The Hustle Season: Ep. 363 Shockoe Pastorius

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.

Speaker 2 (00:06):
Listen, bullshit, Yeah, what's wrong with the.

Speaker 3 (00:08):
Boh we got it's trash. It does not slap call
and response. What do you guys even doing?

Speaker 4 (00:18):
Cool stuff?

Speaker 3 (00:19):
Slick stuff, neat stuff. I've been fucking I got too much.
Alf I always felt akin to black people years ago.
They tried to years ago, they tried to put me
in there.

Speaker 2 (00:34):
That means you're lying.

Speaker 3 (00:35):
Strings on them. I did it with the pick and
the rock. Oh, come on in. Bonator says the water's fine,
and I say, let the conversation begin.

Speaker 1 (01:27):
Here we are the Hustle Season.

Speaker 3 (01:31):
This is episode.

Speaker 1 (01:34):
Three hundred and sixty three by Boys and Chains Reggie Kelly.

Speaker 2 (01:41):
Here.

Speaker 4 (01:42):
Yep, Hussies, my Hussies. Wow.

Speaker 5 (01:45):
This is a message to the Hussies out here. We
appreciate and love you guys and girls. It's very very
few girls, guys, mostly guys for the most part.

Speaker 6 (01:56):
But.

Speaker 3 (01:58):
Cultivating a lot of dudes out here.

Speaker 5 (02:01):
Yeah, but uh yes, the Hustle Season is back for
twenty twenty five. But we are also getting out of
here because it's twenty twenty five.

Speaker 3 (02:08):
We are rolling.

Speaker 5 (02:09):
This is the final episode of the Hustle season. But
it's not a sad day because we are still going
to do a regular episode angry day. It's a a
and and we are also going to be doing a
lot of other cool stuff that you guys are going
to be able to see on the Hustle Season YouTube. Yeah,
you guys need to stay tuned with us, and uh

(02:31):
stay tuned to this feed.

Speaker 3 (02:32):
You know what I'm saying.

Speaker 5 (02:32):
You never know what might pop up, you know, for real,
pause because uh, we like to put out content, you know,
but we're going to be doing stuff separately. But we
still are all cool and we are still going to
be doing shit. You're still going to see us out here. YEA,
trust and believe the Hustle Season forever breaking up.

Speaker 4 (02:54):
I am so happy. I'm going so lou I'm going
such a new addition, see me like Bobby Brown and
be on everybody ship.

Speaker 3 (03:06):
Damn have you noticed that?

Speaker 1 (03:07):
Go ahead, I'm so proud of what we've done, and
I'm so done with what we've done.

Speaker 4 (03:13):
I'm ready to move on, done with and.

Speaker 1 (03:16):
So so I see how happy I am right now?

Speaker 3 (03:19):
This is such a good.

Speaker 4 (03:20):
Thing, just the surge.

Speaker 3 (03:22):
It's your second Yeah, I was first one.

Speaker 1 (03:25):
I don't feel it until the second one is halfway done?

Speaker 5 (03:27):
Is the second one? Just prepare as a prepared second
opened up.

Speaker 1 (03:30):
I don't want to stop the show to go downstairs
or something like that.

Speaker 3 (03:33):
Well, I mean, we don't have to know. We're definitely
not that. I'm doing whatever. The We can go this show.

Speaker 5 (03:39):
We can go straight through, by the way, because you
know there will be no break.

Speaker 1 (03:43):
That's right, Kelly. But also the show ending, so does
Kelly smoking. Kelly is never going to smoke a cigarette?

Speaker 4 (03:50):
How many days?

Speaker 3 (03:51):
He said?

Speaker 5 (03:52):
Right now, I'm on ten days days days, I'm patching
it up and patching gumming, and.

Speaker 3 (03:57):
I'm smoking dumb dumbs. And that's that's what.

Speaker 1 (04:02):
No, no, no, no, no, no, no, no no.

Speaker 5 (04:03):
No no, that way before smoking dumb dumbs, you know, uh, no, no, no,
it looks it's all. It's been actually really nice. I've
been uh after the first three days. Day two was
the toughest. Uh, But after that, it's actually been very cool.

Speaker 4 (04:21):
Very cool. It's been very cool. That's what you got
to say about this.

Speaker 5 (04:25):
No, yeah, because you know what it's really like, it's
in a strange way. It's mellowed me out more because
I think whatever was flowing through my body, you know,
that nicotine ship. It's just I think that really can
make you even more edgy with or without you know what.

Speaker 3 (04:42):
You know, we cigarettes, I feel no, no, no, they don't.
Ladies and gentlemen, you know cool. They make you cool,
They make you look cool for sure, definitely.

Speaker 5 (04:51):
But you know what, and listen, if you still smoke cigarettes,
I'm not gonna be one of those guys.

Speaker 3 (04:55):
It's just like, oh god, I can't stand it looking
at them all crazy, looking at them all crazy. I'm
gonna do that to you guys, and I'm gonna blow
weed smoking, yeah, all of that. No, see, that's the thing,
you know.

Speaker 5 (05:06):
Obviously, nothing else to change, uh, you know, uh, but.

Speaker 4 (05:10):
No, fitting no smokers. If I see a smoker, yeah.

Speaker 3 (05:16):
Crime, I think that I was just getting Uh. I don't.
I don't hate on anybody that still does it. I don't.

Speaker 5 (05:27):
I'm not gonna be like one of those dudes. I
feel like that's fine.

Speaker 4 (05:30):
Who does that?

Speaker 3 (05:30):
Though nobody does that ship that's cool.

Speaker 5 (05:32):
There's definitely cats that would be all of a sudden
turned completely into haters after they get rid of something.

Speaker 4 (05:38):
Always, if you do that, you didn't even deserve your cigarette.

Speaker 1 (05:40):
But for cigarettes, yeah, I understand alcohol, but like come
on now.

Speaker 5 (05:44):
Also also they're not going to have what I What
I smoked, which is what I enjoy was what I
had camel crushes, not what other cats had.

Speaker 1 (05:52):
You smoked cigarettes that had like an extra step to
them in case you felt like getting a mental but
maybe not. How often did you crush the camel crushes
every time? Why don't you just get meant all cigarettes?

Speaker 4 (06:02):
That's fun, it's not the same as good.

Speaker 1 (06:05):
Do camel crushes cost more than regular camels or do
they give you less tobacco in them or something? No,
they were sure, they were quawm sure they didn't shave
a little bit of the tobacco off to put the
little crush there.

Speaker 5 (06:16):
They they might have made them a little shorter. Yeah,
I definitely remember, but that's that was another reason. But
that was how they tricked you back. And they remember
when they used to give you the cigarettes in the restaurant.
That's how they would trick you because you would look
at it and you'd be like, this ain't even that bad.

Speaker 4 (06:30):
It's it's small.

Speaker 3 (06:31):
It's small small, it's smaller than the other cigarets. It's smaller.
I don't remember that, that's what I remember.

Speaker 5 (06:36):
That was like these camels look smaller than like what
you would usually get like the new Ports or any
of that ship.

Speaker 3 (06:42):
And they started they I think they started doing said Marlborough.

Speaker 1 (06:45):
From them and if I had camels, because they didn't
have Marlboro.

Speaker 3 (06:48):
And I know it's usually.

Speaker 5 (06:49):
Cowboys look, they look, you know, and they just start
charging crazy. I mean, it was just like, I mean,
it's just it's too much money. It's so expensive to
smoke now, I mean here in because now in Virginia,
we're paying what New York has been paying for like
the past ten fifteen years. Like it finally caught up

(07:10):
to Virginia. And it's like this is crazy. It's like
I could go to McDonald's and get a meal for
what I'm paying here, you know, just to get just
to get Like it's like this is crazy, it's crazy
money to waste.

Speaker 3 (07:22):
So I was just like.

Speaker 5 (07:24):
It's twenty five and see, honestly, it was a good thing.
This was a good thing. Like because then we look,
we lost water last week. There's a bunch of stressful
shit that like popped.

Speaker 1 (07:32):
Off and that what you would have felt better about
it if you had cigarettes.

Speaker 3 (07:36):
I don't. Yeah, this thing, I don't think so.

Speaker 5 (07:38):
I think I think the get all the all of
the weird shit was catched up to me, the like
people looking weird because I because I smoke or whatever
like all that kind of No, it was like, but no,
it was catching up with me, like I was. I
was feeling more anxiety about what I was doing, like
it was bothering people. And I'm like, and I'm you

(07:58):
know that you don't.

Speaker 1 (07:59):
Know if that was a small can call, that might
just be you the people.

Speaker 5 (08:01):
I think it was because well, yeah, because now I'm
not doing I think it's all all the above.

Speaker 3 (08:06):
So if they if they still do that to you,
it's you.

Speaker 5 (08:08):
Then no, no, not well now I don't care. Now
I don't really care because I am doing something that
was that is annoying. It's annoying, and it's annoying other
people like me standing in front of the fucking church,
you know, smoking or whatever. You know, it's like people
just like my grandmother has to come out this way.
You know, it's like I don't need you know, your

(08:29):
Grandma smoke ye am and the great grandma. They they
all smoke part.

Speaker 4 (08:35):
They were healthy.

Speaker 1 (08:36):
Then they was like before it was good for you
recommended it.

Speaker 5 (08:40):
But you know, I mean, yeah, I think talk you know,
talking about it. I think that's fine. And also, you know,
gives you accountability and all that kind of ship or whatever.
So all of that's been good. Gave a little money
facts facts, you know, twenty twenty five.

Speaker 3 (08:55):
So yeah, Christmas went well, that was awesome.

Speaker 5 (08:59):
Uh did you guys, how do you guys get along
without the without water?

Speaker 3 (09:03):
Uh?

Speaker 4 (09:03):
It was whack as fuck, you know, having a flush
story with a bucket or whatever.

Speaker 1 (09:10):
It sucked almost I almost had to go somewhere outside
of the city limits to just fill up water. But
the water came back on right as it was getting it,
right as I was running out of the last toilet
flesh bucket.

Speaker 4 (09:23):
Yeah, the water started flowing. Yeah, my ours went out
like immediately.

Speaker 3 (09:26):
And the drinking water was not a problem. That was
we saved at the beginning.

Speaker 4 (09:30):
I had to go get some shit immediately because we
had like no water at all, like pretty yeah.

Speaker 1 (09:35):
You were one of the first ones, yep.

Speaker 4 (09:37):
So but after that it kind of fell after after
dealing with the fact that not having water means you
like can't wash your hands and ship you never that, Yeah,
like you like, oh ship, no washing your hands. It
is like I washed my hands way more than I
thought I did. So it makes cooking a huge problem
because you can't wash dishes. Yes, So it's like it
almost became kind of like quarantine wash clothes.

Speaker 3 (09:59):
It was like that.

Speaker 4 (10:00):
Yeah, also like quarantine and you just say, all right,
we're just gonna have to chill and get a pizza
or whatever.

Speaker 5 (10:06):
It's weird though, having like a mini quarantine. But then
like you have to go, like you have to go
to Chesterfield to get ship or just uh we can
go we to get water. Yeah, Like I went, like
I like my parents. My parents live in Chesterfield, so
I was able to go get water over there, and
you know, I gave my kid a bath over there
and ship you know, and that Cause that was like
that was crazy. But I think that's the weirdest thing

(10:27):
is like another city.

Speaker 4 (10:28):
That must have been a nightmare. Having to go in
with like two three kids. That had to been crazy. Yeah,
I'm assuming you just left and went to like a
hotel outside the city.

Speaker 3 (10:37):
Yeah, I mean.

Speaker 1 (10:40):
Go or just go to like a shitty motel enough
to fill up water, take a shower and that's it.

Speaker 5 (10:44):
Yeah, I mean yeah, sleep there. Yeah yeah, I know
some people that definitely did that ship. And uh look,
I mean.

Speaker 4 (10:51):
At the time, it was cool just watching a lot
of TV. Yeah yeah, yeah, because you can't order even
order food. Yeah, well, people.

Speaker 5 (10:58):
Open it up early or before that ship even came back.
Like a couple of spots nearby the crib were all
they were all open. I was like, all right, and
I went, I got a couple burgers, So you did,
and they were excellent.

Speaker 3 (11:10):
I didn't have a problem.

Speaker 1 (11:11):
So, I mean the grocery store was still if you
had the water grocery store was you.

Speaker 4 (11:17):
Can go get food, you can go make it.

Speaker 5 (11:18):
Yeah yeah yeah yeah. Where do we want to go?
Do we want to go to music news? We wanna
what news?

Speaker 3 (11:26):
I mean, there's all kinds of news, yes, do it? Then?

Speaker 4 (11:29):
All right, music news? Alright, what's first?

Speaker 3 (11:33):
Music news? Okay?

Speaker 5 (11:40):
Will Smith says he's got nothing to do with Diddy, despite.

Speaker 4 (11:43):
Online rumors I don't care.

Speaker 3 (11:46):
He announced that on.

Speaker 5 (11:47):
Stage he had a he had a little little set
in between songs because he's like doing shows.

Speaker 3 (11:53):
I don't.

Speaker 4 (11:53):
I don't like the Will Smith the whole thing right now,
the whole I didn't like when he was like doing
all the self help ship and like jumping out of
planes on Instagram and ship. I didn't like that. And
then I didn't like it when he slaped christ Chris Rock.
Then I didn't like that. Somehow he was the victim
of that. He was somehow he was the victim of
the slap. And then he tried, then he tried to

(12:14):
like now he's doing Christian rock rock rap, and then.

Speaker 5 (12:18):
He's hiring like the he's like hiring the like the
baddest fast rappers to write his raps. And because he's
got a new song, he's got a song, I would
join Lucas.

Speaker 4 (12:27):
Oh he's going it's one of those but it's.

Speaker 5 (12:30):
Like it's like super confessional and actually I should put that.

Speaker 3 (12:33):
On this song.

Speaker 4 (12:33):
I'm not good. I don't want to hear none of
that ship. So he got a video, go ahead and
make uh, you know, make a good movie. Man, You're
gonna make an action movie or something. Man, I'm tired
of all this ship.

Speaker 5 (12:44):
Yeah, did you guys hear about Jamie Fox? Getting Did
you guys watch his like stand up spec I watched it.
Did you all see it?

Speaker 3 (12:51):
I haven't watched it yet.

Speaker 4 (12:52):
I got it. Got Man, it's like it's it feels
more almost like a church service about him, like getting
over he got had a stroke, Yeah, and he's talking
about it and he's just like really thankful that he
could walk and talk and ship, you know. Heard. But
as far as a comedy special goes, it won, it won.

(13:13):
It won't very much comedy. It was it was it was.
It was low on comedy.

Speaker 3 (13:17):
It was low on comedy. It was more of.

Speaker 4 (13:19):
A inspirational ted talk. It's like church man, it was inspirational.

Speaker 3 (13:24):
I heard he said his name like a bunch of
times whose name? His name? His own name is Jamie Fox.
Did he say it a lot in the special?

Speaker 4 (13:32):
Yeah, he did kind of say it a lot.

Speaker 3 (13:34):
I heard.

Speaker 4 (13:34):
He was just not Jamie Fox.

Speaker 7 (13:35):
Yeah.

Speaker 4 (13:36):
I can't be out here, you know, I couldn't let
them see Jamie Fox like that all fucked up in
the bit. And then he brought us daughter out to
play like an indie rock song with him, and he
sang it was mad, boring and sad, and he was
like laying his head. He's like playing that guitar, baby play,
and she was like playing some like it was like
kids guitar. It was like it didn't sound bad or nothing.

(13:57):
It was just like some weeks we can't hear it.
And then he was just like really about to cry
about how happy he was, which look I understand that ship,
but yeah, and then he did like kind of like
some callbacks to old specials like characters and stuff. He
talked to which characters he's done?

Speaker 1 (14:15):
Okay, what was the audience digging?

Speaker 4 (14:17):
It was?

Speaker 3 (14:18):
It seemed yeah, I mean it was like in Atlanta.

Speaker 4 (14:23):
It looked like church. It like Atlanta, you know, people
of clapping, clapping, Ice closes clapping after every two sentences, man,
like you know what I mean, like every two sentences,
He's like, and that's why I know. My mother is
the strongest woman never lived. She took care of me,
you know, helped me when I was down the rollouts.

(14:46):
Now take care of your.

Speaker 5 (14:47):
Mother, because you know, they talked about over and over
they've been trying to talk about Jamie Fox like Diddy,
you know, as of lately.

Speaker 3 (14:55):
You know, why why do you do that?

Speaker 4 (14:57):
Why do that?

Speaker 1 (14:58):
They said, did he tried to poison him or something
like that. That's what I heard. What Yeah, Williams didn't
say that, but Cat Williams has been saying right when
Kat Williams were like, oh dude, Catwilliams was right about
that ship. Then he starts seeing some even crazy shit.
It's like, Okat Williams, we like again, and now he's
seeing stuff like I don't think Jamie Fox is the
Champions Fox.

Speaker 4 (15:18):
He said, yeah, he brought up that Jamie Fox brought
up the clone shit. He's like, it's like a cat
used to be like Cat Williams being he fucking sucks.
He's just full of ship.

Speaker 1 (15:28):
And then he got that one thing right and it's like, well,
maybe we should revisit some Cat Williams n he fucked
it up immediately.

Speaker 5 (15:34):
No, And he's also trying to take he's trying to
take some of that off of him.

Speaker 3 (15:38):
I think Kat is like.

Speaker 5 (15:40):
Where they're saying that he's like Negro Domus or whatever,
you know that he could like, you know, he could
just like predict what what's gonna happen, because he's like
he's like, I didn't know.

Speaker 4 (15:49):
Nothing, you know. He said, he's not snitching, but.

Speaker 3 (15:52):
Yeah, he's Now he's saying he's he's a little snitchy.

Speaker 5 (15:55):
He's like, I don't know, not saying or whatever. And
then he said that he said Jamie Fox used to
have butt naked basketball parties.

Speaker 1 (16:04):
Well. Also part of part of his saying is just
saying everybody is like freaking gay and nobody knows about it.

Speaker 4 (16:10):
Just people are trying to make you wear a dress.

Speaker 1 (16:12):
Celebrity man of doing that. And then he happened to be.

Speaker 5 (16:15):
Right, Yeah, he's like, he's like Hobby, he's a successful
black man.

Speaker 3 (16:20):
They have made him dress. Yeah, man, they have sucked.

Speaker 4 (16:24):
They have been on Hollywood.

Speaker 1 (16:27):
You have to It's like, why do you think Kevin
Hart has a career?

Speaker 3 (16:30):
Ye, No, one wants to hang out with me. All
those guys say the same ship. It's like so weird.

Speaker 5 (16:35):
He got beat up by a seventh right, okay, yeah,
so yeah, kat Williams, Oh boy, let me see here.

Speaker 4 (16:47):
You can't. You're trying to like get it off like
your superhuman uh knowledge. Now, now if people are looking
at you like, well, what do you know? Like now
an FBI? Right, once the FBI becomes involved, Yeah, they're
gonna start asking people what they thought they knew did
you go to one of these parties and know you
didn't go? So you heard this from somebody? Who you

(17:09):
hear from? Did that person go to the parties? What's
their name? You can see how it was, Yeah, watch yourself,
hey man, watch yourself.

Speaker 3 (17:18):
Jamie to know everything.

Speaker 5 (17:19):
Jamie Fox was known to have very you know, wild
parties as well. So I don't know. I don't know
if this is like when you say church, I'm like.

Speaker 4 (17:28):
Is this it felt that way?

Speaker 3 (17:30):
Is this that kind of rollout where it's just like.

Speaker 4 (17:32):
It wasn't It wasn't no rollout, man, it was boring.
It was like, nah, it was like inspirational. It was
I can't discribe. Y'all should watch it. Text me, I'm
gonna be waiting waiting for it to start. You're just
like waiting for the lambs man.

Speaker 3 (17:49):
Wait.

Speaker 5 (17:50):
A lot of people said that though. That's I think
that's what made me hesitant to watch it, because they
were just like, I.

Speaker 1 (17:54):
Didn't want to watch because I wouldn't expect that to
be I wouldn't watch.

Speaker 4 (18:00):
I'd never never wait for the next one when I'm
assuming the next one will be a normal special in
which he will be funny because he's normally good on
his specials. Well, maybe he's a change.

Speaker 5 (18:09):
Man because it's been it's been over twenty years since
he did his last one, so hopefully he.

Speaker 4 (18:15):
Was doing mad movies though, yeah he did. He was
ray you know what I mean. It's not like you
fell off or something.

Speaker 3 (18:21):
You know.

Speaker 5 (18:21):
No, I'm saying it's going to probably go back to that. Okay, Yeah,
I don't know. I hope that he does another special, like,
you know, sooner than Like, his music sales hit a
twenty year high thanks to streaming and uh vinyl man.

Speaker 4 (18:40):
Yeah, I don't even know who can man the finally
even bring this is in the UK.

Speaker 3 (18:47):
It's not even real.

Speaker 5 (18:48):
But it's still it's the same artists, it's the same
American artist, but it is, Uh, it is in the UK.

Speaker 3 (18:55):
The UK. They enjoyed.

Speaker 1 (18:57):
The headline is they're selling more there's vinyls. Yeah, yeah,
nobody's taking money off of that.

Speaker 3 (19:04):
I feel like they actually sit and listen to records
over there.

Speaker 4 (19:06):
Still. That's fantastic that I hope that's the case. That's fantastic.

Speaker 3 (19:10):
That's fantastic to hear. Uh let's see, uh.

Speaker 5 (19:14):
Well they all right, they called that off Facebook, Facebook
playing the flood platform with AI powered users that lasted
for two days. Yeah, they were, they were planning to
do that, Zuckerberg. He thought that was going to be
a I A AI powered.

Speaker 4 (19:30):
Us, like adding their own bots on purpose essentially to
do what though, it's kind of like what Spotify has done,
right Spotify. What Spotify has done is like everyone gets
paid a percentage of like what is listened to from
your music? Right, And they say that you get like

(19:50):
a fraction of the money because everyone just listens to
everything because it just pay a flat fee. So here's
your percentage of what people possibly could have done, right,
So you're not s was gonna of fractions of money.
So what Spotify did They added a whole bunch of
artists to Spotify that weren't real artists and and didn't
pay them. So now it just raises so called the

(20:12):
amount of artists on Spotify that each artist gets less,
so it keeps lowering the amount of that every artist gets.
And that's the whole thing. So I don't know what
Facebook be doing with their ship, but it can't it
can't be help us out. I'll tell you that does
YouTube do they have their own bots, not that anybody knows.

Speaker 1 (20:30):
Maybe I don't know if YouTube, but there are bots
and comments and stuff. Yes, Like I don't know if
accounts being body counts and if they are, like how
would you do they post video or they just.

Speaker 4 (20:43):
Like I've seen, like you know YouTubers people that use
like a like a what you call it, like an avatar. Yeah,
you can kind of bote out that, you know, an
avatar that's playing a playlist. But I don't think it's
a huge deal yet on YouTube because why no one's
watching it?

Speaker 3 (20:58):
You know. You hear like AI voy on these documentary things.

Speaker 4 (21:01):
All the time.

Speaker 1 (21:01):
Yeah, but that's more of a production' that's not it's
a I created somebody script and then put it in
like every language they could think of post it up on.

Speaker 4 (21:11):
So I don't know why they were going to do that,
and some of it could be political. I know one
of the things they did was, you know, making it
seem like a cause has people following it. So they
make these AI people. It's like an AI black woman
with three kids, and she's like, this is one of
the counts that was there, and she's there, She's like,
I love life and I love, you know Jesus and

(21:33):
it is. Here's her at a charity. Here's her taking
her kids to a fake game. Here's her and her
kids doing fake charity giving out. Look at their faith.
Who It's like, it's just like completely fake. But then
you go to an account that has like a message
to it or an idea, and it goes like, whoa,
look at all these followers. Oh they've got some black
people following this ship, you know what I mean. It's

(21:54):
like every kind of just faking what is popular? Is
it popular?

Speaker 6 (21:59):
You know?

Speaker 3 (21:59):
Assuming it has something to do with that AI rapper dude.

Speaker 4 (22:02):
I think they accidentally just dropped that too early, right,
But that was that was always the plan.

Speaker 1 (22:07):
He stands up for him. Now yeah he's still sticking up.

Speaker 4 (22:13):
But yeah, make a fake pop star and then some
tech person just keeps it all right and then just
go like we have no more pop stars or what
or whatever. You know. But I don't know the point
of that. Anybody paying to be on Facebook?

Speaker 5 (22:27):
No, Well, yeah, they dropped that idea pretty quickly. After
that came out, people were pretty upset. So that's not
the thing for right now. I hate that dude's roll
out right now. Zuckerberg, he was just on Joe Rogan's.

Speaker 4 (22:41):
He's trying to be the cool he trying to have
like at.

Speaker 1 (22:45):
I want, I want to check out that Joe Rogan thing,
but I'd rather just see a thirty minute condensed version
of the best parts of it. I don't want to
hear Joe Rogan talk to Mark Zuckerberg about bow hunting
or some other barbecuing or some shit.

Speaker 3 (22:59):
No, it's a lot of here.

Speaker 5 (23:02):
It's a lot of listening to I mean, I'm sure due.
I mean, I think it was like it was like
three hours long or something. I didn't watch all.

Speaker 3 (23:07):
This listening to do and rocking out.

Speaker 5 (23:10):
They it's a lot of Zuckerberg talking. I'm saying he
listened to Zuckerberg and Zuckerberg's he has like some weird
rollout right now where he's giving his all his thoughts
and feelings about stuff and Facebook people saying he wasn't
a human Yeah, and also absolutely, but also he just
took like a just your favorite hit I think publicly

(23:30):
during the pandemic and everything else, and then uh, you
know he's coming out obviously for Trump and all that stuff.
So he's just I think he's just he's seemed to
be very prepared.

Speaker 4 (23:42):
I'm telling you man, him and Eli weren whose most
popular contests popular rich autistic dude. He tried the other
way right, was the first thing he did. He dropped
the bullshit song doing some bullshit. It's just whack. Yeah, yeah,
don't understand it. Gonn be a new president.

Speaker 5 (24:02):
The There's a lot of Diddy docuseries that are going
to be coming very soon. There's one on I D
that's coming out. Uh at the end of the.

Speaker 4 (24:14):
That's the channel that has like true crime ship on it.

Speaker 1 (24:16):
Yeah, investigation episodes of Is this a regular channel, the
regular channel?

Speaker 5 (24:22):
Yeah, yeah, it's a regular channels deep in there, but
it's it's a regular channel, very popular.

Speaker 3 (24:27):
They took on a lot.

Speaker 4 (24:28):
Of What Snapped.

Speaker 1 (24:30):
Yeah, that was a different I thought that was okay.

Speaker 3 (24:34):
That was it was on I think it was on WE.

Speaker 4 (24:37):
TV or whatever.

Speaker 1 (24:39):
But I haven't watched that stuff. So when I lived
with Gabe that those channels would be just on the
TV on all day long. Yes, it was the greatest program.

Speaker 3 (24:54):
Boys, like all the time.

Speaker 2 (24:57):
Uh.

Speaker 5 (24:58):
Well, so there's so uh fifty cent is doing a
docu series that's gonna be on Netflix.

Speaker 3 (25:03):
He's making one about did he Oh yeah, you'll about this?

Speaker 5 (25:07):
Yeah, amazing, he's been he's been working on it and
he's and he was talking about on the Breakfast Club
recently and he was saying, how like difficult it is
because you have to like just constantly update and like,
you know, how long is he gonna keep shooting and
keep you know, getting interviews and whatever, because you know,
we're not anywhere close to a trial yet.

Speaker 4 (25:28):
Bro, he hasn't really been. He has been found guilty
of anything.

Speaker 3 (25:31):
No. Uh.

Speaker 5 (25:33):
One of his uh, one of the guys from making
the Band uh from the first season, Chopper Poppert, He
came out and did an interview.

Speaker 3 (25:41):
He was crazy.

Speaker 5 (25:42):
But he talks about how did he is definitely he
thinks he's bisexual, That he's definitely And he said that
he saw some things with his eyes, and he said, why.

Speaker 4 (25:52):
Don't you come out and have anything to say about
this right now?

Speaker 3 (25:56):
It's not it's that it was it was the art
of just the art to disgrace.

Speaker 5 (26:00):
Is that the thing of the channel something it's like
a vat lad TV channel that interviews a ton of people,
all right, And they interviewed this cat and he said
that he said he saw things with Diddy and another
man that brought uncomfortability.

Speaker 8 (26:13):
Okay, well listen, can I just say something here, dude,
I'm fucking I can't. We're trying to gather to gather
fucking facts about like actual crimes, and I'm fucking sick
of rappers like being so like debilitatingly homophobic.

Speaker 4 (26:28):
Yes they can't.

Speaker 1 (26:28):
Even like, yeah, dude, you're allowed to fuck dudes in
the ass essentually that like that's been.

Speaker 3 (26:33):
Happening for a long time.

Speaker 1 (26:34):
It is completely legal, Like, dude, are you are there
children involved?

Speaker 3 (26:37):
Are somebody getting killed? Somebody getting hurt?

Speaker 2 (26:39):
Legal?

Speaker 3 (26:40):
Great?

Speaker 1 (26:40):
Like, dude, tell me a crime, like I don't care
about the fucking street code. Fucking you don't fuck dude
crime or something like that. Dude, fuck off. I'm so
tired of this is making fucking investigations go hard.

Speaker 3 (26:52):
We can't watch crime TV without rappers going to pause,
pause your way, oh you fucking oh, It's like I can't.
It's funny sometimes, like in the situation.

Speaker 4 (27:04):
It's old crimes, old at the bare minimum is old. Yes,
everything is gay and ship like that. It's like we're
talking about crime stuff.

Speaker 3 (27:11):
You're trying to figure this out. He keeps Okay.

Speaker 5 (27:14):
I mean they will ask him. They will ask him.
They be like, wait, you know what you see and
he's like, brought it, brought ability.

Speaker 4 (27:21):
It was two dudes kissing.

Speaker 1 (27:23):
It's like, I mean, broyh, you hit a crime officer.

Speaker 3 (27:30):
Disclaimer. He definitely did.

Speaker 5 (27:32):
He definitely said like, you know, he likes gay people
and all that stuff or whatever.

Speaker 3 (27:36):
Yeah.

Speaker 4 (27:38):
Yeah, no, Fitch to get I think this iss worthy.

Speaker 3 (27:42):
I think it is news worthy. They're digging them all up. Man,
They're digging all of them up, all the all the
catch from making the band. It's exhausting, bro, the arm
B band.

Speaker 4 (27:51):
They need the money because they're getting paid for these interviews.
The R and B band. Guys, though, have not seen
them Hardy twelve.

Speaker 5 (27:57):
No, well then you haven't seen Harley anything from them,
But you haven't seen anything from the Day twenty six
guys either.

Speaker 4 (28:04):
About Dannity Kane that's what's the name, right.

Speaker 5 (28:06):
Yeah, Aubreyoda, she's definitely been like, you know, you'll gonna
find out. Yeah, So she's been the only one that's
really been very public about it, and uh, maybe one
other one, but uh, okay, so yeah, the docuseries on there.
I saw there was another one that I think that
literally started this week another Docusries maybe it was a
TMZ or another Diddy document series, another Diddy doc Diddy Docks.

Speaker 3 (28:29):
And there's at least three.

Speaker 4 (28:30):
The documentary to come out before the trial even start,
you know, wild.

Speaker 5 (28:34):
Because the document all the other stuff they want to know,
what the because the r Kelly thing had the.

Speaker 1 (28:40):
Definitive documentary that like kind of led to like more charges. Yeah,
where's going to be the Diddy documentary that does that?

Speaker 4 (28:49):
Okay, like some some you get.

Speaker 3 (28:52):
Tell me all details that is like, well, hell, it's
never come.

Speaker 4 (28:54):
I don't think they got it because it's just people
that they hate them and want to just talk about
gay shit. You know, they're just like that's all they
want to do, you know, that's all they.

Speaker 3 (29:03):
Care about it.

Speaker 1 (29:03):
Also, anybody big that had anything to do with whatever
is not going to talk and if there is any evidence,
they would have gone to the trouble of making sure
that nobody.

Speaker 3 (29:13):
Would find anything.

Speaker 1 (29:14):
Yeah, Unfortunately, there's just documentation of it.

Speaker 5 (29:17):
There's just more people that are just like trying to
like say they were in the same space as him.
One time and they essayed him them or whatever.

Speaker 1 (29:26):
How convenient that his house was burnt down and destroyed.

Speaker 3 (29:30):
Yeah, that's crazy.

Speaker 4 (29:31):
Which one Yeah, before it was fully searched.

Speaker 3 (29:36):
Yeah, a lot of people.

Speaker 4 (29:37):
Mad lived, a lot of people lost their house. That's
really I mean, I feel I feel like it's a
shame that did he burnt down all of l A.
He did it just to dodge just that started.

Speaker 1 (29:51):
I think it was did he or somebody that was
going to get found out. I think all of Hollywood,
all the pedophiles in Hollywood have started, Yeah, just destroy
all the evidence.

Speaker 4 (30:01):
They were like, this is the perfect time. All the
so called arsenists, Yeah, they did. He looked anybody they
thought was arsenists.

Speaker 3 (30:08):
They caught some cat with like a blow torch.

Speaker 4 (30:11):
He said that dude was getting high though. They just like, oh,
there's two of them myself.

Speaker 1 (30:15):
One one was a blow torch in a regular neighbor,
but another one was a dude that was a homeless
guy making a fire because he said he was cold,
which I don't buy because he's in California and the
whole place is on fire.

Speaker 3 (30:26):
So yeahry he was getting very warm there, man, wild
I told you no I probably didn't.

Speaker 1 (30:31):
When I lived on Franklin Street when I was going
to VCU. Uh, the old building I lived in had
a a utility closet with a door that went outside,
and these two homeless dudes broke in there and fucking
uh started a fire and like a bucket and it
didn't like catch on fire, but like my whole apartment
smelled like smoke, and like I called the fire department,

(30:53):
like looking all over the apartment, like, yeah, it really
does smell like smoking here. And one of them goes
downstairs and figures out that these two dudes are like
have a fire, like like they're camping out inside this
little broom closet.

Speaker 3 (31:06):
Oh my god, yeah, weird. Yeah, okay, what else do
we have.

Speaker 4 (31:12):
Great street stories? Oh yeah.

Speaker 1 (31:15):
The dudes also call themselves John and Paul. And there
was a bunch of fucking uh Beatles uh graffiti.

Speaker 3 (31:24):
In the building next door where.

Speaker 1 (31:25):
A couple of my friends lived, and like, oh yeah,
and so me and and Chris Spurgeon were like actually
playing Beatles songs hat like a drum set and bass
and guitar set up, and then we heard we stopped,
and then we heard these dudes on the fire escape,
singing Beatles songs and stuff like trying to yell at
us through the window and like yeah, dude.

Speaker 4 (31:47):
And then we're like okay, guys, go away.

Speaker 3 (31:50):
And then Andy.

Speaker 1 (31:53):
And then I go over to hang out and Chris
is which is next door, and there's all this Beatles
fucking graffiti all up in there. And then that night,
uh fucking uh uh the fire thing happened. All that
that's when I lived with Tray and Trey had been
playing a gig like in Norfolk or something. So he

(32:13):
get back to the late that night and he got
back as the fire engine was like leaving. He's like,
what happened? I was like, oh man, big, they'll never
guess what happened.

Speaker 3 (32:23):
That is wild. That's a wild ass story. Yeah man,
it's been like two thousand and two or something.

Speaker 4 (32:29):
Oh yeah, wild, wild and wooly.

Speaker 3 (32:31):
Leould see here.

Speaker 4 (32:33):
Uh.

Speaker 3 (32:35):
We definitely have some mad big ups. Do you do
you think mister Beast is going to buy TikTok? If
you think they'll let him do it, they probably would
let him do it.

Speaker 1 (32:45):
His credit is probably why would What would that change
is he'd own it.

Speaker 3 (32:49):
It's got a dvest from China or something. Yeah, they
don't want they.

Speaker 1 (32:52):
I don't want him to do it because we found
out mister Beast is not nice.

Speaker 2 (32:56):
Man.

Speaker 4 (32:56):
Come on, who's nice?

Speaker 3 (32:57):
Elon?

Speaker 4 (32:57):
You want Elon because he's nicer, right the other person?

Speaker 1 (33:04):
Uh well, all the mister b stuff into being like
is a scams? Like we found Yeah, it's like not
like I thought mister Beast was done.

Speaker 3 (33:15):
After all.

Speaker 4 (33:15):
We will just say that that's the kind of ship
that just goes on like this is real, this is real.

Speaker 1 (33:20):
But I mean there was real stuff for the skin,
Yes there was.

Speaker 3 (33:23):
I was into this pretty heavy.

Speaker 1 (33:25):
And there's definitely evidence that he there's and all the stuff,
all the stuff that's not selled from the mister Beasts games,
all the.

Speaker 4 (33:31):
People they just but I'm just saying it's just like
businesses that don't do well, they're not necessarily scams. They
just settle them. And that's just not like he's got
an Amazon show that's just dropping now Netflix shows.

Speaker 3 (33:43):
He's definitely no where close.

Speaker 1 (33:44):
It's just YouTube and Amazon too much money for them
or something happened, and all the ship with the dude,
the fucking miners and stuff and all these uh chats, dude,
it's the whole situation is pretty fucking sketchy.

Speaker 5 (34:00):
Yeah, I don't think it's gonna matter, actually, pretty fucking yeah.
It sounds terrible, but I don't think it's gonna It
doesn't seem to make any fun.

Speaker 3 (34:07):
He's got too much. He's already got too much.

Speaker 4 (34:10):
Too much money he makes, he's making, he's making money
full stop, you know what I mean. It's like it's
not more sketchy done. He's just enough charity to where
it's just that like no one knows the names of
any other CEOs, you know what I mean, except except
for like mister Beasts. So you go like, yeah, you know,
it's because that was like do Ship. You know, it's

(34:31):
definitely more evil CEOs. Yeah, like Bezos, all those healthcare companies,
the Mother Luigi, his whole thing is all about that.
You know me too, man, But just it's it's just
like people just know he's so accessible, you know, and
like the bigger your company is, the more you just
deal with with dumb ship dude.

Speaker 1 (34:52):
Hating Elon Musk is like it's like liking Pearl jam
in nineteen ninety three, you know what I mean.

Speaker 4 (35:00):
It's just like everybody.

Speaker 1 (35:01):
Did you know what I mean, And it's all you
know about. But nobody was getting those deep cuts. Nobody's
talking about you know, you know, the the really evil CEOs.
You know what I'm saying, Like Luigi was was you know,
it's just what the final head would be to most people.

Speaker 3 (35:18):
Luigi was the new deep cuts.

Speaker 4 (35:21):
It's just it's just say no downside to any of it,
you know what I mean. It's just all he does
is like make shows and sells them, you know, and
then like you make a show, you sell it. You
make a show, you sell it, and then all this
other ship is just like, man, no matter what I do,
people are talking about me online all day and all night.
That's all that matters, se did he just sells those

(35:42):
all those numbers, you know what I mean. It's like
it's very true. Yeah, he's like, I don't know what
you call that kind of ship.

Speaker 5 (35:49):
No, He's well, he's just trending, you know, He's just
a trending and you know he's he's worked his you know,
algorithm into the you know, into the into the mix.

Speaker 4 (35:58):
You know how that shu work me either, He's like,
I got two million dollars to throw whoever can.

Speaker 1 (36:05):
Beat crazy Taxi if well, we found out that nobody
actually gets any of them.

Speaker 3 (36:10):
Nobody gets.

Speaker 1 (36:11):
No, that's the scam I'm talking about. Nobody actually gets.
He does give money to like villages and ship in Africa,
but when they do the contest, nobody ever wins it.
If somebody does, it's like, uh, it's like the monopoly scam.
It's like a friend of his accountant, or it's it's
a gambling scam. Yeah, man, house always wins.

Speaker 5 (36:34):
Okay, let's uh, let's let's hit some mad big ups
here because.

Speaker 1 (36:41):
Man, you know, hold on here, let me do a
man let's hope this mad big up screen work.

Speaker 3 (36:46):
Oh my god it okay.

Speaker 5 (36:53):
Richard Perry producer, big time producer, produce you so Vain
for Carly Simon. These are the cats that like would
literally get paid off of hit singles, you know, just
I mean, he's just got so many. Uh got to
start in the music business by doing novelty songs like

(37:14):
Safe as Milk by Captain Beefheart and Tiny Tim's uh
Tippy Toe through the Tulips. And then he worked with
Harry Nielsen. I didn't know that he produced Nielsen Schmilsen.

Speaker 1 (37:26):
Yeah, he did a lot of really obscure stuff, and yeah,
that's that's a big one. Awesome, you're so vain, is like,
I mean, that's a you know, classic song and supposedly
supposedly made.

Speaker 5 (37:41):
Her record that song one hundred times before. Yeah, I
don't know if that's vocals. Okay, Yeah, I don't know
the rest of that story. Yeah, I'm gonna I think
I heard he make a do a one hundred times.
I'm sure you put out a book or something. I'm
gonna find it. I've heard a lot of interesting things
about him. The Pointer Sisters, that big album. They had

(38:03):
to have all the hits on it. I'm so excited jump.

Speaker 3 (38:09):
Yeah, it's like, I mean it's eighties. This is eighties.
But I mean, I mean those were huge.

Speaker 5 (38:14):
I mean, I think she produced he produced Payla Bell's
like really big hits in the eighties, just kind of
like took the nineteen nine nine formula and just you know,
kind of did his own version of it my opinion.
And yeah, Donna Summers, Rod Stewart, Barbara streisand I mean

(38:35):
just big, big, big artist. And also Pointers Sisters were
on his record label. That's a little interesting. They were
on his record label, and he was producing the records
Anothery're Little but yeah, Ringo's two solo albums, those were big,

(38:56):
big albums too. So yeah, Richard Perry was like, was
that dude?

Speaker 4 (39:00):
Man?

Speaker 3 (39:00):
So I definitely wanted to throw him at you know
what I'm saying.

Speaker 5 (39:05):
Jimmy Carr died. He was one hundred, one.

Speaker 4 (39:09):
Hundred years old. Definitely probably still moving and groovy man,
because he was supposed to be. He was like on
hospice like years and years ago. Yeah, he was rocking
for like eight more.

Speaker 1 (39:19):
Years, showing up at all that like charity stuff, still walking.

Speaker 5 (39:22):
Around, you know, he was still building houses, probably.

Speaker 1 (39:27):
Going into COVID. I think he was doing that.

Speaker 5 (39:30):
Yeah, I'm pretty sure, like maybe three years ago, maybe
two or three years ago, and just like probably driving
his kids absolutely bonkers because he fell multiple times.

Speaker 3 (39:38):
I'm just I was gonna say something about him.

Speaker 1 (39:41):
As long as you shut the fuck up and do
some like not mean stuff, people forget about things. True,
all the shortcomings of his ship, he's remembered really well,
just because he wasn't an asshole. He kept regardless of
like regardless of whatever, you know, whatever you say about
is everybody hates all the presidents, yes, but the fact
that he just stayed kind of classy and just you know,

(40:03):
lived out his life and just you never heard him
like way in on anything.

Speaker 3 (40:07):
No, he has cared about, you know, humanity.

Speaker 1 (40:11):
I think he maybe was one of the last uh
and this is no nothing on his political anything, but
last like.

Speaker 4 (40:19):
Uh, classy decent.

Speaker 1 (40:22):
I'm not even say decent, but just classy.

Speaker 3 (40:25):
I'll so decent in there.

Speaker 5 (40:26):
Because the footage, perhaps the footage of him inviting all
those jazz musicians to the White House. That's how he
got you though, that's no no. But but the thing
is is that footage that still being around. You know,
you really don't actually see that kind of shit of all.
I mean, these are all like classic cats. I mean
it was past like Duke Ellington, but it's like Joe Jones,

(40:48):
like like going way back to like the forties, fifties dudes,
having those guys go to the White House and they've
never been probably before that was I think that is
a like really amazing memorable event.

Speaker 4 (41:00):
Uh.

Speaker 5 (41:00):
Yeah, his political career got completely overshadowed by Reagan.

Speaker 9 (41:05):
Uh.

Speaker 5 (41:05):
The latter half of the seventies was pretty unknowtable as
far as pretty.

Speaker 1 (41:10):
Bad, you know, yeah, yes, but yeah, really, I mean
it is what it is, like the world in the situation.
It was I'm not say the team's fault, but like,
shit really sucked in America in late seventies, like as
far you know, financially, it commomi well, actually no, no,
it was.

Speaker 5 (41:29):
It was at the there was like right at the
end of the seventies, like seventy nine eighty.

Speaker 3 (41:33):
So that's but that's what probably takes me and yeah,
that's absolutely what it was.

Speaker 5 (41:37):
But they always talk about this in music, that music
completely lost the message after seventy four to seventy five
because America was actually so prosperous at the time. That
was actually a time when people were starting to experience
a lot more financial growth.

Speaker 3 (41:53):
There was a lot a lot of that happening in
the I mean, this.

Speaker 5 (41:56):
Is pre crack, and then like, well that's the eighty
one Oh no, I'm saying, but I'm saying eighty one
eighty two. Then you have Reagan, then you have the
then you start seeing the crack epidemic, and then it's
and it was also booming economy, but it started off
on a low I need to buy crack was the recession,
the recession of seventy nine eighty, very very significant during

(42:21):
that time. People don't really talk about it as much,
but yeah, those were pretty bad recessions. Okay, got one
more here. Sam Moore of Sam and Dave, I didn't even.

Speaker 3 (42:36):
Know he was still alive. That's insane. He was trucking
for a long time, man man, and he was him
and he was like, you got That's how they got
the slaps. I got you.

Speaker 5 (42:47):
I I kind of I definitely speaking of people being overshadowed.
His vocals got better as he got older, which was
kind of crazy, their vocals and all that. He would, Yeah,
but he would. I mean he would show up on
award shows. I know who the fuck he was. I
was like, who is this guy?

Speaker 4 (43:04):
And then seeing the old footage of him Sam and Dave,
I mean, dude, killing it, killing it. They they never
sing the song the same ever, They always like broke
it up and did different ship. He would always like
add some kind of extra level to the ship. I mean,
his performances are.

Speaker 1 (43:22):
What's crazy is I didn't I didn't put together that
Sam and Dave were the same guys from all the
hits right till I, uh that Jocko album where they're
on the first cut of the album, you know, which
was Sho the.

Speaker 4 (43:40):
With has Sam and Dave on it. Yeah, you don't, dude,
I'll pull this shit up.

Speaker 1 (43:44):
That's like where I identified, Oh that's Sam and Dave
and then was like, oh, that's.

Speaker 4 (43:48):
The guys from Sam.

Speaker 2 (43:51):
Right.

Speaker 3 (43:51):
Yeah, oh dude.

Speaker 1 (43:52):
So this is how I realized who they were. And
then I realized I knew all this stuff. Man, that's crazy.

Speaker 3 (43:58):
Yeah, I didn't. I didn't know about I don't know
his first album. Oh oh, I'm sorry, Jocko. Yeah, I
think you said something.

Speaker 5 (44:05):
I think you say, Shacko this, that's that's that surge
slurred you up there.

Speaker 1 (44:09):
Chopping You're like Shacko session.

Speaker 3 (44:13):
No, Josh, Shacko.

Speaker 5 (44:18):
Said, that's why we were like I never heard, so
you are so damed. I was like, I don't, I
don't understand what say.

Speaker 4 (44:24):
Yeah yeah, and this is this yeah yeah.

Speaker 5 (44:33):
And honestly, I think Dave was like killed like not
long after this or something. Yeah, it was like his
his death was like supposedly kind of weird.

Speaker 3 (44:41):
They got stabbed or something like, so knew him or
like I don't know. Ship Ship happened real fun up
to some of these soul stars.

Speaker 1 (44:51):
Man, yeah, Roger Trapping thing, Yeah, not later than somebody
else that got stabbed.

Speaker 3 (45:02):
Man, it's kind of crazy. This is such a great album.
It's like it happened.

Speaker 5 (45:15):
It should feel like it should be supposed to be
like a jazz album, but it's like in.

Speaker 4 (45:23):
The style of like.

Speaker 3 (45:28):
Power but also.

Speaker 2 (45:31):
Er and ship like that.

Speaker 3 (45:31):
There you go, Rider Ship let cert get.

Speaker 2 (45:39):
Yeah.

Speaker 1 (45:39):
And then I was like, oh, those are the guys
from this hit and this hit and this hit and
this hit. Have you grew up in a blues brother's household?

Speaker 4 (45:47):
Like I did you know?

Speaker 5 (45:49):
It's just like it's ah and Michael Walton and I
believe on drums on that one.

Speaker 4 (45:53):
Yeah.

Speaker 3 (45:54):
Uh.

Speaker 5 (45:55):
It's a great album, superior the Schrock album. It is
a period album. It is this album.

Speaker 1 (46:02):
Also the rhythm section of this Shako album and also
the Jeff Beck album blow by Blow is like around
the same time, and the drum I know, it's different
drummers and bass players, but the rhythm section has that
same kind of it's this one.

Speaker 5 (46:19):
They share drummers because it's neuralda on on on on.
I believe on both and Ed Green is on drums
on some of those cuts. Who's like a yeah, like
he's I think he's like a Nashville Killer drummer now,
but I think he was like a New York dude
back in the day.

Speaker 3 (46:35):
He's on I Got the News.

Speaker 5 (46:39):
Yeah, Yeah, Okay, he's on, He's on, He's on the
whole Jackson's Destiny album, crushing that album.

Speaker 4 (46:47):
That sounds like the Beard and Ship.

Speaker 3 (46:49):
You know what, I don't think I've ever seen a
picture of.

Speaker 4 (46:51):
Okay, well I saw.

Speaker 1 (46:52):
I saw the documentary he did about the making making
the album.

Speaker 5 (46:59):
No, that's that's that's uh, that's uh. Rick Moroda, that's
Rick Moroda.

Speaker 3 (47:05):
That's it.

Speaker 5 (47:06):
He's on, He's on Asia, and he's on He's on
PEG and he's on like half of the he's on
the rock tracks on Royal Scam, Don't Take Me Alive,
and Ship like that.

Speaker 4 (47:18):
The other ones is again.

Speaker 5 (47:19):
Bernard Bernard Party, Bernard Party on on Royal Scam. He's
he's like seven of the cuts, and then it's like
Rick Moroda.

Speaker 1 (47:28):
He's you know, Haitian Divorces Bernard Party.

Speaker 3 (47:31):
I think it is. I think it is.

Speaker 5 (47:33):
I think signing stranger. No actually has a divorce. I
think is Rick But I think that, but I think
signing stranger is.

Speaker 4 (47:40):
Uh, I gotta look these up now.

Speaker 3 (47:42):
Yeah, because yeah, because I mean, dude, that because I.

Speaker 1 (47:44):
Also just realized that, Uh, Jeff Baxter didn't play a
solo on one of the songs that I thought he
played on.

Speaker 3 (47:50):
Yeah, he was out, he was out by he was
on the album.

Speaker 1 (47:53):
It was just some other dude came in the studio
and played the solo. Really in the years is like
a dude that's a buddy of theirs.

Speaker 3 (48:00):
Oh, no, it's both of them solo.

Speaker 1 (48:03):
No, the solo, No, it's not Danny Is. Like the
harmony guitars are Danny di Is and Jeff Baxter. But
the solo is another dude that was doing a session
there that's like a friend of theirs. He came in
to hang out and they let him cut his soul
and they're like, oh, that's great.

Speaker 4 (48:18):
What that is? That that the solo for them was
on the documentary they were talking about a different solo.
I think it was a different on the documentary on
the on the Rock Rock documentary.

Speaker 5 (48:30):
No, yeah, they're talking about they're talking about Larry Carlton.

Speaker 3 (48:33):
Okay, that's right, because he was like he was like
the king.

Speaker 5 (48:36):
Uh Danny oh Elliot Randall, Yes, Yeah, that dude's another
bad moment.

Speaker 1 (48:44):
It was like buddies with uh Jeff Baxter and like
he was just hanging out at the session during the
overdubs or.

Speaker 3 (48:50):
Some ship like that. That's crazy.

Speaker 1 (48:52):
Yeah, and he was like, oh, I did do cut
to the solo, and they were like, that's really good.

Speaker 4 (48:56):
Let's just keep it.

Speaker 3 (48:57):
Yeah, he was oh yeah, they were Yeah, they were child.

Speaker 1 (48:59):
Because I thought it was Jeff Baxter because it doesn't
sound like Danny Diaz.

Speaker 3 (49:03):
Yeah, the people give Danny Diaz like that kind of credit.
He'sn't shunning up. I saw.

Speaker 1 (49:11):
Jeff Baxter clinic when I was like in high school
at Alpha Music and they were in you know because
it's down by in Virginia Beach by the naval bases
and stuff. And one of the guys in the clinic
was a guitar player, but he also worked for you know,
military or whatever.

Speaker 3 (49:28):
Yeah.

Speaker 1 (49:28):
I started asking him questions about like, uh whatever radar
missile ship that because he works for the Department of Defense.

Speaker 3 (49:36):
Yeaheah.

Speaker 1 (49:37):
So like some guy asked him questions about this. He's like,
you talk to me after the things. Yeah, yeah, but
like yeah, dude, it was crazy. And then he told
a bunch of stories about sessions. It was like epiphone
was his he had a Jeff Baxter epiphone acoustic guitar
in the nineties. Yeah, and they just he just showed
up and played one of those the thing. Yeah, but

(49:59):
he talked about sessions. He's talked about like playing with
Barber strides in and she did like some tune in
e flat and like for some reason she was like,
he was I don't want them using a KFO and
he was.

Speaker 4 (50:09):
Kind of like He's like, but it's in to do that,
I gotta be there. He's like, I don't want that.

Speaker 1 (50:14):
It's like I don't know why he didn't just turn
around and put it on there whatever, because.

Speaker 4 (50:17):
Barbar strikes and she's not damn d guitar.

Speaker 5 (50:20):
He was on some like like snarky puppy esque type
ship back then because he's like he was in the
Doobie Brothers after Steely and like this just there's some
ship where he's just on stage wearing some headphones. Like
his guitar sounds crazy and he's just like sitting good
and he's sounds real. It's good, but it's crazy like
it's a crazy ass sound of guitar. And he's just

(50:41):
sitting in the middle on a on a chair, sitting
down like he was just like it's like going hand
and like Michael mc downs like furious. I love those furious.
He's just like, bro, I can't wait to get you
out of this band, bro, yeah, wrecking my song up?
Uh yeah, Okay, Ellie Randall cool went from Sam More

(51:01):
all the way over there, but that's from the from
the Shack album, went all the way to the Steely
Dan in the back and forth.

Speaker 3 (51:07):
All right, we got slaps, which we can just go
into it. Fuck it because like.

Speaker 4 (51:11):
I do, you know, yeah, there no break for you.

Speaker 3 (51:14):
You guys need to take a take a pie or anything.
You guys.

Speaker 4 (51:17):
Fuck you man.

Speaker 3 (51:19):
All right, great, let's go into slaps.

Speaker 1 (51:22):
Let me uh, I got it to get rid of
this background, man, Yeah, get rid of it.

Speaker 4 (51:26):
I'll do a little thing. I'll do a little over
a little bubble here, I'll go another thing.

Speaker 2 (51:33):
Yeah.

Speaker 1 (51:34):
Oh man, dude, we didn't talk about Rick Piotto. I
mean I was gonna do it enough, man.

Speaker 4 (51:41):
Oh, we talked about the yacht Rock documentary and it
was great talk about yeah, yeah whatever.

Speaker 1 (51:46):
Rick really has been pissing me off. Uh, it's just
rage made dude.

Speaker 3 (51:51):
Uh.

Speaker 1 (51:52):
You know, if there wasn't a bunch of bots on
the comments on there, I would every day comment on
Rick Piotto's Top twenty ship him like stop take the
ship down, dude. It's like it's like listening to the
Billboard International Spotify Top twenty and it's like, is this
even music?

Speaker 3 (52:11):
It's like, yo, Rick, we got it. You don't like
this ship. Neither do I.

Speaker 1 (52:14):
You know, I don't do it like I don't fucking
rage bait boomers and fucking you know, like I hate
that dude. It's like he's like stressing out my dad,
like that ship don't need to appen.

Speaker 4 (52:26):
Bring back Johnny Cash. He's like, come on, man, all
you need is full chords.

Speaker 3 (52:33):
Unfortunately is a little no.

Speaker 4 (52:35):
I mean your dad talking about Theiado Biado is like
one of those. It kind of there was like people
at music school they remind that reminded me of this
kind of shit sometimes, and which is like every they
just say everybody sucks and right, and like the more
complicated things are, the more they kind of respect you,
but then they know it sucks, you know what I mean,

(52:55):
Like he started making ship that they think sucks.

Speaker 3 (52:58):
Well, here's a kid.

Speaker 4 (52:59):
Then they go like, all you need is three chords, man,
And then then they all like high five about saying
all you need is three chords man.

Speaker 2 (53:06):
Yeah.

Speaker 1 (53:08):
Right now it's more of the it's more of a
uh that's pitch corrected and it's quantized thing like and
that's like like that I hate about that. It's like, man,
that's just how it is now. It's vocal processing. It's
like vocals didn't have a lot of processing, like guitars.
By the rot your guitar is like inventing like the

(53:29):
elite forties and by the sixties they had guitar pedals.
But like we've been singing on albums as soon as
microphones are invented, and like just in the past twenty years,
like vocal processing has gotten to the level of guitar
pedals and synthesizers, and now everybody's upset about it. It's
just like it's like you fucking you're fucking think of
how ridiculous it would be if somebody was like I

(53:51):
You cannot have a wammie bar and a pitch shifter
on a good Your octave pedal is sacrilegious.

Speaker 3 (53:57):
You cannot have that wamy pedal. You do feel that way, right,
Like you know what I mean.

Speaker 4 (54:01):
They're a little bit and they all play bluegrass. But
we're allowed to have a distortion that you can have
a DS the orange. Oh yeah, yeah, distortion.

Speaker 3 (54:09):
What I'm saying is.

Speaker 1 (54:10):
Like everybody's boomer Dad is totally cool with a fuzz
pedal and a wah and some tape echo. But like
you put a fucking pitch correction or something, or an
octave double or whatever.

Speaker 3 (54:22):
You can't play.

Speaker 4 (54:23):
Man.

Speaker 1 (54:23):
It's like, oh well you can't sing or anything. It's
like you can't sing either. Cares man, This ship sucks.

Speaker 3 (54:31):
Cats reinvent the wheel all the time.

Speaker 5 (54:33):
Sometimes sometimes Jeremy Simmons uses too much water for a
mac and cheese.

Speaker 4 (54:38):
Shore the mac and cheese.

Speaker 3 (54:39):
That's just the way it is. Jammy is gonna have
as much mac and cheese.

Speaker 1 (54:46):
He's not standing for any pitch correction anything like that.

Speaker 5 (54:50):
That's right, said said by him on our show Shots Farge,
Shots Fire. He said it on the show. So it's
not really shots fire at all what he said.

Speaker 4 (55:00):
But uh yeah, it's not like if all of a
sudden pop music didn't have pitch correction on it, that
you would love pop music, you know what I mean.
It's like not it's not even the like it doesn't
even matter. It's like if there was no pitch correction
and no quantization of poltic al, pop music is so
much better. I love Taylors.

Speaker 3 (55:19):
I love it now.

Speaker 1 (55:21):
I had this discussion with some of you the other
day that like, uh, the three things that I think
I've said this on here before, but the three three
thing three bands or artists that made me like question
what music is and what music isn't is Miles Davis okay,
Black Flag.

Speaker 3 (55:38):
Okay, and Lo Yati mmmm.

Speaker 5 (55:43):
And you're welcome, because why would you have listened to
Lil YACHTI without that.

Speaker 3 (55:47):
Was a fucking stupid show.

Speaker 1 (55:50):
But you know what, I've had one little YACHTI in
this life, and that's fine with me. But it was
just the only exposure I add to something that far
into the future of what the last things were. And honestly, Minnesota,
I don't think much of that ship changed from Black
Flag to then as far as something that totally hit
me in a way I had never heard before. And

(56:10):
then I was like, it's horrible, but I kind of
really really like this, So why do I like it? Well,
it's Goofy's interesting, but there's something more than that.

Speaker 3 (56:20):
It's being a joke.

Speaker 1 (56:20):
It's actually yeah, it keeps my attention. So yeah, that's
another thing. So lil Yachtim, I.

Speaker 4 (56:27):
Mean he's making anybody's hits, Like he's kind of like
he's like the go to producer for a million people.

Speaker 1 (56:36):
He has a honesty with whatever, and that I really
like a lot. Like I don't think he really gives
a shit what perceived style or whatever something is. It's
all the same, Like all music is kind of one thing.
That's pretty cool, man, especially something that young that has

(56:56):
come up in that modern music scene and come up
really quick, you know. But uh yeah, I like that guy.

Speaker 4 (57:03):
I agree.

Speaker 1 (57:04):
Yeah, although his non rap album I think could have
been better if it was not that crappy emo music.

Speaker 4 (57:11):
Just a couple more people to be like like nudget,
you know what I mean. I think it was right there. Yeah,
it's it's still.

Speaker 1 (57:18):
Like you, like you said, honestly would have liked it
more if it sounded like System of a Down it.

Speaker 4 (57:24):
Kind of it's still it's still like you know what
I mean, it's still has such a huge influence. There's
so many artists that sound like there's a lot yeah
you know, now now they do, you know, But I.

Speaker 1 (57:35):
Think he generally is like, yeah, I like I like
not just everything sound the same, trusty stuff. Also, there's
a really good uh YouTube free documentary to watch on
dread Zeppelin.

Speaker 3 (57:51):
What is that?

Speaker 10 (57:53):
What?

Speaker 1 (57:56):
It was a band from the nineties in the early
nineties that was kind of like I guess they were
on the same circuit as like Guar, but it was
a Led Zeppelin cover band that played in the style
of reggae that was fronted by an Elvis impersonator.

Speaker 4 (58:12):
Wow, wow crazy, that's crazy.

Speaker 3 (58:16):
That's wild.

Speaker 4 (58:16):
Yeah, it's pretty good. In the documentary, the yacht Rock Documentary,
you see Aaron from Aaron and Wildfire at the beginning.
Oh uh at the beginning of.

Speaker 3 (58:27):
The document yes, I was like, oh ship.

Speaker 4 (58:29):
That's crazy.

Speaker 3 (58:29):
Yeah, I saw that pretty cool.

Speaker 4 (58:32):
I saw another that other yacht rock band that I
played her surprise wedding. No, not like you have a
yachte crue. They were like the thing at the very
beginning of the documentary, they're kind of dissing him, they
kind of getting distant.

Speaker 3 (58:47):
Yet, No, I did not see yachte crew.

Speaker 4 (58:49):
That's the very beginning of the documentary.

Speaker 3 (58:51):
I totally missed that part.

Speaker 4 (58:52):
It was like they just show like a crowd of people.
Oh yeah, yes, no, yes, I remember that everyone's wearing
captain Yeah.

Speaker 3 (58:59):
Yeah, yes.

Speaker 4 (59:00):
I wish is this goofy.

Speaker 3 (59:03):
Ship It wasn't Listen.

Speaker 1 (59:07):
If it wasn't for the yacht Rock documentary, Jack Shannon
would not have a job.

Speaker 3 (59:12):
Look, he would have a job at all. He would
have a job at all at all.

Speaker 4 (59:17):
I don't know what else you do what? I don't
know what else he does.

Speaker 3 (59:20):
Get about the house, he doesn't get about the house.
He tell you what.

Speaker 7 (59:24):
I don't know.

Speaker 1 (59:25):
I don't know if he's got a wife that makes
a lot of money or what.

Speaker 3 (59:27):
I don't know if he has another job. Oh I know.

Speaker 1 (59:29):
Jack Shannon is the expert of yacht rock.

Speaker 5 (59:32):
That's it. And listen, I wish three sheets in there.
They should have been there, should have been in there.

Speaker 3 (59:37):
It's like the Virginia State representative of yacht Rock.

Speaker 5 (59:39):
He was right there he's right there. He's represented for
a lot of things. Jack.

Speaker 3 (59:45):
He definitely got a job. Look, yes they do, and
we love you know what, tell you truth?

Speaker 1 (59:51):
Jack might be a good person to actually try to
reach out to Rick Piato.

Speaker 3 (59:56):
I don't think straight. I don't think Jack does anyone.
I don't think he wants to reach out.

Speaker 4 (01:00:01):
To anyone and he wants to reach out to Come on, man,
No he doesn't. He'll text about this.

Speaker 3 (01:00:06):
I don't want to reach out to Ricky.

Speaker 1 (01:00:07):
He's gonna definitely text us about this. He's gonna text
about this anyway, because it's the last episode.

Speaker 2 (01:00:11):
I know.

Speaker 3 (01:00:12):
I love Jack. Thanks Jack, you know, hey, you know what,
how we're gonna know?

Speaker 1 (01:00:15):
Should we should we announce that I'm keeping all this
in the episode? Should we announce that it's gonna be
the last episode? Or should we like just release this
and then see who actually listens to our podcast? Who's
gonna fucking text us first?

Speaker 3 (01:00:29):
Sure?

Speaker 1 (01:00:30):
Either way, it's fine, I'm kind of give it.

Speaker 3 (01:00:32):
Let's give us some time. Let's give it a go
the week and just not say anything. Yeah, just normal,
just post it like normal. Yeah, just call it the
end or whatever. Yeah. No, I actually I think that's good.
I think we should do that.

Speaker 5 (01:00:44):
Uh, I mean, there was a bunch of things we
could we could call it. Uh what was what else?

Speaker 3 (01:00:50):
There's a couple of things that were said at the beginning.

Speaker 4 (01:00:53):
Uh, shacko past story is y.

Speaker 1 (01:00:58):
Shack O past go it's called sham calling his shack
because then you.

Speaker 3 (01:01:05):
Know who's gonna want to Oh yeah, I don't want them.

Speaker 4 (01:01:10):
Episode spell it.

Speaker 3 (01:01:13):
I don't want to know who that is.

Speaker 1 (01:01:14):
Name names what Shacko, Shacko, session, Shacko, bottom, shacko.

Speaker 3 (01:01:19):
It's a you know, it's a word that US conglomerate. Yeah,
that ship.

Speaker 1 (01:01:23):
So I don't put that on goddamn last episode name Well,
I mean they got some claim to our fucking legacy.

Speaker 3 (01:01:28):
Damn. I definitely don't feel like that. That would be
referencing that. It's for me. Yeah, that's how you were
gonna spell it. Why you why you're so mad?

Speaker 1 (01:01:39):
I know, I don't know episode what are you trying
to go totally incognito so that even the name of
the episode is like a regular episode, So we really Yeah.

Speaker 3 (01:01:50):
I don't care. I thought, yeah, we could we could
call it.

Speaker 1 (01:01:52):
Who called it like a SIA?

Speaker 5 (01:01:54):
I think I think it's who cares what we call it,
especially because it was all because you said it with
your with your wird slur.

Speaker 3 (01:02:00):
You were just like you're like.

Speaker 8 (01:02:02):
Shago last episode'm doing Remember I'm on shack It's fine.

Speaker 4 (01:02:07):
S h A c O Yeah, shack O.

Speaker 11 (01:02:10):
Pest story hilarious, fucking so funny. Yeah, I think it's
I think that's just fine. Ship.

Speaker 3 (01:02:23):
Yeah, slaps slaps. Oh yeah, it's on this one. Oh
you know what what you got there?

Speaker 4 (01:02:37):
Some candies?

Speaker 3 (01:02:38):
Yeah? I guess gum bears ship? You fucking suck?

Speaker 4 (01:02:42):
What what sucks? I can't.

Speaker 3 (01:02:44):
I'm not eating a gummy bears.

Speaker 4 (01:02:48):
No gummy bears. Take sir, buddy.

Speaker 3 (01:02:51):
Alright, but now now it's your game.

Speaker 4 (01:02:53):
You're lost.

Speaker 3 (01:02:56):
Die starts next month, all right?

Speaker 4 (01:03:01):
Really a piece of ship.

Speaker 3 (01:03:09):
Alright for the time being, for the final time. Who
does a slap? James?

Speaker 1 (01:03:17):
Are we going to do an all local artist doesn't slap?

Speaker 4 (01:03:20):
Today?

Speaker 3 (01:03:22):
Yo?

Speaker 6 (01:03:23):
Can we just do that?

Speaker 3 (01:03:24):
Do we have it? I don't.

Speaker 1 (01:03:26):
I'll listen to this ship around here, dude. I didn't
think of this until right now.

Speaker 3 (01:03:29):
I don't have any I don't have any kind. It
would be pretty cool, actually, that would be hilarious. I
wish I can.

Speaker 1 (01:03:36):
Always just post up stuff I want to tell somebody
to suck. I can always do that occasionally post a
slap or something.

Speaker 5 (01:03:42):
Yeah, look we got slaps up there. I guess I
definitely have added some to the to the ship. So
what the fuck is the Japanese Breakfast?

Speaker 3 (01:03:50):
I don't know. I just put it up.

Speaker 1 (01:03:52):
It's a listening to that one first. But I think
I know who rod Wave is.

Speaker 3 (01:03:56):
Rod Wave got rod Wave on there. Probably something I'm
not gonna like. And then I don't know.

Speaker 1 (01:04:04):
Kendrick Lamar, that's interesting. Oh Yoda, Apple did a new song.

Speaker 5 (01:04:08):
Okay, Yeah, there's definitely something that I added, probably like
a week or two ago or whenever.

Speaker 3 (01:04:12):
I can't remember. Yeah, no, no, no, wait mane, let's
do this. No, it's just say hold on now. This
is like a reissue. What is this album came out
ninety nine? Which one?

Speaker 4 (01:04:25):
Uh the song the few and Apple song on here?

Speaker 2 (01:04:29):
Really?

Speaker 3 (01:04:30):
Yeah?

Speaker 5 (01:04:30):
It is as a reissue. Yeah, it's like from just
removing now. It's all right, I'm just saying that song, right, Okay.

Speaker 1 (01:04:38):
I love Apple, She's great. Oh yeah, what you throw
a sin is a Kendrick Lamar.

Speaker 3 (01:04:45):
I actually am.

Speaker 4 (01:04:46):
Let's see what the fuck they're up to.

Speaker 1 (01:04:47):
Okay, this song is called thirty for thirty.

Speaker 3 (01:04:51):
I don't know what that means. Yeah, I don't know
what it means.

Speaker 4 (01:04:54):
Is that a sports thing?

Speaker 3 (01:04:55):
Or yes?

Speaker 4 (01:04:56):
Yes this is it is a series of documentaries alright?

Speaker 3 (01:05:00):
Yeah? Or the ESPN is great?

Speaker 1 (01:05:01):
Yeah, those are amazing. And it's a scissor tune featuring
Kendrick Lamar.

Speaker 4 (01:05:06):
Okay, got it? Oh you let me share this picture.

Speaker 3 (01:05:19):
I used to think about.

Speaker 4 (01:05:21):
Bringing this sample back. Yeah, you know he hits heavisid?

Speaker 3 (01:05:26):
Do you love me? Do you want me switch? Not
to bar this picture? It's so scary.

Speaker 6 (01:05:36):
A buzz somebody, y'all just go somebody someone to listen
to one of the other I.

Speaker 2 (01:05:42):
Tell you what somebody just.

Speaker 1 (01:05:53):
Want?

Speaker 3 (01:05:53):
Yeah, only want to know? Is a classics?

Speaker 6 (01:06:00):
If it fucked me, then fuck you's dropway I like it.

Speaker 3 (01:06:04):
That's the way, and that's the way I like it.

Speaker 9 (01:06:07):
I can it smell from none, That's.

Speaker 3 (01:06:09):
The way I like it. Who when I'm down the funny,
that's the way I like it.

Speaker 9 (01:06:14):
I'm thirty for thirty thirty for thirty thirty?

Speaker 5 (01:06:18):
Chat?

Speaker 9 (01:06:19):
Should they throw that bitch?

Speaker 2 (01:06:20):
No?

Speaker 9 (01:06:20):
Yoga, mat chatoulay Dad, and you don't hit.

Speaker 3 (01:06:24):
Me back chack ter, read your questions. That chat chat
they check they chat. When the shungle down, everything made
me feel lonely.

Speaker 6 (01:06:35):
Hell on suthing goinging Now it's just home.

Speaker 3 (01:06:38):
Should it be a good sudden the lor one home
getting me off. You give me hot if you, my
favorite coach, can put the life fucking stress up.

Speaker 6 (01:06:48):
That's my only vice.

Speaker 3 (01:06:49):
I take it off punding something.

Speaker 2 (01:06:51):
If I'm fearing fun, I.

Speaker 3 (01:06:53):
Run it over, prisky it all like comproling dice, taking
it all.

Speaker 6 (01:06:57):
This is my second life that's passed out in a
nigga back seat, cats hat on the back sabies, oh
and on my body.

Speaker 3 (01:07:08):
You're like no more snapway no, let mean get it
fast forward.

Speaker 6 (01:07:12):
So dig Son, it must be a h you fucking
win niggas. That's thinking they cut did in you huh?
So you're going your cycle for a year on this
period two. The ted has been turning so much. I
was thinking this fools ball or the tenor and of
them mistaking them for somewhere go walk talk like Kenny
like Muss likes a lot of I promise smoke balls.

(01:07:34):
It's a wash it's a cradle or space ship. Shut
the fuck up getting lost, no favors. I'll wager whatever
you were our ball, something about the conservative regular girl
that still can beat the bitch ass thor was fucked,
don't need your bitch ass cycle as fuck can beat
your bitch ass zodig Son. It must be a gym
in that moon, because ship we're about to go half
mistake and leant. Nobody been in their bag bey, how

(01:07:54):
ma anybody's done been in her baths?

Speaker 5 (01:07:57):
Wash?

Speaker 6 (01:07:57):
Some of y'all just go, some of you just go.

Speaker 3 (01:08:03):
Yeah yeah, yeah, yeah, yeah, yeah yeah yeah yeah.

Speaker 5 (01:08:06):
I mean Timeline was like flipping out about this. I
don't think it's justified at all. I mean, this feels
like a very simple, easy flip. I mean it's like
just you know, I mean it just feels like it's
just yeah, it feels basic, sleepy. It's just like real
like I feel like Kanye could have like done this,

(01:08:27):
you know, I mean, anybody could have done this.

Speaker 3 (01:08:28):
This is not is not very distinctive. Yeah that is. Yeah.
I can't let this. I can't let this one go.

Speaker 4 (01:08:37):
No no no, yeah said ship wasn't good.

Speaker 3 (01:08:40):
I don't like it. Uh but production wise, it sounded.

Speaker 4 (01:08:46):
Very easy to listen to.

Speaker 1 (01:08:48):
It wasn't like anything I was like, oh it sounds
bad or I wouldn't have done that, you know, It's
just it was kind of.

Speaker 3 (01:08:56):
Or whatever.

Speaker 1 (01:08:56):
It's well too middle of the road, you know, there's
anything notable about it?

Speaker 3 (01:09:01):
Yeah, yeah, I kind of.

Speaker 4 (01:09:03):
I kind of agree with the both of y'all, honestly,
you know, like there was a lot of it that
I guess Kendrick, this isn't my favorite type of Kendrick,
you know, on the like the sensitives, love on the
sensitive songs, with this like just cooling out. They're both
just they're both just cooling out.

Speaker 1 (01:09:22):
And that's not what I think. Cooling out is what
I not what I think of when I.

Speaker 4 (01:09:25):
Think, yeah, this is I feel like, yeah, I kept
waiting for something else to drop or something else, something else.
Yeah that's not this is. This is not, you know,
not my favorite of either.

Speaker 2 (01:09:38):
Yeah.

Speaker 4 (01:09:39):
They're talking about making a collab. This is not this
is I'm not into this. The colab is going to
be like this.

Speaker 5 (01:09:47):
Yeah, yeah, this was pretty disappointing as far as I mean,
it feels like it was made pretty quickly.

Speaker 4 (01:09:53):
You know, I mean it seems it seems like maybe
they haven't. They passed it around, you know, and it
has had a good time with it, but you know, yeah,
not no teeth.

Speaker 3 (01:10:00):
It feels like a bonus. It's for her bonus record
that she came out deluxe.

Speaker 4 (01:10:05):
Okay, So it was okay, all right, So if it
kind of feels like that deluxe track, yeah, yeah, cash in.

Speaker 3 (01:10:14):
Okay, what you got? James?

Speaker 7 (01:10:17):
Uh?

Speaker 4 (01:10:19):
What is an alo black?

Speaker 3 (01:10:21):
Alo black is? He had that song years ago called
I Need a dollar? Dollar is what I need? Okay,
and then he did and then he had a huge,
huge like m hit a few years ago, so I
need Yeah, it's basically the deal. Okay.

Speaker 1 (01:10:39):
This album has colorful art on it, I think, Okay, Uh,
Simon Simandi, ce y M Mandy what is this?

Speaker 4 (01:10:51):
I can't say this? C y M A n D
e Oh yeah, I've seen that name before. I don't
know how Yeah, jazzy B.

Speaker 3 (01:10:59):
That's a that's a band, a band? Yes? How do
you say it? Kelly? I don't know.

Speaker 4 (01:11:04):
I mean I've only seen it written down.

Speaker 3 (01:11:06):
C Y M A n D. What's his on called
Dog How We Roll? Featuring jazz e B.

Speaker 10 (01:11:14):
Okay, So this is not Alo Black, this is the other,

(01:11:38):
this is the man jazzy B future jazz B.

Speaker 3 (01:11:45):
I guess James hurt and m and he was like, yeah,
I'm out, that's what it was.

Speaker 2 (01:11:50):
Not gonna like that ship.

Speaker 3 (01:11:52):
I don't think it's gonna be dum movement, chilling man,
this ship?

Speaker 1 (01:12:00):
What?

Speaker 2 (01:12:00):
How long is this?

Speaker 3 (01:12:03):
Oh my god? I have to give you this? Yeah,
we're only submitted in. We haven't heard anything. I'm come
for it sounds like a nice live recording. Is this
a singing thing? I don't know. I don't know. This
sounds gonna lie. They've been around.

Speaker 4 (01:12:21):
Okay, here go around the longest intro.

Speaker 3 (01:12:24):
We're two minutes. Yeah, that sounds at different. Okay, this
is okay, this is what I expected. That feels very live.

(01:12:47):
I won't know why we've played this game boy two
and a half minutes before you? How long did that song? Man?

Speaker 2 (01:13:03):
That was crazy? That was at least three minutes?

Speaker 3 (01:13:09):
Yes, transitions es? Why not be one more?

Speaker 2 (01:13:16):
Come back.

Speaker 3 (01:13:19):
So we can say he's just like that's how so stereo? Bad?

Speaker 2 (01:13:27):
How?

Speaker 4 (01:13:28):
Why so fucking loud?

Speaker 3 (01:13:31):
I think it said that I don't know this bad?
How from it's good? Proud nothing else happening.

Speaker 2 (01:13:47):
Now right there.

Speaker 3 (01:13:47):
Well that makes it a right there. I'm like, I
have to that bellowside. Okay, little high. Yet what we
have can be much better.

Speaker 4 (01:14:05):
Get that word if we control I or forty five?

Speaker 3 (01:14:13):
Oh there we go there, you got nothing on it,
he says, Tell.

Speaker 2 (01:14:18):
Him love, there's all the effects on the three D
A little bit more.

Speaker 3 (01:14:35):
Yes, all right, God should the horse she's gonna freak sea.
Oh that's Jessie b. That's how we roll, shouldn't.

Speaker 1 (01:14:57):
S we should.

Speaker 3 (01:15:03):
Live live in northside grill.

Speaker 1 (01:15:10):
This was the most just chilly thing I've ever heard,
and it was starting to beat you.

Speaker 3 (01:15:18):
That's no, he's that's his real vibe. I know it's
so corny rap row roll.

Speaker 1 (01:15:37):
No thanks man, absolutely one thousand percent.

Speaker 2 (01:15:40):
Not for me.

Speaker 3 (01:15:42):
Yeah, say it's not for me either. I mean I
could listen to this and I could I could find
a band to do this, and uh no, thank you.
I mean answering. Everything sounds wild. It definitely sounds like
a practice room vibe. This is definitely recorded live, you know.

Speaker 4 (01:16:00):
Yeah, everybody sounds good, but yeah, this is like the
jam jam session vibes.

Speaker 3 (01:16:05):
You know, Yeah, how rolled?

Speaker 4 (01:16:08):
Yeah, that's cool. I'm good on I'm good on that.

Speaker 3 (01:16:12):
How well you roll? All right? So no, how roll? Yeah? Okay?

Speaker 4 (01:16:23):
I like you.

Speaker 3 (01:16:24):
I did the jazz because of the jazzy b that's
the reason why. That's the reason why I picked it.
Jazz ruined it.

Speaker 5 (01:16:29):
He's he kind of I think he mixed this too.
Probably that's probably why it sounds great. Yeah, that's probably
why it sounds so crazy.

Speaker 3 (01:16:38):
Just wait.

Speaker 4 (01:16:40):
For the congress or everybody played on that bad.

Speaker 5 (01:16:44):
Everybody mixed it to somebody. There was a lot of
people involved. Man, uh inappropriately loud. Okay, what you got next?

Speaker 1 (01:16:52):
I'm probably gonna go with one of these uh, one
of these artists where like I can pronounce the name
because there's some other ship going on, are you Yeah?

Speaker 4 (01:17:01):
So we're just gonna do uh.

Speaker 1 (01:17:03):
I don't know what the Japanese breakfast is, but if
already said that just song, Hey, man, funk off.

Speaker 3 (01:17:11):
And you can fucking die? How's that? How's that? You
can go fucking die, Orlando and love. I hope you
like it.

Speaker 1 (01:17:19):
Reggie's the Japanese breakfast?

Speaker 2 (01:17:23):
Yes it is?

Speaker 3 (01:17:24):
Okay, I'm talking to the mouthful or right sick exting canto.
You're born in the studio. I'm happy about this for

(01:17:48):
somebody's a real studio.

Speaker 5 (01:17:49):
This start in.

Speaker 3 (01:17:57):
Silka yall.

Speaker 4 (01:18:01):
You know what for this last episode, I'm gonna do
it like my voice or something.

Speaker 3 (01:18:07):
So's gonna goad.

Speaker 9 (01:18:09):
I'm out, that's cool, I said the sea.

Speaker 3 (01:18:31):
Ship dogs tap out r I see you, drum will drop?
Nothing was gonna. I feel like nohing drops gonna. I
hope Bill Collins shows up. Definitely.

Speaker 4 (01:18:48):
Not Bill Collins is coming my own. This is no
Collins gonna say this. We're past the middle of the
song right there.

Speaker 3 (01:18:59):
Wait, wait, some tip tap it's just shit. Yeah not
I you like this kid, there's like thirty seconds on
the song.

Speaker 4 (01:19:17):
Not you guys are there's no drums thirty thirty seconds left,
not even like twenty five.

Speaker 3 (01:19:22):
Wow, this is like an intro. Yeah, it was like
a movie. Must be some movie. Yeah, because that's that's
mad short.

Speaker 2 (01:19:30):
Yeah.

Speaker 3 (01:19:30):
Is it like a minute and a half long twenty five?

Speaker 4 (01:19:34):
Yeah, okay, it's not a you know, I know first,
I mean yeah, it definitely sounds like a theme song,
like a movie soundtrack song. Yeah, it's really pretty music.
I mean it isn't like slap you know, but uh
it sounds. It's got some soundtracky shit. You know, it's fine,
it's this is fine.

Speaker 3 (01:19:54):
It's weird because it was like I think it was
like on the pop playlist. I thought it was too
That's why I kind of thought, I thought, is this
the right?

Speaker 4 (01:20:01):
Never mind, it don't matter.

Speaker 3 (01:20:03):
He tried to make the joke twice, so it's definitely.
It's definitely right. It's definitely right. No, I can't. It's fine,
this is fine. What are you gonna what you want?

Speaker 4 (01:20:12):
The buzz I'm gonna give it a buzz Man is
a no slap episode.

Speaker 3 (01:20:20):
There is no slap zone. Let's put on Allow Black.
If you slaps, yeah, we might have to Wave or
Roadway probably will do both of them. Yeah.

Speaker 4 (01:20:31):
No, it's garbage. Right, this is not good. I don't
think it's I don't think it's garbage. Do I just
think it don't like you?

Speaker 3 (01:20:38):
You know what?

Speaker 1 (01:20:39):
I don't think I did before that? Oh ship there's
uh Anthony.

Speaker 3 (01:20:45):
Yeah, uh yeah, all right, so we're gonna listen to you.

Speaker 1 (01:20:51):
Let's listen to road Wave and then Alo Black.

Speaker 3 (01:20:54):
All right, all do it?

Speaker 1 (01:20:55):
West Side Connection is.

Speaker 12 (01:20:57):
Rod Wave, turn me out, Ahlways wonder Yo.

Speaker 4 (01:21:09):
It's that's inspiration.

Speaker 3 (01:21:15):
There could be Christian starting.

Speaker 2 (01:21:17):
Out in this and whatnot.

Speaker 3 (01:21:22):
Little get a Swiss child.

Speaker 2 (01:21:24):
I don't like the story.

Speaker 7 (01:21:25):
I'm changing his manner uphill battle.

Speaker 2 (01:21:27):
It's okay.

Speaker 7 (01:21:28):
I was made for this.

Speaker 3 (01:21:29):
You were never down for me. I tried to give
you everything. You can't get away with them been on
bottom together.

Speaker 2 (01:21:36):
I'm supposed to be right.

Speaker 3 (01:21:37):
Here with me. Hate me for what I did, and
you won't hate you for what you did.

Speaker 2 (01:21:41):
On me, And I think give me lot.

Speaker 7 (01:21:43):
You got kids overlax, don't cook on no arm ship, Niggas,
ain't any ship on one street Sunday the Sunny Day
Cracker trailer a gun bang, and tell me how I
fell in love again.

Speaker 2 (01:21:57):
Make me out of here on the ship we got
to take away.

Speaker 3 (01:22:01):
When you have found me, my paying in, my problems,
had me surrounded. I was already drama when you have found.

Speaker 4 (01:22:13):
You know, once again introspective. I'm not mad at it,
but this is not slap. We're halfway through the song. Yeah,
this is not slapping cool because I was. This is
absolutely never gonna slap for me.

Speaker 3 (01:22:23):
I knew that from the beginning.

Speaker 5 (01:22:28):
I'm gonna give it a slap. I'm gonna give that slap.
I'm letting that slap because I was, aren't you sweet?
I was surprised. I wasn't sure what to get with
the with the road Wave Wave, But that's fine with me.
I'm cool with punched in lyrics. It sounds like he's
making it up as he's going.

Speaker 3 (01:22:46):
Broad Wave, who's the one that that died? That is
the name with wave and a.

Speaker 4 (01:22:51):
Lot of people died, A lot of people died.

Speaker 3 (01:22:53):
A lot of people died. A lot of people died.

Speaker 10 (01:22:55):
Who's the guy that died?

Speaker 1 (01:22:56):
That was like from the uh if you die the
cough serup ship that was like that was Juice World,
Juice World.

Speaker 4 (01:23:06):
Yeah, he's a big dude. He looks kind of like this.

Speaker 3 (01:23:08):
Dude Juice Juice World was.

Speaker 4 (01:23:11):
Which one is the big dude though?

Speaker 1 (01:23:13):
That died from that ship?

Speaker 3 (01:23:14):
He didn't. That guy is not talking about Dave Blune.
He ain't dead. I don't know, he's not He didn't die.

Speaker 4 (01:23:19):
He's not dead.

Speaker 3 (01:23:20):
No, And rod Wave is in better shape than Dave
blu Rod.

Speaker 4 (01:23:24):
Wave looks I don't know Broadway. From what I'm seeing
right here, this is not this is not my demo.
This is not my demographic right here. Well, I know
that you're a big Alo Black fan. Oh yeah, let's go.

Speaker 1 (01:23:39):
This song is called One Good Thing by Alo Play.
One Good Thing Having the dollar in your pucket?

Speaker 13 (01:23:50):
What doesn't take to move aimund more introspective the one
everybody is so soft as this week when you there's
no ass and you pray.

Speaker 3 (01:24:02):
To chrish Loads. That's why this is. Can you face
the road to free? One of the past is in
your way in the darkness of the night. The future
may be hard to find, but I believe that there's
a day that.

Speaker 4 (01:24:26):
It's I mean it's I like the production. I like
the I like to drain the drum sound.

Speaker 3 (01:24:40):
The productor dunck is fine, but I like it less
now Yeah, but this feels like some stolen from John Legend.

Speaker 4 (01:24:51):
John Legend or or what's the Chris Martin. They sound
like this now too, Goldplay. This is when they sound like, Yeah,
I mean he would sing this song, he probably he
would do this song. He probably would, but he tried
to do it.

Speaker 3 (01:25:05):
They fuddled it.

Speaker 5 (01:25:06):
This Alo won the lottery for this song. This this
feels like this could be at it could be anybody's.

Speaker 4 (01:25:12):
But yeah, John Legend, John legend wanted it.

Speaker 3 (01:25:15):
I bet you he wrote it. I bet he's probably
word wrote extra this ship man. Wow, well yeah, what
do you expect?

Speaker 5 (01:25:30):
Man?

Speaker 3 (01:25:31):
You guys hated this ship to I look, first quarter,
nobody likes you, always the worst.

Speaker 4 (01:25:38):
And that's why Spotify is into music right there.

Speaker 3 (01:25:41):
Right there.

Speaker 1 (01:25:42):
No, dude, I think this is all year, the whole
time we've ever been doing this show. Uh, it's just
gotten worse and worse and worse and worse.

Speaker 3 (01:25:49):
And I kind of agree.

Speaker 4 (01:25:50):
I mean, I tell you that saying Rick the Odo
is right, No, he sucks.

Speaker 6 (01:25:55):
No.

Speaker 5 (01:25:56):
But the majority of the music that comes out, especially
even especially I would say from the bigger artists obviously,
just sounds like there's just no effort. It doesn't sound
like that there's any like at all, there's any kind
of uh insistent feeling or any kind of real energy.
Case in point, you know, the Katy Perry shit came
out and completely bombed. You know, she couldn't she could

(01:26:19):
not sustain you know, that kind of energy, and uh,
you know, there's it seems like that it's just difficult
for artist, probably because they just are not seeing the results,
you know. But I feel like that you get in,
you get what you put out, you get there.

Speaker 4 (01:26:35):
I mean, yeah, that's what I feel. Yeah, making everything
bite sized and TikTok tiktokable, you know, laid down a
path that was like I just think created all kinds
of bad habits, you know what I mean. It's just
like real lazy, just a laziness that that allows for
bots to have a chance.

Speaker 3 (01:26:55):
You know.

Speaker 4 (01:26:55):
I think the only music that kind of thrived it
was like insta funk, you know, people that are good
at this. There's ship you know what I mean, like
small John like you know, rap jazz, you know, and
like uh like what do you want to call it?
Prog rock? Like the new rock ship, you know, like yeah,
that's the only ship that kind of was all right.

Speaker 1 (01:27:17):
You know, man, I don't listen to music anymore anymore.
I just listening to racist podcasts all the time.

Speaker 4 (01:27:23):
That's all I do. Now that's the vibe giving off
right now.

Speaker 3 (01:27:25):
Yeah, yeah, that's all right, And you know what, it's all.
It's all that's okay. It's fun. There's nothing going on. Yeah,
music is kind of like I mean, it always goes
up and down. There's always goes up and down.

Speaker 1 (01:27:37):
But it feels like the disconnect between from one generation
that keeps getting bigger and bigger.

Speaker 4 (01:27:43):
See, I'm not sure if that's true as much as
I do think I agree with like whatever the top
of the heap, like giant label ship is like it's lost,
they lost, you know, it's like what is this ship?
Every once in a while, that was tough, you know,
and then like the stuff that's all right. It's like
the baby powder slaps you go, like all right, that

(01:28:04):
was fine, you know, And that would be some ship
that's like the top of the top.

Speaker 1 (01:28:08):
I think the last actual song song that was a
big hit was like that Harry Styles as it was
it was, that was an actual song, and like, I
can't remember anything else that's had that much success since then.
That I would say is a song that you could
sit down with an acoustic guitar and play it and

(01:28:31):
recognize the song.

Speaker 3 (01:28:33):
Yeah, yeah, yeah, that's true, Which is crazy.

Speaker 4 (01:28:35):
Think about that though, Think about that, like how that.

Speaker 1 (01:28:41):
Most of the songs you've listened to today you could
not sit down with the piano or guitar and sing
it and play it and make it recognizable.

Speaker 4 (01:28:48):
You could say the lyrics and ship, But like I
would say the guitar is old fashioned in that way,
well top end, and I think that they can do that, right,
they got all these sequencer But I'm saying even then though, for.

Speaker 1 (01:29:03):
You just sit down, it's a different kind of music.
I'm not saying it's not music yet, Like you can't,
like you can't sit down and sing and play it
to an Aphex Twin song.

Speaker 3 (01:29:13):
But like that doesn't mean that it isn't amazing.

Speaker 1 (01:29:15):
I'm saying though, in this style of music, you can't
take a fucking road wave song and like have me
sit down at a piano and sing it and it
convey the same weight.

Speaker 3 (01:29:27):
You know what I mean that you know, regardless of
my performance, but you know what I mean, you can't
do it. It's not like you know, it's not made
the same way at all the same way. Yeah, it's
not singer song, but still.

Speaker 1 (01:29:37):
It's like a song. You can do that with that
Harry style song.

Speaker 4 (01:29:42):
It's doable.

Speaker 3 (01:29:43):
You can play that like if you can.

Speaker 1 (01:29:46):
I'm not saying one is better or worse, but you
have to recognize that it's like two different things. Like
that doesn't that's not the same medium of sound art
as song song sing songs.

Speaker 3 (01:29:57):
You know what I mean. No one, Look, no one
is bringing out the level of a shako stores.

Speaker 4 (01:30:03):
It's not it's just not the same vibe, you know.
But it's like it's yeah, I say yes and no
because rod Wave fans could sing it word for word.
You're saying no one could sing it word for word
and play it. I'm saying, I think those snarky puppy
type kids that love rod Wave play the piano and
sing it. I think they really do.

Speaker 3 (01:30:21):
You know what I mean.

Speaker 4 (01:30:23):
You can find find that on YouTube online.

Speaker 1 (01:30:27):
But like there's a difference between you can sit down,
you can play chords, and you can hum that hairy
style song.

Speaker 3 (01:30:33):
I'm just using that as an example of the melody melody.

Speaker 1 (01:30:37):
Chord, and that is a certain type of music that
people think that replies to all types of music, but
that doesn't. But what I'm saying is in pop music,
the having music where you can play chords and sing
with it and identify it easily is gone. Pop pop
everything exists forever, but I'm talking about in large numbers.

Speaker 4 (01:31:00):
It's like the one song of the year that wins
all the awards is like the closest to that.

Speaker 1 (01:31:04):
An actual song like or what we call natural song
by techinician.

Speaker 4 (01:31:09):
Yeah, it's true because I was gonna say Flowers, that
Maley Cyras song, that that song was everywhere. It was huge,
pretty and she won like Record of the Years. Yeah,
and this this, this would be one of those Sabrina
Carpenter songs or something like. You know that kind of
sounds like a Dolly Parton song, right like yeah, one
of those like easy listening ships, you know.

Speaker 3 (01:31:28):
Yeah, yeah, I tell you, we'll see what happens.

Speaker 5 (01:31:31):
Man.

Speaker 3 (01:31:32):
You know, they're gonna have to start cutting that ship
out that.

Speaker 4 (01:31:34):
I agree.

Speaker 5 (01:31:34):
They're like they are overexposing all that whole thing, her
whole I mean, they're blowing those records up all the time.
Like it's still like they're still high up on the
charts and they're not. It's just like, yo, you guys
need to calm down and like just let her, let
her just like chill for a minute.

Speaker 3 (01:31:50):
Yeah, that's right. Derivative melodies, you know, are what is
you know, derivative?

Speaker 5 (01:31:56):
Uh you know, uh, melodic, repetitious, the very repetitious. Now
is not a lot going on, you know, and you
know when we hear certain things that hit the ear
for us that where it feels like it's stock or
it feels like.

Speaker 3 (01:32:11):
It is ordinary and maybe repetitive and not original. You know,
it's that.

Speaker 5 (01:32:18):
I think that's what has been hitting our ears more
and when especially it comes from the bigger, bigger artists
that do have the means to have better songwriters, to
to like continue innovation, to do all that kind of stuff,
and they're not doing it. They're doing they're doing a
fourth of that now what they were doing in twenty

(01:32:41):
Like I would say they were doing better records. All
of them were doing better records before the pandemic for sure.
And really, what's what's odd is that after the pandemic,
you would have thought that these cats were like, you
know what, I'm going to spend some time and figure
out it's like something new and different. It's something during
the pandemic after sure, but but but you know, see results,

(01:33:05):
you know, see some kind of results, and that that
did not happen.

Speaker 4 (01:33:08):
Yeah, everything got swallowed up. But the Kendrick and Drake
kinda yeah, that was like the only exciting thing that
happened as far as music at the time.

Speaker 3 (01:33:16):
It was like, oh my god, you know, nothing else happened.
There's there's people that care.

Speaker 1 (01:33:22):
It's weird, but cover up for all that Diddy ship
was going down, about to go down. They're distracting you
from it. And then it just got too big, got
to be too much, and it just got out there
and then they had to burn down LA because of it.

Speaker 3 (01:33:34):
There you go, there you go? Did he and Drake first?

Speaker 1 (01:33:37):
Did he and Drake got uh jay Z fucking burned
down l A.

Speaker 3 (01:33:42):
Well, ladies and gentlemen blame with some white people. Ladies
and gentlemen. Thank you guys so much for listening. You
will see us again. At some point you won't see
us again, and sometimes.

Speaker 1 (01:33:52):
In person turn into the basement cast.

Speaker 3 (01:33:55):
And turn into the basement.

Speaker 1 (01:33:58):
Coming through right here, and uh, you know, and we'll
probably put together some sort of show or something at
some point.

Speaker 4 (01:34:03):
Ye, we're gonna we're gonna do things.

Speaker 3 (01:34:05):
Everybody else that does stuff that we do doesn't do
it is good. They don't host.

Speaker 1 (01:34:09):
Everybody between kind of sucks at what they do, especially
the people that places where bands play.

Speaker 3 (01:34:14):
They all suck on.

Speaker 1 (01:34:15):
Everybody listens podcast knows that ship and it's all garbage
and it sucks. And you know what you know what,
it's gonna come back and we're doing No, it's not fine,
it sucks, but hustle season.

Speaker 4 (01:34:26):
We'll come back.

Speaker 1 (01:34:27):
We'll put together a couple of dope shows that I
think we actually really will do. And also the Pace
Gast is gonna be great base pacement gas Yeah, pacement.

Speaker 4 (01:34:35):
I don't know what the fuck I'm gonna do.

Speaker 3 (01:34:37):
You're gonna do something. Definitely doing something.

Speaker 4 (01:34:39):
I'm gonna do mine.

Speaker 5 (01:34:40):
Yeah, exactly, exactly. Well, every everyone's gonna be doing something.

Speaker 1 (01:34:44):
But uh well, if you made it to the end
of the show, the end of the podcast, you're probably
one of the people is listening to all the episodes, right.

Speaker 3 (01:34:52):
You think you think so? Maybe? Maybe. We definitely got
a lot of a lot of new fans during the pandemic.

Speaker 1 (01:34:58):
If you really love us, you will hit us up
before midnight on Sunday.

Speaker 3 (01:35:05):
Wow.

Speaker 1 (01:35:05):
It means you listen to the podcast it drop and
are like, what the fuck's the last one, and we'll
know that you were the real fan.

Speaker 3 (01:35:14):
The real ones. Yeah yeah, well the real ones will
have real Hussies. Yeah, you guys too.

Speaker 4 (01:35:19):
Let's see who finds out if it's real.

Speaker 3 (01:35:21):
Yeah, yeah, we'll see who the real Hussies are all right.

Speaker 1 (01:35:25):
Fuck yeah, hey everybody, we really appreciate I really love you.

Speaker 4 (01:35:28):
We uh we we had a great time.

Speaker 3 (01:35:32):
I did. Yeah, we all did.

Speaker 7 (01:35:34):
Man.

Speaker 3 (01:35:34):
Bye bye

Speaker 4 (01:35:51):
H and sadly the podcast is no more

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}The Hustle Season: Ep. 363 Shockoe Pastorius

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