The Hustle Season: Ep. 353 Louis Vuitton Space Echo

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, man, Yeah, what's wrong with the bo we got?

Speaker 1 (00:09):
It's trash. It does not slapped.

Speaker 2 (00:12):
Call and response? What are you guys even doing?

Speaker 3 (00:19):
I got that much ask years ago.

Speaker 4 (00:22):
They tried to years ago.

Speaker 2 (00:25):
They tried to put me in there. That means you're
a lion.

Speaker 4 (00:28):
Stram I did it with the peck.

Speaker 5 (00:35):
And the rock.

Speaker 1 (00:39):
Oh, come on in, Bonator says he.

Speaker 2 (00:44):
The water's fine.

Speaker 6 (01:16):
The Hustle season back, Baby, we are back.

Speaker 2 (01:22):
It's me James Surrettis with Reggie Pace, Kelly Shrawbridge. Your
guys as always back here. It's an episode three hundred
and fifty three. This is right last week we weren't
really around and you guys didn't know it because we
put out an episode anyway, lapisode. It was a slap
Episode number nine had many many slaps. We had a

(01:43):
good time and you know, fortunately not everything was a dud.
There's some there's some congratulations in there. Yep. If you
haven't go check that episode out, go wherever you see us.
If if you have not subscribed to us on YouTube,
or Spotify or wherever it is you you hear us.
And and when you do that, also try to check

(02:03):
out our Patreon. You can subscribe there, and he was
the money and get all types of other stuff. But
today we've got all types of exciting things to talk about,
that's right.

Speaker 3 (02:16):
I would like to say that we did just celebrate
one year anniversary of seeing Corey Feldman in Richmond at
the club. You guys have to go to March. Go
to our YouTube please, because we interviewed Corey Feldman's drummer
at that time. He is not a drummer.

Speaker 2 (02:34):
Anymore, no longer drummer.

Speaker 3 (02:37):
Every other week he's he lasted that tour and he
was like, I'm done with this and then moved on.
Uh and uh. We figured out later his name was Duke,
Duke Gad And I tell you, none of us at
the time. I don't think we asked his last name,
which is he just says his name was Duke, and
we're like, of course he doesn't say his last yeah,

(02:58):
and we were like, but even if he did say it,
I don't know if we would have been like, well
wait a minute.

Speaker 2 (03:02):
Yeah, it probably would have been like, oh, he probably
hears that all the time.

Speaker 7 (03:07):
It'd be so embarrassing to bring that up round no.

Speaker 3 (03:09):
Facts and he and it was pretty obvious from the
get that he was definitely not trying to ape off
of that.

Speaker 2 (03:15):
You know what I'm saying, Like, it's not.

Speaker 3 (03:17):
Because his name on Instagram has nothing to do with that.
So uh learned out learned later when I searched him
on youtubeer on Instagram or something, I was like, no, again,
I went to Steve Gadd's page, and then Steve Gadd
had a picture of him like sitting at the table,

(03:37):
and I'm.

Speaker 2 (03:38):
Like, that's crazy.

Speaker 3 (03:41):
And really only I would say, man, only about five
of the comments on YouTube figured out that it was him.
They had no people. So what I'm saying is that
he was. He is the son of the legendary, legendary drummer.
Steve Gadd has played on everything, everything, everything that your
parents of, everything that a lot of drummers love. Now

(04:03):
the foundation of really what a lot of drumming, studio
drumming really between Steve Gadd and Jeff Piccaro, Yeah, I
mean they covered the seventies pretty.

Speaker 2 (04:15):
Much, don't. We also have his stage banter up there.
He starts talking about firing. Is we have a lot
from the band. We have a lot of like they
split up because she wasn't dedicated to.

Speaker 7 (04:29):
Torri and I got drum solos up there.

Speaker 3 (04:32):
Yeah, we we have a lot, and uh we will
celebrate all of that.

Speaker 7 (04:35):
Everybody trying to jump on the Corey train.

Speaker 2 (04:37):
Now we were there first. Who was Reville just wrapped up?
They wrapped it up?

Speaker 3 (04:41):
Yeah, yeah, and uh, look Corey's out there. Really his
the people that have maybe he's been associated with for
a long time, you know, in the Hollywood Game, his.

Speaker 2 (04:50):
Team files we just found out allegedly lots of babyto fhiles.

Speaker 3 (04:57):
But the ones he is hanging out with, they seem
to be okay with acknowledging him publicly.

Speaker 6 (05:01):
Now, Yeah, he seems to turn the corner. He's turned
the corner. He's not embarrassing people like he was. I
think it's fun. I think like the fun of it all.
I don't know if he has made a change in
which he seems to be having a little bit more fun.
So maybe people are like, Okay, maybe we don't have
to look at him and tell him we thought the
singing is amazing.

Speaker 2 (05:21):
Yeah, we don't have to pretend like that.

Speaker 3 (05:23):
No more, he got he got a new something. There
was something in his thing, no or something.

Speaker 2 (05:31):
Fred Durst was just like, hey man, this is how
it is.

Speaker 7 (05:33):
You gonna have to chill.

Speaker 2 (05:34):
You have to chill.

Speaker 3 (05:36):
But also, but also I just think in his Corey
Felvin's team something happened to where I mean he just was.
He was everywhere. Yep, this for the first part of
the year.

Speaker 7 (05:46):
Publicist management sound something.

Speaker 2 (05:50):
You need something else, pretty Corey because you're you're about
to get me too, or something. You need to chill
the fuck out. Man, I don't know if he's an angel.
Thing went away, you know. And then he had his
Machel and then the Mangel and then she wouldn't tour
like he wanted and she wasn't holding up her in
the deal says. He's like, hey, you know, I'm gonna
do unfind another attractive blonde that can't play keyboard or.

Speaker 6 (06:11):
DJ I just force your girlfriend to go on tour permanently.
Here is And then they got married.

Speaker 2 (06:16):
That's right, that's weird. We we on tour and all left,
but one chick is like still dressed that way.

Speaker 6 (06:25):
It's like, really, I don't know. I don't really want to.
I don't like this band all said.

Speaker 2 (06:29):
They make him, They make everybody do the chant, the
Comeback King chant at the beginning, come and then, but
he's like the opener, so there's not enough people in
the audience to start a real chant.

Speaker 6 (06:40):
So if if you want to see more of this, Corey,
I like it there on our YouTube.

Speaker 2 (06:44):
I like the chance, I like the chair. He's fine,
but not everybody is like, wait a minute, this one
bass player just is trying to get us what Who's
the Comeback King? I came here to see Corey Feldman.

Speaker 3 (06:53):
He had a couple of opening slots, uh where he
was where people were into it. I saw a couple
of videos where people, I mean.

Speaker 2 (07:00):
Our cheer read got some fans.

Speaker 3 (07:02):
He's got some fans into like I said, Illinois, He's not.

Speaker 2 (07:07):
A fan the Comeback King. I'm not not a fan
of that.

Speaker 6 (07:11):
It's funny, and I think it's also kind of good
in in a like hilarious way.

Speaker 2 (07:16):
Yeah.

Speaker 3 (07:18):
Look, he's put in the work.

Speaker 6 (07:19):
That last song with the with them singing Joe the joke,
I can't get I can't condone that at all, but
that is prime Corey felt.

Speaker 2 (07:27):
The album that Corey did right that. Yeah, I think
that is.

Speaker 6 (07:32):
Also the thing we all see about it is like
this is he made, He's doing he made this more so,
like I know back he is rapping.

Speaker 2 (07:39):
In the eighties. He can't be nobody else helping him
write the song.

Speaker 3 (07:46):
It can't be anything else. And it is his voice, like.

Speaker 2 (07:50):
He's coming back. I'm the comingback king.

Speaker 3 (07:51):
Even he's got somebody like helping with the music, but
you could tell that is Corey Feldman's voice.

Speaker 2 (07:56):
You know, we all in their face too.

Speaker 6 (07:58):
He is on their ass when when they're trying to
make the productions like turn it to, turn the drums down,
turn turn my guitar.

Speaker 2 (08:05):
You know he's doing my song.

Speaker 7 (08:08):
You know he's in there in the mix.

Speaker 2 (08:09):
You know, Michael Jackson told me I could take this
song to number one, And like, Michael, you don't need.

Speaker 7 (08:15):
To do that, you know what, I'm just gonna mix
it myself.

Speaker 2 (08:17):
I got it.

Speaker 3 (08:18):
He's gonna have to do a in the studio in
the studio type of uh documentary, because I bet you
he's dancing in the studio like Michael Jackson, Like.

Speaker 6 (08:29):
It's in the same room. He just got the mic
set up in there. Yeah, just going in and we
checked out his music on the slabs.

Speaker 2 (08:36):
Too, absolutely.

Speaker 8 (08:39):
So.

Speaker 3 (08:40):
Uh yeah, so we had to celebrate that. Corey Filman
Oby uh uh get it. Get the Beer Trio album
long after the Empire. It is out now, Thank you,
thank you, thank you. Uh enjoyable record. It's streaming everywhere.
Let's see anything and plugs. I don't know. I don't

(09:02):
have too much to play shit.

Speaker 2 (09:03):
Oh yeah, I have plugs up.

Speaker 4 (09:08):
Maybe you know.

Speaker 2 (09:09):
I think I'm gonna start bringing it doing plug music.
You need to find some music that maybe he made
that I can you know, re sample something all make
some plug music. But for right now, uh, Rumble Trio.
First Friday this week. If you're hearing this on Friday morning,
Gallery five. First Friday, we're playing I believe at nine
all right, okay, so be there by Then the next

(09:31):
day we're playing at the North Side Festival in yep,
north side of Richmond. We're we're on MacArthur Street outside
kind of across the street for where one three guitar is. Yeah,
and we're out there at two o'clock. Cool, and then
I believe Kanika is playing after us, and then Kofe's

(09:52):
a trio or quartet. I don't know, but Kovie's thing
is playing Hot Line up. Yeah, and then there's a
bunch of other stuff over after us at northsid Grille
up until like midnight or something fun.

Speaker 3 (10:02):
Yeah, yeah, nineteen ninety six, Yes, a couple other bands.
It's gonna be. It's a star studded North Side fest
all types.

Speaker 2 (10:11):
Oh yeah, and you know what, man, y'all come out
if you come out to the Gallery.

Speaker 3 (10:16):
Five.

Speaker 2 (10:16):
Thing we're doing like like seventy percent of our set
is all video game music that night. Love to hear it.
Tons of video game music and some other new things
that we haven't played before.

Speaker 6 (10:29):
Hell yeah, heal yeah, speaking of video games night idea
new album and new single, new singles called Rocky Coast,
and we have a video game video music video just
dropping mix of all kinds of fun that's awesome. Yeah,
like Final Fantasy looking and it's dope. We put on
the out very soon and the album in the song

(10:52):
drops on October twenty six at the Camel, So come through.
DJ Harrison will be in the fuck builded. It's we're
working real hard practicing for the show. The week twenty
six is Friday. Friday Friday. I don't know, I don't know.
It's a twenty Saturday. That's a Saturday.

Speaker 9 (11:13):
Now.

Speaker 2 (11:13):
I've been trying to make all my weekends open now
that I can. Fridays and Saturdays.

Speaker 7 (11:18):
When is it?

Speaker 10 (11:19):
Uh?

Speaker 2 (11:20):
It is Mourtay six is Saturday? Saturday's right, Saturday day? Yeah,
come on through. Oh yeah, hey, and the day before that.
You should come see Rumble Trio at common House that
night and then go see Night Idea the next day.
I'll be a great weekend. Man.

Speaker 6 (11:36):
Yeah, if you all are free, man, we covering. We're
covering the show. If you all are free, you're busting
out the cell phones.

Speaker 2 (11:41):
Kelly's probably playing jazz somewhere that night.

Speaker 3 (11:43):
So check out to Nope playing with Premier Trio. I
think we're doing Dwally at Lewis Ginter that night, early though, yeah,
I think that should be early. But yeah, we're doing
dwell at.

Speaker 2 (11:54):
I think we come to see Night Idea after that.

Speaker 7 (11:56):
That's right.

Speaker 3 (11:57):
Yeah, that's gonna be a fe It's gonna be a
fine night.

Speaker 2 (11:59):
Come through.

Speaker 6 (12:00):
Also November one, Nobs Brass is in Norfolk, Virginia at
the Annex New venue out there looks and looking really dope.

Speaker 7 (12:07):
But the Lava Presents is the promotions.

Speaker 2 (12:11):
Josh Man, y'all got to have bore packs in and
Greek restaurant run by the Stratas family.

Speaker 6 (12:16):
Please send me that so I really want to do that, yes, please,
like so I won't get that ship. Yeah, and West
Parker is opening up the show, so come through.

Speaker 3 (12:27):
Oh that's a big one.

Speaker 6 (12:27):
Yeah that's November one, November one, damn ye getting out there.

Speaker 3 (12:32):
Okay, uh yeah, actually know what playing at Randolf making
with p Berea trio. Actually we're doing a First Friday
thing as well on Vember first. Uh no, this is
this Friday coming up?

Speaker 2 (12:43):
Oh this Friday?

Speaker 3 (12:43):
Yeah, October fourth, all right, sweet.

Speaker 6 (12:48):
Lots going on obs, going into the studio this week.
That's exciting. Hell yeah, working on some new stuff. Oh yeah,
shit recorded, that's tight.

Speaker 2 (12:56):
Yeah, okay, sweet.

Speaker 3 (12:59):
I want to get into music news right now, right now,
I mean so many things, so many things.

Speaker 2 (13:08):
Uh.

Speaker 3 (13:09):
Did you see Dave Navarro's Supreme guitar pedal?

Speaker 7 (13:12):
I did not?

Speaker 2 (13:13):
Oh no, what is it?

Speaker 7 (13:14):
It's a like the brand Supreme.

Speaker 3 (13:16):
Yeah, it's a like cry baby wah wah Supreme Supreme
guitar pedal.

Speaker 7 (13:22):
But it says Supreme.

Speaker 2 (13:24):
Supreme.

Speaker 6 (13:24):
There's a clothing brand called Supreme's just white letters on
a red background.

Speaker 3 (13:29):
It's a very boogie New York. It's like a yeah,
it's very interesting.

Speaker 2 (13:36):
Yeah, I could you just I got, I got, I'll
pull it up on the I did not hear about this.

Speaker 7 (13:40):
It's kind of random.

Speaker 3 (13:41):
It's it it is, but it's very interesting. How I
guess if this Jane's Ad Dixon thing really have worked out?

Speaker 2 (13:48):
Oh see, they were getting it ready. They were thought
this was they've had. They've had a lot of stuff.
That's a good looking pedal. Yeah, it is not mad
at that. Yeah, oh that does look cool. Like I'm
a big fan of uh, sparkly metallic stuff like hot
rod colors, like when the guitars like that.

Speaker 3 (14:06):
Yeah, it looks it actually looks pretty funny.

Speaker 2 (14:11):
It's cool, is they're not They're not saying this song.
It's just the standard cry baby wa. It just looks cool.

Speaker 6 (14:19):
It's gonna be the one pedal that like Ky Sanatt
has when he starts doing guitar, him and Lil Wayne
playing guitar, and they're gonna have him and him.

Speaker 2 (14:27):
And Speed are gonna start a paying Yeah, learn how
to play drums. That would be so I really wish that.

Speaker 7 (14:33):
I love those guys, I wish them the best.

Speaker 3 (14:35):
Yeah, I mean, uh, Lil Wayne holding the Eddie Van
Haley guitar. I mean with the supreme pedal, with the
supreme pedal. I mean, it's just gonna be ridiculous, man,
Like what.

Speaker 6 (14:48):
In y'all's face. Everybody need to step it up. I
need to kiss to make a flanger. Fact, they have
Nike Phaser pedals. Nikes make a phasers five thousand dollars.

Speaker 2 (15:02):
That would be amazing. Louis Baton, Louis Baton Echo pedal, Echo.

Speaker 3 (15:07):
Delay, somebody will come out there on Space Echo.

Speaker 7 (15:10):
Come on, you know it's gonna be Louis the Louis
Space Eco.

Speaker 3 (15:13):
Louis Space Echo.

Speaker 6 (15:20):
The ad with him like that picture is so straight
out of my guitar magazine, Like why why does he
have an in the picture? I guess he's at Oh
he's gonna play, He's playing.

Speaker 7 (15:33):
See some fashion person did that.

Speaker 2 (15:35):
Yeah, nobody believes their pedals like that. Nobody does that.
But you know what's sad about that is a lot
of bands, shitty bands all over the country. You have there,
This is what it looks like on stage when they
play that.

Speaker 3 (15:45):
Green pedal though is and that's a trombone you know.

Speaker 2 (15:51):
Yeah, that's the d S one delay right there, and
outside delay. D S one is the distortion.

Speaker 6 (15:55):
ONEAD like, no, okay whatever of the micro delay digital delay.

Speaker 3 (16:02):
The LAD one is a video. I think one is
a video.

Speaker 2 (16:06):
That's right. I don't know what pedal sound. No, no,
it is Dave Davarro playing it. Well. I tried to
click on one and it didn't give me the prompt
me for the video thing. It was just like make that.
Oh it is okay, we see where I get some
sound on that ship. The fucking boots boots up to
his thighs. It's this crowd baby on the bottom of

(16:27):
the pedal. Yeah. They all say that though, but they're
not red. But yeah, but like that is he running
short mast? Probably Supreme? Yeah, I don't know how he
does the while with the shoes on. I couldn't see
it or anything. Those they're probably they're probably nice.

Speaker 6 (16:48):
How does the how does these kinds of deals come together?
What does Supreme bring to the table. Just the idea
of painting it red?

Speaker 2 (16:53):
I guess the brand just paint it red, make it fly. Yeah,
but that's that's he's like that guy.

Speaker 3 (17:00):
But like, I mean, it's pretty dope.

Speaker 2 (17:04):
I like it. I'm not mad, it's very I like
it when bands have gear that matches stuff like Room
Queens and stone age of that album, Uh, I think
it was like clockwork or but like the album art
was all black and red. So when they went on tour,
all of their speaker cabinets for their amps were red.
Oh yeah, and like the drum the drums red and black.

(17:26):
Drum EDGs are like black the drums, Like everything fucking
look cool. I like it when bands have painted mic
stands that match the rest of the set, Like, yeah,
why not if you could afford. If you're at that
level and you're not doing that, it's kind of like,
what are we here for? Why are we charging one
thousand dollars aticulars?

Speaker 3 (17:43):
I agree.

Speaker 2 (17:45):
Like when Prince said Prince had the microphone that was
like a golden gun.

Speaker 3 (17:50):
I was watching that. That's funny you say that I
was watching phone. No, I was watching some footage with
him and he like he would had a pedal to
turn off the mic and turn it on, and I
was like right next to his guitar pedals and he
would like switch up between the regular mic and the
gun the gun. Yeah, yeah, no, he went to unplug it.
It was just like, I guess would just turn off

(18:11):
his other mic. He would just turn off the other
mic and just switch it up to the other one. Yeah,
it was I was just like, that's so cool you
could just like flip it off and on right there.
But you know, there should be more collaborations like this.

Speaker 2 (18:24):
I'm way into it. Yeah. I kind of wish it
wasn't Dave Navarro, but it's all right.

Speaker 3 (18:29):
Choice.

Speaker 6 (18:29):
But now that we saw they were trying to get
this Jamees Addiction tour, it makes sense.

Speaker 7 (18:33):
You know, this is this is the part of the rollout.

Speaker 3 (18:35):
You know, it was part of the rollout, and then
also the whole rollout up they put out or they're
going to put out a new song. I think he
also put a new joint that they wrote or something
like this whole thing.

Speaker 2 (18:46):
Yeah, this whole tour was supposed to be like a
whole thing.

Speaker 3 (18:48):
Uh and uh, James, I know you checked out some
of this stuff and some of this stuff that's been
coming out. It's been I mean I get it that
like you know, some of the people are like really
emotional and everything about it. But it's a very interesting,
weird rollout for Jane addiction right now.

Speaker 6 (19:06):
But there's also a decent amount of like Dave Navarrol fans,
They're like, what the fuck is Like James was like,
what the fuck is Supreme? You know, no matter how
big they are, this is like a new audience for Supreme.

Speaker 2 (19:16):
Yeah, you know, so yeah, I was like, what the
fuck is that? Then when I saw the logo, I
was like, oh, I've seen that. Yeah, totally. So we
found out more shit about uh about the Perry Fell
Dave Navarro thing, one of.

Speaker 7 (19:28):
The old man fight, one of the we're not even
really fight.

Speaker 2 (19:31):
It's not really an old man fight. It's a one
side So like, yeah, the Guitar Tech bass Tech did
like some podcast and brought the icy and audio. But
the other thing we found is that, uh so, I
guess Perry Frell wanted to have like dancers on the
stage or basically like strippers and ship.

Speaker 3 (19:48):
Well, his wife is a dancer.

Speaker 2 (19:50):
And his wife this involves his wife's dance club or
whatever they do like or so he he decides to
go out into the desert with with a photographer and
film like sexy dancing out in the deck some dumb ship.

Speaker 7 (20:05):
Like he thinks he still think it's ninety four.

Speaker 2 (20:07):
Facts, he did not even that. I think he's still
think it's eighty nine. Hey, because this is some old,
old old stuff.

Speaker 3 (20:14):
Dude, prison was doing this in the night out.

Speaker 2 (20:17):
A lot of people stopped, but so he he wanted
to and so instead of instead of introducing it to
the production team and stuff, he shows up an hour
before the gig, is like, all right, I have this video.
We need to put it on the screen. It's like
nobody's like done it. It's like who knows or format
it's in. It's not me? What is he don't even know?
Like yeah, like what, like what the fuck is going on?

(20:42):
It's like, hey man, we sound check. Everything is going
really good. L like to StepN N. I saw the video.
Is fine, Let's just play the show. And then Perry
fral got mad and uh punched Dave Navarro. Yes, uh
before this, yeah, before this, So that ship it's all
going down, And now that kind of gives us a

(21:02):
better idea of like, oh wow, this is like a
thing that was gonna end anyway, whether or not they
got in a fight on stage, but we all.

Speaker 6 (21:09):
Knew that though we didn't think it's gonna go down
like this. No, not this way, not this missing mad
petty ship.

Speaker 7 (21:14):
Though they should have waited till the last show of
the tour to fight.

Speaker 2 (21:17):
It was I mean, I guess the tour just think
the rest of the band would have been fine with that.
But Perry Frow was like, oh no, uh, this is
a Perry show. Yeah, so he's always wish that was true. Yeah, yeah,
that's always been Therefore, we had porn for Pyros. That
was cool. That was cool. I couldn't ye can't do it. So, uh,
this is the guy talking. Is the guitar tech in this?

Speaker 1 (21:43):
You hear the band a bit in the background.

Speaker 2 (21:45):
Yeah, this is just from his micro borfe Yeah, you're
just hearing his microphone.

Speaker 4 (21:55):
I'm not jumping baby on that ship?

Speaker 2 (21:58):
Are you killing it?

Speaker 4 (22:00):
Jockett? Shit?

Speaker 2 (22:07):
Fo jesus. Oh you try to keep the song going. Well,
the sound does stop here, but that's not where he's
supposed to see.

Speaker 1 (22:19):
That sounds just frustration.

Speaker 3 (22:20):
But chip this out.

Speaker 2 (22:23):
The reverb is gonna help him out with that's mother Supper.

Speaker 3 (22:26):
That's crazy.

Speaker 2 (22:27):
That's crazy. Fuck damn fuck hits. He's like a healing.
He's a black out. He is black out. Yeah yeah,
look in his eye. That's a black out. Look boy,
I mean he's great. Da devil was not even looking.
That's why he went over there. He's like, that's when

(22:48):
he hits good. Push his dogs. He's like, what is
happening right now? What is going on you? Yeah? So man,
it is. It's a it's bad and it's sad too.
It's real sad.

Speaker 3 (23:04):
Hearing his I mean, he's his throat sounds terrible to me,
like it's the whole just the it sounds like his
voice is shot.

Speaker 2 (23:12):
It's like old man's voice shot. He's wasted. He's already
tried punching him out one time.

Speaker 3 (23:19):
So the weird thing is is that the the dude
said though he doesn't feel He said, yeah, he's drinking
and stuff. But they said it's definitely something else. He said,
there's something else with it, maybe fucking cocaine, Like throat
drives up through that kind of ship, you know what
I'm saying. Like, you know, there's a really really crazy,

(23:43):
crazy Marvin Gaye bootleg that they actually released from his
like last tour, and you know his voice is it
sounds like exactly like this. His voice is like half
blown out.

Speaker 2 (23:54):
It's fucking like singing, singing through the wrong parts of
the song.

Speaker 3 (23:58):
No, he's he's still crushing it. Yeah, question it.

Speaker 2 (24:00):
But he got his.

Speaker 3 (24:02):
Voice up, but.

Speaker 2 (24:05):
I can't sing.

Speaker 9 (24:06):
Yeah.

Speaker 2 (24:07):
I asked if he was in perfect health and sober,
he still would sound like ship. He sounded better than this.

Speaker 6 (24:14):
Yeah, when his voice was clean, it's like, that's a
clean sounding, weird voice.

Speaker 7 (24:17):
Yeah, a little delay on it, the long delay on it,
you know.

Speaker 11 (24:21):
Yeah.

Speaker 3 (24:21):
I mean they were doing the best. They did the
best they could.

Speaker 6 (24:23):
Everybody need to really keep this ship together. Maybe you
got the sound man put the board feed up on YouTube.
They think it was a public services exposure.

Speaker 2 (24:33):
Remember when when uh hole didn't pay that recording engineer.
I remember that and like he was like, you know what,
if they're not gonna pay me, I'm at least gonna
put out the board recording of just Courtney loving her
shitty guitar playing. See if they respond.

Speaker 6 (24:48):
Man, that shit was hilarious too. Yeah, it's great, Like
she should turn that guitar off, just turn it off.

Speaker 2 (24:54):
Whoever in the back. It was like they didn't have
this turned up in the mixed.

Speaker 3 (24:57):
Line NA kind of well, I'm the people on the
front were hearing that. I'm happy that they are. They
have like gotten out more context to that night, because yeah,
I mean, I think it threw everybody off as far
as just anyone.

Speaker 6 (25:14):
I don't know, the dancer wife. They're not big. They're
not big enough of a band for this, not really
in the.

Speaker 2 (25:22):
In the but in the nineties come back toward reunion thing,
they're kind of a big deal.

Speaker 6 (25:27):
I mean, but this is that though this is their comeback,
I made it to happen. It's not like they don't.

Speaker 3 (25:32):
They have other They've had other tours where they've come
back and like I think they were better.

Speaker 2 (25:37):
There's still it was only it was less than ten
years after the band broke up.

Speaker 3 (25:40):
Yeah, there's because there was one in ninety seven. But
they've done a couple of tours. The problem was that
this was like the first, uh first with like the
actual original lineup that everybody likes. You know, the bass
player never came back until this time, so I think
that was the thing.

Speaker 4 (25:55):
Uh.

Speaker 3 (25:56):
The former BABS player from Porto from Pyros, he came
out and double down and everything and said he was
a fucking asshole and then added like a few other
drat drug addict names. He was like Stan Wiland was better,
he was cooler. He was fucked up too, but he
was great, like you know, he and he threw a
lot of he got mad salty. He was like, dude,

(26:17):
this dude because.

Speaker 2 (26:17):
He's got along the bass players. To be clear, Scott
Wiland is better.

Speaker 3 (26:21):
He is better.

Speaker 2 (26:22):
This dude, he is. This guy got lucky he found these.

Speaker 7 (26:28):
He was cool with these dudes.

Speaker 2 (26:29):
Yeah, be cau.

Speaker 3 (26:30):
Stephen Perkins is one of the best drummers like ever
and he really.

Speaker 6 (26:34):
Down to just like be down with them being fucked up,
like I'm gonna keep these like heroin addicts and alcoholics
together and I'm gonna we're gonna live together.

Speaker 2 (26:43):
Then was he as big of a junkie is like
Dave Navarro.

Speaker 3 (26:48):
Was supposedly supposedly so uh uh he Yeah, he talks
about a lot that he really did have a lot
of drug issues and was on hero I mean, I mean,
if you were I guess if you were from what
northern California or whatever this seemed to be. It was
very easy to get like a lot of cats.

Speaker 2 (27:06):
They were in l A. There's that's no shortage of
it there. Yeah, yeah, it seems like that's the deal.

Speaker 3 (27:12):
But yeah, look hope I hope uh yeah, prayers, hope,
hope he gets help for real.

Speaker 6 (27:19):
Okay, let's let's get early. Man, don't don't fuck with Dave. Yeah,
David just wants to chill. He wants to put his
outfits on. We want to do contexts, play Wawa guitar.

Speaker 7 (27:29):
With his big boots on.

Speaker 2 (27:31):
Come on, so he wants to do. Get me mad
at that?

Speaker 3 (27:35):
Okay, let's see here. There's so many things popular singer
songwriter uh gets uh? Oh Maclamore, yeah he said some
weird ship.

Speaker 7 (27:45):
Oh that was hilarious. Did you'll hear about this?

Speaker 2 (27:48):
All right?

Speaker 6 (27:48):
Maclamore was doing a concert at like a like a
Palestinian like really fun just like when uh, and then
when he was going off in one of his speeches,
he was like, you know what, man funk America And
everyone was like yeah, you know it was like, oh,
he's like twenty two year old. Leftists were like hell
yeah back nomore. And then immediately the next day all

(28:09):
of their gigs got canceled, like the festival they were
supposed to be at that weekend in some Las Vegas
residency or some several shows. Yeah, and they were like,
we don't know if we're going to be able to
go to business with Macamon.

Speaker 2 (28:22):
Well he's a liability man. Now.

Speaker 6 (28:23):
Two days later, he was like, I would like to apologize.
That's not what I meant. I didn't mean that it
was I just got a little excited. And he's like,
he's like, oh here we go right back to capitalism,
hans Son. You're acting real tough in front of all
those college kids. He's like, watch your gigs fall fall away.
And he's like, I've embarrassed my friends, I've embarrassed my family,

(28:46):
my community.

Speaker 7 (28:47):
I'm a disgrace.

Speaker 3 (28:48):
I mean, he probably makes really good money at those festivals,
and especially especially if you're only paying for like three people.

Speaker 6 (28:56):
It's his livelihood. He's just like you accidentally in your
entire livelihood.

Speaker 2 (29:00):
Yeah, man, come on man.

Speaker 3 (29:02):
Yeah, a couple of cats like just went wild, like.

Speaker 2 (29:09):
Too crazy.

Speaker 6 (29:10):
You know, people just like I don't give a ship.
Don't let these college kids get you batter in your
back like that.

Speaker 2 (29:15):
Man.

Speaker 6 (29:16):
Kids don't got no band kids ain't got no gigs.
The kids ain't got no gigs. Man, trying to make
them clap for you heit some crazy sh hey man,
I think oh we saw like Saint Vincent was climbing
through the audience trying to be like Eddie Vedder. Yeah,
look I put this online. I'm saying again, hey, y'all,

(29:38):
just do your fucking set.

Speaker 2 (29:40):
Just play your set more, Just play your set. Yeah,
but back Moore was just talking stuff. You have a album.
I don't have a problem climbing around. That's fine. Man.

Speaker 6 (29:50):
If she'd have fell off that ship, we'd have been like,
damn hilarious, Like, you know, just play your set, man, just.

Speaker 3 (29:55):
Play Green Day. Look, they were on stage, they wilding
out them stage, and he was like, he was like,
fucking Las Vegas.

Speaker 2 (30:03):
This is the worst in America. I remember, piece of ship.
This just happened. This just happened a couple a couple
of days ago. Bill George, uh like breakdowns many times,
very freak with a new one.

Speaker 6 (30:15):
He got pissed at the city of Las Vegas, calling
the worst city in the world or something.

Speaker 2 (30:19):
What did they not let him?

Speaker 4 (30:20):
Do?

Speaker 8 (30:20):
You know?

Speaker 3 (30:21):
The worst ship hold in America is what he called it.
That's what he called it.

Speaker 7 (30:24):
I don't know why he said. It's because he's mad
about something.

Speaker 3 (30:26):
Because the Oakland a's are moving to Las Vegas.

Speaker 2 (30:29):
Right because in the city of Oakland, like it's yeah
in there, yes, oh, get the fuck out of here.

Speaker 6 (30:37):
I've got no problem with Oakland, you know, I have
no problem Las Vegas, Las Vegas to the Hustle season.

Speaker 7 (30:41):
Will do Hustle season, live in Las Vegas.

Speaker 2 (30:43):
Or one day ye'll pay it, I'll go wherever.

Speaker 3 (30:46):
I would love to go to the Bay.

Speaker 2 (30:48):
I remember, I've only been on the one.

Speaker 6 (30:50):
Vegas and then of course a bunch of Green Day
shows canceled. Yeah, because yeah there at the age they
got to do residents. They're like, yeah, you're supposed to
you have some shows in Vegas.

Speaker 2 (31:00):
Bruh.

Speaker 6 (31:01):
It's like some festivals and ship and they're like they're
have they have? They walked it back yet.

Speaker 7 (31:06):
They too rich.

Speaker 6 (31:06):
They're not walking in Maamore. They Maclamore, Magnamore, like I
need this checke.

Speaker 2 (31:11):
They got pulled from two radio stations.

Speaker 3 (31:13):
You know they're not they're gonna the radio. Yeah, they
feel fine, Yeah, like especially Billy Joe. I mean he's
definitely not gonna be like, I don't care at all.
He don't give a fuck like they've I mean, Green
Day or Mega Rich.

Speaker 6 (31:25):
He didn't care before that, No, he didn't care. They
kind of they kind of stuck with it, stuck to
their guns. Yeah, I mean, not necessarily with the music,
but in vibe. Yeah, it was the same. Let's see consequence.

Speaker 3 (31:40):
Uh dot net put out the one hundred best drummers
of all time.

Speaker 7 (31:43):
Sure they did, uh list listical.

Speaker 2 (31:47):
It's another list right here, Cory.

Speaker 6 (31:49):
He felt number fourteen Corey Feldman, So I just want
to go fifteen, Little Wayne, Let's go sixteen. It's like
Bill Burr Bill Yeah, oh Man triggered in the comments.

Speaker 2 (32:06):
Really they do that? John John Fishman is ninety one.

Speaker 3 (32:09):
They have him at ninety one, all right. Uh and
eighty eight is Meg White. I don't know about that.

Speaker 2 (32:16):
Yes, okay, but then okay, so yeah it's a little weird.

Speaker 3 (32:21):
Uh. Number eighty seven is Clem Burke from Blondie. He
should be higher, much higher. That dude is one of
the best drummers I've ever seen. Like he's got amazing technique.
He right next to that is.

Speaker 2 (32:32):
Lars Or lars should be higher than that. What number
is that?

Speaker 3 (32:36):
Eighty six?

Speaker 2 (32:37):
I'm fine with that.

Speaker 7 (32:38):
He should be higher than that just for influence. Influence,
So fine, that.

Speaker 2 (32:43):
About it. Where's where's Steve Jordan?

Speaker 3 (32:46):
Oh, that's a good question, that's question.

Speaker 2 (32:49):
You think he's in the top twenty? John Bonham number one,
And I.

Speaker 3 (32:52):
Don't know because Kenny Arnoff, Kenny Arnoff is like eighty one.
So this is kind of insane. It's a little insane.
Kenny Arnoff is higher.

Speaker 2 (33:00):
Who's number? Who's number ten? Alex van Halen, h let's see,
I bet he is up there.

Speaker 3 (33:06):
Let me go to let me go to number two.

Speaker 2 (33:07):
It's a random right there.

Speaker 3 (33:08):
Who was that? So that all right? Sorry?

Speaker 2 (33:10):
The top twenty here, yeah, yeah, like the stubble field Man.

Speaker 3 (33:14):
Top twenty we have. You know, he's not Cindy Blackman.
Santana the number twenty.

Speaker 7 (33:19):
She wasn't even Santana's drummer most of the time, but.

Speaker 3 (33:21):
She was Lenny Kravis's drummer.

Speaker 6 (33:23):
Yeah, like when she was about for Lenny and for Lenny, okay,
and and she was like the jazz stuff, yeah, and
then she was doing Tony Williams too, Okay, Tony Williams
type shit.

Speaker 3 (33:32):
Mike Portnoy nineteen, Okay, that's high. He's good, though.

Speaker 2 (33:37):
He is, he's mad, he can back it up. I'm
not mad yet.

Speaker 3 (33:40):
Yeah.

Speaker 2 (33:40):
Eighteen Max Roach, oh, Neil Perty is going to definitely
be up here. Oh yeah, hell yeah, ry As Max
Roach was that high up. That's good being a jazz musician.
Seems like they wouldn't do that.

Speaker 3 (33:50):
Ringo Star at seventeen.

Speaker 6 (33:52):
They had to do it because see, that's an influence pick.
That's why I think Lars is too low. Well, good point.
If they are doing influence, they just like what he did. Yeah,
and people like what Lars did.

Speaker 2 (34:05):
Yeah, you like it. Yeah, that's not consistent of them.

Speaker 3 (34:08):
Uh yeah, we're not talking about live right in the studio.
We're gonna hear first.

Speaker 2 (34:15):
Large should be much high, Lars is high. Yeah, you're right.

Speaker 3 (34:17):
Jabo Starks sixteen.

Speaker 2 (34:19):
You got one of them in there. Okay, I'm cool
with that.

Speaker 3 (34:22):
Mitch Mitchell at fifteen, all right, Danny Carey fourteen.

Speaker 2 (34:28):
Controversial, but he is really good. I'm fine with that,
and I'm not gonna complain too much. That's really high
to me, that is I think it's too high.

Speaker 3 (34:35):
Yeah, I think Danny Carry is yeah, I mean because
I could see him more in the thirties, twenties, thirties.

Speaker 6 (34:42):
To me, I mean, he's the son of Lars in
so many ways, you know what I mean. But I
feel like he's more of like the like the clean up,
the cleaned up version of it.

Speaker 2 (34:52):
That I disagree with. You don't think so you don't
think the product the problem guys fucked with that. I
don't think. I think the I think the Metallica stuff
that sounds like prog shit just happened because that's the
way James Hedfield rope.

Speaker 6 (35:06):
They didn't know that, they didn't know what they were
listen the people listening to it though, they were.

Speaker 2 (35:11):
Listening to the band more than their listening to because
also a lot of there's people were listening to Slayer
and they're in Anthrax and drummer bands had much better drummers.
So I think it was also I think Metallica was
like the songs, the riffs.

Speaker 6 (35:25):
It's fair because he seems high because like, you know,
what is the biggest thing you would say for Danny
Carry would be tool That's that's that's so it's tough
to say true that like he's fourteen. If we have
Ringo up there, then I think and then lent higher.

Speaker 3 (35:39):
Yeah, that's a tough compared.

Speaker 2 (35:42):
In the top ten.

Speaker 7 (35:43):
Oh yeah, let's just keep going my back.

Speaker 2 (35:44):
I don't think so.

Speaker 3 (35:45):
Dave Lombardo is thirteen interesting. I think this is weird good.
But number twelve is Carl Palmer. He paid for that point.
I don't know he got it. I don't know how
he got in there. Ginger Baker, Wait, wait, Carl Palmer.

Speaker 2 (36:00):
Carl Palmer is the one that is the golfer that
that had that, Carl Palmer. It's alright, have to Oh,
that's okay.

Speaker 7 (36:10):
I can hardly even say it. Carl Palmer.

Speaker 3 (36:13):
Carl Palmer.

Speaker 2 (36:14):
I don't know nothing about that. He's Likeaking Palmer's motherfucker.
But you over Jabbo and everybody. I don't even know
about that.

Speaker 3 (36:20):
That's not that's not cool. Somebody keep somebody paid for
this spot, you know, number twelve he should be where
like Lars is. Yeah, because as far as influence, ain't
nobody sampling Imergson.

Speaker 2 (36:32):
Laking Palmer.

Speaker 7 (36:33):
They've never heard of it.

Speaker 3 (36:33):
Nope, it's just just really white, uh, really white progressive
British British progressive. Yeah, lots of keyboards, which more their
progression is more majorie like patriotic kind of sounding.

Speaker 2 (36:47):
I don't even know what that means. Yeah, yeah, it
sounds like they play music. It sounds we played with
like flutes and snare drums, their marching back British like
revolutionary music. I don't have no idea what this band
sounds like Jethrow Toll, but not as uh like a patriot.
It was all major key Jethrow Toll and organ and yeah,

(37:10):
no flute, but synthesizers nothing. It was like, yeah, it was.
It was horrible, alight, you would hate it.

Speaker 3 (37:15):
I believe nothing fire, no guitars. I think Ginger Baker
is eleven. I'm cool with that, Yeah, Elvin, Actually I.

Speaker 2 (37:25):
Think, all right, whatever. I think he's a little overrated
Ginger Baker. Okay, he's kind of way over it actually, Okay,
I can see why he would be there, though, Yes,
I can see how that would happen.

Speaker 3 (37:34):
Cream's influence is just like.

Speaker 2 (37:36):
Yeah, yeah, because also Eric Clapton is wrongly put at
the top of the best guitar because of that, you
might as well might as well have Ginger Baker.

Speaker 3 (37:43):
And just because of that. Yeah, I mean, I mean
it was him. It's him against Jimmy at that time,
and Jimmy obviously wins. But like Claptain sound in their
sixties bro, like on the cream Ship.

Speaker 2 (37:58):
Yeah, but Nondrick stopped an awesome ship because he died.
Eric Clapton just suck kept going. He just kept going
and sucks. He kept going. It doesn't matter how good
he was. It doesn't matter how good he was. For
like six years after that, he was just fucking garbage.
He started making cool ship bro because he died. Yeah,
just sucks. He right, He's totally right.

Speaker 3 (38:24):
By the way, Eric Clapton's new record that comes out,
His album cover speaks.

Speaker 2 (38:30):
To that point.

Speaker 7 (38:31):
Exacts awful, Yo, pull up?

Speaker 3 (38:33):
Can you pull it up?

Speaker 7 (38:33):
Broke rough.

Speaker 2 (38:34):
Clapton almost died like a helicopter thing. He like didn't
get on the helicopter. He fucking the wrong. Clapton fell
out a window, fucking everything he is. Friends around him
overdosing and dying. Yeah, Eric Clapton made it. Still with us,
he made it. He's still back dead, he's been Laptain
still here.

Speaker 3 (38:55):
He's putting out his like seventy ninth album. Eric Clapton
and that they didn't even fucking they didn't even try.

Speaker 6 (39:01):
They didn't even try with his album. Who is in
this bab But what's the name of the album?

Speaker 3 (39:06):
Just put Eric Clapton new new album twenty twenty four.
But like, uh, I'm telling you, like this literally is
an Instagram post. And he just put it in Adobe
real quick and just just just hit it up. And
then he was just like, yo, just put.

Speaker 2 (39:21):
It out there, put the no, put the on there.

Speaker 3 (39:27):
When I saw it, I was like, this is just
an Instagram post.

Speaker 2 (39:30):
You can't this great album cover put the filter on it.

Speaker 3 (39:33):
Look at that.

Speaker 2 (39:33):
That's that's where it's I thought he made that in
a dope be no, not even he made that. And
I the iPhone and the reels that in the reels, ye,
look that in the reels, bro, it's just him in
a diner and a cup of coffee with a couple
of coffee, just like he went fish.

Speaker 7 (39:50):
That's a random picture that somebody already had on their phone.

Speaker 3 (39:52):
Facts on his phone.

Speaker 7 (39:54):
He didn't even take this picture thinking it's gonna be
on nothing.

Speaker 2 (39:56):
He's my favorite picture. I don't even care. And look
at that, man.

Speaker 3 (40:00):
It's a little border we use that border for the
it's no time to Apple movie or iMovie or something
like that.

Speaker 2 (40:07):
Dude, this is so bad, it's horrible. Don't It doesn't
matter though to him, he don't.

Speaker 7 (40:12):
That might be the cover today. This is insane.

Speaker 2 (40:14):
Yeah, I down, like, yeah, this is terrible.

Speaker 12 (40:17):
Man.

Speaker 2 (40:18):
Yeah. Who's next on the list?

Speaker 3 (40:19):
All right? Okay, oh yeah, sorry, let me get back
to the list. Okay, Number ten, Elvin Jones. All right,
I'm kind of cool with that. Top ten is amazing.
I'm kind of cool with that. As far as influence.

Speaker 2 (40:32):
Again, where's where's Buddy Rich? Where's Tony Williams? See, don't
tell me Buddy Rich isn't on the top ten? Uh?

Speaker 3 (40:40):
Dinny Cat number nine?

Speaker 2 (40:42):
All right?

Speaker 3 (40:44):
Number eight, Stuart Copeland.

Speaker 2 (40:48):
I kind of feel the same way about him that
I feel about Danny Carey. A good player.

Speaker 7 (40:51):
He shouldn't be this high though.

Speaker 2 (40:53):
He's more influential than a lot of these guys. True,
I'll say that.

Speaker 3 (40:57):
Keith Moon number sevenpe I'm a little bit. I'm egregious.

Speaker 6 (41:01):
Come over there, egregious. At this point he should be
in the fifties. Yeah, egregious.

Speaker 2 (41:06):
I'm over it.

Speaker 3 (41:06):
I'm over people putting Keith Moon in their top ten
just because they're like, this is amazing, egregious.

Speaker 2 (41:12):
It's like, all right, he sounded like he was really
annoying to be in a band when he played too
loud and he's drunk all the time.

Speaker 3 (41:17):
He didn't have no high hats on half the record.
It was like he was just like, fuck that ship.
I was gonna play Tom's on the record. That's revolutionary.
Tony Williams number six. There you go, number six. I
like that.

Speaker 2 (41:31):
Dave Weckle number five, the white Tony Williams. Wow, Dave
Weckel's number five. But I mean he's awesome, but like,
what come on, we're a college man was going off
in the streets. This This has a lot of eighties
and nineties drum instructional video people on it.

Speaker 6 (41:54):
He was going off on those chick corea albums. People
were going crazy for that.

Speaker 2 (41:57):
Bro was insane. Dennis Chambers, he's probably on this list
down too, right, Yeah, I mean, I don't know.

Speaker 3 (42:02):
I don't know. Gene Crooper is number four.

Speaker 6 (42:05):
I was about this, get that out of here now.

Speaker 7 (42:08):
In the fifties, Oh my god, If Buddy Rich.

Speaker 2 (42:10):
Isn't in the top ten with the Gene group is like,
you cannot put no, no Neil.

Speaker 6 (42:17):
Supremacy right there, putting Gene Crooper that high. There's like,
there's something racist about it about that.

Speaker 3 (42:21):
I didn't know old people worked in consequence.

Speaker 7 (42:23):
Yeah, that's that's something racist.

Speaker 3 (42:25):
Nuts, I mean, tears, fears keep getting on there. But
still yeah, I'm like, hold, I'm like, but I'm like,
how old are these people back here? Neil pers number three,
Buddy Rich number two, all right, all right, but still
to and four Gene Creup. No, of course, John Bonham
really number one.

Speaker 2 (42:43):
He's always going to be number one. Number one's number one,
always favorite, maybe yes, but number one. Number one.

Speaker 7 (42:50):
Drummers love him and and that's all you're gonna get.

Speaker 2 (42:53):
That's it.

Speaker 3 (42:54):
Yeah, all the drummers like because he is the definition
of how you play like progressive ish rock. Yeah, he's
the heavy rock heavy rock. He's the cat. He's the
one that supposedly defined it.

Speaker 7 (43:08):
I thought, definitely did it.

Speaker 3 (43:09):
I thought, I mean, not even the dude from Black Sabbath.
He doesn't get that.

Speaker 6 (43:13):
His engineers should get a little shout out too, because
they just made his drums sound better and cooler than
everybody else's in which is Lynn John's and Eddie Kramer.

Speaker 3 (43:22):
Well, they recorded it the best, the best studio too.

Speaker 2 (43:25):
They cared about it. They cared about the drums. And
then they're recording Castle after that. So but they had
developed that sound yeah.

Speaker 3 (43:32):
Yeah, yeah, I mean out of them.

Speaker 2 (43:36):
They had to start recording them different because they were
so loud.

Speaker 6 (43:38):
Yeah, they made a star out of their band members,
you know what I mean. Robert Plan was a star.
They like they figured out a way to make the
drummer a star. Yes, you know what I mean. They
cared about that ship. Yeah, the page star.

Speaker 3 (43:49):
They really were able to spotlight Yeah, the individual skills
as well of the band without over overshadowing.

Speaker 6 (43:57):
Yeah, John Paul Jones, all the musicians are like, that's
the guy. Yeah, So everybody has their their superheroiness of them.

Speaker 10 (44:04):
You know.

Speaker 2 (44:04):
Also, Zeppelin I think was like the biggest concert band first,
like big arena band, I mean on a Sabbath and
all these other bands played ship like that. They're also
festivals but uh yeah, man, like where they were the
headline of the concert. The place's packed out, was like
a stadium. Yeah, and it was like that every night
of the tour. It's crazy. No one will ever get

(44:26):
him off this.

Speaker 6 (44:27):
I mean there would have to be some like prodigy
drummer that grows to an eighty year old like Johnny
john Bonham permanently Johnny Bonham will be permanently number one
on these lists. What do you think how was somebody
got him off? You'd have to change something, like he
had to get canceled or something.

Speaker 3 (44:44):
I mean, he's always gonna be in the top five,
top He's gonna be number I don't think he's gonna
I don't think he's always gonna be number.

Speaker 7 (44:50):
Who's gona take him off the list? You think I'm
gonna put on a rotation?

Speaker 3 (44:53):
I mean, I mean, look Neil Pert, because like you know,
he's gonna he's gonna be up there forever.

Speaker 6 (44:57):
You think Dave Grohl could at some point do it? Nope,
do what number one? Number one become drummer number one?

Speaker 2 (45:03):
Because young people don't associate him with being a drummer.
Think about that.

Speaker 3 (45:07):
That's true, But again it's that influence slash, like you know,
selling a gazillion records, like I mean, he sold a
zillion records with fucking Nirvana.

Speaker 2 (45:17):
I want to know where Clyde's doublefield was on it
because Clyde's doublefield and whoever the drummer is on the
amend thing, how come they are higher up on there
because they yeah.

Speaker 6 (45:28):
Because they are up. And then like he was in
like the top ten, right, top fifteen, maybe.

Speaker 3 (45:33):
Top twenty, top fifty, top twenty, okay, top twenty, let
me see here, But like those drummers have been sampled,
so like Dave was twenty nine.

Speaker 2 (45:42):
Okay, okay, well, like drum and bassed, music is based
off of one sample, like the whole genre. Music is
based off of that one drum break.

Speaker 3 (45:51):
Some people are gonna say, fucking Charlie Watta is number one.

Speaker 2 (45:53):
You know what I'm saying.

Speaker 7 (45:54):
I don't know what they won't.

Speaker 2 (45:56):
Know, they will nobody, nobody listens to them.

Speaker 6 (45:58):
Not true, nobody cares. I don't want to hear that
metronome story. No more, that's not enough.

Speaker 2 (46:03):
Like he threw it out the window, play along with
It's like, wait, Charlie Watts.

Speaker 4 (46:07):
Not him.

Speaker 6 (46:07):
They were just like he turned on the metronome, he
turned it off and he was right. There isn't that
Charlie Watt story.

Speaker 3 (46:13):
You can you can use it.

Speaker 7 (46:14):
I heard that story was about Charlie Watt.

Speaker 3 (46:16):
No, you I don't know, you don't know you.

Speaker 2 (46:18):
Look, I don't want to because you will, because you will.

Speaker 3 (46:21):
Just like talk about drummers, talk about people frankly and
be like, yeah, this isn't.

Speaker 2 (46:26):
That happened, because because I don't know if it happened either,
because he was a story.

Speaker 3 (46:31):
He definitely used clicks later.

Speaker 7 (46:32):
Yeah, like he was the best drummer on the click.

Speaker 6 (46:34):
Ever, we would turn the click off and let him
play and turn it out.

Speaker 2 (46:39):
I'm not asking if y'all believe the story. I'm asking
y'all have you ever heard that?

Speaker 10 (46:44):
Ye?

Speaker 2 (46:44):
Where Steve Gadding? That ship?

Speaker 3 (46:46):
Steve Gadd? Okay, let's see I found Oh Clyde? Is
it thirty six? Okay, so he's still kind of high
up there. Thirty five is Bill Ward. That's my guy
from Black Sabbath and thirty fours Quest Love James. That's
in it's a big thirty two really yeah, I would
give him that man.

Speaker 2 (47:05):
Yeah, but it's just I wouldn't expect him to be
on there. Thirty one yeah, yeah, yeah, yeah, high up? Yeah?

Speaker 3 (47:10):
Yeah? Who was it?

Speaker 2 (47:11):
Who else we were looking for?

Speaker 10 (47:12):
Gadd?

Speaker 2 (47:13):
Is all? Oh?

Speaker 3 (47:13):
Dad, I beg he's in the fifties probably really probably.
Let's see, I Phil Collins is fifty Ax van Halen
is forty eight.

Speaker 2 (47:21):
Huh. I would put Alex van Halen higher on that
because of his influence.

Speaker 3 (47:27):
Steve gadd is forty one.

Speaker 6 (47:28):
Okay, all right, so there's this is a thing. Quest
Love talks about it. He's the one that pops up first.

Speaker 2 (47:34):
Of course.

Speaker 6 (47:35):
Charlie Watts, the world's greatest metronome. Look, I told you,
I'm telling you. This is the story going around about
how he was all he was like the metronome man
or whatever.

Speaker 2 (47:45):
Anyway.

Speaker 3 (47:46):
Interesting, that's interesting because like because Mick Jagger mostly talks
about how like on a lot of the singles, they'll
they ask him about like some of their greatest songs whatever,
and he's like, hmmm, that one was pretty good. Didn't
spade up on that one? You know, He'll like that's
that will always be part of it. Was like, it's
a pretty good, but we truly sped.

Speaker 2 (48:07):
Up talking about Quincy Jones is the only person that
can straighten all this ship up. He knows who's sucked
and who didn't suck, and he didn't hold it against them.
But he would tell you. I would consult Quincy Jones
about that. Quincy Jones.

Speaker 3 (48:22):
Ringo sucks. He was horrible.

Speaker 2 (48:24):
I had to call party in Fantastic guys though they're
really so I me not gonna You're not getting credit again.

Speaker 3 (48:31):
But listen, man, Paul is the worst bass player I've
ever heard.

Speaker 6 (48:35):
Those stories we having like rock and roll dudes triggered.
They don't not want to hear that ship. Yeah it's
not even you can't even be funny talking about that,
but pretty shits like I'm just playing.

Speaker 7 (48:43):
Man.

Speaker 2 (48:44):
You can't watch you know, you can't watch the Let
It Be movie and not walk out of there going okay.
Even the Beatles sound like Ship half the time around.
It's a band. It's like a typical band. Pan. All
difference is they like wrote really good songs. But man
doesn't mean does it yes eventually to yeah, and they
did it over and over again. But it also doesn't
mean that they fucking shredded or anything like that. They

(49:04):
kind of, I mean they did. They were a band. Yes, yeah,
they're consistent, but the effects didn't a group of musicians
put together. Yea, they were a band, Well it did. Yeah,
you're right, I didn't hurt having like the best engineers
they were going, and they started young, and they were
cute for what people liked.

Speaker 3 (49:22):
But they also but they also had like a lot
of resources, and they stayed in the studio, you know
what I'm saying. But like Ringo said that, like when
they had good days, it was like one or two
a month, you know, Like it wasn't like it wasn't
like every session after session was just banger after banger.
They waste a lot of time man in the studio.

Speaker 2 (49:42):
But they got less uh uh economical, I guess less
efficient as it went on. Yes, like the music was
more innovative, but still it was a balance of them
dealing with their personalities and their artistic output versus act
actually putting it on tape and showing up for the ship.

(50:03):
And also that's when they're lucky to have the engineers
and like George Martin there to kind of like make
up for the shortcomings, the social and organizational shortcomings that
they all had. Like they were really bad, like.

Speaker 6 (50:17):
Problem, you know, because they were like already so popular
about it, and like now they get to just make
music as the only thing they're doing. You know what
I mean, and they're already so popular that they can
ask for any reason they were in the.

Speaker 2 (50:32):
Studio all the time is because it was literally impossible
for them to tour because the technology of amplification had
not caught up to the amount of fans that they
had show up to the show. That's the only reason
why they couldn't why they couldn't perform like it was
just nobody had had to make a band loud enough
for that many people.

Speaker 3 (50:52):
Ever, That's why, that's why it's just so interesting, like
how the a couple of those guys never actually played
through like real pas like very often, Like George Harrison
went on tour a couple times in the seventies and
then didn't didn't do it again to the nineties, and
then that was it. They never Actually John Lennon never

(51:14):
toured ever. He like you before seventy three and then
he was done. He never Some of those guys never
actually got rich, never got part of the modern PA sound.

Speaker 2 (51:27):
Paul McCartney, Paul McCartney by say, Paul McCartney and Ringo
was going out doing those shows with him, and like Jacks,
That's what I'm saying, they were getting, you know, Ork no.

Speaker 3 (51:38):
Look, Paul McCartney literally, I mean used that to his advantage.
I mean, I mean I think he got to be
the only tour Yeah, I mean I bet he loved
that pa when he first heard it. Oh, he's like,
he's like, my voice, my voice is way louder. Oh
my god, he's right here. He's like he like was
going ham on that ship. And it's just like so
interesting how they never only a couple of them really

(51:58):
did that shit. But I mean that's that, that's that
division right there. Yeah, all right, so we should go
to mad Big ups.

Speaker 4 (52:06):
Uh.

Speaker 3 (52:07):
I want to talk about Diddy, but I feel like
there's gonna be more ship next week. So let's just
wait on that because it's just so much, so much.
We have to go to mad big ups.

Speaker 2 (52:18):
Oh to the mad big up thing. All right. And music, Okay,
let's see where we start here.

Speaker 4 (52:30):
JD.

Speaker 3 (52:31):
Souther, amazing singer songwriter, wrote a ton of the Engle
Eagle ship. So he was really really rich, really rich.
I'm pocket checking him like a motherfucker because like he
just he did stuff here and there, none of it,
none of it did well. Uh, he's all that stuff
is that is from him songwriting. All his songwriting stuff

(52:54):
has been like huge, huge fucking hits, all the Eagle
Ship everything with Don Henley. Anglin is the only one
that's worked with those guys separately. I just find that
kind of stuff like fascinating, Like just dudes that are
basically songwriters.

Speaker 2 (53:11):
Chilling in the cut.

Speaker 3 (53:13):
He's chilling the cut, but like their lives are like,
you know, we'll have like a lot of heavy shit
going on. Like songwriters just seems like that they like
to keep their lives like halfway chaotic just so they
can have to write about.

Speaker 2 (53:25):
Yeah, that one way to do it.

Speaker 3 (53:26):
And I feel like his ship was kind of like that,
Like he was married and divorced, and I watched like
the Eagles documentary and he's like doing a lot of
you know, like talking like he's a.

Speaker 2 (53:36):
Cowboy, you know shit.

Speaker 3 (53:39):
So he's a poet, he was a poet, a poet. Yeah,
it's just like you know that vibe, you know. So
I and I find that very interesting. But yeah, he
passed away just recently, uh seventy eight and uh yeah,
so man, big ups, let's do another one.

Speaker 2 (53:59):
Chris Christopher's then, Uh, I mean he he did.

Speaker 3 (54:03):
A couple of joints. A lot of people like this dude.
He was in movies and ship.

Speaker 2 (54:07):
Yeah, I think I don't think I only know him
from movies.

Speaker 3 (54:10):
Yeah, I don't.

Speaker 6 (54:11):
I don't know any of the music because it's like
it's country, right, I never heard American.

Speaker 2 (54:16):
I heard more American type stuff that I'd say straight country.

Speaker 3 (54:20):
Yeah, and he did. Uh he did the is that
the original Star is Born, with which Elvis was supposed
to have that role. I wish, I wish that movie
could have happened.

Speaker 6 (54:32):
But that's that would be right up Elvis's alley too. Here,
what's that movie? Romantic movie with seventy.

Speaker 2 (54:38):
Elvis was looking rough around that.

Speaker 3 (54:40):
Yeah, he would have he would have done the crash
diet though, Like, you don't know, dude, he would have
done anything bro uh to get away from home dude,
uh at that time. But yeah, yeah, I never really
checked out that much of Chris Christopher. I just saw
him in movies for the most part.

Speaker 7 (54:56):
So I was gonna.

Speaker 2 (54:56):
Say, so, there's I'm looking at trying to find this Blade.
He's in Blade.

Speaker 3 (55:01):
Yeah.

Speaker 2 (55:01):
Yeah.

Speaker 6 (55:01):
I was like, what is the main movie that I
remember him from? It was Blade. Yeah, he's like the
guy he's like, hey man, you know he's like the
cool vampire or whatever.

Speaker 2 (55:11):
The stars born trying to find this cowboy. Now there's
a really plane in the apes.

Speaker 3 (55:18):
Was that Conway when whatever is that one at the convoy?

Speaker 2 (55:21):
Was that?

Speaker 13 (55:22):
Oh?

Speaker 3 (55:22):
Wait is that is that one?

Speaker 2 (55:25):
Yeah? Hold on, I'm trying to find this one that
was from like the eighties and it was now it
was like a okay, here we go from the eighties, yes,
early nineties, or he's on an airplane that like gets
fucking warped into the future because uh, fuck, I can't

(55:45):
I can't find right now. Basically, Uh, there's all he
works for the the airlines, and all these planes keep
like crashing and stuff for no reason. And then uh,
they find they don't never find any bodies. They just
find like the people's you know, clothes and ship and
then basically they figure out that in the future there's

(56:05):
like the human race is dying out, and like they're
going back in time and basically uh and basically beaming
beaming people out of airplanes into the future so that
they can because they were gonna die anyway, but so
they're repopulating the movie is this I'm trying to find it.
It's uh, I don't remember what. I don't know what

(56:26):
you're talking about. Yeah, yeah, here I got a show.

Speaker 6 (56:28):
I just remember him from Blade because he's like kind
of playing the dude, but except he's in Blade.

Speaker 2 (56:33):
He's a vampire.

Speaker 3 (56:34):
Oh he's in a movie, Payback. That's a movie with
Mel Gibson. That movie was pretty good.

Speaker 2 (56:39):
I like that. Millennium Millennium Millennium, Uh it was I
remember that movie. Yeah, dude, movie is a piece of ship.

Speaker 7 (56:48):
I love this movie.

Speaker 2 (56:49):
It was a piece of guards. Movie rules. No, yes,
it's really good, terrible. I'm gonna check it out. Yeah, millennium.
This is when they were trying. Oh this is eighty nine. Yes,
he's fucking good.

Speaker 4 (57:00):
Dude.

Speaker 6 (57:01):
No, man, I mean I'll check that out. Oh bro,
it's yeah. But if you haven't seen Blade, you know
in that.

Speaker 2 (57:07):
Yeah, this is Blade is.

Speaker 4 (57:12):
Three Edie, my god, Jesus, down, go down?

Speaker 2 (57:18):
Whoa flight thirty five? It was the end that's do
not be Afraid?

Speaker 4 (57:29):
Or was it walk towards?

Speaker 2 (57:33):
Yeah?

Speaker 13 (57:33):
What unusual facts have you developed and your investigation crash?

Speaker 7 (57:38):
This is what I like sterminating.

Speaker 2 (57:42):
Is there anything at it's a straight up side is
a great braid. I still don't know what you're driving at.
I'm simply looking for the inexplicable.

Speaker 4 (57:51):
I usually find it.

Speaker 12 (57:58):
It's bigger than you can imagine.

Speaker 2 (58:00):
He had this hair.

Speaker 4 (58:01):
Dues for the future, no doubt.

Speaker 1 (58:03):
We can't change the pasture.

Speaker 2 (58:06):
Eli, They're basically showing you the whole movie.

Speaker 3 (58:10):
So they do.

Speaker 2 (58:10):
Oh is that that's due from So Michael Grove Sherman
send the gate.

Speaker 7 (58:18):
All right, remember none of this?

Speaker 12 (58:19):
Yeah?

Speaker 3 (58:20):
Yeah, it really fucking really goes everywhere. It's got everything
in it.

Speaker 2 (58:25):
Yep. Yeah, you're welcome.

Speaker 3 (58:27):
Wow, what if that movie did well? Prob Okay, so
uh let's get another one in there. Uh John Amos,
Good Times, Good Times, Coming to America The Mac?

Speaker 2 (58:44):
Oh yeah, the Dad? Oh wow?

Speaker 3 (58:47):
Yeah the Mac is the Mac? Probably Yeah, I forgot
about that movie.

Speaker 7 (58:51):
Yeah, he's definitely even one of those.

Speaker 3 (58:53):
I used to love that movie The Mac.

Speaker 6 (58:55):
But yeah, and uh coming to America as playing the
dad that owns make Dowels Yea restaurants.

Speaker 3 (59:03):
But he was like known for being they got the
big mech poor guy oh man, Uh, I mean, but
he was known as like actors actor for sure, definitely
did uh stage stuff and traumatic actor. Yeah, you know,
he was always he was just one of those guys.

Speaker 2 (59:20):
Man, So that's went essential scary Dad on TV on
a good Times.

Speaker 3 (59:27):
Yeah he was.

Speaker 2 (59:27):
Yeah, he was like kind of scary dad.

Speaker 3 (59:29):
Yeah. They gave him some good monologues and stuff. Yeah,
yeah about the struggle mad big ups, John Amos. One
one more here, oh no, two more?

Speaker 2 (59:39):
Oh no. He Rose was baseball baseball guy, baseball guy.
He was really really good at baseball. And then his
his legacy was besmirched because he found out he had
been betting on baseball games.

Speaker 6 (59:53):
And then they uh, which is like he was honestly
just ahead of his time. That's all they do is bet.
Now everybody betting the referee. He's betting everybody in fact,
so he was betting. So they took him out of
the Hall of Fame, you know because it was like
such a scandal, you know, and then I like that, yeah.

Speaker 3 (01:00:09):
They should, they should just put them back in.

Speaker 6 (01:00:11):
You know how they do they take sports so seriously
in such dumb ways. Yeah, they go like, oh he
was betting. We gotta say the sports man, are they
really in the.

Speaker 2 (01:00:20):
Baseball Hall of Famer? They like he was. There's a
bunch of the people in that you think would be
in the Baseball Hall of Fame or weren't.

Speaker 6 (01:00:26):
They like massive coke heads and ship they don't care
about that. They said, they don't care about baseball. Cheating
at baseball. Yeah, that was it. They tried to They
try to act all crazy about the steroid era. They
should have let that rock, you know, but anyway, Oh,
really should have let that rock.

Speaker 3 (01:00:41):
You should have let the steroids rock.

Speaker 2 (01:00:43):
Yeah, that would have kept baseball would have been way
better and they'd be home runs all the time.

Speaker 6 (01:00:46):
Yeah, save me, so some Martin maguire. That's the only
time I ever remember really watching baseball. Home runs could
have gone for the Braves after that, Yeah, they could
have done. You're right, pictures throwing one hundred and twenty
miles an hour.

Speaker 2 (01:00:57):
We talked about this before, like having the super Human
League or something like that. Anybody that can get in
there can get in. It doesn't matter. And you're allowed
to have like bionic body parts. And he was a
snapping baseball bats over their knee. That's crazy.

Speaker 7 (01:01:11):
How you going to do that?

Speaker 2 (01:01:12):
And that, like w W it's insane. Yeah, now baseball.

Speaker 6 (01:01:20):
Way better rating Anybody just trying to snap a baseball
bat over your knee and see if you need steroids or.

Speaker 3 (01:01:26):
Not to do facts. That's a good call, good call.

Speaker 2 (01:01:29):
They should have let that rock. But what were we
talking about? I forgot Uh.

Speaker 3 (01:01:33):
P Rose looked like he did, look like he bet
on ship.

Speaker 2 (01:01:35):
Yeah.

Speaker 6 (01:01:36):
Yeah, he was the old school baseball player, out of shape,
wearing jewelry, smoking, smoking, eating hot dogs during the game constantly.

Speaker 3 (01:01:46):
He looked like a cooking manager, Like, for sure.

Speaker 7 (01:01:49):
Kind of sport you out here chewing tobacco and eating
hot dog.

Speaker 3 (01:01:53):
Yeah when he was When they found out he was betting,
they were like, I knew it.

Speaker 2 (01:01:56):
Yeah, we knew it.

Speaker 3 (01:01:57):
We have been looking like we didn't have no come
bag for years. It's like they knew it.

Speaker 10 (01:02:01):
Man.

Speaker 3 (01:02:01):
He looked like he'd been going to Atlantic City.

Speaker 4 (01:02:03):
Yeah.

Speaker 2 (01:02:03):
Man, and Vegas well, mad big.

Speaker 7 (01:02:07):
Ups, mad big ups man.

Speaker 3 (01:02:09):
Uh. And the last one here, last one.

Speaker 2 (01:02:13):
It's sad man.

Speaker 3 (01:02:15):
We getting old cats. We know no one loved Actor
John Ashton, actor from Beverly Hills Cop. He was the other.
He was taggered and the old the old cop, the
older cop taggered. Yeah. Yeah, he passed away. And I'm
glad that they made that sequel.

Speaker 7 (01:02:34):
Which have yet to watch yet.

Speaker 2 (01:02:36):
You should watch.

Speaker 7 (01:02:37):
It's good.

Speaker 3 (01:02:38):
Is the fourth one? Excuse me?

Speaker 2 (01:02:39):
Yeah, it's good. It's good.

Speaker 6 (01:02:41):
Yes, okay, it's better than than Beverly Hill Cop three,
which is awful anything, but Beverly Hill Cop two is
on the line.

Speaker 7 (01:02:49):
Only the first one's really good.

Speaker 3 (01:02:51):
I like the second one, it's on the line.

Speaker 6 (01:02:53):
It's all right, it's fun. The third one terrible. And
then actually, uh in that movie they're kind of roasted
in the third movie, which is funny.

Speaker 3 (01:03:00):
Oh that's good. Yeah, okay, all right, well yeah, I
mean he I mean he was in a bunch of
other ship too. Uh, but I really only know him
for for Beverly Hills Cop.

Speaker 7 (01:03:09):
Yeah, me too.

Speaker 6 (01:03:10):
But yeah, so I'm happy that that last one was made.
I remember seeing him and other stuff. He always plays
a cop. I've seen him play a cop and everything.

Speaker 3 (01:03:17):
Yeah, he had a buddy cop movie with It's like
eighty nine.

Speaker 7 (01:03:22):
He was He's always a cop.

Speaker 3 (01:03:24):
Let me see, because it was there was another thing
that saw that song. Dude was like, oh yeah, oh
midnight Run, Midnight Run, Midnight Run.

Speaker 2 (01:03:31):
With de Niro and yeah, also that's.

Speaker 7 (01:03:35):
To do with the big Face was his name?

Speaker 6 (01:03:36):
The main guy, uh, the main character in Midnight Run
de Niro and the other guy who's the guy he's chasing.

Speaker 2 (01:03:45):
Oh, never mind, don't worry about it.

Speaker 3 (01:03:48):
I don't remember. I don't remember that right anyways. Yeah, man, mad,
big up, mad, big ups. Yeah, dude, Okay, we got
slaps loaded. I just go right in slaps. Actually, I
need to take I need to go. He's a beauty need.
I need to take a piss. I need to do
a pill, I need to do several things. So yeah, wow,

(01:04:11):
all right.

Speaker 6 (01:04:11):
Charles Groden, that's what I couldn't think of, Charles Groden,
all right, it's like you know him around whatever.

Speaker 3 (01:04:18):
Yeah, Charles Gorodon was the he was the man for
a second there.

Speaker 4 (01:04:22):
He was a man.

Speaker 3 (01:04:23):
I loved him. All right, we'll be back in a minute.

Speaker 2 (01:04:29):
Sap just babe, babe, I don't know.

Speaker 3 (01:04:35):
Okay, slap if we go again.

Speaker 2 (01:04:39):
All right, so Slappington's I saw this one on here
that looked interesting to me. Okay, let me go the cure. Yes,
have a single, brand new cure. Pull this up here. Yeah,
it's called Alone, and let's check it out. It's true. Yeah,

(01:05:56):
it's one hell.

Speaker 3 (01:05:57):
Of an into the brank of everly intro.

Speaker 2 (01:06:00):
Know they just do it the whole instrumental. It's a
long ass song. You know you're getting all the channels?
Are we getting all the channels? Yeah? Well I think
we are. He's coming in. I bet here we go guitar, right, okay,

(01:06:20):
we're just milking all right? How long is this song, Janeus?
It's almost seven minutes? Oh my god. All right, so
it's no, no, just let let's let him, let him
start it.

Speaker 13 (01:06:32):
Let's let you.

Speaker 2 (01:06:35):
Fill him a couple of minutes. It's cat love.

Speaker 5 (01:06:37):
He's chords bro chilling, shoo chords. Hey at the studio,
Well he's he's going in.

Speaker 2 (01:06:56):
Bruhn come out this time. The whole instrumental. If they
released this as an instrumental as a single.

Speaker 3 (01:07:17):
I'm still going with this. I'm going in to the.

Speaker 2 (01:07:21):
Parvis Smith is swollen right now. Our bases are bad.
They were listening to this. Rates were like in the

(01:07:55):
we we are getting all the channels, right, you get
Look look at the these aren't stick. We're getting the
means something's wrong.

Speaker 4 (01:08:04):
Brother, It's a cure, bro.

Speaker 2 (01:08:05):
All right, we're three minutes in, all right, let's get
it fast forward, No at all we're rocking. Don't let
it rock. You're gonna let it rock go same thing.
Oh dude, this is brand new.

Speaker 3 (01:08:19):
You should have got jay Z on this live space.

Speaker 2 (01:08:23):
Don't put anybody on there.

Speaker 4 (01:08:24):
Serious?

Speaker 13 (01:08:25):
Whoa?

Speaker 2 (01:08:26):
How long has it been? Three minutes and twenty three seconds? Man?

Speaker 14 (01:08:30):
Wow?

Speaker 7 (01:08:31):
Wait the full almost three thirty.

Speaker 4 (01:08:36):
Stars go down with.

Speaker 2 (01:08:41):
Keyboards wrote this cold break.

Speaker 4 (01:08:46):
You go, so it chos.

Speaker 9 (01:08:56):
Oh, then the bots, the fine out of ourselies and
the boots, fine hour our minds, and.

Speaker 4 (01:09:19):
We love to all.

Speaker 9 (01:09:24):
Falling as holds some trees of gold.

Speaker 4 (01:09:34):
We add that we saw and all stops. Well, harways
saw that.

Speaker 9 (01:09:43):
We now the change. Then it all stops. We'll always
saw that. We stand on the sad, but it all
it stops when it calls out.

Speaker 4 (01:10:02):
A sustain teacher by.

Speaker 2 (01:10:06):
Jury.

Speaker 9 (01:10:06):
The world's nothing well, no good noise to call.

Speaker 10 (01:10:31):
This?

Speaker 4 (01:10:34):
We see.

Speaker 10 (01:10:41):
What?

Speaker 9 (01:10:48):
Alright?

Speaker 2 (01:10:49):
Alright, fast forward? How much sport got left? We've got
we either have like a minute left. I think we're
giving this song enough time. Okay, that's a long time.
I don't think we should do that again. Like if
it's that fishy that far into the song, we should
be like, yo, let's jump forward. Some make sure we're
not controlled. Uh so, I since I'm talking, I'll go first.

(01:11:12):
I don't think that slapped like I like to here,
but that really that song was really that good because
it was undeniably boring. There's no you cannot tell me
that that was like an enthralling experience from beginning it ye,
I mean I was. I thought it was instrumental, like
it was for a movie or a TV show or

(01:11:33):
video game, like it's this mindless kind of thing. You
just it's just in the background. So no, that doesn't slap.
I mean, I'm glad they're doing new stuff, I guess.
But like, man, we've been talking. Yeah, radio edit, Yeah,
give me a radio edit. I'm gonna say this. I'm
gonna say same shit.

Speaker 10 (01:11:54):
Man.

Speaker 2 (01:11:54):
Like once he started singing, I kind of liked it,
but it had already been two minutes, no, no, twenty
three second.

Speaker 7 (01:12:02):
Yeah, it's just.

Speaker 6 (01:12:03):
Now by the time he came in, I'm kind of
tired of it, you know what I mean. If that
part didn't exist at the beginning, I feel like I
kind of I felt like I thought it was fine.
He sounds great, the band sounds great. But no, I
can't I can't let this slap at all.

Speaker 3 (01:12:21):
Yeah, I mean one minute, two minute, one one to
buck on my shoe, three four, come on now, come
on now, I mean, come on now.

Speaker 2 (01:12:38):
I just don't.

Speaker 3 (01:12:39):
I felt like that it was almost on purpose, just
being like we're going to do the intro as long
as an actual pop song, a whole song, and then
start the song. It felt like it was on purpose.
That was weird. Uh yeah, I mean this is a
disappointment in a weird way for the song. There's things
that I really enjoyed about it, but damn if they

(01:13:00):
could have just like cut that whole thing, cut that
whole thing again. I'm not sure when the chorus came in,
it just like you're just going into like.

Speaker 7 (01:13:09):
Because it sounds the same as the same chords.

Speaker 3 (01:13:11):
Yeah, it's just like, well, no, they're changing the chords
some dude.

Speaker 7 (01:13:14):
But it's like the kind of changing the texture a
little bit.

Speaker 3 (01:13:17):
But yeah, maybe yeah it was.

Speaker 2 (01:13:21):
It just didn't.

Speaker 7 (01:13:22):
But the problem is we heard it all before the
song started.

Speaker 3 (01:13:25):
Yeah, we heard like the whole songs.

Speaker 6 (01:13:27):
Yeah, like them doing that because of it, we got
to hear every piece of it. Yeah, we heard all
the chords, We heard all the changes. So now we're
just like, oh something.

Speaker 2 (01:13:36):
If you were singing, yeah, it's like rudimentary and it's
not good like you. I don't know. It seems like
this is how bands that don't know what they're doing
or how to actually write songs will put a song
together because like I really like that, let's just do
it again, but we'll do some singing over it. It's
like it feels like you know how to do that.

Speaker 3 (01:13:55):
It feels like they all like just recorded in logic
like separately, and no one knew how to edit it.
They were just like, you know what.

Speaker 7 (01:14:01):
Part of the front. It's hard to cut it at
the front.

Speaker 2 (01:14:03):
You know, sets it off. You go.

Speaker 3 (01:14:09):
Up, yeah, yeah, so yeah, no, it's it's it's not
a slapper roof for me, like absolutely not. Okay, yeah,
that's too bad. Not the that's not the cure. I
was looking for, big cure.

Speaker 7 (01:14:20):
Nothing still sick.

Speaker 2 (01:14:23):
So there's some people here that we have fucked with.
And this Tommy Rickman thing, I feel like we just
did one of his songs.

Speaker 7 (01:14:30):
We know he's only he only has two songs.

Speaker 6 (01:14:33):
We did Tommy Rickman song that was the back He's
from Virginia and got blew up on TikTok.

Speaker 2 (01:14:39):
Oh that's yeah. No, let's just something else. Yeah. Uh
Leon Thomas featuring Whale a wh walle Well, there's no
there's no thing over.

Speaker 7 (01:14:53):
It'm on Spotify.

Speaker 2 (01:14:55):
Yeah, come on spot that's how you spell it.

Speaker 3 (01:14:58):
Yeah, that's a that's an an artist that I'm not
super familiar with. I just saw that on the list.

Speaker 2 (01:15:02):
I like the cover art. It's like a it's a
like a dover man.

Speaker 3 (01:15:05):
It's yeah, let's just check it out and see what's up.

Speaker 7 (01:15:08):
It was the first name again, Thomas Thomas.

Speaker 2 (01:15:11):
Yeah, feelings on Silent.

Speaker 3 (01:15:15):
Yeah. I like that.

Speaker 2 (01:15:18):
Yeah, because the art looks like a d m X album.
I like the title too.

Speaker 4 (01:15:26):
I was like, okay, let's check it out. Title facts.

Speaker 6 (01:15:31):
I cracked the Cold, called the Lowie.

Speaker 4 (01:15:36):
Y'all move like me, Freeman Huie. I cracked the Cold,
I mean the mold.

Speaker 11 (01:15:47):
When the brains send them all to sease outside, maybe
then they'll understand me. Sometimes couldn't extore me.

Speaker 4 (01:16:00):
They can't show me.

Speaker 2 (01:16:01):
I got the price on my head.

Speaker 4 (01:16:04):
I'm out on the floor seats.

Speaker 2 (01:16:05):
Oh, it's two different keys.

Speaker 4 (01:16:10):
Don't tell me what they ship boy me.

Speaker 11 (01:16:16):
Don't tell me you what they ship boy me, if
I my feet is on sory.

Speaker 2 (01:16:32):
It's like it's like the let the autitude on what
they turned off? Like yeah, so you just hear it
kind of ulin't know what I mean.

Speaker 14 (01:16:42):
They called me sensitive. I just think that way better
show they're not weirds you like your lord, And I'm
sure that hurts it like it's on purpose already the
seriest person creative way. I'm on some protective ship. I'm
on some never call my phone. You barely can text
me ship. See y'all be on that forget for ship.

(01:17:02):
I'm not the two or three I'm saying that Tony
Yo Texas pick I put myself on d n P.
I don't feel like it's tnc. I don't want no
hang on his nigga sposed so easily. Sh It ain't
what they used to be, but it's what it's going be.

Speaker 2 (01:17:14):
Always keeping peep. But y'all see the ts and the thief.
Please don't tell me what they said by me?

Speaker 14 (01:17:21):
All right, it's special to leave your kitchen is not clean,
or at least it plain.

Speaker 2 (01:17:29):
The costly. Listen, man, this whole song could be done
before Roberts that starts. Yeah, yeah, absolutely I think it
is done and three twenty nine is the all right,
all right, good, sorry.

Speaker 6 (01:17:43):
Sweet, I'll go first. I thought the singing was kind
of cool, but you know, I like it was. It
was kind of weird. I did like the soundtrackiness of
the beat. I don't know it's because because we're getting
getting kind of old, but I do miss them adding
drums to these things.

Speaker 7 (01:18:01):
You know, this is a whole genre.

Speaker 6 (01:18:03):
You just rock over the sample plus some like little
stuff but.

Speaker 2 (01:18:07):
You never heard them.

Speaker 6 (01:18:08):
But the drums don't like come in harder nowhere. But
I mean, I thought a sounded great. I mean especially,
I mean, it may be some of the best I've
heard from him in a minute. So I'm gonna let
this is fine.

Speaker 2 (01:18:19):
I'm gonna let this baby powder nor going crazy over there.
Yeah it's too fun.

Speaker 7 (01:18:27):
Yeah, I'm gonna let I'm gonna let this baby powder slap.

Speaker 2 (01:18:31):
I mean, I do wish there was like some drums,
you know, but that's just that's just personal.

Speaker 3 (01:18:36):
Pref Yeah, you know, I like the I like the
way it sounded. I like the way that the beat
is feels kind of like homespun, if you will. And uh,
I like the way the vocal had kind of like
the bathroom sound in there, but not.

Speaker 2 (01:18:53):
Really digital bathroom, you know, like you know what I mean,
like a digital shower.

Speaker 3 (01:19:00):
We've heard like a lot of songs where it sounds
like they recorded in the bathroom, you know what I mean.
And then like it's just what they do with it.
And I kind of liked how it has that low
fi ish kind of quality, but it sounds like it
was mixed well.

Speaker 7 (01:19:13):
And while it was like now I brought my own mic.

Speaker 2 (01:19:15):
Yeah, While while it was like this is like a
more built in effect, this is.

Speaker 3 (01:19:19):
Definitely a more successful email. Uh. This feels like an
email track to me almost, like where like because his yeah,
his wile a ship does sound like.

Speaker 2 (01:19:29):
Really clear the studio.

Speaker 3 (01:19:30):
Yeah, it sounds real nice or he's got his own thing.
It sounds awesome, sound good, And I don't mind it.
It feels like it feels fine. It doesn't feel weird.
But so, yeah, this was a slap for me, a
big slap.

Speaker 2 (01:19:45):
I don't know if it's like the no drums thing.
I think might be. It's like a type. I feel
like it's a more lyric center, like more it's all
about the lyrics. It is as opposed to having like
a beat and everything being a whole package like that.
I feel it's also a I keep saying emo rap
and I don't. I don't think that's the right way

(01:20:06):
to say. But the best way I can describe it is, uh,
poetry rap kind of you know. Uh, it's it's it's
all about the lyrics, I think is what the deal is. Uh.
I like the drums a lot. I don't like not
like this. I'm not gonna give it a slap, but

(01:20:26):
I do like this aesthetic. No, I don't know if
I can do it for a whole song, but I
like how it does have that soundtrack thing about it,
and that is really cool. But you know, really not
for me, but I'm not. I think it's personal pref Yeah,
that's that's definitely what it comes to, uh, because you know,

(01:20:51):
we don't there's nothing wrong with it, like yeah, yeah,
now you know what I what artists here? I think
is definitely a personal pref and h who's who's of
a lot of people? Okay, but you know, I'm just
gonna say now it isn't she isn't for everyone, Okay,

(01:21:11):
but one of Kelly's favorite artists Stevie Nicks.

Speaker 7 (01:21:14):
Let's go.

Speaker 2 (01:21:16):
Also one of my favorite artists. Well, I mean she's
one of your favorite bands. Yeah, okay, you love them,
you love that? I do like, yeah, you do love
that buttend like you don't. The thing is her. The
cover art to this and I'll Show You is hilarious.
It looks like you cover like a romance novel or

(01:21:38):
something like that.

Speaker 3 (01:21:39):
Yeah, most of your album comes like that. He also
because he wears like especially because he wears like stuff.
It looks like eighties lingerie when it was but it
fire witch, but she laced it was fire in the
eighties and then she still wears it. But you know,
oh yeah, look at that.

Speaker 2 (01:21:55):
That looks like a romance novel, mystery, yeah, babysitters ub
or whatever type of thing.

Speaker 7 (01:22:01):
Let's go Stevie.

Speaker 2 (01:22:03):
Yeah, I like it. Yeah, it's it's cute. So name
of the song eels the Lighthouse. Of course it's called
the Lighthouse.

Speaker 3 (01:22:12):
That's the name of the song.

Speaker 2 (01:22:13):
Yeah, all right, all.

Speaker 6 (01:22:14):
Right, all right, see the next to the lighthouse, she
got her able to know him?

Speaker 10 (01:22:23):
What?

Speaker 2 (01:22:25):
I don't like that? Like that sounds like the metro stopping.

Speaker 13 (01:22:33):
Don't let them take your power.

Speaker 2 (01:22:37):
She thought she was buick in which lowers.

Speaker 13 (01:22:43):
Take a song, take your power, don't close your eyes
for the best.

Speaker 2 (01:22:53):
Creepy would sound good. It sounds like a love here. Yeah,
but her voice sounds like blown out or shoulders.

Speaker 3 (01:23:04):
Let's check it out. Check it out, borg.

Speaker 4 (01:23:08):
Yesterday, I'm taking away?

Speaker 2 (01:23:13):
Who not what I thought it was happening?

Speaker 4 (01:23:15):
And you're afraid shoot beady.

Speaker 2 (01:23:25):
Yeah, clear your she means clear sheets got a whispering.

Speaker 13 (01:23:31):
Because everything thought far long ago, and dream is gone.
Someone said, dreams over the dreams jussy gone.

Speaker 2 (01:23:48):
Some odd sounds sounds in the background. She's dying. Is
that a rain take for to day?

Speaker 10 (01:23:57):
Else?

Speaker 4 (01:23:57):
The last dreams got?

Speaker 2 (01:24:00):
Well, that's a shaker.

Speaker 5 (01:24:03):
Unless you save Yeah, steps raised its stand up.

Speaker 4 (01:24:13):
Back, take it back, I have my scot Okay, you
have you all?

Speaker 2 (01:24:23):
Well there it is.

Speaker 4 (01:24:26):
Don't let them take your pa.

Speaker 2 (01:24:29):
That sounds like yeah in the final whisper on them.

Speaker 4 (01:24:36):
That'll tag yours all, that'll take your power.

Speaker 9 (01:24:40):
I let you set up. I say bad, try to.

Speaker 10 (01:24:45):
See you up.

Speaker 9 (01:24:48):
And getting bad.

Speaker 3 (01:24:50):
It's the best of.

Speaker 9 (01:24:51):
The old things though you don't have.

Speaker 4 (01:24:54):
But you don't have if you don't have much time
to get it back.

Speaker 2 (01:25:05):
Anymore. Yeah, all right, cool. Even though this is like
new for her, it still sounds like it could have
been made twenty years ago or more. Uh, it doesn't
really sound new, Okay. And almost at the beginning, it

(01:25:28):
was like I didn't like hearing her voice like that.
She's like, it sounds like an old lady making a
voice like a little kid, and it was it was,
and it was so it was very uneasy. I don't
like it. When she finally saying it sounded like her.
But I don't know, man, I don't know how. I

(01:25:51):
think her voice actually is like pretty fucked up compared
to how she used to sound at this point. She's
pretty old now too, Like like to have a singing
for a career that long and your voice still be
like in great shape. You know that doesn't happen because.

Speaker 3 (01:26:05):
She's still touring.

Speaker 2 (01:26:06):
The chorus it sounded fine.

Speaker 3 (01:26:07):
Yeah, she's still touring and still I've seen footage and
she sounds fine.

Speaker 2 (01:26:11):
You can't get over the fact that she made that sound, James,
that you just he's ill.

Speaker 7 (01:26:16):
She did more than one sound, yeah.

Speaker 2 (01:26:18):
Because because then her full voice came in later. It's
not no, it was less than mid. I gotta say.
But yeah, that was as long as you just yeah,
like you said, it sounds like a like a Trent
resdor B York ripoff.

Speaker 6 (01:26:35):
This is trying to get the Truballa soundtrack too late, like.

Speaker 7 (01:26:39):
Twenty years American horror story.

Speaker 2 (01:26:42):
Yeah no, this is not for me. I can do.

Speaker 7 (01:26:46):
I can't condone this. That's a lot going on.

Speaker 2 (01:26:53):
Unacceptable.

Speaker 6 (01:26:53):
It's just like sound like the Walking Dad soundtrack or something. Yeah,
you know to me, Yeah, not good.

Speaker 2 (01:27:00):
Let's take your power yeah.

Speaker 3 (01:27:03):
Yeah, yeah, come on, you can't defend Yeah. The the
part at the beginning is was very unappealing. It started
off very interesting, but then it just like were her doing.

Speaker 2 (01:27:16):
The she thought it was? She thought she was that
was that was That was gets cute.

Speaker 9 (01:27:23):
But.

Speaker 3 (01:27:24):
Because that scared me for the for the wrong reasons,
because that made me think, like like James was saying that,
her voice was like completely fucked. I'm like, oh no.
But then and then it finally comes in the middle
and then her voice and her voices it sounded bet No.
It was fine at that part, but it was too late.
It was like too late, just like the Cure joint.
It was like, man, can't we just fucking don't bor

(01:27:47):
us man get to the carver much. This is like
produced by like somebody over produced. It's overproduced, but it's
by somebody good. I can't remember who it was, but
I know Sheryl Crow is doing some product on this too.
This is over produced. Yeah, this is overproduced. I agree.

Speaker 6 (01:28:03):
This has been cooking for too much cooking. So let
the goddamn drums play.

Speaker 2 (01:28:08):
What is up with this? Turn them on beginning of
the sung Dad, turn them on? Man ship.

Speaker 7 (01:28:16):
Yeah, so yeah, we're not we're not surprised.

Speaker 6 (01:28:20):
It's like the vibe is that we're all going to
be so surprised when the drums come in. Everybody can't
just keep doing the same ship over and over again
and thinking it's like some sort of dramatic effect. It's
not dramatic. Everyone's just waiting for them to come in.
It's not like, oh, I bet you.

Speaker 2 (01:28:36):
Didn't know the drums. No, we've been waiting for the
drums to come in the whole time.

Speaker 3 (01:28:40):
It'd be great if they were there.

Speaker 2 (01:28:41):
It'd be tight if they were in and then you
do something.

Speaker 6 (01:28:43):
But like everyone is, the vibe is like, nah, make
them wait, nah, make them wait, wait for the drums.
They're all doing it at the same time. Yeah, and
then now it's now it's predictable.

Speaker 1 (01:28:54):
To me.

Speaker 3 (01:28:54):
I agree. I chall uh okay cool Steven Nicks, Cure
and Leon Thomas is we got and get one more?

Speaker 2 (01:29:04):
Yeah, let's do uh man? I feel like, did we
already listen to this Willow and Kamassi Washington thing? Or
is that not?

Speaker 7 (01:29:15):
We listened to West first album?

Speaker 2 (01:29:17):
Yeah, like prop rock? Can we listen to the Tommy
Rickman thing? Okay? This song is called Temptations. Did we
know it's a different different we had a different one
on the list? Go for it? Okay. He looks really funny.
He looks like he uh he's wearing like Corey Felman type,
like a screaming Yeah. He only pull it up on

(01:29:40):
the Spotify window for you see he's checking out.

Speaker 7 (01:29:49):
Oh he doesn't like and.

Speaker 2 (01:29:51):
This is kind of Cory is. Yeah, he's got but
it's more of a dance, that's all.

Speaker 3 (01:29:59):
I don't know.

Speaker 2 (01:30:00):
They were like make up or something.

Speaker 7 (01:30:01):
It's like a mask.

Speaker 4 (01:30:03):
Yeah.

Speaker 6 (01:30:03):
So what is the whole album? Yeah? So he has
a whole album out now. Yeah, not just those three songs.

Speaker 2 (01:30:11):
Uh No, he's got a has a whole album. I'm
gonna check it out.

Speaker 3 (01:30:15):
Yeah, I'm hoping that one of them is the that
one song that I heard in the intro of the
or in the teaser for on TikTok or whatever, because
it was a couple.

Speaker 7 (01:30:23):
Of joints to sound like his little his synth sound.

Speaker 3 (01:30:26):
Yeah, some of the sin stuff is tight, So let's
let's see what's all right.

Speaker 2 (01:30:29):
It's called temptations. The drums and the thick fire bugs.

Speaker 10 (01:30:43):
Like it, loud high hat line, so.

Speaker 2 (01:30:56):
Yeah, this is like higher fidelity sounding to himself sign stuff.

Speaker 4 (01:31:04):
I've been on my set again. I've been on my
set again. It's a wasted time. It's a waste time,
you know why.

Speaker 12 (01:31:11):
I don't even want to pad your head to a
high stand once and must have gun and I think it's.

Speaker 2 (01:31:18):
Sun of shame.

Speaker 4 (01:31:19):
Hey, it's like an order tell you what you really
want to know.

Speaker 15 (01:31:29):
See think I'm oblivious, Damn I already see every day
and every day I got.

Speaker 8 (01:31:48):
On time for a camera.

Speaker 4 (01:31:50):
I'm no camera man.

Speaker 15 (01:31:51):
Say I'm no camera man.

Speaker 2 (01:31:57):
I'm no camera man, no camera man.

Speaker 9 (01:32:00):
Scads.

Speaker 4 (01:32:06):
I know, all right, I can change you, but you've
got bad in text. Say I'm bad don't think about it.
Don't think about it. No, don't think. Don't think.

Speaker 12 (01:32:22):
If you just let him up here once out, don't
think I canna give you more chance.

Speaker 4 (01:32:28):
About ches.

Speaker 12 (01:32:36):
Smom wat chase small watches, smam much ches, I said, smammu.

Speaker 4 (01:32:43):
Ches baby, I dry. Hey, y'all, you batasutre. I'm gonna
take you to chair.

Speaker 9 (01:32:51):
I'm ninety three four.

Speaker 8 (01:32:54):
Right now, walking walk out right r right right, yeah, okay, okay,
that's cool.

Speaker 3 (01:33:09):
Okay, So now we're getting a clearer picture here of
the of the artist, if you will. Definitely like some
Lewis cold vibes, if you.

Speaker 7 (01:33:16):
Will, and anti auto tune.

Speaker 3 (01:33:20):
Yeah, no, he's he's doing it.

Speaker 7 (01:33:23):
It's like a.

Speaker 3 (01:33:24):
Doubled, like a Paul McCartney. I mean, he's triple Q dripled.
You know, he's doing it all over the place. I
like this a lot. It's a different sound from the
from the previous record.

Speaker 7 (01:33:36):
Yea, the same drums, yeah, regular drums.

Speaker 2 (01:33:41):
You know.

Speaker 3 (01:33:41):
I'm starting to yeah, I'm starting to just kind of
understand where he's where he's coming from where.

Speaker 2 (01:33:45):
With with this stuff.

Speaker 3 (01:33:46):
So it's really cool.

Speaker 2 (01:33:48):
Mc millary.

Speaker 3 (01:33:49):
Okay, it's fire.

Speaker 2 (01:33:51):
Yeah.

Speaker 3 (01:33:51):
Yeah, So that was That was that was cool to me.
I liked everything I liked. I really liked the high
hat thing that was happening at the beginning. Liked how
it was like affected and slowed it down and then
like you know, took it out and then bam, it
just like hit. It was dope. Yeah, the chord changes,
he's got somebody playing up in there.

Speaker 7 (01:34:10):
Yeah, that second chorus switched it up.

Speaker 2 (01:34:12):
Yep.

Speaker 3 (01:34:12):
Yeah, so that was great.

Speaker 2 (01:34:14):
Oh yeah, same. I like the sounds.

Speaker 6 (01:34:18):
I think it's he's got like an enduring quality, endearing quality.
Even though like he didn't make all the notes, you
know what I mean, he's not hitting them all, especially
his high notes, it still sounds cool.

Speaker 2 (01:34:29):
You don't miss him.

Speaker 6 (01:34:30):
Yeah, it sounds great. I'm gonna let this slap. Yeah,
I agree, he did it. Rhythm tracks sounds great.

Speaker 7 (01:34:37):
Great who recorded Yeah great.

Speaker 2 (01:34:40):
It's loud without being harsh, and it's.

Speaker 6 (01:34:44):
Not that many sounds, so you can exaggerate him. I
like the up front the base was you know, that
was dope.

Speaker 2 (01:34:50):
So it's still a pretty simple arrangement, but they made
the most out of it. I I really enjoyed that.
I thought it was great. I like it more than
the other thing is I heard, yeah that last song
ball the ballad, So I couldn't get behind that. But
the other two songs thought were fine other than just
only had heard six seconds of any either of them,
right you know, Yeah, so like, oh this is a

(01:35:12):
whole song.

Speaker 3 (01:35:13):
Yeah, I'm definitely going to check out this record. Yeah,
it's it's it's really that's very unique.

Speaker 6 (01:35:18):
That ship right there is kind of like what we've
been looking for from like Tory moy Yeah, with Toy
moy is on his his like alternative yeah or whatever.

Speaker 2 (01:35:26):
But I thought he was going eating that lunch right now, fact,
eating his lunch.

Speaker 3 (01:35:33):
Well beautiful. That was awesome. Thank you guys everyone for
checking us out, sticking with the show the pod. We'll
be back next.

Speaker 2 (01:35:42):
Week B

Speaker 1 (01:36:20):
B B, and Sadly the podcast is no more

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