The Hustle Season: Ep. 358 The New Breaffess Club

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, Yeah, what's wrong with the boh we got
it's trash. It does not slap call and response.

Speaker 3 (00:16):
What do you guys even doing?

Speaker 2 (00:18):
Cool stuff?

Speaker 4 (00:19):
Slick stuff, neat stuff.

Speaker 2 (00:21):
I've been fucking I got too much.

Speaker 5 (00:23):
Alf I always felt akin to black people.

Speaker 3 (00:28):
Years ago.

Speaker 4 (00:29):
They tried to years ago, they tried to put me
in there.

Speaker 2 (00:34):
That means you're lying strings on them. I did it
with the pick and the rock.

Speaker 5 (00:46):
Oh, come on in Bonator, says the Waterspine, and.

Speaker 2 (00:52):
I say, let the conversation begin.

Speaker 1 (01:26):
Let me tell you guys something else. Listen me want
to hustle season.

Speaker 2 (01:32):
I'm gonna say ma massaa, Makusa.

Speaker 1 (01:35):
We got Kelly Strawbridge, we got Reggie Pace. I'm James Ratus,
and we're here just having a good old time. We're
back again, your favorite podcast for your three favorite dudes
in the universe.

Speaker 2 (01:50):
Kelly straw straw.

Speaker 4 (01:54):
Straw Bitch is more like it.

Speaker 2 (02:00):
At that stick?

Speaker 4 (02:02):
Yeah, that disagreed?

Speaker 2 (02:06):
What all think about that out there?

Speaker 4 (02:09):
Yeah, listen, hussies, y'all, y'all back up, line up, all right.

Speaker 6 (02:15):
Come on now, everyone just playing ship. We're back Hustle season.
What's an episode seven fifty eight, Yeah, something like that.

Speaker 4 (02:24):
Three fifty eight? Yeah, baby, Uh what happened this weekend? Anything?
Would you? Guys? I played a couple of gigs and.

Speaker 2 (02:33):
Thinking about it, thinking about oh, yeah, I know what happened.
I did?

Speaker 1 (02:37):
Uh that blue Oh the bluegrass festival with Josh Barriman.

Speaker 2 (02:41):
Oh, where was that? This is a hardy wood outside.
It was nice.

Speaker 1 (02:45):
Got him, it's fine, They them right back in. Well,
this has been played for a long time. And did
it because Josh is a very good friend of mine
and I don't want it break again. Great guy doesn't
want to suck ass like they. You know, there's a
there's some there's one more on the books, which is
a funny story.

Speaker 4 (03:02):
I'll tell you later, Yeah, tell me later anthem if
they you know anything else. It was a good time, though.

Speaker 1 (03:12):
It is about as good of a time as I
could have in a bluegrass thing.

Speaker 4 (03:16):
Sure, I got.

Speaker 1 (03:18):
Probably you know that crew of people. Probably the best
time I could have.

Speaker 2 (03:23):
Good musicians.

Speaker 1 (03:24):
So there are a lot of really good players. It's
cool to see some of them. This one fiddle player
was like what he was playing fit in with like
old time music and that type of thing, but the
harmony in the phrasing of what he was doing was
not like that. But he was doing it in a
way that didn't sound out of place or pretentious or anything.

Speaker 7 (03:48):
Uh.

Speaker 1 (03:49):
It was really tasteful, and you hear it in other
kinds of music. But in that world of music, everybody
does sound pretty homogenous.

Speaker 2 (03:59):
The tones for sure. Yeah, and it's it's and as
far as like old time and.

Speaker 1 (04:03):
Bluegrass and not like the shred bluegrass where it's like
Charlie Parker blue grass.

Speaker 2 (04:09):
You know what I mean?

Speaker 4 (04:11):
Was what's his name? Garden variety?

Speaker 2 (04:13):
Yes? With string band?

Speaker 8 (04:14):
Yeah?

Speaker 4 (04:15):
Okay, is that? Yeah? String? Is that what you're talking about?
Was it?

Speaker 9 (04:18):
Uh?

Speaker 4 (04:19):
Because they those guys his.

Speaker 2 (04:21):
Way is garden variety.

Speaker 4 (04:22):
From here?

Speaker 2 (04:22):
They from Maryland.

Speaker 4 (04:24):
I think they're from here. I think they're from here.

Speaker 2 (04:27):
Trying to remember, there's a couple of goings.

Speaker 1 (04:29):
This guy in particular, No, this was the guy that
was from Maryland, but all of them shredded though, but
this guy in particular, though it was and also the
guitar player wasn't using like a regular dread nought. He
had an old like you know, no cut no cutaway
art stop like like Freddy Green type like.

Speaker 2 (04:50):
That type of thing. That's what he was playing. Uh.

Speaker 1 (04:53):
And then there's a guy playing banjo, but he was
pretty cool, like versatile, you.

Speaker 2 (05:00):
Know, and that type of thing.

Speaker 4 (05:02):
But yeah, it's just I appreciated how original it was
within a very traditional thing without sounding like a jazz
fusion guy that plays over somewhere nobody wants him.

Speaker 2 (05:16):
You know.

Speaker 4 (05:16):
That's cool. Yeah, it's cool.

Speaker 1 (05:18):
Way Yeah, I thought I'll you know, i'll shout who
that is and what any chance, but did that and
then then just normal fucking giging, normal going out when
I went out for drinks on Sunday on Sunday Sunday,
and then after that came home.

Speaker 2 (05:40):
It's more than you call of duty. Right back to
it right and war Zone November fourteenth, Okay, the plug
that was weird.

Speaker 4 (05:52):
It's like, well, the way division money, the way the
way people will get this hype.

Speaker 2 (05:58):
You'll get this hype about football game. That's true.

Speaker 1 (06:00):
You know they start talking about like we and stuff
like that. Chill the funk out. I'm excited about video
games starting up like a two weeks.

Speaker 2 (06:08):
It's awesome. I'm not mad at it.

Speaker 1 (06:10):
Yeah, it's you knows. Anyway, It's great though, really really
lots of fun. Me and the bros chilling. But that's
about it. I think, uh, there might we might be
playing at Rumble Trio, might be playing at uh Branley
Park on Sunday. I think, okay, here, come on, so
look it up, you know, on my Instagram. See if

(06:31):
it's happening.

Speaker 2 (06:34):
Who knows. That's why I say check it out. So
what's up?

Speaker 4 (06:36):
All right?

Speaker 6 (06:37):
Well, that's a that's a chill gig on a Sunday,
that little afternoon gig.

Speaker 2 (06:41):
Yeah, afternoon like spritzer afternoon daylight. Yeah.

Speaker 4 (06:45):
Absolutely, Uh, let's see regular weekend. And just played a
couple of gigs. I did play with friends the Hurricane
Party played Chili cook off.

Speaker 2 (06:56):
That sounds good.

Speaker 4 (06:57):
That was that was cool. I did not I wasn't.

Speaker 9 (07:01):
No chili.

Speaker 4 (07:03):
I did not have time. I had to roll to
another gig.

Speaker 2 (07:06):
They should fire you for that.

Speaker 4 (07:07):
I should have been fired, but not. But I had
a great time.

Speaker 2 (07:12):
Quarterback killed that ship.

Speaker 4 (07:14):
It was a great time. It was also Barstool Heroes
played after us.

Speaker 2 (07:18):
That is some chili music, right, right there.

Speaker 4 (07:21):
They were ready for it. They were ready for it.

Speaker 2 (07:23):
Uh, Frank Jackson was shout out Frank Jackson.

Speaker 4 (07:26):
He was there early early, hang.

Speaker 2 (07:32):
Chili.

Speaker 4 (07:32):
He's there early, having having fun. Are some cool solos
he was going there.

Speaker 2 (07:38):
He trusted. I know, it's how he practices.

Speaker 4 (07:41):
I'll tell you something, no rehearsal. Fine, that sounded fucking
shout out.

Speaker 2 (07:47):
To the professional.

Speaker 4 (07:48):
He did. He did, he did great. So that was
shout outs to Frank. But yeah, and then UH played
a wedding gig at the Williamsburg in really cool little room.
It was dope. So yeah, really chill weekend for me personally,
but I wanted to tell everyone about the weekend. I
got coming up by plugs this Friday. I am playing.

Speaker 2 (08:13):
Mix some plugs music. Yeah we need some of that.

Speaker 4 (08:16):
I'm playing with some Bradley Rhoads in Fairfax, Virginia at
ARPS Ordinary. It's a new spot out there, and uh,
opening will be Paul oh Ship. I don't even know,
but this cat it's gonna be opening up. But Bradley Rhoads,
I'm playing with him. He's a fantastic singer songwriter. Letters

(08:38):
from Virginia is the new record that just came out,
so make sure you guys check that out. And then
on Saturday, I am playing November ninth, I am playing
with Dylan Barrows and at Gallery five with Danger Birds
and also Burns, Burley West and Parsley. There's the other
two group. Yeah, that's the other two. That's a group.

(08:59):
It's a band it I have. I don't know who
it is.

Speaker 2 (09:02):
So there's two bands opening up.

Speaker 4 (09:05):
It's is four bands into opening up? No. No. Three,
I guess three. We're not the headliners. We're not the
headliners for this.

Speaker 2 (09:12):
How many?

Speaker 4 (09:12):
What time it's gonna be? Four bands?

Speaker 2 (09:15):
Are you working? Are you working the show? Yes? Start
those start?

Speaker 4 (09:18):
It starts at seven o'clock.

Speaker 2 (09:20):
You hushed, Yeah, you hushed out what time? But like eleven?

Speaker 4 (09:25):
I don't know, probably yeah, probably seven to eleven, so
we're probably playing in the middle. That seems like that's
enough time for everything to go perfectly.

Speaker 2 (09:37):
That's right, that it's gonna happen. It's gonna be perfect.

Speaker 4 (09:41):
That I'm taking my set to this.

Speaker 2 (09:43):
Are you taking your drums?

Speaker 4 (09:44):
I said, I believe I am not. So therefore everything's
gonna be just responsibilities passed on. It will always work out.
All right pause. This is a good question right here,
all right. If you're going to a gig as a
drummer and the drums are so called back line, yes,
what do you have with you everything?

Speaker 2 (10:03):
Yeah, the whole drum.

Speaker 4 (10:06):
I'll still have.

Speaker 1 (10:08):
Yeah, it's the only thing back line drum set guarantees you.
It's like you won't carry all of your ship in.
It's already in the car. It's gonna be in there
for another actual gig. Like, yeah, you can't.

Speaker 4 (10:23):
Some of the drums there and they're like the worst
drums you've ever used. I will say, here's the thing.
Here's the thing. Though, I say they should leave a clutch.
I don't think that it's guaranteed because some people leave
their clutch on their high hat stand and do not
remove it. Sometimes you should have extra you should have
extra clutch. Yeah, but if someone's backlining, I think it's

(10:44):
cool to leave the clutch and just.

Speaker 2 (10:47):
Have that trust. Trust there, clutch. Trust, you gotta have that.

Speaker 4 (10:52):
You know what I'm saying.

Speaker 2 (10:52):
But I think somebody on it.

Speaker 4 (10:55):
That's my personal opinion. If not, it's all good.

Speaker 2 (10:58):
You just bring the symbol bag.

Speaker 4 (11:00):
I'll bring the simple battle. I will bring my kick pedal, you.

Speaker 2 (11:03):
Know, sometimes bringing the high hat stand cats.

Speaker 4 (11:06):
Will let you use it, will let you use it
most of the time, but I always bring mine. Now
I would bring no, no, I'll bring a state. I'll
bring everything. I got everything, okay, to be clear, just
in case because like sometimes you know, you never know
sometimes it's going to be. I will supply a felt
you know what I'm saying, like if necessary, or like
a little screw thing to keep the symbol only.

Speaker 2 (11:27):
Yeah, I have, I'll get that.

Speaker 4 (11:29):
I have now, I have extra of everything I would.

Speaker 1 (11:32):
I used to let people use drums I had because
I guess the drums weren't great and the symbols were
like heavy, so they weren't gonna break anytime soon, right,
But like if I think about it now, with drums, dude,
I mean I'm big drums in band long time, but
I had to imagine with guitar, so I would never
ever ever let anybody use all my shit.

Speaker 2 (11:52):
It's insane.

Speaker 1 (11:52):
Well, I mean, you take I don't even and with
the guitar, like I don't even, Like fifty percent of
the time, I'm totally cool with that, but there's a
couple of times where.

Speaker 2 (12:01):
It will be like, I don't think so. I think
it is trust you.

Speaker 1 (12:05):
It is a it is a trust thing you're physically
gonna maybe break something.

Speaker 4 (12:10):
That's what I'm saying. It is a trusting It's like
this is a you know, verbal contract that you were
not going to. This is Michael.

Speaker 2 (12:18):
Well, here's the other thing.

Speaker 1 (12:19):
That's the worst part is I'm about to play a
gig and you're using my ship, and if you fuck
that up, it's gonna suck my ship up here. So
it's also I think it's my back line before or after,
because I'd rather just land it out to after because
something does go wrong, my set isn't fucked up.

Speaker 4 (12:33):
Sure, sure, yeah.

Speaker 6 (12:35):
Some people will treat will treat a back line like
they're all beaters.

Speaker 10 (12:40):
You know.

Speaker 6 (12:40):
It's like, yo, hold up, man, this is somebody's ship. Yeah,
and it is like kicked, especially like rock clubs. You know,
it's like, oh, this is a beater, let me just
go crazy on it.

Speaker 4 (12:49):
Yeah. Yeah, it's just not Uh. I think that that's
something that it goes unspoken. But I mean sometimes it
has to be spoken.

Speaker 2 (12:56):
Yeah yeah. Sometimes all right, cool, all.

Speaker 4 (12:57):
Right, but yeah, so that's what's happened gallery this weekend.
You got anything to plug?

Speaker 2 (13:04):
What am I plugging right now? Nothing? Much.

Speaker 6 (13:05):
November seventeenth is the celebration of Lance and the minimum wage.
Come through November seventeenth to the broadberrys a Sunday justin
Golden by Remail and Nobs Brash. It should be a
good time, bittersweet, good time. Speaking of that, we recorded
the bassom recorded some more this past Wednesday, trying to

(13:26):
get a little something done before he's out, out and out,
you know what I mean.

Speaker 2 (13:30):
Hell yeah.

Speaker 6 (13:30):
And then Thursday we did the Richmond Halloween Parade, which
was amazing. Again shout out to all Saints, Theeter Company
and everyone that helps with that, the bikes and John
Holly teaching all of the community.

Speaker 2 (13:43):
The Musaic. Oh nice. So that was very fun. It
always does.

Speaker 6 (13:47):
Halloween was hot this year, and a hot dog suit
is hot, also very hot, so you just gotta like,
you know, be ready for something like that. The other
the good thing about the hot dog suit, though, you
can just take the whole thing off when you're in
your regular clothes.

Speaker 2 (14:01):
Facts, you know, you're not covered in blood, you don't.

Speaker 6 (14:03):
Have much your makeup all over your face, so you
can just be a regular person very quickly.

Speaker 4 (14:08):
I mean it's a vibe though, bust it out for
the parade. Yeah. I like seeing all y'all in Hot Dog.

Speaker 2 (14:16):
It's just one or two man that makes you a lion. Ay.
That was funny.

Speaker 6 (14:26):
Then the Brass band the next day played in Norfolk
at the Annex, which is a new venue down there.
Pretty big, it's not it seems like not quite living
in the size of the Broadberry.

Speaker 2 (14:34):
Maybe a little small.

Speaker 6 (14:34):
I can't quite tell what street it's on, like it's
on Church Street.

Speaker 2 (14:39):
I don't know. I can look it up real quick
in the scope, I mean not really.

Speaker 6 (14:44):
It's kind of like in a more of like a
down like a Downtowny's part of Norfolk, like an industrial
part if you like stuff. Yeah, it's like across the
street from the fire station.

Speaker 2 (14:55):
You know.

Speaker 6 (14:55):
I didn't know that part of town that great. Not
too far from the zoo, Okay, yeah I know where. Yeah,
but yeah, I mean the place was fucking great, great sound,
big room, uh sound, people that were completely confident and
knew how to do stuff.

Speaker 2 (15:09):
It was great. There's lights in there. Yeah, it's just man,
it works.

Speaker 4 (15:14):
I would say Norfilk. The limited time that I've played there.
I've never really had a sound issue ever.

Speaker 6 (15:19):
Good sound guys out there. Shout out to y'all growing
good sound sound people out there.

Speaker 4 (15:24):
Yeah some yeah, some, there's some obvious outliers that are
totally not that in.

Speaker 6 (15:29):
Norfolk is an awesome place. I agreat sound. I agree,
shout out. It was a great show. Shout out to
West Parker opened up, came through a ship. Yeah, came
through singing song with us. Oh word, yeah, saying everybody
everybody wants to rule the world.

Speaker 2 (15:42):
Say, wasn't there with us?

Speaker 6 (15:43):
So it's like, yeah, come on, Parker Brothers going strong.
They sounded great their power trio.

Speaker 2 (15:52):
You know what I mean. Hell yeah, bass player, they
got Chandler. Shout out the Chandler good pocket, good pack.

Speaker 4 (15:59):
So this past weekend, I believe that you did you
watch anything?

Speaker 2 (16:04):
I finally did today.

Speaker 6 (16:06):
I'm wearing my I'm wearing my Jokers, wearing my Joker
sneakers today to remember that I had to talk about
The Joker. So, as we all know, I've been talking
about seeing this movie since it came out, and then
when it came out, I didn't see it because I
just the more you hear about it, the wors it sounds.

Speaker 2 (16:24):
So it's finally on the regular TV on the Plex.

Speaker 6 (16:28):
So I watched it, and within the first the first
beginning of it starts off with like a cool little
animation thing that's.

Speaker 2 (16:35):
Like, all right, this is nice little throwback.

Speaker 6 (16:37):
Animation, little Warner Brothers theme song, you know, and then
with the first twenty minutes, I'm pissed off.

Speaker 2 (16:43):
I'm just pissed. I'm so pissed watch this one.

Speaker 4 (16:45):
Come on.

Speaker 6 (16:46):
So Joaquin Phoenix singing, bro, he can't even say I'm
singing as a character.

Speaker 2 (16:53):
He's just growling and a little flat and.

Speaker 6 (16:56):
Just like, oh, the Saints Come Marching, they do sing
the Saints Come Marching in mad Times during the song
during the movie, it's like one of the main songs. Listen, man, listen, listen,
let me get into let me get into it.

Speaker 2 (17:10):
I'm pretty sure that's why.

Speaker 6 (17:11):
Yeah, And it goes from that to like, uh, not
under my Skin, but one of those other Frank Sinatra tunes.
So the Joker, I'm spoiling, I'm caring, I'm spoiler's been
long enough. Yeah, yeah, yeah, So it comes to the Joker.
He's on he's about to go to trial for killing
all those people at the end of the first movie Killing.
You know, he's like, all right, it's like a it's

(17:32):
not a mental hospital, but it's like a prison. But
it's kind of like a medical war in a prison.
He's dealing with some like shit cops, you know, because
it's the seventies.

Speaker 9 (17:41):
Uh.

Speaker 6 (17:41):
First of all, Joaquin Phoenix looks like he hasn't eaten
in two months. When you see it, I mean you
can see every bone in his neck and his it's
like looks weird, like a gollum or something.

Speaker 4 (17:52):
Real quick. Oh yeah, he did not want to like
reveal at all what kind of methods he used to
get skinny or whatever.

Speaker 11 (17:58):
He was crack, he was, Yeah, that's what that was
what it looks like to me. For some reason, he
was really crack, crack, crack. He's confirmed here, Yeah, pure crackle.

Speaker 2 (18:13):
Or anything like. Nahbody, you should see it.

Speaker 6 (18:15):
Man, his skin he looks like like a pterodactyl, you
know what I mean, Like the skin is like hanging
off the bone.

Speaker 2 (18:22):
Man.

Speaker 4 (18:23):
It was coaxing.

Speaker 2 (18:24):
It's insane.

Speaker 9 (18:25):
Man.

Speaker 6 (18:26):
So he's in the jail and he doesn't talk, and eventually,
you like his thoughts would turn into going into the
joker being on like a sound stage, like a Las
Vegas downstage, and then they would do some terrible like
jazz song.

Speaker 2 (18:42):
And it would be terrible.

Speaker 6 (18:43):
He would do the whole thing and it was like
what he's just singing, you know under my skin. I
can't remember what song. I don't want to look it up.
Remember what song it is? Where you look? Tonight is
in there and he's singing it and then it comes
back to his mind. He's like, you know, and then
like one of the things ever that's happening in these
so called series.

Speaker 2 (19:02):
But first of all, the movie is feeling itself the
whole time.

Speaker 6 (19:05):
I mean long ass shots of him walking in the rain,
symmetrical like shots of four umbrellas with him walking in
the center, and all the umbrellas are different, like like
it looks like a music video.

Speaker 2 (19:18):
Looks like a my chemical romance music video. I pulled
some of this off. It's just like pull up some
of the images from it.

Speaker 4 (19:26):
This.

Speaker 2 (19:26):
Yeah, I'm doing that right. This This is really weird.

Speaker 6 (19:31):
Uh So he's just in there, right and he starts
singing and dancing. For whatever reason, he has to go
to like see a doctor, and that doctor is his
lawyer's office or whatever is across the hall from another
part of the hospital in which they just acchoire. And
then that choir is Lady Ga Gay. Okay, okay, So
she sees him in the hall and he's like, oh right,

(19:52):
let's just get together. So you just start doing it,
and then her mind she starts singing the same songs
as ling the String or whatever it was, and it's
like her singing it and him singing it together and
doing like like a like a ginger Ginger Rogers kind
of like little dance routine. He does some fake tap
dancing and it just keeps going back and forth with
that the whole movie. Really, it's really weird. And then

(20:16):
so the whole thing is him like pretending to like, hey,
are you really a joker?

Speaker 2 (20:21):
Are you do you? Are you schizophrenic? Or are you
just pretending to be here or whatever? He's crazy. So look,
this is the end of it. Okay, well check it out.
So they're in a uh, she's a joker too, that's
the end. Okay. This is the thing, dude.

Speaker 4 (20:35):
It's like they're in court right, it is on trial. Yeah,
he's where like, let me get to this. James I've
already seen it. I know what's happening.

Speaker 6 (20:44):
So he goes to so he him and his lawyer, right,
his lawyer are just like, hey, we need you to
stop talking and seeing you're the joker, so you can
get off.

Speaker 2 (20:52):
This is the whole movie is revolving around this case. Okay.
So he goes and them seeing each other at choir
or whatever.

Speaker 6 (20:58):
At one point, Inquire, she starts a fire during the
like movie night, and then they try to escape and
it doesn't work, and then they sing more jazz together
about that, and then they could do jazz about this,
and the god got singing jazz and it's all the
same two or three songs. It's not like a bunch
of songs about being the joker. It's not like Broadway

(21:19):
style in which the singing is moving the story ahead.
He just looks more like it's almost like Mama Mia.
It's like joker, Mama Mia. They're just singing karaoke jazz.

Speaker 4 (21:30):
Standards standards is the same ones, same one or two
the whole movie. The Saint Skud margin and being one
that happens the most any it's free that is annoying.

Speaker 6 (21:42):
So anyway, he goes to the court, and he stops
taking his meds because so he can start being the
joker at court. And then he fires his he fires
his lawyer, okay, and then and then the lawyer like
and he grabs her. He's like, yeah, I'm firing her
and kisses her. It's like, see she can't be my lawyer.
And the and the and the judges. It's like, all right,
I believe that he's it's right to fire his lawyer.

(22:02):
And also he can dress howevery once so the next
that's why he shows up the next day in court
as the joker.

Speaker 4 (22:09):
So you see in in this movie makes no sense.

Speaker 1 (22:13):
You barely see him without the joker makeup. No you
do in this movie though, compared to the first.

Speaker 6 (22:17):
One, No you do, because he's still in jail most
of the time. Right, he goes to jails and he
comes to court, and he goes to jail, comes to court.

Speaker 2 (22:25):
This is like the climax in the movie that's shot
right yet.

Speaker 6 (22:28):
So like and then so uh, for some reason, they
just get to hang out. Like Lady Ga Ga is
all up in the jail hanging out. She's like, I
paid a guard. She's just like in his cell hanging
out with him with him, and she somehow didn't she
was a part.

Speaker 2 (22:45):
She was in the mental hospital.

Speaker 6 (22:47):
Also turns out she was there by choice and was
just stalking the Joker, right right. So they sing songs
together and she's like, yeah, be the Joker. He goes
to court, this whole thing, they do more jazz, and
then he's just like, yeah, man, I don't know if
I'm the Joker or not.

Speaker 2 (23:07):
I don't know.

Speaker 6 (23:08):
And then if Joker fans just get bro and then
the Joker fans get up and leave. They're just like,
he ain't gonna be to be joking. He don't want
to be the Joker no more. We thought you're gonna
be a cool killer for the rest of our lives.

Speaker 2 (23:19):
And then they just like bail.

Speaker 6 (23:21):
On him and just bail on him, and then the
court blows up, so someone blows up the back of
the court and he just he gets out of the
court and then they just catch him again and then
there he is back in jail. So he just goes
back to jail and then over and over again, and
then there's some I'm just spoiling spoiler, and then some

(23:41):
dude in the jail just like we thought you were
going to be the man, and he just like shanks
him and.

Speaker 2 (23:46):
That's the end. And then they go back to singing
the world and the stringer of the fu Yeah.

Speaker 4 (23:51):
Man, that's wild, dude, dude.

Speaker 6 (23:55):
It was so it was worse than I thought it
was going to be because it's mad long's it's like,
you know, two and a half hours long, or however
long it is.

Speaker 4 (24:03):
Were you just getting were you getting pissed or were
you getting like were you like laughing at it?

Speaker 2 (24:07):
No? I was getting pissed.

Speaker 6 (24:11):
If I didn't have if I wasn't at home with
the ability to play around on my phone, I don't
know if I would have gotten.

Speaker 2 (24:16):
Through it at the theater out of two pits at
the theaters, two hours sitting there just watching them dance
to what.

Speaker 6 (24:23):
So anyway, I totally understand why people didn't get behind this,
But hey, if you just love music, just the idea
of a musical, maybe you can get something fun out
of this. They don't even sound good. It's not like
you want to listen to the soundtrack like most musicals
that are.

Speaker 4 (24:40):
Well that's what I saw. I saw a clip singing
and I was like, oh, they didn't even try to
make it sound right.

Speaker 2 (24:46):
Nope. They didn't even.

Speaker 4 (24:47):
Try to make it like where they do like lyly Land,
where they just put everybody on auto tune. Nope, they
didn't do that. They didn't just like fucking Joaquin Phinnix
sound crazy.

Speaker 6 (24:55):
Yeah, he sounds crazy. She sounds fine because it's very
much the same. And what's she's singing as a character.

Speaker 2 (25:02):
I don't know.

Speaker 6 (25:03):
They don't really make it sound good. Yeah, you know,
so that was another huge mistake. So it's like a
movie made by people who don't like comic books and
it's a musical, but we ain't gonna make the music
any good and we're not gonna get the singing down.
And the big reveal is that he's a joker, and like,
what do y'all care? Yeah, you know, who cares? They
know batman who gives.

Speaker 4 (25:23):
A fun well supposedly the director. Time feels like just
like ignored the studio completely. He did not take notes.

Speaker 2 (25:31):
You should have got some help from this bad.

Speaker 4 (25:33):
Boys like that. He really went with his own type
of He didn't promote it. He I don't think he
barely did any interviews for it. In the interviews he
did do, it's sounded like that he was just steadfast
on his own vision.

Speaker 2 (25:46):
Bro, this is.

Speaker 6 (25:47):
One of the worst big budget ass movies I feel
like I've seen in a really long time. I mean
compared even if it was just a shit action movie,
he'd be like, Oh, it's just who cares?

Speaker 2 (25:57):
Or if John Wick four, oh who cares? Right? Effects?
But this is like not a special effects movie.

Speaker 6 (26:03):
Still spent like hundreds of millions of dollars of like
just feeling yourself with like all this film and these
locations and the set of the color and the colors,
and they spent it all on that, and then this
like soundstage they kept flashing back to where he's dancing.

Speaker 2 (26:20):
It was. It's actually worse than I than I'm like
describing odd that they didn't like any music for it.
There's I think maybe one or two, but.

Speaker 1 (26:32):
One of the characters in it is like a prominent
figure in pop music, Like, doesn't it be too hard
to whip up some music from somewhere.

Speaker 6 (26:42):
I feel like at the bare minimum they would do
send in the clowns or something, just switch it up.
But nah, man, it was seemed very little care was
taken with like what is supposedly was supposed to be
is a musical in my opinion, you know, especially with
the amount of money involved in something like this. Anyway, Yeah,

(27:04):
Aawson Prayers man, that was that was that was no good.

Speaker 2 (27:06):
So we don't have to see any more of this
kind of joke. I sure hope not.

Speaker 4 (27:10):
Yeah, I mean they they're definitely trying to use this
as the uh as the start place for like serious
actors to say their movies are coming back and stuff
like I've seen a lot of talk about that.

Speaker 2 (27:22):
I don't have no look.

Speaker 4 (27:23):
Narrative that, you know, like Tom Hanks.

Speaker 2 (27:26):
Like Tom Eggs put a slap out every couple.

Speaker 4 (27:29):
Man Clintons would he put He's like, you know, one
hundred and four years old. He just put out a film.
Uh that They were like, this is the last of
the series.

Speaker 2 (27:37):
I love I love the Clinton Eastwood Get Off my
Lawn movies.

Speaker 6 (27:41):
Grantorino like that music. A racist old man, get the
funk out of here. But he always cares for like
a young kid from another race.

Speaker 4 (27:52):
Yeah.

Speaker 2 (27:52):
Yeah, but like.

Speaker 4 (27:53):
Takes always trying to show some kids. Yeah, it's trying
to show like one kid, Charlie Parker. Yeah, dude, at least,
but yeah, I like the older I get. I like
to get off. It's funny lawn movies.

Speaker 6 (28:07):
But yeah, it's it's definitely. Yeah, they lay the egg
on this bad boy. This is terrible anyway, Well, Dawnson
Prayer is not terrible. Well then I'm giving it. Yeah,
I'm giving it five thumbs down.

Speaker 4 (28:21):
All right, let's go ahead and get into music news.
M long lost seventies concert film with the Jackson Five,
Marvin Gaye Stable Singers is unearthed on Netflix.

Speaker 2 (28:39):
I like it, give it up.

Speaker 4 (28:41):
It's called Save the Children, Save the Children. This uh well, yeah, no,
this was.

Speaker 2 (28:47):
This is a it is like a charity concert or something.

Speaker 4 (28:50):
I think it was.

Speaker 2 (28:51):
Actually, okay, it's not weird. It's pretty weird.

Speaker 4 (28:55):
You're going to hell. Yeah, you know, let's see it
might not have no actually no, it was. This is
like something that was benefiting Jesse Jackson at the time
in his presidential run and his no this was his
cause he was he was signed to a record label in.

Speaker 1 (29:11):
The Yeah, you know what, a lot of political people
across the board were into show business before they were
in there, Like, yeah, everyone from Lewis Farrakhan to Ronald Reagan,
we're all in show business as singers or actors.

Speaker 2 (29:28):
It's the saying Jesse Jackson speakers.

Speaker 4 (29:31):
I mean speakers. You know, they were marketable and back
then big record labels had like little conscious labels, you know,
they were put and they would put out speeches. They
put you know, doctor Kings Speach was on it.

Speaker 2 (29:42):
I I got Doctor king speeches on my.

Speaker 4 (29:45):
Yeah, you know that was a thing. Uh so, yeah
he was. He was signed to uh like Stax's Conscious
label or whatever. But anyways, this is Jackson five, Marvin Gay,
Curse Mayfield, uh, Bill Withers. This was actually released in
nineteen seven, twenty three by Paramount Pictures, but it never
it never got an authorized home video release. It. Yeah,

(30:08):
they put it out.

Speaker 2 (30:09):
Big budget shit.

Speaker 4 (30:10):
Yeah this was okay, yes, never Yeah. It was put
on in Chicago. It was to support Jesse Jackson's Operation
Push with the all star cast of ROBERTA. Flag, Isaac Hayes,
Glass Night, The Temptations, Ramsey Lewis, Wilson Pickett, Sammy Davis Junior,
you know, Quincy Jones worked on behind the scenes, Canterbell, Adelie,

(30:33):
Jerry Butler's I mean this is like just a huge,
amazing and a lot of a lot of these people
don't have as much representation as far as their performances
from the seventies. You know, Marvin Gays pretty limited as
far as a lot of his stuff from the seventies
being on film because he just I mean he honestly

(30:56):
he didn't perform live that much in the early seventies.

Speaker 2 (30:59):
So that's it.

Speaker 4 (31:00):
It's kind of a big deal.

Speaker 2 (31:01):
From that whole part of the decade.

Speaker 1 (31:04):
It's hit or missed with a lot of these film
stuff because either the audio is really good and the
film sucks, or the film it looks great but the
audio is like really bad, terrible. It's hard because a
lot of these were never like you said, they were
never for a theatrical release or any of that shit,
so they definitely I don't know, like the ones with

(31:26):
there's of course there's an album, but the Band of
Gypsies over the years, there is some video, but I
think the video isn't of the takes that are on
the album, and there's like it wasn't film very well.

Speaker 2 (31:38):
I think it's only black and white.

Speaker 1 (31:40):
But there's so and then like one of my least
favorite professionally shot movies is Woodstock because like, what why
are we showing this is some of the best footage
of Jimmy Hendricks and he's playing these crazy solos.

Speaker 2 (31:54):
Why are we just looking at his face? Yeah? Everything
about it is terrible. Yeah, and fucked with the sound.

Speaker 6 (32:00):
They like didn't like the leaders, like we don't want
other ships and then just like host it.

Speaker 2 (32:04):
Yeah, turned all the mics off. That weren't what the
tree crazy? Stupid?

Speaker 4 (32:10):
Yeah, I mean I think it's on Netflix right now.
Uh save the Children? And I mean yeah, it's like
it sounds like legendary. So I'm I'm really excited.

Speaker 2 (32:20):
To check this out. I can't wait.

Speaker 4 (32:22):
But yeah, I think it's out now, So let's see
what else do we have here?

Speaker 2 (32:27):
Just watch that in live streaming on YouTube. I'm not
with that. I feel we should we could watch Uh.

Speaker 6 (32:33):
Yeah, I think we should watch that phar Real thing too,
because that's an interesting way to put out a music doc.
It's kind of like making it a podcast, you know
what I mean.

Speaker 4 (32:42):
I'm not clear on that, Like, is it it's a
documentary on him?

Speaker 2 (32:47):
Yeah? But what's the deal with the legos?

Speaker 6 (32:48):
Instead of like having the picture of Kendrick Lamar telling
a story, is they animated it with the lego it's
almost it's almost like it's a podcast or something in
a way.

Speaker 4 (32:58):
And then it's like there's it's like it's like tour
tales from the tour bus. It's like in lego form.

Speaker 2 (33:03):
Instead of regular animation. Yeah.

Speaker 4 (33:06):
Yeah, So some of it, though, is filmed in real life, right, No,
I don't think so.

Speaker 2 (33:12):
I thought I thought that stuff on location. That's a
different thing.

Speaker 6 (33:16):
That's the musical that they were working on where they
were in Richmond.

Speaker 2 (33:19):
Yeah, that's I didn't realize that.

Speaker 4 (33:21):
Yeah, so it's two different exactly.

Speaker 6 (33:23):
That's a that's like a narrative, that's a musical narrative
like or something. Yeah, I think it's kind of like
an actual and wrote songs for Yeah, I would assume
sothing Forel's music.

Speaker 4 (33:37):
He also has a TV show that's I think that's
coming that's supposed to be like based on him as
a kid or something like. So he's got like a
lot of ship just based on his life.

Speaker 6 (33:46):
It's like The Rock did that. The Rock just put
out a show. It's just like him, like Young Rock,
Young Rock.

Speaker 4 (33:51):
Yeah, that's what look, they all do it, Chris Rock, Chris.

Speaker 2 (33:53):
Rock, everybody. Yeah, that was a good one though, hilarious.

Speaker 4 (33:57):
They just brought that back as a cartoon and that's
actually kind.

Speaker 2 (33:59):
Of a is gonna be there forever? Yeah, he grows.

Speaker 4 (34:03):
Yeah, look it's pretty it's actually pretty good. I watched
an episode of it. Billy Corgan thinks he's being snubbed
on the Greatest Guitar Player lists.

Speaker 2 (34:12):
I saw that this.

Speaker 4 (34:13):
I'm gonna say, this has to be I'm just this
has to be something. He something specifically pissed him off
within twenty four or forty eight hours of whatever he.

Speaker 1 (34:26):
Was interviewed or put this there was a poster or
was it in an interview?

Speaker 4 (34:30):
It's an interview in Guitar World.

Speaker 1 (34:33):
Yeah, so he's pissed off about something so so calling
people out.

Speaker 2 (34:37):
Yeah, and he's just but also everybody want to talk
about Don Bag Daryl well Man.

Speaker 4 (34:44):
This might also be some wrestling theatric stuff. He might
just be like trying to stir shit up. He can't
be trusted anymore, that's true. I mean, listen and.

Speaker 2 (34:52):
Which if this is this makes you so happy?

Speaker 4 (34:55):
Look Guitars, Guitar Center, Guitar Center World.

Speaker 2 (35:00):
They better do something there is they?

Speaker 4 (35:02):
I mean, look, they still are putting real magazines out
and they have the transcriptions and they like re upload
parts of their interviews all the time, talking about old ship.
But I mean this is a new interview. I mean,
you know they're gonna get him gassed up. You know
they're gonna be like.

Speaker 2 (35:19):
You know, oh really, I bet you this is all
him gassing.

Speaker 12 (35:24):
No.

Speaker 4 (35:24):
Well, I'm saying, of course, I mean it's not gonna
be hard to gass him up. What I'm saying is
that these guitar dudes, these fucking sweet water cats, you know,
they're gonna be like, you know, real, I've read you
did you hang out? I saw that you like, people

(35:46):
don't know about that. Man, don't know about what.

Speaker 2 (35:49):
You don't even know about things on.

Speaker 1 (35:52):
That Biato, like, you know, was like did you play
the play guitar?

Speaker 2 (35:58):
And then he's gonna go, you know now but only
standard tuning.

Speaker 4 (36:04):
But I mean he he's talked about that, he's uh
like he's a Rush fan and that he could like
play a lot of that stuff.

Speaker 2 (36:14):
And put some of it in music. I've always known
he was a good guitar player.

Speaker 6 (36:18):
But yeah, you can't get on those lists without at
least attempting to do something solo he did today.

Speaker 2 (36:27):
Solo solo is not gonna that's not gonna cut it.

Speaker 4 (36:30):
But they always think of James h aha.

Speaker 2 (36:33):
Yeah, No, he doesn't play the solos.

Speaker 4 (36:35):
He doesn't play this. He's a rhythm guitar player.

Speaker 2 (36:36):
This is the deal.

Speaker 4 (36:37):
When I saw Smashing Pumpkins, I was like, holy shit,
Philly Corgan is playing all of the.

Speaker 1 (36:42):
Solos, all of the cool fun guitar parts. James I
just like played all the rhythm stuff. He played no
fun stuff.

Speaker 4 (36:51):
All those solos, like the chair brock thing, all this
really cool sounding ships is fucking Billy Corgan. And the
albums are like Philly Corgan playing bass on.

Speaker 2 (37:00):
A lot of them.

Speaker 1 (37:01):
And yeah, dude, nah that is him, Like, uh like
its side dude guitar player.

Speaker 4 (37:08):
You know, if he if he wanted to be the cat,
all he had to know, all he has to do
is just go go do some instunk real quick. Pumpkins.
Yeah right, but it's weird just back then, if you
saw them ever, you'd know like, oh, he's playing all
the solos and all that. And if it wasn't in
a music video, you kind of just assumed that the

(37:29):
guy that's not singing was playing the solos. Well, I
mean he's made they really made it a like a
thing for it to be a band, look like the
Smashing Pumpkins. That's why his other ship never really worked
because you think about those four people, you know what
I'm saying, Like for the Smashing Puckeins, it doesn't it never,
it never. I don't think comes to anyone's mind that

(37:51):
like man Billy Corgan is doing all the ship because
I never see it at the time.

Speaker 1 (37:55):
I yeah, well I did know he was from even
interviews back then. He's like very much a control freak,
right even then from like guitar magazine interviews and Rolling
Stone stuff, It's like he seems kind of anal Yeah yeah,
but uh yeah, I know he He's always been about

(38:17):
one of those like perceived more as a songwriter type
of person or the band leader I guess, than a
shred guitar player.

Speaker 2 (38:24):
Yeah, but I think it's also.

Speaker 1 (38:25):
A thing like Prince where unless Prince, if it isn't
go and play guitar solos in front of people, like
nobody would ever say he was a great guitar player,
because like they're only listening to the records and they're
not thinking of Prince as being playing everything, but they
show Yeah, he showed everyway.

Speaker 2 (38:42):
Yeah, But Billy Corgan, there's another thing.

Speaker 4 (38:45):
Back in the day, I don't think he was good
at guitar, and he had guitar solos, but I think
that in that time period, they were coming off of
the eighties shred thing and everybody wanted to be the
anti guitar hero thing.

Speaker 1 (38:56):
So back then, I think he was almost self conscious
that he had solos and songs and that they were
sometimes a little shreddy and stuff. But uh, now as
he's older and like playing flashy guitar is popular again,
seems like he's left out, you know, because.

Speaker 4 (39:15):
Yeah, I feel like and he was chasing an interview though,
was this interview done before after the thing?

Speaker 1 (39:21):
Because I feel like maybe the be outa thing, they'd
be like, oh, I can be recognized like these guys
because all the other grunge dudes and that era have
made BEI auto appearances. I feel like he was one
of the last ones to get in there.

Speaker 4 (39:35):
Just saying that's on him, you know, yeah, I mean
that's on him.

Speaker 2 (39:38):
He comes off like an asshole too much.

Speaker 4 (39:40):
He can well, he's tried his best to I think
not be as as whole as It's very tough for
him obviously, but I think he's think he's in a nutshell, right, Yeah,
I mean he's been working. I feel like he's been
working towards like not looking that way. I mean he's
I dated Courtney Love, he's just gotten old. Then he's

(40:00):
just like, you know, yeah, she can't have it all.
He wants to be mister wrestling. Then you get everyone's
excepting that he wants to things. Yeah, I want to
recognize for all of them.

Speaker 7 (40:11):
You know.

Speaker 4 (40:11):
That's that's really what it's about. You know. But uh look, bro,
we get it, you know what I'm saying, But just
do a fucking Instagram video.

Speaker 2 (40:19):
Yeah, play some like do a do a thing, Just
play just do that and just and fucking do the
you know, with the camera on your hands. Get it.

Speaker 4 (40:28):
Because even like I would say, like, uh like Rivers
Comos whatever his name, wow, Rivers, Rivers, Rivers of Comos.
He is known as kind of a shredder now, but
like you know, it was the same kind of thing.
But he was playing some guitar solos that I don't know,

(40:49):
maybe it was easier to remember there were.

Speaker 2 (40:52):
Parts of the song.

Speaker 1 (40:53):
Yeah, they were part They were like the KD Holly
like Holly, like.

Speaker 2 (40:59):
The drummers actually a guitar player too.

Speaker 4 (41:01):
The drummer is an amazing everything in that band Weezer.
He's so we.

Speaker 2 (41:06):
I don't know. I don't feel like having a whole
Weezer conversations.

Speaker 1 (41:09):
But was that era that was good?

Speaker 2 (41:13):
I think I think actually a lot of those guitar
players were good. I think that it.

Speaker 4 (41:17):
Just wasn't in style. It wasn't style, wasn't there ay,
didn't have the flashiness, and we're doing just fine. They
got rid of all the solos in the nineties except
for like sax solos.

Speaker 1 (41:29):
Pearl Jam songs all had solo. Almost every song if
on his songs had solos in half of the song,
like everything that solo is in it. Even if the
soul was just like playing melody, they still did.

Speaker 4 (41:41):
I mean, Kirk Hammett was still playing solos in the nineties,
but the only one they got rid of They got
rid of solos on Saint Anger. But now they solos back.

Speaker 1 (41:49):
Though I remember that some kind of monster. They started saying, well,
we don't have to have solos and seem just like what.

Speaker 4 (41:56):
He was like, that's bulls.

Speaker 2 (41:57):
Yeah, yeah, he got mad.

Speaker 4 (41:58):
He cussed out the band.

Speaker 2 (42:00):
I mean I agree with him. Heavy metal man, Yeah
you gotta have a guitar so little.

Speaker 4 (42:06):
Yeah, yeah, it's bullshit. But they somehow they Jedi mind
tricked him because then by like within two minutes, he
was like, yeah, you know, I totally get that man,
like literally too.

Speaker 6 (42:15):
He was just tired of fighting. Yeah he's still pissed. Yeah, no,
he's pissed to this day.

Speaker 2 (42:19):
He went to therapy though. Filmed it.

Speaker 6 (42:25):
You guys, you guys saw Morrissey. He got like attacked
on him. I said that he didn't get attacked. It's
it's like the opposite of attack. Well I'll take you know,
it's attacked morris He was morrise He was playing a show,
singing a song, and this one woman jumps on the
stage and gives him a hug and security get her off.
But right after that, another person kind of jumps on
the stage and starts to try to do like all right, stop,

(42:47):
y'all quit, And then before you knew it, every two
seconds someone was jumping on stage hugging him. He kept
he kept trying to sing through it until the point
there was just mad people on stage, so he had
the end of show. I was like, more, fans are
weird as fuck, man, weird, that's some weird ship man.

Speaker 1 (43:04):
A lot of negative press for his attitude. They love
him if something this was organized to make him plant
this is this is a yeah, make it look like
people love him so much and he's actually a beloved person.

Speaker 2 (43:17):
He's like, look at this, look at this crowd a lot.

Speaker 1 (43:19):
I mean, I I Morsey fans if they're still going
to see him now, definitely love this. Also pissed off
his fans with like not playing full sets and not
showing up or you know, refusing to play certain gigs,
and the fans I know, gets super fucking pissed. Stick
with him though, Yeah, but I think maybe at this
point he's like, maybe his managers like, hey, you need.

Speaker 4 (43:42):
Let's day's take. This is fake, fake news. You can't
trust anything.

Speaker 6 (43:47):
I think they're just weird, man. They just want to
like that's some weird celebrity ship man. While you jumping
on the stage trying to like make a moment for yourself. Man,
stop trying to stop trying to go viral, man, Just
like watch the show I.

Speaker 4 (43:59):
Mean I think it was his first show in a
few years as well, So I mean, yes, they just look,
they just had to touch him.

Speaker 2 (44:04):
Where is the security? There was no.

Speaker 4 (44:06):
Security obviously overran the sage they had. They were they
were estimating, underestimating what they could do. Yeah, they thought nobody.

Speaker 2 (44:18):
Was chilling, be soft.

Speaker 4 (44:20):
Yeah. Yeah, they had one of those giveaways or something.

Speaker 2 (44:23):
I don't know, disgusting. I don't keep your hands to yourself.

Speaker 4 (44:26):
I don't get it with Morrissey. Okay, let's see what
else I have the I have a video of Katie
Perry singing at the campaign.

Speaker 2 (44:40):
If we want to hear the Star Spangled banner.

Speaker 4 (44:43):
No, she's singing another She's singing another patriotic song. No, no, no, no,
she's singing the greatest Love of all.

Speaker 9 (44:55):
Uh.

Speaker 4 (44:56):
Bob Dylan's son doesn't know why his dad is tweeting
talking about Jacob's or different Jacob. Yeah, Jacob is the
only one that people.

Speaker 2 (45:02):
He's an old man now too, gotta be right.

Speaker 4 (45:05):
He's older, Yeah, definitely, definitely, Maybe sixties, I don't know, no,
but yeah, fifties. Uh yeah, he yeah, he cannot explain
why his dad is uh is tweeting and because.

Speaker 6 (45:19):
You know, he because this is he doesn't know what
the internet is now, I don't know.

Speaker 1 (45:23):
But why are we even talking about? What was my
dad tweet double cloud chasing?

Speaker 4 (45:28):
They were no, Well, he was asked obviously about this.
He wasn't just like you know, on Twitter, going I
don't know why my dad is tweeting on Twitter because
I'm tweeting.

Speaker 2 (45:36):
But no.

Speaker 4 (45:37):
He was talking about it with the Boston Globe. He said,
why has uh his father has taken a recent liking
to typing silly little tweets, And he said, like most people,
I can't tell what's going on with those. I've seen those.
I can't tell you what that's about. We're talking about
just because alive rights some tweets still right, Yeah, he's
still alive.

Speaker 2 (45:57):
So why are we talking about?

Speaker 6 (45:58):
Text your dad? Shut the hell up, man, shut shut
the fuck up. Text your dad. You know he gotta
you know, he got his phone in his hand. Just
text him talk.

Speaker 2 (46:07):
Yeah, I don't want to hear this, he was. I
don't care about this.

Speaker 6 (46:13):
I'm never I'm never even talk greasy, talking greasy about
your dad because somebody it's all greasy.

Speaker 2 (46:17):
I think I don't like the way he said it.
You don't like the way he said. I don't know
what he's doing, and I don't like it. I don't
like it. All right, just text your dad, man, shut
the fuck up?

Speaker 4 (46:29):
Yeah you should, that's okay, better response you're saying. You're saying, like, yo, yo, man,
I don't know I should text him, man.

Speaker 2 (46:34):
I don't want to hear none of this. Ship. Don't
don't tell me.

Speaker 6 (46:38):
Don't be asking me about my dad tweeting, first of all,
And my response ain't gonna be like a like a
legit answer.

Speaker 2 (46:45):
I don't know what's going on with his twitter?

Speaker 4 (46:47):
Shut up, man, Yeah, I mean he's tweeting because he
can't cause he can, yo, man, he.

Speaker 2 (46:53):
Could TWEETE allowed to, he could.

Speaker 4 (46:55):
He can do whatever you want.

Speaker 1 (46:56):
We need to turn turn the camera around and look
at Bob Dylan's son and what type of son.

Speaker 4 (47:03):
He is he hated, and maybe what type of relationship
he has. It sounds like he has no relationship with
his father.

Speaker 6 (47:08):
And why don't you ask me about my Twitter account?
Whyn't you ask me about my Twitter account?

Speaker 4 (47:12):
He has me the roughest relationship all the time. He's like, uh,
you like probably when he got a hit, he was
probably like, oh, you got one.

Speaker 2 (47:18):
Hit, He's going to motivate him. Yeah, he's he's probably
like one headline.

Speaker 4 (47:23):
Huh yeah, cars had two headlights. Yeah, he's like he
only got one headlight. He's like, he's like seventh New
seventh Avenue. Heartache. I've had heartaches on every avenue.

Speaker 2 (47:43):
Oh my god, just every day he got one.

Speaker 4 (47:46):
I've been on every avenue.

Speaker 2 (47:47):
It's like, Dad, don't you do it? Don't say it.
He's like, I bet you they did.

Speaker 1 (47:51):
She was rarely talked about, like it's the elephant in
the room that he had a hit that or that
there was saying, is that he's his dad is Bob
Dylane Like yeah, I think they just tried to be
as cool and not just ignore, you know, the obvious
of like Bro.

Speaker 2 (48:09):
I think that's the only way they I don't know.

Speaker 4 (48:11):
Man, he's like Bob Dylan's like, you know, it's electricity.

Speaker 6 (48:17):
Yeah, how you get it's the family business man, your dad,
Bob Dylan. You need to be Bob Dylan Jr. However
you can do it. He is just keep putting him out.

Speaker 4 (48:25):
He's got a scratchy voice and does the same thing. Man,
it's the same. It is the same thing. No, straight up, like,
you know, it's different. I mean nineties version. It's it's
Bob Dylan for chicks.

Speaker 6 (48:38):
You're saying chicks don't like Bob, don't like Dylan. What
you're saying that, well, I mean, like I feel like
that wasn't right what he said call In.

Speaker 4 (48:51):
They don't.

Speaker 2 (48:52):
They don't talking about it, right. It's like that.

Speaker 1 (48:58):
It's like girls in to high school with us being
into like flapper music or something like that.

Speaker 2 (49:05):
Ship was like chicks, you know what. Yeah, No, they
don't happen.

Speaker 4 (49:14):
They're not into that ship. Man, No, they like Leonard Cohen.

Speaker 2 (49:19):
I don't even know what. I don't even know what
you're talking about. Oh yeah, you know Leonard Cohen.

Speaker 4 (49:23):
You definitely know Lyric Cohen ship.

Speaker 2 (49:24):
I definitely don't want to hear that. I don't know.

Speaker 6 (49:27):
Yeah, I don't either, But man, I know the one song.
I don't even want to say what it is.

Speaker 4 (49:32):
The Hussies love some goddamn Leonard Cohen for sure, really
definitely definitely all of our fans.

Speaker 2 (49:39):
I don't know. I don't know about that. Call In don't.

Speaker 4 (49:43):
I don't talk about him like that. Yeah, all the
Huskies like lynar Cohen. All right, let's go to uh man,
big ups man, and uh it's just start off Quincy
Quincy Jones. I mean huge career, huge, huge, huge career.

(50:10):
Go ahead, yeah, go ahead.

Speaker 6 (50:13):
I mean ninety one years old, that's an amazing life.
And he spent a lot of these last ten years
or even more like really giving, like telling stories and
just being around and like showing his face to like
the younger generation. You're like, man, I mean I feel
like I can't. I don't have a memory that doesn't
involve his music, you know, especially as a kid from

(50:35):
Michael Jackson records to listening to like Frank Sinatra stuff
or listening to George Benson or like any of that stuff.
You know, it's just like all I feel like it's
all been there, and then movie soundtracks and going on
to college with there it's like it comes right back
with Austin Powers and all that, and you're like, oh,

(50:57):
there he is again. And then like the next few
years after that, here comes kill Bill and there is
like the main sound of that, and then it's it
just never ends, you know. So I feel like there's
so much I could say, but he just did it all.
You know, he did all of the arrangement. You can
do all of the musicians, like calling different musicians into

(51:19):
the room and getting them to like come on to
like one page about something, you know, like just something small,
like hadn't Eddie van Halen come on in and like
make this work?

Speaker 4 (51:29):
One question real quick for that. Do you think that
that song would have been as much of a classic
if it was a different guitar player other than Eddie
Van Halen. Do you think that was just like the
perfect like the perfect.

Speaker 2 (51:43):
Edition that had anything to do with it being a hit?

Speaker 4 (51:45):
I do.

Speaker 2 (51:46):
I think it had something that I think it would
have been.

Speaker 1 (51:50):
It helped it be a bigger hit, but yes, but
it it still.

Speaker 2 (51:54):
Would have been a hit otherwise.

Speaker 6 (51:56):
I think it made it if I was My opinion
is that it made it fifty to sixty percent more
of a hit because MTV was not trying to play
black people at all, and they like they went all
the way out of their way to find a guitar
player from the rock era and like play and it's
just awesome solo.

Speaker 2 (52:16):
You know what year was that one?

Speaker 4 (52:18):
This is like eight eighty three it was recorded.

Speaker 2 (52:21):
That's for the fucking Aerosmith run DMC thing.

Speaker 6 (52:24):
Yeah, yeah, I mean, and it's right there, it is,
and it's rock and it's it was.

Speaker 4 (52:29):
It was. It was tailor made for it. I mean
they definitely admitted that. They admitted that this was tailor
made for MTV. Yes, Breakthrough. They absolutely weren't sure if
they were going to play Billy Jean. They wanted them
to do it right Billy g I mean, but beat it.
That was the one they were like, we are, we
have to get on MTV. This is going to do it.

Speaker 2 (52:48):
I love the idea of that. I love having a plan.
I love showing music.

Speaker 6 (52:52):
Is a lot of people like something that as monumental
as an album like that.

Speaker 2 (52:56):
It's like making a studio movie.

Speaker 4 (52:59):
I mean talking one hundred people having to be in
the right place, the right time, all on the same page.
And yeah, and like whittling it down and who should
we get, you know, like which guitar player?

Speaker 2 (53:09):
How long should that be winning the song?

Speaker 6 (53:11):
You know, should we just leave a guitar solo in
the middle of a pop song? You know what I mean?
And just dance? I mean, that wasn't a lot of
people doing shit like that.

Speaker 4 (53:20):
You know, it's it's it's that's a it's an amazing
story in itself. I mean I definitely associated Quincy Jones
with Michael Jackson initially for a long time. Yeah, I
just thought Michael Jackson will always have Quincy Jones as
a producer.

Speaker 6 (53:35):
Yeah, that just too makes sense, right and like off
the wall, you know, yeah, the same thing, but together
those musicians, you know.

Speaker 4 (53:41):
Just real quick. I mean, Eddie van Halen just said,
supposedly his quote was, I just thought I was playing
on some little some little black kids record.

Speaker 2 (53:48):
That's probably that is what he's doing.

Speaker 4 (53:50):
That's what he's definite thought. And uh and Alex van
Halen is still pissed off that he did that.

Speaker 2 (53:54):
He's still mad that what he's tupop.

Speaker 4 (53:59):
He does not understand it. He does for some reason,
does not comprehend why Eddie van Halen wanted to play.

Speaker 6 (54:04):
On that because he had a favor for Quincy Jones.
That's why we're that's really talking about. You know, he's
like Quincy called in a favor because he had helped them,
you know, their friends.

Speaker 4 (54:14):
Quincy for some reason. I mean I saw his There
was a documentary called Listen Up that was made in
like ninety and it just shows seamlessly how he went.
I mean, it seems very seamlessly the way he almost
explains it. And I have his book too, But like
he starts as a trumpet player, goes into a ranger,

(54:36):
like becomes like you know, arranging Sinatra records and count
Basie stuff, and then he goes from that to being
the president of it was a vice president of AM Records,
I believe in like sixty one, and then he started producing.
Then he produced It's My Baby or It's My Party
or whatever if I want to, and like pop hits

(54:58):
and while being like president of A and R. So
he was already like rich yep by the time, by
the sixties, and then he started doing films and TV
and the movie soundtracks and TV shows and stuff like that,
and then was like overworked and then switched up and
started doing more. He was already doing records and productions.
He was he kept on with those. I mean, Quintessence

(55:22):
is that that's one of them.

Speaker 2 (55:23):
Is that one of his records, Quintessence, And.

Speaker 4 (55:27):
That's one of them. Walking in Space is another classic
body Heat from seventy four, stuff like that. And then
the brothers. Johnson's records that he was doing right before
the Off the Wall stuff are all like classic records
because you just hear how much he evolved, because Quincy

(55:49):
Jones' stuff was like mad raw and then like by
the end of the eighties, by the end of the yeah,
by the end of the seventies, he just like had
like this glossy, amazing reduction that just like.

Speaker 2 (56:01):
And he had he had his crew. It's like he
had an army.

Speaker 6 (56:04):
You know, he had, in my opinion, the best horn
section ever other than the Earth when the Fire Phoenix Brass,
the Sea Wind Horns with Jerry Hay and that whole crew,
though that horn section is extra crispy.

Speaker 4 (56:16):
Those guys were doing the fire records though, those guys.

Speaker 6 (56:19):
I mean, but like when they were just doing that,
you know, when they were doing Quincy because he like
made space for him. You know, Quincy always made space
for the horn. That's like very like influential to me.
Of like, it's not just boops and BIPs that happened
whenever singer takes breath type of shit. It's just like,
here is a fucking moment, you know, like full on

(56:41):
melody that everybody sings everyone sings the horn parts and
earth un and fire, people singing the horn parts on
Michael Jackson's song you know the way they sound on
Chaka Khan songs like Live and let you know, the
way the horn section sound on that those albums, so
like that crew.

Speaker 2 (56:56):
Having that crew is so clutch, you know what I mean.

Speaker 6 (56:59):
And then the creativity of the different types of music
from stuff like jazz all the way to pop, to
the synthesizers to doing the Fred the San fran and
Sons theme, you know, and and.

Speaker 2 (57:09):
Like that's fire, absolutely fire, you know what I mean.

Speaker 6 (57:12):
And then inventing Fresh Prince of bel Air, you know,
like finding Will Smith and like, yo, you should have
you should make a TV show about that, and it's
just like this is an idea he had and then
he did it.

Speaker 4 (57:24):
And he also produced Vibe Magazine.

Speaker 2 (57:27):
Vibe invented Vibe Magazine magazine, which.

Speaker 4 (57:29):
Is like one of the most Yeah, that was his
I mean Quest Records. They had a lot of great
people on that label and Quincy, I mean again, his production.
I really feel like that people took a lot of
those hallmarks of what he was doing from that time.
And I've said this before. My hot take is always
I felt like that he freaked out certain producers at

(57:52):
the time, including Maurice White of birth Win of Fire.
I feel like that he them. I feel like that
he made a lot of people like quaking their fucking
boot and they're like, ship, like, I need to fucking
I need to straighten up. I mean because like Cool
in the Gang, Cool in the Gang and Michael Jackson,
I mean they were wiping down Winter Fire by eighty one,
wiping him down like it was just nasty like, and

(58:13):
they never came back over like because you know, whenever
he was right there, I mean his production value, Maurice,
his ship was right right there there, and then he
just veered off and just it never came back. Man
Quincy was super influence, super influential. There was a lot
of Castle trying to cancel him. He almost tried to

(58:33):
almost got canceled. In that interview he said wild ship
about Marlon Brando said he said wol shit about Paul
McCartney says, he said wild ship about ninety I'm eighty
eighty five years old, man, say whatever. You know, he
wasn't talking, so it wasn't say anthing about Cosby but
like talked tons of shit about everyone.

Speaker 9 (58:54):
Uh.

Speaker 4 (58:54):
There was a lot of people that was on the
timeline that day that was trying to like say that
he was pre Diddy.

Speaker 2 (59:00):
I don't want to hear this.

Speaker 4 (59:01):
I was like, I was like, what are y'all talking?

Speaker 6 (59:04):
You got yeah enough, and it's like, I'm trying to
go viral. Stop trying to go viral. He gave us
Rashida Jones fantastic actor.

Speaker 1 (59:13):
Facts all all the daughter and he kept going daughters
a wonderful and and.

Speaker 4 (59:17):
His son, Quincy Jones, the third Uh he invented, uh, like.

Speaker 2 (59:23):
The Beef d v d all right, q Q three,
the Q three.

Speaker 4 (59:27):
The Beef DVDs that I watched those West Coast to
this day, Yeah to this day, Yeah, to this day.

Speaker 2 (59:34):
Love and they kept going with Quest TV.

Speaker 6 (59:36):
They have Quest Quest TV, which is on people's regular TVs,
and all it does is shows awesome live footage all
a live music footage all day because they bought those catalogs,
those library catalogs, and it's fucking awesome. So Quest TV.
I mean, Quincy, I mean, he never stopped. He never
he brought uh, uh, Jacob Collier and people like that

(59:58):
to the to the masses.

Speaker 4 (59:59):
Came Virginia.

Speaker 2 (01:00:00):
Justin Coughlin, Yeah.

Speaker 4 (01:00:01):
Justin Coughland. I mean he fuck with everybody.

Speaker 2 (01:00:03):
He's out here.

Speaker 4 (01:00:04):
All the pictures of him fucking with every musician that
has played in the past, you know, forty years, he's
fucked with every single one of them. So anyways, mad
big ups to Quincy Jones.

Speaker 6 (01:00:17):
Baddi's baddies the whole time. Yeah, baddies, Mad big ups man.
Damn okay, one more here?

Speaker 4 (01:00:26):
Uh Tyker Nelson Prince's sister fortunately passed away, very very
sad she was. I mean, I think she was a
co executor of his estate for a while and then,
uh you know, because the state was in probate and
all of that, it just like became like a fucking mess.
Uh So, I don't know when we're going to get

(01:00:47):
some new print product all that kind of stuff, because
it's all different now. But when she was part of that,
you know, it was a very cool thing, you know,
to have his sister be out there and like, you know,
she sounded exact actually like him, by the way, like
her voice is like it's like very close.

Speaker 2 (01:01:05):
It's wild.

Speaker 4 (01:01:07):
But uh, I don't know, I don't have any other information,
but very young sixty four years old. Uh tyger Nelson mad,
big up, big us. Uh Okay, we have a lot
of slaps.

Speaker 2 (01:01:20):
Let's go. I'm hype. I'm a mountain dew cruising off
that mountain do all right, right.

Speaker 9 (01:01:27):
Uh.

Speaker 4 (01:01:29):
Slap, just step. Let's try our best to try to
come up with the episode title in these slaps.

Speaker 2 (01:01:39):
Orry, welcome to the challenge. Yeah, there we go.

Speaker 4 (01:01:41):
That is the challenge today. What are you gonna what
are you gonna pick? Over there? But again, huh Freddy
Freddie Gibbs.

Speaker 2 (01:01:49):
Okay, Freddy Gibbs, it's your anniversary.

Speaker 12 (01:01:52):
Oh, I like go, I got this motherfucker out. He
had to relax.

Speaker 4 (01:02:04):
Yeah, yeah, of course she's tell you Tony, Tony.

Speaker 2 (01:02:07):
I think, yeah, be down there.

Speaker 7 (01:02:12):
Yeah you really love me though, Yeah, yeah, I'm saying
every time I rap, it's like a crack attack. Oh
my baby, Mamas, the stockings, they WoT the rabbit back.
Learn matter less than fucking with googies nine some Reford
that bitch is quick, is stitched, and people hold you
with Reford that she was always hitting on a nigga
dream back when Diego used to send me my money,

(01:02:33):
take them the magazine.

Speaker 2 (01:02:35):
She played with her. No, so if I look at
her like adult fiends mean.

Speaker 7 (01:02:38):
While I'm sitting to Heaton treating Bermitt the scene means
while I'm running in circle trying to be more commercial rapping,
niggas heed to collab with me, You're.

Speaker 2 (01:02:44):
Too controversial, I say, fuck them. Niggas suck a dick.

Speaker 7 (01:02:47):
Anybody recording it if the boy don't support it, you
just the fucking Lately, y'all been focused on movies and
not the music.

Speaker 2 (01:02:53):
Underrated.

Speaker 7 (01:02:54):
But I still feel like I ain't got shit to
prove these niggas. Hey, this seven bigga bank statement, Saint noble,
losing boy, you stepped on there my story.

Speaker 2 (01:03:00):
You ain't never been combatuted it.

Speaker 7 (01:03:01):
They can't train one hundred percent fresh off the lift,
off a shot, wet nothing, but I hear the switch.
I can get the rest as long as my end
of me's rested. Pits niggas crossed me, didn't even lost
me year. N ain't fucking with him since in the year,
I'm gonna be on the redcap at me and my
bitch that be posting the anniversaries about the day you
got hit and nigga made them twirking bullets, got his
body shaking, have a nigga mama saying no. Every time

(01:03:24):
my rapp. It is like a pack of tach niggas
looking for triple lessons. They want the rabbit back fucking
back and both niggas buses. They go on the battle
wrapped in the mirror of picking my after that got
my gott at test nigh and my retire from rapping.
Be steaky rich that be posting their anniversaryes about.

Speaker 2 (01:03:37):
The day you got hit.

Speaker 7 (01:03:38):
Nigga made them twirking bullets, got his body shaking, and.

Speaker 2 (01:03:41):
Have a nigga mama saying no for some flowers on
the ship too. Let yet, man is fucking that top end?
That high hat's like hurting my ears. He yell, it was.
It's very.

Speaker 6 (01:04:05):
Frequency is bothered him. Yeah, it's like I didn't even
I didn't really notice.

Speaker 4 (01:04:08):
I never noticed.

Speaker 2 (01:04:09):
I noticed that.

Speaker 4 (01:04:09):
I felt like his voice was really loud. The voice
was just like kind of Gibbs, Gibbs Gibbs. I think
it's usually his. It's usually like that.

Speaker 6 (01:04:21):
Yeah, it's dry. Yeah, I'm a first Uh that was cool.
I like I like the production. I mean he was
going off. I mean he was like, didn't take a
breath like that whole time. Production was slick. Yeah, um
let his leap right.

Speaker 4 (01:04:42):
Yeah, I mean I think his raps definitely bring this
to uh to a higher standard. Otherwise I wouldn't be
that impressed, I guess because like it's that it's like a.

Speaker 2 (01:04:57):
Rapping over the the song.

Speaker 4 (01:05:00):
I mean, it's just such a well known song.

Speaker 2 (01:05:02):
It's like if I ever heard nobody rap straight through
it like that does.

Speaker 4 (01:05:05):
I'm not sure. I'm not sure if I have either,
but I feel like it they ain't. He can't be
the first, you know what I'm saying. So but uh,
you know yeah, but you know what, I didn't mind it,
Like as far as the beat and stuff and at
what he was saying, I thought he was like really funny.
He always finds it a great twist, yeah, the pocket,

(01:05:26):
but also how he turned it around to be like
the anniversary of when you got shot or like he's
pretty cool. Yeah, so I'm gonna let that baby that's
a baby power slack.

Speaker 2 (01:05:38):
It's fine.

Speaker 7 (01:05:39):
And then it's trying to be more commercial repping niggas.

Speaker 4 (01:05:42):
Get now that you say it, I noticed it more,
but I never just that just the high sound itself.

Speaker 2 (01:05:47):
It doesn't sound better if I did, or if I did.

Speaker 7 (01:05:49):
I've been focused on movies and not the music underrated.
But I still feel that guy ain't got niggas say
this seven.

Speaker 2 (01:05:55):
It sounds a little mumple to me. Boy, you stepped
on there in my story and you ain't never been
gone poluted. It's the ain't trained.

Speaker 4 (01:06:01):
I don't think I just did not notice it.

Speaker 2 (01:06:03):
It's very, very subtle different.

Speaker 7 (01:06:05):
I didn't get arrested long as my end, and he's rested.

Speaker 2 (01:06:07):
Niggas crossed me.

Speaker 9 (01:06:10):
I'm gonna be.

Speaker 2 (01:06:12):
Yeah, I don't like it better the day you guys
without it.

Speaker 7 (01:06:16):
They don't forget bullets got his body sticking.

Speaker 6 (01:06:18):
Have a nigga mama saying I don't really know that,
but oh really, it's not it's just such a detail.
I mean, it's kind of like it like pushing the
groove board in a way, because it's like the sample
doesn't really have any audio, you know, read about the
day I didn't notice.

Speaker 2 (01:06:36):
I'm gonna say that I didn't notice it all, and
it's all I want.

Speaker 1 (01:06:39):
I want to mama saying it just like that that
it's all a little much anyway, yeah, but upon listening
back just about that thing. Aside from that, I was
kind of on the fence the whole time because it
is I don't know if I'm tired of it or something,
but you have to it has to be really good.

(01:07:00):
You be like, no, there's no beat or anything like that. Really,
it's just, uh, you know, you can't dance this. We're
just rapping.

Speaker 2 (01:07:06):
And it takes a lot to make that really cool.
I mean, because then it's really really it's all you're rapping. Yeah,
this is cool, but I don't know something about it.

Speaker 1 (01:07:18):
H I still like Freddy Gibbs, and I don't know
if I want to give this a baby power slab.
I'm just gonna say nah, but you know, uh no,
I mean sorry, I mean thoughts and prayers. I still
dig him and stuff.

Speaker 2 (01:07:33):
It's just for me. It's just not this, not this,
not this time, not this song. Yeah, I feel you, man,
I hear you. All right, none of it's flipping.

Speaker 4 (01:07:40):
Let's uh, let's check out another one. What you got?

Speaker 2 (01:07:47):
All right?

Speaker 4 (01:07:48):
Well anyway, so we got man, okay, well all right,
the Black Keys that's behind the Monitor featuring Beck, Thank
you Black Key featuring Beck, which you know Beck would
be awesome, you know, but Beck has also been appreciated
with some clunkers too.

Speaker 2 (01:08:08):
Let's go the savior predictions. Wow, savior predictions.

Speaker 4 (01:08:12):
Remember he was doing a bunch of stuff and there
would be on these country sounding songs.

Speaker 2 (01:08:17):
Couldn't stand it. Yeah, I don't care how many awards
a win.

Speaker 1 (01:08:19):
Yeah, thank you, I hear it. He's the black Ki's
song is called I'm with the Band.

Speaker 2 (01:08:49):
There's a body.

Speaker 9 (01:08:55):
Up, a spar on pay and a drink c.

Speaker 3 (01:09:03):
Oh my good intentions and the.

Speaker 9 (01:09:07):
I'm walking door upside cding come.

Speaker 13 (01:09:16):
And myself fund slowly.

Speaker 9 (01:09:20):
You not still a feeling? I went to bed, I'm
in the bed, I'm in the beggar.

Speaker 3 (01:09:43):
I've got her foot and they fall.

Speaker 9 (01:09:48):
In the back of cheese.

Speaker 13 (01:09:52):
I'm taking calls from your mom.

Speaker 4 (01:09:57):
Asking any farmer CA, I'm.

Speaker 8 (01:10:01):
Walking boy outside, I'm going.

Speaker 4 (01:10:09):
Myself not to show me, but you don't.

Speaker 8 (01:10:14):
Still in the back, I'm at the bam in the back.

Speaker 2 (01:10:32):
I would say the same.

Speaker 1 (01:11:00):
I couldn't put my finger on it first, but that
really really sounds like early nineties Uto stuff, like especially
like just think of it, like from the perspective of
you two, Like.

Speaker 4 (01:11:18):
Yeah, like nineties, like the nineties kind of stuff.

Speaker 2 (01:11:21):
Yeah, that track the.

Speaker 4 (01:11:27):
Kind of doesnt sound like yeah, loop and buzz bace
and stuff. Maybe like ninety eight.

Speaker 1 (01:11:34):
No, i'd say like nine like Accoon Babies. Okay, I
mean like you know, early nineties. But anyway, i'd listen
to some of that recent I was like, oh, that
sounds like that, but it's definitely that.

Speaker 2 (01:11:45):
It's like, we want the Beck treatment on this, and
they got it. They did. I thought it was fun. Yeah,
I like it. I liked it.

Speaker 1 (01:11:59):
No, it's cool, says both parties involved quality work fair,
so I would.

Speaker 2 (01:12:05):
Be so I hold this to a high standard.

Speaker 6 (01:12:08):
But I mean it's nice. It sounds good. You know, uh,
you know what do you think? I was on the
fence about this. Mean, I do think it sounds good.
You know, a lot of fun stuff, but like, do
I want to hear it again?

Speaker 2 (01:12:24):
Probably not? Okay, it felt like.

Speaker 6 (01:12:28):
The nineties or something, you know, something about the production
the way that I felt where there's drum claps.

Speaker 2 (01:12:33):
It's not terrible or nothing, but I'm gonna just say it.
I'm gonna give it a not for me.

Speaker 1 (01:12:37):
How about that? Yeah, it's not terrible. It was like
had that ninety sound, but some of the stuff was thickified.

Speaker 9 (01:12:46):
Not you know.

Speaker 4 (01:12:47):
Yeah, I didn't mind it. I thought it was fun.
I felt like, uh, you know, I don't know, I
felt like it was a fun song.

Speaker 12 (01:12:57):
You know.

Speaker 4 (01:12:57):
I wouldn't mind hearing it at a any type of event, okay,
you know, if it happens to be on any any
p a Uh.

Speaker 2 (01:13:09):
Yeah.

Speaker 4 (01:13:09):
I feel like it flows right in with a lot
of different things. It doesn't have that.

Speaker 2 (01:13:16):
Black Keys like, you know, fing or barbecue sauce.

Speaker 6 (01:13:20):
Yeah, the barbecue sauce that you're missing, the barbecue sauce
and the guitars.

Speaker 4 (01:13:26):
I'm happy that it's not there. I'm like, I'm I
don't want to hear that right now. I like I
like the fact that it sounds like uh because like
the dude from the Black Keys sounds like he was
singing kind of like back, like he was kind of
giving off that. And when Beck came in, it wasn't
really a difference. It was very seamless, you know. I

(01:13:47):
just thought the whole time, the whole time was definitely
the Black Keys dude on the first version, I think
he was singing the chorus too. They might be singing it.

Speaker 2 (01:13:57):
Together shows that I know that's not bad. That's it,
that's not bad.

Speaker 4 (01:14:09):
I don't think so sounds like back, all right, that dude.

Speaker 2 (01:14:14):
Your point is made. If you're saying they both sound
like your point is made.

Speaker 4 (01:14:21):
That dude can sing like in any kind of way.
That's to me, that sounds like.

Speaker 1 (01:14:26):
This is.

Speaker 3 (01:14:35):
I'm taking calls from your mom.

Speaker 2 (01:14:38):
That sounds like the same.

Speaker 3 (01:14:39):
Dude.

Speaker 4 (01:14:39):
To me, it all sounds like that sounds like back
to me, that's.

Speaker 2 (01:14:42):
What I thought.

Speaker 4 (01:14:42):
That other one sounds like if one of these isn't back,
I'd say this one isn't back. This is the game show.
I hope which one of these isn't back? I hope
they do your video video, I hope.

Speaker 2 (01:14:52):
Or did this just drop today?

Speaker 4 (01:14:53):
This dropped like recently, very recently, this came out. I'm
really curious about this because I think it's I thought
it was back the whole I definitely did.

Speaker 1 (01:15:00):
And then he's dude doing guitar or something doing back
up with them for that chorus part.

Speaker 2 (01:15:06):
Well, your point is made if if that's what you're saying,
I can't tell the difference at all.

Speaker 4 (01:15:10):
Yeah, I mean, uh, you know, got your facts there
I'm looking at call in. It says that you know
that the other dude is is singing lead vocals.

Speaker 2 (01:15:22):
We said what we said.

Speaker 4 (01:15:24):
The other says, no matter what, the other dude is
doing the lead vocal. Uh, that's what it says. It
says featured artist back. But it also says that lead
vocal is dan Ouera. Wow, all right, he did it.
I'm pretty sure he's saying a lot of it. Maybe
they's saying some stuff together, but I'm pretty sure that
the other guy because I'm telling you that that dude

(01:15:45):
from the Black He's is a really good singer.

Speaker 6 (01:15:47):
Like he's like, he made a song that sounded like
a bad song, and his his boy was like, Yo,
this sounds so much like Beck that you should probably
call him.

Speaker 2 (01:15:56):
Otherwise stole.

Speaker 4 (01:15:59):
Because that melody is kind of similar to a Beck face.
It is definitely. Yeah, it's kind of got the uh
that's haircut vibe or whatever.

Speaker 2 (01:16:08):
So yeah, yeah, they probably they were like this, call him, man,
have something to say about this?

Speaker 9 (01:16:13):
So you like it?

Speaker 2 (01:16:14):
Right?

Speaker 4 (01:16:14):
I liked it.

Speaker 2 (01:16:15):
Yeah, It's fine, Yeah, great, all right, wonderful. So I
might say his name wrong, I will say.

Speaker 4 (01:16:22):
Today today from uh from uh on the radio beam bay. Yes,
how you say it? I don't know, but today is right?

Speaker 2 (01:16:35):
For sure, Today is right.

Speaker 4 (01:16:37):
I mean we could yeah, but why you We'll figure
it out. Different from TV on the radio, TV on
the radio. How that song calls uh magnetic?

Speaker 14 (01:16:48):
I was thinking about my time in space. I was
thinking about the rays in the age of ten, the
end of the day.

Speaker 3 (01:17:00):
From the side, I got a message crack, shine a
lightnings in the sky.

Speaker 14 (01:17:05):
Say get your hand right, and bull in high.

Speaker 9 (01:17:09):
Said, look around.

Speaker 14 (01:17:10):
Now, maybe you know you got the man.

Speaker 3 (01:17:13):
You know what they gonna do, what they gonna do,

(01:17:34):
sing mama.

Speaker 12 (01:17:35):
Turn in space.

Speaker 14 (01:17:37):
I was thinking about the funeral race in the age
of tenderness and rage, kind of picking for an extra page.

Speaker 3 (01:17:45):
From inside, I'm a message crying, shine a.

Speaker 2 (01:17:48):
Lightnings in the sky, get it together, get it's time
to fly.

Speaker 9 (01:17:55):
Set it around.

Speaker 2 (01:17:56):
Now you know you've got because it l.

Speaker 15 (01:18:07):
What they're gonna do, what they're gonna do with the
lightning rider today.

Speaker 3 (01:18:24):
Don't appecial matrix?

Speaker 9 (01:18:27):
What you go and do about that?

Speaker 3 (01:18:29):
Don't get oh no love about life, get down to basy.

Speaker 14 (01:18:35):
Don't appecial matrix, And how you don't get about that?

Speaker 2 (01:18:41):
What do you want to come like that for.

Speaker 4 (01:18:43):
You know, don't.

Speaker 15 (01:18:47):
Don't what they're gonna do with a light ride.

Speaker 2 (01:19:08):
Was like a song right there.

Speaker 1 (01:19:11):
Yeah, yeah, some of them parts Ronnie it's like black
keys or some not black. He's black black eyed peas,
I mean, but like some of that stuff where.

Speaker 2 (01:19:25):
Yeah, the class was like the way he's rapped like that,
it sounds like, Yeah, it just reminds you of that scene,
that type of pop hip hop, whatever it is. It
sounded great, but it isn't for me, and it's just
not for me. I did miss the guitars. I missed

(01:19:48):
the heavy guitars. Is that what he is on the radio?
You ever heard that movie? Yeah? But what was hit?
What did he play in that? I think it was
a singer.

Speaker 4 (01:19:57):
Singer, but I mean they have heavier guitars.

Speaker 2 (01:20:00):
As much as it's a radio heavy band.

Speaker 9 (01:20:02):
Yeah.

Speaker 6 (01:20:04):
Yeah, this production, he kind of had like a bedroom
pop kind of thing going on.

Speaker 2 (01:20:15):
I do want to hear the rest of the album.

Speaker 6 (01:20:18):
But this song I'm on the Fence, it didn't piss
me off or nothing like that, and I do want
to hear the rest of the album.

Speaker 2 (01:20:27):
I did. I was tired of it by the end
with him just singing that one note for the chorus
and a half minute song. Yeah, i'most I'm gonna let it.
I'm gonna let a baby powder slap, all right.

Speaker 4 (01:20:43):
I didn't mind it. I like his vocal. I think
it's pretty interesting. I think, you know, him stepping out
and doing this kind of solo material or whatever. Right now,
he's in like a lot of movies. He was in
the Twisters movies.

Speaker 2 (01:20:57):
Supposedly that was yeah, okay.

Speaker 4 (01:21:00):
Uh, but he's he's doing a lot of a lot
more acting, so you know, he's popping out there.

Speaker 2 (01:21:05):
That movie is also quite terrible. Yep, horrible.

Speaker 4 (01:21:08):
That's what I've heard multiple It will make no sense
multiple people. Twister, Yeah, Twisters people. Yeah, people wanted to
talk about it though. They wanted to have to talk
about how bad it was. That's how bad it was, Like,
because I heard him after you talked about it. Multiple
people talked about it. To me, It's just like, Yo,
have you all talked about this yet? I'm like, it's hilarious.

(01:21:29):
Yeah yeah, So, uh, I don't mind the product. I
think it's fun, you know. Uh, you know, he's like
singing about synthesizers and stuff. That's that the sties up.

Speaker 2 (01:21:43):
Yeah, okay, all right, yeah, yeah, that was fine. Okay, yeah,
I give it. All right. So there's this last one here.

Speaker 1 (01:21:54):
It's this is kind of a legacy act now right,
uh Snoop Dog doctor Dre.

Speaker 2 (01:22:00):
They're like, all right, they have an album coming out. Yeah,
and so this feature is here.

Speaker 16 (01:22:05):
Achoeh you good job, bro, I go all right, probably
better than you do.

Speaker 4 (01:22:17):
I knew this, I knew the name.

Speaker 2 (01:22:18):
I know, I know you read. Yeah, I read names.

Speaker 4 (01:22:22):
I read rather than breakfast club.

Speaker 2 (01:22:24):
Excuse me, may speak as well, but I do read.

Speaker 4 (01:22:28):
I do read.

Speaker 6 (01:22:28):
All right, Well it's not hard. That's a better breakfast club.
It's a better name to breakfast club is breafast club.
He got that breakfast breakfast club better breakfast club. All right,
So this song is called gorgeous.

Speaker 12 (01:22:42):
Man.

Speaker 2 (01:22:42):
They named it.

Speaker 4 (01:22:45):
All right.

Speaker 2 (01:22:47):
We're back. Parliament is back, okay now, Grandpa, right, I.

Speaker 13 (01:23:03):
Feel so sucking culture chousis ship got.

Speaker 4 (01:23:09):
Guys, nice.

Speaker 9 (01:23:11):
Food?

Speaker 13 (01:23:12):
Come on weak, sister city.

Speaker 4 (01:23:23):
Last time I checked. I want the plug to your plug.
I'm the fucking connect. What you were specting to go?
She didn't never set up the lesson, never lose, always win.
They want my shuffle of death dropping these jewels.

Speaker 2 (01:23:33):
Well, I'm gone.

Speaker 5 (01:23:34):
You better treasure your chest. You know the brules plus one.
She always comes with a guest. She believe I'm planning
on making the getting the blues back up in.

Speaker 2 (01:23:41):
This but you're getting my wist.

Speaker 4 (01:23:42):
Sure you how to do it property?

Speaker 5 (01:23:44):
When you're on my property, I'm a hot commodity or
walking out of a nigga safe wearing out of space
some honest sleep.

Speaker 2 (01:23:50):
I'm that mother that you got.

Speaker 13 (01:23:53):
Josie ship, goteous.

Speaker 4 (01:23:57):
Guys, nice.

Speaker 13 (01:23:59):
Food ants, shit son.

Speaker 4 (01:24:09):
Of if this system boo woo woo woom.

Speaker 5 (01:24:13):
Now that's a lot of ass in the pass and
just speak dropping boon loan bo bot gif.

Speaker 4 (01:24:18):
Prot to hit the switch in this bitch? What's the
six folk throw?

Speaker 5 (01:24:21):
I dealt with the curs and the pros. I'm mixed
crips ship with the hides and the mouth cake ship
this bitch with drawing to think, well, it's just some
dog food for the salt scrimming, no psychology. This ship
is a part of me industry, the robbery a product
could not drink and follow followed me gumble this dog
speak must stock up nicking no return on this ship.

Speaker 12 (01:24:46):
Is shit.

Speaker 13 (01:24:56):
Son of this sisterly.

Speaker 2 (01:25:03):
Is it over?

Speaker 3 (01:25:03):
It's like.

Speaker 2 (01:25:09):
The beat rod got.

Speaker 6 (01:25:13):
Two verses, two choruses. Yes, yeah, man, I feel like, oh,
turn up, it's just this the chorus going out.

Speaker 4 (01:25:21):
That's awesome.

Speaker 2 (01:25:23):
Yeah, that's nice and give it, give it everybody. Yeah,
I loved it.

Speaker 6 (01:25:27):
I mean, she sounds great and backgrounds almost sound like
Danny Jackson or something. Yeah, she sounded fantastic. And the
production crispy classic doctor Dre Crispy. The Crispy is four
piano notes you will ever hear anywhere, just like it's immaculate,
Crispy Snoop sounds energized. He sounds better than ever. It

(01:25:50):
was not laid back.

Speaker 4 (01:25:51):
He was on it.

Speaker 6 (01:25:52):
Yeah, it sounds like he was ready for a beat
that sounded like this and it's not like a feature,
you know he both versus both fire.

Speaker 2 (01:26:04):
Loved it. Yeah, I'm definitely listening to this again. Listened album.

Speaker 4 (01:26:09):
Yeah, this is flawless to me. Uhast, it's fawless. If
they if they're I mean, if this is the first single,
I mean it's I mean the park hell yeah, i
mean it's as you said, it sounds crispy. It sounds
so good right away, and then they come in with
that chorus before the rapping.

Speaker 2 (01:26:30):
Loved it.

Speaker 4 (01:26:31):
I'm like, great, these older rappers out here getting it.
You know LL's album, this album, I mean flawless. Maybe no,
it's slap. I think he's slap flawless. Let's let's beach.

Speaker 2 (01:26:46):
I gave you this. I thought you were doing well.

Speaker 4 (01:26:49):
I mean sure, I mean, I don't have anything else
to add. It's not anything, so I gave you.

Speaker 2 (01:26:53):
I'll give you another thing.

Speaker 4 (01:26:54):
I thought I thought Dr Dre was going to rap
on it. I'm glad you know Dr Dre rap, but
that's fine.

Speaker 2 (01:26:59):
I hope he does not. That's surprising.

Speaker 4 (01:27:02):
He's definitely wrapping on this.

Speaker 6 (01:27:04):
I'm fine if he doesn't. That's that's my opinion, all right,
finally rapping on this, like the album. On some of it,
I wanted to be like Doggy Style. Maybe he's just
under every once in a while, that's what I mean. Yeah,
a couple of those that justice okay, Yeah, I like it.

Speaker 2 (01:27:20):
That Snoop is like, this is my song. I like
that shit.

Speaker 4 (01:27:23):
I think it's kind of fallless because I mean just
the way it's laid out. I feel like it's it's
you really don't. They didn't waste any time really, I
mean they go from groove to groove and you don't
really get bored of either one. I feel like that
it was and they I mean, they did thirty seconds
at the end for people to rip that off obviously

(01:27:44):
and do their own thing.

Speaker 2 (01:27:45):
But it's TikTok dances. What is that?

Speaker 14 (01:27:49):
I mean?

Speaker 4 (01:27:49):
Was that two and a half minutes?

Speaker 2 (01:27:50):
Yeah? Nothing, right, three minutes?

Speaker 4 (01:27:52):
Just three minutes it was. Yeah, So it was basically
two and a half minutes of two and a.

Speaker 1 (01:27:55):
Half minutes and they had like around thirty seconds of
fade out groove.

Speaker 4 (01:28:00):
And you can't I mean, it's just it's nice, all right,
all right, it's great.

Speaker 2 (01:28:05):
It's great.

Speaker 7 (01:28:06):
Damn.

Speaker 2 (01:28:07):
Yeah, that was pretty good man. Uh yeah.

Speaker 6 (01:28:13):
I mean I feel like for a legacy artist like Snoop,
one of the most famous people in the world, you know,
and hasn't put you know, he's been he's not like
he's not been putting the ship out. You know, he's
put out stuff that's kind of sound like he made
it at the house studio and just like stuff here
and there. But this feels like, oh ship, he's dropping

(01:28:33):
album you know. Yeah, so I'm into it. That's awesome anymore.
But let's see what we got there is?

Speaker 2 (01:28:45):
Still? Did we see LCD sound System we listened to
last week?

Speaker 12 (01:28:54):
Right? No?

Speaker 2 (01:28:55):
I think we did?

Speaker 4 (01:28:56):
Did we know? We tried to find it? It was
on like a radio things?

Speaker 2 (01:29:00):
All right? That one? Let's see that one, all right?

Speaker 4 (01:29:03):
Sweet?

Speaker 2 (01:29:03):
It's called X ray eyes.

Speaker 10 (01:29:09):
I've I've got us that can in sun, that can inside,
I can see run through your guts.

Speaker 4 (01:29:24):
I can see run through your discuss.

Speaker 9 (01:29:29):
As that can.

Speaker 3 (01:29:31):
See in sun, got as that can.

Speaker 10 (01:29:35):
See inside, I can see run through your disguis?

Speaker 2 (01:29:44):
Can we sun? The rest of the song, d does.

Speaker 9 (01:30:19):
It was like.

Speaker 2 (01:30:25):
Sounds like a synthesizer.

Speaker 9 (01:30:26):
Definitely.

Speaker 13 (01:30:29):
Yeah, it's.

Speaker 2 (01:30:32):
This group of fire something hilarious.

Speaker 4 (01:30:40):
This song is four minutes and fifty one seconds, the
longest of all of them we heard today.

Speaker 2 (01:30:45):
Can I get a jump forward and half a right? Well,
don't breath? Man's Blue sold back there all right? And

(01:31:06):
that was at four minutes twenty two seconds. Yeah, damn,
they fell asleep.

Speaker 6 (01:31:14):
Turned that Citiize rode Man unfinished, manne.

Speaker 2 (01:31:27):
They'll play flues sold or some shit on here?

Speaker 4 (01:31:29):
Yeah, sin so you know he man he just lets
it running.

Speaker 2 (01:31:33):
So it was probably.

Speaker 6 (01:31:36):
They cut it down down. They could have down here.
He was going crazy. He was waiting club down to
feeling this one.

Speaker 4 (01:31:41):
Yeah clean five, Yeah, I don't like this for the people.

Speaker 6 (01:31:44):
Once again, LCD sound System one of those bands that
you know they're good and you want to tell your
friends that they're good, and then when they did, but
occasionally they'll put a song out, it's just like, man,
I can't I can't, can't de finish, I can't have people.

Speaker 4 (01:32:00):
Can I like this?

Speaker 9 (01:32:03):
Man?

Speaker 2 (01:32:03):
This is rough? No, absolutely nothing. I'm offended. They're like,
we got the tempo on this joint, people gonna dance
and I'm done.

Speaker 4 (01:32:15):
Man, I forgot what we were listening to because I
was like, no, no, I mean a couple I'm talking
about like when it was playing.

Speaker 2 (01:32:39):
Holy Ship Man. Yeah no, no, nobody likes you. What's
going on in there?

Speaker 4 (01:32:50):
Man?

Speaker 2 (01:32:50):
That band is bush. Why do they do this?

Speaker 4 (01:32:53):
Man? Do it?

Speaker 6 (01:32:55):
They don't even that's what. They turned this into the
label and they had the give him the face. Oh yeah,
the label that's about to go.

Speaker 4 (01:33:03):
That's the problem. Yeah, he's the label. He turned it
into himself. He's like, man, this sounds good. This is
not good, but not good man, you're still good man
looking in the mirror, man, and just put it out.
It was terrible.

Speaker 2 (01:33:16):
That's some cup ship. That's crazy. I ain't heard so, man,
I don't know.

Speaker 4 (01:33:20):
We don't even use it that bad.

Speaker 9 (01:33:22):
Nah.

Speaker 4 (01:33:22):
It's like, if you're going to put this out.

Speaker 6 (01:33:24):
This is all the homies. Man, you don't have to
make it by yourself. Go get it to be thirteen
people on stage. Just pass it, just send it, send
it around, man, they are to put something on it.

Speaker 4 (01:33:34):
He should have been in on this.

Speaker 2 (01:33:35):
One man ship. He did his own flu solo in
the background. And see this is this that's like a
recorder too whatever. It was real.

Speaker 4 (01:33:43):
Yeah, and this is where people know that he does
the ship himself, like you know, it's not like it's
not like the Billy Corgan ship where it's like you know,
it's you could tell you know it's him most of
the time.

Speaker 2 (01:33:56):
Put that drummer. Put the drum on everything.

Speaker 4 (01:34:00):
He doesn't put this he doesn't. Sometimes you don't put
the drum on it.

Speaker 2 (01:34:02):
Put him on it, man, damn.

Speaker 4 (01:34:04):
You know sometimes he does that.

Speaker 2 (01:34:05):
Could have did something.

Speaker 4 (01:34:06):
He does his own thing.

Speaker 2 (01:34:08):
A couple of drum films, might have did something that's on.

Speaker 4 (01:34:10):
Sometimes he does good ship by himself, but the band
stuff is is where it's at. Yeah, the fucking dance
yourself clean ship.

Speaker 2 (01:34:17):
You know, he could have put some drums on it. Yeah, yeah,
but he didn't. He didn't. It's over that.

Speaker 4 (01:34:23):
It's over all right, so cool, Yeah, it's over.

Speaker 2 (01:34:27):
Yeah, that is over. What a bomber. Everybody you know
Snoop killed it. People have been killing it. But you
know that ain't not that it's going on your permanent record.
I'm still gonna check the album.

Speaker 4 (01:34:37):
Out, all right.

Speaker 2 (01:34:41):
Okay, well that's it then, okay word hell yeah, yes,
we'll see an next. It's been a pleasure. Bye hust

Speaker 1 (01:35:39):
And sadly the podcast is no more

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}The Hustle Season: Ep. 358 The New Breaffess Club

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.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}Stuff You Should Know

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The Hustle Season: Ep. 358 The New Breaffess Club

Stuff You Should Know