The Hustle Season: Ep. 360 Z-Pain

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, Yeah, what's wrong with the.

Speaker 3 (00:08):
Boh we got?

Speaker 4 (00:09):
It's trash.

Speaker 5 (00:11):
It does not slap call and response.

Speaker 2 (00:16):
What do you guys even doing? Cool stuff?

Speaker 5 (00:19):
Slick stuff, neat stuff.

Speaker 2 (00:21):
I've been fucking I got too much.

Speaker 3 (00:23):
Alf I always felt akin to black people. Years ago.

Speaker 5 (00:29):
They tried to years ago, they tried to put me
in there.

Speaker 2 (00:34):
That means you're lying strings on them.

Speaker 5 (00:40):
I did it with the pick and the rock.

Speaker 6 (00:46):
Oh, come on in, Bonator, says the Waterspine, and.

Speaker 1 (00:52):
I say, let the conversation begin, skimming over there.

Speaker 2 (01:29):
You're good. I'm good, guys doing not playing on your phone.

Speaker 5 (01:36):
No waiting on you. I said, I'm good, I'm gonna
start okay, just.

Speaker 7 (01:41):
You may not have known this, but this is the
Hustle Season podcast.

Speaker 2 (01:46):
Yeah, hussy.

Speaker 7 (01:50):
Fucking hussies settled down there on man, what's hot?

Speaker 5 (01:57):
That's what happens when you giving ship at home?

Speaker 7 (01:59):
Case you over the hust season, James, it's uh, Kelly,
it's Reggie. You're again next week back a gang?

Speaker 2 (02:07):
Yeah, your favorite podcast here?

Speaker 7 (02:10):
Uh did anybody have anything fun noteworthy to mention since
the last time we were here.

Speaker 2 (02:17):
Mmmm, anything interesting stuff happened?

Speaker 3 (02:21):
Anything?

Speaker 2 (02:22):
Well, you want to talk? Talk when we talk?

Speaker 5 (02:24):
Oh, anybody can talk. I'll just talk. I'll go real quick. Uh.
Played Saturday? Okay, play Saturday in DC with Premier Trio
h with another band called The Yachtsman in d C,
which I've talked to them about. You guys, the Rumble Trio,
James the Yachtsman.

Speaker 2 (02:45):
Yes, the.

Speaker 5 (02:49):
Yachtsman and the Rumble Trio would be an amazing lineup
because they wear actual yachtsman uniforms.

Speaker 2 (02:57):
I like that.

Speaker 5 (02:58):
And then you guys are in Texas. They're you guys
are both trios.

Speaker 2 (03:01):
Uh tuxes. We don't wear tuxes.

Speaker 5 (03:03):
We're not tuxes in like in uniforms like kind of
uniform ish things.

Speaker 2 (03:08):
Oh, you just match.

Speaker 5 (03:09):
You guys are trios. Anyway, it was just.

Speaker 2 (03:11):
Me and Gabe. We give you a compliment, haandle the words, just.

Speaker 5 (03:14):
Just giving you a compliment, just ship. But they're really
really fucking good.

Speaker 2 (03:20):
What did they play yacht rock stuff?

Speaker 3 (03:22):
No?

Speaker 5 (03:22):
No, they do fucking rock ship and like it's kind
of punky rock stuff.

Speaker 2 (03:28):
Oh, I definitely thought they did rock because.

Speaker 5 (03:30):
They No, that's the joke. It's like they're yachtsmen that
are like.

Speaker 7 (03:34):
Oh, we're totally literal where that we're like we were
beach clothes, look like Gill.

Speaker 2 (03:38):
In his island.

Speaker 8 (03:39):
They have some martinis on this I saw a picture
of it and they have like martinis on the stage.

Speaker 5 (03:42):
Yeah, they drink. They drink martinis or tequila or whatever,
and uh, and they are they're really good. They have
like really fun songs, and uh, I just feel like
that it would just be a cool thing like the
Two Trio where they they're a bait. They're based in DC,
but they are trying to come down to Richmond and

(04:05):
do like some gigs with some dope bands.

Speaker 7 (04:07):
And uh, let's you know, let's shout out to them.
I'll definitely live on a podcast. Call him up right now,
put them on speaking phone. Yeah, call him up, no pressure.
But what date you got open? Oh you're on the air.

Speaker 5 (04:21):
Yeah yeah, we started doing that.

Speaker 8 (04:22):
We started trying to book gigs on live on the air.
That is it's a good idea. Yeah, Kelly.

Speaker 7 (04:28):
For some reason, Kelly like he has some sort of like
Facebook list of like insane like unhinged musician posts that
I've never seen before, Like he's Kelly's saying that. A
couple of pictures of like basically people giving live updates
on their follow A couple of yeah, it's like, just
got two gigs and like three days, like what's up?

Speaker 2 (04:51):
Holler at your boy.

Speaker 5 (04:54):
To like nobody to me, nobody gig. You know what
I'm saying. And we're all excited, but you can't, and
I believe that you could.

Speaker 7 (05:03):
Or the people that are looking for a gig that
are just like out in the open drummer available, Yeah,
just like I don't hate it, but it is funny,
but it is crazy, like for like, for like anything
I like.

Speaker 2 (05:14):
I like those posts.

Speaker 8 (05:15):
I also like the posts that are like, at one
time I used to have three to four gigs a week.
Now it's more like one or two. I mean, what's
going on out here? That's the post. What's going on
with out here?

Speaker 2 (05:28):
That's an old man posts. I have seen one like that.
Hell yeah, for some reason, to be a time.

Speaker 5 (05:35):
I don't know what happens, but we end up being
friends with all the weird musicians that it most of
their calendar.

Speaker 2 (05:41):
Get your it off on Facebook, they get it off,
give it.

Speaker 7 (05:45):
I don't believe that anything on Facebook is a real person. Yeah,
I don't accept, don't accept friend quest.

Speaker 5 (05:51):
I don't really get very many jobs of any kind
on Facebook anymore, so I don't think that that really
balls really but shut down. Yeah, but uh, you know,
yeah different speaking of friends see on Facebook real quick.
I'm just I'm just throwing this out here, speaking of
musician posts before we get to dates and all that stuff. Uh,

(06:15):
another musician that don't want a name, uh put on
put a post on the internet this the other day
and they were like they wanted to share this with
some hesitation, blah blah blah. But I've been feeling feeling
this way for some time and feeling guilty about seeming ungrateful.
And it says, they says, audience members, please don't come

(06:36):
up to us right after we finish the performance. I
don't want to speak for everyone, but performing is such
a deep, spiritual and sacred experience for me.

Speaker 2 (06:47):
Who send me a tex feis it.

Speaker 5 (06:51):
Does take them and it does take me a few
minutes to return to reality. That's what he says.

Speaker 2 (06:58):
This is not just it's a guy we know that's
so far facts.

Speaker 5 (07:01):
All right, wait did it oh because I said he yeah,
I did say yeah, Okay, okay. So this is not
to say we don't enjoy talking and engaging after a show.
We do need a moment to return to our bodies
before we can't do so.

Speaker 8 (07:18):
He's just real precious with it, you know what I mean.
I understand what he's trying to say. Hey, let me like,
hey man, let me put my horn away, or hey,
let me like go take my horn off the stage
real quick before someone's all in your face.

Speaker 2 (07:29):
You know, you're trying to get your chords up or whatever.

Speaker 8 (07:31):
Okay, I understand what he's trying to say, But him
saying it from in the sense of from a spirituality place,
you know, ship man, that's weird.

Speaker 2 (07:41):
That's a little much kid.

Speaker 7 (07:42):
You just say, hey man, sometimes I get anxiety after
I'm done.

Speaker 2 (07:46):
So just you know, I don't like it's interesting, you
know what I mean?

Speaker 8 (07:50):
But that seems like more like what's going I think
it's more interesting that the vibe. It has to be
like you're speaking as a group, just say this is
how I feel. Yeah, I guess that feels too too scary. Hey,
don't come up to me, Yeah, don't come up to
me after my show. I need a second. But instead
you made a post like, hey, y'all need to know

(08:11):
the musicians don't like you if you Yeah, okay, but here's.

Speaker 5 (08:15):
The thing I'm not.

Speaker 2 (08:16):
I don't feel that way.

Speaker 5 (08:17):
I mean, depending for where you are, you know.

Speaker 7 (08:21):
Some attractive scale depends on how much no no.

Speaker 2 (08:26):
Coming up to you.

Speaker 5 (08:27):
Like how many places have a green room? How many
places don't? There's sometimes where you after you're playing, you're
literally like right there, yes, you can't go anywhere.

Speaker 7 (08:35):
True. Well, also, how many places have a green room
that you're not allowed to go in when you're playing you, Well,
that isn't like a veil, you know what I mean?
Like it's you know what I'm saying, like either it's
gonna be everybody's on or not on it.

Speaker 2 (08:49):
I think I can see where it is.

Speaker 5 (08:51):
Oh you mean you mean where it's successful.

Speaker 3 (08:53):
Yeah.

Speaker 7 (08:53):
Where it's like if you're opening for a like packed show,
but you don't really have the same you don't have
the green reality of privacy for the green room.

Speaker 5 (09:00):
And shit, right, well that's what I'm saying.

Speaker 2 (09:02):
It's like it's like I understand that feeling.

Speaker 5 (09:05):
Yeah, and I'm like, Okay, So if you don't want
people to talk to you, but if people are accessible
to you, you're not doing a meet and greed or whatever. Right, Yeah,
just standing there, you just standing there? After the show?
What are you gonna do?

Speaker 2 (09:22):
Get off the stage?

Speaker 8 (09:23):
You know, you can always say you're gonna come back,
you know what I mean, Like, if you really feel
that this is what this is my personal feelings, if
like I definitely understand the fact of like, holy shit,
I need to catch my breath and sweating my ass off.
I don't necessarily need to talk to someone right now.
What you do is get out of there, get off
the stage, to go outside, go to the bathroom. But like,

(09:43):
get yourself out of there. If you killed it, I mean,
if you killed it, people are gonna want to talk
to you. That's not that's not something that's bad. I
don't think it's the kind of person that is. I
don't know any just from this story.

Speaker 7 (09:54):
I don't even know the real but it seems like
the kind of person that's not gonna take themselves accountable
for it and just like think of ways to solve
their problem and like, hey, I am in this entertainment
industry and like this is gonna happen. Maybe I should
think about this ahead of time. And also maybe it's
my problem and not everyone else's. And I don't speak
for everybody else.

Speaker 2 (10:15):
See, and that's where I'm like some ego stuff.

Speaker 5 (10:18):
I kind of agree with that because I'm like, listen,
but the way that you're talking to people by saying
the way he said it, we need to return to
our bodies.

Speaker 2 (10:27):
Yeah, that's pretentious.

Speaker 5 (10:30):
Pretentious as ship. I'm like, bro, you can't like expect
everybody to be like yo.

Speaker 7 (10:35):
Return Nobody's gonna get on your side from that.

Speaker 5 (10:37):
That's heard to his body. I mean, so let me
you know what I mean.

Speaker 8 (10:40):
I agree with that, but but you know, shit, man,
you don't know what the vibe is for your music
like this. If like some people this type, like Eric
Abadu said this, everyone would be like, that's right. You know,
the queen needs a little bit of space, you know
what I mean. It has the context. Now if you're
just like doing you're just playing at a bar, know,

(11:00):
it's like it just sounds a little crazy.

Speaker 7 (11:02):
It sounds like you're complaining about wedding gigs. Yeah, he
plays playing a regular game. You're not having a spiritual experience.
If you are playing as they have an experience on stage.

Speaker 5 (11:13):
Yeah, this is somebody that's having that they haven't plays
probably clubs and or theaters. But I'm I'm guessing they're
playing clubs where there aren't agree There isn't a green room,
there is not somewhere where you can run right after.

Speaker 2 (11:27):
I mean that case, you just gotta take yes, got
to take care of you.

Speaker 5 (11:30):
You just have to go outside.

Speaker 8 (11:31):
That's free advice I saw him to all anxious people. Yeah,
take care of yourself. Like, for real, you think step
outside for a second.

Speaker 7 (11:39):
Don't you think that by the time you're at that
stage professionally, that you've been doing it just long enough
to like maybe figure out how to deal with it
to an extent you think maybe.

Speaker 8 (11:51):
I've definitely played in bands with people who loved it,
loved the ship out of what we're doing until the
crowd was full of people that they didn't know. You know,
it was all good when it was just like people
we knew, And you're just coming up through galleries and
small club and all of a sudden you play in
a show and it's packed and you don't know most

(12:11):
of the people there. I've definitely seen musicians change about
like how social they thought they were. You know now
they're hiding in the green room, you know what I mean.
Like it's just so I don't know, because just because
you get good at music don't necessarily mean you want
you're any good at like dealing with people. We know
that about everything now, Yeah.

Speaker 2 (12:30):
Sure, you know, like that's true.

Speaker 5 (12:32):
I think you can see both sides of it.

Speaker 8 (12:34):
But I think, yeah, the way you're talking about it,
it is not if you ate Morrissey. That's like a
wild way to talk to talk about it. That is
a wild way talking expected. That's what Morrissey was saying.
You know what, I'm out of my body right.

Speaker 7 (12:48):
Now is literally world famous right talking about it. This
isn't a world I'm assuming it's not our world famous person.

Speaker 8 (12:54):
Shout out to them, Man, take care of yourself, manya.
I know I wouldn't take it out on take it
out on the face Kelly. Kelly won't tell me who
it is. He won't get I don't know what he
would can see give it to give it to him
on the Facebook. I take it back now. Facebook is
exactly what that is. Where this goes it's no, it's
it's I don't know if this helps your shows and not.
I would love to check back in on this to see, you.

Speaker 5 (13:15):
Know what, how do people how.

Speaker 8 (13:18):
Do people feel coming to your shows knowing that you
like yo, don't say, don't sa.

Speaker 5 (13:22):
What sucks about it is.

Speaker 2 (13:24):
That are you playing with them this?

Speaker 7 (13:27):
Oh my god, I want to I want to go
to the student shows and go up and talk to
them immediately a trolling you know, you know, hey, you
know I'm gonna pay for a ticket to get in
with the tambourine.

Speaker 5 (13:42):
Look, oh nice, nice.

Speaker 7 (13:44):
I want to say, go right after they get done.
You got to talk to that dude.

Speaker 5 (13:47):
I'm here, I'm here for the band. Uh Hi, I
I problem you know what the problem is with this?

Speaker 2 (13:55):
I just got it. I'm sorry.

Speaker 4 (13:56):
Yeah.

Speaker 5 (13:57):
The problem is with this is that this cat is
I felt was gonna be this pretent, like I could
feel it. I look at this cat. When I look
at him, I'm like, man, this cat you feeling I
mean like feeling himself. He's like he's like wearing a
white wearing a white beater with with the fool like
a huge jacket, like you know, playing his instrument I'm like,

(14:19):
feel a different way. It's a different way.

Speaker 2 (14:22):
I'm like, I don't know. I don't don't know. I
don't know who it is either.

Speaker 5 (14:27):
Don't know you, I mean, you know who he is.

Speaker 2 (14:29):
I don't know. I didn't look at this thing.

Speaker 5 (14:32):
He's been on some tiny desk, you know what I'm saying.

Speaker 2 (14:33):
I don't know what you're talking about.

Speaker 5 (14:34):
But other than that, that's the best. That's the best
hint I can give you for sure. He's been on
tiny desk.

Speaker 2 (14:40):
Wow. And we can't name names. He's like that.

Speaker 7 (14:43):
He's not so he's not famous enough to where we
can just say whatever we want about him.

Speaker 2 (14:48):
I think he did.

Speaker 8 (14:49):
I think I think not saying his name means you
can't say whatever you want about Yeah, that is what
makes it okay.

Speaker 7 (14:56):
Who it is.

Speaker 2 (14:57):
He's the purpose. I don't know.

Speaker 8 (14:58):
This is a real person, worry about it. It's a
real person that's just doing your rumble thing.

Speaker 5 (15:03):
Yeah you're doing. I wouldn't bring this to the table
social media.

Speaker 2 (15:07):
This, Yeah, this is real.

Speaker 5 (15:09):
I would. I know for a fact this is real
because it's just like it's just it's I mean, it's
like not surprising to man.

Speaker 2 (15:18):
Man, I'm gonna pray for him thoughts and prayers.

Speaker 5 (15:21):
Speaking of social media real quick, also, did you guys
watch the full Mike Tyson Jake Paul fight?

Speaker 8 (15:27):
I did not the full one. I watched it. I watched.
I was watching the whole time.

Speaker 5 (15:31):
You watched the whole from like most of.

Speaker 2 (15:33):
The early from before it started.

Speaker 8 (15:35):
I was checking out the live stream on Netflix dot
com on YouTube, I mean not Netflix dot com on
YouTube dot com.

Speaker 2 (15:42):
Slash Netflix Netflix dot com.

Speaker 8 (15:45):
Yeah, but there was like four other fights before those
four fights.

Speaker 2 (15:48):
Yeah, yeah, I kept checking. I just lost it.

Speaker 8 (15:52):
It was much longer than it was longer than what
was even on Netflix. There was like four other fights
that I was watch. I was like just seeing it
because there was just a bunch of people talking about
the show. So it's like celebrities popping in to say
how how they like Mike Tyson and ship.

Speaker 2 (16:06):
This was on YouTube.

Speaker 8 (16:07):
Okay, So after that I went over to Netflix and
started watching some of the undercard Ship. Rosie Perez still
looking fantastic, fantastice.

Speaker 5 (16:15):
Supposedly she calls boxing.

Speaker 2 (16:16):
Why you say supposedly because it's true, suppose.

Speaker 5 (16:24):
That you watched one.

Speaker 8 (16:26):
No, man, she's she's on the HBO. The people that
watch boxing are familiar with her being there. There was
tons of people on all those people that watch boxing,
they're on the platforms.

Speaker 5 (16:35):
No, not now. A lot of people don't watch boxing.

Speaker 2 (16:38):
Yeah, most people don't.

Speaker 5 (16:39):
This is the first time people watch. This is the
first time I have watched a boxing match in a
long who knows how long I used to watch when
I was a kid. I used to love to This
was actually the one sport that I really liked. But uh,
but no, this has been a long time because Mike
Tyson is the only one that will bring.

Speaker 8 (16:54):
You back because who give I mean, I've watched a
couple of Floyd fights, you know, here and there, just
because of the spectacle of it all.

Speaker 5 (16:59):
But I didn't watch the Roy Jones and I watched some.

Speaker 2 (17:01):
Of the Roy joints. Oh yeah, that was fine. The
exhibition it was nothing.

Speaker 5 (17:05):
That one looked like that one looked like a video game.

Speaker 2 (17:07):
Yeah, it was weak.

Speaker 5 (17:08):
That was weird one.

Speaker 7 (17:09):
But this, you know, so I started almost like it
was fake the way they were.

Speaker 5 (17:12):
Bro It was like because it was it was nobody there,
because there was nobody there and the ring was like
white and like and then it's like them boxing, and
it was just like, really, it's like really shiny and
like it looked fake. It was just like it looked
really fake. When I looked at it, I was like, damn,
this looks like video game.

Speaker 2 (17:29):
Damn.

Speaker 5 (17:29):
But uh, but yeah, Roy Jones was there calling the
match as well. He was terrible at it for most
of it because all he was doing was just like
insultant Mike. He was like for the most part. But
I watched some of the Yeah, I watched some of
that fight, the.

Speaker 2 (17:44):
Katie Taylor fight. Yeah, I don't know what Kelly talking about.

Speaker 8 (17:47):
Roy Jones was just saying the fact that they it's
it's hard if you think you're gonna watch boxing and
what you're watching is what you're watching. So the first
one of those first matches, that one of those guys
was like a comedian slash YouTuber, the guy that had raids,
and the other guy was like a real boxer but
he was an actor also from India. Yeah, so he
was out of shape, but he was good at boxing,

(18:07):
and the other guy had never box in his life.

Speaker 2 (18:09):
So whatever, I saw some of that. Yeah, another fight happened.

Speaker 8 (18:12):
There was just two real boxers, so people were just like, oh,
this is Larame. We want to see some celebrity boxing.

Speaker 2 (18:17):
Yeah.

Speaker 8 (18:18):
And the third fight, the ladies fought and that ship
was amazing that they were letting their hands go.

Speaker 5 (18:22):
That was the best.

Speaker 8 (18:23):
It was the best. It was the best of all
of them. What else happened? The Dallas Cowboy cheerleaders came out.
It looked kind of it looked kind of lame. Yeah,
they danced to like I Forget Thunderstruck. They did like
a kick line of Thunderstruck, which was like a real
old Mandy. And then you know there was Michael Irvin
and Michael Tyson's son and just people. Pop sexual entertainer

(18:45):
was there dressed like he was in coming to America.

Speaker 2 (18:48):
Yeah, it was great.

Speaker 5 (18:50):
He called himself out though, Yeah, he definitely called himself
out early. But that was good.

Speaker 8 (18:54):
Netflix not having the best time trying to be a
sports channel. You know, I mean a lot of dropouts,
a lot of like fuzzy frames, you know.

Speaker 5 (19:03):
The the the screen never really came back for like
as far as like fools, like people are saying, yeah,
the full uh you know eight K or four K
or whatever the ship was supposed to be. It was
kind of blurry for a lot of it. And yeah,
the buffering was horrible.

Speaker 2 (19:18):
It was horrible.

Speaker 8 (19:19):
It was so Also, they just didn't seem to understand
what it should look like when sports is happening. There'd
be a lot of people on the screen and no
one's name would go across the screen. Yeah, like when
you're watching sports, the person's name goes on to the screen.
If they come on and like who are they? Who
you're talking to? What are you talking about?

Speaker 5 (19:36):
You get more status.

Speaker 2 (19:37):
They didn't have any of that.

Speaker 5 (19:38):
You get a lot more stats and stuff about like
what they're doing. You don't get that. Uh, that was interesting.

Speaker 7 (19:44):
Who's in charge of that net?

Speaker 9 (19:48):
Well?

Speaker 7 (19:48):
No, when it's not Netflix, Like who usually does have
the infrastructure everything set up? Alrighty, So it's like they
would they would never.

Speaker 2 (19:58):
Yeah, it would be incredible. That's weir.

Speaker 8 (20:00):
Netflix one ready for prime time with the streaming thing.
I know they got a giant Beyonce concert coming up,
so hopefully they get it get it fixed before then.

Speaker 5 (20:06):
What's fucked up is the Amazon Prime. They've been doing
live concerts and doing live stuff lately, and their ship
looks incredible.

Speaker 2 (20:15):
It's incredible, but it's not.

Speaker 8 (20:16):
It's under the radar compared to Netflix for some Yeah,
that's even though they're.

Speaker 2 (20:19):
Big shows that are awesome. Yeah, you know, yeah what else.

Speaker 8 (20:23):
Eventually left the house and went out to a bar,
went to curbside shout out the curbside hang out with
the Ryan Jones and the crew.

Speaker 7 (20:30):
It was tight, Evan. When was the last time I
left the house to see a fucking fight? I mean,
I don't know, I mean college.

Speaker 2 (20:37):
It is what I'm saying. Yeah, it was that kind.
It was good vibes.

Speaker 3 (20:40):
Man.

Speaker 8 (20:40):
They had the sound on at the bar. People were
cheering at the bar, like come on, Mike.

Speaker 2 (20:44):
You know.

Speaker 8 (20:45):
Mike Tyson came out looking like in Frankenstein Monster with
just a leather jacket on, some shorts, just like.

Speaker 2 (20:51):
All right, going out here to finish this thing off.

Speaker 5 (20:54):
Jake Paul came out stereotypically too.

Speaker 2 (20:56):
He came out.

Speaker 8 (20:56):
He came out with I guess that someone was at
the bar. Maybe he was right at the bar. Someone
said it had to do with the hangover, you know,
like when on the Hangover Mike Tyson does the like
he dances around to air.

Speaker 3 (21:08):
In the night.

Speaker 8 (21:09):
He does he does the Yeah, they had like a tiger,
a pigeon or something inside the car with them and
felt flat. It was really flat. That's a flat song
to come out as a boxer.

Speaker 2 (21:18):
Two, just like.

Speaker 5 (21:19):
Especially when he's like he's like singing the lyrics and stuff,
and it was just like his his outfit was like
had a bunch of diamonds in it.

Speaker 7 (21:26):
Yeah, yeah, dime, Yeah, it was a glittery boxing suit.

Speaker 5 (21:30):
The whole fight was rough.

Speaker 8 (21:32):
The night the day before, when Mike Tyson slapped him
for stepping on his toe, I thought that was very funny,
but it also gave me a bad feeling, like, oh,
this isn't real.

Speaker 2 (21:41):
Yeah you thought that.

Speaker 8 (21:42):
I mean when he slapped him, I was like, this
is it. That's all the physicality we're getting, And we
sure did.

Speaker 2 (21:48):
Man.

Speaker 8 (21:48):
They just kind of walked around in circles, pitty pating
each other. Mike looked tired, you know, he was really sick,
like right before this he's really he looked tired and sick.
And Jake Paul, to his credit, kept it clean. It
looked like he could have probably just beat beat one
of our looked it looked like it.

Speaker 5 (22:07):
I think he noted it once he noticed around maybe
round three or four that like he.

Speaker 2 (22:12):
Was not Mike get him one good time, and that
was kind of.

Speaker 5 (22:15):
A few a few, but I mean he threw, uh,
Jake Paul threw. They said it was like two hundred
punches and you know, not many of them landed.

Speaker 8 (22:22):
No, because like Mike, but Jake, Jake Paul is not
a boxer. He's a YouTuber. Well he's been boxing, non boxer,
but this is well, he's been wearing a lot of
boxing gloves, but he bought he knocked out a basketball
player for who he is though, for what he is,
you're saying though he is like pretty.

Speaker 2 (22:42):
Good, No he is not.

Speaker 8 (22:43):
He is not for a YouTuber, I guess for YouTube
you beat up other YouTubers, I guess. But but as
a boxer, he's never even fought fought a real boxer.

Speaker 2 (22:52):
I say that means that he can't.

Speaker 5 (22:54):
But but but here's the thing, James I was. I
will say though, I almost agree with Edgi's claim on
that just because I mean literally the way that Mike
Tyson was ducking every single one of those punches like
a lot, That's what I'm saying. He threw two hundred
and only landed less than fifty right, like he was
mean like Mike, He's missed a lot. Mike was still

(23:15):
sharp as far as ducking everything, like, but Mike does.

Speaker 2 (23:18):
He doesn't have the power anymore.

Speaker 5 (23:19):
I think he No, he had a he had a
foot injury supposedly like during the summer, and he said
that he like had like a mad blood transfusions or something.

Speaker 7 (23:30):
But he's like forty years older than Jake Paul.

Speaker 8 (23:32):
I think that's I think it was actually probably would
have been all good until he got sick that last time.
You think so, I think so. But anyway, it looked
like a total dance. It didn't look like a real
fight at all. Yeah, and the money grab and fine,
honestly for them, Yeah, honestly fine. But no, Jake Paul,
you know he's he doesn't even he doesn't really have
a reason to become a real boxer unless he just

(23:53):
wants wants to do it for the love.

Speaker 5 (23:55):
I think he wants to do it for love.

Speaker 8 (23:57):
If he wants to do it for the love, he
would have to like fight by boxers his age and lose.

Speaker 2 (24:01):
And these guys he won't lose nowhere.

Speaker 5 (24:03):
He's rich. YouTubers know the deal. They know they have
to fund the game. They have to fund what they
want to.

Speaker 8 (24:09):
Do, but they don't. He doesn't have to fund that. No,
I'm saying, you join the circuit of boxing just like
any old boxer and not pay a dime.

Speaker 5 (24:16):
But if he wanted, if he wants people to check him,
they will they. I don't know. I'm saying he's putting.
I'm saying these cats invest in themselves as well.

Speaker 2 (24:24):
That's what I'm saying.

Speaker 8 (24:25):
So there's no real reason for him to become legit exactly.

Speaker 5 (24:28):
He's doing it.

Speaker 2 (24:29):
He's already getting rich off boxing.

Speaker 5 (24:31):
Yeah yeah, it's uh yeah, I mean you make a
good point on that. I mean he's good for a YouTuber,
but yeah, I don't think he's like that good because
I like, he got in with a real boxer and
it just before.

Speaker 2 (24:43):
The Tyson thing.

Speaker 7 (24:44):
I expected him to like really like actually suck. When
I saw him, like fight any you know it's sparring. Yeah,
oh he actually can, like he's been four years.

Speaker 3 (24:56):
Yeah.

Speaker 7 (24:56):
Yeah, I'm not saying he's like a prize farder, but
no better than I thought he was gonna be.

Speaker 2 (25:00):
Once when I finally checked it, I.

Speaker 7 (25:01):
Was like, oh okay, yeah, also doing that he also
he's taking it very he's very used to be celebrity boxer. Yes,
and when he was younger, he was very, very very
very unlikable.

Speaker 2 (25:11):
That's all I can think about.

Speaker 7 (25:13):
Like he's toned it down, but he was like hyper
unlikable young.

Speaker 5 (25:18):
I will say he also put on about twenty pounds
of muscles to be able to be able to fight
Mike Tyson because he was in a different weight class.

Speaker 10 (25:26):
Yeah.

Speaker 5 (25:26):
Uh, he was two hundred pounds his last fight. So
the fact that they when they came out and he
said was two twenty seven, I was like, oh shit,
he like actually bulked up for this. So, you know,
along with whatever kind of shit he's taking.

Speaker 8 (25:38):
Hey man, shout out to him, I would love. I mean,
if you all he has to do is fight a boxer.
Everyone's waiting to see that. Yeah, yeah, you know, he's
got all the eyes of earth, you know what I mean,
it's gonna have h He got to fight a real boxer,
that's all he gotta do, And that would really change
how people look at this.

Speaker 2 (25:55):
Right now, I see it.

Speaker 8 (25:56):
It's wwe Like I thought he was going to win
and think there's even a chance that it was going
to be a real fight.

Speaker 7 (26:03):
I mean, he's either going to have to after after
this fight, Like he's either going to have to do
a real fight now because there was giving him ship
for more celebrities, celebrities, celebrities, and like, you know, that's
what he's That's what he was trying to do, right,
he was trying to.

Speaker 2 (26:18):
Everybody to take him seriously. Is like, you have to
do it real well, exactly, that's what I think.

Speaker 8 (26:22):
But he could just keep getting rich, you know, because
he said he was supposed to fight Andrew Tait until
he got arrested.

Speaker 2 (26:28):
Remember that.

Speaker 7 (26:28):
It's also like a troll, like he is like that again. Yeah, yeah,
he's not a real box I'm using m a fighter,
but that's not not the same the drip. Yeah, they're
like different rules. You can't kick nobody like a scammer,
can't choke nobody out.

Speaker 5 (26:44):
But yeah, okay, yeah James, Yes. And then of course
the we had the gig.

Speaker 8 (26:53):
On Sunday, Lancea Palooza Lanta minimum Wage Studio party. Sad
to see it go, but it was a good party.
Shout out Scott Clark for doing most of the work.
Shot Scott Clark and Lucas and uh shouted it out.
At the Broadberry. We had the King Tim Tim turn up,
show up to start off the festivities.

Speaker 2 (27:15):
I walked in.

Speaker 8 (27:15):
He was solo in over It smells like teen Spirit.
It was amazing. Fucke shout out to Tim. And then
we had Justin Golden playing sounds great. I mean he
always sounds good.

Speaker 5 (27:25):
Yeah.

Speaker 8 (27:27):
Scott Clark Courts Quintet played with Lauren singing.

Speaker 2 (27:30):
It was Bob and.

Speaker 8 (27:33):
J C and what's playing with him off this and
Uh Adam and they sounded amazing.

Speaker 11 (27:41):
Uh.

Speaker 8 (27:42):
It was the heavy metal version of them, using lances,
crazy proto tom set, big symbols and a direct bass
into the Broadberry system. Fire Past been played flawless, victory,
I mean slayed it so much fun, people getting hooked up.
It was like felt like we're playing at a gallery

(28:02):
back in the day, like a packed group of people
just like all on top of us.

Speaker 2 (28:06):
Essentially.

Speaker 8 (28:07):
Then by Remo, you know, the Legends, the Superheroes killed it,
of course killed it. You know, they just bo if
you when you walk away and towards the bar, it
just sounds like a record is playing behind you.

Speaker 2 (28:17):
It's like it sounded exactly like that ship. You know
what I mean?

Speaker 8 (28:21):
Seasoned killed, yes, seasoned, all the seasonings says, all all
of them, all of them in there. So that was
very very cool. Yeah, shout out to Lance and that
was mad fun.

Speaker 5 (28:32):
Yeah, and James you were there, that was there.

Speaker 2 (28:34):
It was awesome, good time.

Speaker 5 (28:37):
Uh yeah, anything happened with your weekend other than other
than that? Did you gig?

Speaker 2 (28:43):
No? No, no I didn't.

Speaker 7 (28:46):
But today, earlier Reggie and Chris Caofani were over here
cutting some horns for me for this uh old Man
Vacation the King's Reggae tune.

Speaker 5 (28:59):
Oh yeah, you guys still working it up.

Speaker 7 (29:01):
Yeah, we were doing stuff I wanted to do, Uh
do a little reggae like dub thing with a couple
of friends. And we're like, hey, if we're gonna do
our own dub mixes, we need a song to do it.
And I was like, hey, wan't we just make up
reggae song just to dub out.

Speaker 2 (29:17):
You know, we don't have to have singing on it
or anything. It's just like, you know, enough instruments to
turn on and.

Speaker 5 (29:22):
Off and trying to make it do reggae.

Speaker 7 (29:25):
No, no, Kelly, no no, no, I could a button
or something for that.

Speaker 2 (29:31):
There you go. That was gregious. It's crazy. That was egregious.

Speaker 7 (29:38):
So anyway, uh yeah, we did this reggae tune.

Speaker 2 (29:41):
It's really fun.

Speaker 7 (29:42):
I got like the space echo now and that spring
reverb tanks on like spring rebirt do it with all
like outboard. That's not what it said spring reverb. I
was like, damn, okay, that's what I heard though. Well, anyway,
it's fun.

Speaker 5 (29:59):
It was exciting.

Speaker 2 (29:59):
He yeah, man, slide trumpet on that bad boy?

Speaker 7 (30:03):
What else? I got a movie review. If you're all
interested in that, we can we can do that till later.

Speaker 5 (30:07):
What Uh wait a minute, So are you guys when
you guys going to release a Vanilla King single?

Speaker 2 (30:12):
Oh? I don't know, man. These guys are just they're
just a man. It's just like vacations.

Speaker 7 (30:19):
Yeah, they're not trying to go or we're gonna play
a gig, well, not gonna rush it.

Speaker 2 (30:23):
I played gig five years baby, five years on the album.
The whole thing is.

Speaker 7 (30:29):
That it's not you know, we're not playing anymore anything.

Speaker 2 (30:33):
Say that now it was recorded. No, that's not happening.

Speaker 5 (30:37):
Book a gig on the book, A gig on the podcast.

Speaker 2 (30:39):
Ain't gonna do that five years. Yeah, they ain't gonna
do that. Ship. They don't want to be out of
Vanilla Kings.

Speaker 5 (30:45):
All right, Well that was a pretty sweet introduction. Uh
ha ha. Hey, if you're out tonight this Friday February
or excuse me, February November twenty second, I'm playing at
the new spot called gold Wing, uh playing their seven
three to ten Friday night tonight. If you're listening on

(31:05):
Friday seven thirty John Bradberry and Ben White, it's gonna
be fun fun.

Speaker 2 (31:11):
Where is that place?

Speaker 5 (31:12):
It is on Boulevard, really close to the seventh level.

Speaker 2 (31:17):
Oh, that's the one that's over there. Yep.

Speaker 5 (31:19):
It's very close to that and the Hoff and all
the spots. It's right there. But it's a cool, little
intimate room and I really like it. I met the
owner or manager owner a little bit ago and she's
she's great. So yeah, gold Wing. Check it out, y'all.
There's been bigs, some stuff happening. H and yeah, what

(31:40):
else you got?

Speaker 8 (31:41):
Nobs Press December seventh at the Broadberrier Can Food Drive
that we do once a year for charity sponsored by
well not sponsored by to help out feed More, which
is the Central Virginia Food Bank, which also always needs
more food. So good, good time, the good excuse to
help them out.

Speaker 5 (32:00):
Wait, so how many years?

Speaker 8 (32:02):
I don't know, fifteen you've been doing this fifteen, I
don't know, I don't know. Indefinitely. So December seventh, we
got Wolf opening up. That should be cool. And also
we have a little pop up shows at the night
before Thanksgiving before if you're partying just giving to town.
The night before Thanksgiving, Nobs will be at get Tight Lounge.

Speaker 2 (32:22):
We'll do a short and sweet set there.

Speaker 8 (32:25):
We're gonna do some music from Charlie Brown Thanksgiving and
some more surprises.

Speaker 2 (32:30):
We got hip hop.

Speaker 8 (32:31):
Henry in there on there DJ and we got DJ
Billy Crystal Fingers, So come through.

Speaker 2 (32:37):
That should be fun the night before Thanksgiving.

Speaker 5 (32:40):
Oh and real quick, I just need to throw this
out here. One last thing is that I'm on a
new compilation that's coming out in December.

Speaker 2 (32:50):
Compilation.

Speaker 5 (32:51):
It is coming out on vinyl. You could pre order
the record at one two, two three records dot com.
But I'm on the record is Tangent and also DJ
Williams is on the record, Kanika is on the record.
Uh Doe Eyes Premier, Todd Harrington, Rendazo, Big Band, Ben White,

(33:12):
Kendall Street Company, Dusty Ray. So it's just a plethora
of people from from Richmond and it's called X mess
In r v A. I'm sorry, excuse me, X miss
and VA excuse me and uh yeah, So it's coming
out on one, two, two three, and it benefits all
proceeds help the underserved n v A get free cancer screenings.

Speaker 8 (33:35):
Okay, So is it like a hard copy situation or
is this Yes, this is vinyl vinyl and they have
like three different colors.

Speaker 5 (33:46):
They're really cool. The vinyl looks awesome. I got one
that's got. I think it's clear with the with the
white streaks on it like it looks like snow. It's beautiful.
It's a beautiful record. So X mess In v A
coming out. Think it's coming out December seventh, the vinyls
December sixth or December seventh, but pre order now one, two,

(34:08):
two three records dot Com. That is the link.

Speaker 8 (34:12):
Can also go online and get that new Night Idea
album Rocky Coast, get Yourself one Ships Fired.

Speaker 5 (34:19):
Yeah. Uh, James Rumbo Trio, you need to come out
with the record, Bro Ship Bro did y'all sound great.

Speaker 2 (34:29):
What the fuck are you talking about? Kelly is so stupid.

Speaker 5 (34:31):
It's so stupid, man. All right, let's getting some music news.
Did you. I didn't know that Maynard James Keenan was
helping Mike Tyson train for that fight that but doing

(34:52):
what supposedly uh if he does some kind of karate
ship or something.

Speaker 8 (34:57):
Uh, what he does some karate ship.

Speaker 2 (35:02):
They got to do?

Speaker 5 (35:03):
They actually are friends.

Speaker 2 (35:06):
He was hanging out, they're working out together.

Speaker 5 (35:07):
They were supposedly working out together, but no, he is
like some kind of like martial art expert or.

Speaker 2 (35:12):
Something like that. Just chilling.

Speaker 5 (35:16):
Sure, So I thought that was interesting. They took a
picture together. I don't know if it means anything. You
see the picture, that's it, right, this is right here
and them together. Man, that's kind of crazy. That might
be the picture. And I think, yeah, that might be.

Speaker 2 (35:31):
I don't know what it looks like. I can't confirm
that for it's like too old men, it's uh.

Speaker 5 (35:35):
And what's weird is that that link is not working out.
That's strange. All right. Also we have here Te Pain
and Mark Zuckerberg did a collab together.

Speaker 2 (35:49):
I saw that he's in there in the studio together.

Speaker 5 (35:52):
They did a cover song. They covered some songs.

Speaker 2 (35:54):
What did Mark do?

Speaker 5 (35:57):
He's supposedly saying, that's what the deal is? He saying,
and uh, and I think it's I'm pretty sure it's
on this on the Spotify's. I think I've just forgot
to add it. But maybe we should just listen to
it and slaps.

Speaker 2 (36:10):
Sure, yeah, I mean sounds great.

Speaker 5 (36:12):
See what happens with that.

Speaker 2 (36:14):
T Pain also just put out a call for auditioning
for his band.

Speaker 8 (36:18):
He said, anybody that wants to audition, send in a
little joint T Pain, T Pain, Yeah, send it in, right.

Speaker 2 (36:23):
And then I did. I did. I sent a little
little thing to get more information.

Speaker 5 (36:28):
Okay, all right, okay, I'm.

Speaker 2 (36:29):
Gonna do it. I'm an audition. I'm an audition for
all this ship.

Speaker 5 (36:32):
Also Primus Primus looking for a new drummer, looking for
a new drummer. They put out a link or a
link and a whole description on the facebooks and.

Speaker 2 (36:41):
They're trying trying to do a video. No, all right,
I'm gonna see it.

Speaker 8 (36:44):
I think Ethan, we're kind of kidding about it in
the thread, but you mean me, Ethan or just being
laying somebody like yo, because it says drummer slash percussionists
on their on their thing. Because I'm thinking, well, I
think they kind of disband, maybe does some jamming, you know,
I know he says primus, but they'd be doing some jam.
Maybe they want like some like spread the band out

(37:05):
a little bit.

Speaker 5 (37:07):
Yeah, you know, because again, once you lose one, and
if they're making a lot of money, you could probably afford.

Speaker 8 (37:13):
To because that is it is easier than trying to
just get someone to be in the chair.

Speaker 2 (37:18):
You know. I like that dude brain that played on
a few albums.

Speaker 5 (37:21):
Yeah he was really good. Yeah he was killing many. Yeah,
so that that'll be interesting. Let's do it, man, for
some I don't know why my links aren't working as
well as they should be. I can't get I can't
get any of.

Speaker 2 (37:33):
The ship that I That sucks for you.

Speaker 5 (37:34):
I don't want to get, man, I know it does suck, okay.
Harbor View Equity Partners acquires Master Royalty Income of George Benson.
George Benson got the retirement fun Wow, alright, because I
heard he I think he's like kind of done touring.

Speaker 2 (37:51):
How much he gets.

Speaker 5 (37:52):
We didn't get that. We did not get the amount,
but I would love this. I would love to speculate,
I mean specululate. So what what all is it? I mean,
if it's the Royalty Master income, I'm thinking it's definitely
the seventies eighties hits. I'm sure I.

Speaker 8 (38:09):
Think so too, right, because I know he I don't
know if he wrote the hits, but maybe he had
a good publishing deals.

Speaker 2 (38:14):
That's a good question, right, you know Rod Temperton wrote
some of those. Rod Temperton, Yeah, give us a night. Yeah,
that's Rod Temperton.

Speaker 5 (38:23):
That's Rod Temperton.

Speaker 7 (38:25):
I'm George Benson or Spascarader is like a standard.

Speaker 5 (38:30):
That's I think that is a standard. I think he
wrote a couple songs on that record, but I.

Speaker 8 (38:36):
Don't Maybe you got a good deal. He's still to me,
got the best version of Broadway too. I don't want
to hear no other version of Broadway. I keep hearing
that ships the.

Speaker 2 (38:46):
Only one I want to hear.

Speaker 5 (38:47):
Still sounds good Man clapping, Harvey Mason on drums with
that one smacking.

Speaker 2 (38:52):
Yeah.

Speaker 5 (38:53):
I mean, I'm just speculating. I mean I would think
that that's probably what Maybe it's maybe ten million.

Speaker 7 (39:00):
All these instrumental albums. Man, I mean he was in
rotation true.

Speaker 5 (39:04):
I mean I mean this is eighty stuff that they played.

Speaker 2 (39:10):
Yeah, yeah, yeah, Reason that Ship, I think that's one
of his right.

Speaker 5 (39:13):
No, No, that's actually that's Bobby.

Speaker 2 (39:19):
Oh yeah, that's right.

Speaker 5 (39:20):
Bob wrote that song and he played. He talks about
how he like recorded and showed showed him like how
he did it and ship. But yeah, I think that's
Bobby Womack man Reason.

Speaker 8 (39:30):
So yeah, got a good deal for him, man, I mean,
I love underrated Reason. Favorite guitar player I know, somehow
still underrated George Benson fire Man.

Speaker 5 (39:40):
Have you checked out you? Have you listened to the
Quincy Jones, that Quincy Jones record that he did. You
listened to that recently?

Speaker 2 (39:46):
Which one?

Speaker 5 (39:48):
Give Me the Night record? Give Me the Night record?

Speaker 2 (39:50):
Not recently?

Speaker 5 (39:51):
What? You should check it out because like the way
that the his guitar sounds. I'm like, like the way
it like pokes out Paul up front. It's right up frost,
but it has like a little like there's a little
something to it.

Speaker 8 (40:06):
It kind of sounds like the dope Quincy Jones production style,
except as instrumental.

Speaker 2 (40:10):
That whole album is like that just that song.

Speaker 5 (40:13):
I don't the Love Times Love song the way that
the guitars like sounds to me, it sounds like there's
like a little something else on it that's not just
straight up jazz guitar. Like I've been like like even
like a little not like envelope filter, but I feel
like there's something that like's making the the strings pop

(40:34):
just a little bit more something something.

Speaker 7 (40:37):
Yeah, yeah, we'll get this song. This one is not
wanting to play here we go.

Speaker 2 (40:44):
There's what you're doing. Yeah, like a stereo it's like
super stereo.

Speaker 5 (40:48):
But listen to that. But the way the guitar.

Speaker 7 (40:50):
Sounds, yeah, it's like really loud and a stereo.

Speaker 5 (40:59):
Remm but like but like the sound of the guitar, so.

Speaker 2 (41:03):
Like that could be two tracks. I think it's two tracks,
and that it's two tracks to.

Speaker 7 (41:12):
Guitar, Yeah, two guitars double one of them because like
hear one of them doing like chords as well, and
this one's just doubling or something like the bad as
far as that guitarng God, the guitar playing with that

(41:32):
that's actually a keyboard.

Speaker 2 (41:33):
But I think there's our playing with that.

Speaker 3 (41:37):
Starting.

Speaker 7 (41:37):
Really, I don't think I think there's two guitars though
it's talking about that part. Yes, I just think that's
just ultra stereo.

Speaker 5 (41:48):
Like I mean, it's just like I mean, it sounds
so good and I'm like these like, do you think
it's still just like a regular just jazz guitar.

Speaker 2 (42:06):
That is definitely.

Speaker 7 (42:07):
That's definitely a hollow body with like flat wounds, bick strings.
It's got a lot of the top end rolled off also,
and I like this type of thing. He does it
to the max, but they'll put a lot of reverb
on it, but they'll take all the treble, the.

Speaker 2 (42:23):
High end off the reverbs.

Speaker 7 (42:25):
It's very warm sounding, so it's where like surf and
country has kind of a spit to it. This is
more like a presence like when you're a almost like
a classical guitar album or something like that, an acoustic instrument. Uh,
And it's like drenched like Pat Vithini does that to
the max, and it's like reverb cranked, but all of
the top end is off, so as.

Speaker 2 (42:44):
It's like warm.

Speaker 7 (42:45):
That's kind of the e CM thing. He's a plate
reverb with no trouble right right right, yeah, just yeah.

Speaker 2 (42:53):
And that's that's also one of the things.

Speaker 7 (42:55):
I actually, honestly I think that it does sound really good.
But like the George Benson guitar stuff, I like, it's
not it's like the old guitar stuff is where it's
same rig but it's just like not uh play a
song thing. It's not as highela. I'm pulling it up
and talking at the same time. But like, for example,

(43:15):
here you go, oh so yeah like this stuff.

Speaker 5 (43:24):
Okay, there we go. The fucking Internet was being weird
for a minute.

Speaker 7 (43:27):
Yeah, sometimes it gets weird, uh, like for example, like
this tune, man, like you know, like this ship something.
The same guitar to me is just like Mike's difference,
like well this is uh we'll see if I actually
even find.

Speaker 2 (43:47):
Oh here's this is better? Actually is better here? So
like this is hear guitar like he gets.

Speaker 7 (43:55):
In the solid guitar like breakdown. That's like guitar on
the other thing, it's like super high. It's just like
mic in front of front of an MP.

Speaker 2 (44:06):
Yeah, but like it's.

Speaker 5 (44:07):
In the room. I just wonder like with the Quincy
Jones set up, just you know what if they added
any type of any little thing.

Speaker 2 (44:17):
I think you know, I think it's a big studio
shit man.

Speaker 7 (44:19):
Yeah, and I think part of it is, uh, you're
also hearing the room in there with it, with the
guitar or some of the room, and.

Speaker 5 (44:26):
I mean it's just it's it's.

Speaker 2 (44:27):
The way it's so stereo.

Speaker 5 (44:28):
Though.

Speaker 7 (44:29):
Does seem like I'm hearing multiple I don't know, because
I can't hear actual multiple attacks on each side.

Speaker 2 (44:35):
Right, No, this is one. I'm a bet one.

Speaker 8 (44:38):
And it seems like it's they did some sort of
phasing trick.

Speaker 7 (44:41):
Like an avantie like a you know, nine ten or
a ninety nine.

Speaker 5 (44:46):
That's what I'm thinking. Like, I'm thinking like subtle, like it's.

Speaker 7 (44:49):
Very it's not even a D two and it's just
like a stereo widener.

Speaker 5 (44:52):
No, just as Yeah, it's just like a little something
happening right there. But I love the sound of that record.

Speaker 7 (44:58):
Keeping that in mind. Oh yeah, because that is now
let me listen to this again.

Speaker 2 (45:07):
Come on low and low innet weird on that ship.
Well whatever, there you go. Ye see it keeps stopping.

Speaker 7 (45:17):
It man, all right, whatever anyway, Uh cool guitar tones.

Speaker 2 (45:24):
Yeah, one of the best guitar players. One more time,
Try more time. It did this.

Speaker 7 (45:33):
Let me see if I and play a different song. Okay,
now play a song yet.

Speaker 2 (45:40):
There you go.

Speaker 7 (45:43):
Yeah, I think it's just like really upfront with like
some sort of stereo get something morning, Yeah, just.

Speaker 5 (45:51):
To give it a little little suit.

Speaker 8 (45:53):
But it's not because it feels like, you know, you're
listening to those that what is that the twin reverb
ant you know, like and sometimes of the dariel from
those to the two speakers you're talking with the two speakers?

Speaker 2 (46:04):
Is that magnet they had two speakers?

Speaker 3 (46:07):
Yeah?

Speaker 2 (46:08):
That also the jazz.

Speaker 8 (46:09):
Course course, that's what I'm talking about. Yeah, that's what
that reminds me of.

Speaker 2 (46:13):
Yeah, it's like an out of the box sound.

Speaker 7 (46:15):
Yeah, I think it's some what year is this eighty eighty? Yeah,
it could have been Evan Tide, It could have been like.

Speaker 5 (46:21):
I think there's a little I mean it's Bruce Sweet
Sweet or Sweden or whatever on on the doing the
engineering for that record. So you know there's gonna be.

Speaker 7 (46:30):
There's something in there fall in if you know, yeah,
all in you can find it.

Speaker 5 (46:35):
Speaking of guitar, guitars and drums. Uh, there's a video
that's been making making the waves the airwaves, uh, the
internet waves, and it's Mike Stern and uh Dennis Chambers
on drums and Dennis Chambers drum solo. But like people
flaming Mike Stern in the comments, and I'm I'm curious

(47:00):
to see what what y'all think here?

Speaker 2 (47:02):
Okay, all right, yeah it's only two minutes long.

Speaker 5 (47:05):
It's only two minutes long, but uh, yes, bring it on,
go all the way back to the Oh yeah, here
I got.

Speaker 2 (47:11):
You at the tip and top. Okay, here we go?

Speaker 5 (47:17):
Is it the baked potatos jamming?

Speaker 2 (47:36):
They don't know what's going on?

Speaker 3 (47:39):
Wait?

Speaker 2 (47:40):
Is this a solo?

Speaker 7 (47:40):
Right here?

Speaker 6 (47:41):
This is a This is a solo, I think, But
like people are like, yo, Mike's turned, don't know what
the fuck he's doing, and like and I'm like, is
this a rhythmic displacement thing or just.

Speaker 2 (47:52):
I can't I can't tell either. Actually, who's following.

Speaker 8 (48:04):
You, because there's the players looking a little exacerbated too.

Speaker 7 (48:08):
He's like looking at him, like, what the fuck? He's
got his eyes closed. He's like, yeah, maybe.

Speaker 2 (48:22):
Yeah, what's going on?

Speaker 5 (48:23):
So they did so I think that.

Speaker 2 (48:31):
They're together. Now they're together? Now he goes crazy.

Speaker 7 (48:35):
I mean, how long have they been doing this before
the video started?

Speaker 5 (48:39):
I think that was just oh so it's right.

Speaker 8 (48:45):
Yeah they're together now, but they weren't for a second there,
But I think that was I think that was on purpose.
All right, Now it started over, James Guy. I think
maybe that was just a weird part of the solo.
It started, Yeah, started over?

Speaker 3 (49:02):
Or was it war?

Speaker 5 (49:03):
Was Dennis Chambers doing his was he chambering is here?

Speaker 2 (49:06):
Yeah, because we don't know what happened from the beginning,
hold on, hold on.

Speaker 7 (49:17):
Was like, wait, Kelly, was was bad? Sorry, go back,
go back, go back my ball.

Speaker 2 (49:36):
Now that he's on.

Speaker 7 (49:36):
It, it's Dennis Chambers.

Speaker 2 (49:39):
He's just fucking with him.

Speaker 5 (49:41):
Oh yeah, he's.

Speaker 2 (49:47):
Dens Chambers is just controlling him.

Speaker 7 (49:49):
Yeah, because they're playing in Unison, Yeah, he's playing basically
they're perfectly together.

Speaker 2 (50:08):
Yeah, this Chambers is sucking around looks so fun. Yeah,
but they're sticking together a good time, trying to see
if you fuck him up.

Speaker 12 (50:18):
Yeah, Mike Start does look pretty wacky though.

Speaker 3 (50:29):
He's wacky looking.

Speaker 2 (50:30):
Yeah, you gottah man, he looks kind of like a wizard. Yeah,
look look at guitar wizard. Just ray to go ahead,
all right, so then yeah, he's just fucking with him.

Speaker 5 (50:40):
So go now go to the comments. Let's go to
the comments.

Speaker 8 (50:43):
Now, absolutely no audio recording, visual recording photography can see
the sign back there. Yeah, who does be watching a
video right on YouTube with a big ass son that says.

Speaker 5 (50:53):
Yeah, yeah, somebody somebody in the comments say that they
were like, so there's about some drum talking about drums.
Let's see Mike looks Mike Stern versus Dennis. They've done
this a time or twelve. Okay, yeah, that is that
Mike Stern the guitar. And then somebody's that I saw

(51:14):
some people guitar, right, yeah, guitar. They're like, guitar riffs
sounds horrible, it's terrible. And then people are freaking out
about him playing d W I don't know why.

Speaker 2 (51:25):
Yeah, these comments are not as fire as I thought
they're gonna be.

Speaker 5 (51:28):
What the heck?

Speaker 2 (51:30):
The oh? Yeah?

Speaker 8 (51:30):
But you know what, hey man, y'all just showing how
little you know about music, honestly, because what happens is
you got dropped in the middle of the drum. Solough
and the other two are just keeping that riff going
while Dennis Taber was doing whatever the fuck you wanted.
People are like there, but all you can do is
think about the guitar. So they're just like, he must
not be he must not be hearing the drum set it.

Speaker 5 (51:50):
Looks like but wait, go back up, just real quick,
just a little bit. Look, I wish Mike Stern would
buy a different guitar. I hate the sound of that thing.
Maybe borrow one of Frankenbals. Great, what hate?

Speaker 2 (52:00):
Who's Franking Bally?

Speaker 5 (52:01):
He's a guy. He's guitar played in Chicken Electric. I
mean his ship was insane.

Speaker 2 (52:09):
It doesn't matter. The guys don't work anyway. At least
the drummer is good in this video.

Speaker 5 (52:15):
That's what I'm saying.

Speaker 7 (52:17):
It's awesome, hilarious, Like it sounds like one of the Shreds.

Speaker 2 (52:21):
Yeah, it kind of does.

Speaker 8 (52:22):
Cut it's starting making it seem like that's the beginning
of the of the thing.

Speaker 5 (52:26):
Yeah, look, that's just horrible. What even is that? I
hate to say it, but this sucks. I love the look.
I mean, drums sound awful. Not people freaking out? Is
that the first time Homie ever picked up a guitar?
Did you see that, James?

Speaker 8 (52:43):
That was oh yeah, whatever, man, Yeah, yeah, they don't
know what they're talking about. Classic Internet.

Speaker 2 (52:49):
We don't even know if he's a real classic Internet
classic Internet man.

Speaker 5 (52:52):
Yeah that's a yeah. Uh So anyways, I thought that
was interesting.

Speaker 8 (52:57):
Got your kids not the beginning of a song, dumbasses?

Speaker 5 (53:06):
Okay, what else do I have here?

Speaker 3 (53:09):
Uh?

Speaker 5 (53:10):
James? I think you should go ahead?

Speaker 7 (53:12):
Just you got this awesome new artist I found on Yeah.

Speaker 5 (53:17):
Although I do, I'm gonna take I'm gonna take a
quick pis you doing?

Speaker 10 (53:20):
Oh? Really?

Speaker 7 (53:20):
Well?

Speaker 2 (53:21):
I was just gonna move right, just take a break then.

Speaker 5 (53:23):
But because no, because he can introduce he can introduce it.
I'm not gonna talk during it. Are you gonna talk
during it?

Speaker 7 (53:29):
Go ahead, go ahead, James, all right, whatever man, uh
ship you know fucking as Uh So this dude called,
uh the vegan Vampire that's nasty. Yeah yeah yeah yeah,
uh he started. I looked back, so he just kind
of popped up. I guess because I follow like Sir
Anthony and all these other weirdos on uh online. So

(53:53):
it's a guy that is in Okay, yeah, he has
kind of this Tommy wise o.

Speaker 2 (53:58):
Look to him.

Speaker 7 (53:59):
I can see that, you know, like he's got ultra
dyed black hair. Yeah, Danzig. Yes, So he's like a
yes die like.

Speaker 2 (54:07):
Sixty or something. I old you think this dude is
play something late fifties to about sixty.

Speaker 7 (54:13):
Uh, here we go, and so I tried to go
back kind of far.

Speaker 2 (54:18):
Oh yeah, don't don't. I don't want to ruin it.

Speaker 7 (54:22):
So uh yeah, So here he is with some of
this old ship right here. So I'll just show you
what he's kind of about this.

Speaker 2 (54:30):
Hope he'll sum it up for you.

Speaker 3 (54:31):
The air.

Speaker 2 (54:33):
Let's how are you fresh?

Speaker 8 (54:35):
This?

Speaker 7 (54:39):
It's not easy to get oh man, because this is
where it starts.

Speaker 2 (54:44):
Like I had to go back to find.

Speaker 3 (54:45):
This the Silent Paople.

Speaker 2 (54:48):
So like it seems like it's like eye videos. Yeah
it's an e eye video, but like it looks really nice.
But the parts where his face is overlaid onto it
like Le'm gonna tell it's all done on my Apple movie.

Speaker 8 (55:02):
That music is very soft, right, So then I feel
like the Vegan Vampire wouldn't.

Speaker 2 (55:07):
Be well okay, so this is early Vegan Vampire.

Speaker 7 (55:09):
And now it's like, all right, let's getting more personal
kind of like got Garth Brooks on his Facebook is
like I'm gonna let you into my world. Well, hey,
he's just a dude here sitting in the car playing
his guitar.

Speaker 2 (55:22):
Uh, and get a little taste of this ship this
jam right here.

Speaker 7 (55:27):
Bro.

Speaker 2 (55:36):
So up to this point, this is just what the
guy's put up. It's just it's.

Speaker 7 (55:40):
Tommy wiseola looking dude putting up his dumb songs and
the lyrics on the screen and all this ship van
t Yeah, and it's Minnie or whatever that is.

Speaker 8 (55:49):
Uh, it's like a real studio, you know, like cars
are built for acoustics.

Speaker 2 (55:54):
It's like a real studio.

Speaker 7 (55:55):
So at some point his stuff like takes a turn.
It just starts to get really whoa, I'm building up
to that one.

Speaker 2 (56:02):
Who So let's do one here with Yeah.

Speaker 7 (56:06):
Okay, so I starts wearing like glam shit, So yeah,
it starts to get a little weirder.

Speaker 2 (56:14):
My mind leaves lack of sky. But the music is
it's the same song. So it's like that mass So
he's been putting these up and I guess he's.

Speaker 7 (56:28):
Never experienced to be criticism for this music ever, which
is insane because not too long after that he posted
this up.

Speaker 2 (56:37):
Uh and he's in his same vehicle again.

Speaker 13 (56:42):
Instagram's crazy I had no idea it was the insult channel.
I thought Facebook was all about that. So I've never
done anything on Instagram. So when I put out this
new band, Vegan Vampires, I started posting stuff whatever, sound
like David Bowie to I look like Corey Feldman. Somebody
said it's between Corey Feldman meets Eric Roberts cost.

Speaker 2 (57:07):
Accurately.

Speaker 13 (57:07):
Yes, I'm gonna have to look that one up. And
it says endless having a good time. I'm enjoying putting
out the music. I didn't know Instagram was the troll channel.

Speaker 7 (57:19):
That so so now he's doing all of them, the
troll channels. He's doing like skits.

Speaker 2 (57:25):
Oh yeah, so now, uh so we saw do we
see this? Oh no, no, this is where he introduces
us to like, I guess it's still the.

Speaker 7 (57:41):
Same the same song, same song, all right, So yes,
obviously he's got his fake video is creeping me out.
So here's this, dude, this is this is insane. I
guess this is some Vanilla Kings role play or something
right here?

Speaker 2 (57:57):
Yeah, the game I gotta start, Is it a wig? Yes?

Speaker 13 (58:04):
Yeah, Meet the reggae master playing some licks and he
says the reggae mass sees me coming.

Speaker 5 (58:10):
It's a great white hope.

Speaker 2 (58:11):
He's here. It's a great hope here.

Speaker 13 (58:17):
You're not You're not clones or anything.

Speaker 2 (58:20):
I hate to inform you. Well, this is very Tommy wise.
Oh is it? Yeah?

Speaker 14 (58:26):
Uh?

Speaker 7 (58:26):
Then I think it goes into this next video. I
believe I could.

Speaker 2 (58:31):
Be wrong here, but that stuff.

Speaker 14 (58:38):
I'm running down the beach.

Speaker 7 (58:39):
I say, there's another one where he has uh where's
he wearing? Yeah, it's a yes, Okay, here's another one.
This is ridiculous. Yeah, she gets kind of nutty green wig, right,
and it looks like a fairy costume.

Speaker 2 (58:53):
It's kind of like a fair I'm gonna blow this thing.

Speaker 5 (58:56):
I really need to blow.

Speaker 13 (58:57):
And people are like, well you wanna blowmate?

Speaker 3 (59:01):
That's sick.

Speaker 2 (59:02):
He's got Is this a diddy party?

Speaker 6 (59:07):
Yeah?

Speaker 2 (59:07):
That's a total that's a terrible skit.

Speaker 5 (59:09):
What is happening to this?

Speaker 2 (59:11):
It's like when people don't.

Speaker 7 (59:12):
Really understand what comedy, how comedy works at all on
the internet, just like, say a bunch of words, just
what blow?

Speaker 3 (59:20):
Blow?

Speaker 5 (59:21):
What has happened to this?

Speaker 3 (59:22):
Dude?

Speaker 2 (59:22):
Man? Uh, here's a here's a song he wrote.

Speaker 5 (59:25):
I guess California sober.

Speaker 2 (59:27):
Yeah, yes, that's a good title for a song. I
don't want log in bro now now boy, Yeah, I
don't want this on this there ain't on mind putting this?
How come it?

Speaker 8 (59:40):
Let me do this before anyway? Uh but yeah, so
he's got these characters. This is your new favorite guy? Yeah, man,
it's uh, this is a trash Yeah.

Speaker 2 (59:52):
I love it though. And he's got the horn player
and stuff.

Speaker 5 (59:55):
What's up with his face?

Speaker 2 (59:57):
I feel like he's surgery out man.

Speaker 5 (59:59):
Yeah, like I feel like he's he's putting shots in
his face plas.

Speaker 2 (01:00:04):
Yeah, I mean, man, it's a shame that we can't
hear no more of this.

Speaker 7 (01:00:09):
Yeah, dude, it's so inspiring anyway. So Vegan Vampire? Do
you check him out?

Speaker 2 (01:00:16):
How do you suck vegan blood? You gotta be beat juice.
I think that's part of the joke.

Speaker 3 (01:00:20):
Dude.

Speaker 2 (01:00:21):
Yeah, he doesn't understand how jokes work.

Speaker 5 (01:00:24):
He does not.

Speaker 2 (01:00:25):
What is this party? What is dirty party? What sad man's? Yeah? Anyway,
So that's uh, that's that's who I've been checking out.
Nice one.

Speaker 5 (01:00:38):
Uh, let's see I I have here. Let's see. This
is the mark. This is the mark zuck bird to paint. Oh,
it's get Low. They do get Low.

Speaker 2 (01:00:51):
It's another version of get Low.

Speaker 5 (01:00:53):
Yeah they did. Yeah, that's what they that's what they did.

Speaker 2 (01:00:57):
Yeah, we don't. I don't care about that.

Speaker 5 (01:00:59):
Okay, but then this labs all right, I think that
is it? Oh yeah, yeah.

Speaker 2 (01:01:06):
I saw a movie the other day. It's called Heretic.

Speaker 8 (01:01:11):
It's a horror movie and it starts Hugh Grant and
two young actresses that play Mormons that are trying to
proselytize throughout whatever city they're in, and they go to
Hugh Jackman's houses out in the woods and they're like, hey,
you ever heard of Jesus Christ or whatever? And he's like, oh,
it's raining, why don't you come inside? It's just everyone

(01:01:32):
in the whole theater is like, oh, here we go.
Of course, they walk in the house and he's like, hey,
you guys cool with the fact there's a bunch of
metal and stuff in the ceiling. And they're like, oh, yeah, whatever,
all right, we'll just have a seat.

Speaker 2 (01:01:43):
My wife. My wife is making a pie.

Speaker 11 (01:01:46):
You know.

Speaker 8 (01:01:47):
They're like, we can't come into the house if there's
not another woman present or whatever. And you're like, oh,
my wife's gonna come meet us. In the living room.
You can smell the pie that she's baking. Yeah, they
come inside and they just started going back and forth
about church and all this and that, and their phones
don't work all of a sudden and they can't get
out the house right. So Hugh Grant just disappears and

(01:02:10):
he's just like, oh, come through here if you want
to talk about you really believe religion. He just starts
shitting on Mormonism for twenty minutes, and then they go
back and forth about Mormonism and one of them is
a goodie two shoes and one's kind of not. So
they end up in this room like a fake church
that he this weirdo was built on the side of
his house. When one door says belief, one door says.

Speaker 7 (01:02:31):
Disbelief, He's like, you have to in order to get
out of this house, you're gonna have to like go
through one of these doors.

Speaker 2 (01:02:37):
They're like, can we go out the front door? He's
like nah, So.

Speaker 8 (01:02:41):
There's a horror movie. He locks them in, He takes
them in, they get locked in the basement. Crazy shit happens.
I'm gonna give you this movie, you know, I'm gonna
give it a b It was all right, it gets
a little weird.

Speaker 2 (01:02:52):
There's some creep.

Speaker 8 (01:02:53):
Hugh Grant is amazing in it as playing a creepizoid,
and it's like right in the pocket for people if
you grew up like listening to church all the time.
It's like, you know, you know who these two people
are and how they could somehow just went back Hugh
Grant and Hugh Jackman. No, Hugh Jackman, No, you were
thinking about Hugh Jackman.

Speaker 2 (01:03:12):
Yeah. He Grant was amazing in it. He was amazing.
There was no one else famous in it really well.

Speaker 8 (01:03:19):
Tops had a small like bit part, but I didn't
even know that was him, so I saw the the whatever. Anyway,
this movie is funny as hell for lots of reasons,
like why would you go into this guy's house, why
would you get locked into his basement?

Speaker 2 (01:03:32):
How you're trying to get out? You know, everything wrong happens?

Speaker 3 (01:03:36):
Uh.

Speaker 7 (01:03:37):
And it's pretty good, pretty scary, but yeah, heretic. If
you like horror movies, check it out.

Speaker 5 (01:03:42):
Yeah, yeah, I really think the scale could just be
better or worse than Joker.

Speaker 2 (01:03:47):
Oh everything is better than that.

Speaker 5 (01:03:49):
That was bad. That was so bad.

Speaker 2 (01:03:52):
It's like it was ridiculously bad. It was stupid.

Speaker 7 (01:03:55):
Yeah, it was offensive because it was feeling itself while
being terrible interesting.

Speaker 5 (01:04:01):
All right, Uh, let's come on back with.

Speaker 2 (01:04:08):
Roast right.

Speaker 5 (01:04:18):
Pre picked slaps yet you know, Oh.

Speaker 7 (01:04:22):
I mean I got the ones that are fresh on
there that we were just uh talking about.

Speaker 2 (01:04:27):
I mean some of these are sound effects. Yeah, what's up?
Running water over there?

Speaker 5 (01:04:33):
Running water?

Speaker 2 (01:04:38):
Right? Okay, so yeah we got a couple of them.
There's a couple though here. One was, uh, what's what
the sound effects right now?

Speaker 4 (01:04:49):
Was porn?

Speaker 2 (01:04:49):
Porn and drink. I wanted to get in on it.
Oh god, I hate that.

Speaker 7 (01:05:00):
All right, Okay, now so we talked about this is
all right, guys, calm down, alright, alright, play the labs
man ship. I was gonna do this T pain and
Z pain okay, pain on that. Uh the song is

(01:05:22):
called get low. All right, here we are.

Speaker 2 (01:05:31):
Song? What is going on? I'll play you know, dude,
I don't know. Is there's something wrong with the internet
right now? Yeah, go do another song and then come
back that work last time. All right, let's try this
Jesus Christ, the funk up? Oh it is the same song.

Speaker 3 (01:06:01):
Three six nine? Damn you're fine?

Speaker 5 (01:06:07):
Hoping you can suck it.

Speaker 3 (01:06:08):
To me baby one more time?

Speaker 14 (01:06:12):
What the fuck is going on?

Speaker 3 (01:06:15):
Cant can can the window to the wall.

Speaker 10 (01:06:27):
To sweat drops down my balls, steal all these bitches
carall Oh skate skiing, motherfucker?

Speaker 5 (01:06:35):
Oh skeep ski goddamn.

Speaker 2 (01:06:38):
Oh this is like controlling.

Speaker 5 (01:06:42):
Damn shorty crumbs, so fresh soup cleanse what he's done
this before?

Speaker 2 (01:06:47):
This is actually I feel like out of style now.

Speaker 8 (01:06:49):
I feel like there was a time in which every
rap song this was happening to there's some asshole doing this. Yeah,
but yeah, this is this is a troll. My zuckerboog
just sounds like a robot. It sounds like AI. I mean,
think of Mark Zuckerberry as like a person and not
an entity.

Speaker 5 (01:07:09):
Yeah, yeah, he definitely sounds like one here.

Speaker 7 (01:07:12):
Yeah, because an you tell me we've ever talked to him,
you know, interviews, he's like, there's like nothing there.

Speaker 5 (01:07:17):
Yes, Like he's like he's.

Speaker 2 (01:07:18):
Kind of like a robot.

Speaker 5 (01:07:19):
His voice is interesting.

Speaker 8 (01:07:24):
Bro, this is terrible. But he's like a toy commercial
except it's the worst.

Speaker 5 (01:07:30):
How much do you think that he paid he paid
to do this?

Speaker 8 (01:07:33):
I don't know, man, because he definitely access to access
to meta I mean that could be priceless.

Speaker 7 (01:07:39):
Think he got like meta stop or whatever, just like
the ability to put your stuff everywhere. Like if we
had access to meta how would it help us a lot?

Speaker 2 (01:07:51):
You know, it's just like oh.

Speaker 5 (01:07:55):
On the front page, like uh, meta resource, So meta resources.

Speaker 8 (01:08:00):
I mean some kind I couldn't imagine. I don't know,
probably cash too, right, because.

Speaker 5 (01:08:06):
What is this?

Speaker 7 (01:08:07):
What's in it for Mark Zuckerberg though it's I.

Speaker 2 (01:08:09):
Think it's an ad.

Speaker 8 (01:08:11):
You know, he's trying to be He's trying to like
be cool or at least get the word what's the
word I'm looking for, getting people's eyes on him because
Elon Musk takes up a lot of space and he
and he he sees that as his rival, you know
what I mean, those two have a thing, and Elion's
going the opposite way in which he's just like fuck it, man,
I'm just going to court some Nazis.

Speaker 2 (01:08:32):
Fucking He's gonna do it all, do whatever you want
in here.

Speaker 7 (01:08:35):
He's been doing way better as forsting in people's radar as.

Speaker 8 (01:08:39):
Far as being famous, I mean, he's kicking his ass
at being famous, but.

Speaker 2 (01:08:43):
He's much more famous to that.

Speaker 8 (01:08:44):
I feel like I feel like this is you know,
Mark's version of that's just kind of like Disney. You know,
he's going after a different audience, right, This is like
only little kids would think this was funny.

Speaker 5 (01:08:55):
It feels like it should be in it.

Speaker 7 (01:08:58):
What kids don't like this because it's like some old
dudes saying they like Mark Zuckerberg.

Speaker 5 (01:09:04):
I don't know.

Speaker 2 (01:09:05):
They don't know. Mark Zuckerberg is gonna be at cartoons.
Mark Zuckerberg is like forty years old.

Speaker 8 (01:09:11):
Nah, man, it's gonna be two cartoons. It's gonna be
singing this ship.

Speaker 2 (01:09:15):
I don't know. It's gonna be nothing.

Speaker 5 (01:09:18):
Yeah, it's a it's a commercial.

Speaker 8 (01:09:21):
Yeah, it's gonna be like you know the avatars in
the metaverse. You know, it's not gonna be.

Speaker 5 (01:09:26):
But he's trying to go viral. Excuse me. He's trying
to go viral though, because like, why are you putting
that out on DSPs? That's the other Thing's like, yeah,
you're trying to go totally.

Speaker 7 (01:09:35):
Viral too, And what what does going viral mean for
someone that owns Facebook and Instagram?

Speaker 2 (01:09:41):
Just your your ability to just put it on there
a whole lot. I think it.

Speaker 5 (01:09:45):
I think it means a lot to guys that you
give it to all the press. Look, he's he has
looked like he is like a weird alien boy for
a very long time.

Speaker 2 (01:09:54):
Yeah, he can't. And now this doesn't this isn't really
help out.

Speaker 7 (01:09:58):
Yeah, he's trying to I he's a robot even more
now than I did before.

Speaker 5 (01:10:02):
Definitely sounds like one.

Speaker 2 (01:10:03):
You definitely sound like one.

Speaker 8 (01:10:04):
Yeah, of course you would make your song with t pain.
You feel like it's just the what they decided to
do instead of making something possibly cool. It's like a joke,
but it's like a joke song, but.

Speaker 5 (01:10:16):
It's like it's using all the elements that that works,
like using those same stupid four chords that you know,
transposing it to making it.

Speaker 7 (01:10:25):
Are we gonna find it a joke was made with
AI or something like that, and then we're gonna is that?

Speaker 2 (01:10:30):
Is it commercial? For that?

Speaker 8 (01:10:31):
At least took a picture of the studio. They took
a picture and they did, Yeah.

Speaker 7 (01:10:35):
There's can be a computer in the studio that uh
runs the AI software to generate the song.

Speaker 2 (01:10:40):
I believe that.

Speaker 5 (01:10:42):
Well, we're not gonna grade that.

Speaker 2 (01:10:43):
I mean, it's that's it's trash.

Speaker 5 (01:10:46):
I mean, I love t pain this.

Speaker 2 (01:10:48):
I don't want to hear it.

Speaker 5 (01:10:50):
Yeah, likes you.

Speaker 2 (01:10:53):
I don't want to hear that ever again.

Speaker 5 (01:10:54):
All right, let's get to a real slap.

Speaker 2 (01:10:56):
Uh you want to hear what I mean?

Speaker 7 (01:10:58):
Like you're the one that Danny's sure it's only a
minute long? Really yeah, he said, this person like has
a lot of fucking people are into them.

Speaker 2 (01:11:10):
Net net spend.

Speaker 5 (01:11:12):
That's net spend. Is that with to t's yes and
net spend Yeah.

Speaker 2 (01:11:17):
S p E n d no spend spend. Let's spend.

Speaker 3 (01:11:21):
Uh we not like you.

Speaker 2 (01:11:23):
Here we go.

Speaker 3 (01:11:35):
I'm jumping off that ships.

Speaker 5 (01:11:37):
Tell my fam because he said, tell my favers because
I make Martin Spen.

Speaker 7 (01:11:43):
I told so before we upon France.

Speaker 9 (01:11:46):
And she esteemed it's like pictures this her parents and
her friends.

Speaker 14 (01:11:49):
I started to come over local fancy, but I can't
go for seeing on the east because I can't.

Speaker 3 (01:11:57):
Really, that's finish, said, We be what I.

Speaker 14 (01:12:02):
Watch up game.

Speaker 3 (01:12:03):
We don't take yo, say yo days watch.

Speaker 2 (01:12:05):
Up fans off bites you.

Speaker 3 (01:12:11):
We have to have a baby and I like you.
We stay up veneration and we don't like you. I stay.

Speaker 2 (01:12:21):
Nope, he hasn't. I haven't tried to fix anything, make anything. No,
it's over Yeah, it's over all.

Speaker 3 (01:12:27):
Right.

Speaker 2 (01:12:27):
Wow, you know what. I like that like it as short.
I think this is fall. I think we're too old
for this. Yeah, you know what, I mean, what was it?
I'm trying to find out. This is not I don't
know about biting people. Yeah, that's crazy.

Speaker 5 (01:12:41):
He's that.

Speaker 7 (01:12:41):
Yeah he just playces this guy fifteen million plays there.

Speaker 2 (01:12:48):
Well it's a minute long running back on Spotify. Yeah,
running that bad boy bag.

Speaker 7 (01:12:53):
He's got some other songs. Dude the cover art for
Dude Speak user words.

Speaker 10 (01:13:03):
I'm pulling it.

Speaker 2 (01:13:05):
Oh yeah, you know what. Yeah, I think I've seen
this picture.

Speaker 5 (01:13:09):
But I've seen this picture before too. That's awesome, Okay.

Speaker 8 (01:13:16):
I mean I clearly feel like this makes me feel
old when I listen to it, But man, I'm not mad.

Speaker 7 (01:13:20):
I'm not mad at it. It was kind of crazy.
Sounded bitch, I'll bite you. It sounds so bad crazy.
It really sounds bad.

Speaker 5 (01:13:31):
It's really rough. Yeah, I mean, I don't know what
to say.

Speaker 2 (01:13:37):
I mean, I'm musa start listening to it again. Just yeah,
I can. I'll tell you right now. It let us laugh.
I want to make us lap for it for me,
that sounds whatever. That sounds just crazy.

Speaker 5 (01:13:50):
Back there.

Speaker 2 (01:13:53):
Again. I'm just checking it out. Yeah, I need to
hear it again. This is unprecedented. Frank a flat back
teams a flat back.

Speaker 5 (01:14:02):
It's short enough.

Speaker 3 (01:14:03):
I started to come over like twelve Francs told me
come to court. But I can't go for shooting on
the east coat. I can't really expensive finish, so we
benish it. I finished it. I finish ship when it can.
We're gonna say, y'all, Pa, I.

Speaker 2 (01:14:18):
Can't help but laugh.

Speaker 5 (01:14:20):
Then we're gonna take you a bitch.

Speaker 10 (01:14:22):
You I think.

Speaker 2 (01:14:25):
I think it's lap. Just that's enough for me, ship man.

Speaker 7 (01:14:28):
You know what, I'm feeling good today, Like I just
made me laugh.

Speaker 8 (01:14:34):
Man, it's only a minute. Always supposed to get from that.
He's not talking to us. He's not talking to us
at all.

Speaker 2 (01:14:42):
True, give me outside outside of music. I have no idea.
Let the young man slap why not?

Speaker 5 (01:14:50):
Uh yeah, the second time around was a little bit
better for me. Uh you know, yeah, I mean.

Speaker 7 (01:14:58):
It sounds awful though, I'll admit that, but I feel
like that's kind of it's part of the mid part
of it.

Speaker 2 (01:15:04):
That's part of it.

Speaker 8 (01:15:04):
Like blown out this is because it's parts of Tyler's
album that sounds like that. We all have ever checked
out the rest of that album. A lot of parts
of it.

Speaker 2 (01:15:12):
That is real distorted on the Child the Creator album.

Speaker 5 (01:15:15):
He does that on every album, yeah, some of them.

Speaker 7 (01:15:17):
Yeah, there's always want to. I don't even know if
this is intentional. It is like how it is because
maybe they mixed it through the laptop. This is fifteen
million views on Spotify.

Speaker 5 (01:15:28):
This is but this is there, this sounds, this is there.
This is basement all day there.

Speaker 8 (01:15:32):
Yeah, because if you if you play this in some
like a small pa, people going crazy.

Speaker 10 (01:15:38):
You know.

Speaker 7 (01:15:39):
Fact, No Hoar is going off of this on house party,
hell and even hell yeah a.

Speaker 2 (01:15:45):
Place that Yeah, it's gonna sound amazing and there.

Speaker 5 (01:15:48):
Yeah, I'm gonna I can't not give it a slap.
I have to do it. I mean because so far
I can't go against the culture.

Speaker 2 (01:15:59):
I'm not mad at it. He was not talking to us.

Speaker 8 (01:16:04):
It's like going and just like trying to you won't
trying to fake it, you know what I mean, you
don't want to be a faker.

Speaker 5 (01:16:12):
The second time around was a lot better. The first
time I was like just.

Speaker 2 (01:16:19):
That far it was funny.

Speaker 5 (01:16:21):
It was funny, so.

Speaker 2 (01:16:25):
We got do We didn't hear Mary J. Blige last week?
Didn't we know that's new? Okay, well let's do that one.

Speaker 5 (01:16:31):
Yeah, let's see what happens.

Speaker 2 (01:16:33):
Save your prediction, like that's not it.

Speaker 5 (01:16:37):
I mean, yeah, you know, let's see what happens. Let's
see what's the name of it?

Speaker 4 (01:16:43):
Real love?

Speaker 5 (01:16:44):
Here?

Speaker 2 (01:16:45):
I am here, I am that's good. We go ghost
piano to start doing a del piano. It's gus.

Speaker 5 (01:17:02):
Nuts uh oh.

Speaker 2 (01:17:05):
Mmm mm hmm.

Speaker 9 (01:17:13):
I've been praying for or any day to come and
wash just paying away, but the guys are clear when
you're not here.

Speaker 11 (01:17:23):
And now I just can't find no words to say.

Speaker 3 (01:17:28):
I want this bad, but I'm a fake.

Speaker 9 (01:17:32):
Because people fall and feel his fad and I come
to this place a thousand times, here in my way
and now my mind.

Speaker 3 (01:17:43):
By here, I am loving.

Speaker 11 (01:17:46):
Your just like my world is upside down. No I
should move on by nighte I I here, I am
loving you. I don't know how you stole my heart
like that. I'm in deep and there's no turning body.

Speaker 3 (01:18:07):
Can you see all that I've been through?

Speaker 11 (01:18:11):
I feel like I'm swimming them in deepening, how adventurouble breathing,
because I just can't.

Speaker 3 (01:18:20):
Be without you.

Speaker 9 (01:18:24):
I'll come to this place a thouzand times hear my
way and I'm mama, I hear I'm loving you?

Speaker 5 (01:18:35):
Was it chuir like my Americans?

Speaker 11 (01:18:38):
I know I shouldn't move hard by man, but I
hear I.

Speaker 3 (01:18:44):
Can loving go.

Speaker 2 (01:18:52):
Sound got a lot of dynamic.

Speaker 11 (01:18:57):
If I don't.

Speaker 3 (01:18:58):
Shooting mine been not try. He just don't feel right
deep down the side home you hunted this place a
thousand times.

Speaker 9 (01:19:17):
Pay in my way out of Mama, but here I
am loving you.

Speaker 11 (01:19:26):
Feel like my world is upside down, n shing warm now,
but here I am loving you.

Speaker 2 (01:19:38):
Oh man, hold on, yeah, oh I loved it.

Speaker 5 (01:19:43):
Okay.

Speaker 8 (01:19:43):
I thought that a little bit of the I don't
know if it was pitch correction or she was just
really compressed. That felt sometimes it felt a little weird.
Sound a little weird to me.

Speaker 7 (01:19:54):
I thought it was more of a dynamics thing. I
don't think it's a pitching something was about how was fighting.
It was ducking in and out. It was weird, but
I thought she sounded good. The song was just about
to make me be tired of it and it ended. Yeah,
I was just about to be tired of it.

Speaker 8 (01:20:11):
Excuse me, but yeah, the string arrangement came in and
really like brought something to life because it was kind
of the same chords for the whole time. But yeah,
I like the way that piano sounded. It wasn't close piano.
Just kidding, but like the soft piano. But yeah, it
sounds It sounded nice.

Speaker 5 (01:20:26):
Yeah it sound like real piano.

Speaker 2 (01:20:27):
Yeah that's real. That sounded real. But I'm giving a slap. Wonderful.

Speaker 5 (01:20:32):
Yeah, they came off really good.

Speaker 3 (01:20:33):
Uh, I was.

Speaker 5 (01:20:35):
I was really happy with that. I could have used
a drum.

Speaker 2 (01:20:38):
I wouldn't could have been I thought that was gonna
happen near the end though too.

Speaker 5 (01:20:44):
There are many moments where they could have been. I
mean the bass came in. He had a hole for
not coming in at all.

Speaker 2 (01:20:52):
It still did. It was good. Yeah, I feel like
it needed that. I just thought might happen. I also
missed the drums.

Speaker 5 (01:20:59):
I kind of I didn't need it, but I wouldn't
been mad at it. So yeah, that was that was cool.
But actually I thought it was very satisfying.

Speaker 2 (01:21:08):
I took a snap and yeah, like I almost was
like kicking a snap.

Speaker 5 (01:21:14):
Yeah, I was. Yeah, any I couldn't taken the snare.
I could have taken a little.

Speaker 13 (01:21:21):
Like little.

Speaker 5 (01:21:23):
A little bit of that. But that's fine.

Speaker 7 (01:21:27):
It's you know what energet. I was just gonna give
a slap right here. I thought the string arrangent was wonderful.

Speaker 2 (01:21:33):
Okay, it elevated the song.

Speaker 5 (01:21:36):
I'm saying, I really, I really did dig it. I
don't think I can let it slap personally. I can't
because it didn't really, but everything about it was was
very nice. I really did like it as one of
the better singles that she has put out in a while.

Speaker 2 (01:21:52):
So I liked it.

Speaker 5 (01:21:53):
But it could use some drums. If it had some drums,
I probably would have given one or something.

Speaker 2 (01:21:58):
Definitely would have been last. That's pop. Drummer go hand
at the end of that.

Speaker 5 (01:22:01):
Yeah, that's what.

Speaker 2 (01:22:02):
Drummer go hand.

Speaker 5 (01:22:04):
At the end, just the end, or you know, some
stokely type ship, just like just keep it in that pocket,
keep it in that pocket.

Speaker 2 (01:22:11):
What what you got?

Speaker 5 (01:22:13):
We got.

Speaker 2 (01:22:15):
James Blake. It's been a while, it's been a while.
We we haven't had him in a while. He's been
he's been making some soft ship.

Speaker 5 (01:22:23):
Yeah, I'm ready for its joy, let's go, let's do
was that instrumental.

Speaker 2 (01:22:28):
The inst the wild instrumental? The peanut butter.

Speaker 5 (01:22:31):
The peanut butter is weird.

Speaker 2 (01:22:33):
It's called like the end. All right, you better be
on this song.

Speaker 3 (01:22:39):
Yeah, please be on the song. Please be on This.

Speaker 5 (01:22:46):
Sounds like this.

Speaker 3 (01:22:50):
My card side to funk the wall.

Speaker 4 (01:23:02):
My spirit wakes up by asking if we spending on,
we can't affold. Would you can't home if you didn't
recognize it homes trying to be out America. You just

(01:23:34):
don't advertise it.

Speaker 10 (01:23:39):
I always say, your mind, you just don't vcalizement.

Speaker 3 (01:23:55):
Good mo, I just don't go, amie. There's a new feel,
so just.

Speaker 11 (01:24:14):
Coming for.

Speaker 14 (01:24:26):
That.

Speaker 3 (01:24:26):
This might only be there. There's a new feel.

Speaker 10 (01:24:39):
It's something's coming form.

Speaker 3 (01:24:43):
It's a long song.

Speaker 2 (01:24:46):
Yeah, we're you gonna take some five.

Speaker 3 (01:24:47):
Minute long song? Should do what passport?

Speaker 2 (01:24:54):
Okay, all right, that's what's new. Yeah, I'm cool.

Speaker 5 (01:25:11):
I mean, oh, it's some cool keyboard stuff at the end.

Speaker 2 (01:25:16):
I mean it's some keyboard stuff. Yeah.

Speaker 5 (01:25:21):
I mean that's definitely you know, that's definitely all right,
that's definitely alchemy.

Speaker 2 (01:25:25):
I know that's what it sounds. That sounds like some
wood wing. Yeah, the ensemble mm hmm yep.

Speaker 5 (01:25:34):
Harmonium, yeah, harmonium or something. Yeah, it's very nice. He's
kind of like he reminds me of Tom York. Like
I feel like he's almost like the day version of
Tom York. It's like almost with Tom York wants to
be Sometimes.

Speaker 2 (01:25:50):
I don't want to go that far, but I understand
what you're saying. I thought I thought it sounded like
a like he sat down. I was like, I want
to make a radio Head song.

Speaker 5 (01:26:01):
It feels like right.

Speaker 2 (01:26:03):
It's like I never thought he's always had that in
his bag.

Speaker 5 (01:26:07):
I've never this time.

Speaker 8 (01:26:08):
I think it sounds different because it's real different type
of drums. You rarely hear like wide open, just like
drum set and his songs. You know, it's usually like
synthesize the drums, you know, and like or like electric drums.

Speaker 5 (01:26:21):
That's different.

Speaker 2 (01:26:22):
That's different. This was different because it was like rooms
room mic sounding drums.

Speaker 10 (01:26:27):
You know.

Speaker 5 (01:26:28):
The snare was like super interesting to me because like
it sounded so open, but it sounded like really controlled,
like it didn't have like a ring or anything. But
it was like it was nice, Like I really liked
that sound, I'm a go says, it's say it slapped.
I mean, I thought that was really nice. And you know,

(01:26:48):
tempo was like not too slow, too slow, but it
put me to sleep. Yeah, and the drums were interesting enough,
and the texture to me was interesting.

Speaker 8 (01:26:58):
I mean, yeah, I thought the chords were awesome. I'm
just happy to hear him singing, singing a song.

Speaker 2 (01:27:04):
Yeah, I'm in, I'm in.

Speaker 8 (01:27:05):
Please more more of this. I'm gonna let this lap.
I'll listen to it again because I'm gonna listen to
how it unfolds. Yeah, I need to hear the beginning
again really quick.

Speaker 2 (01:27:16):
I love all these sounds.

Speaker 5 (01:27:18):
Yeah, this ship is nice. And then the.

Speaker 12 (01:27:28):
Said my card.

Speaker 5 (01:27:30):
He started scaring me right away.

Speaker 8 (01:27:32):
This is this is okay, that's where I heard that.
Now that you said it, it reminds me of Radiohead too.

Speaker 7 (01:27:38):
Yeah, it sounds like Radiohead that I don't like as much,
but this I just really don't like.

Speaker 2 (01:27:44):
Whatever. This affectation is on his.

Speaker 3 (01:27:46):
Voice exuicide to fun.

Speaker 2 (01:27:49):
That style of saying the vocal.

Speaker 5 (01:27:52):
Well, he's he's from London, he's a British, He's British, okay,
but but when they that time, it's not a British thing.

Speaker 7 (01:28:01):
It's just the way him voice sound. And there's like
I hear that in different vocalists.

Speaker 8 (01:28:07):
I've never heard that with any other vocalists really, like who,
like what do you just are you comparing it to.

Speaker 7 (01:28:14):
Like a certain like I don't have any one particular
vocal vocalist, but there's like a style of music where
they all were like, I don't know what's this thing
like that. It's like a not whisper cord. But it's
just under ship this type of whatever this is.

Speaker 5 (01:28:31):
Right here, it's more it can be a little more
throaty this vocal this what.

Speaker 2 (01:28:37):
We're hearing right now.

Speaker 5 (01:28:38):
Yeah, I hate it. You don't like that.

Speaker 2 (01:28:39):
I hate it. I think it's cool that he had
those chord changes in there.

Speaker 7 (01:28:42):
But the reason I think the cord changes are coole
is because I noticed that it sounds like a fucking
radio hit. It sounds like an okay computer ripoff, and
like it's not already don't I'm already in a bad
mood from the beginning of this, and then he starts
doing that, so I was checked out. Maybe I'm being
by I really I think it sounds kind of like
not it sounds like he was trying to write a
radiohead it's on purpose, and I don't think.

Speaker 2 (01:29:05):
It's very good.

Speaker 7 (01:29:06):
And I think he isn't doing the radiohead thing because
Tom York never started a song going.

Speaker 2 (01:29:12):
With that thing.

Speaker 8 (01:29:13):
It's like he has his own thing, but like it's
real confused about that thing. I can't understand. Are you
you're upset about it? You think that Tom York is bad?

Speaker 2 (01:29:21):
Also? No, I think Tom York's awesome.

Speaker 7 (01:29:23):
Okay, I attempt to do a radiohead thing, but whatever,
man thought Ymperisha, But no, man, I can't.

Speaker 2 (01:29:31):
I really don't like this.

Speaker 5 (01:29:34):
Very interesting.

Speaker 7 (01:29:35):
Interesting, Okay, let's do one more. Uh Jesse Rayes and
Ari Lennox. These are like pop people, right, yeah? Did
you put this on here?

Speaker 5 (01:29:48):
Yeah?

Speaker 2 (01:29:49):
Yeah, okay, you sounds surprised like I don't put that there?
All right, let's see this one just like.

Speaker 5 (01:29:55):
No, I'm surprised you picked this one.

Speaker 2 (01:29:57):
Well, there aren't that many other things on here. We
haven't done. I'm saying, okay, okay, raising who uh a Lennox?

Speaker 5 (01:30:05):
Oh yeah, okay, cool, got.

Speaker 14 (01:30:18):
Blue joke and my request, but I don't play don't
my mind because the last song let me broke in,
but you came out and I just want something that's
good for me. You gotta feeling that you could be
good for me to streak something, strin something that.

Speaker 3 (01:30:37):
Just want something that's good for me. You gotta feeling
that you could be good.

Speaker 14 (01:30:40):
For me to steak something. I sat, I feel something,
love it for you do it all like that, dug
me to a song like that. When you do it
like that, you're doing all like that. Love it when
you're doing it like that, jup me to like that

(01:31:02):
you're doing sex is in the a.

Speaker 3 (01:31:06):
There is no turn something.

Speaker 2 (01:31:11):
So girl, you think definitely that.

Speaker 10 (01:31:16):
Yeah, that's what sounds like this will say from your misspeak,
from your Lenny, your blue checks and my request.

Speaker 3 (01:31:26):
But I don't think it's like mine, not a wrap,
not really. Yeah, but you came back and I just
want something that's good for me.

Speaker 5 (01:31:35):
You got to feel like the top round.

Speaker 3 (01:31:42):
Something I love when people like sitting by. I gotta
feeling like you could be good for me. You just
want to feel something.

Speaker 2 (01:31:50):
You feel like you should have handed by now. Yeah
you get the forest fine for Yeah, buddy, I never
want to hear that again. Just the sound of that.
It was just like it's like I'm a sexy baby. Nonsense.

(01:32:14):
I can't get behind either.

Speaker 5 (01:32:17):
You.

Speaker 2 (01:32:17):
Like, the production was cool, I mean.

Speaker 5 (01:32:20):
But it sounds give what well what it sounded like though,
it sounds like it was written to something else and
then they decided to put like real music on it,
like because there's no reference from the rapper girl, the
first person that's doing it. There's like no real reference
to there's other chords happening. It's just like he stays

(01:32:43):
on like this one note.

Speaker 7 (01:32:44):
I think that sounds about right for whoever this is,
though it's well, they usually singing chords.

Speaker 5 (01:32:51):
I don't know about Jesse Reyes as.

Speaker 2 (01:32:53):
Much, but uh, i've heard are linuxing chords for sure?

Speaker 5 (01:32:56):
Are Linux definitely.

Speaker 2 (01:32:59):
But she's just a few tature on this. It's not her.

Speaker 5 (01:33:01):
Her part was a little bit better because she's singing
something like this was like really rough. Yeah, this is
for the ladies. Abvy. Uh you know they're talking about
blue checks.

Speaker 2 (01:33:14):
Having blue checks in your d MS.

Speaker 11 (01:33:16):
Yo.

Speaker 2 (01:33:16):
That's even worse than I thought. It was some college
I don't know, maybe that's fire. I don't know.

Speaker 5 (01:33:21):
Uh wait, you're not verified.

Speaker 2 (01:33:25):
Hell no, I would never that's right.

Speaker 5 (01:33:28):
Yeah, well no, I can't.

Speaker 2 (01:33:30):
Okay, Well.

Speaker 5 (01:33:33):
That's okay, that's nobody likes you, ladies and gentlemen, tough
that you know they could be bookended by tough guys. Yeah,
it's tarting to be a real ship sandwich slaps here.
But because there was some good stuff on the inside.

Speaker 2 (01:33:48):
I feel fine man, that you feel fine man. Peace,
bye bye, and sadly the podcast is no more

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