum kit.

Speaker 5 (48:30):
Dude, It's like they took over the mix to me
and then like the guitar and bass. Yeah, they're playing
the most rudimentary I mean like a a I mean,
it's just and there's so many other like rhythms or
anything that you could do differently.

Speaker 2 (48:51):
It sounds totally.

Speaker 5 (48:52):
Sounds like sing. It sounds like sing when he goes
to the B section and stuff and it's like, oh,
where are these cords? But the way that he's singing
over the fucking in a section is just I mean,
it's just terrible. I mean he's like, I mean, he
sounds so right. I am right, he sounds so bad.

(49:13):
He sounds like the future.

Speaker 6 (49:14):
Yeah, the future, the future, dude. His MIC is turned
up too loud, but this mic not loud.

Speaker 2 (49:19):
And it's not loud enough.

Speaker 5 (49:21):
But the vocals, the vocals not good enough, like way
below his It's way below the Sting standard.

Speaker 2 (49:30):
Oh yeah, Kelly, so you don't like this.

Speaker 5 (49:32):
No, I don't know who told him. I just got
to say. Man, it's just like it's this was a
good idea. This is crazy is a bad idea, bad idea, bro.
I hope the next song is better, the next single.
We probably will not check it out here what do
you Got?

Speaker 1 (49:49):
We probably will actually, we definitely will probably be talking
about You're right alright? Well listen, man, I like these
guys at some point in time.

Speaker 2 (49:58):
Tears for Fears.

Speaker 5 (50:00):
Oh yeah, we like the We like the last that
they put out. That's yes, yes, it was good. Yeah,
so I'm more optimistic about this. The title, the title
I can't remember right off the bat, but I really
liked the title, The.

Speaker 2 (50:13):
Girl that I Call Home. I'm like, I'm like, hell, yeah, yeah,
Kelly loves that ship. Yeah like this. He's like, I'm
living up inside you girl. No, that's what tears are. Fears.

Speaker 1 (50:24):
It's like, all right here you are right, Come on now, boy,
I won't playt play now.

Speaker 2 (50:36):
Mm hmmm, rere we.

Speaker 8 (50:38):
Go you do into the world.

Speaker 7 (51:17):
But you know the thought and I already yeah, listen joy.

Speaker 2 (51:25):
The Guccie man I had going back here. They like
the man I had, the Gucci man I had. They
do man rather rather that.

Speaker 1 (51:33):
I had never feel the lost.

Speaker 3 (51:39):
I like to s Yes, we get to walk among fis.

Speaker 5 (52:07):
A man tries to hide.

Speaker 7 (52:09):
The watcars to beyond the sea stars. You seem to
find bo number bottle me stark leave the night, you
fill the void, belive.

Speaker 4 (52:32):
Stock.

Speaker 6 (52:44):
That's it sounds like one of those Dolny Dolby mixes
are atmost the atmost mixed, like the Ultra three D mix. Yeah,

(53:11):
the person, Yeah, the fire is like I can feel
I could see the snow.

Speaker 2 (53:17):
Oh yeah, little drive all right, right back to the course.

Speaker 6 (53:25):
Okay, I wouldn't mad at that. Yeah, I wouldn't mad
at that. At first I thought the highest were like distracting.
But when when during the actual main groove, I like him,
I guess once when he when he dropped the bottom
out for the verses, I thought they were like a
little I lost.

Speaker 1 (53:43):
I My tension was drawn away from them as soon
as it actually dropped.

Speaker 6 (53:48):
Yeah, once the groove is in it, I thought it
was awesome. Yeah, what didn't stick out too much at all? Yeah,
I thought this groove was you know, I'm gonna let
this slap. I'm not mad at this, you know, especially
for them. They it sounds like this sounds like a
normal like a band that was dropping right now. They
sound like it could have been park A Churts or whoever.
You know, like uh, washed out, you know.

Speaker 2 (54:11):
That kind of like they write in the pocket.

Speaker 6 (54:13):
Washed out could never bro I know, but this day
they write in the pocket for people that like indie music.
You know, even though they were a huge pop band,
you know what I mean with pop pop hits.

Speaker 5 (54:25):
They've always been like a pop band with indie fundamental.

Speaker 6 (54:29):
Yeah, whatever that was, that's a good chorus, you know.
So I'm letting this lap cool?

Speaker 2 (54:36):
Oh yeah, Kelly, you gave him slap?

Speaker 5 (54:38):
You're yeah, this sounds great, uh you know, I mean
the products sounds real good. I feel like they gave
the keyboards maybe a little too much going crazy hole way.
They gave him a lot, but I mean it almost
felt like some Peter Gabriel type ship wash.

Speaker 6 (54:58):
So I like keyboards, you know, they like keyboard, and
I use it as a guitar solo guitar usually peaks
out in a in a Tears for Fear songs. They've
been definitely more keyboard heavy as of late the past
couple of records they put out.

Speaker 5 (55:11):
But I mean it sounds great. Uh, I mean it's
real smooth guitar solo. Honestly, it was very smooth. It
could have been like I could have taken a little
more vocals, would have been rough. I could use a
little more vocals. I feel like that would have been
cool and maybe take down the keyboards a little bit.

(55:33):
Just I mean it was nice. They were nice soft
scents everywhere. It's like to balance that out a little bit.
But I thought it sounded great. Yeah, I mean so
it slapped for me.

Speaker 6 (55:42):
They had they had the reverb reverb on the back
of the mix.

Speaker 2 (55:47):
They sounds like they really take time that animal collective
like the reverb. Yeah, whole mix is going through that joint.

Speaker 5 (55:54):
They sound like they really take their time with or
whoever they get to mix it.

Speaker 2 (55:58):
I mean, they just do a great chat. Yeah, it
it sounds good. They care. You can tell they care.

Speaker 5 (56:04):
They do care.

Speaker 1 (56:05):
I mean, this isn't I'm gonna give it a light slap.
It was a little pet and yeah, I mean we
have to h Yeah, it was what.

Speaker 2 (56:18):
It was good to hear from them.

Speaker 1 (56:19):
Yeah, it's not embarrassing. They've always done. They got certain well,
you know, everybody's got little criticisms about whatever. But we
can all agree that they're not just putting out something
that is like they dig.

Speaker 2 (56:34):
Yeah, they dig what they're into and.

Speaker 1 (56:36):
It's a logical, natural progression.

Speaker 2 (56:40):
It's not embarrassing.

Speaker 6 (56:41):
I feel like that's needs to be saying appropriate, but
still sounds new.

Speaker 2 (56:46):
Yo.

Speaker 6 (56:46):
Don't sound like they got barbecue. Really, that's kind of embarrassment.

Speaker 1 (56:51):
It's like a really it's like whatever cringe factor could
apply to it.

Speaker 5 (56:55):
Bro, But as you get older, that's literally all it is,
is like, just don't fucking aras yourself sound.

Speaker 2 (57:01):
Yeah, barbecues. Also his shirt a little bit during that, Bro,
he said.

Speaker 1 (57:04):
A little bit of Guys, if we're gonna talk about
that type of ship, we're gonna talk about really laying
it on, not knowing you know.

Speaker 2 (57:13):
Uh, we got to talk about a little bit of amore.
Oh buddy, he's back.

Speaker 1 (57:18):
Yeah, I haven't said he's got all these friends face.
He still wants to know why you're on Facebook, but
he's got uh, you know a little bit. You know,
who's who is Josh not Josh Josh Stones.

Speaker 6 (57:31):
Singer a singer females like a white soul singer females
Okay from England.

Speaker 2 (57:35):
Yeah, Well she was like an a Neil soul. They tried,
They tried so hard. They tried to make her the
white Erica. Bad dude. It didn't it didn't go. It
didn't happen. Doesn't. That's not a real thing. They tried.
No what not bad do?

Speaker 5 (57:45):
They tried to make her the white just got something.
I'm right, no, and I know you're right.

Speaker 2 (57:52):
I'm right. I can't. I'm trying to think of the
right comparison. That's what they thinking about it.

Speaker 5 (57:57):
That's what some one like you, someone like you Van
Morrison and just done.

Speaker 2 (58:06):
Oh, I mean we didn't take any predictions.

Speaker 3 (58:08):
Tradition.

Speaker 2 (58:09):
No, that's okay, it's a tradition roots music.

Speaker 3 (58:18):
Very come.

Speaker 2 (58:22):
I've been sets in a long time. Whoa I didn't
like going try look in for someone exactly the opposite
of the stinking.

Speaker 4 (58:36):
All around the world's trying to get back.

Speaker 2 (58:43):
We're for you to come through to.

Speaker 5 (58:48):
The summer one let.

Speaker 2 (58:52):
Big along with what the summer one like?

Speaker 4 (58:57):
Summer one.

Speaker 3 (59:00):
Back.

Speaker 2 (59:00):
That's the way he articulates his words. Crazy sat his
accident is so weird.

Speaker 3 (59:06):
You one like.

Speaker 11 (59:08):
I thought my watch.

Speaker 2 (59:09):
Someone one like him.

Speaker 11 (59:13):
I've been traveling the whole road, baby, looking fool someone
exactly like you.

Speaker 3 (59:28):
I'm be carrying heavy.

Speaker 11 (59:35):
Waiting form a line to come chiny, someone like you.

Speaker 2 (59:44):
We'll make it up, bob someone lile.

Speaker 6 (59:51):
HEMI says back, someone exactly.

Speaker 2 (59:58):
She's thinking to me and Morrison, Oh no, it's disgusting,
is staking to each other. This is an old school duet.
I've been doing.

Speaker 3 (01:00:07):
Sounds so so shall.

Speaker 2 (01:00:14):
That's just wear your oh my god man up and down,
up and done, up and down.

Speaker 3 (01:00:23):
They'll have some.

Speaker 2 (01:00:27):
Do lot some can little.

Speaker 5 (01:00:30):
Diplom number one of that number one playing all the
while someone I got the whole problem one large.

Speaker 2 (01:00:51):
I could have done it on.

Speaker 3 (01:00:52):
The take.

Speaker 2 (01:00:57):
Big by shouting that didn't mean to be that that
last part was only I was good, all right? Yeah,

(01:01:18):
it makes you. This is a very confusing song.

Speaker 6 (01:01:22):
It's like it sounds like it's the Disney asked them
to make this or didn't go for this?

Speaker 2 (01:01:29):
Why did they make this? Is this the original song yet? Yeah?
I don't know. It's like a whole big man to
Is that just who asked what this duet? I don't know,
but I guess they're doing it.

Speaker 1 (01:01:47):
Where they don't They don't sync up at all whatsoever.

Speaker 2 (01:01:51):
Yeah, this chick has been late every you think they
recorded together. I know it sounds like she showed up
with but.

Speaker 1 (01:02:00):
She hadn't know any of the words and she just
kind of watched his lips and guessed the rest of the.

Speaker 2 (01:02:05):
Line because it's he wrote this song. She only sings
after he's but it's not a calm response thing. It's weird,
very dysorious. She's trying to they're they're like improvising together,
but he just he's just talking. But they're like talking,
singing over you. Yeah, it's weird.

Speaker 12 (01:02:23):
It doesn't and it's like total Broadway churchman back there.
She's over selling it and he's undersid.

Speaker 6 (01:02:39):
They gotta kind of they have to manufacture some intensity,
but it's like, yeah, there's nothing to do.

Speaker 1 (01:02:46):
This is making me like I got that yeah angry
list that does absolutely not well. I turned that out
of a loud because I meant it, Yeah, yeah, thank you.
I hated this ship is terrible.

Speaker 2 (01:03:01):
I like, dude, I thought Van Morrison could do any
worse than the why are you on Facebook?

Speaker 3 (01:03:05):
Thing?

Speaker 2 (01:03:06):
But this is and that's like that funny though, right,
this is just sad. It's awful.

Speaker 6 (01:03:11):
Yeah, somehow too earnest to be about nothing like I'm
the other one for me kind of genericism.

Speaker 2 (01:03:22):
Man singing Josh. I thought she was a pretty good singer,
but this is not Nobody can come out on top.
I mean, I don't know. This was a lose lose. Uh,
this definitely does not slack for me at all.

Speaker 5 (01:03:36):
He's dying over there, choking. Yeah, this is not good.
I mean I hate the mix.

Speaker 2 (01:03:47):
I hate it.

Speaker 6 (01:03:48):
I hate the way that the band's modern. It's like
a modern cast recorded. The voice is his voice is
like way way up from front.

Speaker 5 (01:03:57):
I mean, this is all his pref I mean, obviously
he's he obviously supervises his albums, records it at whatever
studio that that he wants to do it at, which
is seems to be the same studio his garage. But
it sounds rough.

Speaker 11 (01:04:14):
Man.

Speaker 2 (01:04:14):
I just don't like. I just don't like this sound.

Speaker 5 (01:04:19):
And uh, I'm not feeling his vocals. I don't like
the way he sings stuff. Then there's some and moan and.

Speaker 2 (01:04:29):
It was like Josh is like somebody go satisfied me.
It's like, what in this song? Who's he talking to you?
He's not gonna do it? She improvised about that. Maybe
maybe maybe he wrote that. He wrote it.

Speaker 5 (01:04:43):
Sounds like he wrote it because it's mad, awkward and
there's no chemistry.

Speaker 2 (01:04:46):
There's no like they don't know each other. Yeah they don't.
They don't.

Speaker 5 (01:04:49):
They should have done like a week together at the
Blue Note over there and really, you know, ironed out
some stuff. Maybe he go to uh what's that? Uh
the Jazz Place over and New Blue No and Coca
Cola Club, Ronnie Scott's. Oh yeah, it should have done
like a week in Ronnie shots together. JA do some
jam sessions?

Speaker 3 (01:05:10):
Do some?

Speaker 2 (01:05:10):
You know? Do some? Are you talking in England? I
think you're talking about bad Yeah.

Speaker 5 (01:05:14):
They're over there, not over here, bro, they're over there
doing that.

Speaker 2 (01:05:18):
So Keli, what what's up? You don't like this? No?
I said it.

Speaker 11 (01:05:23):
Was likes you.

Speaker 2 (01:05:26):
I don't even. I just don't understand. He needs to
get someone else. It's not like the retired.

Speaker 6 (01:05:31):
It's not like the song is the one you're like, oh,
let me send this off to get a duet, going
to find me some some young thing, you know.

Speaker 3 (01:05:39):
What I mean?

Speaker 2 (01:05:40):
Like it lying around?

Speaker 5 (01:05:44):
Probably it sounds like he just cuts it with his
band and then just like puts out records every couple
of years.

Speaker 2 (01:05:50):
This this is no exception. This is terrible.

Speaker 5 (01:05:53):
Uh and yeah, there's no chemistry whatsoever.

Speaker 2 (01:05:56):
Yeah, it's weird. It's it's the kind of weird. But
he's producing, he's producing this ship, he is writing the songs.

Speaker 3 (01:06:04):
Uh.

Speaker 5 (01:06:05):
And obviously he's like in charge of the recordings because
all these obvious he's in charge because it's because all
these recordings have sounded the same, you know, probably my
volk Allsop.

Speaker 2 (01:06:16):
So anyways, no, why are you on first book?

Speaker 5 (01:06:19):
It's always entertaining to hear what Van Morrison is doing,
but it's also going to be terrible.

Speaker 2 (01:06:23):
Yeah, sad as long as we know that off the bat.

Speaker 6 (01:06:25):
Honestly, if there wasn't a younger artist as far as
he's concerned on this, it might it would have sounded
less weird. Yes, you know, if it was just him
and this orchestra band, it'd be like, Okay, this is
some Van Morrison trying to get off his big ballad whatever.
But the fact that they're trying to reach out to

(01:06:46):
like a pop star or however you want to frame it, Yeah,
current artists as far as he's you know what I mean.

Speaker 2 (01:06:53):
Yeah, that's weird.

Speaker 5 (01:06:55):
Yeah, Yeah, I'm wondering who's putting out his records man, really.

Speaker 2 (01:06:59):
Well something because that ship sucks. No, No, that's that's
that's yeah.

Speaker 5 (01:07:02):
I said, we do three on this one and then
we're gonna wellhead of.

Speaker 2 (01:07:05):
A heavy slaps. Yeah, we got some heavy heavy on
the slaps, heavy heavy handed.

Speaker 5 (01:07:10):
Yeah. So we'll be back soon.

Speaker 2 (01:07:12):
Thank you guys.

Speaker 4 (01:07:13):
By hush.

Speaker 5 (01:07:38):
H h

Speaker 2 (01:08:06):
And sadly the podcast is no more