The Hustle Season: Ep. 354 Not Not Reggae

Topics include:

• Tribute to Minimun Wage Studios
• Batman/Joker movies: is it over?
• Pink Floyd blow this joint for $400 mil
• MBU: Cissy Houston
• SLAPS:  Eric Clapton, Marilyn Manson, Motley Crue, Finneas

• Tan.gent on Spotify, Bandcamp
• Follow The Rumble Trio
• New NOBS Brass EP HERE

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The Hustle Season on Patreon
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Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hustle-season-podcast--2776072/support.

Episode Transcript

Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, man, Yeah, what's wrong with the bo we got?

Speaker 1 (00:09):
It's trash. It does not slapped.

Speaker 3 (00:12):
Call and response. What are you guys even doing?

Speaker 4 (00:19):
I got that much ask years ago.

Speaker 5 (00:22):
They tried to years ago.

Speaker 4 (00:25):
They tried to put me in there.

Speaker 6 (00:27):
That means you're a lion Stram.

Speaker 7 (00:33):
I did it with the peck and the rock.

Speaker 8 (00:39):
Oh, come on in bonator, says he.

Speaker 3 (00:44):
The water's fine, that's right.

Speaker 6 (01:20):
We on live. It was a thousand dollars.

Speaker 9 (01:24):
It was a thousand dollars as season podcast.

Speaker 6 (01:28):
I'm James Dress.

Speaker 9 (01:29):
That's Kelly Strawbridge and a Reggie Pace bringing all the
greatest stuff that the music world has to offer. Uh,
wherever you're listening to us watching us, make sure subcribe
like everything. Put a good review in there. We love
it followed link to the Patreon check us out there.

Speaker 6 (01:48):
Uh. We all had a do we everybody play this weekend?

Speaker 4 (01:53):
Yes? Yes, I played a interesting gig at Randolph Macon.
It was dressed up as a First Friday gig. We
were playing. We ended up playing in a cafeteria for
students in their in their pajamas, and yeah, and that

(02:14):
was fine. It was fine.

Speaker 6 (02:16):
We made sounds like it was like a it was fine.
We made money.

Speaker 4 (02:21):
It was fine. We made Actually it was kind of
it was kind of fun. We because uh ended up
playing acoustic acoustic guitar the whole time, and he had
this nice, nice h new p a cyst.

Speaker 6 (02:34):
Is that was that on Friday?

Speaker 4 (02:35):
You said this was on Friday, yes, sir, and so
yeah it was. It was cool to play a lot
of the songs acoustic, and uh so we got so
we got a little different vibe of some of the
new joints or whatever. Make sure you guys get Long
After the Empire on vinyl.

Speaker 6 (02:50):
Go to p beer at band camp, say what's it
called again?

Speaker 4 (02:54):
Live after the Excuse me, excuse me? Long after the Empire?

Speaker 6 (02:57):
Okay word.

Speaker 8 (03:00):
Last week I played with the Pirana Rama Shout Out
to the Fish out there with the at the Residency,
Shaguf Residency at the Camel.

Speaker 6 (03:08):
It was good vibes.

Speaker 8 (03:10):
Yeah, the bands finished recording a whole album. We play
a lot of the New Ship at the show and
it went great. Had a great time. Nobs Winston studio
last weeks just to get.

Speaker 6 (03:23):
Some ship recorded.

Speaker 8 (03:25):
As we noticed now that Lance is closing up minimum
wage recording and which is the bombshell.

Speaker 6 (03:32):
That's kind of the bombshell. It's a bombshell man, locally, Yeah,
it is.

Speaker 8 (03:36):
So many bands have recorded there, so many people recorded
for the first time in their lives there.

Speaker 6 (03:42):
Fell in love with that.

Speaker 8 (03:43):
The whole idea of going to the studio the first
time you tell your friends, yeah.

Speaker 6 (03:47):
I gotta go to the studio.

Speaker 4 (03:48):
That was That was my first I think I'm pretty
sure that was my first experience in a real studio
was at Lance.

Speaker 8 (03:55):
Lance is like one of the most welcoming people on
earth and like bands that absolutely suck, he would just
let you you in there record.

Speaker 6 (04:04):
He would just make sure you like, are you satisfied
with what you did? All right? Moving on? You know,
you know, put his hat on, mucket up, you know
what I mean?

Speaker 8 (04:12):
And uh, definitely, in my opinion, has like the best
drum sound of like any studio facts that all over
the world, you know what I mean, Just like ridiculous.

Speaker 4 (04:23):
I would say, especially once he got the booth. I
think that was a game changer and his and because
Lance is a drummer he has he always has different
types of treatments for the drums and and and I
always picked him. I always picked him up though on
the Nobs records. That's that's one of the main reasons

(04:44):
why I love listening to uh the Nobs discography in order,
because you can because you can hear the evolution of
y'all sound and of the studio.

Speaker 6 (04:55):
And of him, you know, and of him. He changes
drum sets every album. Every album is a completely different
drum set set up for Nobs. If you want to
nerd out and go.

Speaker 4 (05:02):
Back through it, you can listen to it well, especially
I think the is if a third Nobs album is
one is is it just called Nobs?

Speaker 10 (05:10):
Uh?

Speaker 4 (05:10):
Yeah, Yes, that's my still my favorite iteration of of
you guys a lot of amazing songs, But that was
the record where Lance gated. He was like gating the
drums like it was like he was. It was in
some kind of wild, non automation way.

Speaker 6 (05:28):
It was like killing it. He did.

Speaker 4 (05:30):
He did some ship to it. And he because like
I asked him about and I asked you about it
or something. I was like, I was like, what did
you do? Because the way that they sound on that
record is like really interesting and all the shit he
was playing too at that time.

Speaker 8 (05:42):
So absolutely, and the brass band is a perfect like
showcase for that because nothing else is there's no keyboards,
like you could you get to take up so much
space with the drums. You can just like splash them
all over the place, you know what I mean. And
like even back in the old studio when we had
the upstairs when Gordon was there, shout out to Gordon.

Speaker 6 (06:00):
Uh. Back back in the day, it was you know uh.
But yeah.

Speaker 8 (06:04):
Also recording horns, I mean, has anybody recorded that many
horns at once, this many times in a row, like no.
He has done some of the most extensive horn recordings
of anybody.

Speaker 5 (06:14):
I use.

Speaker 9 (06:15):
The best guy around for acoustics, cellic, jazz and oh yeah,
upright based bluegrass folk instrumentation like he's he was the
guy in classical stuff. He was like the guy that
did all of the non electric like I think all
of his traditional type like jazz, acoustic incernent stuff is
the that is the best of what he can do.

(06:38):
I think he's really good at it, like very very good.

Speaker 8 (06:40):
And live recordings like recording things at places which makes.

Speaker 6 (06:44):
Sense with as well.

Speaker 4 (06:46):
Yeah, yeah, man, he's uh, he has a really awesome
legacy that uh.

Speaker 6 (06:52):
And a great drummer.

Speaker 8 (06:53):
I play in different styles, play punk, playing metal, playing
New Orleans style, playing avant gard on guard, playing funk,
you know what I mean, playing like with Oregon Hill Days,
and like every time you don't know what kind of
drums is gonna show up, what kind of drums that
are going to be there or not.

Speaker 4 (07:08):
Yeah, I've known, I mean we've all known him for
like at least like twenty at least twenty years, and uh,
you know, so this is definitely like a huge it's
a yeah, it's a game changer that he's that he
will be moving on, but you know, totally respects his decision,
and it's a it's we are going to really miss
minimum Wage Studio.

Speaker 9 (07:29):
Yeah man, Mad Big ups Lance, Yeah man, mad, big
ups Man.

Speaker 8 (07:33):
The celebration Party Paul Lance will be November seventeenth at
the Broadberry by Errimo is playing, Nobodys is playing, Justin
Golden is playing, and maybe some other folks come on through.

Speaker 6 (07:43):
It's gonna be a good time. It's gonna be like
a Clash.

Speaker 4 (07:46):
Reunion, you know what, I mean I'm definitely going please
come through.

Speaker 9 (07:49):
Man.

Speaker 8 (07:49):
The Hustle season, we should probably cover that as far
as like people we want to get a mic in
front of their faces for four seconds once the days
of that Broadberry that's a Sunday, November the seventeenth.

Speaker 4 (08:00):
Yeah, is that possible.

Speaker 6 (08:01):
Yeah? I think we can.

Speaker 8 (08:02):
Because I mean talking about the stories and why we're
why we're there, and the group of people that are
going to be there. Yeah, that's a that's a that's
a good that's a good microphones and tequila kind of situations.
Shout out to Lance Man, that's my guy.

Speaker 4 (08:17):
All right, Okay, uh, what James would you play? Did
you play this week?

Speaker 9 (08:21):
Oh?

Speaker 6 (08:22):
Yeah, you did the north.

Speaker 9 (08:23):
Side Fest and that was north by Northwest. Yes, yes,
it looked really cool online, man, I was I wasn't
in town, but that's fine.

Speaker 6 (08:30):
It was great.

Speaker 3 (08:32):
Uh.

Speaker 9 (08:33):
Rumble Trio played like in the middle of the day,
like two o'clock, but it was right next to where
Dots and I guess we called a lot of people
that were like leaving brunch because hell, you have like
a pretty decent crowd, an early crowd.

Speaker 6 (08:48):
Yeah, yeah, it was great.

Speaker 4 (08:50):
I saw some clips of it. Sounded awesome.

Speaker 6 (08:52):
Yeah, man, it was fun.

Speaker 9 (08:54):
Uh we got you know, we played a full length
set that was nice. Uh, my sister and her husband,
my niece came up and surprised me.

Speaker 6 (09:05):
That was really nice.

Speaker 8 (09:06):
I saw hilarious picture shot out to Danny with the
caption James Red as out here pitt and babies.

Speaker 6 (09:13):
It's just like.

Speaker 8 (09:16):
Her before that it was very cute.

Speaker 6 (09:21):
Well, yeah, so we did, dude, that was that was
really fun.

Speaker 9 (09:24):
Uh.

Speaker 6 (09:25):
It played well that day. It was cool, dude.

Speaker 9 (09:29):
We played Gallery five night before that was First Friday,
which is horrible because First Friday is just like madness.
Then it was like no parking, no parking were there
they h So we like they had a bunch of
stuff as usual on those crazy first Fridays where there's
like fire, people outside and ship and then.

Speaker 6 (09:51):
Like its part of the course. And so we were
supposed to play nine and.

Speaker 9 (09:55):
Then like this this like Jugular Jugular, Thisuggler and some
vaudeville show before us, and like it went like like
so we're so started nine. The Juggler like didn't even
finish on stage until like ten after or something like that.
Before we got our stuff on and all this shit okay,
so the whole night. The whole night is like, well,

(10:16):
I guess they're just you know, this is how it's
going because then there's us, and then after us there
was like a burlesque thing. I was like, okay, okay,
so then we play. We set up quick as we can,
we start playing, and then at almost nine forty five,
they're like, uh, when we would have finished if we
start on time, They're like, uh, you got like last
song you guys go and it's like, wait a minute,

(10:38):
I'm thinking here, it's like, we played for like twenty minutes.

Speaker 6 (10:41):
Come on here.

Speaker 9 (10:41):
We played for twenty minutes, nobody gave a shit about
uh running behind, and then we're gonna say time for Well,
then when it's time for Burless to come next.

Speaker 6 (10:52):
They can't wait.

Speaker 9 (10:53):
They can't wait it this chit came out like the
host came out. It was like starting doing acts like
stripping and shit, like while we were fucking taking our
ship off the stage. Fuck yeah she was gross too.
Fuck that ship's nasty. I fucking can't stand that ship.
That burlessed stuff like it's Unfortunately so often there's only

(11:14):
been a handful of performers from that world that, like
I've met that have actually been professional and one of
the chicks you used to do shows a Gallery five.
I don't know what happened to her, uh, but like
it's just all these clowns up in there.

Speaker 6 (11:25):
It's like it's like, so they don't they.

Speaker 9 (11:27):
Have no responsibility, no obligation to keep things going right,
but then when it comes to their little private club ship,
and it's like, shit, fucking sucks, dude, I'm done with them.

Speaker 6 (11:37):
I'm done with Gallery.

Speaker 4 (11:38):
Five, all right.

Speaker 9 (11:39):
I've got a gig there like next year to open
for a friend next year, and then other than that,
that's that's it.

Speaker 6 (11:46):
That's the dude.

Speaker 9 (11:47):
And if I had known it was a fucking first Friday,
I would have not taken the gig.

Speaker 6 (11:51):
But it did, so you knew what calendar?

Speaker 9 (11:56):
No, I knew it. Later on, I was like, I
didn't you know. I don't think you know.

Speaker 8 (12:00):
Make it a good point though, because like I did
a show with the Brass Band for the City a
couple of weeks back.

Speaker 6 (12:06):
Same thing.

Speaker 8 (12:06):
If you're gonna throw a show that's got different types
of acts, like a variety show, yeah, let's say you're
gonna have a band and then you're gonna have, you know,
a string quartet, and you're gonna have a solo violinist
with a piano, and then other stuff Wilke, like your
your case, a rock band, a variety show. You have
to have a stage manager. Oh yeah, you have to

(12:29):
have a stage manager because there's too many things. There's
too much stuff to do in between the acts, and
the schedule should be set up in a way that
there is time built in between the acts.

Speaker 6 (12:40):
It can't be five minutes.

Speaker 8 (12:42):
It can't even be ten minutes if taking everything off
the stage, let's say fifteen minutes. And like, also, whoever
has to run this this person the problem is this
person that we need never exists where we want them
to be out. They should know who all those acts
are before the show starts and maybe have some stuff
set up ready to go so you can just move

(13:04):
things on and off.

Speaker 9 (13:04):
For like, and Reggie, you're talking about City of Richmond.
They're far with this stuff. Only people worse than City
of Richmond is playing this stuff is Gallery five. Like, no,
there's no adults there, No one's fucking you know. Ever
since my fucking homie left that place, the ship's like
been on a steady decline and that wasn't before, dude,
Like what the fuck is going on?

Speaker 6 (13:23):
Like nothing there? Like everything sucks all the time, Like
oh and this is what reallys new. Stages doesn't suck.

Speaker 9 (13:30):
Like the sound, the sound, the stage sound good. The
bar staff was fine. Everything was cool there. It's just
all the people like and the people that are in
charge that should be you know, they're always are active
and always trying to like make everything better when something
actually when they're actually needed, like they're nowhere to be found,
like fucking off playing with fire some.

Speaker 6 (13:49):
Ship like that or doing whatever. It's just fun.

Speaker 9 (13:51):
I'm so tired of that place. They've gotten so many chances.
It's just like I'm done.

Speaker 6 (13:57):
I'm done. It's over.

Speaker 8 (13:58):
We go from some of those complaints have to do
from like moving from being a DIY space and these
uh nonprofit type situations to like wanting to throw things
in a professional manner, like throwing shows in a professional
manner and things of those natures and like those worlds
they don't like see eye to eye on about about

(14:19):
like what production is supposed to look like.

Speaker 6 (14:21):
So as soon.

Speaker 8 (14:22):
As like you get there and you think it's gonna
be something that's like straight up a show. All of
a sudden, it's like, oh, such such and such isn't here,
or such and such didn't show up with like hold
on a venue, wouldn't just not have someone they.

Speaker 6 (14:36):
Need They're they're not in an art gallery, not really anything.

Speaker 9 (14:42):
It's just like like they can't they're all three. Well
they're supposedly they're all three, dude, they can't do anything right.
It's just like it just so it's a it's disrespectful
to people that come there to try to have an
actual show and like they can't because there's no acountability
for anything. It's just basically become a fucking PLF clubhouse.

Speaker 6 (15:05):
It's just like Cliffin It fucking ugh over.

Speaker 4 (15:09):
It's always outside, it's always outside, it's always outside. Yeah,
but it's a lot of nakedness.

Speaker 6 (15:16):
I just had enough of that shit. Fucking I'm done. Wow,
all right, all right, James, Well, thank you, thank you
for welcome. That was nice.

Speaker 4 (15:26):
Uh, let's move forward. Let's do some music news. Pink
Floyd back out right right, catalog walks selling, Yeah, sold
their uh music and likeness to Sony and we got

(15:46):
a number fox Hundo four.

Speaker 8 (15:49):
Hundred million first glance, that looks a little low so
to me for Pink Floyd.

Speaker 6 (15:54):
And how is that getting divided up?

Speaker 8 (15:56):
Well, I know, I was just looking at the comparisons
and like the cars sold for like one point two
billion or something, you know what I mean. Sounds like,
okay if Pink Floyd should be high in that.

Speaker 6 (16:05):
What's going on?

Speaker 8 (16:06):
And it looks like they didn't sell like they're publishing,
Like they didn't sell everything that has to do.

Speaker 6 (16:12):
They just sold like a lot of the recordings and things.

Speaker 8 (16:16):
So they will still make some money from the band,
but not like they can their likeness can be put
in whatever. But I guess still off the back end
the songs, they still making money.

Speaker 9 (16:24):
So I mean people can make like Pink Floyd T.

Speaker 8 (16:27):
Shirts, they can do whatever. Who yeah, whoever bought it
can do whatever they want. Yeah, they're gonna just but
they still get paid for their publishing. Yeah, it's gonna
it's gonna become like even bigger. I mean they've already
been licensed forever yea those shirts and everything, but I
think it's gonna be more official. Some of those other
ships we were talking about, they sold their publishing. You know,

(16:47):
they sold all of it, so yeah, I think it's
pretty interesting.

Speaker 4 (16:51):
I think also Dave Gilmore also is pretty much done
dealing with Roger Waters, and uh, I think that that's
probably all why the number is is that low. I
think he he just was like, you know what, I'll
just get.

Speaker 6 (17:04):
Him out of here.

Speaker 8 (17:04):
I'm me just keep what I what I got because
I'm still I'm still moving out here.

Speaker 4 (17:08):
He's been he's been giving away money like I mean,
you could for years.

Speaker 8 (17:12):
They got that new ship. I thought it was kind
of fire. You hear the body Count. Body Count did
a song with David Gilmour.

Speaker 6 (17:18):
I hear it. It's like a pink Floyd the cover.
It's a cover.

Speaker 4 (17:23):
It's a cover. Uh, it's I think I put it
on this on the Slaps list either way I.

Speaker 8 (17:28):
Have anyway, that's just cool. Like they've been not day.
It feels like day because you know, Roger Water, they've
been fighting for so long. It feels like they're both Curmudgeons.
But this is a good look just like be out here,
just like yo, just be cool with other musicians.

Speaker 6 (17:45):
It's like chill out.

Speaker 4 (17:47):
I agree. Have you seen the Joker too yet?

Speaker 6 (17:53):
Not yet? I will?

Speaker 4 (17:56):
Uh, why why do you think that this is this
has backfires so badly. The movie, the movie bomb this weekend,
by the way, I feel like everyone hates it.

Speaker 8 (18:05):
Well, I didn't see it, and I hadn't seen it yet,
and the internet is like really good at people who
haven't seen movies reviewing them. So we'll see, we'll see
if it actually stays a bomb, you know what I mean.

Speaker 6 (18:19):
But I don't know. I haven't seen it. I can't.
I can't.

Speaker 8 (18:22):
I can off the top of my head, I can
say this. You know, it's been a long time of
trying to make comic books, especially Batman as stuff gritty,
you know, and real so called realistic and gritty. Like
you know, we got Robert Pattinson being all moody with
the fucking Nirvana song going the whole time in that
Batman movie.

Speaker 6 (18:43):
He's emo Batman, like young Batman.

Speaker 4 (18:45):
That was a movie.

Speaker 6 (18:46):
And then like the good acting and shit, but then like.

Speaker 8 (18:49):
The the the finale of the movie is like it's
like a mass shooting, which is super un Batman.

Speaker 6 (18:56):
It's just like, what if there's a mass shooter in
a room, and whether.

Speaker 9 (19:00):
There's a mass shooter that comes to a movie that's
plain Yeah, it's just a irrelevant I think that's in
the Batman cannon now is mashitting.

Speaker 6 (19:07):
It's but it's not real.

Speaker 8 (19:08):
It's not the best way to portray what Batman is,
you know. I feel like they're trying to stick out
in part of that shit in a way that's not
working for people that actually like Batman, because they think
these people who don't like it are gonna flock to it, right,
the people who wish it was more real. They like,
all right, we're gonna get all those people are gonna
come see how serious our Batman movie is.

Speaker 6 (19:29):
But that doesn't happen, you know, not.

Speaker 8 (19:31):
Since Batman begins, and like Keith Ledger and all that shit,
that ain't happening no more. They it's been done. So
now you get the Joker, a character that's funny and
like destructive and like the most anarchist kind of character,
and like turn him into like, oh, he's just a
mental health case guy and he's just he's just sad.
But then, what what can you what do you want

(19:54):
them to like?

Speaker 9 (19:55):
Since nineteen eighty nine, I don't think five years have
gone by without there being a Batman major motion picture
coming out.

Speaker 8 (20:01):
I think that's the mist That's what This is what
I'm trying to This is what I'm getting at. They
keep trying to make it so called more artsy, right
to like cover up the fact that just keep putting
out Batman over and over and over and over it.

Speaker 9 (20:14):
Yeah, over yah, they're determined to sell Batman. Ever just
been some other care.

Speaker 8 (20:18):
It didn't have to be the fucking Joker for Heath Led,
for Joaquin Phoenix to dance around sickly and then hang
out with Lady God.

Speaker 6 (20:24):
God.

Speaker 8 (20:24):
That could have been a whole, the whole. The problem
is it's Batman.

Speaker 9 (20:30):
It was that is that Hollywood won't make anything completely new.

Speaker 8 (20:34):
That's what they won't take the risks, and it's and
it's destroying something that could have been good. But it's
packaged in Batman. Instead of just being some dope indie movie.
Now it's a comic book. Now it's a comic book movie,
and comic book people don't want to see it, but
people made it.

Speaker 6 (20:47):
Don't like comic books.

Speaker 9 (20:49):
When I was when I when I collected comic books
when I was like twelve or something like, always always
wanted like a Spider Man movie, all.

Speaker 6 (20:59):
These other things and was like at the time, the special.

Speaker 9 (21:02):
Effects just weren't good enough to make it look real,
you know they And then by the time I grow
up and they start making these movies like, man, this
is fucking dudude.

Speaker 6 (21:12):
These are corny for the kids. It's for the kids.

Speaker 9 (21:16):
Supposedly it's not for the kids, because I know a
fuck ton of adults that get really excited about comic
book movies.

Speaker 8 (21:22):
And but like it's it's expanding, right, here's the ship
for the kids, and here's a nostalgia for the adults.

Speaker 6 (21:28):
We got them all in one.

Speaker 9 (21:28):
But really, hold on, like, are there any of these
superhero movies that were mostly for kids? I feel like
if you even go back to the Superman, the first
two Batman movies, like a lot of them just changed.

Speaker 6 (21:42):
Not for kids.

Speaker 4 (21:43):
It changed, that changed, that just changed.

Speaker 8 (21:45):
And it's also the problem with them all they're being
made by people who don't like comic books because they're
trying to make it legit.

Speaker 4 (21:53):
Because that's what that was. My thing is like, they're
not really basing it on like the real stories from
the comic book, which is what made the movie. So
what the fans would think, at least the fans would go, Yes,
it's just like they Yeah, they get more art c
and I agree with that, Like, you know, the uh,
the heath lead excuse me, hef heath Ledger version of Joker.

Speaker 6 (22:15):
That was awesome.

Speaker 4 (22:15):
It's such a classic. Yeah that it's just like, why
would you try to even.

Speaker 6 (22:19):
And the Jack Nicholson version was amazing too. That was amazing.
See the Prince version of him in a suit dancing
in art galleries. Great, loved it.

Speaker 8 (22:27):
But now it's just like, people, this isn't even Batman
fans won't see it, and people who don't like Batman
also ain't going.

Speaker 6 (22:34):
To see it. So who's going to see it?

Speaker 9 (22:36):
I'll see Tim Burton Batman's weren't exactly like the comic,
but I think that's find all the Batman's I've seen
that is the most comic book like and and also
those corny ones that came, Yeah, all comedios are very
like that stayed, I think in the spirit of the comic. Yes,
and then when the Marvel movies started happening, I think
that's when they kind of jumped the shark and look

(22:58):
like you're saying, we need to make these appeal to
everyone because we can't just sell the nerds, because once
you get all the nerds, what are we gonna.

Speaker 6 (23:05):
Do after that? You know?

Speaker 8 (23:06):
Yeah, but they didn't realize that nerd. They're gonna keep
growing nerds. You know, if you're gonna make it for
the nerds, just make it for the nerds.

Speaker 4 (23:12):
Yeah, And they also forget that a lot of the
nerds are also powerful people in Hollywood.

Speaker 8 (23:17):
And so called bad isn't bad for the movie making money?

Speaker 6 (23:22):
Yeah, you know what I mean? People think that shit's hilarious. Now.

Speaker 8 (23:25):
People are still watching Jim Carrey and Arnold Schwarzenegger and
thinking it's funny. Arnold Schwarzenegger's mister Freeze and like they
thought they people think that's.

Speaker 4 (23:33):
Just funny stretch.

Speaker 8 (23:36):
So, but nobody's gonna keep watching the Robert Pattinson Batman.
Why would they?

Speaker 6 (23:39):
What's in it? Nothing?

Speaker 3 (23:41):
On a.

Speaker 4 (23:43):
On a random note, I watched the making of Seal
talking about Kiss from a Rose, the making of that,
and like just the.

Speaker 8 (23:52):
Fact that the Batman begins because it was not on
a good one. It was a Batman for Batman and
Robin or something. Yeah, Batman forever.

Speaker 4 (23:59):
It was Batman forever, And that one was like, Okay,
George Clooney one, No, that's this this is the third one, yeah,
valcli And I think I think Jim Carries in that one.

Speaker 6 (24:09):
And Tommy Jones.

Speaker 7 (24:11):
Yeah, yeah that one.

Speaker 9 (24:12):
It's the one where the pick the brain. He has
the brain thing that like while people are sleep or
watching TV, like.

Speaker 4 (24:18):
Yeah, that's the that's the Riddler that Joe two face.

Speaker 6 (24:23):
Yeah, and yeah.

Speaker 4 (24:25):
He just talked about how that song came out as
a single and fucking like tanked or whatever, and then
and then they just added it to the movie. Had
nothing that it didn't.

Speaker 9 (24:33):
Really that single was like from a couple of years,
like it wasn't a new release or anything.

Speaker 4 (24:38):
It came out like the year before on his nobody
gave nobody gave a ship about that fucking song. So
they saw Batman until they saw Batman and then that
video came out and I was and uh, yeah, I
thought that was interesting. But he he talks about a
lot of cool stuff. But Trevor Horn produced that song.
I didn't know that Trevor's horn. Trevor Horn is a
badass man.

Speaker 6 (24:58):
But I will see that movie and do a real
review of it.

Speaker 4 (25:00):
Yeah, because that definitely it's just interesting. I mean, lady
guys in it, and you know, Joaquin Phoenix, like his
promotion for the movie has been weird, Like they've been like, so,
what did you do to prepare for this? He's like,
I rather that talk about that.

Speaker 8 (25:12):
I'm like, yeah, Joaquin Phoenix, and I think it's weird.
I think he kind of thought it was gonna be
that it was bad.

Speaker 6 (25:18):
Yeah. I think that's what I'm saying. And that's why
he don't want to talk about it.

Speaker 4 (25:22):
You don't want to talk about it that much. He's
kind of been like, you know, you know, just like
shooing off, Like question.

Speaker 6 (25:27):
Baby goud God loves to be on TV? How couch
are you talking about it?

Speaker 4 (25:30):
Yeah? Interesting, they think.

Speaker 6 (25:32):
I think they they saw it already.

Speaker 4 (25:34):
I was like, oh.

Speaker 6 (25:36):
Good sign. Yeah.

Speaker 4 (25:37):
I mean the directory they showed a picture of him
and he looks depressed at the fucking like at the premiere,
He's like walking the carpet, and he just that.

Speaker 6 (25:46):
Supports that the movie might actually really suck.

Speaker 9 (25:49):
Yeah, because the first thought it was just some nerds
hating on. No.

Speaker 6 (25:53):
I just think it makes all the sense in the world.
And who is it for? Who is this far? Yeah,
just to fulfill a contrast saying.

Speaker 8 (26:00):
If Joaking Phoenix don't like it, lady the nurse don't.

Speaker 4 (26:04):
Like it, you know, they pay them a ton of
money to do it, and and they just didn't see it.

Speaker 8 (26:08):
Man, you know, just like I saw Jared Leto as Morbius.
Who's that for? Nobody?

Speaker 6 (26:14):
Why did you do that?

Speaker 8 (26:15):
I don't know that is any Jared Letto movie.

Speaker 4 (26:18):
He was supposed to be good.

Speaker 9 (26:19):
He's a good actor, but the movie is is just dumb,
always like, very unlikable.

Speaker 4 (26:25):
He hasn't done a good movie since that. The AIDS movie.

Speaker 6 (26:30):
Dallas Virus Club, Das Viers Club. That was good.

Speaker 8 (26:32):
That was the last saw him him. He was like
a huh yeah, yeah, yeah, yeah. I saw him in
the movie in which he's like a serial killer. I
think it's like Denzel Washington or somebody's trying to catch
chase him down as a serial killer.

Speaker 6 (26:46):
He's like a cop.

Speaker 4 (26:47):
Okay, that was all right, all right, that's cool.

Speaker 6 (26:49):
But he's just kind of standing there looking looking like
Jared Leto.

Speaker 10 (26:52):
Yeah.

Speaker 4 (26:54):
Yeah, they have those movies too.

Speaker 6 (26:56):
They just pay him to be there, just stand there. Yeah,
make a funny face.

Speaker 4 (27:00):
Let's see what else I got here.

Speaker 6 (27:04):
I got some music news. She got that. Idea just
dropped a new music video.

Speaker 8 (27:08):
Hell yeah, Rocky Coast new album drops October the twenty sixth.
This video has got all the nostalgia. If you're a
PlayStation one, PlayStation two type Square Enix fan, you know
all of the final fantasy of it all. This video
is like right up your alley, al right. It sounds
really good. I'm really proud of like the way the

(27:31):
music sounds wrong.

Speaker 4 (27:33):
Yeah, the record, the single sounds really awesome.

Speaker 6 (27:37):
Turn that you now?

Speaker 8 (27:38):
Ah, But yeah, I think Joey's think of his brother
in law.

Speaker 4 (27:45):
Is an animator and did this Okay.

Speaker 8 (27:48):
It's got so many Easter eggs of old video game
and anime.

Speaker 6 (27:52):
Stuff in it, and that's really fun. It's just good vibes.

Speaker 8 (27:58):
You know, this guy's been a band for a million
years and edit me and Rina probably five years ago.

Speaker 6 (28:03):
So it's just a good mix of music. I think,
good mix of musicians. Hello, it's really dope.

Speaker 11 (28:12):
You turn it shot up a little, James.

Speaker 4 (28:22):
Yeah, you've been playing this week live.

Speaker 8 (28:26):
I really love this playing a whole album. Yeah, anyway,
check it out, y'all night.

Speaker 6 (28:39):
Idea, it's a beautiful video. Fire yeah, the video just
there we go. The light of the video didn't play
in the thing.

Speaker 9 (28:47):
Also, uh, I wasn't playing in the check Yeah well no, no,
I had the camera thing set up correctly.

Speaker 4 (28:53):
James also go rock in the back out. Yeah here
it is now check out. Let's check out them. Oh yeah,
hold on this ship.

Speaker 6 (29:01):
This ship right here is fucking They're like, who wants
to be what? I was like, I want to be
a rock monster?

Speaker 12 (29:06):
Dude.

Speaker 4 (29:07):
This no, this this moment in the music.

Speaker 5 (29:09):
I love this shit.

Speaker 4 (29:10):
It just sounds so fucking good and you can symbols.
I'm just like, I want all of them.

Speaker 13 (29:21):
That is really good.

Speaker 6 (29:22):
Hand it's fired.

Speaker 8 (29:25):
Yeah, yeah, yeah, yeah, it's that big ship.

Speaker 11 (29:32):
Yeah.

Speaker 8 (29:37):
See it's at the Camel. What's what night is at
October the twenty sixth. Did you ever sitting opening up
the show? It's a big, big Richmond night out. I'm
owing out. Kelly's playing earlier in the day. You had
Dwale leave that show as soon as you can get
to ours.

Speaker 6 (29:53):
Well that's all.

Speaker 4 (29:53):
So that's gonna be an all day thing. That's gonna
be from twelve to eight.

Speaker 6 (29:56):
Yeah, you should be good.

Speaker 4 (29:57):
So y'all can come and hang whenever it gets a
new come on out and then and then go ahead
and make make way to the camel and check out.
That's what I'm doing. I'm doing that. Yeah yeah, so yeah,
I wanted to throw in here. While we're doing this,
Mirror mar came out with the brand new video that
is fucking with.

Speaker 6 (30:17):
The black and white video. Yeah yeah, that looked that
looked amazing.

Speaker 4 (30:20):
Yeah, Mirror Mar. I do not know the name of it,
but uh, it was the Hourglass Cats. They did it,
and uh it's disgusting. Uh DJ Harrison and Dad. Oh
this is a remix, right, No, this is this is
like a new joint. Oh yeah I heard. I heard
the song.

Speaker 8 (30:37):
I thought that was like like added drums to one
something they had already done.

Speaker 4 (30:42):
This is a new joint because because they got there
on a record label. And can we show some of
the video.

Speaker 9 (30:49):
You gotta tell me what it's called, just called just look.

Speaker 6 (30:51):
Up Mirra Mar.

Speaker 4 (30:52):
It's it because it's it's at Miramar twenty twenty four.
Because it's brand new. Ship just came out. Uh, it's
it's really awesome. And yeah, like no, this is like
they just got a new record label and they're coming
out with the new records. This is that that ship
right right now, it's brand I find here.

Speaker 9 (31:21):
Uh, I need some help here because I'm not finding that.

Speaker 2 (31:30):
That's where a.

Speaker 6 (31:34):
Lot of things called that Dan.

Speaker 4 (31:35):
There's a lot of things called Mira Mar.

Speaker 6 (31:37):
Yeah, it's a place too, so like all right, well.

Speaker 4 (31:39):
Then I'll definitely I'll definitely find it.

Speaker 9 (31:41):
We'll find it in Yeah, it's going on there.

Speaker 4 (31:45):
Yeah, because that ship is completely amazing. Let's see if
I have any other notable things, because otherwise we will
move on to the slaps. Anybody died we got Yeah,
we got one person that died. Sorry, yeah, we got
somebody that.

Speaker 6 (32:07):
All right, here we go. Bro Okay. Sissy Houston, mother
of Whitney Houston, Oh okay.

Speaker 4 (32:21):
And yeah, I mean she's also legendary background singer. I
mean she's on a ton of Luther stuff, She's on
a ton of like rock and roll shopping. I think
she's on some Rolling Stone stuff. I mean she's on
everybody shit. She was that definitely the background singer in
the seventies. And yeah, we definitely have to give mad

(32:45):
big ups to her ninety one years old, you know, I
mean she was like ripe aside.

Speaker 8 (32:51):
Yeah, I've been seeing some videos of her singing going
across the Algos in the last couple of days, and
she sounds great.

Speaker 6 (32:57):
Yeah, I mean I didn't think I knew she was
a singer.

Speaker 4 (32:59):
Yeah, she was by she was by Whitney side like
a lot of the time, you know. I mean, so
she got really you know, she became a notable figure
along with Whitney Houston. So yeah, I mean I definitely
have to We definitely.

Speaker 6 (33:14):
Have to give Matt big ups.

Speaker 4 (33:17):
James. I'm about to send you the video right now.

Speaker 6 (33:19):
I just already sent to him.

Speaker 4 (33:20):
You just said to him, Okay, cool, cool, cool cool. Yeah,
that's a good at the beginning of the slaps, okay cool. Yeah,
we'll do that, all right, Great, that's the only that's
it for Matt big ups. Yeah, I mean there's not
a ship tone of amusing news lessons.

Speaker 9 (33:34):
You had some cool slaps. That's entertaining slaps.

Speaker 6 (33:38):
Let's get to them.

Speaker 4 (33:38):
Yeah, I think we should get to those, you know.
All right, we'll be back in a minute. Okay, once again,
slapping it up. A lot of weird ship on here.
So when I take a look at it now, I'm like, oh,

(34:01):
so we'll just gamble with what we got.

Speaker 6 (34:05):
I'm going to I want. I was curious about this.

Speaker 9 (34:09):
The Phineas Okay, much less likable sibling of Billie eilis
sure this song is called Lotus Eater.

Speaker 10 (34:22):
Okay, say like you mean it.

Speaker 2 (34:46):
I couldn't keep a secret. Maybe could leave it vaccina
my teeth blown out the speaker. I'm the longest sedor now?

Speaker 7 (35:08):
And did you figure me out? Who's the mystery?

Speaker 10 (35:16):
Now?

Speaker 14 (35:23):
Who got mist and Locas Boys, brand kids, Samoti fly
and a Friday list on a Sunday flight. I don't
wanna feel like this to feel up Fridays.

Speaker 2 (35:38):
The same like you did.

Speaker 14 (35:40):
It's good good, It's like God, Now, did.

Speaker 4 (35:50):
You figure me out?

Speaker 2 (35:56):
Who's the mystery?

Speaker 15 (35:58):
Now?

Speaker 7 (36:03):
I think I figured.

Speaker 14 (36:04):
You not such a mystery?

Speaker 7 (36:20):
Still your NICs a word? It's a brand kiss?

Speaker 6 (36:25):
This sound like? This is this song? Kind of.

Speaker 10 (36:31):
Think?

Speaker 8 (36:32):
Yeah, it's Christmas tea, Yeah, that's it's it's not where
they have a different Christmas song? No, No, they have
that Christmas.

Speaker 6 (36:43):
Which one is that's that's right? Which one is that one?
I forget the name of that man?

Speaker 7 (36:47):
Yeah?

Speaker 6 (36:48):
Can we can we done? Can we stop?

Speaker 4 (36:50):
Can we done?

Speaker 8 (36:50):
Can we be done with this. Yeah, and I'll go
ahead and start. This does not slap at all. This
is just not for me. I don't mean it's nothing
to do. And like I guess we've gotten past things
sounding bad. It sounds great.

Speaker 6 (37:04):
It does sound great. The way it was mastered sounds great. Yeah.
I do never I never ever want to hear this again.

Speaker 9 (37:10):
Yeah it was I was, I was really, I was
getting like kind of sad man.

Speaker 6 (37:14):
Well, I was here like just because I.

Speaker 9 (37:16):
Can't wait until I'm not hearing this song a little bit. Yeah,
I just I'm not. I'm not too good of a
day for this song. Yeah, I don't like it, not
at all.

Speaker 6 (37:26):
Huh. Yeah, not what I would expect from him. Too
soft and I don't like that. Yeah, I don't like
the soft rock. I'm not with that.

Speaker 4 (37:36):
Yeah that's true. That's not okay, you know the cool
sounds that Yeah, I thought it was actually not that
bad compared comparatively speaking to the other stuff that we've
heard from him, where it's like even more weird and.

Speaker 6 (37:53):
Uh, I prefer that.

Speaker 8 (37:54):
I prefer it'd be interesting and weird and have crazy
sounds and it just be okay.

Speaker 6 (37:59):
I prefer that. And just like some generic ship.

Speaker 4 (38:02):
I didn't find it as interesting when he was just
doing the weird shit. I'm kind of like, you're I'm like,
I get it. You know, you're doing stuff with your
sister or whatever, and you you know, that's like the
mainstream that's the mainstream ship. And he's like, I'm the
weird Does.

Speaker 6 (38:15):
He Does she even need him anymore?

Speaker 13 (38:18):
No?

Speaker 6 (38:18):
Like, is he still making music with her?

Speaker 12 (38:21):
Yeah?

Speaker 6 (38:21):
Well yeah, but she can play.

Speaker 4 (38:23):
But she can play instruments and stuff, so you know,
I'm sure that she's going to branch off and start
doing her own thing.

Speaker 8 (38:29):
Probably, but see why. But I'm would be superstitious. I
know a lot of those people are superstitious as fuck.

Speaker 5 (38:34):
Man.

Speaker 4 (38:34):
It's just like, what about keeping here saying this.

Speaker 8 (38:37):
Is the sauce, like this is what got here, Like
we got hit after hit after hit after hit.

Speaker 6 (38:42):
Yeah, but this is management. Doesn't do that.

Speaker 9 (38:45):
People that run them, we are like, no, we can
make this better.

Speaker 6 (38:48):
I'm sure people are constantly making money for my person.
I do that.

Speaker 4 (38:51):
Yeah, I'm sure.

Speaker 8 (38:52):
Yeah, I'm sure people are constantly in her in her here.
I bet they've been saying that since before.

Speaker 6 (38:58):
Yeah, yeah, yeah, you do know make the fact that
she hasn't done it is a part of the sauce.

Speaker 4 (39:02):
Yeah, and he's in the band and stuff.

Speaker 6 (39:04):
She's comfortable around him.

Speaker 9 (39:06):
The facts, you know, they their their lovers. They've been
in love for.

Speaker 6 (39:12):
Art. That's everybody's everybody.

Speaker 9 (39:16):
That was the first impression was like, so wait, their
brother and sister and they're like, it's interesting talking about
the white stripes.

Speaker 6 (39:22):
No, no, this is real.

Speaker 9 (39:24):
They were fake siblings, all right, whatever, man like, yeah,
because nobody has ever thought that before.

Speaker 6 (39:29):
All right, Kelly, do you do you like this bullshit
or not?

Speaker 4 (39:32):
So as I was saying, uh, you know.

Speaker 6 (39:37):
It won't to help you out here.

Speaker 4 (39:39):
No, no, no, no, no, I'm not gonna. I'm not gonna.
I can't say that it does not I'm not gonna
say that. I think it's fine.

Speaker 6 (39:48):
I like to tell you, I.

Speaker 4 (39:50):
Like, I thought this was the better of the songs
that he's put out. To be honest, that's what I thought,
you know.

Speaker 13 (39:57):
So.

Speaker 6 (40:00):
All right, controversial, I'm gonna let that go. All right,
So hm hmm, al right, what we got next?

Speaker 4 (40:07):
Yeah, what we got next?

Speaker 9 (40:08):
Buddy, dude, this this guy, this guy. You don't even
know this dude. Is you want to talk about Edgy.

Speaker 6 (40:17):
Vented it?

Speaker 4 (40:18):
Okay, Marilyn Manson, that's right.

Speaker 6 (40:21):
Marilyn Manson invented edy.

Speaker 9 (40:23):
Hell yeah, yeah, nobody had done eything.

Speaker 6 (40:28):
Give me a medal and tell him. Yeah man wearing platforms. Yeah,
he's got makeup on.

Speaker 7 (40:34):
He's a dude.

Speaker 6 (40:35):
Smooth crash, smooth crutch.

Speaker 4 (40:38):
Yeah right, no cryd no bolts.

Speaker 6 (40:41):
They rock the rock and roll an alien man, Hey
rock and roll? Yeah, rocking roll.

Speaker 4 (40:46):
You ain't got no dick Hey, rock and roll.

Speaker 6 (40:49):
You'll never get this.

Speaker 9 (40:50):
This song is the title of this is so uncar
characteristic of Marilyn Manson. It's crazy. Uh So we're gonna
listen this song called a religious.

Speaker 6 (41:02):
I wonder what he's talking about.

Speaker 4 (41:03):
I don't know, man, do we need to do predictions
on this DNA?

Speaker 6 (41:07):
We're just diving in. This is barbecue sauce Maryland.

Speaker 12 (41:14):
That I feel its acrilegious, which also around me.

Speaker 6 (41:24):
I'll stab you in the back.

Speaker 7 (41:29):
You'll never see us sclet in.

Speaker 13 (41:31):
Christ dumbly, the one in five both black, You show
a tree?

Speaker 7 (41:41):
Did just save your spado at the two.

Speaker 12 (41:44):
That y'all left me behind?

Speaker 7 (41:48):
Do you think that confits gossip?

Speaker 4 (41:52):
All you go sublime?

Speaker 11 (41:59):
All shy ship, I got some point belt, let's get

(42:24):
let's get evil.

Speaker 6 (42:26):
Let's feel a secular.

Speaker 4 (42:32):
Coter that's hitting bombs. But they show that you don't look.

Speaker 8 (42:37):
Down as soon as soon as he says something, goofy,
I take it to a Halloween party and you say, oh, that's.

Speaker 6 (42:43):
A Halloween party now right on time?

Speaker 9 (42:46):
Alright, So it's kind of felt like Marilyn Manson's shuffle
for Yeah, he loves the humbles.

Speaker 6 (42:55):
Yeah, he's gone.

Speaker 8 (42:56):
He's a suffler, a shufflers.

Speaker 9 (43:02):
I'm not hating the mastering recording at all, that's.

Speaker 10 (43:20):
All right.

Speaker 6 (43:26):
Yeah, it sounds like I've heard this song before.

Speaker 4 (43:29):
It's definitely similar to a.

Speaker 9 (43:31):
Lot of Crolyn Manson licks. A little soft, yes, yes,
it's not that heavy. It's also a little more it's
not as a as aggressive or not.

Speaker 7 (43:45):
Yeah, it's more.

Speaker 9 (43:46):
It's not as abrasive as Marilyn Manson stuff.

Speaker 6 (43:50):
Right, I know, a lot less live sounding.

Speaker 4 (43:53):
Yeah, yeah, yeah, I mean yeah, it's interesting. I'll go
ahead real quick. I mean this is not for me. Uh,
like he he has a really nice voice, Like I
mean I think that I don't think I ever really
noticed how well he can actually sing.

Speaker 6 (44:11):
He kind of.

Speaker 4 (44:12):
Reminds me of of a dude from Tool, like that
tone when he gets up high. Yeah, man, he kind
of sounds like that to me. And if he was
I feel like that, if he was really cool, if
he did like a supergroup type of thing or something
where he was like just showing off that he's like
a badass like front man singer, I feel like that

(44:35):
would be amazing, just because, like I feel like his
vocals are great, you know, but this is shit. Ain't
for me at all.

Speaker 6 (44:42):
Yeah, you're right.

Speaker 8 (44:44):
I mean I thought when the Beautiful People drop, that's
the it was fire, that is I mean that song
is ridiculous.

Speaker 9 (44:50):
Yeah, but he's also in his prime there like this.
What makes his worse is you imagine what he looks
like now doing this.

Speaker 8 (44:56):
I'm just I'm just thinking about the music alone, because
I've always thought his whole persona thing was a detriment
to the music, you know what I mean.

Speaker 6 (45:04):
It took everybody's ears off the music.

Speaker 8 (45:06):
You know, they're like, oh, look at that, look at this,
look at that, And now the songs are just stupid
and so like this song to me feels like a
rob zombie Halloween party, Like we're all dancing around with
capes on.

Speaker 6 (45:18):
Yeah, kind of. So it's fine.

Speaker 8 (45:20):
I'm not I'm not offended by this, but once he
started the like the raspy voice, it takes it straight
to like rocky horror picture show. Yeah, you know, let's
do something sacred, the jess. It's almost kind of something
they got. I would say, let's get evil, let's get sacrid,
just you know what I mean, it's kind of it's

(45:40):
kind of soft.

Speaker 6 (45:42):
You know what I mean, Let's get evil. That's just
a guy.

Speaker 9 (45:45):
That's just a guy says on the radio when you
drop in the war zone.

Speaker 6 (45:48):
Yeah, let's get evil.

Speaker 3 (45:49):
Let's get evil. Guys.

Speaker 4 (45:51):
I swear to that song, and that ship sounds really
similar to the Beautiful People.

Speaker 6 (45:55):
It really was evil. Yeah, yeah, Soger, you're give him this.
I can't.

Speaker 8 (46:01):
I can't really let it slap. I'm not offended by this,
but I can't. I can't let this slap.

Speaker 6 (46:06):
Yeah.

Speaker 9 (46:06):
I even the prime Maryland Manson stuff still had a
slight degree of like.

Speaker 6 (46:14):
It's kind of still kind of it's kind of lame.

Speaker 3 (46:16):
Goofy.

Speaker 6 (46:17):
Yeah, it's a goofy. It's corny. It's like you know camp. Yeah. Yeah, So.

Speaker 10 (46:24):
Dude.

Speaker 9 (46:25):
Like, uh I was when I saw this. I was
pretty sure that.

Speaker 6 (46:29):
Like you, I would not like it.

Speaker 9 (46:32):
I was like, well, maybe I'm wrong, but you know what,
I'm right, like I usually am.

Speaker 6 (46:37):
And that was fucking garbage. So let's move on right.

Speaker 8 (46:42):
Uh so, man, if we're here, lady guy, I would
have killed that song probably, you know what I mean,
Like it's the way he's doing it.

Speaker 6 (46:51):
I don't know.

Speaker 9 (46:52):
Yeah, anyway, it's a song from the new Batman or
Joker movie.

Speaker 6 (46:56):
Is it all right? So these guys this was sent
to us from fans.

Speaker 9 (47:00):
Multiple people have reached out and saying that this is
something that we should listen to on slaps and this.

Speaker 4 (47:07):
Is uh who is this again?

Speaker 6 (47:08):
What's his name?

Speaker 9 (47:09):
It is Motley Crue, Motley Crue. This song is called
canceled because you know, you.

Speaker 6 (47:16):
Know, they're worried about it.

Speaker 9 (47:18):
They're worried or I don't know, maybe they're trying to
get canceled somebody, somebody that.

Speaker 6 (47:24):
I heard.

Speaker 4 (47:24):
This was written in collab with Van Morrison.

Speaker 6 (47:28):
Why are you old fast Book?

Speaker 9 (47:30):
Are you old fresh book?

Speaker 6 (47:34):
Do you have any predictions for this?

Speaker 4 (47:37):
Oh?

Speaker 9 (47:38):
Man, I think it's gonna start with drums and there's
gonna be some singing before the guitar bass comes in.

Speaker 4 (47:44):
I think it's gonna come in. Uh pause, full full
cock rock.

Speaker 6 (47:49):
I think like that. I was hearing more of the chanty,
like it'd be like chanted chorus like canceled cancel it might.

Speaker 9 (48:05):
It might start with some flashy guitar stuff because they
did get rid of their guitar player and get a younger,
better guitar player.

Speaker 4 (48:11):
Okay, that sounds like the A C D C version
of this.

Speaker 6 (48:14):
Yeah, maybe it is. Yeah, so I go to cancel
me again. I can't what I want to say. Well,
here's canceled, passed out for that just passed out.

Speaker 4 (48:33):
Oh my god, that's hilarious.

Speaker 9 (48:35):
Oh ship like like the Corners some ship.

Speaker 6 (48:41):
It's like movie evidescence. Yeah, it's for one.

Speaker 4 (48:48):
I kinda I kind of won this one.

Speaker 5 (48:50):
Good. So tom sound good boy, Tommy.

Speaker 6 (49:01):
Lee always sounds great man. Oh, I mean I nailed
the proof.

Speaker 7 (49:08):
Yeah, yeah, that is.

Speaker 4 (49:10):
By the way, this is produced by Bob Rock.

Speaker 7 (49:13):
That's why I.

Speaker 6 (49:13):
Watch hun sound.

Speaker 13 (49:15):
Yeah in the morning, jot.

Speaker 7 (49:27):
Handle shot had your name's up man, Watch your husband
Lord cansel fright in the Capitol President boat to video.

Speaker 11 (49:39):
Smell handle white, shot up, shut up, shut up, I
stand up.

Speaker 16 (49:49):
Standing out, wag your head against a motherfucking wall.

Speaker 6 (50:00):
I feel like Molly Brue fans will be fine with
this out are they talking about the.

Speaker 7 (50:18):
Same by the cancel?

Speaker 5 (50:19):
But where thicker they are?

Speaker 7 (50:20):
Because become of the.

Speaker 17 (50:21):
Show be I'd like, Yeah, don't mind your mind getting castled,
call me trans burned down my castle, the shot, make.

Speaker 7 (50:28):
A mask away, take you out my.

Speaker 16 (50:30):
Dough in a long sad model saying they shall be.

Speaker 11 (50:34):
In the back seat that she said yes, and they
all laste can be afrady shot shot.

Speaker 10 (50:40):
I asked your mind up?

Speaker 7 (50:44):
Yeah, shut up, shut up, stacks up where your head
and gets a motherfucking wall.

Speaker 6 (50:54):
All right, you're gonna be a guitar song?

Speaker 10 (51:01):
Yeah?

Speaker 13 (51:01):
I cheer the gar song.

Speaker 6 (51:03):
Yeah they gotta have one.

Speaker 15 (51:21):
Now, okay, all right, a little key change right there?

Speaker 6 (51:41):
Alright, Jery, get some about according?

Speaker 9 (51:45):
Uh?

Speaker 6 (51:50):
I mean they sound great? Am I gonna listen to
this again?

Speaker 5 (51:54):
No?

Speaker 8 (51:54):
But isn't it an okay Motley Cruez song? Maybe let
me think it's it's fine. I'ma let it slap. I mean,
if you want to hear Motley Crue, that sound like
Motley Crue to me. Yeah, I the Heyday thick stickified. Yeah,
the drums is mad loud.

Speaker 6 (52:16):
Well, it sounds likely good.

Speaker 9 (52:17):
I still have no idea what the fuck they're talking about.

Speaker 6 (52:20):
I don't care about that so much because they canceled, though.

Speaker 9 (52:25):
I think it's gonna be like a like a Van
Morrison thing. King might have been a little bit of
that in there, but you just using the word.

Speaker 13 (52:36):
I.

Speaker 9 (52:37):
I liked the the music, the instrumental part riff, but
it's like, I don't know, is it just that I've
heard nothing but garbage today and this isn't so bad
that it's I don't know if my perspective has been warped.

Speaker 6 (52:55):
Do you like Motley Crue, Yes, we think uh uh.

Speaker 9 (53:00):
I have no patience for Motley Crew like after the eighties.

Speaker 4 (53:04):
Like, I think it's corny, it's short, this feels like classic.

Speaker 6 (53:07):
It sounds like it sounds like.

Speaker 3 (53:09):
The old stuff.

Speaker 6 (53:10):
Yeah, so I don't really know what to think about this.

Speaker 9 (53:12):
Well I listen again, No I won't so, Yeah, you
know what I would have like to hear some more shredding.
Enough shredding, there was enough. The solo is more of
like a shout section line.

Speaker 6 (53:29):
Yeah, the melody line, and you know what, that's what
I wanted. I say, though, drums sounded like what Tommy
Whoever's bass players too? Sound good too? Yeah it's Nicky six,
Nicky sound good. Are you sure they didn't just get
John five to play bass on the album too.

Speaker 4 (53:46):
I don't know. I don't know, but he's writing the
songs though, Nicky six is writing the song all right? Yeah,
Like the lyrics really didn't matter. I mean, they had
Vince so low in the mix I could not hear
him drums. They've drowning him right out. They put a
lot of nice, expensive stuff on his voice though sounded
fine to me.

Speaker 6 (54:05):
A lot of background vocals, I.

Speaker 4 (54:07):
Mean, it's super riffy, and the even the vocals no
matter what it was, because they had like this rhythmic
thing going on for the whole song. It kind of
didn't matter. Because the riff is the song.

Speaker 7 (54:18):
Is really good.

Speaker 4 (54:19):
I'm kind of fine with that, you know. I'm like,
this would go fine in in a playlist of their
good songs. This would fall right in line with any
of those. Just as far as the sound of the song,
Nobody would be like, what the fuck is this?

Speaker 13 (54:33):
Right?

Speaker 9 (54:33):
Right?

Speaker 4 (54:34):
So for that reason, I say this slaps, so I'm
gonna give it to it.

Speaker 8 (54:40):
I will say, Vince, you sure you still you're not
making it easy on yourself when you start back playing
these shows. Here is and here comes another fast rapping song.

Speaker 4 (54:49):
Yeah, I'm saying live, he's not gonna do this.

Speaker 8 (54:51):
That's what I'm saying. Like, but he gonna want this
is the single Nikki. They're gonna want to play this song.

Speaker 5 (54:56):
Now.

Speaker 6 (54:56):
He's like, right back where we started. But how long's
it behind? Getting canceled?

Speaker 9 (55:03):
Middle will move around on stage because he's gonna be
it's too many words, it's a lot, it's too many words.

Speaker 6 (55:08):
It's like talk rapping talk blame.

Speaker 4 (55:10):
Maybe, but maybe Nikki six will chime in on that
and put that and put all that in the track
and Tommy tracks for that. Yeah, Tommy also be singing
as well, So I think I think he'll be fine.
And plus they use tracks, they use tapes, Like.

Speaker 6 (55:23):
I mean, it's just not the easiest melody to rap
by yourself.

Speaker 4 (55:26):
Nope, not at all, not at all, But sounds like
Vincent old Vince vincy Neil.

Speaker 6 (55:32):
Yeah he's back.

Speaker 4 (55:33):
Was he was up for the challenge. Uh, Okay, one more.

Speaker 6 (55:39):
I'm just gonna do it, man, do it, bro.

Speaker 13 (55:43):
Do it?

Speaker 6 (55:43):
What it is? What's uh?

Speaker 5 (55:45):
Oh?

Speaker 6 (55:46):
Is that is that clapton?

Speaker 9 (55:47):
Oh?

Speaker 6 (55:48):
Clap one? You got the clap one woman? Is the
name of this song.

Speaker 5 (55:55):
Okay, here we go.

Speaker 6 (55:56):
We've got predictions.

Speaker 4 (55:57):
Now it's gonna be lose blues. Okay, I got well
on ballot blues. It's gonna be slow. Yeah, it's gonna
be slow. You think it's gonna be more kind of
more more bluesing than that. More uh you got thrillers
gone style?

Speaker 6 (56:16):
Yeah, somewhere in there, maybe a little slower than that.

Speaker 4 (56:19):
Okay, yeah, what you got? What you guys is gonna
start with guitar? Is it gonna start with? It gonna
start with.

Speaker 6 (56:26):
I'm thinking okay, it starts the guitar.

Speaker 9 (56:29):
Yeah, because the title of the song, I would think
it would be everywhere together. Because of the title of
the song, it seems like it might be a little
more heartfelt, more emotional. So I think it might start
with actual just guitar playing a lick or something.

Speaker 6 (56:44):
I don't know. It could be an acoustic guitar, could
be the electric guitar.

Speaker 9 (56:47):
I don't know what, but I feel like there's gonna
be something that he considers having emotion at the beginning
of the song. That is all right, So let's see
one woman by our Clapton, whoam not not not Reggae.

Speaker 18 (57:16):
Ship farm through Heaven, look at excuse.

Speaker 6 (57:25):
Give me eyes to see?

Speaker 7 (57:27):
And if I lose the joy of living, did you
bean mad? Did you rescue me? I've had love for good.

Speaker 9 (57:42):
And bad.

Speaker 4 (57:45):
Bless Snapper Valley Rocks.

Speaker 7 (57:51):
Gotta be on.

Speaker 6 (57:54):
The whole job.

Speaker 7 (57:58):
Baby, you look good. The bag we don't know that
other one man hold them to.

Speaker 17 (58:10):
Maybe that's what you're gonna watch the god.

Speaker 6 (58:21):
Buddy right here, I'm guys touch colds man looking at
Let you reach pon my favorite joke.

Speaker 18 (58:33):
You know that I be there and the genius you
cry out in left, Maybe don't cry you do the
thing well? Has your pain sop cut opening arms for
you all your heart.

Speaker 6 (58:52):
It's always too.

Speaker 7 (58:55):
Funded up my eyes. The one thing, not me, It's
got it. One woman, the whole lone che boy.

Speaker 8 (59:05):
That's a blue story to look good and I know
that's the real Also that blue out.

Speaker 7 (59:11):
Of one woman the boy hol lonch. Maybe that woman is.

Speaker 6 (59:22):
The coup burn. All right, then let me a fresh look, a.

Speaker 7 (59:33):
Bridge boy.

Speaker 4 (59:40):
Living every breath.

Speaker 7 (59:51):
One woman.

Speaker 6 (01:00:06):
Guitar, So I don't give a terrible.

Speaker 14 (01:00:10):
Man.

Speaker 6 (01:00:11):
Guitar is terrible, starts horrible. He's like this.

Speaker 9 (01:00:16):
This seems like could be written by any uh, any
songwriter for a major label that they have, you know,
has to do these types of ships. I mean, I
think the only thing that is Eric Clapton about is
the shitty guitar playing and just the suck factor of it.
But yeah, I mean I can't give him. I can't
get behind this. I can't buy it slowly and anything

(01:00:38):
like you know, fuck this dude. I'm done with him,
like he should have, you know, called it quits on
everything back in the before he did those solo albums
with the fake reggae on it and ship like that. Man,
if he gotten a plane crash after that Blind Faith album,
he'd be a legend. He would be a legend. Everybody

(01:01:01):
would love him. He didn't have enough of a chance
there there would be a there. You know, no kid
will have fallen out of a window or any of
that ship because they had to hear shitty music and
just jumped out.

Speaker 4 (01:01:13):
Oh sad.

Speaker 9 (01:01:15):
Yeah, that's how the kid died as a kid music
sucks that he's playing his new album, and the kid.

Speaker 6 (01:01:21):
Was like, ah, I just ran out.

Speaker 4 (01:01:23):
It's horrible.

Speaker 9 (01:01:23):
Well it's his fault either way, whatever narrative you want
to go by, but that's that's really not it's about.

Speaker 6 (01:01:29):
But I don't like this.

Speaker 9 (01:01:30):
I never I want to hear it again. It's just
like this generic like, oh, you're a you're an eighty
year old guy that used to play rock, blues and stuff. Well,
here take this song. It's got B three organ on
it and some fucking tambourine and ship.

Speaker 6 (01:01:44):
I don't know, man, it's could be a Van Morrison song.
It's gonna be any anybody. Yeah, I saw it definitely, just.

Speaker 8 (01:01:50):
Like, yeah, this could have been Stevenson, could have been
anybody facts, Yeah it could mean.

Speaker 6 (01:01:57):
Yeah, no, there's nothing, there's nothing going right with this.
This is all wrong. It's all wrong. I don't know. Yeah,
it's just.

Speaker 8 (01:02:08):
It's like when you see a movie get made, you
go like, what the fuck? It's like, ya just spent
thirty million dollars doing That's what The people that made
that they're like, oh man, yeah, no, man, I don't
want to hear that. That reggae section is wild though.
In the middle the whole reggae pseudo.

Speaker 9 (01:02:28):
Reggae, reggae, the loud open high hat, like what you
don't hear the high hat, and then when it open, it's.

Speaker 6 (01:02:34):
Like, I mean, it's crazy.

Speaker 4 (01:02:38):
It's in the key of I shot the share. It
sounds exactly like the same key.

Speaker 9 (01:02:42):
Well, that's what they told the song writer. They go,
we're looking for the I shot the share it five.
He's like, say no more, I got you, I.

Speaker 6 (01:02:49):
Got you fam.

Speaker 4 (01:02:51):
Uh yeah, and then the lick is like that looking backwards,
try to play like a melodic solo.

Speaker 6 (01:02:59):
At the end, it just sound was like garbage can't
bend in tune. It wasn't cool.

Speaker 4 (01:03:04):
Yeah, I mean it feels like very little effort was
put into this. I would say that it sounds like
that this was just like recorded at rehearsal.

Speaker 6 (01:03:10):
This is cool.

Speaker 4 (01:03:11):
This is yeah, Like, it doesn't sound that. This is
wod It doesn't sound that good. It sounds pretty messy.

Speaker 6 (01:03:17):
Well, it sounds like.

Speaker 9 (01:03:19):
The cover art looks just a picture of him in
a fucking diner.

Speaker 6 (01:03:23):
They were like, they were like, yo, laps together.

Speaker 4 (01:03:25):
They're like, Yo, we need an album cover for for
your album, he's like taken out.

Speaker 6 (01:03:29):
Yeah, say yeah, I mean I wish he could use
this for the art again.

Speaker 4 (01:03:34):
This I know, I know, because it's just like, man,
this is y. Yeah so this is terrible.

Speaker 6 (01:03:41):
I mean.

Speaker 4 (01:03:44):
It feels like he remade like several songs from his
catalog for this song.

Speaker 6 (01:03:49):
Uh so this is not real songs, not real music
in our time.

Speaker 4 (01:03:53):
Yeah so uh nope.

Speaker 6 (01:03:56):
Yeah, man, that that sucks.

Speaker 9 (01:03:58):
But you know, I I but I'm shame on James
the fool people chances and stuff.

Speaker 6 (01:04:06):
He's a legend.

Speaker 5 (01:04:06):
Yeah.

Speaker 4 (01:04:08):
Uh that you really thought you really thought that you're
going to get something.

Speaker 9 (01:04:11):
Good with I thought it was gonna do something different.
That's like, that is like a lot of effort to
make something that sucks. Yeah, you know, I thought it
would be more.

Speaker 6 (01:04:21):
Yeah, it's more him. Actually, it's it's just.

Speaker 4 (01:04:24):
Not he's at the mercy of of his uh producer,
and the producer is probably somebody that he's just been
working with forever. That would just be like whatever you want,
what you want man, Yeah, man, whatever, Man, that's cool. Yeah,
I could rehearsal, Yeah, it just makes the rehearsal. Yeah,
why bother at this point really Yeah, I'm surprised he's

(01:04:47):
still putting out music. To be honest, I'm like, why
don't please?

Speaker 6 (01:04:51):
What do you think? Eric Klappman is like into like
every like his daily thing. You Like, he definitely does
not play guitar.

Speaker 4 (01:04:58):
He's a he's just like reading the newspapers like any
old person. He just reads the newspapers every day, chilling.
He's going the studio every dingy, doing a ton of
interviews with this with this conservative YouTuber dude, this guy
read the Real Music Observer. He's been doing interviews with
this guy like since the pandemic and like.

Speaker 6 (01:05:20):
They've been taking nobody else wanted to interview.

Speaker 4 (01:05:22):
Yeah, and like they just talk about like all of
his like all of his ailments and shit, like just
everything he's going through is like what's going on today?
Eric's like, oh, man back hurting, it got COVID again,
Oh my fingers hurt. And they just talk about how
much he's like in pain. It's just that that's all

(01:05:42):
the interviews man in politics or whatever.

Speaker 7 (01:05:45):
It's just stupid.

Speaker 4 (01:05:46):
Anyways, Thanks guys, Bye bye.

Speaker 5 (01:06:00):
B b.

Speaker 13 (01:06:15):
B b b b.

Speaker 9 (01:06:25):
B B

Speaker 1 (01:06:29):
Bummer And sadly the podcast is no more