The Hustle Season: Ep. 357 Forrest Gump Of Hip Hop

Topics include:

• New Scary Movie with the Wayans 
• Kurt Cobain would have loved GPS
• Faith No More is No More?
• MBU: Phil Lesh, DJ Clark Kent
• SLAPS:  Tyler the Creator, Maggie Rogers, Lady Gaga, Sade Adu 

• Tan.gent on Spotify, Bandcamp
• Follow The Rumble Trio
• New NOBS Brass EP HERE

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Episode Transcript

Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, Yeah, what's wrong with the.

Speaker 1 (00:08):
Boh we got?

Speaker 3 (00:09):
It's trash. It does not slap call and response. What
do you guys even doing? Cool stuff? Slick stuff, neat stuff.
I've been fucking I got too much.

Speaker 4 (00:23):
Alf I always felt akin to black people.

Speaker 5 (00:28):
Years ago.

Speaker 6 (00:29):
They tried to years ago, they tried to put me
in there.

Speaker 3 (00:34):
That means you're lying strings on them. I did it
with the pick and the rock.

Speaker 7 (00:46):
Oh, come on in Bonator, says the Waterspine, and.

Speaker 1 (00:52):
I say, let the conversation begin.

Speaker 3 (01:27):
Yay, yeah, come back at you.

Speaker 8 (01:36):
No season podcast. James got, Reggie got, Kelly back at
it again.

Speaker 3 (01:45):
Thank you, thank you, thank you so much.

Speaker 8 (01:47):
Yeah, everybody out there wherever you're listening watching us, Hey man,
what's that?

Speaker 3 (01:52):
What's Kelly got so excited? He's gonna go uh.

Speaker 8 (01:56):
TikTok and subscribe TikTok. Are you check out our TikTok
and all that stuff. He's gonna go to our Patreon
where you think, go and follow us there.

Speaker 3 (02:07):
Everything is recording everything I can see. That's happening. Yeah,
I know.

Speaker 7 (02:11):
Yeah, but if you do TikTok, feel free to play
the Hustle season theme song and dance along to it.
Put that on and dance dance on to it. Send
it them to us. You definitely will put it up.
All right, all righty then you got Kelly.

Speaker 3 (02:30):
Thanks everybody. Uh had a fantastic weekend. A lot of
pre beer trios justzup. Played at this place called Superfly
Brewing in Charlottesville. Very cool spot, a lot of cool
print stuff in there too, and uh so I have
to give a shout out to that that crew. I
love that room, Charlotte, Charlatville, you said, Charlottesville. James Rumble

(02:54):
Trio would crush in that little little space right there.
It's really cool. It's intimate, but like it sounds really
good in there. It's a nice room. Uh so yeah,
play there on Thursday night. Friday was in d C,
Alexandria area, play at this place called Atlas brew Works
with this other band called Nyan that's out of DC

(03:17):
and a couple of other bands. This was for a
d Wali celebration and we did a DC version of
that and that was very fun.

Speaker 7 (03:23):
Uh.

Speaker 3 (03:24):
And then Lewis Ginter on Saturday. Super epic. Uh most
the Flowers. Yes, it was. It was a big, big festival,
a lot of different music and different acts and stuff.
It was really entertaining a lot of fun shots pre
beer for and Lewis Ginter for helping us to put
that on. Nah, and hopefully we'll be doing that again

(03:46):
next year at Lewis Ginter. So guys, come on through.
It's pretty beautiful. Hell yeah, yeah, what do I Hell yeah,
sir see if I have anything coming up? Nothing, Nah,
go ahead, Michael. Yeah. What did I do this weekend?

Speaker 7 (04:02):
I went to I went along to the Coalition Theater
who did a live Buffy the Vampire Slayer musical episode
starting off the Halloween festivities.

Speaker 2 (04:12):
It was very, very fun. Played a couple of notes
at that.

Speaker 7 (04:14):
Bad Boy shout out to everybody that did that show,
Josh and Lauren everybody. Saturday Night idea album release party
at the Care Yeah, it was awesome.

Speaker 3 (04:23):
That was Vinyls and also Season was there there, showed up.
Good vibes.

Speaker 7 (04:29):
Dj Harrison opened it up the show. Awesome, good vibes.
Always good to see a lot of the people in there,
a lot of families like parents and stuff in there.
The band played really great and it was fucking awesome.

Speaker 3 (04:44):
Yeah, yeah, that very exciting. You guys have the brand
new album that just came out, Rocky Coast, Rocky Coast.
Make sure you guys go stream that shit.

Speaker 7 (04:52):
Yeah, and all the video I've seen in the show
sound awesome too, so hopefully we can we'll have a
live version.

Speaker 3 (04:57):
Yeah, quite a lot of videographers there. Yeah, people showed up.

Speaker 7 (05:00):
I was like, wow, I mean, not that we I
don't think it was even a huge real setup.

Speaker 3 (05:04):
Yeah, I was like how many. I was like, how
many do you guys contract?

Speaker 8 (05:07):
I don't think nobody got Hopefully you got a board recording.

Speaker 1 (05:10):
Yeah.

Speaker 3 (05:11):
I think my headphones just came out.

Speaker 7 (05:12):
But oh no, nope, no, sounds like something unplugged. I guess.
Any anyway, don't worry about here. I can hear Everybody'll
work about it later. But that was cool. Uh, then
what else happened? Oh plugs? Nobody else is playing in
Norfolk at the Annex tonight. I guess November first, Okay,

(05:37):
so if you're in Norfolk area.

Speaker 3 (05:39):
Come on out. Yeah.

Speaker 2 (05:42):
I think that's all I did. Oh I did the Yeah,
that's it. That's it.

Speaker 3 (05:46):
Oh, I got one more plug next week playing excuse me,
playing with this fantastic artist named Bradley Rhodes uh in
Fairfax at this venue called h IRPs Ordinary. I've never
played there, but I saw a couple of picks of it.
It looks like it's awesome. Uh. And then the next
night I'll be playing with Dylan Barrows and Danger Birds

(06:10):
at Gallery five November ninth, Boy November eighth, uh Rps
Ordinary and or Arps. And then November ninth, G five
and with Dylan Barrows and danger Birds and a couple
of the bands that I am sorry I forgot, but
I will get back to that. All right, James, you

(06:35):
play common House, isn't you? Yeah? I played common House?
How was that?

Speaker 4 (06:39):
Weird?

Speaker 3 (06:39):
All right?

Speaker 9 (06:40):
Weird?

Speaker 3 (06:41):
Move on, all right, it's odd. In the Saturday night
I went out to the you were yeah, I was there?

Speaker 9 (06:51):
Yeah?

Speaker 3 (06:51):
What did you? What did you think of the night? Idea?
N I great.

Speaker 8 (06:55):
That's why I came out. I come out because because
I thought they're a good band.

Speaker 3 (07:00):
Thank you.

Speaker 8 (07:00):
I wouldn't be going out and seeing that ship on
a Saturday night, spend my Saturday night out doing that
if I didn't think it was decent facts, right, you
said that doesn't mean because it ain't like there's a
lot of like hot women that go see Night Idea.
They're all like somebody's girlfriend or wife. It's mostly like
kind of nerdy music people to go see that.

Speaker 3 (07:18):
Say, that's a couple of baddies out there. I'm saying
you should go there because the music is amazing.

Speaker 8 (07:24):
You should go there under false pretenses, like you know
what I mean, I can't.

Speaker 3 (07:28):
Call it false pretenses.

Speaker 2 (07:30):
There could be some later and I like someone told
me it was going to.

Speaker 3 (07:35):
Be like actually the last show that we played with
that idea at G five, yes, popping popping packs, its
papping ladies was going. It was a thing, So you
can't that was the most popular. I mean, this was
this was like Halloween night for a lot of people.

(07:56):
This Saturday was past. I don't think so. I think
when I was.

Speaker 7 (08:01):
Driving Thursday people because Thursday is enough these days. Thay Thursday.

Speaker 3 (08:06):
I'm telling you because I saw mad Halloween costumes on
the on the internets, like right after the ship and
when we left it, I forgot about it because like
at your show, it wasn't like it wasn't. It was
not a thing at all. But like when I left
the show and then I was driving down Main Street
to get my huge steaks up or whatever, I was like,
oh yeah, I'm like this is this is the only

(08:27):
Saturday for fucking Halloween. That's true.

Speaker 2 (08:30):
I don't like it when Halloween stretched out like that,
But I'm still gonna party.

Speaker 3 (08:33):
It's cool. Everybody do the thing. Yeah, yeah, yeah on
a Thursday. Is not not bad. It's not bad, not bad.
Well cool, Yeah, beautiful weekend. All right, let's get into
some musaic news, music news, and I mean all around news. Uh,

(08:54):
let's see actresses. Bizarre Kirk Cobank quote was going viral
and that was Helen Mirren last week talking about it
was a shame that Kurt Cobain died because he was
not able to use GPS. Oh.

Speaker 7 (09:09):
I think she's just trying to have some fun with that.
Was that that's nothing, that's meaningless. Why is she talking
about Kurt Cobain.

Speaker 3 (09:17):
I don't know. I mean, you know, you know how Helen.

Speaker 2 (09:20):
Mirror, what did you got to say about Kurt Cobain?

Speaker 9 (09:22):
What was it?

Speaker 3 (09:23):
What was the leaded? I think this is the connection?

Speaker 8 (09:26):
Is it that song Something in the Way being used
covered by like somebody else, is.

Speaker 3 (09:32):
The music for the Joker movie. Okay, is that what's happened? Yeah?

Speaker 8 (09:37):
I think it's or maybe no, it is covered by
somebody else. And I think that she knows that was
written by Kurt Cobains. She's trying to make a witty joke.

Speaker 3 (09:44):
Ah, Okay, that was That's a really good guess. That
wasn't it. That's not it. That wasn't it, she said
she was. They were just having a discussion about the
entertainment industry and aging, and she was saying, you're lucky
that you get to get that you're able to get older.
If you're able to get older, you know, you're lucky
and stuff. And then I guess she started talking about

(10:04):
she said, Kirk Cobain, like she just she was getting there,
just got there. Connection.

Speaker 7 (10:09):
You were trying to you're trying to connect the dots.
You're trying to make it funny, trying to connect the dots.
It was a cute joke.

Speaker 3 (10:14):
It was Something in the Way. This is how she said.
She says, I always say it's so sad that I
always say, uh, the actors are so dull it's so sad.
It's so sad that Kirk Cobain died when he did
because he never got to see GPS. It's the most
wonderful thing. Man. I bet back in the day I

(10:34):
put something in the way joke in there.

Speaker 7 (10:36):
It's just a real old school joke because the GPS
is old now, you know. Because but like when I
when I first got to college, I remember everybody was
constantly talking about how crazy it was to go on
tour like before map Quest, you know, because Quest, Matt,
I'm from that, We're from the map Quest era. Yes,
we had to print that ship out and hope for
the best.

Speaker 3 (11:00):
I think about that ship all the time now because like, yeah,
because I was printing the ship out, it's like printer
I can't even read. I would have to go. I
would go to a fucking Kinkos or whatever before I
left town.

Speaker 7 (11:12):
You needed paper to get someone, you did, yeah, a
map or something, and then I would have it on
my thing.

Speaker 3 (11:16):
I'm literally I'm like literally risking my life trying to
read this fucking map Quest. Like while I'm driving.

Speaker 8 (11:23):
Back when I was during the time I was an electrician,
there wasn't like some if you worked for a really
nice company.

Speaker 3 (11:30):
They would have a GPS like.

Speaker 2 (11:33):
Module, like a tom Tom or whatever.

Speaker 3 (11:35):
Yeah.

Speaker 8 (11:35):
Yeah, but like most of the ship was we had
a like an atlas, like you know, actual atlas, yeah,
of like of just central Virginia, and so we had
to like look up the address like it was like
a phone book in the back, and then it would
tell you what, like the longitude and latitude of the

(11:55):
square that it's in, and then you would go to
that area on the map. But it's all like it's
not a fold out map, it's like looks like a
phone book.

Speaker 3 (12:05):
It was crazy, man.

Speaker 7 (12:06):
I remember one time, like Nobs was on tour and
right before everybody got I think I think Brian, who
shot out of him was the first person to get
an iPhone of all of our friends. So like it's
still before you could really look ship up.

Speaker 3 (12:21):
And I think Stefan had an at list.

Speaker 7 (12:22):
Stepan had like a whole map like for somewhere in
the Midwest we were, and he totally, he totally was
nailing that ship because it's like a big ass map,
just this big ass map, you.

Speaker 3 (12:34):
Know, carrying the atlas around it. Yeah, I remember that, man.

Speaker 8 (12:39):
But anyways, accompassed in the van to get situated.

Speaker 7 (12:43):
That would be that would be interesting. I bet he'd
be more interested in some music show. Maybe not, who knows, man,
who knows what you'd be into. Maybe he'd be a streamer.
He's playing roadblocks. He's just like streaming, playing Fortnite or whatever.

Speaker 3 (12:57):
Probably Pete Towns And speaking of streamers, he loves those computers.

Speaker 7 (13:03):
Man.

Speaker 3 (13:06):
He loves digital love loves them digital files. Man. Uh.
Pete Townsend has a thing called the Townshend Studio now
at the University of West London. He took all of
his synths and everything from the classic era and put
them in a like thing. It's kind of like a
little recording studio kind of thing at the school. I

(13:28):
don't know. I just want to mention that I thought,
that's like a really cool. That's fire, that's super cools.

Speaker 7 (13:32):
I feel like all schools should have a working recording
studio at least one, but especially you got a music school.

Speaker 8 (13:37):
Well historic thing and it's being taken care of and
like used for.

Speaker 2 (13:40):
Cool yeah, and still using it up, keeping the gear.

Speaker 3 (13:43):
Because it's all stuff that he says, is they all
still work. You know, he's kept them up you know,
for years, and he including he has the dream machine,
which I've only heard about Stevie Wonder working working, one working.
It's a it's a it's a Yamaha g x L.
It was like I think it had like three tiers

(14:05):
and uh, Stevie had one. There's like footage of him
playing it. Uh. When they did the classic Albums songs
in the Key Life where they go back with all
the guys that did the record, you used one on
that album. Yeah, it's that's that's a pastime paradise. That's
then all those all the strings and stuff. Yeah, a

(14:26):
lot of that is and then that, Yeah, that's him.
I thought that was like an art or something that
was doing that he had. I mean, I think it's
the same. I'm sorry. The art is the thing that's on. Uh.
I wish that the little muted things that is art. No, No, no,
that's a I think that was a moog. I think
that's an art. It could I mean it could be

(14:48):
either by that time, I mean, honestly seriously overdubbed on
different parts. I think so. But uh. He says that
the Pete Towns said there was only I think ten
made of the I think it was like I think
it was like forty k like back then.

Speaker 8 (15:02):
Yeah, that sounds right, a million dollar like the sin
clavier was like ten grand or more.

Speaker 3 (15:10):
I think they had I think yeah, uh. I saw
a clip where Marlon Jackson said he bought like a sinclavier,
but it was like for six figures. It was a
six figure one. This was like this is like eighty
five damn, which probably you know, would literally take up
half a wall back then. You know, I don't even
see they don't even show pictures of the sink clavier

(15:31):
like very often. No, I've seen a bunch of pictures.
I mean I don't ever see much footage.

Speaker 8 (15:37):
It looks kind of like a fair light. Yeah, okay,
it's like right, it looks very computerish. Yeah, it also
had a and the fair light I think is the
one that that one had a touch screen too, didn't it.
I think one of them has a touch screen a pen.

Speaker 3 (15:53):
There's a dope. There's a dope Peter Gabriel documentary where
they show him using that that was like eighty two
like in the in the mid eighties, it was used
a lot. Yeah, and you just don't see a lot
of footage of that. But but yeah, a lot of
the Townsend stuff, all the shit that he used on
the classic albums he has at the University of West London,

(16:15):
and I hope that they would open that kind of
thing up or he would do something else with that
or whatever. I don't know. It's it's really dope how
that how that came about.

Speaker 7 (16:24):
I wish we would do more stuff like that in America. Honestly,
I feel like all these universities, especially these rich ones,
should spend money making like music museums essentially, like where
is the board from this? Where's the board from that?
Like you see them since get sold in a way
that feels disrespectful.

Speaker 3 (16:41):
You know, some of them are that go to studios
that can sustain them.

Speaker 7 (16:46):
I mean I feel like a school, you know, like this,
where kids can use them. It would be sick because
there's there's mu there's like instruments like that in any town, honestly,
you know there's something that's like that. Especially since more
people are making music on their own bedroom pop and
all these plugin shits like plugins, It's eventually they're all

(17:06):
going to be looking for synthesizers, you know, especially the
original ones. I mean, I feel like since like aren't
taken with the same care like guitars are. You know,
like people go like, oh shit, we should definitely not
make sure this guitar right here stays timeless. They thought,
because I guess everyone thought since with toys for so
long before they start to care about them.

Speaker 8 (17:25):
The guitars have been around, not electric guitars, but the
guitars around for like hundreds of years, right.

Speaker 3 (17:30):
Synthesizers very very new, very new, and some of them
are gone already. You know, a lot of them are
gun And also they were fucking heavy as shit. They
were cumbersome. It was a different situation with synthesizer for
a long time.

Speaker 8 (17:43):
I mean, but even the same thing happens when you
get into digital stuff just like doesn't even because even
the stuff that's lighter and by today's standards super heavy,
like some of the sample ers and shit like that
or not, they're pretty sturdy, but they're not. But it's
not like a tape machine or like a like a
melotron or something weird like that.

Speaker 3 (18:02):
Right, dude, I mean there's pictures of a fucking herbie
playing like a synthesizer, but like with a strap on.
But excuse me pause with this strapman, Like there's a
strap on the keyboard. Oh yeah, liberationiber huge. No, No,
it's like from the seventies. It looks huge, heavy. Yeah,

(18:23):
it looks so heavy. And it took I mean it
took them forever to come with me.

Speaker 7 (18:26):
Yeah, Rick James band too. They didn't have a real
key tars either. No, that was a big keyboard strap
on it.

Speaker 3 (18:32):
Yeah. It'sok a minute for people to like really come
around with that. All right, let's see what else we
got here.

Speaker 8 (18:40):
Check this out real quick. Okay, this is the mood Liberation.
Uh damn, okay here, hop this up on the screen
real quick.

Speaker 7 (18:52):
So okay, okay, that's one of the original so called keuyitars.

Speaker 3 (19:00):
Like that. Let me go back over here.

Speaker 8 (19:02):
Uh yeah, so that's like the original guitar.

Speaker 7 (19:06):
What are they going for right now? Oh that's a remake.

Speaker 3 (19:10):
That's a remake. But like this, that one right there
is probably not for sale. I mean, look that there's
there's definitely for four g's. It's definitely going for four
or five.

Speaker 10 (19:22):
Fake you see shopping, cool shopping, No you have Yeah,
we're gonna have to go to some source, some dealers.

Speaker 3 (19:33):
No, No, there's no, right there, that on the verb
the verb right down there. Second one that's like the
key tar version. Yeah, it's like about three grand yeah. Yeah,
there's not that many of these things.

Speaker 7 (19:46):
Man, They like put them joints in some museums to
get some good music museums.

Speaker 3 (19:50):
Going yeah, it's pretty cool. That's super cool.

Speaker 7 (19:53):
I think that that media with the case and everything.

Speaker 3 (19:56):
Oh, that's like that looks more like a Yeah, that
one's it's four. That's four great, Yeah, so that means
it's going to definitely go for five. So yeah, that's
what we were saying to me.

Speaker 8 (20:05):
That's gonna nice ship though, man, all as cool as hell.

Speaker 3 (20:09):
Yeah, that's badass. Yeah, a lot of character of this stuff.

Speaker 2 (20:13):
Yep, electronic signals.

Speaker 3 (20:19):
Girn working about murder burn just cool. U oh man, Okay,
well we should just go into this because is this
news right here? This is this is like is right
up our alley? Yeah? Yeah, what's you guy here? Who's
rights this guy? Ken Tamplin? Ken Tamplin. He has an

(20:41):
online vocal course.

Speaker 8 (20:43):
Okay, he has been teaching I guess in the past
like ten to fifteen years online.

Speaker 3 (20:51):
All right, it's a long time kind of an influencer.

Speaker 8 (20:54):
Yeah, he's a guitar player on the youtubees Yes on YouTube,
and he's a guitar player.

Speaker 3 (21:00):
That his thing is.

Speaker 8 (21:02):
He's like, I'm just some guy that played guitar and
I used this method to become a really good singer.

Speaker 3 (21:08):
Okay, So I love these guys. Okay.

Speaker 8 (21:10):
So a video came out a while back, and I
think it was Wings of Pegasus was the YouTube channel, Yes,
And it's the English guy that does the analysis of
live various live performances and then compares them and we'll
find out that the vocal performance is identical, Like he

(21:31):
lines the waves up so it's identical to the one
from another performance.

Speaker 3 (21:35):
So he can prove that it's a track. Oh and
that everything else is not a track. But that is damn.
So he's really good.

Speaker 8 (21:43):
So he did a video and I think this one
other guy had put one out as well that was questioning.

Speaker 3 (21:48):
The validity of his singing, okay, And so they they
watched it.

Speaker 8 (21:54):
Go hey, we They challenged him to basically a sing
off and was like, hey, you do one of these songs.
Pick a song, we'll do a song, put up a
recording in forty eight hours and of you just with
a phone.

Speaker 3 (22:07):
Or playing guitar or whatever, singing home.

Speaker 8 (22:09):
Dude never responded, which would have been really easy for
him to just go, yeah, watch.

Speaker 3 (22:13):
It, yeah right, So he didn't, so that was kind
of fishy.

Speaker 8 (22:17):
So they started to dig deeper and find little weird
inconsistencies and started going, like this guy actually really is
they look at live footage. I mean like this guy
not only is maybe faking on the performances, you know,
on like the videos and instructional videos, but he also
is looks like he's faking live.

Speaker 3 (22:40):
Like and stuff.

Speaker 8 (22:41):
So he posted up This is about a month ago
that he posted this response, which basically is saying, Hey,
I think this is all bullshit. I don't know why
everybody keeps saying I'm, you know, faking it. I'm just
like awesome this, you know, So I'll play the guy.
I was going to give you a vibe of what

(23:01):
the dude.

Speaker 3 (23:02):
The video is called.

Speaker 7 (23:03):
Kin Tramplin responds to critics Vocal Academy, where.

Speaker 11 (23:06):
The proof is in the scene. Yes, I just did
a live performance with my band's Shout and Tampling this
past August and him and Frankly, I think we killed it.
Maybe we killed it so good that we actually had

(23:27):
people coming to me and saying, we think you show.

Speaker 2 (23:31):
Oh it's because he had lipstick music is.

Speaker 11 (23:35):
Crazy advocates rushing to my rescue to go long by
line to prove how different the live performance was from
the studio.

Speaker 8 (23:44):
He said, we had people proved that it was a
different performance. H So, on this particular video, he like
was taking down people's negative comments on it.

Speaker 3 (23:57):
Oh he was yeah. Yeah.

Speaker 8 (23:59):
So he puts this video out and uh, everybody is like, okay, dude,
we know that you're full of shit, you know, so well,
hold hold on, hold on, James, how does everybody know
he's full of shit?

Speaker 3 (24:12):
I'm about to show you? Okay.

Speaker 8 (24:14):
So so after this, like there hadn't been as many
people into like debunking him.

Speaker 3 (24:21):
But now that he's who gives yeah.

Speaker 8 (24:24):
But now that he's been like oh well, there's absolutely noying,
then everybody starts looking at all these videos and it
turns out there's a lot of stuff that he is
not doing for real. This I'll just show you a
little segment from the beginning. This is one of the
analysis videos.

Speaker 12 (24:41):
Yeah, tonight, we're gonna be analyzing three performances from vocal
Coach Ken Tamplin.

Speaker 2 (24:48):
Rock influences are pissed.

Speaker 12 (24:50):
Oh yeah, hello Philly from Wings of Pegasus and welcome
to video. If you enjoy this video, please give it
a thumbs up answer.

Speaker 3 (25:02):
No, oh yeah, this looks.

Speaker 2 (25:16):
So weird even suspect, Well, it doesn't sound live.

Speaker 3 (25:18):
It doesn't sound at all live. Yeah, he doesn't.

Speaker 7 (25:21):
He looks like he's totally Your voice will be louder
than that compared to the music, right, you know, like
if you really wanted to fake it a little bit better,
he should turn his vocals up in his fake tracks.

Speaker 3 (25:35):
Yeah.

Speaker 7 (25:37):
Also with those other kinds of the thinking that his
live performance was fake, you can just make yourself a
live one that's not the record and then lip sync
to that, you know, like at the super Bowl, like
they do a total, they do a recording that's live
and then sync to it.

Speaker 2 (25:56):
You know, it's not like just playing the records.

Speaker 3 (25:57):
But the problem is that I don't think is that
his voice is not good.

Speaker 6 (26:04):
I'll live as we go.

Speaker 3 (26:11):
Towards reverb. Wanted to be real too. What his lips aren't.

Speaker 12 (26:14):
Moving difference speakers. The vocal sound has totally changed. I
mean this couldn't be more different from the vocal that
he just did at the beginning. And let me just
see if we can grab this isolated vocal. Yay, yeah,

(26:34):
definitely live. So what I want you to listen out
for is how dry this vocal is. And I'm just
going to take this back because he said, that's what
I said. Goes off, starts the backing track, check it,
and and we're listening to the isolated vocal now.

Speaker 8 (27:00):
So basically he starts out with a real one with
no music, but when the track starts, he's over to
the fake thing.

Speaker 3 (27:06):
But anyway, so they go through all of this ship.
Now he always talks about his guitar playing, and he
features his.

Speaker 8 (27:13):
Guitar playing in one of these videos, and then they
start to look into that more and they realized that
the guitar playing is not always him playing.

Speaker 7 (27:22):
This guy before we get away from this, this guy's feathered,
uh fair foster and haircut is cracking me up.

Speaker 3 (27:28):
He's artwork. He's going crazy with it. He's artwork. Yeah. Yeah.
The guy over here, yes, pegass, he's got he's yeah,
he's got great. Hair's great, man. Uh, I want to
hear more of his uh I actually want to go
back to that other video where he's where he's talking

(27:49):
about his lips singing and how everyone's stupid for thinking
that he's lip singcing.

Speaker 13 (27:54):
We just see.

Speaker 3 (27:54):
I just want to see. I just want to see
a little bit more of that, because the way he
talks is just so arrogant. He's just.

Speaker 8 (28:01):
This is where something, this is where the high views start.
That's a pretty good, pretty good clip to actually, uh
there we go, Come.

Speaker 11 (28:16):
On, bro up to the table and see what they're
actually doing instead of just you know, click baiting people
into whatever they want.

Speaker 6 (28:23):
To get for their views.

Speaker 3 (28:24):
And I say this because I don't.

Speaker 11 (28:25):
Leaves me vulnerable and susceptible to a lot of criticism,
and I'm willing to accept that.

Speaker 3 (28:30):
But I will say this. I have to sing right
now exactly, sing something there you go, Okay, It's not
like I.

Speaker 1 (28:42):
Can pull Jimmy Cricket out of my pocket.

Speaker 6 (28:47):
That's really me singing.

Speaker 1 (28:49):
And what I'm going to suggest to you is you
need to put on.

Speaker 3 (28:53):
Your critical hat, critical shoes, side by side, evaluated yourself.
I'll put on your credit.

Speaker 11 (29:01):
Whether it's kt B A, the general news media politics.

Speaker 7 (29:05):
I don't like that he's punctuating himself, putting it in
quotes the bottom on the screen.

Speaker 3 (29:11):
I don't like that. Yeah, it's it's a little weird.
Why is it? Why is his set just like empty shelves?
But he still won't sing a song like how does that?
How does that prove it?

Speaker 1 (29:24):
This song?

Speaker 3 (29:25):
Here's one of his classic videos.

Speaker 2 (29:26):
That's jet shirt right there with the white Jesus on
the front.

Speaker 3 (29:28):
That's wild. Yeah, crazy shirt. He's just defensive, but I
also want to put some flesh and blood on some
of this stuff.

Speaker 11 (29:36):
He really sings with a lot of imperfection.

Speaker 3 (29:39):
Talking about and some of his vocals they're just not
that accurate. Check it out right, it's not real perfect
like that not saying I'm perfect, but you know what
I'm saying, Why does it need to be that? Right?

(30:02):
Let's continue, Jim.

Speaker 14 (30:06):
Belly stand on my feet, crazy take kid the Maroane Cry,
Lord what you're doing to me? I've spent on my
eyes and believe in you.

Speaker 6 (30:20):
Getting the relief?

Speaker 14 (30:22):
Lord, Somebody, somebody enough, find me, somebody loves.

Speaker 3 (30:36):
Oh my god. That is the perfect man. That's what
he sounds like. Man.

Speaker 2 (30:40):
Also, how does it you doing an impression of something?

Speaker 7 (30:44):
He made up? Does improve anything about you understand you're
doing he's coming from.

Speaker 3 (30:50):
But that's one of his uh popular videos right there. Man,
what a loser, dude?

Speaker 7 (30:55):
Yeah, wise guy, you suck man. Don't don't don't bring
Freddy Murcury into this. Man definitely don't sing better than
Freddie America. I don't know who told you that.

Speaker 3 (31:03):
What was the name of his band? It was Tamplin
and that's you know, it's Tampling and something he said
the first It was something in Tamplin. Yeah, something in Tampling,
Like we should look that up.

Speaker 7 (31:15):
Yeah, that's that's at the beginning of of the video,
when she's explaining himself.

Speaker 3 (31:21):
He says, what it is? Who is it? Where? Oh,
I'm just gonna look up Ken Tample's band. Oh yeah, please, yes, yes,
because that's where I think. I think also where they
got Oh My God Living for You want to see
a music video?

Speaker 7 (31:35):
Okay, this explains a lot like, oh, he's this is
a Christian rock band. Okay, this is okay, this is
explaining explaining a lot.

Speaker 3 (31:44):
Now use that sorcery.

Speaker 15 (31:46):
I wonder how old the video is it? Nineteen eighty nine? Yeah,
this sounds like a queen ripoff.

Speaker 2 (32:03):
Oh no, bro, you got the nerve if you're talking
about Freddie Murcury.

Speaker 3 (32:12):
You can't say none about Freddy b.

Speaker 8 (32:14):
Mercury with this it, dude, this is like such a
rip some cock blaess is from though.

Speaker 3 (32:20):
This has got to be eighty nine, Bro, I'm telling
you it's it's already. Feel like it's later than that,
though maybe ninety Hold on, hold.

Speaker 6 (32:28):
On, I like ninety nine as it comes.

Speaker 3 (32:32):
Oh, hold on, hold wow e yeah.

Speaker 7 (32:37):
Christian Christian Cockrock ha yeah, god, Christian fuck.

Speaker 3 (32:43):
I can't. Christian cock Crock is amazing. He turned about
don talk you hear the words?

Speaker 1 (32:49):
Fuck?

Speaker 5 (32:49):
Yeah?

Speaker 2 (32:54):
I hold to read what I saw.

Speaker 3 (32:57):
Nineteen ninety. Oh man.

Speaker 2 (33:03):
Even those vocals in the background sound stupid, all.

Speaker 3 (33:07):
Right, unnecessary double bass?

Speaker 1 (33:09):
Right damn?

Speaker 3 (33:12):
Oh man, I've had enough already. I've had enough of this.

Speaker 16 (33:15):
Bro.

Speaker 3 (33:15):
You can't say shit about queen. Shut up?

Speaker 1 (33:17):
Man.

Speaker 3 (33:17):
Can't.

Speaker 2 (33:20):
First of all, sounded like this in nineteen ninety you ripping.

Speaker 7 (33:22):
Everything, everything, every every stitch of clothing, every haircut, everything
is look cosplay, This is the shirt, this is cost
Look at his face, Look at his face. Yes, this
is Megachurch cosplay.

Speaker 8 (33:35):
Yeah, the church thing makes so much sense, it makes
so much more background in the video.

Speaker 3 (33:41):
Yeah, total church cult. Yeah. Well and then plus is
weird you know cultigue christ shirt I mean yeah that
was yeah. Uh yeah. Living for my Lord is from
Kins and Acts to Grind album. It looks like Steel Panther,
but like not as you know, like they're serious. They're serious. Yeah,
Christian still panther for Genius for Jesus. I got a

(34:04):
steal panther for.

Speaker 7 (34:05):
Hey man, thought some prayers. Man, It don't matter that
you did this shit you still so those video is
still fake.

Speaker 8 (34:10):
Well, now now there's people are wondering if he could
get in trouble for falsely advertising for his vocal thing.

Speaker 3 (34:18):
Obviously this did.

Speaker 7 (34:19):
This dude could sing at some point in his life
and could probably be a music teacher. Well, they're looking
back and finding old concert footage, saying, like all of
the concerts, it.

Speaker 3 (34:29):
Looks like he might be all the way back to
like eighty nine. Oh he's the studio rat.

Speaker 7 (34:34):
Yeah all right man aow some prayers, prayers, Yeah that
was this shit corny as hell.

Speaker 3 (34:42):
That was fun. Faith No More might be completely done,
completely done, So they're already done. They were going to
go back on the road before the pandemic hit, and
they had some dates in twenty twenty one, and then
Mike Patton cited mental health stuff, and then he started
going back on the road with his other band, Dead Cross,

(35:03):
and then they started doing mister Bungle stuff.

Speaker 8 (35:06):
Uh.

Speaker 3 (35:07):
And now the keyboard player uh said that they are
at a semi permanent because remember that that little weird
spammy news thing that that we saw about. But he
didn't die. But what if he is sick. They're not
really talking about him. I don't know if that dude
is playing, what if he's sick. There They said, there

(35:28):
have been a few things going on, but there's been
no real no real news. That's what the that's what
the that's a keyboard player says, you know, and Mike
Patten saying, you know, actual thoughts in prayers. Yeah yeah,
uh yeah, they weren't.

Speaker 7 (35:42):
They're not pissed at each other or nothing, right, they
just are growing up, grew apart. I mean, the you know,
busy doing other stuff.

Speaker 3 (35:49):
They're just busy doing other stuff too. I mean, Mike
Patton is you know, obviously one of the most restless cats. Also,
he's not gonna stop Roddy Bottom. He does a lot
of ship too as well. Yeah, I mean everybody in
the band is busy. Uh, but yeah, I haven't seen
much about the drummer as of late, so hopefully you know,

(36:09):
you know he's doing. Okay, James King, Gizzard and the
Wizard Lizard announce orchestral tour.

Speaker 7 (36:17):
That sounds great, sure, because they won't just they want
to sit there and jam. If it was with the
orchestra there, I hope not. No, they're gonna because they're
gonna have to know how long the songs are gonna be.
They yes, but hold on, they know how long the
songs are gonna be. But that doesn't mean that.

Speaker 3 (36:33):
They're just knocking a noodle over orchestrals. I believe in
I believe this. Well, let me say this.

Speaker 7 (36:38):
I hope that they're making another change, Like they changed
from what they were doing to this jam ship, and
I'm hoping they're gonna change from that ship into this
into being an orchestral rock band.

Speaker 3 (36:49):
I love.

Speaker 7 (36:50):
I love an orchestral rock band. Please God, okay, don't
go in there with these fake fish songs.

Speaker 3 (36:55):
Please don't with them. That's over. I've got faith, man,
I got faith. Okay, no more, let's see here, got
a little bit of let's go to movie news a
little bit.

Speaker 8 (37:08):
Uh.

Speaker 3 (37:09):
Wayne's brothers taking back over the scary movie franchise. Great.
I mean they should just make one every year or
why not. Anthon Symbol says, this is not going to
be funny. I'm putting it out there. He said it
today on social media. Sorry, and but that's what you said,
and I say, I disagree.

Speaker 2 (37:28):
I mean, I feel like they haven't been that funny
since the probably the second one.

Speaker 3 (37:33):
That's what they did. I think they just did the
first two.

Speaker 7 (37:36):
Well all of them after that weren't that good. So
if we can make them like the first and the
second one, I don't know, I'm down with it.

Speaker 3 (37:42):
They made a lot of money still, but they weren't
as good they did the people that did Naked Gun
I think took it over.

Speaker 2 (37:49):
I'm okay, Well that actually makes a lot of sense
because those.

Speaker 3 (37:52):
Movies were terrible. They were more slapstick.

Speaker 7 (37:54):
Yeah whatever, but I feel like there's not enough like
black comedy movies anyway.

Speaker 3 (37:59):
Just just do it.

Speaker 7 (38:01):
I just want to see more movies with the Wayne brothers.
And you know, I'm down with it, especially if they
get to make it themselves.

Speaker 3 (38:06):
I'm with it. I mean they're coming out on two B.
I think that's the problem. I don't care.

Speaker 2 (38:10):
Yeah, to make them for real, Yeah, making for real.

Speaker 3 (38:12):
They're not getting as much. I mean, honestly, it's true,
there's not as the distribution for black comedies are most
on TV.

Speaker 7 (38:21):
Garry Movie, it doesn't fit into that category. It was
a gigantic box.

Speaker 3 (38:24):
On No No. But we're just talking about black comedies
in general, because you said there's like not in general
in the That's what I'm saying. Yeah, I'm saying in
the actual they don't get the wide distribution that they
used to.

Speaker 7 (38:33):
Yeah, you know what I'm saying. Really, with the exception
of Kevin Hart and you know, a couple other people.

Speaker 3 (38:39):
When's the last time he's done like a black comedy.

Speaker 7 (38:42):
I feel like he's been doing serious stuff because he's
on Netflix. Shit, he's trying to do what shows. I
feel like they mostly all.

Speaker 2 (38:49):
Are, with the exception I mean real Husband's Hollywood.

Speaker 3 (38:52):
I mean, they're doing they're doing shows. Yeah, we're not
getting as many, We're not getting as many movies. Yeah,
and they're mostly come there, mostly gonna be on Delibruy.

Speaker 7 (39:01):
On Netflix because he did that heist movie that was
not that good. That heist movie wasn't good, that was
straight to Netflix, in which he was kind of doing
the James Bond face the whole movie.

Speaker 3 (39:10):
Oh really, you see that. I didn't see that. He's
like a bank robber.

Speaker 7 (39:13):
He's like, yeah, I got a plan, but there's no
he doesn't do any of the jokes, Like the jokes
come from other people, so he's You're kind of waiting
for him to say something funny the whole.

Speaker 3 (39:21):
Movie, and he kind of never does. That's what being
a straight man.

Speaker 7 (39:24):
Yeah, he's doing like a Tom Cruise impression, but it
comes off comedic. He's making that face and pointing his fingers,
you know, like I need you guys to follow the plan.

Speaker 3 (39:34):
You know.

Speaker 2 (39:35):
He's like, okay, and you expect the joke to come,
but it's not coming.

Speaker 3 (39:38):
He does a He did also something on a peacock
the that's the Fight Night thing. I haven't seen that.
I haven't seen that yet that I'm gonna watch that.
That's the that's what Tara Tower was wearing the wig for. Okay,
I'm gonna check that out.

Speaker 7 (39:48):
That's that that thing now that that show, slash movie,
whatever you want to call it that he did with
Wesley Snipes was awesome.

Speaker 3 (39:56):
That was kind of like seem already by Agras.

Speaker 7 (39:58):
Oh yeah yeah yeah, him getting like double crossed by
his team or whatever and get into a car accident.

Speaker 3 (40:04):
On that thriller that was Fire on Netflix. That was fire. Yeah, yeah,
it was. Stipe is great in it. Okay, but yeah,
go ahead make them. I don't care.

Speaker 7 (40:13):
They let people make all kinds of bullshit. Let some
black people make some they make. They let people make
all kinds.

Speaker 2 (40:18):
Of all kind of bullshit coming out.

Speaker 3 (40:20):
Blinci Yaga has released a garbage bag that's worth almost
two grand?

Speaker 2 (40:25):
How is it worth that? They just said that's how
much they saying it costs.

Speaker 3 (40:28):
That's weird. How was it worth? I don't know. I
just see a picture of a garbage bag of wild
I think because it was they modeled it like on
a Runway show. Okay, like just carry dress like the
like they carry the garbage. They just carried the garbage
bag they carry.

Speaker 7 (40:43):
They getting y'all, getting y'all. It's like putting Supreme on
a stapler. Now a stable across three hundred dollars. Y'a
got well, I mean listen, oh but it's red, got
supremes and it's red.

Speaker 3 (40:56):
It happened.

Speaker 2 (40:57):
Yeah, hey that could that that uh supreme though, I
mean g tar paedill look fire though.

Speaker 3 (41:03):
Yeah yeah, I mean I actually did like that. Yeah,
I look good. There's been several people that like to
geat James. James liked it like it looked really nice.
Uh yeah, right, here is the h Blinciyaga ubage garage bag.
Yeah hit, yeah, I got you.

Speaker 14 (41:23):
Yeah.

Speaker 3 (41:25):
Oh, it's just like a it's like a purse, but
it's a garbage bag.

Speaker 7 (41:30):
I don't Yeah, it's supposed to be like your purse,
I guess, or like your backpack, except it's a it's
a designer garbage bag.

Speaker 8 (41:38):
Yeah.

Speaker 3 (41:38):
Oh so if you're going to be one hundred and.

Speaker 7 (41:40):
Ninety making it the world's most expensive garbage bag, oh
so yo, I throw my garbage bag out.

Speaker 3 (41:45):
But they're just walking out around with it. So it's
like you can keep your shit safe if you're using
a garbage bag outside and not a purse, because you're
not going to ruin it, because you're not going to run.
This is a purse.

Speaker 2 (41:56):
It's seventeen hundred dollars garbage bag.

Speaker 3 (42:00):
I don't understand.

Speaker 7 (42:01):
It's fashion, man, So is it this is what somebody
gotta buy it for? Is it like some sort of
you know, they probably got their their the logo stitched
all over. It's probably the fanciest garbage bag you've ever sacked.

Speaker 3 (42:15):
But so what he's like branded with Balinciago on it,
like somehow I would say, Kanye been doing this ship
for years. He's been doing that the hobo cheek. He
been living out of a trash bag for years.

Speaker 7 (42:25):
Yeah, looking greasy, unshaved with garbage bag on his on
his feet.

Speaker 3 (42:30):
Yeah, they stole from It's kind of awesome.

Speaker 7 (42:32):
Garbage bags on his feet, garbage bag jacket they stole
for you again, Kanye, this is like there leak.

Speaker 3 (42:38):
They all stole this from from Zulander. This islander right here.

Speaker 7 (42:41):
You know when they do that fashion show at the end,
he's like, who got to They're leaked?

Speaker 3 (42:47):
And it's just like garbage bags ship is exactly it.
I mean, if you put trash in there, it's gonna
dare leak all over the place. Come on now, nothing
like that like that. It's yeah, it's gonna gonna gootin
way to do that. It's gonna dare leak all over
the place, you know.

Speaker 7 (43:04):
M Yeah, we got a new sound here. New sound
is gonna dare leak all over the place. It's not
working for me like the way I wanted to. I
don't know why is that is that? There is that
being there for me today?

Speaker 3 (43:16):
Here we go. Come on, man, this app sucks.

Speaker 5 (43:22):
What are you doing?

Speaker 2 (43:23):
You're trying to play a sound?

Speaker 3 (43:26):
Oh no, it dare leaked all over the way. Noa,
I agree with this.

Speaker 7 (43:34):
It's a nice three D sounding booze those layers. Yeah,
just like playing some playing video game. Now, yeah, man,
why are you doing that?

Speaker 3 (43:46):
All right, let's uh, let's move forward here.

Speaker 8 (43:50):
Uh.

Speaker 3 (43:51):
Quentin Tarantino says that Todd Phillips was the joker. It's
Tom Phillips. Todd Phillips is one that directed the movie. Okay,
And he's saying because Todd Phillips really didn't follow any
of the rules or notes from the from the studio
and uh and yeah, you know the film bombed and ship.

(44:12):
You know what I'm saying. I know, so wait for
you to see it. I'm just saying, I'm just gonna
keep bringing it up.

Speaker 7 (44:17):
Sorry, man, I can't. I can't give him my money
to see that in the theaters. I'm waiting to get
that on.

Speaker 3 (44:22):
You are gonna wait and see it on the small screen.

Speaker 2 (44:24):
I just don't care enough to do all that.

Speaker 7 (44:26):
Maybe if I got some free time, maybe this Monday.
Maybe maybe I'll see this this Monday.

Speaker 3 (44:31):
All right, Uh okay, I think we gotta do some
man big. There was a chick that like did the
fucking everybody can their own sound effects. I wasn't gonna

(45:01):
bring up that chick. Loomis that that she butchered? Uh
national anthem? Oh that was hilarious. But like then she talked.
They talked to her on TMZ about how she why
she fucked up. What they say immediately was just like
turned off. I just didn't even want to. I'm like,
I don't want to listen.

Speaker 2 (45:16):
I don't care why she messed up. We just we
only care about the performance.

Speaker 3 (45:19):
I can't find it. I can't find a complete performance
of it either. They got it. They got it scrubbed off. Yeah,
I think they do. It's like not like the fergy
ship where it just like it comes right up. She said. Oh,
she said, oh, ship, old ship. I forgot, she said,
Oh my god, I got nervous.

Speaker 1 (45:34):
One.

Speaker 3 (45:34):
They didn't they didn't guess, they didn't tell her it
was supposed to that it was going to be live.
Why would it not be? Why would that matter? I
don't know, I don't know matter. It sounded crazy.

Speaker 7 (45:42):
Well, you know, the you know, the version of that
you're doing is live. She thinks maybe she could have
started over or something.

Speaker 3 (45:49):
She knows she started too quickly or something.

Speaker 7 (45:53):
Nobody on Earth has been asked to do that for
a sporting event. And it wasn't live.

Speaker 3 (45:57):
Man, Oh no, I mean live on TV. Oh she
was live in a room. She was live on TV.

Speaker 8 (46:02):
And they didn't tell it was in front of every
like nobody was gonna tape it like video or and
she dumb, go ahead, disrespecting this mad big guys, We're
gonna start this all over.

Speaker 3 (46:14):
What's next? Okay? Phil Lesh real dad, basis Man. I
always enjoyed his sound actually from the band. You know, uh,
I don't appreciate imitators, you know, Phil Lesh, imitators. I
don't need that in my life. I like the real.
I like the real deal, because, like Phil Lesh was

(46:35):
not a traditional bass player. He definitely played all over
the neck, you know what I'm saying at all times,
and uh, it was a different kind of bass player,
so he got a lot, but he got a lot
of you know, when I guess when the band was
not popping off, sometimes that ship wouldn't come off, But
when the ship was going, he was. He had a

(46:57):
certain sound that I think was really dope for the band.
And maybe he's like definitely missed now if you will,
But uh, I like peel less, you know what I'm saying.
Y'all have any anything to add?

Speaker 7 (47:09):
No, no, I don't have a lot of to say
about the Grateful Dead. But you know, man, big I
like the fact that he was still rocket. I mean
I feel like I feel he was in town not
that long ago.

Speaker 8 (47:18):
You know.

Speaker 2 (47:18):
Yeah, he keeps he kept it moving. I don't know
how old he was, but you know, I played with
a ton of a.

Speaker 3 (47:23):
Ton of musicians. We definitely have a few mutual cats
that we know that have played with him. Uh you know,
so that's it's pretty dope.

Speaker 1 (47:32):
Man.

Speaker 3 (47:32):
He definitely played with a lot of cats and was like,
I mean, the one of the musician dudes, you know
for sure. So uh, huge legacy. I definitely loved.

Speaker 7 (47:40):
I feel like I saw a lot of people writing
their paragraph about Phil Lesh and I was like, oh no,
because you know, The Grateful Dad is such a huge band,
you know, like a legacy band.

Speaker 3 (47:50):
So I was like, oh man, people, people was touched.
I mean he started, Look, he started the trend. You
know what I'm saying bass players not playing bass, just
doing doing other stuff, you know, Like I mean no,
I mean you know, look it was it was a vibe.
It was a vibe and it worked for him, you know,
for sure. But other cats said it would imitate it.

(48:12):
It was sound horrible, So I I but I do
appreciate his kind of style because especially within that band,
his ship was actually pretty funky. I really liked it.
So we have to give Matt big ups to feel Lesh. Okay,
one more here. DJ Clark Kent damn secret battle with

(48:36):
colon cancer crazy, really sad. He was just on math
hofa show not long ago. That was a really good episode.
I mean, this guy is legendary because you know, he
started as a rapper. He was on Soul Train early
like eighty seven when Don Conrius did not like rappers,

(48:59):
and he actually liked these guys, you know, and then
he broke off became a DJ and also kind of
like a culture like a culture artist.

Speaker 5 (49:09):
You know.

Speaker 3 (49:10):
He was curator there you go, thank you, you know,
just like style, music, history, hip hop, the whole thing.
He just was that in like one person. And I
always enjoyed seeing him on other podcasts and stuff because
he was always he was just always so on point

(49:30):
with the with the history of hip hop and the
history of what happened in New York.

Speaker 7 (49:35):
Yeah, he was doing with like Biggie and all these
other people and like everybody.

Speaker 3 (49:39):
Honestly, he was kind of like the Forrest Gump. There's
like several Forrest Gumps of hip hop that where they
were just around everything everything, like they saw everything. He
was one of those dudes around jay Z like like
some of the biggest parts of his career. So uh,
not literal for his gump, but uh but you know

(50:00):
were really dun no, no, no, no, no, I just
me that's unfortunately. I mean that they've been that in
the way of when like cats have just been around
a lot of events over the years, over the decades,
and uh yeah, DJ Clark Kent was one of them,
and he's very relevant. Uh and uh we have to
give mad big ups to him. Man, that's it, because

(50:22):
he's he's a real, real big part of the culture.
Mad big ups, big ups. I thought I was forgetting one,
but I don't have it here. Yeah, So let's get
to slaps when we come back. Here we go. Yeah yeah,

(50:50):
all right, before we started, uh slapping it up, it's
again loving that up. James has James has picked out Yeah, sure,
the jams for this evening. Well, guess what right? First,
we got Lady you guy, lady good guys. She got

(51:11):
a new one, Mike. She is trying to duck and
she is ducking all of that bad movie press. And
she is forging ahead with a new new album, a
new single. What's what's it called? Disease?

Speaker 2 (51:26):
All right, sounds it sounds like classic Gaga classic about
to be sick.

Speaker 3 (51:29):
I'm sick, I got a disease. I'm sick. I'm dance
this disease.

Speaker 17 (51:36):
We hope check man with your emotions, exactly where is going?
I got you, I got your matter around her hair,
y'all terrible?

Speaker 3 (51:55):
Or right on? Hey?

Speaker 2 (51:58):
Hey, this is already better that brutal Marson.

Speaker 3 (52:01):
I wasn't with that liked it. I did not like it. No,
what's crest.

Speaker 16 (52:11):
Sure yough for life, run out of medicine, screaming by
baby like.

Speaker 9 (52:30):
Preson't on the inside.

Speaker 1 (52:32):
I could be your hair and.

Speaker 9 (52:33):
Don't screaming by baby like it got.

Speaker 6 (52:40):
Present on the inside.

Speaker 9 (52:42):
As to night, could you Polly stay to seek again,
to speak.

Speaker 1 (53:12):
Your tortured when.

Speaker 16 (53:15):
You sleep, play when all your belies.

Speaker 3 (53:21):
You leave out?

Speaker 1 (53:23):
That was the.

Speaker 3 (53:26):
My goot screaming from the bleay you let it.

Speaker 1 (53:37):
Wasn't on the inside.

Speaker 9 (53:38):
I could be at handed don.

Speaker 1 (53:40):
Tonight screaming baby like it the di wasn't.

Speaker 18 (53:48):
I could be added tonight, Joe believe.

Speaker 3 (54:08):
For sure? What's the whole song? That's it? Yeah, talk out, breakdown.
It just breaks his sid ship cool. I got a
lot of those words right, you did on the head.
It is like a sequel to a lot of her

(54:29):
other songs. Ye see, I'm telling you she's trying to
restore the feeling. Nobody.

Speaker 7 (54:34):
No one liked that Bruno mart that song, no matter
how many there about to tell you that the streams
went up on that joint this song.

Speaker 3 (54:40):
Wow, Lord Jamar Jesus, I don't care what streams said,
and I don't care what they say.

Speaker 7 (54:45):
I don't care how many bots out there. This was
what I think that was running the charts. You heard
everybody listening to that joint man. Anyway, I'm not mad
at this. This is very kind of cookie cutter. I
will say that, as far as her almost being doing
her her own formula, even though that's kind of disrespectful
to say from someone's some shit they made up, you

(55:05):
know what I mean. But it kind of sounds a
lot like other songs of hers. But the production I
thought was a lot more updated than some of that
other shit. This production had a little like Little Nine
is Nails in it.

Speaker 3 (55:18):
I wasn't mad.

Speaker 7 (55:19):
I wasn't mad at this. Eventually I got kind of
tired of it. I only want to hear about half
the song, you know, before the DJ switch to the
next song.

Speaker 3 (55:26):
You know what I mean.

Speaker 7 (55:26):
It's kind of the same thing. But I'm gonna give
this the like baby powder. You know, this could play
and work or whatever. It's fine.

Speaker 3 (55:36):
That song was almost four minutes. Really, Yeah, there's no
reason for that at all. Yeah, I agree with that.

Speaker 8 (55:43):
No reason two and a half three would have been
I think I got into about home on.

Speaker 3 (55:48):
Let me see what how far in this? Okay, what
it's about? So almost a minute in and then I
was like, okay, I actually like this. And then and
after that, I just couldn't take it anymore.

Speaker 8 (56:01):
It's just that I need like it had nothing else
to offer, Like it stayed the same the whole time.

Speaker 3 (56:07):
The verse is just the chorus not as loud.

Speaker 8 (56:10):
Uh.

Speaker 3 (56:12):
Yeah, I didn't. I didn't like that at first. I
really did like it, but it didn't you know, I
didn't go anywhere and it's just no thanks. It's yeah,
it sounded exciting, you know, I fully agree, but yeah,
I didn't expect her to be like so on the
nose with it that. Yeah, So yeah, I can't. I

(56:36):
don't think I can let this slap. I wish that
I could. But I mean if she had changed it
up after that second verse and gone somewhere else instead
of going back to the hook and then again it yeah, yeah,
it definitely needed a change to switch up, you know.
You know, it's a little weird for her to not

(56:59):
really come with the banger right away, and we're seeing
that a lot this year. We're seeing a lot of
people not picking like right.

Speaker 7 (57:07):
I think I think this was an attempt for a
banger for sure, but it's like a festival.

Speaker 3 (57:12):
It's like a goth club banger, which that ship is
like popping, like people like that, stuff like the you know, uh,
the Unholy Song, Yeah, stuff like that. But yeah, man,
I don't know what's going on with some of these people.
You know, they're like kind of they either like second
guessing themselves or something like Bruno's like you know, putting

(57:34):
out just like these Lucy's just like test stuff out
and uh you know, and uh, you know, people are
picking weird singles and ship. It's just strange, man, Billie Eilish,
I mean, oh I listened to Sabrina Carpenter album. Yeah,
shit is fucking great Inspire. That's a great record. Yeah.
So anyway, it's disappointing. Uh let's move forward, all right forward? Okay,

(57:59):
So I tied the creator. Yes, a song called Alloyd
annoyed Lloyd. All right, So here's Annoyd.

Speaker 5 (58:10):
Okay, thanks for out of order.

Speaker 3 (58:27):
They go round.

Speaker 1 (58:29):
I'm not sure.

Speaker 4 (58:32):
Paranoia no, all right, lit cameras and record us.

Speaker 1 (58:45):
He's a kind of filia. No, you can't do them.

Speaker 10 (58:55):
Innocent food, come back, colcome back, Alma.

Speaker 1 (59:18):
Someone's keeping mutch and feel them on my shoulders.

Speaker 19 (59:31):
I can't even buy a home in private home and
babies got my brother's gone, and know what'siing cars dripping by.
I think my neighbors want be dead. I got a
canon underneath the bed, triple checking. If I lock the
door on the way, be.

Speaker 1 (59:41):
Creen that's in the floor. Mother Nord around the block,
odds glued to the redview.

Speaker 19 (59:48):
Rather double back than regret hearing trust a bit.

Speaker 1 (59:52):
If you're good, they could trap you.

Speaker 19 (59:54):
So just strap it up, money.

Speaker 1 (59:56):
Fuck around and strap you.

Speaker 16 (01:00:03):
Come back.

Speaker 6 (01:00:04):
I'm back, Sun's keeping couch.

Speaker 1 (01:00:28):
I sell them in my shads, keeping my lunch.

Speaker 3 (01:00:39):
Someone's right, what it is like halfway through the song. Yeah,
it's like, all right, well we can all right, let's
stop here. Then I guess we could see if it
goes somewhere else different here, I'll turn it back. Yeah. Yeah,
that work.

Speaker 7 (01:00:57):
More songs with your niggas off BITCHESGA system is ship before.

Speaker 3 (01:01:05):
Yeah, wow, dude, that was great. That was so cool.

Speaker 8 (01:01:11):
Uh. I want to know more about how much of
that was chopped and how much of it was an
overdub like some of that based stuff.

Speaker 3 (01:01:21):
I think might be an overdubber not yeah, like that's real.

Speaker 8 (01:01:27):
But then the fuzz thing, the fuzz thing could either
be a chop of a sample or it could be overdubbed,
which is a chop drum.

Speaker 3 (01:01:36):
So anyway, like it's cool.

Speaker 8 (01:01:38):
It's like, I like the way it uh takes all
those like sampled live mediums and all this other stuff
kind of makes it one thing or makes it all
exist together or makes sense.

Speaker 3 (01:01:50):
Hyeah.

Speaker 7 (01:01:51):
African voice was definitely a sample, yes, yeah, yeah, yeah,
feel like, uh yeah, some of it.

Speaker 3 (01:01:56):
Was chopped up. I actually heard this already, which was dope,
but you know, carry on fish now. I think it was.
I really really liked that.

Speaker 8 (01:02:05):
I'm very curious to see what the rest of like
this album or whatever.

Speaker 3 (01:02:10):
I don't know if there's just a single though. That's
the single the album's out album dropped earlier. This single
came out before the album. Yeah, yeah, came out well,
and I thought that was I thought that was really good.
I love that.

Speaker 2 (01:02:23):
I'm gonna give it this lap too. I mean it's great.

Speaker 7 (01:02:26):
Got a lot of music going on, a lot of
different textures, really interesting mixed mixed things going on, some distortions.

Speaker 3 (01:02:33):
In the middle of it, dynamic.

Speaker 7 (01:02:35):
I listened to the Yeah, I listened to most of
this record, Uh, skimmed through it a couple of days ago,
not a couple days ago, like yesterday. And there's a
lot of that going on, a lot of distortions and
weird shit, a lot of different types of music in there.

Speaker 3 (01:02:49):
It's a lot of it's a lot of a lot
of it is part of his style. That's just down there.

Speaker 6 (01:02:53):
Yeah.

Speaker 7 (01:02:54):
Man, I mean, he's definitely one of the best artists.
He's like right up there. Every time he drops some
then you want to hear what it's going to be.
You know, there's equality control involved, you know, there's a
lot of music in it, you know, and man, this
it's fire.

Speaker 3 (01:03:08):
What else can you say? Yeah, I mean I wasn't
going to go overboard with the praise initially, just because
right away as soon as his record came out, people
were like, you know, how last year, that's the vibes,
that's all those that's always the vibes, and it's you know, unfortunately,
it's you know, it's not hype, it's real like for

(01:03:31):
other artists I've been saying, unfortunately, just because like this
is miles ahead from from other cats. It's it's like
glaringly obvious, and I don't understand why they are they
aren't running to him the like the I'm talking like
the big big artist. Why they aren't running to Tyler

(01:03:51):
Creator to produce their ship.

Speaker 7 (01:03:54):
I think they think it's weird until he gets his results,
because it doesn't like even sonically, it doesn't sound like
something Kendrick would be on, even though we think we
would know he would sound amazing.

Speaker 3 (01:04:05):
He would sound amazing over the Creator.

Speaker 2 (01:04:08):
None of the productions sound is a lot slicker. It's
just different, you know.

Speaker 7 (01:04:12):
I think it's like without him Tyler being on it,
I think kind of lets people know that the ship
is fire, you know. But I think when they hear
it without it, I think they I think he just
comes off weird. I think I think that even though
it's dope as fuck, I like it when he's on
there no matter what way. Sometimes I do miss like
the deep pause, like really the gut rule Tyler with,

(01:04:35):
you know, because he's singing a lot more and stuff.

Speaker 3 (01:04:37):
But I mean, I love this. I will say, yeah,
this totally slaps you know. I'm sure the whole record
is ridiculous and I'm going to listen to it. I
just I have not gotten to it yet, but I'm
going to. And this is this is already my favorite.
I agree.

Speaker 2 (01:04:53):
I mean, just straight up have him do your whole album.

Speaker 3 (01:04:56):
I mean, let him do the how They really should
go to him at least a couple of the singles.
I think also people tend to forget because he doesn't
he like does the album roll out stuff, but he
doesn't really do a ton of TV. He doesn't do
like a ton of promotion.

Speaker 7 (01:05:10):
And the promotion happens pretty soon it drops. It's not
like weeks and weeks and weeks.

Speaker 3 (01:05:15):
He doesn't drag it out or whatever. He really doesn't.
And so I do feel like that. I hope that
he gets more exposure or does more for exposure got himself,
but like, uh, he needs people need to remember how
good he is because like it's it's ridiculous. I think
he's at the top.

Speaker 7 (01:05:33):
I mean you start thinking who's the most popular at
least in hip hop as far as like popularity and
critical acclaim. I mean, he's he's up there. He's definitely
above like J Cole. You know, he's up there with
with Kendrick and Drake.

Speaker 3 (01:05:50):
And all of them. I think that I don't think
put him in that conversation. I don't think they put
him that high in the conversation.

Speaker 7 (01:05:54):
I don't think he gets put in the conversation as
a like rap bar for bar gets one another. But oh,
you mean as far as rapper producer, far as being
a rapper, rapper producer and a pop star. Yeah, you know,
he's as big of a pop star as anybody. You know.

Speaker 3 (01:06:11):
I don't think of him as a pop star, but
I mean not in the.

Speaker 7 (01:06:14):
Work way of his music is just like as far
as being a celebrity, if you will, you know, he's
like high end fashion things.

Speaker 3 (01:06:22):
You know, yeah, or an entertainer or something almost.

Speaker 2 (01:06:25):
But like, I mean, he has the young fans and
intellectual fans.

Speaker 3 (01:06:30):
He's like one of the first announcers, like if you will, like.

Speaker 7 (01:06:33):
You've had his own sketch comedy show before everybody an
adult swim.

Speaker 3 (01:06:38):
That's also that's Willow on vocals sounds good and UH
Inflow is doing some vocals along with uh and they're
also doing drums in Flow and yeah, Thundercat is on this. Yeah,
I'm going to check out. I'm going to check out
this record. It's got a very white sample in here

(01:07:00):
cover on it. The cover is wild. And that's where
I was like, this ship is going to get over
hyped right away just because the arp side. But he
puts so much effort into his ship, and I just
I think, really, that's the ship that I've just been
saying for most of the year, where I'm just like, man,
you guys are not putting then, you guys not putting

(01:07:20):
in the effort like the big, big artist. They are
not doing what they should be doing. They just like
want to get on the road or something and just
make a ton of money. They don't really care about
the fucking their albums like they used to. They don't.
Drake has been dropping trash for years. He doesn't care.
He makes like four hundred million on the road. They don't.

(01:07:41):
They do not care. And now I really think that's
what it is. We can tell, we can tell. Did
we do Maggie Rogers the other week?

Speaker 8 (01:07:50):
No? Nope, Okay, I want to do that one because
we missed it. Uh, this one is called in the
living Room. Okay, I hope it is cool, But that
name in the living Room is not Breath.

Speaker 3 (01:08:08):
It's it's it's scary. I'm making the optimistic. All right,
here we go.

Speaker 20 (01:08:24):
You jerz your steps back to the store, to the cock,
the slownswer. It's been the hardest boy.

Speaker 1 (01:08:40):
Let's just see go because all.

Speaker 16 (01:08:44):
Over lads, september yourself in cuper for.

Speaker 9 (01:08:54):
You train and pull me under the tail of the stopdos.

Speaker 7 (01:09:12):
Go always w.

Speaker 3 (01:09:37):
Nineties?

Speaker 7 (01:09:38):
Think about the nineties? What think about the nineties? So
what's going on that that that kick drumm is there
so pressed.

Speaker 3 (01:09:46):
To me, it's like it's a shade. The whole thing
is like in that kick drum. A lot of things
happening on this but it's like dead drums. But they're
like yeah.

Speaker 1 (01:09:59):
But or something like that.

Speaker 3 (01:10:02):
It's not.

Speaker 8 (01:10:07):
I don't know if I'm remembering this correctly, but like
it seems like a little bit more of a departure.

Speaker 3 (01:10:13):
From Yeah it's a little vanilla, it is. It is
a departure. Yeah, yeah, it's a vanilla departure. Yeah it is.
It's ultra pop.

Speaker 7 (01:10:20):
Also another four and a half minute song that doesn't
need to be a half to give us Let's go halfway?

Speaker 3 (01:10:26):
All right, Well we're in halfway now, let me go
three quarters.

Speaker 7 (01:10:30):
Still there they're trying to bring back the feeling. They're
trying to bring back the feeling. Wow, that's not my
favorite version of that. I like her music. I like
her music more than I like this version of like
whatever this new thing is. No, I can't, I can't

(01:10:51):
let this lap.

Speaker 9 (01:10:53):
Yeah.

Speaker 7 (01:10:54):
If I think ify the nineties is like, that's that's funny.
I mean they just like took the play the sounds
of now and just like wait, put those drums in there.

Speaker 3 (01:11:03):
Yeah. Yeah, this is unfortunate. It's a misstep to me,
uh as a single. You know, I just listened to
Cheryl Crow's album this weekend, the self titled from like
ninety six with the Beard Trio and that ship. It

(01:11:23):
reminds me of that, it does. But that record sounds
so good. The record, it's so amazing. The drums on
that sounds so good. And it's like this record right here,
I'm like, is this the guitar players record? Because his
ship was all over the place and I and then
it's not her. She's a guitar player. She she played

(01:11:44):
the guitar, but she's not doing that.

Speaker 2 (01:11:47):
You mean solo, solo the guy who loves somebody.

Speaker 3 (01:11:52):
Goddamn brick House on this goddamn song. Like, you put
so many guitars on this ship. It's like the guitar
player it gets the black or white riff. Oh, it's
a Bill Batrell, the guy whoever.

Speaker 8 (01:12:08):
The guys that is like a Crow's producer guitar player. Yeah, yeah,
he's the one that did that. It's probably so how
he met Cheryl Cro because she was a backup singer.

Speaker 3 (01:12:17):
Probably yeah, yeah, so yeah, no, it's I listened to
show Crow that's the real deal. I feel like that
this is that kind of thing, trying to be that,
and I'm like, but it's so much thick ify. There's
so much guitar. It's like it's clouding up the song.
It's like we're trying to be like the Wallflowers and

(01:12:39):
Cheryl Crow like plus b modern and like do some
Tarot swift ship too. It's just like we don't need
to do that. We don't need to do that at all.
The ship that she does already is fire. I like that.
Just do the ship that you're doing right now, Just
keep the fire. Know what's going on with this? Yeah?
So I can't. I can't let this something. It's a.

Speaker 7 (01:13:02):
Explain nothing like, wow, please do better do better man
like this this. Maybe she's like I need some some
different fans.

Speaker 8 (01:13:12):
Bro, So I got one here and I don't know
anything about this dude, Uh Satday I do?

Speaker 3 (01:13:21):
This? Is that shad What this is?

Speaker 18 (01:13:23):
Not?

Speaker 3 (01:13:24):
No, that's s that is because we're not. It's under
Shada's name, because why I bring it up? There's a
dude on one of the art things. So it's like,
really weird that I that. I think that is her
trans son I believe on the cover maybe or no,
or this is like this is for a compilation, uh that?
But this is a brand new Shadday song. But it's

(01:13:46):
under her name. You know what it's called? No, I
don't know what it's called. What is it called. It's
called young Lion young like that? Hell yeah, I like
that on the right track. All right, here we go,
young Lion. There's birds in here. It's Surday. I do

(01:14:08):
you've never heard her?

Speaker 1 (01:14:08):
Ago I that.

Speaker 7 (01:14:15):
Balid full nineties right here, full ballads.

Speaker 1 (01:14:22):
The song.

Speaker 7 (01:14:24):
Drummer puts on the fifteen. Okay, maybe a put a
little like love gives you a little, Give us.

Speaker 3 (01:14:31):
The crew, give us the movie. See we can't try
to do this.

Speaker 13 (01:14:44):
You can't do this, young man. Oh it's been so
eavyfoll you must have fell so long, the.

Speaker 3 (01:15:00):
Anguish champagne.

Speaker 1 (01:15:03):
Boy, I should know.

Speaker 3 (01:15:10):
We're such a heavy bird. She still sounds the same
good you had to carry you. That's a kitch correction
with auto tune.

Speaker 1 (01:15:28):
Man, what was that?

Speaker 3 (01:15:29):
What that was? I thought that was the strings or something.

Speaker 1 (01:15:31):
No, it's her.

Speaker 3 (01:15:32):
That's her voice. You can hear it. It's really subtle though,
but it's there so close.

Speaker 21 (01:15:39):
Right there, the little artifacts that it's not gonna hear.

Speaker 3 (01:15:49):
It's shine like the sun.

Speaker 15 (01:15:53):
Shine, like a sun.

Speaker 1 (01:15:56):
Younger. See how far you've come.

Speaker 3 (01:16:01):
This is a battle, young lions.

Speaker 1 (01:16:04):
Yes, this is a cub.

Speaker 3 (01:16:06):
Yeah, pp talk, this is a cub talking. Don't do that.
It's all the cubs out here.

Speaker 5 (01:16:14):
It is with the cubs.

Speaker 3 (01:16:18):
Are too straight. Four bars is just hell yeah, hell yeah.
It's best recorded piano ever. You got thirteen mics in
this piano.

Speaker 8 (01:16:29):
You are hide and down.

Speaker 3 (01:16:32):
That sounds like it is like classical drums like li
in a simple you shine like sun.

Speaker 1 (01:16:48):
Shine like a sound. Young girl.

Speaker 6 (01:16:54):
Soun mountain.

Speaker 3 (01:16:57):
Yeah I heard at that time.

Speaker 1 (01:16:59):
Yeah, it's there.

Speaker 2 (01:17:00):
Helicon all right.

Speaker 3 (01:17:08):
It's very nice. That's very very nice. Is it slapping?
Of course that you're an alpha mayn that means you
are lying. Look, that's what obviously what she's talking about.

Speaker 7 (01:17:20):
That's what she's talking about. So she maised some mistakes,
figured it out. Yeah, I mean, this is not slapping,
but I do like, I do like the way it sounds.
I don't know if I'm gonna sit and listen to
this not I can't let it slap, no.

Speaker 3 (01:17:38):
Talking through it.

Speaker 7 (01:17:40):
Yeah, I mean it's some good sounds, sounds cool. I
don't know about the auto tune, like everything they're doing,
even autotune is kind of like vocoder or something.

Speaker 3 (01:17:51):
Auto tune.

Speaker 7 (01:17:53):
Okay, I wasn't into that, but you know, once once
he dropping some grooves, I'm gonna be right back in
the pocket.

Speaker 3 (01:17:59):
Go ahead and put up me a real groove, all right. Yeah,
I agree with that. It was it's nice to hear
from her. Yeah, her slapping like the thirty beats Men. Yeah,
like like we all put some we all put some
drums on ship. I'll be back, I'll be back. I
can't condone that I'm one of those. Give me one

(01:18:21):
of those, give it one of those. I heard kiss
of Life, the Other Day, Shod Day fighting y so
fucking good, sounds so amazing nineties music, some of them
is just amazing. Uh listen, I'm going to give this
a slap. I don't care good because it's shod Day.

(01:18:42):
She sounds me. I will say that. At first, I
was like, sacrilege, do not touch her vocals, don't run
narry a plug in on her voice. She did it.
I don't know she did it. I don't know the
producer she had a producer credit on the show. She
told her not to do it. I don't know they did.

Speaker 2 (01:19:00):
Yeah, like you said, yeah it No, I want to
be I want to be current.

Speaker 3 (01:19:05):
Yeah, but you don't need it. No, No, I don't know,
but I tell you. By the time. By the time
it's like halfway through the song, which was like four
minutes in or whatever, I can't remember, but like it was,
it worked for me. I was like, man, this, I
was like shot. I mean, I was like, Drake's gonna
stamp with this.

Speaker 2 (01:19:26):
Oh yeah, I mean it's good sounds.

Speaker 3 (01:19:27):
It's good sounds. It sounds.

Speaker 4 (01:19:29):
Yeah.

Speaker 3 (01:19:29):
So I'm letting that slast feed that right up. That's
the first Shod Day song in like fourteen years or
something like. I mean, that's it's a long time man,
and uh, James, it's worth.

Speaker 7 (01:19:45):
The wait, honestly, if you're gonna do it. The problem
I think when they sneak it in is when it
makes it feel weird. Like if you're gonna turn turn
on the hat, if you're gonna turn on the vocoder,
just like, go ahead and turn it on for a second.
Oh yeah, it just turn it on for a couple
of bars and be like, oh they look at that,
that happened. And then but instead it's just like sneaking

(01:20:05):
into the real vocals. It's like, oh, that kind of
made my ear do something weird.

Speaker 3 (01:20:10):
You know.

Speaker 8 (01:20:10):
It's almost like they're treating it like something like a
D tuner, like a chorus on a vocal.

Speaker 3 (01:20:18):
On the reverb or something.

Speaker 8 (01:20:19):
In fact, yeah, it's like part of the yeah, part
of the texture of that vocal part.

Speaker 3 (01:20:24):
I don't know.

Speaker 2 (01:20:25):
It's like the way you use.

Speaker 8 (01:20:27):
Heavy compression to get something that isn't really even the
job of a compressor, you know, like you change the
character of it.

Speaker 3 (01:20:34):
But like that's how Teeping use it. Really Yeah, yeah,
but I feel like they're using it now. But subtlely
using it. I don't like. I don't care for it.
I like, I'm not a fan of it. I liked it.
I liked how it was initially. Initially I was like, nah,
but it's a nice texture if they're trying to get

(01:20:56):
that ship on the radio or something like that. But uh,
I mean they are treating like the nineties like that intro.
You know you don't have to cut that cut cut that,
keeping it true to the form.

Speaker 7 (01:21:08):
Yeah, I mean it sounds sounds expensive. Honestly, it sounds
real expensive.

Speaker 3 (01:21:13):
He still couldn't afford to have a backbeat with a
drum set. No, no, they could afford it. They could
afford I mean it was classic. It's not the right
it's not the right sound. They want the bigger, bigger. Yeah,
turn to reverb up on the kick drum. It definitely
sounds like it was recorded in a like in a
French courtyard. Sounds really nice. But uh, okay, that's that

(01:21:34):
shade made the comeback a no? Uh no, three out
of three's this time? Is that it? But that's it? Yeah?
All right? Well you know that can't be like every time.

Speaker 22 (01:21:46):
You know, no, no, no, that's fine, Yes, all right,
thanks everybody, b.

Speaker 13 (01:22:14):
B b.

Speaker 19 (01:22:21):
B b.

Speaker 7 (01:22:24):
B b

Speaker 3 (01:22:28):
B and sadly the podcast is no more