The Hustle Season: Ep. 359 Remakes Are Free

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, Yeah, what's wrong with the.

Speaker 3 (00:08):
Boh we got?

Speaker 1 (00:09):
It's trash. It does not slap?

Speaker 2 (00:12):
Call and response. What do you guys even doing? Cool stuff?

Speaker 4 (00:19):
Slick stuff, neat stuff.

Speaker 2 (00:21):
I've been fucking I got too much.

Speaker 4 (00:23):
Alf I always felt akin to black people.

Speaker 3 (00:28):
Years ago.

Speaker 2 (00:29):
They tried to years ago, they tried to put me
in there. That means you're lying strings on them.

Speaker 4 (00:40):
I did it with the pick and the Rock.

Speaker 5 (00:46):
Oh, come on in, Bonator, says the Waterspine, and.

Speaker 2 (00:52):
I say, let the conversation begin.

Speaker 6 (01:26):
Well, you know what else we do right now? We're
doing the Hustle Season.

Speaker 2 (01:31):
Du to Hustle, bat bat bat Man. What's up Hussies?
Kelly Reggie back in this week. Wherever you're listening to
watching to us, like and subscribe all that stuff, go
check out our Patreon. Uh oh yeah, hey, we do
slaps here at the Hustle Season.

Speaker 4 (01:50):
We do.

Speaker 2 (01:50):
Sometimes we do slaps.

Speaker 6 (01:52):
Sometimes we get in a rut where, uh we are
just not finding or aware of or whatever of quality
anything we all listen to will but also and we
know it's out there, but we don't.

Speaker 4 (02:07):
Sometimes we don't.

Speaker 2 (02:07):
We can't see it all we've been internet.

Speaker 7 (02:09):
Yeah, and and listen, some of the fire ship out
there doesn't make the playlist, you know. Some of the
ship is things that like our friends just happen to
know what's.

Speaker 2 (02:18):
Hot, that's right. What rappers are not famous?

Speaker 7 (02:20):
So yeah, just just throw us some Yeah, like, if
you got send us some slash, send us.

Speaker 6 (02:26):
There's probably a lot of famous people that none of
the three of us have ever heard of.

Speaker 2 (02:30):
Yeah, but send it. Put it in the comments for sure,
and there's so many Please send it on. We'll listen
to it.

Speaker 6 (02:36):
So all the other old men that listen to this show,
uh not, y'all, don't do what you can.

Speaker 2 (02:42):
You don't have to.

Speaker 8 (02:44):
You don't have to send us the Motley Crewe reissue.
Kelly already got that. He already got that. Don't send
that to us, you know anybody but that, Yeah, I
got that too, Ladies out blade, send us some songs.

Speaker 4 (02:55):
Have plenty of old people to talk about.

Speaker 7 (02:56):
Yeah, word, we're gonna definitely talk about it that we
don't have to though.

Speaker 4 (03:02):
This weekend, you guys, have a nice weekend.

Speaker 2 (03:05):
Man, I was chilling.

Speaker 8 (03:05):
I wasn't feeling very good, so I just like got
into the couch and chilled, and it was it was alright.

Speaker 9 (03:10):
Man.

Speaker 8 (03:11):
I tried to watch a movie review right off the
bat new Beetlejuice, Beetle Juice, Beetlejuice from Michael Keaton, and
I saw it at the crib. Wait a minute, it's
been out. It's out for a while. Sometimes, I you know,
I can see it at home earlier.

Speaker 2 (03:30):
I didn't hear much about it the squares if you will. Yeah,
so I did.

Speaker 8 (03:36):
I saw it, and I'm gonna have to give this
kind of a thumbs down.

Speaker 3 (03:40):
Man, Damn.

Speaker 8 (03:42):
It was kind of it was it was only fine.
It was just like here comes beetle Juice. He kind
of does. He's good in it. Michael Keaton is good
in it. And who's home Monica Balucci? She fine as
the villain, but she's like essentially the exact same character
from Nightmember Christmas. She like sews herself together with like

(04:03):
you know, she's like a doll that sews her arm
back on. And it wasn't it just wasn't that good.
Katherine Harris, she was finding it. You know, she's she's
always good, but not enough for this movie. It was
too long. Two hours long, crazy, two hours long craziness
that is long general take general otaga. I mean I

(04:23):
felt like they're trying to shoot horns, like you there
the new Creepy Girl, you know, and it was just like, oh,
and she meets some like teenager and they're like talking
and or whatever. It's just like, oh, Beatle Juice, you're old.
I mean, it doesn't make any sense because he's a ghost.
So that movie, if you're a huge Michael Keaton fan,
go ahead and watch it if you've got nothing to do.

Speaker 2 (04:41):
But it's all right, it's barely eyed.

Speaker 6 (04:44):
A lot of people were saying it wasn't uh didn't
hit like the original one because the dad, Nah, that
ain't the reason why.

Speaker 4 (04:54):
That's ridiculous.

Speaker 2 (04:55):
You know, danvid Vito is funny in the first scene.

Speaker 8 (04:57):
He's like in the first scene or two, Dandy Vito,
and that's kind of funny.

Speaker 4 (05:01):
All right, But the Beetlejuice struggle.

Speaker 2 (05:04):
Juice, struggling struggle juice, for sure.

Speaker 4 (05:06):
Uh, that's funny enough.

Speaker 7 (05:08):
It's just that's that's disappointing because I definitely did not
know it was house number one.

Speaker 2 (05:15):
I was like, was not that good? I was like,
it was in the theaters for a while. Yea, it
was for a while. Yeah, I didn't It.

Speaker 4 (05:24):
Didn't do numbers.

Speaker 6 (05:25):
I also didn't see it because from what I could
put together from trailers and stuff, was like, maybe it's
best believe it that the last Beatles Juice movie I
saw is the first?

Speaker 4 (05:35):
Does it look lower budget?

Speaker 2 (05:37):
I wouldn't say that. It was just no, it didn't
look it didn't seem low.

Speaker 4 (05:42):
Budget, like it seemed like it seemed fine.

Speaker 2 (05:44):
It just wasn't good.

Speaker 4 (05:46):
Just wasn't good.

Speaker 8 (05:46):
Yeah, you directed it, same same crew man, tim Still,
timber Early. Yeah, most of the same cast except for
Home canceled. My man, they got canceled. He was good time.
He got canceled by the state. No, Alec Baldwin, you know,
Al Baldwin not in it. But also he was not
a very big I wouldn't say he was a big
part of the movie anyway, And he was, and he
was kind of an asshole apparently about the whole thing,

(06:08):
so they didn't want to bring him back. He might
kill somebody like when the movie when when the movie right,
he's liability now, but ye get extra insurance.

Speaker 2 (06:16):
They got to make sure, hey, no firearms.

Speaker 8 (06:19):
But yeah, when the movie first came out, like it
wasn't people didn't.

Speaker 2 (06:22):
He was one of the people who like didn't get it.

Speaker 8 (06:24):
So he was like making fun of it the whole time,
talking ship in the press. This is when it first dropping,
and then it dropped, yes, okay, and then when it
kind of came out as like and became a cult classic,
he kind to try to like backpedal like that.

Speaker 9 (06:37):
He wasn't.

Speaker 8 (06:37):
He thought, this is a real cinema. It's a dumb
ass movie. Nobody's gonna get it. It's fucking stupid. Was
doing a terrible job of promoting they did when they
did Beatle. Just what was his movie? But like what
was he famous for? Or how do he get the part?

Speaker 2 (06:51):
You know what I mean? He was kind of young,
I don't know stuff back then. Man, he really he
was just an asshole. That's just that's the story. Yes,
so they didn't bring him back.

Speaker 7 (07:03):
I mean, I guess he really didn't hit hit until later, honestly,
like he was.

Speaker 2 (07:08):
In he didn't really the submarine movie is in Hunt
for Red October.

Speaker 7 (07:12):
Yeah, that's like eighty nine eighty eight nine, So maybe
that was the movie that probably gave.

Speaker 8 (07:16):
That was a big movie that gave. And this was
very much not serious. He had a serious movie.

Speaker 7 (07:21):
He didn't really have any more hits for a while
film wise. That's why he did start doing TV.

Speaker 6 (07:26):
So you know both those movies, saw them many times
in my childhood, both of them, which was w October
and Beetle Juice. Beetle Juice like obviously way more. I
guess Beetlejuice for my younger sister is the same. Peewee's
Big Adventure was okay because like the age, it's like
five years apart basically and stuff. So I love them.

(07:48):
But he was a kid, but this is my favorite.
But Beetle Juice is great.

Speaker 2 (07:53):
Yeah, And if you're a big Beetlejuice fan, it's fine.
It's fine. Like if you're a Ghostbusters fan.

Speaker 6 (07:59):
Yeah, all the Ghostbusters with kids, which I thought was
gonna be I saw it and I was expecting very bad,
but uh, I.

Speaker 2 (08:10):
Actually liked it.

Speaker 6 (08:11):
The Ghosts was fun because they weren't re enacting a
Ghostbusters movie. It was like, well, this is the Ghostbusters
world and this is what's happening now. They never it
wasn't like when they did the Girl Ghostbusters or it
was like, hey, here's a wacky idea, and it's just.

Speaker 8 (08:27):
Like they kind of made like a rocky horror picture show. Right,
we're kind of laughing at Ghostbusters.

Speaker 2 (08:33):
Yeah, it was kind of weird. It's kind of it
was just not that good. Ghostbusters itself is already a
suspend disbelief type of thing, right, so to do a
second layer of this is like an SNL sketch of
what if women were the Ghostbusters, only it's an hour
and a half long movie. Yeah, it was like a joke. Yeah.

Speaker 8 (08:50):
And then there also I tried to watch and couldn't
get through another Ghostbusters. That's the family Ghostbusters, which was
Paul Rudd and uh I forget the woman who the
mom and their son and their daughter, is it?

Speaker 2 (09:02):
No, that's what I'm talking about, that family. Talking about
the Frozen family one, you're not.

Speaker 8 (09:06):
You're talking about the one that's like the Stranger Kids
Stranger Things Kids.

Speaker 2 (09:10):
So that's a different one. They made another one with kids.

Speaker 8 (09:14):
So they made another one one of the kids that's
actually in Strangers Things and Paul Rudd and his mom
and like a family. It's like a family sitcom version
of Ghostbusters and which they're like.

Speaker 2 (09:27):
This and we gotta keep Did they get a team
in the family? Did they get a different Stranger Things kid? No,
it's the dark haired one, but he's much older. Okay,
and uh wow going yeah, they kept it. They did
another one called Ghostbusters.

Speaker 8 (09:41):
It's called Ghostbusters like the Frozen City or something.

Speaker 2 (09:45):
That was like this, keep making it.

Speaker 4 (09:49):
It's a brand.

Speaker 2 (09:50):
They put out four, like four Ghostbusters movie. Yes, and
not that long.

Speaker 7 (09:54):
Lie say breaking it out. I'm sure there's like three
of them. Yeah, I'm sure there's like international on the way.
I bet they big one one for next year. There's
definitely a Bollywood Oh they should be, and there's probably
also what is it is they?

Speaker 6 (10:09):
Is it Nigeria that makes all of the cheap versions
of like they'll do speed what the bus will be
like a she Dollywood? Yeah that is not that is
like definitely not going forty five miles an hour or like, uh.

Speaker 2 (10:22):
But it's not Indian. It's a I think it's Nigeria
that does it. But they have like shots copies India
Blockbuster movies Bollywood in Nigeria's Dollywood And yeah, they do
that same Hollywood has big budgets, huge budgets. Yeah, and
they have their own genre of movie.

Speaker 6 (10:39):
You know, this is like all of them just talking
about We got Indiana Jones at Home type I love
and I love those yeh.

Speaker 8 (10:45):
But the Ghostbusters franchise, I feel like they might as well.
They should just be like, uh, who wants to be
a millionaire or whatever? Just put one of them ships
in every country.

Speaker 4 (10:54):
Keeping Yeah, okay, Uh, well that's a fun weekend.

Speaker 2 (10:58):
Sorry.

Speaker 4 (10:59):
Yeah, now you know what I'm saying. Uh maybe, yeah,
I'm like you good. Yeah.

Speaker 7 (11:07):
So this weekend played in Fairfax for the first I
mean like for the first time ever in my life.

Speaker 2 (11:13):
Fairfax, Virginia, fair.

Speaker 4 (11:18):
Northern All.

Speaker 7 (11:20):
I played with this guy. His name is Bradley Rhoades,
great singer songwriter. H came out with album called Letters
to Virginia. Shout out to him, but uh that was
his album release and uh played it with a couple
RBA cats and cats from.

Speaker 4 (11:34):
Up to that area.

Speaker 7 (11:35):
Great musicians John Wiley, uh as Cat Ryan on piano,
Seth Morris who plays bass, great player.

Speaker 4 (11:45):
Yeah, it was a great time.

Speaker 2 (11:46):
He's good.

Speaker 4 (11:47):
Yeah, I love Seth.

Speaker 2 (11:48):
He's awesome.

Speaker 7 (11:49):
And uh we had a fantastic time. Man, it was
really really fun. And then next night played a Gallery
five with Dylan.

Speaker 6 (11:59):
Yeah you know it was crazy, but listen to this.

Speaker 2 (12:02):
This is actually a nice thing. But I just want
to say it before. Yeah, but I did.

Speaker 6 (12:06):
When I saw Dylan was playing there, I did ask
if anybody was to do sound there already, and uh.

Speaker 2 (12:14):
And somebody already iced. I was like, all right, good
funck that I try. I try to do that.

Speaker 6 (12:18):
But if there wasn't anybody, because I didn't have to
work that night, you know, ian right, yeah, yeah, yeah, yeah, yeah,
there's some things that are a little weird. That was like,
you know, that was my first time and since they
had moved the stage to.

Speaker 2 (12:31):
Playing it doesn't have anything to do with ringing out tomorrow.
Enough enough, you're finished. But that was a good show.

Speaker 4 (12:39):
Thank you, thank you. Yeah you rolled out.

Speaker 6 (12:40):
Yeah I rolled down as soon as you got like done,
I say, for the whole set, okay. And then I
had to meet the COUM daddies to play call duty.

Speaker 4 (12:48):
Okay, you had a date.

Speaker 2 (12:50):
Yeah, but I watched I and I came out, really
I came out just see you guys to leave.

Speaker 4 (12:54):
Yeah, that was all new songs by the way, so.

Speaker 2 (12:56):
Not all new songs. There's some songs on their.

Speaker 4 (12:58):
Ice like it was like two but like that was
about I.

Speaker 2 (13:00):
Heard the hits, is what I'm trying to say. I
heard the hit.

Speaker 4 (13:02):
You heard the hits?

Speaker 2 (13:03):
Okay?

Speaker 4 (13:04):
Good at the end though, yeah, yeah, yeah, it was.

Speaker 2 (13:06):
A good he got his hits.

Speaker 4 (13:07):
It was a fun show.

Speaker 2 (13:08):
What's so funny? Nothing? Yeah, used to be support of
his health.

Speaker 4 (13:12):
He's being very nice. I mean, I don't like a.

Speaker 2 (13:14):
Lot of stuff. Nothing you're excited to be happy about.

Speaker 4 (13:18):
It was a fun night.

Speaker 7 (13:20):
All the bands were fantastic and h make sure you
guys check out. I think it was Burns Burley West
I believe it's in their name. Uh and another band Parsley.
Remember we were talking about that last week partially, and.

Speaker 2 (13:35):
I think that that was the first band that played, right, No,
the Burley, that was the first band that Mike Sadderfields that.

Speaker 4 (13:41):
Yes, yes, Mike Mike Saderfield.

Speaker 2 (13:45):
Yeah. And a good musician just in general.

Speaker 4 (13:48):
He has some very nice symbols.

Speaker 7 (13:50):
I saw because that's when I was like I had
to do a double take. I was like, wait a minute,
who was the playing drugs? Because all the symbols were
like gross, yeah he had a he had a corope.

Speaker 4 (14:00):
I think we've Yeah, it's like a side. It's like
the Turkish version of symbol. Yes, but they're who's line.
They're fucking Zilgian's line.

Speaker 7 (14:15):
It's their version of of Like there, it's like yeah, yeah,
and it's no no of like the Turkish jazz ship,
like the dark symbol. Fucking he's got that And I
was like, yeah, it was what it was probably crashed,
but you know, you could do either or it's just grossman.

(14:35):
So but uh, fantastic band. They have some cool ship online.

Speaker 9 (14:39):
Uh.

Speaker 7 (14:40):
Parsley was actually really cool younger band and of course
our guys danger Birds shout fantastic set and uh, it's
just just a lot of nice guitars all night.

Speaker 2 (14:51):
It was fun, a lot of nice equipment.

Speaker 7 (14:53):
But yeah, Dylan Dylan's band. We're going to the studio
in January. Very excited doing the next rec at White
Stars Studios.

Speaker 2 (15:02):
Where is that.

Speaker 7 (15:04):
It's like close to Charlottesville, I think Luisa Mountains. Yeah
yeah yeah, but it will be my first time there,
so I'm very excited about that. Yeah, so good weekend.
What about you, James? I saw you on Saturday. Yeah,
what'd you do on Friday?

Speaker 4 (15:20):
Anything?

Speaker 2 (15:21):
I can't remember. On Sunday the trio, I can't remember.
I don't know. I'm like, I don't think I went anywhere,
like I think I was.

Speaker 4 (15:32):
Yeah, no, I was.

Speaker 2 (15:34):
I think I was recording guitar stuff or something. I
think I was had to do. Did I do the arranging?
O don't know.

Speaker 6 (15:42):
I did something, all right, the arrangement anyway, Sunday Sunday
I did.

Speaker 10 (15:48):
Uh.

Speaker 6 (15:49):
Rumble Tree played at Bramley Park like a last minute
thing or whatever, right, yeah.

Speaker 2 (15:54):
Yes, and that was really fun. I saw some videos
for that. Yeah. I enjoyed. It was like a long gig,
I guess.

Speaker 6 (16:03):
So I just you know, I'll just shedding, you know,
just basically getting up there and playing and uh he takes.

Speaker 2 (16:11):
All this a long time.

Speaker 11 (16:13):
Man.

Speaker 2 (16:13):
That's good.

Speaker 6 (16:13):
That's what that's But you know what I mean, Like
I know with that band, I noticed if I am
not consistently playing or practicing like I know it, it's
very noticeable for myself.

Speaker 12 (16:25):
Oh really, Yeah, memorize, dude, memorize And it's also like, well, dude,
I mean also, by the way, do you know this,
but you're like the fucking front man of the band
really like so all of the ship that.

Speaker 2 (16:39):
All the melody, you're irresponsible.

Speaker 4 (16:42):
Stuff and you're really good with that. Yeah you know,
I mean you're really good.

Speaker 2 (16:46):
Yeah. I try to do as good as I can.

Speaker 7 (16:48):
Yeah, but yeah, I definitely would. I definitely feel your solo.

Speaker 2 (16:52):
It's this solo thing.

Speaker 6 (16:54):
Uh and like I've been practicing really what you're practicing,
but uh yeah, lately I've been.

Speaker 2 (17:00):
Trying really hard to play a long I'll play with
like changes, you know, on like a recording or like
a playback thing or something a lot.

Speaker 6 (17:10):
And now I've been trying to go through and take
tunes that I know, but also like tunes that I
know how.

Speaker 2 (17:17):
They go, but I don't really know the chords completely.

Speaker 6 (17:21):
Yeah yeah, yeah, yeah, but I'll just go in and
just improvise over it without paying attention to anything. If
I know the chords, are trying to forget the chords,
and I start like just trying to play with my
ears like actually, like sometimes I'll have to like limit
myself to like two strings and I can only play
on that, and it's you sound like shit until eventually

(17:46):
you actually start improvising for real and it may only
last like a couple of notes, but you did do something.
The point of it being to get yourself into a
place when you're improvising, that is you can you're in control,
but can still let there be some spontaneity, even if
it's selecting a note because it just falls under your

(18:10):
fingers a certain way. But whatever it is to trigger
something different that takes you out of whatever box you're playing.
And another thing that I realized is I did that
a bunch of these like small Dafuzinski solo transcription. It's
not whole solos, but like parts is like, what are
you doing with some licks? Yeah, well it's kind of

(18:32):
so it's okay. So this what's really weird about it
is listening to it. I thought it was like more
intentional than it was because it sounded like Eric Dolfy
stuff like out and it resolves and you know it's like.

Speaker 2 (18:46):
This out playing and shit.

Speaker 6 (18:47):
But uh yeah, after watching videos and I took a
lesson with him one time, like yeah, stuff, so I
see him on close play, but I looked back at
videos and like just looked at where he held his
hand and then looked at the transcriptions because I figured
the notes out, but I don't.

Speaker 2 (19:03):
Know where he's playing it.

Speaker 6 (19:04):
But as I worked it out all the different combinations
you could on a guitar, because there's a lot, I
kind of figured out what he was doing because I
just went with a thing that was the easiest to
do with those notes, and a lot of it ended
up and from referencing him just playing casually. He plays
up and down like as many notes for string as possible,

(19:29):
so he'll in large fret jumps, so just hammering and
pulling off get certain intervals. And I just noticed like
basically he's taking this and he'd move it around like
a will, so it's like he's it's like this is fixed.
You know, he's going up and down to the whole thing,

(19:50):
and then all of these like it was like it
was like, oh shit, that's all he's doing. But because
he keeps these like all the little parts of it
are super simple, like very you know, like three note things,
they're very diatonic sounding. But then when you get to
the next string, you shift before up or down or wherever,

(20:11):
or you know, just like so there's things like that,
and I've realized one of the ways to trigger doing
stuff you have to kind of go against them the
goal which is to actually learn licks so that you
can plug them in and you're not always sure how
it's gonna end, and that gives you something to bounce

(20:33):
off of a weird idea. But yeah, I've just been
going to trying to actually play with my ear and
also when I'm if I'm doing scales or anything, I
play with a drone note now, so I have some
sort of harmonic reference if even if it is a
technique thing, I can actually be musical about playing, you know.

Speaker 2 (20:53):
So that's what I've been doing.

Speaker 8 (20:55):
That's very similar for doing a trumpblone transcriptions. You know,
like you listen to it, it's really you like comeing
across trying to do it yourself. Seeing them do it
really makes it make all this sense so much because
it's just like, oh, I didn't realize he started out
in fifth and then like came because so many alternate
positions exactly, you know, so just listening to it, you

(21:15):
you got to kind of find your way regardless.

Speaker 2 (21:17):
Anyway.

Speaker 6 (21:18):
That's something that's so cool now about being able to
about how available media is, like video, because there was
some it just guitar stuff. There was like, h I
think it was like a Jesus lizard thing or something,
and it was just a quick, weird thing. But from
listening to the recording itself, I was so off from

(21:39):
what he was doing. Well when you saw when I
saw his hands and I was like what And then
I still couldn't get it. And then later on there's
a no no, uh. There was an interview with him
and he goes I get asked about this. The most
is the thing that he played and even what he did,
like when he just like I was wrong again, and

(22:00):
like eventually I saw him do it, and I was like,
if I didn't have I would never ever ever.

Speaker 2 (22:04):
Have figured that out.

Speaker 4 (22:05):
Ever.

Speaker 2 (22:06):
Yeah, and then yeah, that's great. I love that.

Speaker 4 (22:10):
It's exciting.

Speaker 7 (22:12):
Okay, well let's go ahead and get into some music
new music.

Speaker 4 (22:19):
Stop okay.

Speaker 7 (22:23):
Marcus King the guitar player, guitar slinger. Uh he enforces
strict copyright contract claiming full ownership of concert photo.

Speaker 2 (22:34):
Wait wait, who is this guy?

Speaker 4 (22:36):
This is a guitar singer.

Speaker 7 (22:38):
We listened to Marcus King, yes, okay, yeah, and uh yeah,
so via his company. King Family Touring is the latest
of the increasing line of artists who have issued photography
copyright grab contracts when covering shows. So any picture that
they take, uh, the artist just owns it outright.

Speaker 2 (23:01):
How are you going to enforce that? Yeah? I don't
know's that's bullshit? Yeah that's great. How are you going
to own a picture I took?

Speaker 9 (23:08):
Yeah?

Speaker 2 (23:09):
How you? How you own it?

Speaker 7 (23:11):
The contract tells a photographer that King hereby engages uh
me on a work for higher basis to photograph Marcus King,
though of course there's no mention of any fee to
be paid to the photographer.

Speaker 9 (23:23):
Uh.

Speaker 4 (23:23):
Furthermore, the photographers.

Speaker 7 (23:25):
Asked to sign that for crappyright persons purposes company is
author of the photo.

Speaker 4 (23:30):
Wait, are we talking.

Speaker 2 (23:31):
About actual photographers or just people on anybody? Anybody? There's
no way to enforce that. I guess I guess what
they're Okay, it's not enforcing it. They're just saying.

Speaker 8 (23:40):
I guess they just letting everybody know they're never going
to pay a photographer for a photo.

Speaker 2 (23:45):
Ever.

Speaker 8 (23:45):
Again, they're like, if you took a picture of him,
we have the ability to use it, and we do
not have to tell anybody.

Speaker 4 (23:51):
Who don't have to give you credit.

Speaker 2 (23:54):
I think there's being an assholes. But how do you
How do you just make a contract for yourself and
then and and force a contract that no one has signed? Yeah,
how can you do that? I don't know.

Speaker 6 (24:05):
I think it's all bullshit. I don't think there's a
lawyer involved with this or anything.

Speaker 2 (24:09):
They just made it. They just wrote up some bullshit.

Speaker 8 (24:12):
Yeah, this is the only way you could do this
is say, like you know how they do from real concerts,
in which like, okay, only the photographers we know are
going to be able to get this fucking close to
the stage.

Speaker 2 (24:22):
Okay, you can do that, but like that's it.

Speaker 7 (24:25):
Yeah, going now, it's odd man, that's what happens in
the phone.

Speaker 2 (24:30):
Just say no photographer, your own photographer a good enough
to be like a real, real camera, an actual camera.
That's just some ass whole ship.

Speaker 4 (24:42):
Uh, let's see here.

Speaker 7 (24:43):
Let's let's let's say in music management, let's stay in
this realm. Jelly Roll claims that Charlie XCX's team tried
to cheat him out of number one album weird.

Speaker 2 (24:56):
How does Yeah, first of all, I think that's all
Charlie team.

Speaker 4 (25:02):
How did you get cheat it?

Speaker 2 (25:03):
Yeah? What do they have to do.

Speaker 6 (25:04):
With each other at all? Like stylistic or song wise.
I don't understand that just saying she cheat him out.

Speaker 2 (25:11):
Yeah, yes, so people more people liked her than like
but I know this, this right here doesn't help. Man,
more people don't like her now this this is this
sounds desperate and weird. Yeah he's number two, you know
I should be number one. That's it. Yeah, she cheated.
They shout up.

Speaker 6 (25:31):
Something he said when he was drunk on live. This
is like, I doesn't even remember saying this.

Speaker 7 (25:37):
He was, but he was on the Pat mccaffee show,
which also tried they try to go viral all.

Speaker 6 (25:43):
This is that one of those like everybody gets drunk
and tell that's a sports show.

Speaker 2 (25:46):
Is a sports show, but they have a celebrity in
the ESPN sports media hosts.

Speaker 6 (25:51):
Are fucking insane, But I've not been aware of them
until recently. Now that I like just stuff I want,
like commercial ship. Yeah, and then I hear about the
same stuff, like the same dudes just acting crazy. It's
always like a video a clip of somebody saying some
insane ship live on TV and Charles Barkley sitting next

(26:14):
to them going, you know.

Speaker 4 (26:16):
Like I know, trust me, there's there's there's.

Speaker 2 (26:22):
Sharp existed until like a year ago.

Speaker 7 (26:24):
Yeah, trust me, I almost I almost feel like that
when you say club Sha Shaye to anyone, that should
be a pause right after that.

Speaker 2 (26:31):
I don't.

Speaker 4 (26:32):
I just don't like that name.

Speaker 7 (26:33):
I don't want to say I've heard that. That's that's
Oh that's what he calls that's his podcast. It's called
Club Shay. I'm like, pause, bro ever talk to.

Speaker 2 (26:43):
Me that way.

Speaker 4 (26:44):
I don't like it ever.

Speaker 7 (26:46):
Okay, So no, Jolly Roll was on Pat mccaffee show,
Pat McAfee, thank you, uh, and the conversation turned like
the Breakfast Club. No, No, I just don't know this
guy's name.

Speaker 2 (26:59):
I don't watch it.

Speaker 4 (27:00):
I'm not that bad, trust me. They really fun up.

Speaker 2 (27:04):
On that show. You're right, Breafa girl, the new girl
they got actually cannot read like the girl. That girl
was capable of reading traffic or their news or whatever.
This girl cannot read at all. Terrible.

Speaker 4 (27:17):
No, they don't. They don't like really type of mass calm.
Now they do not know.

Speaker 2 (27:21):
None of them who got the most followers in New York.
Which one of y'all got the most followers in New
York got the job?

Speaker 4 (27:28):
Seriously?

Speaker 7 (27:30):
So yeah, he was on that show and the conversation.
Conversation turned towards first week chart numbers, so, without saying
her name, he said that, uh, Charlie's team try to
take uh fake a bunch of record sales to knock
his album out of the number one spot, but illuminate
the company that gets all the Billboard numbers.

Speaker 2 (27:51):
He rejects the music raked voting conspiracy theory.

Speaker 4 (27:55):
Rejected, rejected a bunch Charlie.

Speaker 2 (27:59):
So no, no, how does he know? How would you
know that? First of all, man, everybody is like trying.

Speaker 8 (28:07):
To suspend a little disbeliefs with the so called charts anyway,
you know what I mean?

Speaker 2 (28:11):
Oh, who clicked?

Speaker 8 (28:12):
Who got the most clicks on Instagram, TikTok and Apple Music?

Speaker 2 (28:16):
Like nine different places where someone clicked and.

Speaker 8 (28:19):
It changes all the time and didn't pay for it
and people and didn't pay for it.

Speaker 2 (28:23):
So like who got number one or number two?

Speaker 9 (28:26):
Man?

Speaker 2 (28:27):
Yeah, then it's whoever's a label paid the most money
to Spotify.

Speaker 7 (28:31):
Yeah, well that's who got number one. I think Rod
Wave like ended up like he's like number three right now.
I think he ended up beating both of them, it
turns out out to him.

Speaker 4 (28:40):
But either way. Look, this is management.

Speaker 7 (28:44):
This is all management, because like, how else are they
going to find out about these fucking numbers. This is
what the managements being like, they're trying to fucking shy, try.

Speaker 2 (28:51):
To be sho.

Speaker 8 (28:52):
I feel like it's a way to try to name
in a headline next to another artist name. You know,
like now people Charlie x X fans know about jelly.

Speaker 4 (29:01):
Roll, about jelly roll jelly rolls.

Speaker 2 (29:05):
Now some of them can hear this. They try to
take a piece of jelly rolls. Yeah, I don't blame him.
This sounds whack. This is some precious whatever move on.

Speaker 4 (29:16):
Grammy noms came out.

Speaker 2 (29:19):
The I didn't say that. I did not say that.
That's what I just said.

Speaker 7 (29:25):
The noms Okay they Yeah, they came out.

Speaker 9 (29:32):
Uh.

Speaker 7 (29:33):
Beyonce got a lot of She did get a lot
of nominations.

Speaker 2 (29:37):
I think at least seven.

Speaker 8 (29:38):
It's like all the albums that you think will be
nominated for Grammys only and it's a couple of wild cards,
like nominating one hundred two thousands flute record for an
Album of the Year.

Speaker 2 (29:48):
Somebody somebody trolling. I hope it went stop. Yeah, yeah,
make it real.

Speaker 4 (29:58):
Never gonna make a fluid album again after.

Speaker 2 (29:59):
That see Troy. But and also that Bruno Mars Lady
Guy got song that nobody liked? Why is that that's
so for like record.

Speaker 7 (30:07):
Of the year, Bro, you play that song? Nobody heard
it on the radio. I've heard it several times. I have,
I have it is it's being playing. I heard and
I heard that Lady Got gout song to the disease song.

Speaker 2 (30:21):
Oh yeah, you got got the disease. Ladies was always
seking her songs. I'm sick, I got a disease.

Speaker 9 (30:32):
Every song.

Speaker 2 (30:36):
Sex and infected with me my drugs.

Speaker 7 (30:47):
Oh god, now we got lady I got impression word uh,
Prince impression.

Speaker 4 (30:54):
They're lining up.

Speaker 2 (30:55):
You got on my person? You got I don't have
a Prince impression, Yes you do. It's is Prince raffick
Prince version. That's an eat impression.

Speaker 7 (31:04):
Yeah, okay, yeah, there you go.

Speaker 2 (31:10):
There you go right there.

Speaker 7 (31:13):
Spaceball sequel in the works with mel Brooks producing.

Speaker 2 (31:17):
Man, just make some new ship man like is it
free to do remakes?

Speaker 8 (31:22):
They think people just remake everything. Bill Beater Juice out again, okay,
plus Spaceball's out again? All right, there's people dying to
see a new version of Spaceball with young actors.

Speaker 2 (31:37):
They don't recognize.

Speaker 4 (31:38):
They just want some new comedy. Just do some new ship.
The brothers. They're doing scary movie again.

Speaker 2 (31:45):
Yes, just call itself else they do some new ship.

Speaker 7 (31:48):
Listen, Yeah they want I don't know, man, yeah, man,
you shouldn't on it.

Speaker 11 (31:53):
Bro.

Speaker 2 (31:54):
Just put matt Lock out again. Why you just put
that again?

Speaker 4 (31:59):
I think they did.

Speaker 2 (32:00):
It's found it now Kathy bates his Matlock. Let's do
it again.

Speaker 7 (32:06):
Here we go, here's another one. Our Guarfuncle says he
cried during recent reunion.

Speaker 2 (32:12):
With Paul Simon. Okay, all.

Speaker 4 (32:16):
He's the most he's always.

Speaker 2 (32:17):
He descried because they they were they are strange.

Speaker 4 (32:20):
Strange years.

Speaker 2 (32:22):
Two years, that's not a.

Speaker 7 (32:24):
Con ten years, they know, because they did like a
tour and then they were going to do another tour
and home.

Speaker 4 (32:30):
Dude's voice like got fucked up.

Speaker 2 (32:32):
Okay.

Speaker 7 (32:32):
And then and then after that he had an interview
with a really uh well known publication, I think the Telegraph,
and he called him like a jerk, He called him
like a bunch of shit.

Speaker 2 (32:44):
Why do you do that just because he was salty.

Speaker 7 (32:46):
Yeah, he's salty all the time. Because like he's like,
I don't understand why there you go.

Speaker 4 (32:52):
He started like that. He's always understand.

Speaker 2 (32:54):
Why people want to hear about what he got to say,
but not He's.

Speaker 7 (32:58):
Like, he's like, you're not trying to do the best
ship of your career, which was the Simon and Guardfolks,
anybody's trying to hear everybody waiting for Garfunkling, everybody waiting
for garfug don't care about Simon like that. They don't
care about They didn't come to see you. Otis their
ship is all. He's all about Simon and Garfunkle. He
does not think that. Uh, the solo Paul Simon.

Speaker 2 (33:17):
No no side projects.

Speaker 7 (33:19):
Yeah, he's like, yeah, you could use your side project
whenever you want with Simon Garfunkle, that's home baby.

Speaker 2 (33:24):
So they back on tour.

Speaker 7 (33:28):
Uh, Paul Simon retired from touring. I think and like,
what is this like twenty eighteen.

Speaker 2 (33:33):
I think, what is this press release?

Speaker 4 (33:36):
This was on TMZ.

Speaker 2 (33:37):
I don't know TMZ brought this up.

Speaker 4 (33:39):
TMZ brought this up.

Speaker 2 (33:40):
Slow day, damn slow day.

Speaker 4 (33:43):
I mean it made like a lot of it made
a lot of publications.

Speaker 2 (33:46):
Garfunk got no slaps by himself. He got no, he
got solo slaps.

Speaker 4 (33:49):
He got a couple he does, and they like, I mean,
they're white as fucked though, Like what do.

Speaker 8 (33:53):
You mean, just like more just singing by himself. Yeah,
guitar real quiet in the background.

Speaker 4 (33:59):
Bro, he's like a singer.

Speaker 7 (34:01):
I mean he can I think he can play a
little some, but he's like a singer like stands He's like, uh,
he's like Robin Robin Gibb just like just stand there
and at the mic and just fucking crushing it.

Speaker 4 (34:13):
That's what he does.

Speaker 8 (34:15):
Sendence the slaps that garfunt send them.

Speaker 4 (34:23):
Okay, send us the Garfunkle slaps whatever.

Speaker 7 (34:27):
All right, So we're talking about Jerry Garcia earlier, as
I felt like that whole conversation was actually really good, James,
what to thinking about, like how the Beatles or Jerry
Garcia would be like receiving any of the ship that's
happening right now or even in the nineties, like a
couple of them, like because a couple of them died
in like the nineties, So just thinking about how they

(34:50):
would relate to ship. So anyway, speaking of that, Jerry
Garcia is a state recreates voice with AI to read
books and uh books.

Speaker 2 (35:03):
To read, to read books, read books like his books? Oh,
just like books poetry. Oh you can get him to
do different in e book of your choice.

Speaker 4 (35:14):
Yeah.

Speaker 2 (35:14):
But at this point, what I think, it's like, why
would you pay for that? Because you can go on
any voice replicating thing as long as you together. This
is a licensed version.

Speaker 4 (35:24):
This is.

Speaker 8 (35:26):
A clone of his voice, right, Well, I guess a
trademark a trademark, but then again.

Speaker 4 (35:32):
Like it's a I manipultly so yeah, but.

Speaker 6 (35:35):
Like somebody else couldmit and how are you gonna tell, oh,
that was made with our algorithm and not this.

Speaker 8 (35:42):
That's that's what I think they're doing, right, They're gonna
say like if someone put out something that's AI j
Garcia and it ain't them, I guess they can sue
because they own the AI version of Jerry Garcia.

Speaker 2 (35:53):
That's where this is going. That's you got to own
your voice.

Speaker 7 (35:55):
That's what happened with the with with the Drake discs
when he used Tupac's voice and uh yeah.

Speaker 2 (36:02):
N b I G I think yeah, something somebody owns it.

Speaker 7 (36:04):
Yeah, they owned it, and he he got they had
to take the ship off the internet, right, because who's.

Speaker 2 (36:10):
J Loo did not j Lo?

Speaker 8 (36:11):
Yeah, j Lo did that with that that uh airline company. Yeah,
so I guess that's where it's going. You you actually
do some paperwork to own your voice before you die, yep,
before someone can just like because if any if you're.

Speaker 2 (36:25):
So, nothing will protect you after it is what you're saying.

Speaker 8 (36:28):
Yeah, yeah, yeah, you have to own it or not,
right yea, yeah, because if you el say, if you
aren't famous, it's done really matter theoretically speaking, right, but
you could use it.

Speaker 2 (36:36):
For private use if someone wanted off. You can't make
money off of it. Yeah.

Speaker 8 (36:40):
So all that deep fake ship is about to have
all kinds of cords all up in it facts, you know, because.

Speaker 2 (36:45):
It's like a ship, is it is?

Speaker 9 (36:47):
Yeah?

Speaker 4 (36:48):
Because like they used these phase I mean on everything.

Speaker 2 (36:50):
Yeah, they just doing it crazy.

Speaker 4 (36:52):
You don't even know what to believe with the Diddy
ship because they just.

Speaker 2 (36:54):
Pake videos on everything, put them in Harlem Nights facts, everything.

Speaker 7 (36:59):
Pretty fun, kind of funny, but it also kind of
ruins some of these memes for me, Like I don't
want to see Diddy's face on some of these memes.

Speaker 2 (37:06):
I'm like I don't either.

Speaker 4 (37:07):
I'm like, this is kind of I want to see.

Speaker 7 (37:09):
I want to say that I didn't say that.

Speaker 2 (37:16):
That was Kelly that said that. Man, when I hear
Jerry gar Whenever I hear Jerry Garcia, the only thing
I can think about is my favorite flavor of Ben
and Jerry's cha Cherry guar possible offense. Care about Cherry
Garcia is really good. I don't know nothing about The
Grateful Dead. I do know about Cherry Garcia.

Speaker 8 (37:37):
Yeah, yeah, with the cherries and the chocolate pieces inside
the vanilla, the ice cream.

Speaker 4 (37:43):
I believe, And that started when he was still alive.

Speaker 7 (37:47):
That was one of the first things that he like
started when he started doing the marketing after him.

Speaker 2 (37:51):
You know, that's the best one.

Speaker 6 (37:52):
The only other thing I know about the Grateful Head
is that they had some nutritionus guy and they basically
we're all eating keto for like a couple of years
or some ship like early on, and the guy you
remember the Atkins diet, It was that dude.

Speaker 2 (38:12):
It was the guy.

Speaker 4 (38:13):
Yeah, that's hilarious. It was like, hey, look, Jerry garcias
never looked better around that time.

Speaker 2 (38:20):
Probably shout out to him, man, you know, that's good
ice cream.

Speaker 4 (38:24):
Uh yeah, Ben Jerry's look shout out.

Speaker 2 (38:26):
To Ben and Jerry's though, got some slaps out there.

Speaker 7 (38:29):
Yeah yeah, I think it's when you when you said flavor.
It's just kind of I don't know.

Speaker 8 (38:33):
It's okay, man, because I'm just saying that's the only
thing I know. I know that their fans can tell
what the show is going to be by the stage
setup on the you know the cover band, what's the.

Speaker 4 (38:44):
Dark Star Dark Star?

Speaker 8 (38:46):
Yeah, yeah, they're like a grateful that cover band. Their
fans can tell what shows to be by how the
gears on the stage. I didn't know that, dude, I
worked a Dark Star show.

Speaker 4 (38:59):
Crazy.

Speaker 6 (38:59):
Also because Anthony I keep forgetting John Mayer is like,
oh yeah, he's a grateful dead Yeah.

Speaker 4 (39:05):
Yeah he is.

Speaker 2 (39:06):
Yeah, Matt something. You know, I that's kind of a
surprise to me. I don't care, you know, I just
don't care. Yeah, I don't. I'm just saying it's just, huh.
I wouldn't have expected that making faces play guitar thoughts
and prayers.

Speaker 7 (39:21):
Yeah, okay with that, Kelly, Yeah, that was ah, Ben
and Jerry's you know, more importantly this actually, yeah, you
know I can I had listen give me a top
I couldnot remember because I literally have not had it
in such a long time.

Speaker 6 (39:40):
I like the mint cookie one. Mint cookie that's one
of my favorite. Uh, there's a really hard there's.

Speaker 7 (39:46):
A rocky road one that was like fucking they got
all kinds of ship over there, But I cannot remember that.

Speaker 6 (39:52):
The mint cookie one is my favorite. But then there's uh,
the other one will rotate. It used to be the
strawberry short cake one or good that one, but then
it would actually for a little while it was a
Cherry Garcia thing, and they don't go on as something else.

Speaker 9 (40:06):
You know.

Speaker 2 (40:06):
Cherry Garcia has been my favorite for a while. The
tear Missoux one with that has the chocolate on the
top to whatever fire.

Speaker 6 (40:13):
Specifically the big cookie one that has the topic. Yeah,
there's another one they make that's like a bunch of
chocolate and ship, but it has like brownies and hudge
in the middle of it, and chocolate fudge brownie.

Speaker 2 (40:24):
Yeah.

Speaker 8 (40:25):
Now, I don't really usually like a bunch of candy
inside of there. I like it to be like just
in there a little bit. Sometimes you can have some
fun with that ship, you.

Speaker 2 (40:33):
Know what I'm saying, alright, that's kind of like their
thing though, Yeah, it is their thing.

Speaker 7 (40:36):
Yeah, and there ice cream is like just like a seasonal.
It's like, I don't really eat that much.

Speaker 6 (40:43):
That's one of that's one of my top top tier desserts.
If I really had no self control, I.

Speaker 8 (40:48):
Being cookies and cream recourse. Yeah, but yeah I haven't
almost almost never.

Speaker 7 (40:54):
Yeah, that's what I'm saying, Like I when I am,
when I'm into it, I could like do it for
like a full week.

Speaker 2 (40:59):
Yeah, just be like all but the cookies, cream, the coffee,
the cookies and cream.

Speaker 4 (41:04):
Oh yeah, man, it's a beautiful thing.

Speaker 9 (41:06):
You know.

Speaker 4 (41:06):
I'm about something to night now that you know you're talking.

Speaker 2 (41:08):
About Shout out to Jerry Pistachio fire Band and Jerry's
Pistache Fire Stash.

Speaker 4 (41:13):
All right, fire, Okay, let's go ahead and.

Speaker 7 (41:19):
Roll into uh some mad big ups. Yeah, we've got
to oh wow kind of legends too. We get into
some old there's like some old man flavors.

Speaker 2 (41:29):
You know, you start talking the Stashio the Stash started
talking about butter p Can. That's like the.

Speaker 4 (41:34):
Dad right there, Mom and dad.

Speaker 8 (41:36):
Yeah, that's like a that's like a getting old favorite
liquor ice cream, liquor ice Yeah right, yeah.

Speaker 4 (41:43):
Word, okay, we'll started. Lou Donaldson.

Speaker 2 (41:47):
Oh, jazz legend.

Speaker 7 (41:48):
Jazz legend, Lou Donaldson, I mean been around for years.
He was like I think he was like ninety seven
years old something like that.

Speaker 4 (41:57):
Really, Uh yeah, that's u.

Speaker 2 (42:00):
I'll pull one out, find someo.

Speaker 7 (42:03):
I need to find his one of his signature records
because I cannot remember the names of him right now.
But he was really, I mean he was popular. He
was uh in the Jazz Messengers early I think like fifties. Uh,
like maybe in the first one of the first editions.

Speaker 2 (42:20):
Of that band.

Speaker 7 (42:22):
And then he moved on and did a lot of
solo stuff. He came out with like a couple of
records a year on Blue Note, like a lot of
he got into the bogleoo thing handy I have.

Speaker 2 (42:31):
I think I have a lot of those. Which one
jazz I'm sorry?

Speaker 4 (42:36):
Which one?

Speaker 7 (42:38):
Yeah, the Boogleloos I'm I'm looking right now. Uh, let's see, let's.

Speaker 4 (42:43):
Go to.

Speaker 7 (42:47):
He put out a lot of albums. Yeah, He's like
put out a ton. Wow every weekend.

Speaker 8 (42:51):
It felt like was it signifying at a record store,
come out it's like sixties.

Speaker 4 (42:59):
Yeah, signifying is like sixty three.

Speaker 2 (43:02):
Okay, damn, he's got stuff. What are you?

Speaker 4 (43:04):
That's what I'm saying.

Speaker 7 (43:05):
He came out with records like crazy and I just
you know, I think sophisticated lou is actually a is
A is a?

Speaker 9 (43:16):
Yeah?

Speaker 2 (43:19):
Yeah turn that up?

Speaker 9 (43:20):
Yeah yeah, this is this is signifying.

Speaker 2 (43:26):
Some guitar orchestral.

Speaker 13 (43:30):
Join Is this.

Speaker 3 (43:33):
Something the band?

Speaker 4 (43:36):
What joint?

Speaker 2 (43:37):
Is this signifying?

Speaker 4 (43:39):
Signifying?

Speaker 2 (43:40):
Okay, the guitar is not even his only playing of percussion.
Yeahs it's here.

Speaker 4 (43:47):
Let's see. This is all like cats.

Speaker 5 (43:50):
Is Tommy Trio on trumpet, Roy Montrelle on the guitar,
Big John Patton on oregon, Ben Dick sending on drums.

Speaker 4 (44:00):
He's just cats. He's just swinging fucking cat from here.

Speaker 2 (44:06):
This is fire.

Speaker 4 (44:07):
He is swinging hard.

Speaker 2 (44:08):
Bro. The guitar players sounds so great. It's like as
a throw back there here.

Speaker 4 (44:14):
You've been Dixon.

Speaker 2 (44:16):
Yeah, just just put the horror player played out. Got
the distortion like that shortens? Yeah, he just played Amart
to not comment. You know what I mean? This is
like lose lose, barge jazz saxophone out one more course,

(44:50):
ye tell me h u s.

Speaker 3 (44:55):
Swing it.

Speaker 4 (44:59):
Oortually. The next one would be jazz musician as well.
Oh man, uh.

Speaker 2 (45:05):
Fast forard a little bit so we can get a
little bit of loo in there.

Speaker 9 (45:08):
Yeahs no, well.

Speaker 2 (45:24):
Going way too crazy with the stereo. Should play that
s in the middle, man, I know he's a cat.

Speaker 4 (45:30):
He should be in the middle.

Speaker 2 (45:44):
Oh yeah, all right, okay, just swinging.

Speaker 4 (45:46):
It's it's I tell you. I mean, like the sevenokies.

Speaker 7 (45:52):
The seventies was such a weird time for jazz, like
because when you start hearing the cats in like fucking
fool like Christine, Like, it's just like they start getting.

Speaker 4 (46:01):
Obsessed with reverb and shit.

Speaker 9 (46:04):
You know.

Speaker 7 (46:05):
There's this one record by McCoy tyner from like nineteen eighty.

Speaker 4 (46:09):
I can't remember the name of it.

Speaker 7 (46:10):
I think it's called Together and It's got it's like
everybody on it. It's Freddie Hubbard, Benny Mopping from uh from
the Headhunters, fucking Jack d Janet. I think Bill Summers,
the professional percussionist is on it. Yeah, fucking McCoy tyner
and Stanley Clark on bass. Like it's gross and fucking

(46:32):
it is so pristine and I kind of love it.
I kind of love that ship. But it's just weird
how they would treat jazz.

Speaker 2 (46:39):
It's just what to do.

Speaker 7 (46:41):
And sometimes it was like just it can ruin records,
and for some records it was like it sounded amazing.

Speaker 2 (46:47):
I don't know.

Speaker 4 (46:48):
So it's when you when you hear the classic sixties shit, it's.

Speaker 2 (46:50):
Just like way too hard on the on the panting.

Speaker 4 (46:55):
I kind of like it.

Speaker 8 (46:56):
I just they didn't just put him in the middle
hard with yeah yeah, yeah, yeah, but they had because
they had the bass in the middle, like the organ
basses in the middle, which is where it should be.

Speaker 2 (47:06):
The guitar all the way to the right. Fine, that
was fine for you know, but then.

Speaker 6 (47:10):
Like if you cald it back into the middle for
the solo, and then it was I don't know if
they had the capability of doing that with wherever this
there's sixty three.

Speaker 2 (47:19):
They could have just put in a mono. So who knows. Yeah,
you're right.

Speaker 7 (47:25):
Better, yep, Okay, let's do one more here. Roy Haynes
pass away. Oh wow, man years oh.

Speaker 2 (47:40):
Man legend years old.

Speaker 4 (47:42):
So we gotta we gotta pick up some Roy Haynes.

Speaker 2 (47:45):
Up in here too, because still sounded good all the
way to you know, all the way to the eighties
and stuff. You know, it sound amazing.

Speaker 7 (47:53):
I mean I really feel like he he really peaked
to if you will, in the nineties two thousands, to
be honest with you.

Speaker 2 (47:59):
So is he on that the Matthew Hall record for
with like uhr with uh yeah, with.

Speaker 7 (48:07):
Herbie and uh No, that's that's Brian Blade, Brian Blade. Okay, No,
it's the the Chick Corea.

Speaker 6 (48:13):
Is that the one he's Yeah, man, he's on you
know he is on on this ship on h.

Speaker 2 (48:20):
Oliver and Nelson thing.

Speaker 4 (48:24):
I know you're.

Speaker 2 (48:26):
H using the aptecture.

Speaker 4 (48:28):
Yeah, oh yeah, the Preston's record. It's awesome. Man, I've
heard this record all the time. It's star.

Speaker 2 (48:44):
Yeah, sounds mixed matter this.

Speaker 8 (48:48):
And no One's taking a solo. Yeah, what's what happened
in the centers with the Sight?

Speaker 4 (48:57):
It's Freddy on this?

Speaker 2 (48:58):
No, No, you are where you are in the studio?
All right? Well I was that, uh but yeah, he's
on so many things.

Speaker 4 (49:08):
Well I was good.

Speaker 7 (49:09):
Yeah, we were saying the Chick Career record where they
they paid tribute to Bud Powell. Yes, that record, because
I had the DVD of that and by the way,
you cannot it's hard.

Speaker 4 (49:18):
To find that performance.

Speaker 2 (49:19):
It's not on YouTube.

Speaker 4 (49:20):
On YouTube, it is very difficult to find. But uh
it was. It came out, he came out in ninety six,
and uh, yeah it is.

Speaker 2 (49:29):
It is very difficult to find.

Speaker 7 (49:30):
But uh, there's a lot of signature records that Roy
Hayes was on.

Speaker 4 (49:35):
One that's really amazing is the.

Speaker 7 (49:37):
Uh there's a live record that he was on live
in Newport with uh Coltrane, I believe where it's like
a brief period of time where it was like sixty
one something like that.

Speaker 2 (49:48):
What was the Hey, what was the one from ninety
six you were talking about?

Speaker 4 (49:51):
It's I can't remember the name of it.

Speaker 7 (49:52):
It's I think it's called Remembering Bud, Remembering Bud Marring,
Bud Power or something like that.

Speaker 2 (49:57):
Okay, and that was with Chick Rea. Yeah, ninety six.

Speaker 7 (50:04):
Yeah, there's a there's a there's a great live DVD
that came out that the band was Christian McBride, Uh,
Wallace Roney and was it fucking was it Redmond who
was a sax player.

Speaker 4 (50:19):
I think Kenny Garrett.

Speaker 8 (50:20):
Kenny Garrett and did now that's different concert. Yes, sometimes
it's it was two saxes and they were both there,
but not that yeah, yeah, while its roon killing.

Speaker 2 (50:30):
Yo.

Speaker 4 (50:30):
God, it's like I'm telling you, it's just like amazing time.

Speaker 8 (50:33):
But he's like I am, I'm the reincarnated at Miles
Davis chopped out reincarnated.

Speaker 7 (50:39):
So I'm just gonna go down a list of some
of the Roy Haynes stuff because there's just like, I mean,
this cat had a uh I think it was a
seventy five year career. This is just like he recorded
so early. He recorded with Charlie Parker in nineteen fifty
that's where we're starting.

Speaker 9 (50:55):
Wow.

Speaker 7 (50:55):
And he also recorded with the actual Bud Powell in
nineteen fifty nineteen fifty one in the middle spot like
literally right when he's like starting to play and shit like,
and then you know, he's on a couple of felonious
bunk like very classic records, Masterioso, Felonious in Action, and

(51:18):
then we have him on there was another record. He's
on several Eric Dolphy records, nineteen sixty, Booker Little.

Speaker 2 (51:27):
Nineteen sixty Killing Underrated.

Speaker 7 (51:30):
He's on a Ray Charles record called Genius Plus Soul
Equals jazz from nineteen sixty I mean this he was
like a session cat. I mean for real, if you
look at his if you look at his catalog, I
mean he was on so many people's records in the
in the sixties alone.

Speaker 4 (51:48):
He's crushing it.

Speaker 7 (51:50):
JACKI Maclean's It's time Jackie Bayern out front jazz dude,
I mean jazz, just jazz, y'all, chick career. Now he sings, now,
he sobs. A lot of cats know that because uh
Roy Haynes solos on the matrix, you had to do

(52:11):
for transcriptions. I mean like tons of people had to
do those fucking trades. And I mean bro as eighteen
year old. The concept of what he was doing was
was otherworldly.

Speaker 2 (52:24):
Oh man, pull it up.

Speaker 7 (52:26):
Uh yeah, let's go to yeah matrix chick corea. Just
pull that up. Now he sings, now, he sobs, And
it was a blue note record. It says as solid
State on here, but I think that's a blue note.
But they might have been like sold to Liberty Records
by that time. Album is now he sings now.

Speaker 2 (52:44):
He sobs, Yeah, hold on, hold out quick.

Speaker 4 (52:47):
It's just like a fast He's a fast blues.

Speaker 2 (52:50):
I'm not familiar.

Speaker 4 (52:51):
Oh really, you ever heard this?

Speaker 2 (52:52):
I feel like I have, but I'm horrible with the titles.

Speaker 4 (52:56):
Uh fucking Roy Haynes trades on this ship?

Speaker 2 (53:00):
What year? What year?

Speaker 7 (53:02):
This is a mere slave? Veer to on on sixty eight?
This is sixty eight. Ok now he's saying now.

Speaker 2 (53:12):
Yeah, just chick corea matrix.

Speaker 4 (53:15):
Yeah, yeah, yeah, Like the whole record is amazing.

Speaker 7 (53:23):
Uh, there's but matrixes definitely became like one of the
one of the standards.

Speaker 2 (53:29):
Oh yeah, I know.

Speaker 11 (53:30):
This Also, the fact that Roy Haynes could easily move
from sixties, early sixties, fifties jazz to modern jazz and
the later half of the sixties is amazing because a
lot of drummers couldn't do that.

Speaker 2 (53:49):
This is a very different mix. It's like the symbols
are more upfront than this.

Speaker 4 (53:52):
They were upfront of the before.

Speaker 2 (53:53):
Yeah, I mean compared to the Lou Donaldson. Yeah yeah,
clean here a nar kick drunk no here ship, he's

(54:14):
just like, damn all right, blight symbol.

Speaker 14 (54:32):
It's really really black, a flat flat ride flat, it's
really up front.

Speaker 2 (54:37):
Yeah, it's like stick mostly sticked. Is that what the mules?

Speaker 9 (54:43):
The flat ride?

Speaker 2 (54:44):
Yeah, it's fly Snick and the snow Real Residents sizzle
a sizzle or a sizzle.

Speaker 7 (54:51):
Yeah, yeah, I got a twenty four flat ride.

Speaker 14 (54:57):
Now love I love it like Scott Clark was rocking
the flat ride.

Speaker 9 (55:02):
Yeah.

Speaker 4 (55:06):
If you're playing with pam Atheni, you have better.

Speaker 2 (55:10):
I'm assuming that Pat mctheeni brings his old flat ride.
Probably it puts it on your drum set. Yeah, this
is this is the band's sound. Yeah, tonyo Sando is like,
I'm flat over.

Speaker 4 (55:21):
Its no overtones.

Speaker 2 (55:22):
So it's like I think it's easy. That's dry. Yeah,
it's like they just turned the piano.

Speaker 9 (55:34):
Yeah, he's like, you.

Speaker 2 (55:37):
Know what, it sound good? Let me eat you less.

Speaker 4 (55:48):
Fast. We can pass forward to.

Speaker 2 (55:49):
The to the uh drums.

Speaker 4 (55:53):
Yes, it's a wee look down, okay, go back to back.

Speaker 15 (56:01):
Women, it is right here, I tell you. Eighteen year

(56:22):
old kid, I'm like what no.

Speaker 4 (56:24):
I'm like I can't do this.

Speaker 2 (56:33):
Boom killed it.

Speaker 13 (56:46):
Yeah, yeah.

Speaker 2 (56:53):
That's it.

Speaker 4 (56:54):
Where is up?

Speaker 2 (56:56):
Oh?

Speaker 3 (56:58):
You know.

Speaker 2 (57:01):
That's crazy? Uh for adult they're like publishes throw bike
up during the four show and he's solar nice yeah,
kick drump one up and then one of goes, yeah
it's really cool.

Speaker 7 (57:26):
Okay, yeah, I mean, and I mean there's there's a
million records in it, but he's playing uh Dave bru Beck. Uh,
you know, he's definitely on a uh let's see red
Garland Archie Shep. He played more shit with Chi Korea.
Oh yeah, Freddie Ubvard Sweet Return in nineteen eighty three.

Speaker 2 (57:48):
He played on all the Cocaine albums, I mean on
all of them.

Speaker 8 (57:51):
That really gives a chi Kia a different sound too,
because like he usually plays with such like Metronomic, like
you know, with like Dave Weckel and like John Penatucci
and like those guys is like you know what I
mean on the beat, So this was like this shit
sounded amazing.

Speaker 2 (58:05):
It's like nineteen sixty.

Speaker 7 (58:08):
It's just very inspiring to listen to, for sure. But uh,
I mean Roy Hanes just kept going for a long time.
He was playing up until I think a couple of
years ago. I'm pretty sure there was video of him
still playing when he was ninety five.

Speaker 2 (58:21):
Oh yeah, still sounded good too, Yeah, dude.

Speaker 7 (58:23):
Sounded great. And he was playing with Jalil Sean like
just you know, great cats. So yeah, mad big ups man.
I mean, he also had a he had a funk
like a funk group called the the Hip Ensemble.

Speaker 4 (58:38):
The Hip Ensemble. Oh wow, alright man, yeah and uh yeah.

Speaker 7 (58:44):
And he has a great record from the two thousands
that had Hard Grove on it. One of his like
last kind of straight ahead joints really good. So yeah, man,
mad big ups too. Roy Haynes, he's a man. Okay,
we're gonna slap it up. Yeah, all right, whatever we got,

(59:06):
all right cool. I like to reiterate I have not
been to Popeye's in a very long time.

Speaker 2 (59:16):
I've been about the sweet tea. I just I just
know that's a place you've gone to and probably ordered
sweet tea. You can get the sweet tea there.

Speaker 4 (59:25):
You can definitely get a sweet tea.

Speaker 2 (59:26):
There any places scissor you can like the aleese sweet teas.

Speaker 4 (59:32):
No, I'm usually trying to get cut that.

Speaker 2 (59:35):
I'm gonta cut that with water. But you're talking about
sweet teas.

Speaker 4 (59:37):
Like enough, they usually are brewing the sweet tea. They're not.

Speaker 2 (59:40):
They're not doing Uh where are these Where are you
getting them? Getting the cheese? I mean it depends the
sweet tea you're talking about.

Speaker 4 (59:49):
Every place they all have their own.

Speaker 2 (59:51):
Yeah, you're just talking about the sugar. That sugar.

Speaker 7 (59:55):
I mean, it's got to be the right. I don't
say I don't go for the sugary sugar me neither tea.

Speaker 4 (01:00:00):
That's not my thing.

Speaker 2 (01:00:01):
I like that.

Speaker 4 (01:00:02):
I like the hint of sugar. Yeah, you know what
I'm saying.

Speaker 2 (01:00:05):
Like, I like that. I'm actually not a fan of
sweet drinks.

Speaker 6 (01:00:10):
I'm a fan of soda food. Yeah, soda, A little
bit of soda is cool.

Speaker 2 (01:00:14):
Yeah, but I can't. I couldn't. Like I get twenty
ounce of soda about half of it. That's a lot
old ship. Yeah, much smaller soda. But I still eat
a lot of sugary stuff. It's just solid that I don't.
I don't eat a lot of candy ever. I need stop.
But the chick is getting like a Chick fil A.
You get the unsweetened tea, half unsweetened tea.

Speaker 8 (01:00:35):
Half lemonade for the Arnold Palmer sure fire, Sure just
the perfect amount of sweetness because you're cutting it.

Speaker 2 (01:00:41):
You're cutting that lemonade with that unsweet tea. I think
it is the same amount of sugar though, as if
it was all sweet tea. No, it's less less, so
a lot of half. It's half the amount of the lemonade.

Speaker 4 (01:00:54):
They don't know. No, no, again, it depends on the lemonade.

Speaker 2 (01:00:57):
It's half, but it's a half.

Speaker 8 (01:00:59):
It's a half a cup of lemonade as opposed to
a whole cup of liniment lemonade. Half of it is water,
so it's half as much, half as much sugar than
if you've got to lemonade.

Speaker 4 (01:01:09):
It depends only your your lemon flavoring.

Speaker 2 (01:01:12):
Depends on the ratio.

Speaker 4 (01:01:14):
Yeah, yeah, I know, but yeah, yeah, we know. Yeah, yeah,
I mean, you know you could buy or ponder.

Speaker 2 (01:01:20):
You don't need to like just like you know, go
not as good.

Speaker 7 (01:01:23):
Oh you like to actually physically mix Yeah, the two
drinks together. Yes, like you're in Atlanta exactly.

Speaker 2 (01:01:29):
You're like, you don't need you need less lemonade than
you think, you know what I mean for the good.

Speaker 4 (01:01:33):
Oh that's true, that's true. That's true. They make it
like a little too much.

Speaker 6 (01:01:37):
Yeah, because the lemonade will just dominate killing you don't
have to. There's a certain amount where if you go
past it, it's just probably.

Speaker 8 (01:01:44):
Only need really about twenty percent lemonade. Facts, depending on
how more like elimonade is, depending on how sweet.

Speaker 6 (01:01:50):
It is a little more than for the typical normal
lemonade like not homemade, you know, sour lemonade, Like yeah,
you lemonade, I'd say be around a thirty percent.

Speaker 2 (01:02:01):
Okay, thirty to forty Oh yeah for me, I'm a
twenty five Okay. Anyway, slaps good, good to good to
finally get that on it. And I'm been playing this
last thing just again because i want to make sure
everybody heard that about about what just about how we
feel about sweetened drinks.

Speaker 4 (01:02:18):
Yeah you know, yeah great.

Speaker 2 (01:02:23):
So now getting into the the actual slaps. We've got
we got stuff to check out here. We've got stuff
we missed and some other things and some new things
on here. Click Yet, where do you want to start?
Let's start at Halsey Halsey. Oh yeah, okay. Song is

(01:02:46):
called just panic attack.

Speaker 14 (01:02:53):
Oh oh, right off the bat's.

Speaker 4 (01:03:08):
A little bit of noise on this.

Speaker 16 (01:03:10):
My body carries sadness that my brain cannot ask, and
I've been holding on some memories, and my stomach and
my shoulders have been bird and body the weight of

(01:03:31):
my mistakes, and every tiny lean.

Speaker 3 (01:03:35):
And closer both my please can help and shame.

Speaker 16 (01:03:42):
Can?

Speaker 3 (01:03:42):
I think you're a danger to my healthought. So it seems.

Speaker 4 (01:03:50):
He's a low organic side?

Speaker 2 (01:03:53):
Is where I thought that was going.

Speaker 3 (01:03:56):
Too much too? I don't know it's all taken it home?

Speaker 16 (01:04:02):
Is it a manic side?

Speaker 17 (01:04:06):
Would you mind if I.

Speaker 9 (01:04:09):
Don't. I don't know.

Speaker 3 (01:04:11):
It's latest take. I had to call it.

Speaker 2 (01:04:23):
Left thinks about the child when.

Speaker 3 (01:04:29):
We went walkingcording nice.

Speaker 2 (01:04:35):
No, I think God need a blood test.

Speaker 3 (01:04:39):
Or an anti history because you baby that no worded
on me and I think you're danger to my cout thought.
So it seems.

Speaker 2 (01:05:00):
He is a romantic side.

Speaker 3 (01:05:04):
Is a heavy too much to.

Speaker 9 (01:05:11):
Take?

Speaker 2 (01:05:11):
A panic?

Speaker 9 (01:05:14):
SI? What you taking home?

Speaker 3 (01:05:24):
The spirit has been broken?

Speaker 17 (01:05:28):
My Optomson's getting soul.

Speaker 4 (01:05:33):
I mean it's a bridge we can we can go.

Speaker 2 (01:05:35):
I mean after this, seriously, is that much time Kelly.

Speaker 9 (01:05:41):
Time here?

Speaker 2 (01:05:42):
You know we put it on a bridge screen. No,
there is about it's like thirty seconds left from everything
else that uh I've heard her on on here and
like on collaborations she's done. This is different?

Speaker 6 (01:05:56):
Is this is not as an electron and also is
uh sometimes like aggressive or just you know the last
record was Trent Yes, yes, and the other stuff that
I that I've heard her on is still like very
even not like weird like that.

Speaker 2 (01:06:16):
It's very electronic sounding. Uh so also off, you know,
I get I'm gonna give this a like I Reggie
kind of called it savior predictions, but I'll give this
a baby powder slap. I I didn't know, you know,
this is something new from her that she hasn't done.
But she Yeah, she's good at this, like this type

(01:06:38):
of sound too, So I agree she does. She does
sound good singing this. Personally, this is not my I like.

Speaker 8 (01:06:46):
I'm a fan of hers, and I'd like the more aggressive,
you know, like me to blown out ship from her.

Speaker 2 (01:06:52):
Actually, I like this as it was going, and in
the chorus went somewhere that I didn't like. It kind
of made it a little bit too fleetwood Mac for me.
It's straight up I didn't, Yeah, I didn't, right, But
she sounds fine.

Speaker 8 (01:07:07):
But I'm not gonna listen to this a game, but
mostly because of the chorus. So I'm not gonna let
it leap right.

Speaker 2 (01:07:15):
That's pretty honest, I real people, right there.

Speaker 4 (01:07:19):
I have to say that. Yeah, it's it's back and
forth for me as well. Because the effect on her vocal.

Speaker 2 (01:07:26):
I couldn't tell if she was auto tuned or is
it just like were you talking about for the harmony
and no, no, when she's singing by herself, is it
an interesting like vibrato thing.

Speaker 4 (01:07:35):
It's like a vibrato thing. And then it also sounds
like a kind of speed, a little bit more holding.

Speaker 17 (01:07:43):
Nice stonic, like a little face, like a little face shoulders.

Speaker 3 (01:07:48):
Have been.

Speaker 2 (01:07:51):
Yeah, it's like auto It's like auto tunes.

Speaker 4 (01:07:54):
It's like that.

Speaker 2 (01:07:55):
Is that could be real? Though it could be Yeah,
let me go right back a little bit here in.

Speaker 17 (01:08:02):
Both my shoulders, my list's real.

Speaker 6 (01:08:15):
Well, she's doing something and maybe it is auto correcting
its like, or it could be an automated thing that the.

Speaker 4 (01:08:26):
Like an automated filter, I mean, and she could also
be doing her own reverb.

Speaker 10 (01:08:31):
My stormy in both my shoulders.

Speaker 9 (01:08:37):
Have been burned.

Speaker 6 (01:08:41):
I think she's doing that with her voice, and I
think what And I think the way it's recorded is
exaggerating that ship because that is also super compressed.

Speaker 2 (01:08:51):
Well like it has a lot of crispness does added on.

Speaker 4 (01:08:54):
The top of it sounds good, but it's just like
it throws.

Speaker 11 (01:08:58):
Now.

Speaker 2 (01:08:58):
I do agree that like everything now and this is
just some people actually really like this.

Speaker 6 (01:09:04):
But there's a lot of like vocal align uh programs
now that are used for doing multiple vocal takes together.
But you could also use the same thing to kind
of quantize a live performance time wise, if that makes
sense to make it like right on and then I

(01:09:25):
guess you could manipulate stuff.

Speaker 2 (01:09:28):
Yeah, like like like several Well might be a side
effect of the manipulating. Oh, I'm just like, I can't
tell you that.

Speaker 4 (01:09:37):
Ifinitely, it sounds like a like a little filter or
just some plug in.

Speaker 2 (01:09:43):
Yeah, yeah, some plug in whatever it is, it's a plug.

Speaker 4 (01:09:46):
But it has a filter like quality that. Yeah, it
sounds like it's.

Speaker 2 (01:09:50):
It's probably a crazy vocal chain. One more time.

Speaker 9 (01:09:55):
Over time, my.

Speaker 10 (01:09:58):
Shoulders have been bird line steaks, tiny close.

Speaker 6 (01:10:12):
I can't confirm that that isn't more than one voice
at the same time.

Speaker 2 (01:10:17):
Neither, but it sounds like it could be pitched up
a little bit or something to the facts.

Speaker 4 (01:10:21):
So and you listen. I'm not familiar with what her
voice sounds like, really like.

Speaker 2 (01:10:25):
High, because she has she she mostly has like just
wild ship going on process. Yeah, well I can sing.

Speaker 6 (01:10:31):
I doubt that she's somebody that can't sing. No, no,
obviously can It's just you know, it's just different.

Speaker 2 (01:10:38):
It's just this song.

Speaker 4 (01:10:39):
It's just this song. But it's just different in general.

Speaker 7 (01:10:41):
Like I mean again like watching like uh, just a
lot of footage of lately singers that sing now, you know,
without autotune, a.

Speaker 4 (01:10:49):
Lot of people be really struggling, may be really struggling
out here.

Speaker 2 (01:10:53):
So it's just they bring a track and they sing
along and telling.

Speaker 4 (01:10:57):
You it could get weird. It gets weird out here now.

Speaker 7 (01:11:00):
It's a little different from back in the day where
it's like everybody was really fucking saying anyways, you know,
it's not enough to be distracting. I actually like where
the chorus goes. I mean, I like Fleewood Mac. I'm
okay with it. Uh yeah, I mean it just sounds
like kind of where the vibe is right now. Anyways,

(01:11:23):
I feel like a lot of people are doing this
kind of record, you know.

Speaker 2 (01:11:26):
Yeah, I don't like it.

Speaker 4 (01:11:27):
I'm okay with this.

Speaker 7 (01:11:29):
I'm gonna let a baby powder slap because I'm okay
with hearing her voice in a different light other than
behind or in front of noisy shit. I do like
the noisy shit for sure, but this is a nice
chill different and I like the sentiment if you will
in the chorus. I think it's actually sounds pretty genuine,

(01:11:50):
and she doesn't sounds pissed off as usually does because
I'm honestly I'm kind of scared of Howsley. I'm like,
what's go, what's she gonna do? Like, because he sounds
pretty pissed off for for the most part, So I
kind of like hearing this calm side of her.

Speaker 2 (01:12:03):
I'm okay with that. All right, Okay, three, did we
listen to this? Uh salolo the weekend and.

Speaker 4 (01:12:14):
That's new?

Speaker 2 (01:12:15):
Okay, hell yeah, let's listen to this one power artists.

Speaker 4 (01:12:19):
Yeah, the Weekend and Anita that's there.

Speaker 2 (01:12:22):
That's pretty powerful pop. All right, we'll see. Okay, bought
bunch of kiss.

Speaker 3 (01:12:38):
Me Baby. I'm that bank boy your.

Speaker 4 (01:12:44):
Lardy seen me on.

Speaker 18 (01:12:48):
That Basilardy say monies.

Speaker 2 (01:13:24):
Then I'm walking up backed up in Brazil Patilion Hotel, thinking.

Speaker 1 (01:13:30):
This ye that Thankmberculos start.

Speaker 2 (01:13:38):
This song is dry minutes. I'm thinking just how much
actual time, like recording.

Speaker 6 (01:13:47):
Time is required for the weekend, So this this is
like literally made for the clubs.

Speaker 4 (01:13:54):
J is lit.

Speaker 2 (01:13:57):
I don't I don't hear nobody on it, you know,
you know, is that her. He's like as like stems
and somebody. It's like it up. It's like a different
type of dumb. Wait, so Anita is the girl on it.
He's a bop star singer, right, yeah, this is straight

(01:14:21):
for the clubs.

Speaker 9 (01:14:21):
Man.

Speaker 2 (01:14:21):
I told you, all right, I want to I think
this is the weekend song.

Speaker 9 (01:14:27):
Yeah, I know, but I want to use the producer
on This.

Speaker 4 (01:14:30):
Is the weekend song for sure. But it's like he
just wanted to play the club version out for He.

Speaker 2 (01:14:35):
Said, this ship to a different part of the world. Man.
You know the internet is when it is down, it's
for a specific part of the world.

Speaker 3 (01:14:41):
Wow, well.

Speaker 9 (01:14:44):
The world.

Speaker 2 (01:14:44):
Yeah all right they were carnival wow crazy And that
was halfway yeah fast forward.

Speaker 4 (01:14:55):
Oh bruh.

Speaker 2 (01:15:00):
That was like another two and a half minutes later.
We're not even at the end here they had to
song yet he was like almost at the.

Speaker 9 (01:15:07):
Ham right back to it.

Speaker 2 (01:15:09):
Okay, remember that song where are the guy?

Speaker 6 (01:15:19):
He passed away with the guy that would make the
videos and he dance around like this and you go.
The music play was yes, yes, yes, yes, yeah, yeah
yeah yes. It was like exactly like the same thing.
It's like one of the man, he would like make
his stomach tiktoks on. Oh yeah, I know you're talking
about Yeah, I know you're talking about yeah, but it'd
be like yes, yes, yes, anyway anyway, it's like that vibe,

(01:15:44):
that world vibe, that music.

Speaker 4 (01:15:46):
Okay, yes, yes, yes, So that's a no, that's no
no no for you.

Speaker 2 (01:15:50):
No. I mean well I'll just.

Speaker 6 (01:15:52):
Say this is definitely no no no no no no,
not for me, but good for them. Like I said,
like you said, there's a lot of clubs will be happy.

Speaker 2 (01:16:02):
Yeah. This ain't no sitting around chilling listening to music
kind of ship. Just either working out or like I mean,
we're doing coke, you're doing going crazy with a big song.

Speaker 11 (01:16:13):
Yeah.

Speaker 2 (01:16:14):
Yeah, I'm letting slept like cocing, I'm letting, I'm letting
it slept. This is if this goes off for you
are and hold up to turn it up and.

Speaker 8 (01:16:25):
Letting his slap. This is that dud dup up Yes, yes, yes, yes, craziness.
I didn't hear Anita at all. I mean just chopped up.
She just chopped up in there.

Speaker 2 (01:16:40):
She was just chopped up in there.

Speaker 4 (01:16:41):
You know, everything they do is just sucking, chopping up.

Speaker 2 (01:16:44):
Sound like that the whole song, Like the two of
them went in the studio to sing.

Speaker 6 (01:16:48):
Absolutely, to be honest, it was like they had the
producer Buddy chopped this up.

Speaker 4 (01:16:53):
Yeah yeah, I mean weekend just there. He just went
in there and just did some stuff.

Speaker 2 (01:16:58):
Yeah, and he sent him whatever he had on his
phone and then they chopped it up.

Speaker 4 (01:17:02):
Yeah. He's like no, no, no, no, no no no no,
set a couple of melodies. Just put that up there.

Speaker 2 (01:17:13):
Put some sense on the end for me, thank you.

Speaker 7 (01:17:15):
Yeah, I mean whatever, it's just kind of like, you know,
for the weekend. At this point, he's just like a
victory lap.

Speaker 3 (01:17:21):
You know.

Speaker 7 (01:17:21):
He's just like catching up, cashing out, I guess as
soon as possible. And uh, this is this feels like
no exception, yeah, because this is like a trilogy like
of of music that he's been putting out these albums.

Speaker 2 (01:17:34):
So this is the last is not for us, Yeah,
it's not specific, yeah yeah, but yeah it is.

Speaker 4 (01:17:43):
A world a global Yeah, so it's international, and that's
what I'm saying.

Speaker 7 (01:17:47):
He's just kicking up right now. He's just like I'm
just gonna put out all bangers.

Speaker 2 (01:17:51):
Is the Sweetish ship.

Speaker 4 (01:17:52):
I really don't care about the content. It's the big demixes, remixes.

Speaker 8 (01:17:57):
He's already recorded all the vocals so ever for the
rest of his career to send them, send them all in.
They're just waiting for a daft punk to come out
of retirement, it's my hope, so they can go ahead
and get make his laps.

Speaker 7 (01:18:09):
I know there's been a lot of activity for those
cats being retired. There's been a lot of stuff that's
been coming out so far.

Speaker 2 (01:18:16):
No, No, you're retired is not an excuse for putting
out shitty. They didn't do it. They would have. They
would have sadden, they would have gotten right.

Speaker 7 (01:18:24):
I mean, they've been putting but they their camp has
been putting out projects from both of them.

Speaker 2 (01:18:30):
Not interested dat.

Speaker 7 (01:18:33):
No, I'm just saying that they are for somebody that
wanted to be out of the fucking music industry or whatever.

Speaker 2 (01:18:39):
Yeah, you know whatever. That's I'm glad they're they're getting
that off.

Speaker 8 (01:18:43):
But so anyway, as soon as they they're done fighting
with each other, like eventually, I'm sure they just got
tired of being around each other wearing those dumb helmets,
you know what I mean.

Speaker 2 (01:18:51):
It's like, yo, y'all have to wear the helmets. No more,
just put some sunglasses onto something exposing sunglasses on, but
make an AI version.

Speaker 4 (01:18:59):
Yeah, the point was no, no, right, hey remember anymore.

Speaker 2 (01:19:08):
You put it, you put a little oozy vert song,
hit it, hit it. The song is called Chill bad
chill babill. Hell yeah, it's just this song is not
five minutes long. Oh yeah, these music's recorded really well now,

(01:19:33):
no sound clouds exactly.

Speaker 3 (01:19:46):
He don't do no moms, I know. Don't. Don't do
it to me. Don't do it to me.

Speaker 2 (01:19:55):
Don't don't do if I can see that, he don't.
I don't what sound can't go. Don't do it to
me bad, don't do it to me.

Speaker 9 (01:20:05):
Don't do it, shining.

Speaker 2 (01:20:07):
I'm on tour right now. When I hit you up,
you always hit ignore right now.

Speaker 4 (01:20:11):
And it was like the far right now because I
know you wouldn't want me.

Speaker 18 (01:20:15):
I was far right now my face, they drop your
name right now because I'm not what you really at hand?

Speaker 9 (01:20:21):
All right now?

Speaker 2 (01:20:22):
What I love about you?

Speaker 4 (01:20:23):
Anything?

Speaker 9 (01:20:23):
Help out?

Speaker 4 (01:20:25):
I love it right.

Speaker 3 (01:20:28):
You're gonna do no mobs trying if I hit you up,
please don't go up.

Speaker 2 (01:20:32):
Real bars right now, guys, don't do it me back.

Speaker 9 (01:20:35):
Don't do it to me.

Speaker 5 (01:20:36):
Don't do it.

Speaker 2 (01:20:38):
He don't do no mobs.

Speaker 6 (01:20:40):
If I hit you up, please don't go.

Speaker 2 (01:20:42):
I'm gonna feel do it to me.

Speaker 3 (01:20:44):
Don't do it to me, but don't do it to me. Dog,
do it to me?

Speaker 2 (01:20:49):
Hold everywhere everybody know now it is we'll be going
in this space. I know now ideas you'll be going.
I mean, O, L I d INSI you save place
so I know L.

Speaker 3 (01:20:59):
I didn't that. I came to strong from everything I
do on the.

Speaker 2 (01:21:14):
That a rock like turn it back out there, rocking bro.

Speaker 9 (01:21:22):
If I.

Speaker 2 (01:21:25):
Do don do to me that dog to me? Don
is that it thaw you up? Please don't do the
most right now? You know what this is a slap.
This is an easy slap. Wow.

Speaker 8 (01:21:41):
I think the I mean, the production sounds awesome to me.
I love the way that sense was rolling around. I
like the way that Snap sounded expensive sound expensive SoundCloud,
and his auto tune sounds cool, you know what I mean.
But it's like it sounds a lot more like an
interesting plug in than like pretending to be something else.

Speaker 2 (01:22:01):
It's like some interesting synthesized guitar, like a like a
synth a synth effect or something like that. Yeah, that
is neat.

Speaker 8 (01:22:09):
Yeah, and you know, you know he's gonna do something
on it, you know, so if that played, that does
not annoying me at all, I'm letting us all right.

Speaker 4 (01:22:19):
I love it.

Speaker 7 (01:22:21):
You know, this is the ship that people want Drake
to be doing right now that he has not been
doing for a minute.

Speaker 4 (01:22:28):
And UZI vert has found that avenue. I feel like,
this is this is great.

Speaker 8 (01:22:33):
You know, some of his music is definitely not for
me at all, but when he when he comes up
with something, I do like, I think he's fantastic.

Speaker 4 (01:22:40):
This is you know, Yeah, this is great. I love this.
It's gonna go. It's gonna go this one.

Speaker 2 (01:22:46):
Please don't do the most right now.

Speaker 4 (01:22:48):
Please don't do the most right now.

Speaker 2 (01:22:49):
It's easy when I call you. Please don't do the
most right now. That's great, that's great.

Speaker 4 (01:22:56):
Yeah, I loved it. I got I got no problems
with it.

Speaker 2 (01:22:59):
I do think it is kind of cool.

Speaker 6 (01:23:00):
How like the the auto tune or the whatever vocal whatever,
they just become like another effect, like you know, like
slap back delay or choris or something.

Speaker 2 (01:23:12):
It's just like another thing. But it's like, yeah, like
I said, it's like guitar effects or something. You know,
it's it's inevitable that that stuff is going to happen.
It's a little squiggly, it's a little very it's slippery.

Speaker 8 (01:23:25):
It's such a purposeful slip because it's not like a
melody that can't be sunk, you.

Speaker 6 (01:23:29):
Know, drawn out on the screen like it literally is
like I don't know if it's melodine or whatever they
use it. But yeah, then all these programs you like
draw here connect this line and then it moves the vocals.

Speaker 2 (01:23:41):
Yeah, it's a sorcery. Sorcery, but it's like synthesizers for
for vocals. So that makes a lot of sense to me,
the pergression. But no, this isn't This isn't for me never,
but you know, thoughts in Paris.

Speaker 6 (01:24:00):
But actually, yeah, this does sound like it was mixed
to come out of something with limited bandwidth, uh frequency,
because everything is hyped on the ends, the base and
the highs are super high.

Speaker 8 (01:24:14):
When you hear this ship in the car, it's like
got it all in there because it's like for cars
or beatspills because it has also as an ultra low frequency,
all these so low Yeah, anyway the clubs, and I guess.

Speaker 7 (01:24:28):
Yeah, yes, it's totally for me for the clubs, but
I still think it sounds fine. And uh and look
he's hitting that lane. That's that that's the drake lane
right up popping.

Speaker 4 (01:24:37):
It was right there. Okay, one more.

Speaker 2 (01:24:39):
Uh So I'm I'm trying to look back and finally
as we haven't done uh, don't do the most.

Speaker 4 (01:24:48):
We have definitely some famous.

Speaker 2 (01:24:50):
People that we have overlooked hip the famous person and
then we have Oh I'm going back here because uh
we uh tuneday tuned the magnetic Yeah we did Freddie
Gibbs flying Lotus. We did Okay, no, I let me

(01:25:10):
what else? What else you got? We did LCD sound
System we did that, right, Yeah, we did that. Yeah
we did that one.

Speaker 6 (01:25:19):
Uh Michael Kawan Nuka, you know we have not done him. Okay,
well there's him, and then there's uh less ya Kara.

Speaker 2 (01:25:33):
Did we do that?

Speaker 4 (01:25:34):
No, we haven't done that one. Let's do that one.

Speaker 2 (01:25:35):
I do that one unless ya Kara?

Speaker 4 (01:25:37):
Yeah, unless you Akara. Uh So, isn't it obvious?

Speaker 3 (01:25:42):
Right, I'll see get on your face and on your mind.
See the cracks with a tow.

Speaker 7 (01:26:02):
From the first and.

Speaker 3 (01:26:03):
All, you're gripping all the waste of other times. Try
to make it's the fights, make it tangible.

Speaker 19 (01:26:13):
It's impossible, Fez only hansolations.

Speaker 3 (01:26:22):
Only go if I makething, which is fine.

Speaker 19 (01:26:28):
If it's any harnslation my favorite, it's you and that
you got all that right?

Speaker 3 (01:26:38):
Isn't it obvious? Other regarding isn't it obvious?

Speaker 16 (01:26:47):
Sure?

Speaker 3 (01:26:48):
M m, isn't it obvious? And all the regarden?

Speaker 9 (01:26:55):
Isn't it obvious?

Speaker 3 (01:27:01):
My picture and you are lit on display? But it's
not with the same as ain't close to you. I
want to be close to you, be close to you.

Speaker 19 (01:27:12):
It's hard to feel you and you're far away, but
you might it okay because.

Speaker 13 (01:27:17):
If I love, I can have a lo.

Speaker 3 (01:27:23):
Fiz only go on patience just as ivan as we painting,
We'll just fine. If it's any consolation and my favorite
and it's you and I.

Speaker 19 (01:27:42):
You've got them all that right, isn't it obvious? And
if you want to regard and.

Speaker 3 (01:27:51):
Isn't it obvious? And I'm sure, mmm, isn't it obvious?

Speaker 4 (01:27:59):
You want you John mayor that's John there?

Speaker 3 (01:28:14):
Yes?

Speaker 2 (01:28:23):
So of like kind of like those logic runs like
the way logic crumbs.

Speaker 4 (01:28:28):
So yeah, maybe.

Speaker 2 (01:28:33):
I mean that the sound of it.

Speaker 4 (01:28:35):
You know, Yeah, you ain't got those high heads somewhere
else you get you.

Speaker 2 (01:28:42):
Can look, you can get those I heads. You gotta
lower the picture behind.

Speaker 4 (01:28:45):
Oh yeah, music sounds good though, all right, okay.

Speaker 2 (01:28:55):
With the dead long time, that's sound really good.

Speaker 4 (01:29:01):
Yeah, he would have a sound like this on this record.

Speaker 11 (01:29:07):
I know he would.

Speaker 4 (01:29:08):
He wouldn't know.

Speaker 3 (01:29:09):
I don't know.

Speaker 2 (01:29:11):
Nobody else makes this, Yeah, somebody's not his people know.
This is definitely more tasteful. It's just more bedroom popping.

Speaker 4 (01:29:18):
It's dirtier.

Speaker 2 (01:29:19):
You know.

Speaker 4 (01:29:19):
He doesn't really have that kind of like break like
where it breaks up a lot. He doesn't really have that.

Speaker 2 (01:29:25):
Kind of tone you know, to me sometimes does he does?
He does that. I'm talking more. I think it's interesting
his articulations. He's now he's doing all that wammi bar stuff.
It's kind of cool and those it's very him. It
still sounds like him, but he's he's getting in some
other stuff. You know, it's good. I agree. I'll say

(01:29:49):
one thing about John Mayer.

Speaker 6 (01:29:51):
He is not scared to like fuck up or make
mistakes at the cost of maybe nailing something really good.

Speaker 2 (01:30:00):
Not really. I don't think he's very I think he's
pretty cool about not sounding good to sound good in
the sake of sounding good, if that makes sense.

Speaker 8 (01:30:10):
But he does real takes. Yeah, it's not let me
do this lick and then that lick. Yeah, perfectly in
this like yeah, he just sounds got taking his song.
And if people hear him sunk up, he's like, well
it takes. They're already they're already here. They know I
can play, you know what I mean.

Speaker 4 (01:30:22):
I agree, he definitely takes chances. I agree.

Speaker 2 (01:30:25):
Yeah, I like that. Yeah.

Speaker 7 (01:30:26):
I think musically I feel like that even with the
gravel Dead stuff, I feel like that he could still
take more risk, you know. And that's why that's some
of his best records is where it's like I feel
like he would do that songwriting wise.

Speaker 4 (01:30:39):
But anyways, Look, she's uh Alicia. I love her stuff.
It's always like very tasteful. I think she took like
a big break.

Speaker 2 (01:30:47):
For a while.

Speaker 4 (01:30:48):
I haven't heard from her in a minute, so this
is great that she's back.

Speaker 9 (01:30:53):
Uh.

Speaker 4 (01:30:54):
Yeah.

Speaker 7 (01:30:54):
I saw like a short, a YouTube short of her
of her and John Mayer in the studio or whatever
him like you know, in the muscle shirt, like doing
doing the neck, doing all the stuff there and everything.

Speaker 4 (01:31:06):
But he's yeah, just I mean, he was just like,
you know.

Speaker 7 (01:31:10):
Doing the dog dog vombit's lather up, been there, up
in there, but he's just feeling its feeling it.

Speaker 2 (01:31:15):
But get it, bro.

Speaker 4 (01:31:17):
But yeah, yeah, this is fine. Mean baby slap, fuck it.

Speaker 8 (01:31:21):
I feel the same way. This is a baby slap.
Totally fine. Nice little bedroom pop drums sound cool. I
was getting tired of that Phil about halfway through. But
it's okay.

Speaker 2 (01:31:32):
That's it's a logic. Yeah, it's at least looped or
told to loop either way. Yeah that's cool. Yeah, uh,
John may sound good man, I'll never I'll never listen
ever again or in the no interest in what she sings.

Speaker 6 (01:31:54):
Great, it's awesome John Mayer like when he does tasteful stuff.

Speaker 2 (01:31:58):
I think of him.

Speaker 4 (01:31:59):
It's cool. With that she gave even the rest of
the song basically.

Speaker 2 (01:32:02):
Yeah, she was like nothing else.

Speaker 4 (01:32:05):
That's cool.

Speaker 2 (01:32:06):
I like that. Yeah, it's fine.

Speaker 4 (01:32:07):
Yeah, cool. I thought it was.

Speaker 2 (01:32:10):
I thought it sounded good though. I like it more
the way it sounded more than the last.

Speaker 4 (01:32:14):
I love the way it sounded. And even with the autotune.

Speaker 7 (01:32:17):
It's even more tasteful, like the way the backgrounds are
done with her voice. I think it was more I mean,
not like saying.

Speaker 4 (01:32:25):
It's between this and the Housy record.

Speaker 7 (01:32:29):
I definitely prefer this kind of thing because I felt
like the Housy thing it almost felt like it was
just for the sake of just being a little weird.
And you know, I'm like, that's cool, but I feel
like it's a little distracting from here. Right here, it
just sounds pristine and nice and like sheenish, you know.

Speaker 4 (01:32:47):
I like that, you know, so that's the thing.

Speaker 7 (01:32:50):
It's like it could have been done that way on
the Housy record maybe, but I just felt like it
was like more like, you know, still it's sound like
an alien whatever.

Speaker 3 (01:32:57):
You know.

Speaker 2 (01:32:58):
It's like, ye, I wasn't feeling that record.

Speaker 4 (01:32:59):
So but uh yeah, I love it. Cool. Great, that's it.

Speaker 2 (01:33:03):
That's it.

Speaker 1 (01:33:04):
Great, Bye bye, and sadly the podcast.

Speaker 2 (01:34:01):
Is no more.

Speaker 13 (01:34:02):
Hello it is Ryan and I was on a flight
the other day playing one of my favorite social spin
slot games on chumbacasino dot com. I looked over at
the person sitting next to me, and you know what
they were doing. They were also playing Chumpa Casino. Everybody's
loving having fun with it. Chumpa Casino's home to the
hundreds of casino style games you can play for free, anytime, anywhere.
So sign up now at Chumbuckcasino dot com to claim
you're free welcome bonus that's Chumbuck casino dot com and

(01:34:25):
live the Chumba.

Speaker 2 (01:34:26):
Laan sponsored by Chumba Casino. No purchase necessary. VGW Group
board were prohibited by law eighteen plus terms and conditions
apply

All Episodes

Episode Transcript

Popular Podcasts

Stuff You Should Know

Dateline NBC

The Breakfast Club

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}The Hustle Season: Ep. 359 Remakes Are Free

Episode Transcript

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}Stuff You Should Know

Dateline NBC

The Breakfast Club

All Episodes

The Hustle Season: Ep. 359 Remakes Are Free

Stuff You Should Know