The Hustle Season: Ep. 355 Rogue Tambourine

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Episode Transcript

Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, man, Yeah, what's wrong with the bo we got?

Speaker 1 (00:09):
It's trash. It does not slapped.

Speaker 3 (00:12):
Call and response.

Speaker 4 (00:16):
What are you guys even doing?

Speaker 5 (00:19):
I got that much ask years ago. They tried to
years ago. They tried to put me in there.

Speaker 3 (00:27):
That means you're a lion stram I did it with
the peck.

Speaker 6 (00:35):
And the rock.

Speaker 7 (00:39):
Oh, come on in, Bonator says he.

Speaker 3 (00:44):
The water's fine.

Speaker 8 (01:17):
Kelly presents right the Hustle Season podcast.

Speaker 9 (01:22):
We're back, baby, Kelly's back. We got Kelly Strawbridge. Everybody else,
how y'all doing. You're having a good time, if you're
having a good day, you're checking us out in the morning.

Speaker 3 (01:38):
Good morning, he checking us out. Shout out.

Speaker 9 (01:41):
Shout out to all the live people out here right now,
Shout out to YouTube live.

Speaker 3 (01:45):
You know we back baby? What episode is this episode?

Speaker 9 (01:48):
Three hundred and fifty three five damn. You can check
us out on pat on, TikTok, on Instagram, b our friend.
If you want to see some behind the scenes and
some extra stuff. Patreon is a place to go it is.

Speaker 3 (02:06):
You know, I love y'all.

Speaker 8 (02:07):
It's right, man, I love you too, man soundboard heavy episode.

Speaker 2 (02:11):
Man, God, how is y'all's weekend?

Speaker 3 (02:16):
It's great?

Speaker 5 (02:16):
Man.

Speaker 9 (02:19):
I had I had a really interesting gig this past weekend.
It was just me and Shot at the hoodie, just
like a DJ and a horn player gig, like a.

Speaker 3 (02:28):
Hype man gig.

Speaker 5 (02:29):
Oh one of those. Yeah.

Speaker 9 (02:30):
She was like in the middle of the dance floor
just like playing trumpbone solos over.

Speaker 3 (02:37):
The wobble. I killed. I was doing the wobble and
playing the trombone at the same time.

Speaker 2 (02:43):
Isn't there like a fake trombone on that song? Or yeah,
there's some trumbones in there, some like horn stuff on there.

Speaker 9 (02:48):
Yeah, wipe me down. Whatever it was, uh, you know
that was That was a lot of fun. Definitely pushing
the boundaries of my extrovertness at all, Like all right,
time to walk into a group of people and be like,
all right, everybody, let's go, you know, like be like
a host, you know in that way.

Speaker 3 (03:08):
So interesting thing.

Speaker 9 (03:09):
I feel like, next time I do a gig like this,
I gotta be more of a spectacle, you know, get
a flashing necklace or something you know what I mean,
like some ship like that or something to throw out, Yeah,
throwing some shit into the audience. Throw some flowers into
the into the audience. Maybe, yeah, some bubbles. I should
have had some glow sticks.

Speaker 5 (03:25):
You need to go to Gordon Jones extrovert school.

Speaker 3 (03:28):
Yeah, you're no, I didn't. I didn't know.

Speaker 9 (03:30):
You're right, Gordon would know what to do. I should
have passed out some cheap tambourines. Yeah, you should have
showed up with a couple of cheap tambourines, passed them
bad boys out.

Speaker 2 (03:38):
But also Gordon just shouts out shit. He would just
like like a.

Speaker 9 (03:42):
Little bit of that, a little bit of that. But
I'm not, like, I don't I'm not as good as Gordon.
I was like, yeah, what's all right?

Speaker 10 (03:47):
Now?

Speaker 3 (03:47):
Hey, ohkay, come on now, girls, I'll see it, you know,
all right.

Speaker 9 (03:52):
There was another moment in which there was like a
Greek orthodox danced a couple of in like there were
songs that like in like nine eight or whatever it was.
I was just playing counga's along of that. I just
brought the percussion set up. It's like if I wasn't
playing horns, I'll just do that you know, playing horn
for two hours straight. Man, that's kind of crazy.

Speaker 11 (04:08):
You know.

Speaker 9 (04:08):
It's like just doing a DJ set and just being
the only horn player there. There's like a lot of
playing stop in town of the Science Museum.

Speaker 5 (04:16):
Okay, yeah, it was.

Speaker 3 (04:18):
It was It was fun, It was weird.

Speaker 9 (04:19):
It was definitely something new for me, but definitely something
I can see why that would be fun at a party.

Speaker 3 (04:27):
Yeah, you know what I mean, it's fun at a party.

Speaker 9 (04:29):
But yeah, some sparklers and ship and if anybody else
got you know, to have to do the shots ray
Mace with the party party horn gigs, you know, like
anybody got a gig, do a gig like that, Just
bring some stuff. I think that's what turns it up.
It's stuff for people to have.

Speaker 5 (04:42):
You know what I mean, good good advice.

Speaker 3 (04:45):
But yeah, it was crazy us crazy.

Speaker 5 (04:48):
See what you do? What did I do?

Speaker 2 (04:50):
I played Saturday and Sunday private gigs.

Speaker 5 (04:56):
Almost had a sound man walk out on one. What
you say? What you do?

Speaker 11 (05:00):
What?

Speaker 5 (05:01):
He was leaving when I got there?

Speaker 3 (05:03):
What do you do?

Speaker 2 (05:04):
Before even got there, I was I was, I was
showing up and as only he was like, he was
like see you later. I'm like what where are you
gonna go?

Speaker 3 (05:12):
Before the drum sets showed up?

Speaker 8 (05:14):
Yeah, I was like, I'm like, wait a minute, was
he like not hired to do?

Speaker 3 (05:19):
Sound like he was done with the thing before.

Speaker 5 (05:21):
He was like hired?

Speaker 2 (05:22):
He was hired. No, it was more of like fuck
y'all those what happened? More like, yeah, I don't know
really what happened. I couldn't get what. I got a
little bit of a story, but I mean, we know
it's bt okay.

Speaker 8 (05:40):
Uh oh really yeah, it's the guy that uh the
face of the band is he was he there negotiating
things or no?

Speaker 3 (05:49):
Under there?

Speaker 5 (05:50):
No, of course I was missed. I was the negotiator.

Speaker 2 (05:53):
I was really young and support fucking goddamn save the
whole entire band this week in pretty much really yeah, yeah.

Speaker 5 (06:02):
I had to get him on the phone. I had to.

Speaker 2 (06:04):
I had to get him on the text him and
all the things. And he came back, came.

Speaker 8 (06:10):
Back, and other than those two supervisors, is the rest
of the band the same people?

Speaker 5 (06:17):
Yeah? Yeah, yeah, yeah, it was all consistent.

Speaker 2 (06:20):
And then the lady yelled at me about trying to
There was a lady there that I guess owns the
place and I think she was the owner.

Speaker 5 (06:30):
She was definitely giving off.

Speaker 2 (06:32):
She was giving off owner vibes, okay, and maybe I
was yeah and I wasn't.

Speaker 10 (06:36):
No.

Speaker 2 (06:36):
I know it was because I saw later, I witnessed
some other things later.

Speaker 5 (06:39):
I was like, oh, she's definitely.

Speaker 2 (06:41):
So then uh so, yeah, I'm walking up to the place.
Uh and she's like, sir, we're closed, Sir. I'm like,
I'm like, wait, I just want to know can I
get some Wi Fi? I just want to see if
I get Sir, we don't give out the wi fi here?
I said, what, we don't give out the wi fi?

Speaker 3 (06:59):
We placed that you were showed up to to play.

Speaker 2 (07:02):
Write the venue. So I was like, uh, I'm with
the band and with the band.

Speaker 5 (07:06):
She's like, what do you do?

Speaker 2 (07:07):
I said, no, I'm with the band's okay, wait are
you with are you the DJ? I'm like no, no,
I already said with the band. She was like, to
do you need to did you forget to pay for
some apples? Did you get it because it's like an
orchard or something? Do you forget to pay for some apples?

Speaker 3 (07:22):
Like you said? I in the band?

Speaker 2 (07:23):
I was like, my hands are empty. I have no
apples on me and uh. And then she said no,
we don't give out the Wi Fi.

Speaker 9 (07:31):
So the band play yeah, and then and then because
that's it from somebody working the back.

Speaker 2 (07:37):
And then I saw the keyboard player in the band
and I was like, yo, you know what's up with
the WiFi?

Speaker 5 (07:41):
He he was like, he's like no, but she gave that.

Speaker 2 (07:44):
She gave me one password to the WiFi and the
other building over there, and she just put it in
my phone.

Speaker 5 (07:49):
She didn't even let me look. She didn't even let me.

Speaker 3 (07:51):
She didn't even let the dude see stranger touch your phone.

Speaker 2 (07:54):
Yeah, it's like, no, this is a secret password. Wow,
this for the other building.

Speaker 5 (07:59):
I was like shared that though.

Speaker 2 (08:00):
I'm like this is I'm like, I'm like, what is
somebody chokes.

Speaker 3 (08:03):
You know you can like put it on there and
go view passwords.

Speaker 2 (08:08):
Yeah, yeah you can see it and yes, tell me
it was the way.

Speaker 3 (08:11):
So she actually does she runs the place.

Speaker 2 (08:15):
Yeah, because then she came out later and was like
yelling at uh, you must have really wag internet.

Speaker 3 (08:19):
Why is this such a good way?

Speaker 2 (08:20):
The waiternet is crazy whack Okay, as soon as you
get up there, everything geek keeping the internet keep their
credit card machine working. Yeah, credit card machines. Yeah, it's
like old carbon I guess.

Speaker 3 (08:37):
I understand that, but like they're better way to go
about that.

Speaker 8 (08:40):
Also asking the after you said I'm in the band
like five times, she's still like, but you can't pay
for those here?

Speaker 5 (08:48):
Yeah?

Speaker 2 (08:48):
Yeah, yeah, no, she was, I mean, and just thought,
I don't know, maybe his way I was walking. Maybe
she thought I was like, they didn't know what they
was doing. He was about to like fuck up some
apples or something. I don't know what she thought I
was going to do, but it was odd. And then
I saw her later yelling a bunch of other people,
including like the wedding planner and stuff.

Speaker 5 (09:06):
I was like, okay, that's definitely the least it's not
just me. Yeah it was.

Speaker 2 (09:09):
At first I was like, what was it, you know,
but then I was like, no, she.

Speaker 5 (09:12):
Just she just fucked up.

Speaker 3 (09:14):
Wow, So she's probably the cause of all the problem.

Speaker 5 (09:16):
Facts facts it was.

Speaker 2 (09:18):
I mean, it was, and it wasn't really that many problems,
but it was like, literally from the moment I got
to the gig, I had ship to do the whole time,
and this is just playing drums though, bro, I try
just to play drums. That's what I try to do.
But then as soon as I as soon as I
get if I asked a question about something, then all

(09:39):
of a sudden, I'm involved.

Speaker 5 (09:40):
I'm involved in doing more, doing more.

Speaker 9 (09:43):
Ship That's what you got to set up your horn,
use my phone, you set your stuff up.

Speaker 3 (09:47):
You go back to your car.

Speaker 5 (09:48):
That's what I did. That's what I used.

Speaker 3 (09:50):
That's how I do. That's the huge that.

Speaker 2 (09:52):
All of a sudden my phone is being used for
the ceremony.

Speaker 3 (09:54):
Oh oh, now you're playing tracks.

Speaker 2 (09:56):
Now now I'm wiping audio from YouTube so I could
so I can pay play for the ceremony, like I'm doing,
doing like fifteen million things like just start. I did,
not chill, And then like the wedding player was like,
oh yeah, there's there's some of your snacks right over there.
And it's like in the corner on the floor, like
by the gravel outside, like a bunch of like Eminem's

(10:16):
and snakes.

Speaker 3 (10:17):
Like a like a hamster, just like hamster.

Speaker 2 (10:19):
It's it's like a basket of Candy's.

Speaker 3 (10:22):
Kibble kibble for you all that.

Speaker 2 (10:26):
It's like just like a little basket a little a
little cute little basket.

Speaker 9 (10:29):
It was like, oh, there's just little shits is over there, little.

Speaker 5 (10:31):
Snacks and ship over there.

Speaker 2 (10:33):
And I was like, thank you, thank you. So I
made a lot of take over there. Everything was but
it was just one of those one of those classic yeah,
classic band sitch stitches. So uh but everyone's good, everyone's
still intact.

Speaker 5 (10:52):
Good.

Speaker 3 (10:52):
The band fights fights.

Speaker 5 (10:54):
No, everyone's too old at this point.

Speaker 9 (10:57):
I like hearing that, Yeah, it's blessing a old Yeah,
there you go, get a old man trying to sweat
tonight fleet.

Speaker 5 (11:06):
Yeah, so there you go, James.

Speaker 9 (11:08):
I react like I'm a mute in those situations when
like some wedding plane is that. The ones that are
cool are great, But the ones that ain't cool, I
just like them. I like they seem like I don't
even hear them.

Speaker 2 (11:17):
She was cool, but I'm not sure what if there
will be I hope there will not be a actual,
like real review or I mean, because she will remember.
It was just too many things that happened. It's like
before the ship started. I'm just like, man, just hopefully
she don't put that none of that ship in the review.

Speaker 5 (11:33):
But she's she was very nice.

Speaker 2 (11:35):
So and the and the people that we played for
were extremely kind everybody.

Speaker 3 (11:39):
It's just people down.

Speaker 2 (11:41):
It was just like the whole staff stuff. It was
a lot of that.

Speaker 8 (11:45):
But anyways, yeah, James, oh, I played uh on Saturday
with oh yeah with Gabe and Butterfly and Jeff Ex
played percussion and it's playing guitar. We did a and
Armando was there and Armando ran sound.

Speaker 3 (12:07):
Okay, I guess he brought.

Speaker 8 (12:09):
Some sound equipment and I didn't help set it up,
so he ran down.

Speaker 5 (12:15):
That's oh wow, Yeah he ran down in front of you.

Speaker 3 (12:17):
Yeah.

Speaker 8 (12:17):
Well maybe you know he had help from a few people.

Speaker 5 (12:21):
Okay, yep, s all right.

Speaker 3 (12:23):
That happened.

Speaker 8 (12:24):
Uh And it was a it was an engagement party.

Speaker 3 (12:29):
That was a surprise wedding. Ah it huh yeah.

Speaker 8 (12:36):
Yeah right And when they say a surprise wedding, like
some of the parents like didn't know it was actual wedding.

Speaker 3 (12:45):
Wow, Okay they're pulling pulling a fast one on the fan.

Speaker 5 (12:48):
Yeah.

Speaker 3 (12:48):
It was uh, whoa, it was a little weird. Yeah,
that family don't like family don't like the husband or
the no.

Speaker 8 (12:55):
I think the fly well, I mean it's more of
a I think the problem would be the family not
being involved with the wedding, uh, because that's like a
big deal for whatever.

Speaker 3 (13:07):
Some people have stud these people. Uh, I don't know.

Speaker 8 (13:11):
It seemed like a type of thing where was like
some of the parents knew, most of the parents didn't
type of deal.

Speaker 3 (13:18):
I don't know.

Speaker 8 (13:19):
It's weird whatever y'all. But they had really really good catering.
It was Greek stuff.

Speaker 3 (13:25):
Got a good job.

Speaker 2 (13:26):
Uh.

Speaker 8 (13:27):
You know, it's like an outdoor pool. We played by
the pool and it was nice weather though.

Speaker 5 (13:31):
It was a beautiful weekend. Yeah.

Speaker 8 (13:33):
Yeah, so uh, I had a good time. It was
it was a bunch of what was it typical.

Speaker 3 (13:39):
Like wedding tunes and stuff, but it was a bunch
of Latin.

Speaker 8 (13:44):
You know standards as well as uh like Roy Orbison
stuff done as Latin.

Speaker 5 (13:52):
Uh.

Speaker 3 (13:53):
It's kind of those play did you play congos?

Speaker 8 (13:56):
We have like a congas and then like some tambourine stuff.

Speaker 3 (14:00):
Okay yeah shouts Jeff X. Yeah.

Speaker 8 (14:02):
And it was it was like they wanted that type
of ensemble, like.

Speaker 3 (14:07):
Did you have like gym bay with him?

Speaker 8 (14:09):
No, he had the he had the congo set and
then he had the little bongo set.

Speaker 2 (14:14):
Okay, so yeah, because he would tow him up here,
him up too much of the gym.

Speaker 9 (14:18):
You give him the gym bay the best one, that's what. Yeah,
but that was like not like one but not a
good one.

Speaker 8 (14:23):
We had him bring what we wanted him to bring
for the specific Yeah, you know, stylistic, but it was
like cool cool, like fifties like do wop stuff and
those types of things. It's kind of like all the
guitar stuffs like the Blaine of Vista Social Club albums
are ry cooters on most of those, but.

Speaker 3 (14:43):
It's reverbed out tremlow guitar.

Speaker 8 (14:47):
Uh yeah, over like these salsa songs or boss of stuff.
But yeah, I really really had a good time with
that thing. I definitely would like to do more of those.
I'm it's doing jazz stuff is more jazz gigs with
like fun jazz gigs though like Rumble tre it was

(15:09):
just jazz. Uh yeah, so did that great time, great
great catering.

Speaker 10 (15:15):
Uh.

Speaker 3 (15:16):
Then oh also.

Speaker 8 (15:19):
The church that I do, uh church gay guy have
the sound thing. It's one of the many churches that
Josh McCormick.

Speaker 5 (15:26):
Uh shout right, he's on the he's on the circuit.

Speaker 3 (15:30):
Lemon and so, uh, what's the lion. They have this.

Speaker 8 (15:34):
Uh, this men's choir that's there a lot of the times. Yeah,
I know, it's the pattern of uh rogue tambourine during stuff.

Speaker 3 (15:45):
Oh yeah, and you know how sensitive I am rogue.
So I'm like, well it was.

Speaker 8 (15:52):
But the tambourine is nowhere near uh any tempo or anything.
And also Josh is hearing it from across the room,
so it's not.

Speaker 3 (16:00):
Even even get it.

Speaker 8 (16:03):
It's very disorienting to everybody, and like nobody could figure
out who it was or like get him to stop
doing it. So the last time we did, when I
saw the men's choir thing coming there, I like went
in the back and found the tambourine.

Speaker 5 (16:19):
And hit it.

Speaker 9 (16:21):
You hit a tamberine, hit the tambourine, and it's got
to be illegal because the guy.

Speaker 3 (16:25):
Well then I told Josh look, I was like, hey, man,
I hit the tambourinees that guy had the tambourine, and
it's great. The guy like did it multiple sundays and
it was who was his tamourine?

Speaker 8 (16:42):
No, it was then why he leave it tambourine? Yeah,
I hit it, and I hope he never finds it.

Speaker 5 (16:51):
Yeah, I agree.

Speaker 8 (16:53):
And also The worst thing is he's he brought a
percussion instrument under choir mics. So now that tambourine so loud.
So yes, so it's as it's louder than the choir
and he's going.

Speaker 3 (17:10):
Away out of time dragon. Oh yeah.

Speaker 2 (17:13):
Look, playing drums in a church so many elements. I
don't know.

Speaker 5 (17:18):
I mean, I think it's like one of the best.

Speaker 2 (17:20):
It's the best training, for sure for any drummer, especially
also a keyboard player, and for keyboard players, but especially
if you're young and you have no idea what's happening. Uh,
it's it's I think it's really great. I'm saying if
you're starting early playing drums and uh. And then because man,
the choir mean.

Speaker 8 (17:39):
Church, not a nice not the nice accepting church. You
go the one that will yell at you.

Speaker 2 (17:43):
If you met, the choir's timing is going to be
different from what you're playing.

Speaker 3 (17:48):
And then.

Speaker 2 (17:50):
And then and then the bounce back and then the
bounce back from the room.

Speaker 3 (17:54):
From the acoustic situation in churches.

Speaker 9 (17:56):
I would never even think of all that stuff I'm
playing in church bank playing a lot of them rocking
in ears and ship Now it's not even that's not
even the vibe no more for those bands.

Speaker 3 (18:06):
Also, if you got.

Speaker 9 (18:07):
A tambourine, free tambourine tip, if you're playing in tambourine
and a group of people, like a choir or something
like that, just holding and clap. You ain't gotta do
nothing with your hand. You ain't gotta do no jingling.
Just go like you're clapping and just do that. Just
start there, and that's fine. No one's gonna be super offended.

(18:30):
If like the drummer won't be mad. Chances are you
can clap better that you can do any sort of
in your hand. Yeah, you probably can't do it, so
just hold it in your head. Clap you know, that's free.
That's free.

Speaker 3 (18:42):
That was the technique this gentleman.

Speaker 8 (18:44):
And yes, it was really bad because like I said,
it's uh amplified back through choir. MIC's delayed from when
it's actually happening and you can hear both of course
it's just taking a solo.

Speaker 11 (18:58):
All.

Speaker 5 (19:03):
Well, that's good, that's good, James.

Speaker 8 (19:05):
Uh Yeah, so overall, pretty good, pretty good weekend.

Speaker 5 (19:10):
Nice did you go see Joker?

Speaker 3 (19:13):
No, I didn't have time this weekend. Yeah, I forgot.

Speaker 9 (19:15):
I had that gig, so I didn't get a chance
to go, but oh yeah, we'll come back. But the
big review this week is of the Beat.

Speaker 11 (19:23):
Beat.

Speaker 3 (19:24):
Yeah, the Beat.

Speaker 2 (19:25):
Okay, let's get into it. Y'all went to go see
the Beat with Music News. Yeah, let's go.

Speaker 5 (19:30):
Let's go to Music News.

Speaker 8 (19:31):
Yeah, okay, I like that.

Speaker 2 (19:36):
Yeah, you guys went to the National and Carpenter Center
caer Okay, Oh was Carpenter Center?

Speaker 3 (19:44):
No, it was never at the National.

Speaker 9 (19:45):
It was at Altria and then it got moved from
Altria to the Carpenter Center.

Speaker 3 (19:49):
Yeah, okay, but it was never at the National.

Speaker 9 (19:51):
Okay, okay, uh concert review it was okay, let's talk
what the concert was.

Speaker 5 (19:59):
Yeah. Is King Crimson music, right?

Speaker 3 (20:02):
Yeah?

Speaker 9 (20:02):
They did three specific King Crimson I'm horrible with album titles.

Speaker 2 (20:05):
Red, No, No, No, No, three of them.

Speaker 3 (20:09):
There's three albums.

Speaker 8 (20:10):
It was disciplined, three of a perfect pair, perfect pair
and Beat and Beat.

Speaker 3 (20:14):
Yeah. And it was the same ensemble of Tony Levin Asrian.

Speaker 8 (20:18):
Blue, Robert Fripp and Bill Bruford, that quartet, and it
was the it was the eighties King Crimson era and
and no Steve I was sitting in the Robert Fripp
chair YEP and Danny Carey from a Tool was sitting
in the Bill Bruford chair and he has some of
Bill Brufford's tom's in his kit, like those small concert toms. Yeah,

(20:43):
the octabons, Yeah, octabonds, Yeah, yeah, he had those. And
the other cool thing was he had the Simmons drum pads.

Speaker 10 (20:52):
Yeah.

Speaker 8 (20:53):
I think he had the original Simmons style ones that
were like hard, but I don't know if they did
the training for the rubber ones he was.

Speaker 9 (21:01):
Yeah, Nanny Carey was using the normal his normal like
look like rolling pads that have some drawings on them.

Speaker 2 (21:07):
Yeah, because no, the actual ones, uh, the Bill brufor wins,
He's using the eighties where the tough ones, and like
you could actually hear him.

Speaker 3 (21:15):
It's like it sounds like a practice pad, they bro.

Speaker 2 (21:19):
You could hear how hard he's hitting those pads. Like
it's no, there's no sensitivity whatsoever.

Speaker 5 (21:24):
Yeah, exactly. Okay, So yeah, y'all want to go see
it house. The crowd, man, it was packed.

Speaker 3 (21:32):
It was packed, and it was pleasant.

Speaker 9 (21:34):
I mean, everybody was obviously there to see the music,
and you could tell everybody there was really excited. Yeah,
that was cool. I feel like everybody was there except Kelly.

Speaker 5 (21:44):
Yeah, I definitely not there.

Speaker 3 (21:47):
Crazy.

Speaker 9 (21:47):
Yeah, every person that I know that has anything to
do with music in that way they were there.

Speaker 3 (21:54):
Yeah.

Speaker 2 (21:55):
I mean it's a good that's a good balance of
a band. I mean literally one of the one of
the most famous drummers of the nineties, especially Tony Levin,
who like doesn't stop playing. He's like always in everything.
It's a studio like Giant.

Speaker 3 (22:13):
Yeah. Turn eleven is like Adrian Blue. If you don't
know who he is, yeah, Uh.

Speaker 8 (22:18):
Played with Talking Heads, Frank Zappa, talking Heads. I actually
wanted to kick out David Byrne and use him and
he was like what, Uh, David Bowie, Peter Gabriel. Uh,
he's been on nine Inch Nails albums.

Speaker 2 (22:33):
He's on David Bowie's Sound and Vision tour.

Speaker 5 (22:36):
He would he like he indeed that tour and I did.

Speaker 8 (22:40):
He did Graceland, the Paul Simon album. Actually like that.
That's uh Adrian Blue on on guitar synth.

Speaker 2 (22:50):
Oh okay, yeah, that.

Speaker 3 (22:51):
Little hooks him, but uh, he's on that.

Speaker 8 (22:54):
It's so many, so many bands, uh, and yeah, it's
just uh, he's like played with everybody. Everybody really likes
him own. Frank Zappa. Yeah too, Like that's a big one, Steve. I, well, yeah,
he was with White Snake Roth Yeah, d l r
back in the day, Peak d l r Ye, Peak

(23:15):
Music Store.

Speaker 11 (23:16):
God.

Speaker 3 (23:16):
He was the guitar player in Crossroads the movie.

Speaker 5 (23:22):
Oh yeah, of course, yeah, of course, can't get that.

Speaker 8 (23:24):
Overall, just really nice dude, but effortless master lizard of
the guitar. He's great, man. I'd never seen it was
such a treat. There's two guitar players.

Speaker 3 (23:36):
I really really really really like a big influence much respect.

Speaker 5 (23:41):
Uh.

Speaker 3 (23:42):
One thing I noticed that I thought was awesome is
how much they fucked up.

Speaker 8 (23:47):
And this is he is a non Robert Fripp production,
so they're like laughing about it. You know, they're not
going to get fined. Not that they fucked up really bad.
But there was one I can't remember.

Speaker 3 (24:01):
This song, but it's it's on three of a perfect.

Speaker 8 (24:04):
Pair, and it's has just drums and guitar sin trading.
There's one part I was like, I don't know, I
think I don't think they meant to make it sound
like that.

Speaker 9 (24:16):
Yeah, I feel like Danny Carey's style makes it a
lot more jarring. When things are loose, you know, because
he is not loose, yes, stiff, he's kind of Bill
Bruver swing. So like whenever, whenever they would do that
in that band, it would feel like, oh they went
to a little bit of little space jazz moment, you know.

(24:38):
But this is just kind of sound like they came
in a little late sond of like just so.

Speaker 8 (24:42):
There's a party locked in.

Speaker 3 (24:51):
So this is like from the actual show he saw.
Oh this is a second set.

Speaker 8 (24:57):
Yeah, so this is a song that I'm pretty sure
they fucked up and I want to see if I
can find it.

Speaker 3 (25:03):
It's like right because I think it. I don't know
if it's Steve By or if it's Adrian Blow. This
was the this was the that was the encore.

Speaker 8 (25:12):
Yeah, yes, So it happens at the end of this
when they come back in. So it comes in early,
son be like a long like a pause, and then
it hits and I don't know which charge.

Speaker 3 (25:27):
I think it's Steve Y.

Speaker 11 (25:28):
Comes in her that's the stake right there.

Speaker 9 (25:41):
And point not mistakes is like, oh, such a weird way.

Speaker 3 (25:43):
If this line, that's awesome. I think that's so cool.

Speaker 5 (25:53):
See, I think some.

Speaker 3 (25:55):
People a little early. Notice that just a little early. Yeah,
you're going the way it again. It's cool, man, Like,
you never hear ship like that, because you know what.

Speaker 2 (26:07):
I think it's I think it's cool because sometimes when
you hear masters make mistakes, like it's definitely not as
noticeable as it probably is to them obviously, right, Like
you never it didn't.

Speaker 9 (26:20):
That's not that it's not it's not unless you know
the songs.

Speaker 3 (26:28):
It was a little bit like it just sounds like
he anticipated it.

Speaker 9 (26:32):
It sounds he was early. It was weird though. That's
that's the Steve's second outfit of the night. Everything him
and what's my man's name, Adrian Blueloo changed change out.

Speaker 3 (26:45):
Adrian Blue is more dressed up fan.

Speaker 9 (26:47):
I think the completely red suit wearing a shirt and
Steve looked like it's kind of tight bell bottom, like.

Speaker 5 (26:58):
Well, that's that's the kind of outfit that uh he
used to wear.

Speaker 3 (27:01):
Adrian Oh yeah, I mean it did. He got the
Levy's got the same jacket bots gone. I mean Adrian
Blue was like a little like that.

Speaker 5 (27:10):
I mean, he was gonna be the cat.

Speaker 2 (27:13):
They were really trying to put him in talking heads
and have him beat the dude, and he sounded just
like him to be. Yeah, dude was Tony Levin is

(27:35):
such a bad motherfucker man, Like.

Speaker 5 (27:38):
I love his stage presence.

Speaker 9 (27:41):
I could use I could have used a lot more
of him during that show.

Speaker 8 (27:44):
Later on in the show, the Chapman stick was super hot,
like on the top head.

Speaker 3 (27:49):
Yeah, only the top hot.

Speaker 8 (27:51):
Also, Steve Eye's rhythm guitar parts were loud enough.

Speaker 3 (27:55):
Those are Fripp guitar parts. They should be as loud as.

Speaker 9 (27:58):
I feel like this sounds left a little bit it
to desire and there, yeah, a little bit it was.
It was a little top heavy and then yeah, I agree,
but just a lot. Maybe because the room is so
big it was hard to like hear the tightness of that.

Speaker 8 (28:10):
That isn't a problem though, because that room is pretty
good cover, like even cover.

Speaker 9 (28:14):
Maybe they just weren't Maybe Steve Vis wasn't loud enough
in that in that part, But I felt the same.

Speaker 3 (28:19):
Way they would have they would have corrected that in
the front of house. That's the engineer's job. But this
ship was awesome.

Speaker 2 (28:25):
Dude, fucking dating carry sounds sounds awesome.

Speaker 3 (28:29):
No, he was great. He was He was definitely the
person that seemed the most nervous of everybody. Oh yeah,
he's playing there, he's playing those uh like pads.

Speaker 8 (28:46):
Yeah.

Speaker 2 (28:46):
Steve Vis talked about how difficult these uh all of
this music is.

Speaker 3 (28:53):
Oh yeah, it was that.

Speaker 2 (28:54):
It was very daunting for him to learn a lot
of this ship.

Speaker 3 (28:57):
It's a lie. Also, those kids shift came still and
see him hidden interval jumps, which.

Speaker 2 (29:07):
Dude, Adrian blew.

Speaker 5 (29:08):
His voice is still amazing.

Speaker 9 (29:10):
He still sounds great, he still plays great. Yeah, they're
all the solos are great. I mean, they played fucking great.
It was good the whole time.

Speaker 2 (29:19):
I'm happy that Adrian is uh definitely coming back to
Richmond here and there. I mean because he he did
that show with the Broadberry a couple of years ago.

Speaker 3 (29:27):
That actually sound really good.

Speaker 8 (29:30):
But it's also he at the time was using all
direct amp stuff, but he was playing it back through
like one of those Bowse style systems with like the
columns patmini style.

Speaker 3 (29:47):
There's enough.

Speaker 8 (29:47):
He didn't have monitors that did He didn't have monitors
for his guitar that did the guitar everywhere. And I
think what was just coming off of the stage like
sounded pretty good, like you know, a reasonable out back
before even the past.

Speaker 2 (30:02):
For that was a fit sound. It did sound really good.
His band that was with him, just like a bunch
of young cats. It crushed it too. So man, well
it sounds like it was awesome show.

Speaker 9 (30:12):
Yeah, they busted out the electric drumhead things, you know,
and they did that one tune whether it just like
that sounds like Columbus at the beginning?

Speaker 5 (30:22):
Did that? That was fire?

Speaker 3 (30:23):
Yeah, they did all.

Speaker 9 (30:24):
They pulled out all the tricks to eleven, busted out
the drum drumstick fingers. Yeah, yeah for a couple of songs,
which sounds awesome, you know what I mean. And it
looks funny. It looks like some Muppet ship, you know.
It was like I'm a monster playing.

Speaker 8 (30:36):
I knew him from that before I knew anything else
about him, because he was the dude that played with
Peter Gabriel and it sticks on his fingers yep.

Speaker 2 (30:44):
And he looks like a like villain kind of with
the fingers like he kind.

Speaker 9 (30:49):
Of looked eighties fucking futuristic bass. That's what I'm saying, motherfucker. Yeah,
he does like a cartoon character. Yeah, if you would
make a cartoon character of a bass player, from the eighties.

Speaker 3 (30:58):
It would be right there.

Speaker 2 (31:00):
The King Crimson Live at uh Fruji or something like that.
I think it was in Germany nineteen eighty two. That
is like, I mean, that's like peak King Crimson is
on YouTube.

Speaker 8 (31:13):
There's a lot of good concerts there was. There was
another concert they did in Japan. Yeah, I think it
was like ninety or ninety one, I want to say.
And it was that band plus uh was it Nostello
something Mistella what's his last name?

Speaker 5 (31:29):
The drummer.

Speaker 3 (31:29):
Yeah, it was a second.

Speaker 5 (31:30):
Drum as well. Yeah, Pat something, I don't know, something
like that.

Speaker 3 (31:36):
Yeah, but it was two drummer with Bill Bruford.

Speaker 5 (31:38):
It was ninety five.

Speaker 2 (31:39):
It was ninety five because they came back and did
another album in ninety five.

Speaker 5 (31:42):
Yeah. Yeah, yeah, they they because they took like another break.

Speaker 8 (31:45):
And on that one they were doing more like a
couple of the seventies.

Speaker 2 (31:51):
Okay, okay, yeah, yeah, So that's dope, man, the dope.

Speaker 9 (31:55):
You got to see him for sure. Yeah, have some clips,
will put them up on the Hustless page. Some clip
these clips from the show.

Speaker 2 (32:02):
Hell yeah, all right, Uh, let's get into other news. Hell,
Jamie Fox did a Netflix special about his health.

Speaker 5 (32:10):
Scare, like comedy special.

Speaker 1 (32:12):
Yeah.

Speaker 2 (32:13):
I mean, you know, it's like a one he's doing comedy,
but it seems like it's like.

Speaker 5 (32:17):
A one man show too.

Speaker 3 (32:18):
At the same time, it's not funny, is it common?

Speaker 5 (32:24):
Yeah?

Speaker 9 (32:24):
But no he sings, but I mean at the end
of the show.

Speaker 3 (32:28):
Yeah, yeah, yeah.

Speaker 2 (32:32):
He but no, I mean I think it's gonna be
half and half just because of the health scare stuff.
Put him putting that in there. How do you guys
feel about like him rolling out you know, what happened
to him as part of the show and making that
thing like the way that.

Speaker 8 (32:50):
He's finally because I don't know what happened to him,
he just disappeared. Is he gonna tell what actually happened character?

Speaker 2 (32:57):
I guess that's what he's doing. He's definitely telling what's happening.

Speaker 8 (33:00):
You just got to sing about just you know, if
he wants to sing about it and that so inspires him, great,
But we don't have to have it about that.

Speaker 3 (33:08):
You just tell us actually, right.

Speaker 9 (33:10):
I like like the musical comedy at the end, I
like that ship.

Speaker 2 (33:13):
Yeah, Like I'm like just doing we don't want to
see anyways and just tell us what happened then?

Speaker 3 (33:18):
I mean he's pulling from right here on the special.

Speaker 8 (33:21):
That's pretty normal, man, take his phone right here, like,
hey guys.

Speaker 9 (33:23):
Hell no, don't do that now, I had to have
a chance. Yes, I like that he's doing this. I'm
tired of seeing people doing content in their fucking car enough.

Speaker 8 (33:33):
All right, Well, then that he is trying to get
clicks to come see his ship because people do want
to know what he's famous.

Speaker 9 (33:41):
Yeah, put it like if you're a regular person doing
getting your thing off, do it, you know, But if
you're a famous as Jamie Fox, yeah, I want to.

Speaker 3 (33:48):
I like to see it like this. But what do
you real quick though? What do you think is gonna
come out?

Speaker 8 (33:55):
Like we're like, is it like, are we gonna find
out they asked something at all? So like isn't gone
like he is gonna die earlier terminal or something like
is it do we know it's gonna be like I
don't know anything.

Speaker 3 (34:09):
I'm good now and stuff like maybe it's not gonna.

Speaker 5 (34:11):
Be like that got can reason or whatever.

Speaker 8 (34:15):
Some disease is gonna get named after him or something
like that.

Speaker 3 (34:18):
You know, who knows.

Speaker 5 (34:19):
Man, that'd be kind, that'll be kind of fire.

Speaker 9 (34:21):
Yeah, all of this leans towards I'm happy he's doing it,
like this rollout for that.

Speaker 5 (34:29):
Your own disease.

Speaker 2 (34:30):
Yeah, yeah, yeah, I'm coming for your title Fox Stones Word.

Speaker 9 (34:37):
Yeah, you know that's fire also, man, I just think
it's cool for especially artists this big to just do
ship that's not owned by Facebook. Man, that people don't
don't really think about it that way, but like people
are dropping songs on Instagram. People are dropping their songs
first on Instagram and then dropping you know, knowledge about

(34:57):
even like someone like Cardi B's like that's her reality show,
that is her life.

Speaker 5 (35:03):
On Instagram Instagram.

Speaker 9 (35:04):
Yeah, you know, just like yo, take that ship to
make money off of it, so everybody can make money
off of it. Yeah, I mean I don't know. I
don't feel like Mike Mark have anything to do with this.
That's all the topic.

Speaker 2 (35:19):
Uh. Olymbiscuit hits Universal Music with two hundred million, yeah,
claiming band never received any royalties.

Speaker 9 (35:30):
Go get them, everybody that's done, and all these rich
guys that finally have enough money to get a good
lawyer to look at their ship from back then all
of them coming out with mad money. You're just getting
just jerked straight up. They're still doing that shit. Who's
wasn't it? I think sha Ka Khan? What song was
that was?

Speaker 11 (35:49):
It?

Speaker 9 (35:49):
Ain't nobody one of Shaka Khan's hit songs, like allegedly
went gold like a week ago. I'm every woman, I'm
every woman who just got certified gold a couple of
weeks ago. That is fake? Yeah, like how could that
be fifty thousand copies? That was crazy thirty years ago.

Speaker 3 (36:07):
Yeah. Yeah, they've been ripping people off so hard.

Speaker 5 (36:09):
One hundred thousand, five hundred thousand.

Speaker 3 (36:11):
Does it safe?

Speaker 2 (36:12):
Yeah? Did Joe Budden joint? Yes, it was justified got
gold and impossible, that's impossible.

Speaker 3 (36:19):
It's impossible.

Speaker 5 (36:20):
That doesn't make any sense.

Speaker 2 (36:21):
They stole so much. Yeah, they stole so much and
undershipped whatever.

Speaker 11 (36:26):
You know.

Speaker 8 (36:27):
Also, so if they had that low numbers, they weren't
reporting them, Yes, yeah, because so the other because they
would have found out if they actually they would be
looking for the money I got you.

Speaker 9 (36:36):
Instead they go like, oh man, not didn't make it.
I'm every woman got that's a far away. That's like crazy.
It's a difference between what you know, what I'm saying.

Speaker 2 (36:46):
Yep, just off of the strength alone of the Whitney
Houston version that people and she put Chaka Khan in
the video.

Speaker 3 (36:55):
Yes, we know that Chaka Khan's song.

Speaker 9 (36:57):
That song got to five hundred thousand within a few
years of it coming out.

Speaker 3 (37:02):
I believe that. I would say that.

Speaker 9 (37:04):
Year, mate, I was I'm glad it was a it
was a number one almost a number one record.

Speaker 2 (37:07):
I'm glad that you brought that, U, because yeah, when
they put the Joe Budden shit on there and said
here's a gold play, I'm like.

Speaker 3 (37:12):
You're pumping up.

Speaker 9 (37:13):
Was at every sporting event in America from that day
for till now.

Speaker 2 (37:18):
You can know that it's not gold alrighty, it.

Speaker 3 (37:22):
Was twenty ten years ago.

Speaker 2 (37:24):
Just alf of the streaming should be certified, just from
you got served.

Speaker 11 (37:29):
Weird.

Speaker 3 (37:29):
Yeah, they they've been playing around.

Speaker 5 (37:31):
They've been playing.

Speaker 2 (37:32):
They play around with a lot of artists, man, And
that's kind of weird that with Fred Durst and U
Biscuit because they well, no, I'm it's well only because
they actually sold.

Speaker 3 (37:42):
You know, the people.

Speaker 9 (37:43):
That's why you know he got jerked, Yeah, because they
they don't. That was the time of the giant deal
in which someone gave you two million dollars up front,
and you just took your two million dollars because you're
twenty years old. Yeah, and you go about your day
now he's fifty, He's like, wait, hold up, well, they.

Speaker 8 (38:00):
Were also money make for a good amount of time.
They were making money from tours and.

Speaker 9 (38:05):
The shows, right, so they were kind of like letting
all that money on the back end that they didn't
even know about. Yeah, like you know those artists. Think
about all the artists that that sold way back then.
They never really gave the okay to make their ship
into m P three's. Yeah, you know, that's not something
that anybody did. That was like the Napster thing and
the Metallica. It was only people to fight it and

(38:26):
they just looked like assholes because they didn't frame it right.
But like they just made up a whole another version
of your album. Let's say you got tapes, finals and
some other piece of whatever. They made that thing up,
didn't ask nobody and didn't didn't consult anybody about how
much it would cost to sell it. So they go like,

(38:46):
all your songs are worth a dollar now, Like hold
up this sometimes, actually every.

Speaker 3 (38:53):
Song in the world is worth ten dollars a month.
How can that? Yeah, that's crazy, how can that be?

Speaker 2 (39:00):
It says that a Universal allegedly failed to issue royalty
statements at all during the significant periods of the band's history,
from like ninety seven to two thousand and four.

Speaker 5 (39:11):
It's a long time.

Speaker 3 (39:12):
Yeah, it does seem like you maybe ask I don't know.

Speaker 2 (39:15):
And they're also suggesting that that they their records did
not recoup.

Speaker 3 (39:21):
Well.

Speaker 8 (39:21):
Also, is this all on the record label or also
maybe on whoever was managing their money?

Speaker 9 (39:26):
This is on the red this is on the own
the label, because either you got the money you didn't.

Speaker 2 (39:29):
Yeah, they didn't get supposedly they didn't get the money. Yeah,
that's the thing. And and yeah they're yeah, there's like
a lot of different charges.

Speaker 5 (39:38):
But yet they're saying that they have not seen a dime. Damn.
There's a lot of a lot of interesting details.

Speaker 3 (39:44):
Because I think it takes that.

Speaker 9 (39:46):
You know, if you're on top of the world, you
don't want to feel greedy, right those guys are millionaires.

Speaker 3 (39:51):
They were killing it.

Speaker 9 (39:52):
They didn't really want to be like, hey man, let
me get into somebody's ass about some paperwork.

Speaker 3 (39:57):
Right now, I'm going to this party with corn or
what whatever it was.

Speaker 9 (40:00):
They were at fucking Woodstock amongst some crazy shit, you know,
and like, you know, and instead when you get fifty, right,
they're all fifty now and they do have lawyers, and
they're looking at this ship and their taxes and they're like, wait,
maybe I'm smarter.

Speaker 3 (40:15):
I should look into this.

Speaker 9 (40:16):
Yeah, you know, but you know, everybody like we're all
we're lucky to have all this information.

Speaker 8 (40:22):
How much you want to bet they started hanging out
with Corey Feldman and they're like, well, how much are
you making off of this this?

Speaker 3 (40:27):
Well you got to get your contrast together, and really
it was hard.

Speaker 8 (40:33):
She worked actually makes a month. I'm like, it's like
over two hundred thousand dollars from like what he gets
back from movies and all this other ship.

Speaker 9 (40:43):
And his music is independent if you listen to it,
and just because you're making fun of it, it don't
matter if it's still eighty six million hits or whatever.

Speaker 8 (40:53):
So I believe that he makes a ton of money.
And he probably was like, Wow, you got to get
your you're buzzed again. I make sure you're getting you.

Speaker 3 (41:03):
Fred How could he possibly be? Richard? And he hasn't
a movie or a song, and who knows how long.

Speaker 5 (41:09):
Yeah, let's see here.

Speaker 2 (41:13):
So, yeah, we were speculating, speculation, speca, speca gating about
Billie Eyelash and phenis.

Speaker 3 (41:23):
Uh.

Speaker 5 (41:23):
And it says.

Speaker 9 (41:24):
That you know that Phoenix is not on Phineas Phineas.

Speaker 3 (41:28):
I actually don't know pH Phoeniss, Like, it's not Phoenis.
It's not right at all, Phineas Phineas.

Speaker 2 (41:36):
Yeah, Phineas. Uh, yeah he is. Yeah, he is absent
from the tour right now.

Speaker 3 (41:44):
But it was not from the album.

Speaker 5 (41:46):
Not from the album.

Speaker 2 (41:47):
Okay, Yeah, but I guess because he is, uh, because
I guess he's doing shows as well.

Speaker 3 (41:53):
Yeah, why is he? Why does he need to be there?

Speaker 2 (41:55):
Yeah, it's the schedule permits. He said he will be
he will be joined the tour here and there. I
just thought that was interesting that he actually is not
doing the tour, not to me.

Speaker 3 (42:04):
Many they so stupid rich. Yeah, it don't matter if
he did.

Speaker 2 (42:08):
You know, I'm not surprised as long as money shows
up in the mailbox, you know what I'm saying. Uh,
let's see here. Soldier Boy says he's the first rapper.

Speaker 9 (42:18):
To fly an airplane man, Sojia boy is always the first,
that's something. And he keeps letting us know every couple
the first rapper to fly in an airplane, that can't
fly in an airplane.

Speaker 2 (42:28):
No, like to fly an actual airplane, like you know,
he has a pilot.

Speaker 3 (42:33):
I don't believe.

Speaker 8 (42:34):
I don't know about that, because a lot of people
claim to be rappers and they have like they can
back it up with actual recorded material. I think that's
the only you know, it's only requirement to be a rapper, right, Yeah.

Speaker 9 (42:46):
Let's he's a hit. He's a rapper. You know he
had hit song. I mean, but I'm saying he had number.

Speaker 8 (42:50):
One rest the first person that was a rapper that
flew that could fly an airplane.

Speaker 3 (42:55):
Yeah, that's what he's claiming. That's what he's claiming.

Speaker 9 (42:57):
Although how early who else? Who else is a pilot
that we know of?

Speaker 2 (43:03):
I would, I would think, although I don't think he
is not a pilot, but will Smith?

Speaker 5 (43:08):
Will Smith would he would?

Speaker 3 (43:10):
It seemed like he.

Speaker 9 (43:10):
Would want There has to be were playing for real.
I know in like independent state he flew. Okay, hold on,
here's another thing. What if the rapper was in the
military and fluid.

Speaker 3 (43:19):
That's what I'm trying to figure out. And then after
that became a rapper. That's what I'm trying to figure out.

Speaker 5 (43:25):
I don't know, it's hard.

Speaker 3 (43:26):
It's it's rapper pilots, twenty one pilots. No, Okay.

Speaker 9 (43:33):
Ludacris is already challenging this. Okay, Christian, he's challenges Yeah,
he's just like, come on, you can't be the first
rapper to fly. Here's the video the post Ludacris said
he was now, yeah, all refreshes, so him and the cockpit, Yeah,

(43:54):
oh my god, fresher.

Speaker 6 (43:56):
Then ye.

Speaker 4 (43:58):
Wrapper to fly airport.

Speaker 3 (44:00):
Let it go one more time, boy, you know what's
going on.

Speaker 4 (44:06):
I was the first rapper to fly airplane.

Speaker 5 (44:09):
Let's go be about to get in the air. You
ready to do this, let's do it.

Speaker 3 (44:17):
So, first of all, you still ain't flying the plane.

Speaker 5 (44:19):
He's not really doing anything.

Speaker 3 (44:20):
But so he's saying that this flight happened like.

Speaker 5 (44:24):
Just recently, soldier.

Speaker 2 (44:26):
But yeah, this is this was put this is like
this is there is two days ago.

Speaker 8 (44:30):
Two days I don't know for a fact at all,
but I find it hard to believe that there is
not another rapper.

Speaker 9 (44:38):
Well, he isn't somebody steps up to the plane, Ludacris
just saying he don't think it's true.

Speaker 3 (44:42):
Ain't enough either, Okay, Yeah, I wonder all right.

Speaker 9 (44:47):
Rappers, is somebody gonna have to say they flew a plane?

Speaker 5 (44:49):
Yeah? Step you game up, y'all.

Speaker 3 (44:51):
Yeah, because I never heard of a rapper for y'all.

Speaker 2 (44:52):
Just start flying your old planes by this.

Speaker 3 (44:54):
I think it's easy to make fun of Sojia boy,
but I don't. I don't know nothing about this boy
was gonna.

Speaker 8 (45:01):
There's no context, like, is he on a private flight
and he asked them if he could sit in the cockpit?

Speaker 6 (45:07):
No?

Speaker 5 (45:07):
He We don't know, man, we don't know, don't at all.

Speaker 3 (45:10):
Is just the only only post, I'm sure it is.

Speaker 5 (45:12):
Yeah, it's the only post.

Speaker 3 (45:14):
He could just be the.

Speaker 9 (45:15):
First rabber to sit in the cockpit. Honestly, we don't
know if this plane ever took off.

Speaker 2 (45:19):
Yeah, well, man, soldier boy, I hope he's first.

Speaker 3 (45:24):
Good luck cast some prayers?

Speaker 6 (45:27):
Uh?

Speaker 2 (45:28):
Do we want to watch this sketch that Liam Gallagher
says is not foul from SNLA. Yeah, they made fun
of him on SNL. I guess this past weekend.

Speaker 9 (45:40):
And uh no, we don't have to lose to have
an audio SNL sketch at all. Now everyone check it out.
If you want to see Liam Gallagher's sketch.

Speaker 5 (45:50):
Yeah, check it out. He was less than enthused.

Speaker 3 (45:54):
Blah blah blah. Of course what else? How unpredicted? Like
that's so predictable.

Speaker 5 (45:59):
Yeah, of course it's all news.

Speaker 3 (46:01):
Yes, heck like shut up man?

Speaker 2 (46:04):
Uh okay, uh James, do you want to show us
any locale anyone before we get out of here, before
we roll to sea.

Speaker 3 (46:12):
Not unless I've prepared something. I can't just whip it
out here. I got it.

Speaker 8 (46:16):
I get I have to have like pre production and stuff,
not today. Yeah, so let me know ahead of time.
But you know, all right then.

Speaker 2 (46:26):
All right, well then we're gonna come back with some slaps,
all right, which you did pick out it good?

Speaker 11 (46:32):
Yeah? I did?

Speaker 3 (46:33):
Thanks?

Speaker 2 (46:41):
All right, we got slaps loaded up? James is uh
is gonna command that ship?

Speaker 5 (46:50):
Bro?

Speaker 8 (46:51):
Well we were just talking about this gentleman John Mayer
he uh is playing it's actually hitting out his release
or maybe it's a feature.

Speaker 3 (47:02):
It's a feature. Z uh.

Speaker 9 (47:08):
Dj okay, Yeah, I don't want to say idiom but
a producer DJ guy okay, featuring John Mayer.

Speaker 2 (47:14):
So this could be this could be just John Mayor sampled,
or it could actually be uh a real thing because
you know, you know what I'm saying. We've we've we've
run into that quite a lot.

Speaker 3 (47:24):
So that's one of those fool me once type things.

Speaker 2 (47:27):
Yeah, so let's see what happens here, Zed and John
Mayor what's the name of the joint automatic?

Speaker 12 (47:32):
Yes, all right, boy, here we are, and then we

(47:53):
take it back, take him to the hes, taking it
right to the.

Speaker 3 (48:00):
Mh you got it.

Speaker 5 (48:03):
And the two on your own again.

Speaker 3 (48:06):
And maybe I hope it's me you came.

Speaker 4 (48:10):
I don't want to break the silence. I don't want
to play pretend. I don't want to be the same
the stick you league again.

Speaker 3 (48:19):
Yes, I'm gonna if you ask me.

Speaker 13 (48:25):
That that yes, yes, yes, yes I won't.

Speaker 3 (48:30):
That's all gotten here that ye, yes, yes, yes, I'm on.

Speaker 13 (48:37):
Yes, yes, yes, yes I won't, yes, yes, yes, yes
I won't.

Speaker 4 (48:47):
Don't lie you scared of what your fans will saying,
But they don't know me anyway, And maybe.

Speaker 13 (48:54):
I understand again.

Speaker 3 (48:58):
You forgive it enough and so you kind of have.

Speaker 5 (49:01):
To let me go. A lot of noodles in there.

Speaker 3 (49:04):
But you gotta take a chance doing a guitar tracks,
you know.

Speaker 5 (49:08):
The sad.

Speaker 3 (49:10):
I don't want to play potato.

Speaker 8 (49:12):
I don't want to get that like the steak more.
You're gonna keep the prams.

Speaker 5 (49:19):
Yes, guitar.

Speaker 4 (49:24):
That yes forbot some notices. Yes, yes, yes I'm on
AC commanding and you know that.

Speaker 13 (49:35):
Yes, yes, yes, I'm do myself the time. Yes, yes, yes,
I won I won't. You don't never ask be Twest,
you have any.

Speaker 12 (49:49):
Tell you that, I.

Speaker 13 (49:55):
Don't never ask Betwest you have any know, L I
don't know.

Speaker 3 (50:03):
Sounds really good on that, so yeah, I didn't know.

Speaker 8 (50:22):
Okay, Uh, this usually isn't like my type of electronic music,
but I think I.

Speaker 3 (50:29):
Think it's done really really well. It sounds good. And
also that John Mary is playing guitar on it. It
sounds like something where they would have just sampled guitars,
but it sounds like sample guitars.

Speaker 8 (50:44):
But like you're saying, there's a little noodling in there,
and the noodling in there is what makes it cool.

Speaker 3 (50:49):
And the rhythm guitar, Yeah, yeah, everything is like embellishing.

Speaker 8 (50:52):
It's it's not just a loop and that makes it
sound more uh human obviously, but I I think that's
really good. I think John Mayor has done enough as
much as he can do with adult contemporary mom music.
Like I think he's done it all in then he
did like the dad blues thing, and now he's messed

(51:13):
around with this.

Speaker 3 (51:14):
I think this is pretty cool for him.

Speaker 8 (51:16):
Uh.

Speaker 3 (51:17):
I'm gonna give this a casual slap because I.

Speaker 8 (51:23):
Think it's interesting for him, and I appreciate the production also,
it sounded really good, serious producer master.

Speaker 3 (51:31):
Very big, big hits, big worldwide hits.

Speaker 5 (51:34):
ZI.

Speaker 9 (51:35):
Yeah, I agree with so much, so much of what
you said. I'm so tired of the dad blues. I'm
tired of the adult contempt. I'm tired of the jam band.
I'm just tired of it.

Speaker 3 (51:45):
Yeah, they're grateful dead thing is in Excuse me, I'm
tired of that.

Speaker 11 (51:48):
Man like.

Speaker 9 (51:49):
This seems almost like more of a bag. This is
like in a party drinking. This is like party music,
you know, and no other context at all. So yeah,
I agree with you.

Speaker 5 (51:59):
This is fine.

Speaker 3 (51:59):
I'm let this baby power slap. He wasn't that annoying
in it. I like this version.

Speaker 9 (52:05):
I like the song what they did as far as
fucking with his vocals and ship towards him, and it
just sounded real clean. It didn't sound like it was
trying to be like a hit from the nineties or
you know what I mean. It's like a little daft
punk light, a little like nice.

Speaker 3 (52:20):
It was nice. Yeah, vocals are definitely better than that
affected like way better.

Speaker 9 (52:26):
I can't say that everything about how this was recorded.
It sounds more like his actual forces. Let Zed do
produce his regular record, Yeah, yeah, yeah, I just have
to say that at Sunset Sound or whatever.

Speaker 5 (52:37):
He does sound comfortable in this, you know.

Speaker 2 (52:41):
Uh yeah, He's not the only writer on this, you know,
Z and his people also chimed in on the writing.
So yeah, the lyrics are not They don't feel as cringey,
you know, as it can get with John Mayer. It's
not like two tongue in cheek. It's like it feels fun.
So yeah, I agree this this sounds great and slathered.

Speaker 3 (53:04):
He didn't he didn't slather it.

Speaker 2 (53:05):
Yeah yeah yeah, and even and the guitar stuff is
really tasteful too. So I definitely think that it could
be a cool little direction for John Mayer for his
next record, just to go because.

Speaker 5 (53:18):
I definitely want him to make hits again, you know,
and I feel like he would. He kind of needs to.

Speaker 2 (53:22):
Get out of that adult content bag if he's going
to do it.

Speaker 5 (53:26):
So uh yeah, this is a automatic.

Speaker 9 (53:29):
Yes, especially Yeah, for me especially, gonna have to find
a way to like play guitar solos. I feel like,
you know, he wants to play guitar solos, so he's
trying to figure out what type of music he can do.

Speaker 3 (53:40):
You know, you can solo over.

Speaker 11 (53:41):
This man he is.

Speaker 3 (53:43):
Yeah, Yeah, there's a lot of guitar tracks standing in
the DJ like me. You feel like he got he
uh got left out of the daft punk Uh yeah.

Speaker 8 (53:54):
I don't want to say trend, but that whole thing
where period of people rhythm rhythm guitar playing was all
over that stuff.

Speaker 3 (54:01):
Like he can hang with that, like what, you know,
he's too busy playing brewery.

Speaker 8 (54:06):
Music, dance, keep track of your good God, gross, All right,
what else you got? Kim Deal Kim Deal from uh,
Pixies from.

Speaker 2 (54:22):
Pixies and the Breeders. Yes, we listened to one of
her tracks before. This is from her new solo album.

Speaker 8 (54:29):
Yeah, this is uh and we're gonna give it another
try alright, it's a good time.

Speaker 11 (54:34):
Pushed on st follow you off this world. You quick.

Speaker 6 (54:59):
Behind John stay now that a five guns. We want

(55:20):
to push you off this world.

Speaker 3 (55:29):
Exchange matter right now.

Speaker 6 (55:31):
I want that change.

Speaker 3 (55:33):
I want one here.

Speaker 6 (55:39):
Now.

Speaker 11 (55:39):
Cool.

Speaker 3 (55:39):
Yeah, we.

Speaker 6 (55:43):
We're having a good time. I'll see you loud. I'll
see you loud now the time for many.

Speaker 10 (56:09):
Drugs.

Speaker 3 (56:10):
He always wasn't making drugs.

Speaker 5 (56:13):
He did this so wild, like.

Speaker 3 (56:17):
It wasn't making that one.

Speaker 11 (56:20):
I see he's not making it. Not he's not whoever.

Speaker 3 (56:26):
They're not doing it. What's called it?

Speaker 4 (56:28):
Look yours makes you stay at every once in a while.

Speaker 11 (56:33):
Usually not on the album.

Speaker 8 (56:34):
But I.

Speaker 3 (56:56):
See so like he's just was playing drums.

Speaker 2 (57:01):
I'm like, oh, I need.

Speaker 3 (57:03):
It so like her, like the I'm like a card player,
like this gotta be heard, like she's playing heard.

Speaker 5 (57:11):
Like drums hard struggles.

Speaker 3 (57:13):
Bill, it don't sound good. They're like, you're late, not
playing well, not even tuned.

Speaker 9 (57:21):
Well, we're really.

Speaker 3 (57:28):
Fall back in the place.

Speaker 10 (57:36):
We were good time.

Speaker 3 (57:52):
So I was like over pretty much. I don't think
a song as finished.

Speaker 2 (57:57):
This was requorded by uh you guys, Steve Albini, you know,
before he passed.

Speaker 3 (58:03):
Away and really, he only got what he got, got
what you got right there. Wow, that's definitely it's not
dressed up.

Speaker 5 (58:10):
Who is playing drums?

Speaker 2 (58:11):
Uh, I'm guessing it might be uh maybe Patrick Himes
or one of I really don't know who's playing drums
on this, you know, and listen could have been recorded
in any number of ways.

Speaker 5 (58:26):
I get it, But I'm like, this is uh nope,
this because like.

Speaker 2 (58:36):
This sounds like one of those like fucking horrible pearl snares.

Speaker 3 (58:39):
This sounds like it's not too loose and the snares
aren't tight enough.

Speaker 5 (58:43):
They're not tight enough.

Speaker 3 (58:44):
This is that back line kit at the punk venue.

Speaker 2 (58:47):
It sounds like high school fucking snare drums, like kit
Drome with a pillow in it.

Speaker 8 (58:52):
You know, yet is too quiet, but the snare is
mad loud and the highats are shitty, so they're even louder.

Speaker 9 (58:59):
That whole it was like offending me. It was offensive
the feeling themselves. They were like, this is taking them back.
It was taking it back to the roots with this sound.
We're taking it back to the roots with this sound
right here. You know, it's like the old marching high
school marching band roots.

Speaker 11 (59:18):
Yeah.

Speaker 5 (59:18):
No, nope.

Speaker 3 (59:19):
Yeah, all right, rightie, what what about you?

Speaker 9 (59:22):
Man?

Speaker 3 (59:22):
Man?

Speaker 9 (59:23):
I like the vibe of the song as it was
kind of bopping along. I was like, Okay, this is nice.
I feel like, like I said, I feel like I
made strange matters seeing you're talking about know that that
was a part of it. Yeah, this sounds live. This
sounds like it was recorded. He doesn't record it live. Yeah,
the performance itself was just a little rough. Even though

(59:47):
I thought the song was kind of good, I wouldn't
offend it. I wasn't like if I heard this playing,
it just kind of like makes me feel like. I
was like, man, they could have did another past.

Speaker 3 (59:59):
Past.

Speaker 5 (01:00:00):
That's it.

Speaker 11 (01:00:00):
That's all we need, you know.

Speaker 5 (01:00:02):
What's more?

Speaker 6 (01:00:04):
This?

Speaker 5 (01:00:05):
Yeah, because I'm like it it. No, you didn't do it.

Speaker 3 (01:00:09):
Nope.

Speaker 5 (01:00:10):
That snare drum had been tuned up a little bit,
it probably would.

Speaker 9 (01:00:13):
I'm definitely on the fence because I wasn't. I thought
it sounded shitty, but I thought it sounded shitty on purpose. Right,
This sounds like the next wave, right. Everybody's drums was
was dry, right, we got the dead drum plug ins,
but ultra way.

Speaker 3 (01:00:27):
On the ultra wave, we got the lugs falling off
the snare.

Speaker 2 (01:00:30):
Like the falling off, but I know what snare it is.

Speaker 5 (01:00:33):
I'm like, yo, this ship is bullshit.

Speaker 3 (01:00:36):
I can't. I can't let it slap, even though I
wasn't mad at it. I'm not mad at this. You can't.

Speaker 9 (01:00:40):
This doesn't the sound of quality. Yeah, the quality control didn't.
It was this so for me, enough not enough bass.

Speaker 8 (01:00:48):
It was this shitty drumming and it kind of reminded
me of like velvet underground drumming, where it was it's
a very simple People think, well, you know, they don't
be that great. They're just playing a snare drummer symbol.
It's like, well, that's even worse because like to keep
time brushing the symbol. It's it's not the drum set

(01:01:11):
that was bringing it to it. It's the person. Yeah,
it was fighting like that's not like that just sucks,
and but it's I know, it's not somebody doing it intentionally.

Speaker 3 (01:01:24):
They're doing it because that's the best they can do.

Speaker 8 (01:01:27):
And that sucks because you can't even argue that it's
intentional because I guarantee you whoever played that drum part
can't play it straight like correctly, like I think that's
like and that was probably after a bunch of takes.

Speaker 5 (01:01:41):
I mean, maybe we don't know it sounds like.

Speaker 2 (01:01:43):
No, it's because that could' it sounds so you don't
know who played on it. There's a bunch of names listed,
but they don't have the drummer singled out.

Speaker 3 (01:01:52):
Well, that's because there's probably not a real drummer player
on it.

Speaker 2 (01:01:54):
No, I mean it has everybody else's name. There's a
bunch of names there, so I definitely think it was
a person. No, it's a human behind that.

Speaker 3 (01:02:01):
Well, yeah, that's obvious. I don't I don't like it.

Speaker 2 (01:02:05):
Nobody likes you, all right, up next.

Speaker 3 (01:02:11):
Okay, let's see what we got here.

Speaker 8 (01:02:14):
Okay, so here's one that I didn't pick up dard for,
but I don't really care. There's no one of these
Pharrell I'm from Virginia Beach songs.

Speaker 3 (01:02:25):
What what is it what you're talking about?

Speaker 2 (01:02:27):
So he's doing that documentary documentary, the Lego documentary we
listened to piece by piece.

Speaker 8 (01:02:35):
So here's another one because I want to hear it
just because you know, it's where I'm from, you know,
why not? Okay, is pretty good and it's it's called
Virginia boy and this uh featuring flow.

Speaker 11 (01:02:54):
Wow uh and.

Speaker 3 (01:02:58):
Oh well.

Speaker 9 (01:03:01):
Touchdows played. Man, I don't know why you drowning like
this tyler the creators. Oh yeah, here we are Virginia boy.

Speaker 7 (01:03:11):
Yes, Citi is he macnum the verb Lord ob made
city is where I was born off of.

Speaker 2 (01:03:17):
I prefer words instead of using sorts, but.

Speaker 7 (01:03:19):
Ends up coming off once I impress reward first key
Roard's corgan, then Triton. I'm simply reciting none of this
I'm writing. Let me explain why I'm a multi hyphen
raised in Atlantis. Of course I love for siting.

Speaker 5 (01:03:32):
Piece of Tiffania.

Speaker 7 (01:03:33):
Everybody loved the Titan didn't have a bowl like my
god daughter Arrow being pulled down like crabs and a
barrel by snakes who like to rattle on the old
battle marching cavalier. That's in my ole driver a black
Martian and that's the lv something in the water that
helped me build up it. Remit because my dad's name
is Sparrow from Virginia.

Speaker 10 (01:03:54):
Boy from Virginia, What from Virginia, Boy from Virginia?

Speaker 11 (01:03:58):
What from Virginia?

Speaker 6 (01:03:59):
Boy from Virginia, Boy from Virginia, boy?

Speaker 11 (01:04:03):
Wash your DNA, that ass, that ass that ass.

Speaker 2 (01:04:14):
Yes, city is here, gap tea live from the city
and the angels bout to see listen to me.

Speaker 5 (01:04:20):
You come here, bro, you kissing the ring. You get
lost in the south and we could have been your
wings hopped on Inglewood west side. That side I would
kick kick kick to the underside.

Speaker 7 (01:04:30):
South Bay where they drown if they get it out
of line, dark red, light blue when they keep a
magic wand But it was fun.

Speaker 5 (01:04:37):
No, I had a keyboard like where the sun going on?

Speaker 3 (01:04:43):
They want like that ass up like zo dog.

Speaker 5 (01:04:46):
That's a no no dog that we got blown off
with a skateboard baby win no no call.

Speaker 3 (01:04:51):
See I've been the board.

Speaker 5 (01:04:54):
A California baby.

Speaker 3 (01:04:56):
And for reals, from boys, you can put that on
your foot. We put that on a bad on.

Speaker 7 (01:05:00):
From Virginia, but from Virginia, but from Virginia, boy from Virginia.
But that as that ass, that that ass as that
that that.

Speaker 3 (01:05:15):
That ass, that's the whole song.

Speaker 9 (01:05:20):
Yeah fine, I say for me for Reggie yep, all
right in again uh Kelly, yeah yeah, yeah, I mean
we biased, But that was that was slapping though that
that did absolutely slaps though it did its job was great.

Speaker 3 (01:05:39):
Yeah, a production was really cool. It moved right along.

Speaker 9 (01:05:44):
It was I mean it's a short song, but it
never got boring ever. Good versus yeah great drum sound.
Uh saying that ass over and over again. It is
very Virginia thing to do.

Speaker 3 (01:05:57):
Yeah, that is right.

Speaker 9 (01:05:58):
We were like, yes that is Oh yeah, that's all right,
that's about that ass that ass. Yes, that makes sense.

Speaker 2 (01:06:04):
Also, I feel like it's it could be difficult to
kind of pull that off where you're trying to sound
like a sample but it's all like really keyboard based
and the way that some wild chords and that that Yeah,
I loved it was like really it had a real
floaty sound to it.

Speaker 5 (01:06:20):
But like the drums were great. I love the way
that the drums sounded.

Speaker 9 (01:06:25):
And the drums also added a drone, like a bass drone. Yeah,
but it's like all that stuff stacked on it, you know,
it felt nostalgic without like.

Speaker 2 (01:06:36):
Without it being like two on the nose, like you
get like a bunch of different vibes like definitely early
nineties like wu tang ish, but it's still like yeah
yeah yeah. And and the way that the keyboard started,
you know, it was like oh that's it's so viby.

Speaker 5 (01:06:52):
It was really cool. I liked it, man, So yeah,
easy cool, Okay, one more.

Speaker 3 (01:06:58):
All right, let's see. Uh okay, we got we actually
got a lot of stuff to pick from. Uh we
can do mm hmm.

Speaker 8 (01:07:11):
Okay, here's the one that you put on here. Uh,
let me go to illiterate light. Oh local boys, local,
semi local. Yah, Charlottesville, Yeah, Harrisonburg. I know they from Charlotte,
Virginia proper.

Speaker 2 (01:07:26):
Yeah they I think they met in Harrisonburg or something
like that.

Speaker 5 (01:07:29):
But uh yeah, Harrisburg exactly a.

Speaker 3 (01:07:31):
Big part of the sea. I'm talking at that. We
should know, we should know. We don't know.

Speaker 11 (01:07:38):
We don't, we don't at all.

Speaker 3 (01:07:40):
Uh yeah. This song is called all the Stars are
burning out all right?

Speaker 14 (01:08:00):
And on my sen shoes up, driving down, shirt good,
that's standing a drum set sound good?

Speaker 3 (01:08:15):
Hell yeah, he make that ship, He make that ship
sound good.

Speaker 8 (01:08:17):
Man, I'm almost warning it is one.

Speaker 12 (01:08:23):
I'm like, yeah, I'm real.

Speaker 3 (01:08:24):
So he sit down to time, sit down.

Speaker 11 (01:08:28):
He got a shirt on too.

Speaker 9 (01:08:29):
Yes.

Speaker 6 (01:08:30):
Last oh now, oh the star.

Speaker 11 (01:09:10):
The last time.

Speaker 6 (01:09:12):
Fine, it's the last time. Fine, Now it's kidding and
I sick, Come and.

Speaker 7 (01:09:33):
They have.

Speaker 11 (01:09:33):
One of them played bass in the studio stouts.

Speaker 8 (01:09:36):
I don't know because the lists Elamis is guitar, yeah,
and he has bass pedals like yeah, because it's kind of.

Speaker 3 (01:09:43):
Like a blacks common. This is separate.

Speaker 5 (01:09:51):
It was like real bass.

Speaker 3 (01:09:52):
Yeah, that's a that's a to the arts.

Speaker 6 (01:09:59):
It's it all ohs. And now.

Speaker 10 (01:10:10):
All the stars are burning am I the last one
to find down, always the last one until find and
I'm on the last one to find I'm always the

(01:10:33):
last want to.

Speaker 11 (01:10:34):
And find out.

Speaker 3 (01:10:41):
That's the stumbo set up.

Speaker 6 (01:10:48):
All the stars are burning out.

Speaker 10 (01:10:54):
I'm always the last want to find out, always a
strong to fine.

Speaker 9 (01:11:15):
All right, man, I could have taken some of that,
some of that crunch towards earlier in the song, yeah,
because I was getting a little worried.

Speaker 5 (01:11:25):
Uh, I'm not. I wasn't.

Speaker 9 (01:11:27):
I'm not mad at this, And when it before it
got to that section, I was like, oh, this is
just not for me, I guess, kind of down a
low down, you know. But once they started doing that,
I was like, oh, this song is good and the
singing is great. Yeah, Like so I'm not mad at this.
I'm gonna let I'm gonna let this slap.

Speaker 2 (01:11:43):
Oh yeah, uh, I enjoyed it, and yeah, I agree,
but you know what, I like the dynamic, the dynamics
of that where with patient, Yeah yeah, man, you just
gotta wait for it, bro, I mean patient. When the
crunch comes in, it's like it's right on time for me.
I really enjoyed the drum sound.

Speaker 5 (01:12:04):
Uh you know it. It does have The more you
listen to it, it does sound like he's standing up.
But initially I was like, he's sitting down when he's
doing this.

Speaker 3 (01:12:13):
And I don't know, controversy. We need to see some
studio picks.

Speaker 9 (01:12:16):
Yeah yeah, maybe Look, I know somebody listening to this
can help us out with that's what's the setup on
the studio right for that, I.

Speaker 5 (01:12:25):
Listen. I'm not illiterate, but I am not deaf or blind.

Speaker 9 (01:12:30):
All right, all right, can't mean literate. That's what you
can still be anyways. But uh no, death or not
and still and be literate or not. It's just you know,
it's a little humor. They're listen really Uh yeah, so
I enjoyed. I like the guitar tones and everything. I
really like that song. Uh yeah, slaps for me.

Speaker 8 (01:12:53):
Boom so I think that having in the studio, not
making it exactly like we have to be two people
just playing this live.

Speaker 5 (01:13:03):
Yes, I get it's.

Speaker 3 (01:13:04):
More for the songs.

Speaker 5 (01:13:05):
Are you in frame at all?

Speaker 4 (01:13:07):
What you are you?

Speaker 11 (01:13:09):
Oh?

Speaker 3 (01:13:09):
Did I push the wrong But I don't know what
you were doing over there. But it's a different it's
a different shot.

Speaker 5 (01:13:14):
Okay. I wasn't sure. Yeah, I wasn't sure that good.

Speaker 8 (01:13:16):
Thing catch that, But I think it did more of
a service to the song to actually have It's like
when the doors, it's great, That's what I was thinking
when they're like, oh we actually need a bass player.

Speaker 3 (01:13:30):
Yeah, just yeah, like we should find a friend.

Speaker 9 (01:13:34):
Yeah, So you know I'll give that, yeah, because I
didn't know what I was gonna was gonna be, like you,
it's not what I expected. I've only heard rockers from them, yeah,
because you know, although I would have liked to hear
it start kicking ass sooner.

Speaker 2 (01:13:51):
Yeah, I feel see to me, like, yeah, the rockers
and stuff they've been doing as of late. But the
Ship that kicked them off was kind of a tempo,
moody ish kind of song with with some of the
crunch or whatever. So I was looking for more of
that and I'm glad to get that on on this project. So,
you know, shouts still literally like shout outs, great, beautiful.

Speaker 3 (01:14:15):
Yeah, that's wonderful.

Speaker 5 (01:14:16):
That's a great edition of Slaps.

Speaker 3 (01:14:19):
Yeah man, lazy yeah man. It had been really horrible lately,
in fact, terrible.

Speaker 8 (01:14:24):
I've pretty much all good music today I've had I've
close out or shut out, I mean, like the past,
like two episodes before, this is just nothing.

Speaker 3 (01:14:34):
Yeah, nothing, no hits, nothing, no hits, no hits.

Speaker 2 (01:14:38):
Yeah, you guys aren't hit, making hits out of you
a perfect game. Uh well, thank you guys, Bye, peace,
bye everybody.

Speaker 11 (01:15:00):
B b b.

Speaker 6 (01:15:09):
B b.

Speaker 11 (01:15:14):
B b.

Speaker 10 (01:15:18):
B b

Speaker 1 (01:15:23):
B and sadly the podcast is no more