The Hustle Season: Ep. 361 Everytime I Hear The Smiths…

Topics include:

• Send us Slaps!! DM US HUSSIES
• Yacht Rock Dock
• Drakes newest release: two lawsuits 
• Trump's selling fake Gibson guitars 
• SLAPS: Kendrick Lamar, Cyn, Snoop Dogg, Dr. Dre feat Sting, Redman

• Tan.gent on Spotify, Bandcamp
• Follow The Rumble Trio
• New NOBS Brass EP HERE

Does It Slap Playlist
The Hustle Season on Patreon
Our Linktree


Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hustle-season-podcast--2776072/support.

Episode Transcript

Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, Yeah, what's wrong with the.

Speaker 3 (00:08):
Boh we got?

Speaker 4 (00:09):
It's trash. It does not slap call and response.

Speaker 5 (00:16):
What do you guys even doing?

Speaker 4 (00:18):
Cool stuff? Slick stuff, neat stuff.

Speaker 5 (00:21):
I've been fucking I got too much.

Speaker 4 (00:23):
Alf I always felt akin to black people. Years ago.

Speaker 6 (00:29):
They tried to years ago, they tried to put me
in there.

Speaker 5 (00:34):
That means you're lying strings on them.

Speaker 4 (00:40):
I did it with the pick and the rock.

Speaker 1 (00:46):
Oh, come on in, Bonator, says the Waterspine, and.

Speaker 4 (00:52):
I say, let the conversation begin. My man, Kelly Strawbridge,

(01:28):
what I didn't know?

Speaker 2 (01:29):
I didn't have that joke, my man Reggie Payne.

Speaker 5 (01:31):
I'm back me. James Rattis.

Speaker 2 (01:35):
We are in the hustle sees it everybody one week talk.
We took last week off.

Speaker 7 (01:42):
We can't wait to get back to our hust get
back to our people.

Speaker 2 (01:46):
You got right, you're refreshed out, they're revived.

Speaker 4 (01:50):
That's right.

Speaker 8 (01:51):
I am.

Speaker 4 (01:52):
Holiday sees pulling up.

Speaker 7 (01:55):
We had a Thanksgiving holiday.

Speaker 5 (01:57):
Thanksgiving holiday.

Speaker 9 (01:59):
A lot of shit be happening when we take a
week off. Sometimes I'll tell you it's a little a
little funny, but yeah.

Speaker 7 (02:06):
Regular Thanksgiving, your stuff anything really, you know, outrageous happened
at your Thanksgiving?

Speaker 4 (02:11):
Or no Thanksgivings? Chill? Did y'all rock the New Kid
record at Thanksgiving?

Speaker 10 (02:17):
Oh No, it's just there was just like some sort
of you know, what's the TV channel that plays music?

Speaker 5 (02:22):
Was the thanks Thanksgiving like you like music choice, music.

Speaker 10 (02:26):
Choice, Thanksgiving season season classics or whatever, so, which is
actually kind of funny because it's like a playlist clearly
made by a robot that's just trying to pull words
that sound like Thanksgiving onto it. So like it had
like thankful like it's like some church songs show up,
and then like a couple of a country song about
being thankful, and then slid Stones think thankful and thoughtful

(02:50):
that way, and then green Onions played. I was like,
oh say, I was like, okay, that's like food. It's food,
and then like the Yams. It's like, this is actually
kind of fun playlist, but like any old things sugar
and spice, beans and corn brand had a fight.

Speaker 5 (03:05):
That's wow. I was like, that's what we're listening to.

Speaker 4 (03:08):
That's fun.

Speaker 10 (03:08):
Were listening to the hits of thought, hits of the.

Speaker 4 (03:12):
That type of playlists.

Speaker 5 (03:13):
It hits of the yesteryear of yesteryear and and now did.

Speaker 4 (03:17):
You get to that? Yeah, yeah it was. It was
yesterday and today it's a nice day.

Speaker 9 (03:22):
Yeah I had nothing nothing, Uh too crazy went down Thanksgiving.
We just had a nice time hanging out with fam
and uh yeah, what about you, James?

Speaker 4 (03:30):
Did you go see the all of the family was there? Yeah?

Speaker 2 (03:34):
Almost all the family?

Speaker 4 (03:35):
First one with the baby, right, uh, this is the.

Speaker 7 (03:40):
Second one with the second we was born in August
of last year, last year.

Speaker 4 (03:46):
Okay, she's like, why did I think that baby was
born this year? I don't know. She's like still new
and stuff got you.

Speaker 7 (03:52):
It's still not like very cool yet, Yeah, because she doesn't,
like she isn't old enough to remember me who I
am every time she ses me, and I'm never around
long enough.

Speaker 2 (04:03):
It's hard to acclimate. So she just kind of sucks.
Right now.

Speaker 7 (04:06):
I'm just cute and stuff, but like I don't want to, Like,
she just starts crying if you know anyone is around
her that she doesn't see all the time.

Speaker 4 (04:13):
Yeah, it just stages next time. Yeah, man, no, it sucks.

Speaker 2 (04:17):
No, it's fine, it's trust me, it's fine.

Speaker 4 (04:20):
No, it's fine. Yeah. Yeah.

Speaker 7 (04:21):
It's like, I'm sure I'll have enough of this kid
when I go down there, uh, in the future. So
right now, it's just nice that she's not that annoying.

Speaker 9 (04:32):
You're you like, lives close to your family. Oh yeah, okay,
so that's that's cool.

Speaker 2 (04:37):
They live yeah, the yeah, grandmother, my mom.

Speaker 4 (04:41):
Yeah, so she's there. It was by them, Yeah, the
whole families around there.

Speaker 7 (04:45):
You know, people like me more because I left and
when I come they don't see me as much.

Speaker 2 (04:50):
So whatever they see, it's like, oh, hey, how you
doing you?

Speaker 4 (04:53):
Yeah yeah, even if.

Speaker 2 (04:54):
I'm coming back frequently, you know.

Speaker 4 (04:56):
Yeah.

Speaker 2 (04:57):
Uh with my sister and everybody, like they're all sick
of each.

Speaker 7 (05:00):
Other, each other, each other, yeah, yeah, yeah, yeah, so
it's cool. But yeah, there's a lot of I feel
a lot of cousins, man, and everybody's got little kids now.
But like I said, you know that none of the
kids are old enough to be hilarious or anything.

Speaker 5 (05:14):
Right, it's just like a bunch of puppies running around.

Speaker 2 (05:16):
Yeah, but now they learned how to like ask you
to get fed. Okay, We're like, hey, come here, he
I want blah blah blah.

Speaker 10 (05:23):
Yeah, you know it's yeah, leave me alone. God, I'm
not your adults daddy yet.

Speaker 7 (05:32):
Like I told one of my I don't know if
it's like a nephew or whatever, but one of the kids,
like I started, without even thinking aout, was like, I'll
give you something a cry about.

Speaker 2 (05:41):
Yeah, yeah, you think about it.

Speaker 7 (05:43):
He just popped out, just popped out whining about something stupid.

Speaker 10 (05:47):
That's good. Yeah, so many, so many.

Speaker 2 (05:53):
Yeah, I just had it.

Speaker 9 (05:54):
Yeahi's mama, mama. Yeah, that's that's that's easy, all right.
Who uh real quick? I saw the yacht rock doc
that's on Max.

Speaker 10 (06:06):
I heard I saw some some of the yacht rock
bands was hating on it. They were like, you don't
like that, you don't want to be called yacht rock.
Somebody went online that well it was about was it
a Steely Dan? What's my man from Steely Dan?

Speaker 4 (06:18):
Yeah? Donald fake Donald? They put that in the movie.

Speaker 5 (06:20):
So that's in the movie.

Speaker 4 (06:21):
Yeah Donald, Yeah, Donald fit.

Speaker 9 (06:23):
They they they say a lot of really nice things
about So. Basically, the yacht rock doc is based on
the internet viral thing that happened in two thousand and
five that with a little girl that was obsessed with
Michael McDonald.

Speaker 4 (06:37):
No, no, no, no, there's a scot show, the Sketch Show. You
see the sketches where they have like.

Speaker 7 (06:44):
The Michael McDonald and like down on his luck and
he's like playing electric piano like by the garbage.

Speaker 9 (06:50):
Can and like Glynn there's like like Glenn, I'm not
familiar with this.

Speaker 4 (06:53):
Glenn Fry is like a bully, like is a total bully.

Speaker 2 (06:56):
Yeah. The Eagles are all always like, hey, what's some nerds?

Speaker 9 (06:59):
This is a no no, it was a sketch thing
that like they did that they actual musicians didn't know
you comedians did and they and this this was viral
before YouTube, Like I don't know if they just put
on a website or something like that, but it was
one of those things.

Speaker 5 (07:18):
But anyway, what's that called?

Speaker 4 (07:21):
Yeah?

Speaker 5 (07:24):
Motion?

Speaker 9 (07:25):
But uh so, basically they are given the credit for
really bringing that music back to the forefront because of that,
and then from there they go into basically what they
feel how they can build the context of how this
music was made. Like so they kind of give Steely
Dan the credit like for for like the opening Everybody's

(07:48):
Ears to that kind of music.

Speaker 4 (07:50):
So yeah, so this was the.

Speaker 9 (07:54):
Really smooth music also known as rock rockers.

Speaker 7 (07:59):
Doctor remarks that fleet of number one hits, and every
song has a story behind it, let me tell you one.

Speaker 2 (08:06):
And this is how every episode starts.

Speaker 4 (08:09):
And they just make up their own narrative. So for example,
how this song came about? Toss me overboard like you
did your last partner On the left, that's Michael McDonald's
marina for a week. The man is swimming in sadness.
I guess we swim him over a life.

Speaker 2 (08:28):
They're talking about Jimmy Messina right now and how sad
he is.

Speaker 4 (08:32):
They like, they like they need to get back together.

Speaker 5 (08:35):
Oh he's just drinking in the corner.

Speaker 10 (08:37):
Yeah yeah outside, Jimmy Messina, this is amazing.

Speaker 4 (08:44):
Why did you do this to me? Why did you
kick me out of the band? This is getting too real.
This is gonna be me I know it.

Speaker 3 (08:52):
Come on, everybody, everything's smooth, Jimmy, Jimmy remember the good time?

Speaker 5 (09:05):
All this is how that song came about.

Speaker 9 (09:07):
Yeah, yeah, like they just oh, this is for what
a fool believes. But but yeah, they just basically make
these fake ass narratives. How all these songs came about
and stuff. So they so they give.

Speaker 5 (09:20):
You I never I've never even heard of this.

Speaker 4 (09:24):
Yeah. Put uh yeah, put that Yeat rock in the
thread for sure. Yeah. So the out Rock Dock is great.
They interview everyone.

Speaker 9 (09:30):
They interview Kenny Loggins, they give him a lot of backstory.
Christopher Cross, all the cats, they're all they're all in
there and uh yeah. They call up Steely Dan. They
called up Don fig and and uh and they were like,
you know, hey, we just want to see if you
want to guys, you just want to come in and
sit down and and he was like and talk about
what he was like about about you guys music and

(09:53):
in yacht rock and he says, uh, oh yeah rock,
well you can just go funk yourself. And then the
the phone and uh and yeah. And then they included
that in the movie and then they gave him they
let them use the music.

Speaker 4 (10:07):
Stilly Dan let them use the music for the documentary.

Speaker 2 (10:09):
Of course, because you're they still own their music.

Speaker 4 (10:11):
Yeah they do. Yeah, so check yeah. They like checks
like just that.

Speaker 5 (10:16):
Check.

Speaker 9 (10:17):
So anyways, I watched it. It was fantastic. You guys
check it out.

Speaker 10 (10:20):
I'm so jealous that Reggie's getting to see it. Yeah,
I've never seen this.

Speaker 2 (10:24):
I think it's like I think it's ten or twelve
parts or something. It's a it was a show.

Speaker 4 (10:29):
It was a little show.

Speaker 2 (10:30):
Yeah.

Speaker 4 (10:30):
Wait and yeah this is bere pre YouTube.

Speaker 9 (10:32):
So I mean like literally cats would send send it
by email or whatever to we need to bring this
show back.

Speaker 7 (10:38):
Yeah, like Jack shan' is gonna freak out when he
finds out you've never heard of this.

Speaker 5 (10:42):
I've never heard of it.

Speaker 2 (10:43):
Yeah, you based whole franchise off of this thing.

Speaker 10 (10:46):
In fact, I thought I just thought it was about
the music itself, just like I didn't know that there
was a show that they that they branded it.

Speaker 4 (10:53):
Or whatever they branded it. Yeah, I never knew. Yeah,
it's really really cool, James, you saw Bill Frizzel. We
didn't get.

Speaker 2 (11:00):
Kids talk about it.

Speaker 7 (11:02):
Oh my god, bill him, Oh my god, I saw
him the tin pan man.

Speaker 5 (11:08):
It's still never been I gotta get up in there.

Speaker 10 (11:10):
Yeah, Okay, you should definitely go bone Vibes and something that.

Speaker 2 (11:20):
That's another discussion.

Speaker 7 (11:21):
Yeah, but so Bill Frizell, I don't remember the name
of the drummer.

Speaker 4 (11:27):
You'll probably pull it up or something.

Speaker 5 (11:30):
The Bill Stewart.

Speaker 7 (11:31):
No, it was not Bill Stewart, it was not I
think that's no stop.

Speaker 4 (11:42):
Let me let me look him up.

Speaker 5 (11:43):
Let me look look at up.

Speaker 4 (11:44):
Look up the guy that was on the thing, because
he was I'll talk about it.

Speaker 5 (11:47):
Probably Jim Black.

Speaker 2 (11:48):
He's he's incredible.

Speaker 10 (11:50):
But anyway, so Bill for Zell oh, Rudy Royston, Yes, yes,
he's like he was the best quiet drummer I've ever
heard my life. Like he plays super quiet but it
doesn't even with sticks, and like his uh, his his
technique and his control is not impeded by hitting so quietly.

Speaker 9 (12:12):
He's the master of brushes. He played with Tony Bennett
like years. He's the dude.

Speaker 5 (12:17):
Yeah, the best.

Speaker 4 (12:18):
Yeah, so that was great.

Speaker 7 (12:20):
The other the thing I know, like right away when
he went on stage like plugged in his guitar and
just like made a couple of noises, like you could
tell it was him, like the way he like he
didn't even he just like made some noise when he
turned the guitar, Like even though he just played a
couple of notes, I could identify that it was Bill Rizel,

(12:41):
like very distinct. I knew it was not going to
be like weird like old Bill Frizel stuff like or
like uh that weird loud or wacky.

Speaker 2 (12:55):
Folk music, not really so much.

Speaker 7 (12:58):
It was more for Zelle, Like I knew that I
thought it was gonna be.

Speaker 4 (13:02):
I thought it might be like a snooze thing. You know.

Speaker 7 (13:05):
That's happened a couple of times with some guitarists that
I don't know what they're into now because I listened
to them in like seventies or eighties stuff or nineties.

Speaker 10 (13:14):
And last time I saw Bill Frizzille, I swear to guy,
he played moon River for twenty minutes. It sounded the same.
I couldn't even I couldn't even tell when it changed songs.

Speaker 4 (13:23):
It was like the same Daley Jordan's style. It was.

Speaker 2 (13:29):
It was cool he did.

Speaker 7 (13:32):
He did a lot of tunes where it sounded like
another tune and or like he almost would quote part
of something and then go back into something else.

Speaker 3 (13:41):
Uh.

Speaker 2 (13:41):
The other thing that was really cool wash.

Speaker 7 (13:45):
Bill Frizell is always messed around with like these long
like sixteen second delays and stuff like basically old school loopers.
And he still does it, and easier now because pedals
can do more. And but he'll use a loop not
like a rhythmic loop. It's hard to explain. It's almost

(14:06):
like a a harmonic loop. So he'll play a bunch
of little fragments of chords and like, you know, kind
of this.

Speaker 2 (14:18):
It's almost like noodling around a little bit.

Speaker 4 (14:20):
You know.

Speaker 7 (14:21):
And he'll do that for it seems like thirty seconds
or something, and then he'll hit the loop the loop again,
but hell, it'll be.

Speaker 2 (14:30):
Like an octave up and twice as fast. But they
don't have it on a volume pedal.

Speaker 7 (14:34):
So the notes he's playing throughout this whole randomized what
you know, performance or many captures all work over what
he's gonna end up putting it by it, So like
all of that whole loop worked over the melody of
the song, so he could like fade it in and
out as he's playing like Phillip space. So like now

(14:57):
I'm starting to do like mess with that.

Speaker 2 (14:59):
It's really cool and seeing him do it live. I
know there's a lot of stuff he did in.

Speaker 10 (15:06):
The nineties like that where I because there wasn't footage
of it, I couldn't necessarily see what he was doing.
It's like I can tell there's like a delay and
it like is sped up and slows down, But like,
what is it?

Speaker 4 (15:20):
Like, how is he making it?

Speaker 10 (15:21):
Do?

Speaker 4 (15:21):
That? Is it? You know? Yeah? Uh.

Speaker 7 (15:24):
But the thing that is really cool is I've seen
him lately do a bunch of different I guess people
send him pedals to mess with sometimes, But no matter
what the type of reverb is or compression or delay,
if he's using those effects, they always sound the same
when he is doing you know what I mean, Like

(15:45):
he has some sort of delay or looper of some kind.
Always doesn't matter what is. It still sounds like Bill
Frizel when he's using it. Yeah, it's like the way.

Speaker 2 (15:53):
He uses his stuff.

Speaker 7 (15:55):
Yeah, just very like he He's also like a super
huge influence on you. But uh, it was one of
those times where you see somebody play for the first
time and it's it's so author it's beyond being like
them what you could have imagined. It's like like even
like the fact of him, like he like hit a

(16:16):
harmonic and played two notes and it was like, oh,
this built for Zell. Yeah, and he's just like turning
the lamp on and like fiddling with it. It's crazy,
that's cool.

Speaker 5 (16:26):
Sounds like a good time.

Speaker 7 (16:28):
Yeah, And like time, it's uh, when you watch him play,
I mean technically he's good, but it's almost like he
can't hit all the stuff he wants to do because
it's like physically not I know, it seems like when
he's playing stuff, if he physically could keep going on
something to hold more notes, it's it's like he's playing

(16:48):
to the maximum capacity that he can as a human. Yeah,
but it's very tastily. Uh yeah, that's amazing one of
a kind guitarist.

Speaker 9 (16:58):
Yeah, all right for hell yeah, let's get into some
music news. I mean, so many things happened while we
were gone. Like I said, Kendrick Lamar dropped a surprise

(17:19):
album on November twenty, I believe.

Speaker 2 (17:23):
And then Gotcha Lass Gotcha and then and we.

Speaker 9 (17:28):
Have I think we have at least a couple of
those jams on the slaps list for this for this evening.
But Drake then dropped a lawsuit or no sorry, these
are petitions like pre action courses of before an actual lawsuit.
But for some reason, it all went public very quickly

(17:49):
that Drake was suing UMG for helping Kendrick Lamar with
getting putting bots and extra things on his music to
make his uh make his single go like, you know,
multi platinum, because I guess they're part of the same company.

Speaker 5 (18:08):
That makes sense.

Speaker 9 (18:09):
And uh and Drake. All of Drake's ship has been
like bombing lately. And meanwhile, supposedly there have been like
these little bots to the point where if you put
in Drake you're looking for Drake, Kendrick Lamar's song would
come up.

Speaker 10 (18:24):
That's what That's what he said. Yeah, I like cyber
war ya cyber Wars. Yeah, it has nothing to do
with rap is just computer ship. And I think that's
what Drake. I think that's what Drake is getting at.
It's like, Yo, they getting me with tech wars, Yeah,
which is kind of it's kind of true.

Speaker 9 (18:44):
Yeah, yeah, And I don't know.

Speaker 2 (18:47):
I'm it's they should have a boxing match.

Speaker 9 (18:50):
I'm surprised that Drake would let like all of this
like get out this easily, even the prick, even the
petitions for these actions.

Speaker 10 (19:00):
I don't think there's any way for it not to
get out. He's too famous, Like.

Speaker 4 (19:05):
Yeah, alreadie he's so he's he's uh.

Speaker 9 (19:07):
He filed the action on the twenty fifth, so literally
on Monday after Kendrick's record came out found Action, accusing
UMG and Spotify of acting to artificially inflate the popularity
of Kendrick Lamar is not like us and uh and
then he filed another filing the next day against UMG

(19:27):
and iHeart Radio.

Speaker 4 (19:29):
So he's saying that, like there's Paola involved. You know that.

Speaker 9 (19:34):
You know that they that UMG has been conspiring against
Drake because Drake is in negotiations.

Speaker 4 (19:41):
So obviously with you to to renew his contract or something.

Speaker 5 (19:46):
So okay, so he's trying to get out of it.

Speaker 10 (19:48):
Sounds this this reminds me of sports, okay, So he's
trying to get out of that his contract. So he's
accusing them of kind of like what's the word, cooking
the books, right, y'all are making it look like I bombed,
you know what I mean. Therefore, you know, like a
sports team sometimes like you have an incentive in your

(20:10):
contract if you get to you know, five hundred yards
and in a blank amount of time, you will get
two more million dollars. And then sometimes their coach all
of a sudden is like not playing them as much,
you know what I mean, not throwing them the ball
no more, because they're just watching that number. You know,
so people have been accused of this type of business

(20:30):
behaviors before, and.

Speaker 9 (20:31):
If Drake is at the end of his deal, the
you know, record companies will not like push their artists
on that last record.

Speaker 10 (20:39):
Yeah, they're like they're like, look, you look, you suck
now yet.

Speaker 9 (20:46):
To make it look like your value is going down
because you're company.

Speaker 10 (20:53):
You know, it's it's it's fucked up because he lost
that battle so bad. But we're just like, I believe
this shit. Well it what's a definitely lost the rat battle.

Speaker 9 (21:01):
Well, it's because Kendrick Lamar did like a couple of things,
which I won't mention all of them, but the one
thing that I'll mention that he did is that he
almost made it look like it was really organic, that
not like us that it was like this is like, oh,
this is a bop. But then all of a sudden,
it's just gaining momentum and literally became a pop hit.

(21:24):
That it became the hit of the summer.

Speaker 10 (21:26):
I mean, it was a pop hit, and I don't
think that I think it was kind of organic. He
is one of the biggest artists in America. I mean,
he drops a hit song it's a fucking hit song.
It's not the first time Kendrick Lamar has had a
song that was inescapable, you know what I mean, It
just happened to be one that's like, it couldn't be
more Internet ready, just like shitting on another guy calling

(21:46):
him a pedal, like going ham.

Speaker 4 (21:49):
Like that's crazy. You can't really do that. It's crazy, So.

Speaker 10 (21:55):
You can't really do that, but it does. It does
look a certain type of way. It kind of feels like, oh,
you got beat up and now you're like calling the.

Speaker 5 (22:02):
Cops kind of thing.

Speaker 10 (22:04):
Yeah, because because honestly, I bet it's all true. But
it's just been in the favor of Drake for so long. Yeah,
I think I bet he knows exactly how those companies
boost numbers and you know, juice the stats and have
a little deals with iHeart little deal with Spotify. It
makes all the sense in the world while there's only
like eight people at the top, and like, UMG has

(22:26):
most of them, you know, you G has like Taylor
Swift from everybody else, you know.

Speaker 9 (22:30):
And also it also makes sense to to see why
Drake's career has been going kind of directionless the past
few years.

Speaker 10 (22:38):
Since the moment he said he wanted out of that contract.
It's been looking like he's laying well.

Speaker 9 (22:42):
I mean even before then. I mean the last i mean,
the last four albums, three albums, whatever they's put out
have been hot garbage, you know, like they're not as
good and as solid as the ship he was putting
out on Young Money. And you know, years ago, like
i mean, his first five six years of records are
all people go back to.

Speaker 10 (23:03):
Those and he was like kind of being an asshole
a lot, you know, in every situation. You know, the
stories was that he was like working on that house
record with Beyonce, right, and then it got all the slaps,
and then he went and dropped his own house record
like a month ahead, just because he knew it was
coming and nobody else did and it and.

Speaker 5 (23:20):
That shit sucked. But it's like whack, but it steps
on it.

Speaker 3 (23:23):
You know.

Speaker 9 (23:24):
Yeah, he's a no, he's an habitual, habitual line stepper. Yeah,
in multiple ways. But yeah, we're gonna see, We're gonna
follow that case. You know, see how that plays out.

Speaker 10 (23:33):
I don't know if that's gonna be a case that's
just that's just gonna get back into some negotiation rooms
and figure it out, man like.

Speaker 4 (23:41):
Yeah, they don't figure it out. He's too he's too popular.
They have to come to some kind of settlement. Probably,
I don't think there.

Speaker 9 (23:47):
I don't think they're gonna want to drag that out
and let a lot of people in on the secret sauce.

Speaker 10 (23:53):
Or just allowing one of the biggest artists in the
world to leave your your label. Yeah, you know, yeah,
just like how much money would make him happy?

Speaker 5 (24:03):
You got it.

Speaker 10 (24:03):
You got a CDC's catalog permanently, you got you.

Speaker 4 (24:07):
Know what I mean? They have.

Speaker 10 (24:08):
They had all of these hits from the seventies and
eighties and the nineties, all permanently catalogs.

Speaker 4 (24:14):
They have huge yeah, big calogy.

Speaker 10 (24:16):
Whatever they're fighting about can't just be money. He must
be pistol. He wants to be he must be in charge.

Speaker 9 (24:21):
Yeah, we have four hundred million for the last contract,
So I definitely think that. I mean, they want to
see more of a return, you know what I'm saying.
If these albums haven't really been doing. The albums that
he's been doing are not selling like what he was selling.

Speaker 10 (24:37):
Yes, I don't only care about that. Sh It's like
the man shit was slapping and be slapping facts. True,
you don't deserve to be number one. Maybe the chill
for a couple of years.

Speaker 4 (24:45):
Who cares. Billy Corgan says Bill Burke could be his half.

Speaker 10 (24:48):
Brother, like on some my family tree ship, and that'd
be kind of interesting.

Speaker 4 (24:53):
Yeah.

Speaker 2 (24:54):
Maybe so he just said that because he bald. Yeah,
what the fuck is that?

Speaker 4 (24:57):
What that is? You know? They said he said that?

Speaker 9 (25:01):
Uh, one of his he said at some party, one
of his brothers was having birthday party and stepmother was there,
who is married to his to Billy Corgan's father, and
his stepmother said said to him, do you know who
that Bill Burry is?

Speaker 4 (25:17):
Uh?

Speaker 9 (25:17):
And then she said something about that they could be related.

Speaker 10 (25:23):
Uh, it's just this is not new. This is just
I'm already checked out Billy Corgan interview. Is this gonna
be Yeah, this is on meculation. This is how he
Mendel's podcast, which is not vary.

Speaker 5 (25:36):
I'm probably related to Bill Burr.

Speaker 4 (25:37):
It's not it's not that good. It's not that good guy.

Speaker 5 (25:40):
Yeah, why is Billy out here right now? And they
dropped they dropped music.

Speaker 4 (25:43):
Yeah, he's always gonna be out here.

Speaker 10 (25:46):
Not one of my favorite celebrities. Man, just just make
some the music.

Speaker 4 (25:49):
I mean, he's got to love a podcast.

Speaker 9 (25:51):
He just lets him talk and talk and talk, So
I mean, you know, talk about anything. Company behind Donald
Trump endorsed guitars hit with the season desist by Gibson.

Speaker 7 (26:03):
Uh.

Speaker 9 (26:04):
I think you guys saw that picture of those guitars Trump.

Speaker 5 (26:09):
They're like they're like, yeah, they like, hell no, they
don't have to pay for that.

Speaker 2 (26:14):
How But in what way? Because there's tons of copies.

Speaker 9 (26:17):
Of less balls This season desists against sixteen creative. It's
the guitar line in fringes on the on its trademark
for the iconic Less Paul body shape.

Speaker 4 (26:28):
So yeah, still I don't know.

Speaker 5 (26:29):
But the how come politics? Man?

Speaker 7 (26:32):
Yeah, well, as far as the guitar things, they let
a lot of stuff go.

Speaker 2 (26:37):
I bet they would exactly the same.

Speaker 4 (26:39):
So it's ugly.

Speaker 9 (26:41):
They had the bald eagle on it and it's guy
the maga.

Speaker 2 (26:48):
But I'm disappointed as is.

Speaker 7 (26:50):
It's like it should have been like like they should
have done it like it's anime Trump like where it's
like Al looks not have it look like him with
like an eagle, look like a vultron or something like that, like,
you know, they would look like a super No, you
should be you know, if they're gonna make go all
out on the Trump guitar, why don't you just make

(27:10):
it like Trump looks like a Godzilla thing or something
like that on there and have like have lights that flashing.

Speaker 5 (27:17):
You just can't.

Speaker 10 (27:17):
You can't make political merch out of nobody's ship without
them coming for it.

Speaker 4 (27:22):
Yeah, well it's hard.

Speaker 2 (27:23):
I don't that's crazy.

Speaker 5 (27:24):
I don't know.

Speaker 7 (27:25):
It's because I wonder what they're getting them on in
the body shape thing, because that's not you know.

Speaker 5 (27:30):
They're telling me what it is. Man, It doesn't They
don't normally care.

Speaker 10 (27:34):
Now that politics are involved, they're going after you, Like
Nike could go after a million companies that make all
kinds of fake air Force one true you know, like
this is air Force one with a star on it.
They could go after everybody, but they just you known't.
People don't give a ship until politics is involved.

Speaker 4 (27:49):
Well, I mean it definitely looks like that. They I
don't know. It looks like they bought a bunch of
old gifts and bodies all copies.

Speaker 2 (28:00):
Yeah, yeah, there are they made?

Speaker 4 (28:02):
Where are they made? Are they actually made?

Speaker 2 (28:04):
In America. I don't if they're not made in America,
that is you can't write that.

Speaker 4 (28:10):
Does not.

Speaker 9 (28:13):
Yeah no, oh know, it says includes parts that are
features that are domestic and international.

Speaker 7 (28:19):
So what does that mean? It doesn't sound okay, So
where is it assembled? It doesn't have where it's assembled.
You think that if it was assembled in America, then
I think it'll be like the first thing on there,
So it's probably not.

Speaker 9 (28:31):
The line boasts acoustic and electric versions and various colors
for twelve fifty and fifteen hundred, while other models include
Trump's signature retail between and that's between.

Speaker 4 (28:46):
He actually signed it. I guess, yeah, between ten ten
and eleven grand.

Speaker 2 (28:51):
It's crazy.

Speaker 4 (28:53):
It's crazy. It is twelve hundred and seventy five guitars
were made.

Speaker 10 (28:57):
No, let's pawl and not. Let y'all get that off. Yeah,
coming for you, that's what that's what he wants. Like, Oh,
they getting disrespectful here. If it was just some kid
making a Trump guitar, who gives a ship?

Speaker 4 (29:08):
Yeah, they they look too.

Speaker 2 (29:10):
Much like Les false And now they're gonna get Gibson scared.

Speaker 4 (29:14):
They're gonna get blamed for it.

Speaker 5 (29:16):
Son.

Speaker 4 (29:17):
That's Trump.

Speaker 5 (29:18):
All right, let's see laziness.

Speaker 2 (29:21):
Yeah, they could have added shape like his head or something.

Speaker 4 (29:23):
Just making a new guitar, making guitar, let's see Africa.

Speaker 9 (29:28):
Baa has been accused of sexual assault by French rappers solo.

Speaker 5 (29:33):
Is this a new accusation?

Speaker 10 (29:34):
This is a new one. This is a new How
many accusations do you? How come none of them are sticking?
Bus Uh cause he's been they didn't stick.

Speaker 4 (29:45):
I thought he got.

Speaker 9 (29:46):
Somebody over one of them, somebody he's gotten, like, just
canceled a little bit.

Speaker 2 (29:52):
But stuff that happened so long ago, there's no.

Speaker 10 (29:56):
Way that I don't remember there being anything involving the
cops at all.

Speaker 4 (29:59):
There's been nothing in the court now. Supposedly, supposedly one of.

Speaker 9 (30:03):
The people have gone back and recanted or changed their
story or something really that effect. But this guy is
a member of the French French rap group Collective Assassin
and says that it took place when he was sixteen,
and and he said he witnessed Bambata watching porn upon ask.

Speaker 4 (30:26):
To meet him. So, yeah, another cat. How old is
he now? I mean he was she's got to be
almost seventy.

Speaker 7 (30:37):
Oh, I mean I'm saying the African Yeah, he's probably
like he's in.

Speaker 10 (30:41):
His sixties at least, it's gotta be. I mean, this guy,
this guy, I mean he, I mean, he looks like
is he saying this happened in the eighties.

Speaker 9 (30:51):
Yeah, this has happened in the eighties, forty years ago.
This is forty years ago. So yes, what yeah eighty four? Yeah,
but prime that's why Bambada, I don't know where.

Speaker 10 (31:03):
I don't know what we're supposed to do with this information,
you know what I mean, Like, yeah, they're gonna call
the police.

Speaker 2 (31:11):
You can't do anything about it, and you can't prove
it even if.

Speaker 5 (31:17):
He wants to be he wants the world to know.

Speaker 9 (31:19):
I guess you know, well, I mean that's what the
the deal has been is like most of these people
have been I guess just you know, they're coming in,
they're telling that they're telling his story. Okay, But there
was a there was a DJ I'm sorry, a political
activist in twenty sixteen. He was the first one that
came out and accused him of this, and Night said

(31:41):
this happened in nineteen eighty and this is twenty sixteen.

Speaker 4 (31:44):
There's a lot of people that have said he's done.

Speaker 5 (31:46):
Yeah, that's what I'm saying.

Speaker 10 (31:47):
I thought it's been about five of them now right, Yeah,
but I feel I mean something something to figure him.

Speaker 7 (31:53):
Out, whatever they got to say, you know, well, oh
I don't think he's Is he still doing this?

Speaker 10 (31:58):
I mean, is there some way to get so called
I guess, get justice without having anything?

Speaker 4 (32:07):
You know?

Speaker 10 (32:07):
This this is like a like we need like Olivia
on this shit. You need like live in iced tea
on this ship.

Speaker 7 (32:12):
There was also feel like people kind of don't give
a shit about it because it's like, dude, because this
dude yead to get like, you know, like the sympathy
level as well.

Speaker 9 (32:19):
More like Melli Mel said that everyone knew he said
that on flat TV he did.

Speaker 10 (32:24):
In twenty twenty one, And why is that okay to
say he knew he said that everyone knew, That's what
he said.

Speaker 7 (32:31):
I don't think anybody wanted to talk about it, is that,
especially back in the eighties. Yeah, but it's like, oh
so that sounds how you know about I mean, this
is Bronx and Africa. Banboda is already a legend by
the I mean.

Speaker 9 (32:42):
The early Yeah, he had already he worked with James
Brown in eighty four, right, like I mean he worked
with I mean he was.

Speaker 4 (32:47):
Like huge, uh yeah.

Speaker 9 (32:51):
And he was sued by an anonymous man alleging that
he was molested in traffic between nineteen ninety one and
nineteen ninety five when he was a minor.

Speaker 4 (32:59):
So it's it's.

Speaker 7 (33:00):
Mainly got to cancel him. It's they want to cancel.
Say he's been canceled, Peter, He's been canceled. But it's
not like there's like you said, there's no criminal charges
that have been brought up against him, So it's not
I just canceling him as all you got, and you
can only cancel on me so many times.

Speaker 10 (33:14):
It's like what you know, right, nasty nasty stuff man, Yeah,
it's nasty.

Speaker 4 (33:19):
It's uh, it's weird.

Speaker 5 (33:21):
Thin can beat his ass, K, you can go find him.
I guess I don't know.

Speaker 9 (33:27):
I have a I have a video David Lee Roth
singing and dancing along to Panama in a new video.
He I think he's trying to announce that he's going
to go back out and do Vegas or something. But
it's just a video. It's him doing They did a
re recording of Panama. He has another band that he's
doing the ship with and uh, you know, we.

Speaker 5 (33:47):
Get we call it a Panama.

Speaker 4 (33:49):
Uh.

Speaker 7 (33:50):
Like a week ago, a week ago on who are
these podcasts? They covered the debacle that was the I
think it was about three or four months long.

Speaker 2 (34:00):
A radio career of David Lee Roth when he took over.
So like Howard.

Speaker 7 (34:05):
Left in a certain market, David Lee Roth took over, Yes,
and within four months he was replaced by Opie and Anthony.

Speaker 4 (34:12):
Uh.

Speaker 7 (34:13):
But like it was the time when he got he
was at Sirius XM or which whichever one is at
the time, and in his studio he had a like
a waiting pool filled up with sand and inflatable palm
trees and stuff. So you go walk around and stand
in the sand and stuff while he's on the radio
and just.

Speaker 5 (34:33):
Kind of a streamer ahead. He was ahead of his time.

Speaker 4 (34:35):
He was kind of ahead of his time.

Speaker 2 (34:36):
But they weren't. They weren't filming it.

Speaker 10 (34:37):
They weren't filming good vibes.

Speaker 4 (34:41):
But it didn't last very long. It was really bad. Uh.

Speaker 7 (34:44):
And then they had some clips of like his last
day on the air, and they didn't tell him until
the day before like the evening before and they had
already released a thing that was like it was on
a Friday, and they said big enough spent on Monday,
and he's like, I haven't heard about a big announcement
on Monday.

Speaker 4 (35:04):
He finds out it was just it's gonna be his
last show.

Speaker 5 (35:06):
Oh my god. Yeah, brutal.

Speaker 4 (35:09):
It's rough.

Speaker 5 (35:10):
What was he doing on the show?

Speaker 2 (35:11):
He was taking calls, he was it was just like
a more like Howard or any.

Speaker 10 (35:15):
Of there's others, just just just talking more celebrities and ship.

Speaker 2 (35:18):
Yes, it was a it was a morning radio show,
talk show.

Speaker 7 (35:22):
Did the interviews and stuff, but it was like he
was interviewing himself even when he was interviewing other people.

Speaker 2 (35:29):
Not a very good interviewer, Yeah no.

Speaker 7 (35:32):
And he would just like pontificate about things. Is very philosophical,
which is maybe not what you want to do with
drivetime radio.

Speaker 5 (35:41):
I don't know, nobody would hear this ship boy.

Speaker 4 (35:43):
Yeah no, it was pretty pretty free form type ship.

Speaker 5 (35:47):
Go ahead recall a Panama.

Speaker 9 (35:49):
But again it was again it was definitely ahead of
his time as far as podcast ish instead of it.
It wasn't like a radio show. It could have been
something else, but it's.

Speaker 5 (35:58):
Not for people trying to get off work.

Speaker 4 (35:59):
It was not good. Yeah, no, it's not. It's not.

Speaker 9 (36:08):
Okay, that is it pretty much for music news. We
got some slaps coming up, uh shortly. I don't have
a real mad big ups here other than let's just
do this one real quick because this one is Uh.

Speaker 4 (36:22):
I didn't I didn't see this.

Speaker 9 (36:25):
Two Beg's drummer drummers die within days of one another,
so the original drummer and they kind of they kind
of do have a curse in a way.

Speaker 4 (36:37):
Uh, let's see.

Speaker 9 (36:38):
So Colin Peterson, the original drummer, died four days before
Dennis Bryan, who is the drummer who played on all
of the disco ship, I mean both both killing Beg's
actually did have some amazing drummers in their band.

Speaker 4 (36:55):
Uh, and I always really loved enjoying their their performances.

Speaker 9 (37:00):
Yeah, the cat that played Dennis Bryan, who played I
think he played on Nights on Broadway and all.

Speaker 4 (37:05):
That stuff too. This ship is hard. This ship is
kind of crazy.

Speaker 9 (37:09):
Like people remember the hooks, but like everything that everything
that's building up to that ship is like so not disco,
Like there's like so much more to the Beg's cuts.

Speaker 4 (37:21):
Uh man, I mean I love that stuff.

Speaker 9 (37:23):
And Dennis Brian is also probably one of the most
sampled and looped drummers of all time.

Speaker 10 (37:29):
He looped, He looped on that joints looped.

Speaker 4 (37:33):
Yeah, but he was but he was in the pocket. Though.

Speaker 9 (37:37):
There's there's some great performances of them on the Midnight Special.

Speaker 10 (37:42):
The Midnight Special. There's a lot of those on YouTube. Now,
man's some good performances.

Speaker 9 (37:47):
Also, the old Whistle, great Gray Whistle test or whatever.
They that's that's where that average white band ship been
coming from. They just put a bunch of those up
like them in the studio, crushing Steve FERRONI, uh amazing,
So okay, yeah, so I just wanted to give mad

(38:08):
big ups those two cats. We got slaps coming up.
We're in the blessed fourth quarter of music. But you
know what that means, it's gonna be slow. So why
the Kids of themar thing was real, real exciting. So

(38:31):
I think we should probably just start with one of.

Speaker 2 (38:32):
Those no preference of which one.

Speaker 9 (38:36):
No, I don't think, so you know what put I
think I put TV off and squabble, So yeah, we
should we we should play one.

Speaker 2 (38:46):
I'm gonna go with the U, the shorter one of
the two.

Speaker 7 (38:50):
That's squabble. I don't know, because why not, you know,
let's do let's do squabble up. Listen, I haven't I
like short songs. I haven't listened to this multiple times.
I've only heard it like once or.

Speaker 2 (39:04):
Twice, heard the other one multiple times.

Speaker 4 (39:07):
No, I've not heard the TV I haven't heard the
TV off.

Speaker 2 (39:10):
Oh you haven't heard that one at all. No, Okay,
then let's do that one.

Speaker 4 (39:12):
Yeah, let's do that. Okay.

Speaker 7 (39:14):
Uh yes, trying to your featuring lefty gunplay.

Speaker 1 (39:25):
All I half a one it? What's a black grand
national being rational? Give them what they ask for. It's
not enough if you selling niggas left but it's not enough.
You ben that a rash, but it's not enough. Say
you bigger than myself, but it's not enough.

Speaker 4 (39:39):
I get on the as.

Speaker 5 (39:40):
Yeah, nobody got to do it.

Speaker 6 (39:41):
I made the niggas mad.

Speaker 4 (39:43):
Nobody got to do it.

Speaker 6 (39:44):
I tell watch your nigga do it.

Speaker 4 (39:46):
We survived outside off from the music.

Speaker 1 (39:49):
Nigga.

Speaker 4 (39:49):
Wait.

Speaker 6 (39:50):
They're like, what he owns is a alvan omega bitch,
welcome home.

Speaker 4 (39:55):
This is not his own.

Speaker 5 (39:56):
This is a revelation.

Speaker 4 (39:57):
How to get a nigga.

Speaker 6 (39:58):
Gone me out on this man, Babby pay your bell
and make you feel attack there like I can, Babby
teach you something, make unique correction.

Speaker 4 (40:05):
That's the playing baby, don't.

Speaker 6 (40:06):
But your life is wear nigga's hands.

Speaker 11 (40:08):
Baby, it's not enough if you selling niggas left, but
it's not enough.

Speaker 4 (40:13):
You bien and that a rish that but it's not enough.
Say you bigger than myself, but it's not enough. I
get on their ass. Yeah, somebody got a door it.

Speaker 9 (40:20):
I made him.

Speaker 6 (40:20):
Niggas made nobody got a door it. I tell you
gashtch your nigga door.

Speaker 4 (40:25):
We survived outside off from the music.

Speaker 1 (40:27):
Nigga. Wait, hey, you turn this TV off and with
my type activity, then don't you get involved? Hey? How
many should I see and send them?

Speaker 4 (40:34):
Mark? Take a risk or take a trip.

Speaker 1 (40:35):
You know, I'm tripping for my dog. Who you're with
a couple of sorts and send lieutenants for to get back?
This revolution been televis as I felt through with the knick. Next,
a young nigga get your chili yup? Ye admit that
a black out if they act out?

Speaker 4 (40:46):
Yeah I did that.

Speaker 2 (40:48):
Hey, what's up, doubt. I hate a bitch. That's hat
you know the bitch and they bump hose. I hate
a nigger. I hated Nois and they both broke.

Speaker 1 (40:54):
If you ain't what you come for, nigga feel like
he is titled because he knew me since a key
bitch ill caught my off. She don't see it high
seat got a big mouth, but he let big idea.

Speaker 11 (41:04):
Send him to the moon. That is our field, yelling
it's not enough. You're selling niggas left but it's not enough.
You big gotta range that but it's not enough. Say
you bigger than myself, But it's not enough.

Speaker 5 (41:18):
Mother beat change here we go.

Speaker 2 (41:22):
Hey got the middle of this song?

Speaker 4 (41:29):
Wow because that pad. But somebody got a door.

Speaker 1 (41:31):
It go fut up on a gas but somebody got
a door it. Turn his TV off, turn his TV off,
turn his TV off, turn his TV off, turn his
TV off, turn the TV off, turn his TV off,
turn his TV off. I ain't know whether King and
his web thing nicked siblings. Nothing but my children. One
shot they disappearing. I'm in the city with a flat
beginning thrown like it was passing the farance pad like

(41:52):
around the building, crass pulling up and no more truck
just to play freeze hair with a bony pick like
it was sea passed. So when I made it out,
I made it about fifty from a show trying to
show niggas the ropes before they hunt from a vote.

Speaker 4 (42:03):
I'm prophetic. They only talk about it.

Speaker 1 (42:05):
I get it, only go for saving face. Seeing the cosmetics.
How many heads. I gotta take the level of my aesthetics.
Hurry up and get your muscle up. We got to
ply metric. Nigga ran up by the luxur ness up
the highest metric. The city just made it sweet. You
could diabetic. They mouth, you're.

Speaker 4 (42:18):
Full of de seat.

Speaker 2 (42:19):
Let these chats tell it.

Speaker 4 (42:20):
Walk in New Orleans with the l a yelling.

Speaker 1 (42:27):
Niggas that bad was somebody gotta do it a gap?
Was somebody?

Speaker 2 (42:34):
Uh huge the Mustard?

Speaker 9 (42:37):
Who is that DJ Mustard the producer? Okay, huh yeah
he's been around for a while. Yeah he did not
like us.

Speaker 10 (42:46):
Yeah, okay, uh I think this uh obviously slaps people
just you know, I don't know, it's clearly slapping, clearly.

Speaker 5 (43:03):
For you think the song is kind of done.

Speaker 10 (43:04):
He does three verses on the other beat, it's just like, yeah,
it's just like keeps going.

Speaker 5 (43:10):
That section is crazy.

Speaker 10 (43:12):
It sounds like monster trucks came out to speakers when
he started the Mustard.

Speaker 5 (43:17):
Yeah, so yeah, I'm the best lap of course.

Speaker 4 (43:19):
Come on.

Speaker 9 (43:20):
Yeah, I'm definitely letting slap it is Uh. It's really
refreshing to hear him on just some pretty simple like
beats and samples, just having fun, just having fun, just
going at it.

Speaker 4 (43:36):
Very West Coast. Yeah, I liked it. Yeah, that was cool.

Speaker 9 (43:40):
I mean I've heard a couple of the others. I
am more excited sometimes when he really is going at
someone and we know what he's talking about, know, we
know who he's talking about. I'll say that adds a
different excitement.

Speaker 4 (43:51):
To some of his record. I mean, well, because this
this record is kind of a mix of that. It's
a mix of going.

Speaker 9 (43:58):
It's like a sequel to the Beef, but also it's
like a West Coast kind of party vibe or whatever.

Speaker 4 (44:03):
Yeah, but yeah, I love this. This is awesome. He
sounds great and like energize and stuff, and I'm into it.

Speaker 7 (44:10):
You know, at first I wasn't. I was like, there's
like whatever, But when it switched up. I was like, oh, well,
let's you know, that changes everything now.

Speaker 4 (44:20):
I wasn't expecting to switch up either.

Speaker 5 (44:22):
That was I like that. I really like.

Speaker 7 (44:25):
I don't know where this came from, but at some
point hip hop it was like a thing to completely
abandon whatever was going on in the song instead of
making a new song. It's just like there's a drop
and then now it's different.

Speaker 5 (44:37):
Love it.

Speaker 4 (44:38):
I really love that.

Speaker 2 (44:39):
Yeah, it's like a modulation or something.

Speaker 4 (44:40):
It's weird.

Speaker 2 (44:42):
So I really I really really like that.

Speaker 7 (44:47):
Yeah, so definitely, I think I think this does slap nice.
I also also really like the production, Like it's loud,
but it doesn't sound blown out, and it does get
as like dynam it drops and.

Speaker 4 (45:01):
It comes back up and it's uh it's really well
mean yeah, okay, well we got up next.

Speaker 5 (45:08):
All right?

Speaker 2 (45:08):
So wow, who is see c y N?

Speaker 4 (45:16):
I don't know.

Speaker 5 (45:17):
I think it's like it's like indie artists.

Speaker 4 (45:20):
Right, I think it's an indie artist. Uh.

Speaker 9 (45:22):
I think maybe the title of it caught my attention
and there was maybe something else where I bumped.

Speaker 4 (45:28):
Into that and I was like, oh, this is my click.

Speaker 2 (45:30):
The title is the Smiths.

Speaker 4 (45:32):
Yeah, that's why I because of the Smiths.

Speaker 2 (45:34):
I hope there's a distract.

Speaker 4 (45:38):
See what's up a little late?

Speaker 10 (45:39):
But mo, yeah that.

Speaker 4 (45:55):
Stick to the dam.

Speaker 8 (46:00):
There's nothing better than you any man.

Speaker 4 (46:05):
And if I should ben and find that, I break. Yeah,
we still dancing the general.

Speaker 8 (46:13):
Plane break pop Pit's a dirty sweet spot. Did you
think I thought? Every time I hear this, thank you?
Cica has the nose on this winner every time, careless,

(46:34):
all about any let's be jongling me careless time.

Speaker 4 (46:55):
I can't believe it.

Speaker 8 (46:57):
The old queen is dead?

Speaker 10 (47:02):
Can I.

Speaker 4 (47:04):
Can't get this song is better than Smith?

Speaker 10 (47:07):
So that man word it's like something to me to
only part sucking it up? Does they keep talking about
this Smith? Kind of like this efferything else like.

Speaker 4 (47:16):
Its gonna be let down from here.

Speaker 2 (47:25):
That's supposed to.

Speaker 5 (47:26):
Be all back, all right, all right, get a guys
for it.

Speaker 4 (47:35):
Uh yeah, we got a little bit.

Speaker 5 (47:38):
So it seems like they make a bridge.

Speaker 2 (47:41):
Now there's twenty seconds left this.

Speaker 10 (47:43):
Oh yeah, okay, that's pretty much jed ye, all right,
I'll start off. Go ahead, okay, heavy not for me,
like crazy not for me. And even though it's not
for me, I don't think it's that good.

Speaker 9 (48:00):
Okay, I disagree. I think it's it's fine. I think
it's uh, you know, it's a good tempo, it slaps tempo.
It's it's it's good. It reminds me of the Harry
Styles joint a little bit, you know, it's like a
cheerier version of it. Yeah, I mean the only letdown is, yeah,

(48:20):
don't listen to the Smiths after this, because I mean
it kind of I'm sure maybe they sampled a guitar
or something from it, maybe, because I mean I feel
like that they would say they would play those chords
just with not that bass line. Obviously, the bass line
is like way hipper than anything Smiths would ever do.

Speaker 4 (48:38):
So yeah, this is this was fine to me. I
liked it. It was charming, you know, anything again not
like the Smiths.

Speaker 5 (48:48):
Yeah, I mean I actually liked it too.

Speaker 10 (48:50):
I like the all the music part, except the fact
that kept saying the smith and then she was that
kind of bums me out, Like I mean, it's like
if I was listening to this, like it's distracting, you
know what I mean. Every time I hear the Smiths,
I think of you. I was like, it's kind of
lame though, That's something I forgot about when I was

(49:10):
saying real quick, is h. I usually don't pay attention
to lyrics that much. I mean I paid attention to that, Yeah, exactly.
And that's what makes the theme of the song the
Smith's Now. Yeah, it's also the title of the song.

Speaker 5 (49:24):
It's like, Yeah, that was.

Speaker 10 (49:26):
Honestly the only thing I didn't like about it because
of it, I can't let it slap. I'm not gonna
listen to it again. Oh wow, No, I like, I
would love an instrumental version of this, or a version
without the course.

Speaker 4 (49:39):
Damn.

Speaker 5 (49:39):
It was annoying.

Speaker 7 (49:41):
Wow.

Speaker 10 (49:42):
I'm gonna listen to the album though, because I like
all the sounds. Wow, I think I like this artist.

Speaker 2 (49:48):
I could.

Speaker 10 (49:48):
I think I forgot about it, but I think I
like this artist but not you know, Wow, you can't
be listening to that in your car. People hear you
talking about every time I think it of Smith's. Every
time I hear the smith I think you nah, damn.

Speaker 9 (50:03):
You can't do it, yeah, because you know what the
fun You literally could insert any other name, anything, you
could put the Pixies, you could put anybody right anything.

Speaker 4 (50:09):
I wouldn't really probably won't even notice it because the
song is fine.

Speaker 2 (50:13):
You know it was the title of the song.

Speaker 4 (50:15):
No, I'm saying you can leaning on it too. I
think it just could have been anybody.

Speaker 5 (50:18):
Could have been called think of you anyway?

Speaker 4 (50:21):
Yeah? Wow, okay, been like, what's she say this? Myths?

Speaker 10 (50:25):
I know?

Speaker 4 (50:26):
Wow? Really okay.

Speaker 7 (50:28):
So there's one Snoop Dogg, Doctor Dray and sting. Yes,
oh yes, another part of me?

Speaker 4 (50:35):
Yes?

Speaker 5 (50:35):
I want yeah, new Snoop Dogg album.

Speaker 4 (50:37):
Yes, I want to.

Speaker 10 (50:38):
The last song I heard off this song was was fire. Yeah,
so you heard it here right, wasn't he heard it
here first? Maybe I don't remember, Yeah, yes, it was fire.

Speaker 9 (50:47):
All right, let's yeah, let's check this out. I want
to see if they're using the Michael Jackson song. They're
using another part of.

Speaker 5 (50:52):
Me with sting.

Speaker 10 (50:54):
Yeah, No, it's gonna be a sting sample. I think
I don't even think things on it sting sample.

Speaker 11 (51:00):
Wow.

Speaker 5 (51:02):
Okay, yeah, you know what silly me?

Speaker 7 (51:03):
I was thinking, Oh, sting is gonna be honest, like,
you're right, it probably is not even sting. We'll see
or I mean it is sting by the previous recorded
let's see.

Speaker 5 (51:14):
Live sting. How y'all there?

Speaker 4 (51:19):
Yeah?

Speaker 5 (51:20):
Ye man, it's message in a bottle.

Speaker 3 (51:23):
Love it.

Speaker 4 (51:26):
I'm with it.

Speaker 3 (51:27):
Turn my mic out.

Speaker 5 (51:30):
Yeah, it's best.

Speaker 4 (51:32):
That's it.

Speaker 5 (51:35):
That's fire.

Speaker 2 (51:40):
Stings contribution is just playing.

Speaker 4 (51:41):
I hope he shows up.

Speaker 5 (51:42):
I hope he shows up.

Speaker 4 (51:48):
The whole song.

Speaker 2 (51:50):
Be fired.

Speaker 4 (51:53):
If you don't kill it.

Speaker 2 (51:56):
It's actually interpolation.

Speaker 5 (51:58):
It's just a man let's do.

Speaker 1 (52:02):
I'm just trying to utgard wherever in my heart on
my snake out here them in on them, bain't your
rest not tell me?

Speaker 4 (52:12):
What do you those is on this? Get in the
land of the.

Speaker 6 (52:18):
Right, nice sunny days, got nice, graduated.

Speaker 4 (52:21):
Honight, just the day in lost sent shoks cool.

Speaker 9 (52:25):
I'm not done.

Speaker 4 (52:26):
He has signed one of one from a hood to
one risky business.

Speaker 1 (52:30):
Top gun that brow the back out in the morning,
rude and draped red brum.

Speaker 4 (52:34):
Make the cake with these bread crumbs on.

Speaker 3 (52:36):
My mama, the son of a gun.

Speaker 4 (52:37):
This for my people. I'm just having new limber feature.
You ain't know seeing those things no evo edition like
a there.

Speaker 5 (52:43):
Sir Eagle getting aside.

Speaker 1 (52:44):
Of mores goes from making all the charge to ship
his doll Stacey Adam on the blue carte standing close.

Speaker 4 (52:51):
Your fucking around and catch that count get.

Speaker 5 (52:55):
From the small one like a tea.

Speaker 3 (52:58):
Song and now getting that good on the same make
the same.

Speaker 4 (53:01):
Oh that this is saying iconic moment.

Speaker 2 (53:04):
When's the way the poocal said the fouts.

Speaker 10 (53:07):
She coming night.

Speaker 4 (53:10):
And it's likely forty year very six play based on this.

Speaker 3 (53:14):
In the night.

Speaker 4 (53:17):
Him the jumped on the run bah bah away? Are there?
He is?

Speaker 9 (53:21):
Give what the God just say?

Speaker 4 (53:24):
He's on it.

Speaker 1 (53:25):
He's on this.

Speaker 2 (53:26):
Yeah, this is the better how.

Speaker 9 (53:29):
That you jay?

Speaker 4 (53:30):
You joke up and see there yours you stay in
motion up chosen that.

Speaker 5 (53:35):
Got Oh hell yes, I said, I think, yeah, that's
why if.

Speaker 1 (53:39):
He's wrapping the middle of stacking the d happened lasts
on the same tim the jumped on the run bah
bah away.

Speaker 4 (53:46):
I'm the one give up? What the God just say?
That's the bottom my way?

Speaker 9 (53:53):
Yeah, this is a better how that you day? All right?

Speaker 7 (54:10):
Man?

Speaker 5 (54:11):
Whoever did this flip? Was that doctor dready did this flip?

Speaker 2 (54:14):
Yes, that's definitely an interpolation.

Speaker 5 (54:16):
Which is the flip?

Speaker 10 (54:18):
Man with that those claps in there, even the claps
in there like that the groove they land he landed into.

Speaker 5 (54:27):
Man, that was fire. I'm I'm loving that they're having fun.
I'm loving this. Sting is here having fun.

Speaker 4 (54:34):
He's actually there.

Speaker 5 (54:34):
He's cursing with Snoop Dogg.

Speaker 4 (54:36):
Give give a fuck slaps. I didn't know what to
expect at all. I think that's what.

Speaker 5 (54:44):
They're gonna do.

Speaker 10 (54:45):
I was wrong with my predictions. Yes, I think Snoop
is gonna just sing the verse that's fire.

Speaker 4 (54:51):
That was cool.

Speaker 9 (54:53):
Yeah, and uh yeah, we can't forget that Snoop was
one of the first, you know, with the auto tune
that he was one of the first out there. Doubt
they're doing it. So, uh he sounds right at home
doing this. Uh it's that's a really fun song. It's
very interesting. Uh so yeah, I'm definitely interesting interesting Okay.

(55:14):
Uh yes, so I'm gonna say yeah.

Speaker 5 (55:16):
Thats all right.

Speaker 2 (55:19):
I was pleasantly surprised with that. I would love to.

Speaker 4 (55:26):
See them play at a an award show or something.

Speaker 5 (55:30):
Me too, Yeah, me too. I want to see that too.

Speaker 4 (55:32):
That would be incredible because you know, that would be
the Grammy.

Speaker 7 (55:36):
If that, if they did the Grammys, all look it
up and watch that, ya for real? But yeah, I
I thought there was really fun. So I'm it's gonna slap.

Speaker 10 (55:48):
It being so nice sound I'm surprised.

Speaker 4 (55:53):
Yeah no, I I that could have gone either way.

Speaker 5 (55:56):
I didn't know what was about to happen.

Speaker 10 (55:58):
Definitely he was gonna just wrap over message in the bottle, okay,
so all right, one more.

Speaker 4 (56:03):
Oh let's do this red Man okay, uh?

Speaker 2 (56:08):
No features just red Man?

Speaker 4 (56:10):
Oh nice? Okay cool?

Speaker 10 (56:11):
Uh?

Speaker 2 (56:12):
Don't want to see me rich?

Speaker 1 (56:15):
Like it?

Speaker 5 (56:20):
Ladies and gentlemen, get on your hustle babies. Yeah let
that get on your hustle baby.

Speaker 3 (56:27):
All right. Gentlemen, you get on your hussle baby too
busy making money when you're trading prop my teas and
not my high a hustle over drop this.

Speaker 5 (56:39):
See me rich?

Speaker 3 (56:40):
So I catch them off slipping before I lick with
the money. Pounds get broken down into a hip. My
money off scale on the frint a buncle of people.
They hustle of cash money, no credit cards. I learned
a lot watching better cars, saw years the rat they got.

Speaker 4 (56:55):
I want it all.

Speaker 5 (56:58):
Attitude for my money ain't right. If it's of a
thirty five down, you can either may pow or.

Speaker 4 (57:04):
On the next.

Speaker 3 (57:04):
Pls don't want to see me ridge hitters, don't want
to see me rig show the team don't want to
see me. Ridge'll let me all back down when you
hear the click. Wa, y'all at me all back down
when you hear the click. Hey, I don't collect checks
on the first.

Speaker 4 (57:18):
On the first, I wake up.

Speaker 3 (57:20):
I'm putting it in the work, in the work ten
percent and gave it to the church. I did that
selling out on my merk. On my merch, the homies
be looking for a check. A businessman pay all the
homies with a check. Talk to work smart or not harder.
That's the goal with the poker face time up in
accounting of before talk generation. You want it in the wealth,
save your money more. Let's gut you you in the
belt right, swim high, motivate from Mike Phelps.

Speaker 5 (57:42):
They want to suck it up.

Speaker 3 (57:43):
Nigga is They say money is the root of all evil.
I say, the rut of all evil is the people.
The foss try to talk to.

Speaker 2 (57:50):
You in the back. Yeah, because he look at you
as a threat.

Speaker 4 (57:52):
Get money, yo, I'm doing all right. That's third.

Speaker 3 (57:55):
I get an attitude where my money ain't right if
it's a thirty five dous on On the next classers
don't want to see me ridgs don't want to but
don't want to see me rid jumping back down when
you click.

Speaker 10 (58:19):
Another good interpolation. That's a mix that's like it was
like the sample with some new drums. It's a trap
cut quest song. Okay with the different drums though, and
it's probably sound like a new bass too and guitar
they kind of like play it up in there.

Speaker 4 (58:34):
Yeah, but he sounds great.

Speaker 10 (58:37):
I mean, this sounds completely fresh and like yeah right,
it's of right, it's of right now, so yes, slaps
all right.

Speaker 4 (58:49):
It sounds right now. But it feels classic you know,
which isn't it you know?

Speaker 5 (58:53):
Yeah, and that's new classic.

Speaker 9 (58:55):
Yeah, but it doesn't sound like you know, let me
give this you know rappers and well you know what
I mean, like you know, like sometimes it feels like
that with like a couple of them, like the like
the Big Daddy Kane stuff or whatever, like he's trap
beat stuff like just like too smooth or something weird. Yeah,
but this feels like there's a personal touch to it
as well. So I always love red Man. I mean,

(59:18):
he sounds he sounds amazing. This is awesome, so I
love to hear it.

Speaker 2 (59:22):
Slaps hmmm, Yeah, I thought there's good.

Speaker 4 (59:32):
I guess I'll give it a slap. Man.

Speaker 7 (59:34):
I don't think this is congratulations good, but I can't
not give it a slap because of just a proof
of point.

Speaker 4 (59:42):
Wait, what a proof? It's a good hook hook. You
know it's slappable, sounds good. I may not, you know,
I feel like that the content was like a not
for me.

Speaker 5 (59:51):
Sich it might be a not for me thing man.

Speaker 4 (59:55):
Yeah, okay, I like red.

Speaker 2 (59:56):
Man all but this is I feel like this particular
one is just not for me.

Speaker 4 (01:00:00):
I'm not bringing a PayPal could you know? I could
throw you off. I like it, but it could be
like all.

Speaker 10 (01:00:08):
Right, it was stressful hearing about payment and money and
he was he was he was really breaking it down
to being an independent artist. Yeahs like they don't want me,
they don't want.

Speaker 4 (01:00:17):
See to rich. Yeah, I don't want to see. That's
a hurt. That is some very artist ship.

Speaker 5 (01:00:22):
Yeah. I ready to check some my LLC.

Speaker 4 (01:00:24):
He's always been like that. He's always kept it real,
keeping all the way. Dude. All right, great, fantastic solid
group of slaps there this week.

Speaker 1 (01:00:33):
I like you.

Speaker 4 (01:00:34):
Okay, it's nice. We'll be back next week. By everyone,

(01:01:30):
and sadly, the podcast is no more