December 20, 2024 • 60 mins
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.
Speaker 2 (00:06):
Listen, bullshit, Yeah, what's wrong with the.
Speaker 3 (00:08):
Boh we got it's trash.
Speaker 4 (00:11):
It does not slap?
Speaker 5 (00:12):
Call and response.
Speaker 3 (00:16):
What do you guys even doing? Cool stuff?
Speaker 5 (00:19):
Slick stuff, neat stuff.
Speaker 3 (00:21):
I've been fucking I got too much.
Speaker 5 (00:23):
Alf I always felt akin to black people.
Speaker 4 (00:28):
Years ago.
Speaker 5 (00:29):
They tried to years ago, they tried to put me
in there.
Speaker 2 (00:34):
That means you're lying.
Speaker 3 (00:35):
Strings on them.
Speaker 5 (00:40):
I did it with the pick and the rock.
Speaker 3 (00:46):
Oh, come on in. Bonator says the water's fine, and
I say, let the conversation begin.
Speaker 6 (01:27):
I get start.
Speaker 4 (01:28):
Does it.
Speaker 6 (01:31):
Does slap?
Speaker 7 (01:35):
Just slap?
Speaker 2 (01:37):
Hey, hey, hey, Mary slaps Miss.
Speaker 8 (01:40):
There here there you go, Mary slaps miss everybody? Yeah,
uh yeah, I mean we could go all over the
map here because I do also have a little Christmas
playlist of songs as well. That uh, I think it
just says x mist x mist slaps or something. Uh,
But that's that is a I don't we'll say that.
Speaker 5 (02:01):
That is a That is a that is a playlist
that is out there.
Speaker 2 (02:04):
I just have a regular playlist.
Speaker 5 (02:07):
Well, it's the list of playlists.
Speaker 8 (02:08):
It might be sure, but uh, if not, we still
have a ton of other slaps that we did not
get to.
Speaker 1 (02:16):
And uh, I'm gonna look at one. Did we do fantagram?
Speaker 5 (02:20):
Nope, nope, we can't do fantasts do it?
Speaker 9 (02:22):
Yeah, it's going back a little. Let's let's let's do that.
That should be a whole episode. What Christmas Holiday slaps list?
We bring our Christmas laps or whatever that you think
people don't know about.
Speaker 5 (02:32):
Oh yeah, I mean yeah, we should. We should definitely
do that.
Speaker 2 (02:35):
Yeah, all right, y'all, let's hear it fanogram all right?
Speaker 5 (02:38):
Uh song is called outaway.
Speaker 10 (03:00):
See We're good. Movie and hold my head, take me
to shore season's movie chang Joy.
Speaker 4 (03:23):
Comes back, Sack, I'll let you show way that was
gonna land?
Speaker 11 (03:33):
Yo?
Speaker 12 (03:34):
What why does it sound like a boombox breaking like?
It's not a little like sound baby like when that drops?
Speaker 13 (03:48):
Yeah?
Speaker 4 (03:48):
Cool, I look at start back up.
Speaker 3 (03:51):
There's a well.
Speaker 4 (04:10):
Holding on the mode.
Speaker 1 (04:13):
The new Ones.
Speaker 11 (04:16):
Spoke good already.
Speaker 4 (04:21):
In the city down to the ground. It's all the same.
Speaker 11 (04:30):
Sad came of talk.
Speaker 14 (04:34):
Takes a tras.
Speaker 11 (04:43):
Soft, it starts unstudies, its sad. It's sad cap on talking,
(05:29):
so keep.
Speaker 10 (05:34):
Take another.
Speaker 5 (05:36):
It's like another man of anymore this. Yeah, what he
kicks back, he probably.
Speaker 11 (05:52):
All right.
Speaker 5 (05:52):
I can't take any more of this.
Speaker 1 (05:54):
I don't know what is going on, but like I
had all my volumes set the same way as it
was last night's everything. One song comes on fucking headphones
that are storting.
Speaker 2 (06:02):
It's like when you turn your headphones down.
Speaker 1 (06:04):
I did turn them down, but even when they're up
the same amount like yesterday, like everything else, not like
this crazy. It is insane loud for and dentse Dude,
I can't even listen to the song like it is
like it is insanely uncomfortable for me to hear.
Speaker 5 (06:21):
I would say it is sensory overload, like heavily weird,
and it's.
Speaker 2 (06:24):
Not even a cool song. Dude, Fuck this shit.
Speaker 5 (06:27):
I hate this. I really don't like this at all.
I I there's some parts of it I do mind.
Speaker 8 (06:34):
I feel like that it gets old a little midway
through and they could change the pattern up, but I
understand that they're trying to build tension and all of that,
you know what I'm saying.
Speaker 1 (06:45):
So it's like, dude, yesterday today man awful mixes able mixes.
Speaker 5 (06:52):
I'm I don't know if I'm I can't let it slap,
but I do like it, and I do like song.
I do like the song, and I like her voice.
I like that whatever that lick is, I agree with that.
I feel like that.
Speaker 8 (07:07):
That's really that was cool. I didn't like I didn't
know where the one was, like when the first when
the song first started, I kind of liked that feeling.
I was like, she knows where it's that. I have
no idea where it is, but I'm not gonna let
it slap because it's like it's like sensory overload.
Speaker 5 (07:24):
But it was it was cool.
Speaker 9 (07:27):
Uh yeah, I thought the song was cool too. I'm
not as I'm not as offended by that mix, you know,
I don't know. It's surprising to me that y'all think
that because we listened to music that's much heavier than this.
Speaker 2 (07:37):
Is it just because it's not about it. It's this
is more of a physics thing than a heavy music thing.
It's like the way I want the distortion in the baby.
Speaker 1 (07:44):
Well no, no, it's like it's like so like, uh,
there's volume and then there's weight. Yeah, this is very
heavy weight. Wise, the density is so like even if
you have something that's not not like that, and you
yes and you bring, you eliminate all of the dynamics basically,
so everything is the same volumes, which is as loud
(08:05):
as it can go.
Speaker 2 (08:06):
For me, is like that my ears hate it for
whatever reason.
Speaker 9 (08:11):
It is like you know, yeah, all right, so yeah
to me, Like, to me, this is not that crazy
compared to like nine inch nail shit we've heard as
far as like being completely stripped down and then the
sense come in, it is like, holy shit, I can't believe.
Then the drums disappear because the sense is a loud
but sounds good though.
Speaker 2 (08:29):
That's an opinion.
Speaker 8 (08:30):
Yeah, I think I think it's I think it's different.
I think that there's different dynamics involved.
Speaker 5 (08:36):
I do feel like that it was.
Speaker 8 (08:39):
I feel like it's like it's over the top almost
in the kick drum shit, Like it's like it's like,
I mean, I feel where James coming from.
Speaker 5 (08:49):
I feel like they've.
Speaker 9 (08:51):
Understand what y'all are saying. I'm just surprised that it
is so offensive. My sophisticated ears do not like this. Yeah,
it sounds can I'm gonna let it slept because I
feel like this is kind of I feel like this
ship is rocking. I feel like you heard this ship
out of a p a. It wouldn't you know. Maybe
it's not headphone music, you know what I mean. But
(09:14):
this is also not like here in your car. I
don't feel like this this would come off the same way.
Speaker 5 (09:19):
Facts would I think headphone wise. I think maybe not,
though I'm kind of curious now yeah, yeah, maybe yeah.
Speaker 2 (09:26):
I'm gont slept all right?
Speaker 15 (09:27):
Cool?
Speaker 2 (09:27):
Well that one drawn there right?
Speaker 1 (09:30):
Uh so this is one of the other ones from
last night that was I think a recommendation.
Speaker 2 (09:37):
Pearl and Oysters is the band, Yes, the band, Pearl
and Oysters.
Speaker 5 (09:41):
Yeah, Pearl and the Oysters.
Speaker 1 (09:43):
No, Pearl, Oh you're right, Pearl and the Oysters. That's
even I'm kind of like Pearl and Oysters more like
a seafood place. Yeah, Captain George's.
Speaker 2 (09:57):
Quality food.
Speaker 9 (09:59):
So yeah, this song is called side quest God, so
check it out the Oysters side Quest.
Speaker 2 (10:05):
Okay, it's the fun So happy is the fun?
Speaker 5 (10:17):
Going on a walk on the sunny day?
Speaker 6 (10:19):
Fact, this is nerd rod Yeah, nerd funk. These guys
come to the camel sit.
Speaker 2 (10:34):
They should I'm gonna go see him.
Speaker 4 (10:35):
You can see it.
Speaker 2 (10:42):
I thought there's a covering first starts.
Speaker 4 (10:44):
Uh oh yeah, yeah, whenever I see.
Speaker 2 (10:50):
Fine, I love you that song.
Speaker 1 (11:07):
My head up.
Speaker 16 (11:22):
But man, you know, I'm ha Yeah, it's goods like
you're in the middle of the comps, the triangle, the faith, Yeah, Horse.
Speaker 5 (11:52):
Like school, Yeah, black Horse, that's right.
Speaker 6 (11:59):
I think.
Speaker 4 (12:04):
I understand.
Speaker 11 (12:17):
In the game.
Speaker 3 (12:23):
I guess.
Speaker 4 (12:24):
I don't idea.
Speaker 3 (12:25):
I haven't seen sil like.
Speaker 11 (12:33):
Time recording.
Speaker 5 (13:01):
Okay, okay, man, we've got some players in the band.
Speaker 2 (13:09):
Yeah, sounds fantastic.
Speaker 1 (13:11):
Nice fucking man. You don't want to tell you what
now tell you a boy. That's on my list of
best slaps of the year already.
Speaker 4 (13:19):
Wow, the end of the year.
Speaker 5 (13:21):
But that was great, man.
Speaker 1 (13:22):
Everything that was the opposite of the song we listened
to right before made me smile.
Speaker 5 (13:27):
It sounded good. It didn't hurt my ears.
Speaker 1 (13:30):
Yeah, it made me want to It made me want
to my sophisticated ears.
Speaker 5 (13:36):
Sophisticated older ears, older whatever.
Speaker 6 (13:39):
Man.
Speaker 1 (13:40):
Uh, I thought that was great, made me happy, made
me want to like write cooler chord changes. I think
that was fantastic. I'm boy, I know, I'm just some
old man, Yeah, you know, it's not really how I feel.
Speaker 4 (13:52):
It's like.
Speaker 1 (13:54):
Course knows better than them about everything pretty much, so
fuck out of here, bro, or it's why you guys
have me here because I know everything and ship like that.
Speaker 9 (14:03):
Well, I don't think you're older than Fantogram, but that's cool. No,
I know, I have no van I thought.
Speaker 1 (14:11):
No. I just assume everybody is like twenty eight. This
is what I think everybody. That's the old man ship everybody.
Speaker 4 (14:20):
I don't think it.
Speaker 2 (14:20):
There are there are for sure.
Speaker 5 (14:22):
Everybody twenty Yeah, kiss me off.
Speaker 2 (14:24):
That's funny.
Speaker 5 (14:25):
You already you gave it a dang Yeah, I got
a dang.
Speaker 15 (14:27):
Yeah.
Speaker 2 (14:27):
Man, this is fucking fantastic.
Speaker 9 (14:29):
What uh the perfect use of every plug in you
can ever buy, a little bit of sauce, a little
bit of thick of fye, a little bit of like
a little bit of ghost vocals, a little bit of
ducking like the you know, the bass is ducking in
and out fire. The band sounds fantastic. I cannot stress
(14:50):
enough that I'm tired of that snare sound.
Speaker 4 (14:52):
They all are, we all.
Speaker 9 (14:53):
I'm tired of it. Man, Look everything sounds good. That
snare sound to me is lazy now it's is just
short because it can just be. It doesn't have to
be a real drum anymore. It's that's it's something. It's
so overused, genericized.
Speaker 1 (15:07):
It could be a gated pink noise and uh and
a fucking sign wave with a low note like it's
that's all.
Speaker 5 (15:15):
It's like a fake syn Yeah, and.
Speaker 1 (15:18):
Also how many fucking uh sample packs you need of
dead snares and drum and.
Speaker 4 (15:25):
All of them sound the same?
Speaker 1 (15:28):
And also ware you to make a sample pack of
like the easiest drum tone.
Speaker 2 (15:32):
You can fake that dress what I'm saying.
Speaker 9 (15:33):
You can get a cheap ass snare drum from a
pawn shop and get that sound out of it.
Speaker 2 (15:38):
That's kind of how it started.
Speaker 5 (15:39):
You don't even.
Speaker 2 (15:42):
Need a towel, bucket, a bucket.
Speaker 5 (15:47):
That's all you need. You need, that's all you need.
Speaker 4 (15:49):
You don't need.
Speaker 2 (15:49):
So yeah, we're all tired of that snare drump sound.
Speaker 3 (15:51):
Man.
Speaker 9 (15:52):
You'all sound fantastic though, don't. The percussions sounded great. I
love that that triangle and the vocalist this is right
up my alley, so yeah, definitely slaps definitely all right, Kelly.
Speaker 8 (16:04):
I'm a bit torn here torn because Uh, first of all,
I do love the band. I like that there's some
players in the band. I feel like that that is,
I feel like that's going in an interesting direction, where
like bands now don't really want to show that they're
like they have players in the band. That used to
be a thing, right, you don't want to show off.
(16:24):
They don't the opposite now. I mean you to hear
something nice and noddy like that in the middle of
the song. I really enjoyed that because you don't hear
that very often.
Speaker 5 (16:33):
That hasn't been around since.
Speaker 1 (16:34):
I feel like the eighties are the very early nineties
in music, in pop music.
Speaker 5 (16:39):
Yeah, yeah, it's the funk brought it back.
Speaker 4 (16:41):
Yeah, thank you.
Speaker 2 (16:43):
It's fun things.
Speaker 9 (16:44):
The chord changes sound like a like a Joe Bert
or I was gonna say, joe Bert Jill, you know,
like those Russian not Russian the Portuguese. Uh, like, what
is it like the years in which it's like Brazilian
band but they got electric bass.
Speaker 2 (16:58):
Yes, you know what I mean.
Speaker 9 (16:59):
It's like what this reminds me of like Raphavella at
that album. Anyway, I also feel like a mild high
Brazilian ship Mount High Club.
Speaker 5 (17:09):
Yeah, the chord changes. Yeah, stuff, I definitely felt that.
Speaker 6 (17:14):
You know.
Speaker 8 (17:14):
The only thing is is that, man, I mean, it
is such the formula in a way where I feel like,
am I a sucker for some Fender roads a dead
snare female singer?
Speaker 9 (17:28):
And you know you just described like the music, but
now too we're talking about the deadness what I'm saying like,
and I'm like, that's what I mean.
Speaker 2 (17:40):
It's just the funk, man, you know, it's the fun.
Speaker 5 (17:42):
Get the hand clap to man, add the hand clap
to the snare.
Speaker 1 (17:49):
We should write an open letter to Nate Smith and
tell them, hey, man, you just stop using muting, just
like why don't.
Speaker 2 (17:55):
He doesn't use it, It doesn't do it much. Yeah,
but when they track him on these records apply the
dead I mean, I think that's just the sound of
the times. Yeah, it just is what it is right now.
Speaker 9 (18:05):
He has the power to change it, though I would
say him specifically has done the most of all of
the things, like you know, showing up with just an
open snare drumming, I had no symbols.
Speaker 8 (18:16):
He does it and his snare, his snare that he
came out with is definitely made to be played like
open and with the open, full set. You know what
I'm saying, Like, that's what he's going for. I don't
think that he's like a proponent of the He can
do it just like anybody else, but.
Speaker 2 (18:32):
It's out of his hands when it comes to other
I think that's true.
Speaker 5 (18:36):
When it comes to Brittany Howard to somebody, you know,
she's gonna be like.
Speaker 9 (18:39):
Yo, but you hear him live or just like in
the eighties, man, you went in the studio and you
played your drum set and that ship came sounding out
like studio facts, you know, no matter. It wasn't just
Phil Collins was like, Yo, this is it, this is
all better make your drums sound like this discovered.
Speaker 2 (18:53):
Yeah, amazing, Yo, that's it.
Speaker 8 (18:56):
I like listening to Toto and Jeff Piccaro, you know,
one of the most amazing drummers of all time.
Speaker 5 (19:01):
I Mean there's some songs where you're just like, this
got to be a drummers. Is he in there and
he's and it's him.
Speaker 6 (19:06):
Yeah.
Speaker 5 (19:07):
Bro. There's one joint It's called what.
Speaker 8 (19:12):
I Think Stopped Loving You is the song It's like, dude,
it was like it's like, oh, it is like smooth
you look at him.
Speaker 5 (19:21):
He's like he's doing all of it now that he's
doing all of it himself.
Speaker 2 (19:26):
Killing.
Speaker 1 (19:26):
It was just Michael Jackson songs and ship like that
where I always thought they were not real drums. Yeah,
and a lot of Prince stuff where it was I know,
like a lot of his stuff had like Lynn drum
and stuff with but the parts that were real drums
just first of all, they sound amazing, and it was like,
well that has to be those toms can't be real.
Speaker 5 (19:44):
They sound too consistent, but like they sound in.
Speaker 9 (19:48):
The middle of ladies and they it's insane, Like, oh yeah,
those Quincy Jones productions. I was listening to that Sha
Ka Khana album yet the other day I've been like
stuck on it, which was say the one that's got
got I Know you of You She's like, what's the
name of I don't know the name of the album.
Speaker 2 (20:02):
I'm horrible album titles.
Speaker 9 (20:05):
But anyway, same Shiit, same Quincy Jones production in which
does the snares and and all the times have like
all got a little shimmer on them, you know, and
it's like killing, so killing anyway. Oyster and what's these
the oyster Pearl and the Oysters. Yeah, oh hey, you
liked it or not?
Speaker 5 (20:24):
You know, yeah, So it's it's tough for me because
of like the formula of it is, so I feel
guilty about liking the same thing again.
Speaker 8 (20:32):
It's just it's just so like right up my alley,
I'm like, oh, man, just sucker for that ship, honestly
I am. But the the playing, I feel like, kind
of sets it apart a little bit and doesn't feel
as contrived. And I mean, yeah, it sounds fantastic, all
of it musicianship, so I am going to give it
a slap. But it's like baby powder for sure.
Speaker 5 (20:54):
Yeah.
Speaker 9 (20:54):
I mean we've talked about this. You know, people are
abusing the baby powder slap. We had to stop for
a second.
Speaker 1 (21:00):
Eric.
Speaker 9 (21:02):
Everyone figured out how to be tame and Paula or
try to be Dua Lipa or whatever they all or
jungle and all of them sound the same, the baby
powder slap.
Speaker 1 (21:11):
The problem I have with it is it can push
a okay or mediocre not me or but okay song
into a congratulations where I don't want to have to.
I don't want to play that game, like, I don't
think it has warranted that award and so that's where
it gets messy.
Speaker 9 (21:32):
I feel like we've been we've been doing a good
job of keeping that out of there because listen, lots
of ship that's obviously pander into the baby powder that
we've We've been like enough, we've definitely been like that.
Speaker 2 (21:42):
Oh that's Chaka Khana album mom was talking about. Its
called what You're Gonna Do for Me.
Speaker 5 (21:45):
That record is tough, man, It's a tough ass record.
Speaker 2 (21:48):
Like the production on it ridiculous.
Speaker 4 (21:50):
I love the record.
Speaker 5 (21:52):
That's why I talk to what You're Gonna Do for Me?
Speaker 8 (21:55):
Well, half of the half of the album is average
white band Amos Stewart on basis actually they and uh
Will Lee, Like I was looking up because like I'm
every woman is on that one. Yeah, fucking I mean
that that band is fucking Tamus Stewart, ridiculous, Bill Lee,
(22:18):
Uh who's on drum.
Speaker 5 (22:20):
Steve on drums.
Speaker 8 (22:22):
It's like a quartet and it's just disgusting. It's that
The whole record is gross.
Speaker 2 (22:27):
Eight one.
Speaker 5 (22:28):
Yeah, that's a disgusting record.
Speaker 2 (22:29):
All right, Well, I decided I was gonna throw in
a goofy one.
Speaker 5 (22:34):
Let's go h okay.
Speaker 2 (22:37):
You guys like the Beatles, right, pissed already? You guys,
you guys like that, come here. Who likes the Beatles?
Speaker 9 (22:42):
Hey, I think not one of the greatest bands ever, right,
you guys like you? Guys like you know kind of
countryish music?
Speaker 5 (22:52):
Sure I do.
Speaker 1 (22:54):
Oh my god, you all are gonna fucking love this.
You ever heard of Ringo Star or Alison craw House, Yes, together,
at least you know that they teamed up for some tunes.
And this is one of the singles. And it has
a great title. Thankful, thankful, I'm thankful to receive this
(23:16):
right on.
Speaker 2 (23:17):
Time, right on time.
Speaker 5 (23:18):
You listen to this already, No, I have not. I
wanted to so bad, but like I I didn't. Okay,
and Ringo Star, we can thank Josh Barrman for this
shut out all right? Thankful? Bye by the ledge.
Speaker 17 (23:51):
Oh and I started to fall ring singing and yeah he's.
Speaker 5 (23:57):
Gotten a little bit better and singing from all.
Speaker 17 (24:05):
Roma and looked dust, no one to trust, My world
game crashing down and shadowed. Then you came along my
(24:27):
belt from the storm. Oh my god, I mean to
your hand, and you made.
Speaker 4 (24:36):
Me a better man.
Speaker 12 (24:38):
That's like Alison Cross is hiding behind him ses fall
the love you show.
Speaker 4 (24:44):
They won't put her in the middle no matter what.
Speaker 5 (24:46):
No, it's like going on the left side.
Speaker 4 (24:48):
It was right ball the stars.
Speaker 5 (24:52):
So it's a love sidnall.
Speaker 13 (24:55):
Here's another money note over there, but it's white the side, tang's.
Speaker 4 (25:07):
Arm on the other side.
Speaker 5 (25:11):
It's really.
Speaker 1 (25:17):
You know what this reminds you of like when the
Beatles would do on their early albums. They do like
a country like a buck Owens tune and like let
Ringo sing it as a goof. It sounds like they
took that and ran with it.
Speaker 5 (25:28):
And we're completely serious. He wrote this song, Ringo.
Speaker 4 (25:32):
Good for him.
Speaker 5 (25:34):
He's not a cover, that is what I'm saying.
Speaker 1 (25:35):
No, I'm saying, but it has the vibe of let's
get goofy Ringo to sing the song.
Speaker 5 (25:40):
Do country music? They love country music.
Speaker 6 (25:42):
You know.
Speaker 14 (25:42):
Yeah, h it's t Bone Burnett production. Really wait, who's
that would that producer? He's like a super famous all
that stuff country.
Speaker 5 (25:55):
Stuff, mostly country stuff. But he did a Country for
Old Men and Walked Tall, Walked Tall director.
Speaker 8 (26:03):
No producer, music producer, and he played with everybody played
with Dylan back in the day. Like, uh, he's he's
produced a ton of shit, but all the country mash
up kind of records that have been coming out for
the past ten fifteen years he's been doing.
Speaker 5 (26:19):
So this is his fault, this is his this is
his problem. Yes, is uh this one?
Speaker 1 (26:24):
Well, that's an excusable I'm sorry, that's you can't have that, dude.
And I thought I was like, there's no way this
could be like Eric Clapton now bad or anything like that.
And I still don't think it's that bad.
Speaker 2 (26:37):
But I think it's that bad me. Maybe I'm not
the right I think. You know, I definitely think out
of all those people like who's the other one?
Speaker 5 (26:44):
Uh by you on Facebook?
Speaker 7 (26:46):
Dude?
Speaker 2 (26:47):
And I would definitely rather hang out with Ringo Starr
and Allison Cross.
Speaker 5 (26:51):
Over those dudes.
Speaker 1 (26:52):
Oh yeah, I'm always talking about the Well no, I'm
just saying, like, if I was gonna hang out with them,
I'd rather hang.
Speaker 2 (26:57):
Out these deals.
Speaker 5 (26:57):
But it also the music hall. Saw.
Speaker 2 (27:02):
I mean, I got nothing for this. I don't know,
I got nothing.
Speaker 9 (27:05):
This groove like hurts my body, like groove makes it
like makes it feels like it makes my heart beat
weird or something.
Speaker 2 (27:15):
Okay, you know, I can't like, I can't nod my head.
Speaker 1 (27:18):
That's what happened when I heard that fanogram. So it's
like I can't even listen to this song because it
bothers me, just like I can't even like move my
shoulders to it. It's like, damn, this is people out
here listening to ship like this. I mean, I don't know,
I don't know.
Speaker 2 (27:35):
Yeah, I can't. I can't, I can't. I have nothing
to say. I'm speechless.
Speaker 5 (27:40):
This kind of feels like that ringo Ai thing that
happened a while back.
Speaker 8 (27:43):
Yeah, I mean, hearing him through that much auto tune
is is uh is frustrating. And then Alison Krause comes
out like and she's like, you know, creeping whispering, like
the grudge in the ear, like super coming up behind
your shoulder, and it's just.
Speaker 5 (28:00):
Like, this is strange.
Speaker 8 (28:01):
I'm like, this is what y'all doing now, I'm like
T Boone Burnette, this is what you do? You had
an uh auto tune is just like and it just
makes everything so sound so.
Speaker 5 (28:12):
Not natural in a real way.
Speaker 8 (28:16):
In the background, takes you out of the song. I
couldn't tell what was happening. After a certain point, I'm
just like, what this is This doesn't really feel like
a song. It just feels like he just like got
Ringo to play like sixteen bars and then like they
just added on people you know, and just like just
just cut and paste this whole thing. It's just to
(28:37):
beat those that the beat like, hey man, don't Ringo
is one of the country you know, his first record
I think was a country.
Speaker 1 (28:46):
He's a country enthusiast, but I wouldn't say he's a
real country musician, not a country man.
Speaker 5 (28:51):
He sure is.
Speaker 2 (28:52):
He just dropped the country song. We just heard it.
Speaker 5 (28:55):
Everybody can be.
Speaker 1 (28:56):
Let's what Oliver Anthony thinks about. He's already on country
right trash? So yes, yes, that's a no, yeah, likes
you well listen. Uh there's another song that Josh sentess
and this one actually I am curious to see what
it so hear what it sounds like?
Speaker 17 (29:14):
Argument?
Speaker 2 (29:15):
Damn man, that was crazy.
Speaker 1 (29:17):
Yeah, I know that's that's insane. I think you knew
it was gonna go like that. Uh So this is
this is a h Jordi greep.
Speaker 18 (29:26):
Uh.
Speaker 5 (29:26):
This song is called blues. Oh body, who's Jody.
Speaker 1 (29:31):
Jeordy like Jordy LaForge of Star trek Okay with the
G greep like creep with the G. Get what's going
good anyway? This song is called creep with Ye that's
his last name.
Speaker 5 (29:48):
Oh oh that song.
Speaker 4 (30:09):
Yeah, you're all grown up. You have your own stove
in your own pair of oven doves. Let's see.
Speaker 18 (30:20):
You have arrangements and assignations. You come up appearances and
have a reputation. You sit in the park and work
on your sonnets. You're talking about yourself in.
Speaker 3 (30:31):
The past attempts.
Speaker 18 (30:33):
You have opinions that can't be shaken on Morrow's firm.
Speaker 5 (30:40):
Do you know what I mean?
Speaker 6 (30:41):
You know what I mean? You know what I mean?
Speaker 5 (30:42):
You know what I mean, You know what I mean,
You know what I mean.
Speaker 4 (30:46):
Do you know what I mean? You know what I mean,
You know what I mean, you know what I mean.
It's your favorite turn of phrase.
Speaker 12 (30:53):
You know what I mean, you know what I mean,
you know what I mean.
Speaker 3 (30:55):
You know what I mean.
Speaker 2 (30:56):
It's your second favorite turn of phrase.
Speaker 18 (31:06):
You can speak English better than anyone, and you can
curse like no one ever has done. And you have
a bigger dick than any man who's ever lived.
Speaker 5 (31:16):
And you can come more.
Speaker 18 (31:17):
Than one hundred stallions and a room that smells of
cigarettes and carry on under a sheets, freezing cold with
damp you voyage far and wide across play the ocean,
step and marsh on celestial bridges, and knock down doors
and climbing windows, and listening. Listen, listen, listen, listen, listen, listen, listen.
(31:40):
Can you hear that the signs of life not yet awake?
The stirring, the screwing up of eyes, a blanket that
forms mountains, the valley between knee and cheek, the steep
side down to the feet, the toe talking out, we
touch shut discipline by.
Speaker 1 (32:00):
Record, you only get skip boarded or as there's a universe.
Speaker 18 (32:05):
Will screw spiller a toilet, some perji of toombs.
Speaker 2 (32:09):
You know, not to work from us work, I guess
my schunks.
Speaker 19 (32:12):
You know God would like your way.
Speaker 2 (32:14):
You are ready to admit tomorrow.
Speaker 3 (32:15):
The assault forms a pantas stage a mod You.
Speaker 14 (32:18):
Are ready to take the blame or every time about them.
Speaker 18 (32:22):
But the Jarry is out to lunch.
Speaker 1 (32:25):
Nice dude, I just want to go a little bit
before you see if there's a sleep for okay, okay, hold.
Speaker 6 (32:32):
Up, like find where that happens.
Speaker 4 (32:34):
Oh, your that's.
Speaker 3 (32:35):
Gonna crow A little mouths before that sells.
Speaker 18 (32:41):
SR Money on stage of sil Warm sou Your.
Speaker 2 (32:44):
Heart Were Last Time Free, I'm so look.
Speaker 20 (32:48):
You in the face and ask why have you m
why have little strain? Show your brain my brain to
your loss s comes stranger.
Speaker 4 (32:59):
Y're so.
Speaker 1 (33:22):
That's a real snare drum right there. Up, There's there's
a lot going on. There's kind of like it's like
if Scratch Acid was a prog band. It's kind of crazy.
Speaker 2 (33:34):
It's all that got that like monologue thing going on
in there.
Speaker 9 (33:38):
Yeah, monologue kind of threw me off actually at first.
I mean I feel like I was kind of feeling
it until the monologue came in, but then he was
kind of I don't know who it was, but it
kind of was adding to the vibe, you know.
Speaker 5 (33:48):
Definitely.
Speaker 9 (33:49):
I was like, I could have done without talking about
Dickson Balls in the middle of this song, but you know,
the band was crushing it.
Speaker 2 (33:56):
It's like, but it's I don't like losing the darkness
with the monologue thing.
Speaker 1 (34:02):
I like, I couldn't think of any other type of
accompaniment though, for that particular one that would sound.
Speaker 9 (34:07):
Better than this, just like instead of a solo, right,
it's like a talk Yeah, talk rapping, just talk rap
art jazz. Uh, I'm gonna let I'm gonna let this
slap because it's interesting in the band's playing this ass off.
Speaker 5 (34:24):
Yeah.
Speaker 9 (34:25):
I like the riff, you know, because like that's kind
of what makes some jazz stuff stick out than other things,
is because there's an actual riff, right, It's like so
much you hear jazz and it's like chords plus melody
as opposed to like a riff happening as the melody,
you know, like.
Speaker 1 (34:42):
A set intro or something like all the things you
are intro. It sounds really cool and you know distinct. Yeah,
I gotta i'ma let it right, all right.
Speaker 2 (34:52):
Nice.
Speaker 1 (34:52):
I'm also I'm gonna say that was great, not your
typical slapping type of thing, but it's just like that's
pretty bad.
Speaker 2 (35:01):
It's cool.
Speaker 5 (35:02):
That's pretty badass, man.
Speaker 9 (35:03):
And I think it was a little more on the
low fi side of uh, like vibe and it sounds
like a live recording, yes, And but I it's very
refreshing to hear that.
Speaker 5 (35:15):
Yeah, So I really liked it a lot.
Speaker 1 (35:18):
Also, we should start getting our listeners just to send
us the slaps, because the the.
Speaker 2 (35:23):
Best slaps that the variety.
Speaker 1 (35:26):
Yeah, and it's a bigger variety, and all the good
ones seem to be ones that we did not add ourselves.
Speaker 4 (35:31):
Yeah.
Speaker 5 (35:32):
So yeah, it's helpful definitely.
Speaker 2 (35:34):
Is of these songs new?
Speaker 9 (35:36):
Yeah, our listeners, our Hussies know some of them. Some
of them they've been sending them. Not new songs, well,
I mean new songs. I'm picking the new ones at
least dear new songs.
Speaker 5 (35:49):
It's near the end of the year.
Speaker 2 (35:50):
It's kind of cool us out.
Speaker 5 (35:51):
It's cool to do some slaps we missed, you know,
because we again, I mean we many of them. There's
so many. Uh yeah, you know, I'm going to let
it slap.
Speaker 1 (36:00):
Uh.
Speaker 8 (36:01):
It felt a little berkeley Ish to me initially. Initially
when the first hinting of it, I was like, all right,
you know, hold up. And then it got more cool,
and then the way that they developed that I was
thrown off a little bit by the ship.
Speaker 5 (36:17):
But then I started liking the spoken words stuff. Yeah,
it grew on me.
Speaker 8 (36:21):
And then the way that they built that back up
to like several times, you know, and then that released
with the two guitars, I mean, so it sounds like
two guitars bass and drums, right, I think because that's
what it felt like.
Speaker 5 (36:36):
And yeah, it did feel live. I loved it.
Speaker 8 (36:40):
I mean it was just the perfect like cool tension
release thing that doesn't really get doesn't really seem to
happen as much in music, h.
Speaker 5 (36:50):
You know, for real.
Speaker 2 (36:51):
I mean, but this is jazz though it didn't have
a melody, but.
Speaker 8 (36:54):
Even in jazz, you know, it's just like sometimes it's
not there isn't that, there isn't all it's all or
it's all released.
Speaker 5 (37:02):
It's just like super soft ship. You know what I'm saying.
Speaker 8 (37:04):
It's like, this is cool when you can you could
be able to digest that in you know, a decent
amount of time.
Speaker 5 (37:10):
You did do it fast forward, but I mean was
it five minutes song?
Speaker 1 (37:13):
You said, yes, that's not it's like, oh, actually it's
almost six minutes, you know, not horrible, but yeah, that
was cool.
Speaker 2 (37:22):
Yeah, so let me.
Speaker 5 (37:25):
We did I think we did that on last night?
Speaker 11 (37:27):
Do we do?
Speaker 5 (37:28):
Sam Fender? I'm sorry, Sam, Yeah, we're doing a show here.
Uh Sam Fender.
Speaker 2 (37:37):
I'm not familiar with Sam Fenders.
Speaker 5 (37:38):
Neither am I. It's on the list. Oh wait wait
we did voids last night? Right, yes, Okay, unfortunately.
Speaker 2 (37:45):
Yeah, okay, now I know, all right, weal. I don't
know who this guy is. I don't know how we
got it on here.
Speaker 5 (37:52):
Uh but yeah, it's.
Speaker 8 (37:53):
Called people watching, miss an. It's another newer slap, maybe
indie slap.
Speaker 5 (37:59):
I'm not sure I'm fine with that. Yeah, new ship,
this guy, let's check it out. Might be guitar player,
might not see Sam Finder, I din guitar.
Speaker 16 (38:19):
Right, I don't know.
Speaker 3 (38:31):
Who watch on louis welcome and the list of the
glamor frock gives me a break and feeling home.
Speaker 21 (38:39):
It gives me a moment now he who used to
feel so invincible, I used to feel lose love both dreaming,
no back in the gas we're.
Speaker 3 (38:50):
Screaming the song.
Speaker 4 (38:51):
It's just the beauty.
Speaker 15 (38:52):
If you wouldn't quell Mike.
Speaker 3 (38:55):
Who feels.
Speaker 11 (39:06):
Oh my.
Speaker 3 (39:09):
Felt truly.
Speaker 11 (39:22):
Everybody on the train, somebody's son.
Speaker 3 (39:29):
Straight tonight, can't start.
Speaker 11 (39:34):
I see a time people.
Speaker 19 (39:37):
Loot in the fucking Springsteen Melancamp.
Speaker 9 (39:51):
Yes, you're definitely getting his melodicamp springste He's got covered
in dinner.
Speaker 1 (39:59):
Or something stitched in that before the way back on
the People watch, so the wall colop talking, I'm gonna
get my stuff.
Speaker 5 (40:09):
I'm gonna leave people.
Speaker 2 (40:11):
Watch the way back home. We got we got that.
I canna turn it back up, man, put it back
all the way up.
Speaker 9 (40:28):
Least to me, this is not as bad as that
Alexon proud ship, because like it's way man, he's not
in my head the man.
Speaker 4 (40:34):
I can listen to the man. They sound good.
Speaker 5 (40:37):
I'm still not good.
Speaker 2 (40:43):
All right, right back to it, all right, that's not
This song is five minutes then no held.
Speaker 9 (40:48):
Half halfway through, right, but again, let's go, let's get
a let's get it fast.
Speaker 13 (40:52):
For it.
Speaker 8 (40:55):
Was that?
Speaker 5 (40:55):
Was that a minute for it? To ten seconds?
Speaker 18 (40:57):
For it?
Speaker 4 (40:57):
I can't tell its facts? All right?
Speaker 9 (41:00):
Oh because the saxophone solo, weaight to the records and
really hit every piece of it.
Speaker 4 (41:11):
Had I'm buried too.
Speaker 5 (41:14):
That was a saxophone.
Speaker 2 (41:15):
I didn't get a saxophone. He's still in there, yeah,
just the saucer.
Speaker 5 (41:20):
Both, yeah, the saxophone. Yeah, bro, that's just so scared
of having saxophone on the song. I'm telling you, you
know what.
Speaker 9 (41:29):
I was about to let this slap just because I
thought this was fine. You know, It's like, oh, he's
doing kind of a bruce springsting impression, and I think
it sounds good. But the way they got my man
buried the saxophone player buried right there, I can't let
a slap. Nope, it's about that. You can hear Clarence
Clemons when he came in. It's so I'm not even
sure that it's.
Speaker 1 (41:49):
A saxophone man was I'm trying to say they scared
of the saxophone bro.
Speaker 5 (41:53):
No oh yeah, And for me, obviously I funk. Now,
absolutely not. I'm fine with it. The chorus is I mean,
it is one hundred percent he said.
Speaker 9 (42:07):
The chorus, he said, the chorus is the first line,
like the chorus is in the verse, and then it
comes back again and he says that line again as
people watch. Then he says two other lines, and he
says that line four more times. Yeah, that's ridiculous.
Speaker 5 (42:22):
People watch, people.
Speaker 2 (42:27):
Why are you and someone?
Speaker 8 (42:30):
People watch with the way back? Sometimes I'm still fine
with it though. It's it is an appealing song that
it's very interesting. It's like it's kind of like it's nice.
It's dressed up as another song and then it turns
into a Springsteene song because it's a very that's a
little very catchy keyboard guitar riff at the beginning that.
Speaker 5 (42:55):
That ship. That ship was cool.
Speaker 8 (42:56):
Anyways, I liked it, so yeah, I'm gonna let that go.
I'm gonna let that one. That one fly sax solo
is definitely fucked up. I don't know why they did
you dirty like that.
Speaker 2 (43:07):
That was crazy.
Speaker 5 (43:07):
They don't. They don't need to be scared of the saxophone. Bro,
I'm still not convinced it's actually saxophone. I think that's player.
It was, man, it was, dude, it definitely was. He
definitely did a saxophone thing. But too bad.
Speaker 2 (43:18):
I'm never gonna listen to it again to check that out,
no way to find out.
Speaker 8 (43:23):
I'm curious about this Sam Finder guy that it sounds.
You wonder if he's from the UK or something.
Speaker 9 (43:28):
I don't know, I never heard of him. Yeah, it
sounds good. I mean his like that is a type
of music. This is the type of American music that
we just don't. We don't sit here and listen to
Ryan Adams and ship in here.
Speaker 5 (43:43):
So no, it's fact. Oh yeah, yeah, that's kind of right.
Speaker 9 (43:45):
It's like Ryan Adams, you know both. Yeah, Ryan, don't
tell them that, Yeah, future islands. You know he didn't
have he wasn't eating his microphone like that dude was
on that song. But it's the same ship, you know, Like.
Speaker 5 (44:00):
Like you said, everybody twenty eight earlier.
Speaker 2 (44:02):
That's hilarious.
Speaker 5 (44:03):
Everybody is everybody twenty eight? All right, let's do uh,
let's do one more more?
Speaker 4 (44:09):
Okay, Uh.
Speaker 5 (44:11):
Fontaine's DC.
Speaker 4 (44:12):
Do we know who that is?
Speaker 5 (44:13):
Yeah?
Speaker 8 (44:13):
That's like a rock Yeah, it's a hard rock band
or something that's like breaking out right now?
Speaker 5 (44:18):
Oh really because the art and everything looks like it's
like a pop girl.
Speaker 1 (44:24):
Uh. Lots of hearts on ship. Uh and pink it's
it looks like a girl thing. But anyway, bog is
the name of the song.
Speaker 7 (44:32):
What is it called?
Speaker 5 (44:33):
Girls? Bugs?
Speaker 1 (44:37):
Tell me you're telling me this? This song is made
by dudes. I'll believe you girls man, I think so.
Speaker 5 (44:42):
All right, Okay, let's listen to these nancies.
Speaker 4 (44:52):
Sounds pretty sensitive.
Speaker 5 (45:01):
But I changed my name is Thomas you can cruz so.
Speaker 7 (45:05):
That I am in the sky because I want to
jem didn't I say I wanted to.
Speaker 4 (45:13):
Money.
Speaker 3 (45:13):
I've changed too far?
Speaker 7 (45:14):
You Yeah, twenty eight years A comment to wear that
range chased me down to Gordy again.
Speaker 3 (45:23):
Now I'm higher than anyone here.
Speaker 15 (45:27):
I'm there a more thn on me, right, she.
Speaker 3 (45:45):
Baby, I swear it and I wanted to call, but
I'm my way around.
Speaker 7 (45:51):
That happened too far and she's a am you aganecky
Hall You don't I find a seam there.
Speaker 8 (45:58):
Are rodos in law.
Speaker 7 (45:59):
Well we shots don't swim the fun on the way
cast a sweet rain side of a red in it.
I'm reflected all other day and our fade in the
night chet.
Speaker 4 (46:15):
Many apol shye.
Speaker 3 (46:18):
Father man of your night, see.
Speaker 5 (46:23):
You separate shatchets.
Speaker 3 (46:25):
I promise suit man.
Speaker 7 (46:28):
Suit yet well that she curls off with his favorite song.
Speaker 15 (46:33):
He's he'll be a smile in.
Speaker 3 (46:35):
Heaven for warm as long as.
Speaker 7 (46:37):
There as nobody built on me there since ThReD ain't
not feeling on me. Yeah yeah, they threw me out
like god, it's a wedding for them.
Speaker 5 (46:47):
No wonder, this is like a show.
Speaker 22 (46:49):
I have to say, said, I get higher than I's
like ast shot and I would fade in the night yet.
Speaker 5 (47:00):
Shadowing us on.
Speaker 23 (47:03):
To because it sounds like a bridge.
Speaker 4 (47:17):
It's like go stand end of the song. Advance.
Speaker 2 (47:20):
Let's not like see too that pi.
Speaker 6 (47:23):
Yeah, it feels like a bridge.
Speaker 2 (47:24):
But it's like they have a lot they have like
a free chorus, the like that happened before that other chorus,
but it was only like four bar right now, that's it.
Speaker 5 (47:34):
Just go ahead, I see under the song, Yeah go away.
Speaker 1 (47:38):
It kind of reminds you of some of those British
bands in the early nineties that I guess got attention
because of Oasis, and some of them were kind of
this is good, if not better, but it says a
very early nineties yeah type of thing to it, not
a bad way or anything like that.
Speaker 5 (47:55):
I like the way it sounds and everything.
Speaker 1 (47:57):
This is a thing where I'm not sure what to
give it yet because it's this might come back, it
would go to yeah, come back to back to you.
Speaker 15 (48:06):
Yeah.
Speaker 5 (48:06):
Uh, you know, it's it's all right. I like the
sound of it. It's like a lot of reverb.
Speaker 2 (48:13):
Everybody is in the playing in the bathroom, you know,
it's the whole band in the bathroom.
Speaker 8 (48:17):
It's a nice it's a nice version. Yeah, it doesn't
it's not like too much, but it's just enough like
on everyone. So I'm not I'm not against that. The
drums came in at the right spot.
Speaker 5 (48:32):
I was sure.
Speaker 9 (48:32):
I mean I was getting a little pissed off. I
was like, they're gonna let my man had to go
through the whole first and chorus with just the floor
to Yeah, it's like it's no.
Speaker 8 (48:41):
But he came in at the right time. And his
drums sounded pretty good. I liked his high hat sound.
It sounded like they were like they sounded small. They
sounded like they were like thirteen's or something. They had
like a different kind of sound to them. Different sizzle, yeah,
different kind of sizzle, yeah, for sure. And them his
(49:01):
symbols sounded like really good.
Speaker 2 (49:02):
They sounded good.
Speaker 5 (49:03):
So I just and he The way he came in
was very interesting.
Speaker 8 (49:06):
But he's got in the pocket like by the like
the second bar, yeah, second bar, he was just like
cock cock co it is just came in and then
like second bar he was like settled. And then that
chorus hit and it was like it doesn't feel like
a chorus though, and that's like my only thing. I'm like,
it feels like another another part of the song. But
(49:28):
I like the vibe also kind of kind of rhyd
me of old R E M two, you know, like
that era, like ninety ninety one, yeah, ninety two. Yeah,
So I'm gonna let that slap.
Speaker 9 (49:42):
I'm on the fence about whether or not this slaps,
but I did, like, I liked a lot about it.
I like I like the way the melody fit. I
like the way the whole thing fit together, like them
ding ding d don't boom dan dang. I like the
way that was rocking. I just I feel like it
was missing some some music or something. It's like missing
(50:04):
a guitar player. Yeah, like a guitar player, like some
some fire. It's missing like a little bit of like
a little bit of a distinctness somewhere, like somebody should
have could have kicked kicked it out, you know. Distortion
pedal come in like much harder in that last in
that second section or something. So in that way, it
(50:25):
did feel kind of soft. Mhmm hmmm. I'm on the fence.
I don't hate this, but I can't. I'm not gonna
let it slap. I don't hate it, though.
Speaker 1 (50:39):
I'm in the same boat, like I want to give
it a baby powder slab, but we're just talking about
baby powder slabs.
Speaker 11 (50:48):
Hm.
Speaker 5 (50:51):
I'm not mad at this.
Speaker 2 (50:52):
It reeah, and it reminds you of stuff that I
really like, but especially stuff you.
Speaker 5 (50:58):
Uh, you know, I'll give it. I'm gonna give it
a baby powder.
Speaker 2 (51:01):
I'm happy that. Yeah, I'm happy about that.
Speaker 5 (51:02):
Yeah, yeah, yeah, I think it deserves it.
Speaker 2 (51:05):
Yeah to them?
Speaker 6 (51:06):
Uh, what time is it?
Speaker 5 (51:09):
One more? Shoot? Okay?
Speaker 2 (51:11):
Right on time? I guess you one more or three
more slaps? Did we do?
Speaker 5 (51:18):
Did we do?
Speaker 2 (51:19):
Delta sleep last night? That band Delta what Sleep Sleep? Nothing?
Speaker 1 (51:24):
Nope, No, I don't think so Okay, this song is
called the Distance, Okay, Delta selec that cake song.
Speaker 5 (51:30):
Yeah, let's hope this one's good too.
Speaker 2 (51:32):
I don't know if I put that.
Speaker 5 (51:33):
I don't know who knows that one?
Speaker 1 (51:35):
Is?
Speaker 2 (51:35):
This one that was put on? Says the Hustle season
put it on, But.
Speaker 5 (51:39):
Yeah, I guess I added it, but I don't know.
We're sleep you asleep when you cook that. I don't know.
Speaker 1 (51:43):
We're going to listen to this, whether it was put
on by a bot or you. Twenty twenty four, it's
any showing all right?
Speaker 4 (52:08):
Okay, so yeah, it's from our friend of the show
Rob alright.
Speaker 5 (52:17):
Sounds like I got here.
Speaker 4 (52:19):
That's flocks the fuck got to night all Ship down.
Speaker 9 (52:30):
That's why why grant it even its thing.
Speaker 15 (52:33):
That good and mean.
Speaker 22 (52:36):
I've been lost, man, find a way beyond that distance.
Speaker 3 (52:46):
Stay next for the day where.
Speaker 22 (52:51):
Every night I'll find asleep wad here.
Speaker 4 (53:16):
You've got the key who opened up, but weary hard
you want to have it all, Please do it back
for I. Love is justify. I just want you by
my son.
Speaker 3 (53:30):
The world is reaching non exist and stay in morning.
Speaker 4 (53:36):
These days it's time.
Speaker 3 (53:39):
Will I want to end. It's not.
Speaker 4 (53:50):
Strange witches and send the wait.
Speaker 22 (53:57):
Work at me.
Speaker 3 (54:06):
I'm steps I found at im as I'm found.
Speaker 11 (54:20):
Them shows I'm not.
Speaker 2 (54:24):
At the steps.
Speaker 22 (54:26):
I think that the sis.
Speaker 6 (55:11):
I said.
Speaker 2 (55:11):
One thing I like about this is, uh, the the
heavy guitar tones are using.
Speaker 5 (55:17):
Usually you don't hear over.
Speaker 1 (55:18):
Stuff that has the harmonic and melodic content of this song.
And the way they're using that type of guitar tone
and almost sounds like some of the guitars are tuned down.
I don't know, but like, you don't hear that over
this type of stuff that often. I think that's like
pretty uh unique. It's that new school modern rock shit. Yeah,
(55:39):
but it doesn't sound not like how musicool butt rock
sounded when It's kind of.
Speaker 9 (55:44):
Like I think all of the influences of like anime
rock getting mixed in with like music school.
Speaker 2 (55:52):
Kids, you know what I mean, and video game culture.
Speaker 9 (55:56):
You hear that crunch, but you also hear a lot
of chords flying around, even though Mario he used a
lot of chords flying around, you know. And I feel
like that's like this thing that is happening right now
that I'm way into it. The singing actually was the
part that stuck out the most. I feel like they
should have spent a little more time on that, on
the way that way that vocal sounded, you know what
I mean, like put a little something, give it a
(56:18):
little razzle, dazzle or this is this is my take.
Speaker 2 (56:22):
This is my take. God Kelly one that the dry.
Speaker 9 (56:25):
But I feel like they could have, like with the
amount of time and nerdery that was put into those guitars,
I felt like some more could have gone into vocal production,
like move them around, you know, and like do some
dope shit. Anyway, this is not this is We're just
talking about art now. So I think this definitely slaps
h and I'm gonna check out the rest of the album.
Speaker 8 (56:46):
Yeah, yeah, absolutely, Yeah, No, I thought that they did
do great with that because his vocal was very centered.
What he was talking about it was kind of not
I didn't like that much. I didn't like what he
was talking about distance because at first I was like,
is you or is you not trying to like do
it with the lady, And then all of a sudden
(57:07):
he's like existence, and.
Speaker 2 (57:09):
Like, I feel like it's nebulous.
Speaker 9 (57:11):
That's what also made me think of like anime rock
and which is kind of just like go fight, go fight, win.
Speaker 1 (57:17):
Yeah, it was going to distance. You know what's crazy
of that whole song. I have no recollection of any
of the lyrics. None, I can't.
Speaker 5 (57:26):
I couldn't even tell you, and I I never even
heard that.
Speaker 1 (57:29):
I would just be going by the title of song
hoping I'm right, like I have no I mean, I
remember the song and the music stuff.
Speaker 5 (57:35):
I just have no I don't hear words ever could have.
Speaker 2 (57:39):
Done with that.
Speaker 8 (57:40):
Yeah, I mean, you know, I thought the vocals were
fine because they did do some cool stuff with it.
Speaker 5 (57:44):
With the vocals later with the boom, that was cool.
I mean, the the main vocal that was cool.
Speaker 2 (57:50):
I liked.
Speaker 8 (57:51):
I liked the way his tone was I really enjoyed it,
and I like how they just you know, doubled it up.
It was kind of like the Food Fighters way, they
just like double triple that. But the Food Fighting alone.
Speaker 9 (58:01):
After they would have done a crazy instrumental rockout, they've
grown when they just came back right back to you
know what I mean, like they were just going haam
and I could have I'm gonna have taken it. Yeah, yeah,
I could have taken anything.
Speaker 5 (58:17):
But that's the other thing. I was like, I'm also like,
is you rock or is you not right?
Speaker 8 (58:22):
Yeah, because because because they really were like alluding to
it a lot during the song, and then finally in
the middle they kind of like rock out some and
I'm like.
Speaker 2 (58:31):
It's still kind of soft, but I'm like it's off.
Speaker 5 (58:35):
It's like really tempered out, you know. So I really
do like it.
Speaker 8 (58:39):
But you know, I have some questions, right and I
think i'll be they'll be answered through the album, so
I'll definitely get into that.
Speaker 6 (58:47):
Yeah.
Speaker 5 (58:47):
Shout out to a friend of the show, Rob who
is a slap or not come Yeah slaps due. He
did say it's like I talk about is dude talk
about it? I don't know what dude talks about but
I'm even going yet, go ahead. God was good.
Speaker 1 (59:04):
The vocal thing or lack of whether it's uh, the
interesting vocal parts of the production of it didn't really
bother me. I wouldn't have complained, uh if it had
been a little more front and center than just part
of and it's mixed, like it's like another guitar or
something like that.
Speaker 4 (59:23):
Uh, But I was fine with it.
Speaker 5 (59:25):
I thought it was pretty good though. So what's the
name of this group again, Delta Sleep, Delta Sleep Sleep.
I think I put like Delta Spirit or something. Oh yeah,
does Sleep? Yeah, right Spirit? Not an airline?
Speaker 2 (59:41):
Two airlines?
Speaker 5 (59:42):
Two airlines? All right, Well, that's that's pretty good.
Speaker 8 (59:46):
Yeah, that's it for the SLA episode. Man, hope you
guys have a wonderful holiday and we'll.
Speaker 5 (59:51):
See you soon.
Speaker 3 (01:00:45):
And sadly the podcast is no more
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.
Speaker 2 (00:06):
Listen, bullshit, Yeah, what's wrong with the.
Speaker 3 (00:08):
Boh we got it's trash.
Speaker 4 (00:11):
It does not slap?
Speaker 5 (00:12):
Call and response.
Speaker 3 (00:16):
What do you guys even doing? Cool stuff?
Speaker 5 (00:19):
Slick stuff, neat stuff.
Speaker 3 (00:21):
I've been fucking I got too much.
Speaker 5 (00:23):
Alf I always felt akin to black people.
Speaker 4 (00:28):
Years ago.
Speaker 5 (00:29):
They tried to years ago, they tried to put me
in there.
Speaker 2 (00:34):
That means you're lying.
Speaker 3 (00:35):
Strings on them.
Speaker 5 (00:40):
I did it with the pick and the rock.
Speaker 3 (00:46):
Oh, come on in. Bonator says the water's fine, and
I say, let the conversation begin.
Speaker 6 (01:27):
I get start.
Speaker 4 (01:28):
Does it.
Speaker 6 (01:31):
Does slap?
Speaker 7 (01:35):
Just slap?
Speaker 2 (01:37):
Hey, hey, hey, Mary slaps Miss.
Speaker 8 (01:40):
There here there you go, Mary slaps miss everybody? Yeah,
uh yeah, I mean we could go all over the
map here because I do also have a little Christmas
playlist of songs as well. That uh, I think it
just says x mist x mist slaps or something. Uh,
But that's that is a I don't we'll say that.
Speaker 5 (02:01):
That is a That is a that is a playlist
that is out there.
Speaker 2 (02:04):
I just have a regular playlist.
Speaker 5 (02:07):
Well, it's the list of playlists.
Speaker 8 (02:08):
It might be sure, but uh, if not, we still
have a ton of other slaps that we did not
get to.
Speaker 1 (02:16):
And uh, I'm gonna look at one. Did we do fantagram?
Speaker 5 (02:20):
Nope, nope, we can't do fantasts do it?
Speaker 9 (02:22):
Yeah, it's going back a little. Let's let's let's do that.
That should be a whole episode. What Christmas Holiday slaps list?
We bring our Christmas laps or whatever that you think
people don't know about.
Speaker 5 (02:32):
Oh yeah, I mean yeah, we should. We should definitely
do that.
Speaker 2 (02:35):
Yeah, all right, y'all, let's hear it fanogram all right?
Speaker 5 (02:38):
Uh song is called outaway.
Speaker 10 (03:00):
See We're good. Movie and hold my head, take me
to shore season's movie chang Joy.
Speaker 4 (03:23):
Comes back, Sack, I'll let you show way that was
gonna land?
Speaker 11 (03:33):
Yo?
Speaker 12 (03:34):
What why does it sound like a boombox breaking like?
It's not a little like sound baby like when that drops?
Speaker 13 (03:48):
Yeah?
Speaker 4 (03:48):
Cool, I look at start back up.
Speaker 3 (03:51):
There's a well.
Speaker 4 (04:10):
Holding on the mode.
Speaker 1 (04:13):
The new Ones.
Speaker 11 (04:16):
Spoke good already.
Speaker 4 (04:21):
In the city down to the ground. It's all the same.
Speaker 11 (04:30):
Sad came of talk.
Speaker 14 (04:34):
Takes a tras.
Speaker 11 (04:43):
Soft, it starts unstudies, its sad. It's sad cap on talking,
(05:29):
so keep.
Speaker 10 (05:34):
Take another.
Speaker 5 (05:36):
It's like another man of anymore this. Yeah, what he
kicks back, he probably.
Speaker 11 (05:52):
All right.
Speaker 5 (05:52):
I can't take any more of this.
Speaker 1 (05:54):
I don't know what is going on, but like I
had all my volumes set the same way as it
was last night's everything. One song comes on fucking headphones
that are storting.
Speaker 2 (06:02):
It's like when you turn your headphones down.
Speaker 1 (06:04):
I did turn them down, but even when they're up
the same amount like yesterday, like everything else, not like
this crazy. It is insane loud for and dentse Dude,
I can't even listen to the song like it is
like it is insanely uncomfortable for me to hear.
Speaker 5 (06:21):
I would say it is sensory overload, like heavily weird,
and it's.
Speaker 2 (06:24):
Not even a cool song. Dude, Fuck this shit.
Speaker 5 (06:27):
I hate this. I really don't like this at all.
I I there's some parts of it I do mind.
Speaker 8 (06:34):
I feel like that it gets old a little midway
through and they could change the pattern up, but I
understand that they're trying to build tension and all of that,
you know what I'm saying.
Speaker 1 (06:45):
So it's like, dude, yesterday today man awful mixes able mixes.
Speaker 5 (06:52):
I'm I don't know if I'm I can't let it slap,
but I do like it, and I do like song.
I do like the song, and I like her voice.
I like that whatever that lick is, I agree with that.
I feel like that.
Speaker 8 (07:07):
That's really that was cool. I didn't like I didn't
know where the one was, like when the first when
the song first started, I kind of liked that feeling.
I was like, she knows where it's that. I have
no idea where it is, but I'm not gonna let
it slap because it's like it's like sensory overload.
Speaker 5 (07:24):
But it was it was cool.
Speaker 9 (07:27):
Uh yeah, I thought the song was cool too. I'm
not as I'm not as offended by that mix, you know,
I don't know. It's surprising to me that y'all think
that because we listened to music that's much heavier than this.
Speaker 2 (07:37):
Is it just because it's not about it. It's this
is more of a physics thing than a heavy music thing.
It's like the way I want the distortion in the baby.
Speaker 1 (07:44):
Well no, no, it's like it's like so like, uh,
there's volume and then there's weight. Yeah, this is very
heavy weight. Wise, the density is so like even if
you have something that's not not like that, and you
yes and you bring, you eliminate all of the dynamics basically,
so everything is the same volumes, which is as loud
(08:05):
as it can go.
Speaker 2 (08:06):
For me, is like that my ears hate it for
whatever reason.
Speaker 9 (08:11):
It is like you know, yeah, all right, so yeah
to me, Like, to me, this is not that crazy
compared to like nine inch nail shit we've heard as
far as like being completely stripped down and then the
sense come in, it is like, holy shit, I can't believe.
Then the drums disappear because the sense is a loud
but sounds good though.
Speaker 2 (08:29):
That's an opinion.
Speaker 8 (08:30):
Yeah, I think I think it's I think it's different.
I think that there's different dynamics involved.
Speaker 5 (08:36):
I do feel like that it was.
Speaker 8 (08:39):
I feel like it's like it's over the top almost
in the kick drum shit, Like it's like it's like,
I mean, I feel where James coming from.
Speaker 5 (08:49):
I feel like they've.
Speaker 9 (08:51):
Understand what y'all are saying. I'm just surprised that it
is so offensive. My sophisticated ears do not like this. Yeah,
it sounds can I'm gonna let it slept because I
feel like this is kind of I feel like this
ship is rocking. I feel like you heard this ship
out of a p a. It wouldn't you know. Maybe
it's not headphone music, you know what I mean. But
(09:14):
this is also not like here in your car. I
don't feel like this this would come off the same way.
Speaker 5 (09:19):
Facts would I think headphone wise. I think maybe not,
though I'm kind of curious now yeah, yeah, maybe yeah.
Speaker 2 (09:26):
I'm gont slept all right?
Speaker 15 (09:27):
Cool?
Speaker 2 (09:27):
Well that one drawn there right?
Speaker 1 (09:30):
Uh so this is one of the other ones from
last night that was I think a recommendation.
Speaker 2 (09:37):
Pearl and Oysters is the band, Yes, the band, Pearl
and Oysters.
Speaker 5 (09:41):
Yeah, Pearl and the Oysters.
Speaker 1 (09:43):
No, Pearl, Oh you're right, Pearl and the Oysters. That's
even I'm kind of like Pearl and Oysters more like
a seafood place. Yeah, Captain George's.
Speaker 2 (09:57):
Quality food.
Speaker 9 (09:59):
So yeah, this song is called side quest God, so
check it out the Oysters side Quest.
Speaker 2 (10:05):
Okay, it's the fun So happy is the fun?
Speaker 5 (10:17):
Going on a walk on the sunny day?
Speaker 6 (10:19):
Fact, this is nerd rod Yeah, nerd funk. These guys
come to the camel sit.
Speaker 2 (10:34):
They should I'm gonna go see him.
Speaker 4 (10:35):
You can see it.
Speaker 2 (10:42):
I thought there's a covering first starts.
Speaker 4 (10:44):
Uh oh yeah, yeah, whenever I see.
Speaker 2 (10:50):
Fine, I love you that song.
Speaker 1 (11:07):
My head up.
Speaker 16 (11:22):
But man, you know, I'm ha Yeah, it's goods like
you're in the middle of the comps, the triangle, the faith, Yeah, Horse.
Speaker 5 (11:52):
Like school, Yeah, black Horse, that's right.
Speaker 6 (11:59):
I think.
Speaker 4 (12:04):
I understand.
Speaker 11 (12:17):
In the game.
Speaker 3 (12:23):
I guess.
Speaker 4 (12:24):
I don't idea.
Speaker 3 (12:25):
I haven't seen sil like.
Speaker 11 (12:33):
Time recording.
Speaker 5 (13:01):
Okay, okay, man, we've got some players in the band.
Speaker 2 (13:09):
Yeah, sounds fantastic.
Speaker 1 (13:11):
Nice fucking man. You don't want to tell you what
now tell you a boy. That's on my list of
best slaps of the year already.
Speaker 4 (13:19):
Wow, the end of the year.
Speaker 5 (13:21):
But that was great, man.
Speaker 1 (13:22):
Everything that was the opposite of the song we listened
to right before made me smile.
Speaker 5 (13:27):
It sounded good. It didn't hurt my ears.
Speaker 1 (13:30):
Yeah, it made me want to It made me want
to my sophisticated ears.
Speaker 5 (13:36):
Sophisticated older ears, older whatever.
Speaker 6 (13:39):
Man.
Speaker 1 (13:40):
Uh, I thought that was great, made me happy, made
me want to like write cooler chord changes. I think
that was fantastic. I'm boy, I know, I'm just some
old man, Yeah, you know, it's not really how I feel.
Speaker 4 (13:52):
It's like.
Speaker 1 (13:54):
Course knows better than them about everything pretty much, so
fuck out of here, bro, or it's why you guys
have me here because I know everything and ship like that.
Speaker 9 (14:03):
Well, I don't think you're older than Fantogram, but that's cool. No,
I know, I have no van I thought.
Speaker 1 (14:11):
No. I just assume everybody is like twenty eight. This
is what I think everybody. That's the old man ship everybody.
Speaker 4 (14:20):
I don't think it.
Speaker 2 (14:20):
There are there are for sure.
Speaker 5 (14:22):
Everybody twenty Yeah, kiss me off.
Speaker 2 (14:24):
That's funny.
Speaker 5 (14:25):
You already you gave it a dang Yeah, I got
a dang.
Speaker 15 (14:27):
Yeah.
Speaker 2 (14:27):
Man, this is fucking fantastic.
Speaker 9 (14:29):
What uh the perfect use of every plug in you
can ever buy, a little bit of sauce, a little
bit of thick of fye, a little bit of like
a little bit of ghost vocals, a little bit of
ducking like the you know, the bass is ducking in
and out fire. The band sounds fantastic. I cannot stress
(14:50):
enough that I'm tired of that snare sound.
Speaker 4 (14:52):
They all are, we all.
Speaker 9 (14:53):
I'm tired of it. Man, Look everything sounds good. That
snare sound to me is lazy now it's is just
short because it can just be. It doesn't have to
be a real drum anymore. It's that's it's something. It's
so overused, genericized.
Speaker 1 (15:07):
It could be a gated pink noise and uh and
a fucking sign wave with a low note like it's
that's all.
Speaker 5 (15:15):
It's like a fake syn Yeah, and.
Speaker 1 (15:18):
Also how many fucking uh sample packs you need of
dead snares and drum and.
Speaker 4 (15:25):
All of them sound the same?
Speaker 1 (15:28):
And also ware you to make a sample pack of
like the easiest drum tone.
Speaker 2 (15:32):
You can fake that dress what I'm saying.
Speaker 9 (15:33):
You can get a cheap ass snare drum from a
pawn shop and get that sound out of it.
Speaker 2 (15:38):
That's kind of how it started.
Speaker 5 (15:39):
You don't even.
Speaker 2 (15:42):
Need a towel, bucket, a bucket.
Speaker 5 (15:47):
That's all you need. You need, that's all you need.
Speaker 4 (15:49):
You don't need.
Speaker 2 (15:49):
So yeah, we're all tired of that snare drump sound.
Speaker 3 (15:51):
Man.
Speaker 9 (15:52):
You'all sound fantastic though, don't. The percussions sounded great. I
love that that triangle and the vocalist this is right
up my alley, so yeah, definitely slaps definitely all right, Kelly.
Speaker 8 (16:04):
I'm a bit torn here torn because Uh, first of all,
I do love the band. I like that there's some
players in the band. I feel like that that is,
I feel like that's going in an interesting direction, where
like bands now don't really want to show that they're
like they have players in the band. That used to
be a thing, right, you don't want to show off.
(16:24):
They don't the opposite now. I mean you to hear
something nice and noddy like that in the middle of
the song. I really enjoyed that because you don't hear
that very often.
Speaker 5 (16:33):
That hasn't been around since.
Speaker 1 (16:34):
I feel like the eighties are the very early nineties
in music, in pop music.
Speaker 5 (16:39):
Yeah, yeah, it's the funk brought it back.
Speaker 4 (16:41):
Yeah, thank you.
Speaker 2 (16:43):
It's fun things.
Speaker 9 (16:44):
The chord changes sound like a like a Joe Bert
or I was gonna say, joe Bert Jill, you know,
like those Russian not Russian the Portuguese. Uh, like, what
is it like the years in which it's like Brazilian
band but they got electric bass.
Speaker 2 (16:58):
Yes, you know what I mean.
Speaker 9 (16:59):
It's like what this reminds me of like Raphavella at
that album. Anyway, I also feel like a mild high
Brazilian ship Mount High Club.
Speaker 5 (17:09):
Yeah, the chord changes. Yeah, stuff, I definitely felt that.
Speaker 6 (17:14):
You know.
Speaker 8 (17:14):
The only thing is is that, man, I mean, it
is such the formula in a way where I feel like,
am I a sucker for some Fender roads a dead
snare female singer?
Speaker 9 (17:28):
And you know you just described like the music, but
now too we're talking about the deadness what I'm saying like,
and I'm like, that's what I mean.
Speaker 2 (17:40):
It's just the funk, man, you know, it's the fun.
Speaker 5 (17:42):
Get the hand clap to man, add the hand clap
to the snare.
Speaker 1 (17:49):
We should write an open letter to Nate Smith and
tell them, hey, man, you just stop using muting, just
like why don't.
Speaker 2 (17:55):
He doesn't use it, It doesn't do it much. Yeah,
but when they track him on these records apply the
dead I mean, I think that's just the sound of
the times. Yeah, it just is what it is right now.
Speaker 9 (18:05):
He has the power to change it, though I would
say him specifically has done the most of all of
the things, like you know, showing up with just an
open snare drumming, I had no symbols.
Speaker 8 (18:16):
He does it and his snare, his snare that he
came out with is definitely made to be played like
open and with the open, full set. You know what
I'm saying, Like, that's what he's going for. I don't
think that he's like a proponent of the He can
do it just like anybody else, but.
Speaker 2 (18:32):
It's out of his hands when it comes to other
I think that's true.
Speaker 5 (18:36):
When it comes to Brittany Howard to somebody, you know,
she's gonna be like.
Speaker 9 (18:39):
Yo, but you hear him live or just like in
the eighties, man, you went in the studio and you
played your drum set and that ship came sounding out
like studio facts, you know, no matter. It wasn't just
Phil Collins was like, Yo, this is it, this is
all better make your drums sound like this discovered.
Speaker 2 (18:53):
Yeah, amazing, Yo, that's it.
Speaker 8 (18:56):
I like listening to Toto and Jeff Piccaro, you know,
one of the most amazing drummers of all time.
Speaker 5 (19:01):
I Mean there's some songs where you're just like, this
got to be a drummers. Is he in there and
he's and it's him.
Speaker 6 (19:06):
Yeah.
Speaker 5 (19:07):
Bro. There's one joint It's called what.
Speaker 8 (19:12):
I Think Stopped Loving You is the song It's like, dude,
it was like it's like, oh, it is like smooth
you look at him.
Speaker 5 (19:21):
He's like he's doing all of it now that he's
doing all of it himself.
Speaker 2 (19:26):
Killing.
Speaker 1 (19:26):
It was just Michael Jackson songs and ship like that
where I always thought they were not real drums. Yeah,
and a lot of Prince stuff where it was I know,
like a lot of his stuff had like Lynn drum
and stuff with but the parts that were real drums
just first of all, they sound amazing, and it was like,
well that has to be those toms can't be real.
Speaker 5 (19:44):
They sound too consistent, but like they sound in.
Speaker 9 (19:48):
The middle of ladies and they it's insane, Like, oh yeah,
those Quincy Jones productions. I was listening to that Sha
Ka Khana album yet the other day I've been like
stuck on it, which was say the one that's got
got I Know you of You She's like, what's the
name of I don't know the name of the album.
Speaker 2 (20:02):
I'm horrible album titles.
Speaker 9 (20:05):
But anyway, same Shiit, same Quincy Jones production in which
does the snares and and all the times have like
all got a little shimmer on them, you know, and
it's like killing, so killing anyway. Oyster and what's these
the oyster Pearl and the Oysters. Yeah, oh hey, you
liked it or not?
Speaker 5 (20:24):
You know, yeah, So it's it's tough for me because
of like the formula of it is, so I feel
guilty about liking the same thing again.
Speaker 8 (20:32):
It's just it's just so like right up my alley,
I'm like, oh, man, just sucker for that ship, honestly
I am. But the the playing, I feel like, kind
of sets it apart a little bit and doesn't feel
as contrived. And I mean, yeah, it sounds fantastic, all
of it musicianship, so I am going to give it
a slap. But it's like baby powder for sure.
Speaker 5 (20:54):
Yeah.
Speaker 9 (20:54):
I mean we've talked about this. You know, people are
abusing the baby powder slap. We had to stop for
a second.
Speaker 1 (21:00):
Eric.
Speaker 9 (21:02):
Everyone figured out how to be tame and Paula or
try to be Dua Lipa or whatever they all or
jungle and all of them sound the same, the baby
powder slap.
Speaker 1 (21:11):
The problem I have with it is it can push
a okay or mediocre not me or but okay song
into a congratulations where I don't want to have to.
I don't want to play that game, like, I don't
think it has warranted that award and so that's where
it gets messy.
Speaker 9 (21:32):
I feel like we've been we've been doing a good
job of keeping that out of there because listen, lots
of ship that's obviously pander into the baby powder that
we've We've been like enough, we've definitely been like that.
Speaker 2 (21:42):
Oh that's Chaka Khana album mom was talking about. Its
called what You're Gonna Do for Me.
Speaker 5 (21:45):
That record is tough, man, It's a tough ass record.
Speaker 2 (21:48):
Like the production on it ridiculous.
Speaker 4 (21:50):
I love the record.
Speaker 5 (21:52):
That's why I talk to what You're Gonna Do for Me?
Speaker 8 (21:55):
Well, half of the half of the album is average
white band Amos Stewart on basis actually they and uh
Will Lee, Like I was looking up because like I'm
every woman is on that one. Yeah, fucking I mean
that that band is fucking Tamus Stewart, ridiculous, Bill Lee,
(22:18):
Uh who's on drum.
Speaker 5 (22:20):
Steve on drums.
Speaker 8 (22:22):
It's like a quartet and it's just disgusting. It's that
The whole record is gross.
Speaker 2 (22:27):
Eight one.
Speaker 5 (22:28):
Yeah, that's a disgusting record.
Speaker 2 (22:29):
All right, Well, I decided I was gonna throw in
a goofy one.
Speaker 5 (22:34):
Let's go h okay.
Speaker 2 (22:37):
You guys like the Beatles, right, pissed already? You guys,
you guys like that, come here. Who likes the Beatles?
Speaker 9 (22:42):
Hey, I think not one of the greatest bands ever, right,
you guys like you? Guys like you know kind of
countryish music?
Speaker 5 (22:52):
Sure I do.
Speaker 1 (22:54):
Oh my god, you all are gonna fucking love this.
You ever heard of Ringo Star or Alison craw House, Yes, together,
at least you know that they teamed up for some tunes.
And this is one of the singles. And it has
a great title. Thankful, thankful, I'm thankful to receive this
(23:16):
right on.
Speaker 2 (23:17):
Time, right on time.
Speaker 5 (23:18):
You listen to this already, No, I have not. I
wanted to so bad, but like I I didn't. Okay,
and Ringo Star, we can thank Josh Barrman for this
shut out all right? Thankful? Bye by the ledge.
Speaker 17 (23:51):
Oh and I started to fall ring singing and yeah he's.
Speaker 5 (23:57):
Gotten a little bit better and singing from all.
Speaker 17 (24:05):
Roma and looked dust, no one to trust, My world
game crashing down and shadowed. Then you came along my
(24:27):
belt from the storm. Oh my god, I mean to
your hand, and you made.
Speaker 4 (24:36):
Me a better man.
Speaker 12 (24:38):
That's like Alison Cross is hiding behind him ses fall
the love you show.
Speaker 4 (24:44):
They won't put her in the middle no matter what.
Speaker 5 (24:46):
No, it's like going on the left side.
Speaker 4 (24:48):
It was right ball the stars.
Speaker 5 (24:52):
So it's a love sidnall.
Speaker 13 (24:55):
Here's another money note over there, but it's white the side, tang's.
Speaker 4 (25:07):
Arm on the other side.
Speaker 5 (25:11):
It's really.
Speaker 1 (25:17):
You know what this reminds you of like when the
Beatles would do on their early albums. They do like
a country like a buck Owens tune and like let
Ringo sing it as a goof. It sounds like they
took that and ran with it.
Speaker 5 (25:28):
And we're completely serious. He wrote this song, Ringo.
Speaker 4 (25:32):
Good for him.
Speaker 5 (25:34):
He's not a cover, that is what I'm saying.
Speaker 1 (25:35):
No, I'm saying, but it has the vibe of let's
get goofy Ringo to sing the song.
Speaker 5 (25:40):
Do country music? They love country music.
Speaker 6 (25:42):
You know.
Speaker 14 (25:42):
Yeah, h it's t Bone Burnett production. Really wait, who's
that would that producer? He's like a super famous all
that stuff country.
Speaker 5 (25:55):
Stuff, mostly country stuff. But he did a Country for
Old Men and Walked Tall, Walked Tall director.
Speaker 8 (26:03):
No producer, music producer, and he played with everybody played
with Dylan back in the day. Like, uh, he's he's
produced a ton of shit, but all the country mash
up kind of records that have been coming out for
the past ten fifteen years he's been doing.
Speaker 5 (26:19):
So this is his fault, this is his this is
his problem. Yes, is uh this one?
Speaker 1 (26:24):
Well, that's an excusable I'm sorry, that's you can't have that, dude.
And I thought I was like, there's no way this
could be like Eric Clapton now bad or anything like that.
And I still don't think it's that bad.
Speaker 2 (26:37):
But I think it's that bad me. Maybe I'm not
the right I think. You know, I definitely think out
of all those people like who's the other one?
Speaker 5 (26:44):
Uh by you on Facebook?
Speaker 7 (26:46):
Dude?
Speaker 2 (26:47):
And I would definitely rather hang out with Ringo Starr
and Allison Cross.
Speaker 5 (26:51):
Over those dudes.
Speaker 1 (26:52):
Oh yeah, I'm always talking about the Well no, I'm
just saying, like, if I was gonna hang out with them,
I'd rather hang.
Speaker 2 (26:57):
Out these deals.
Speaker 5 (26:57):
But it also the music hall. Saw.
Speaker 2 (27:02):
I mean, I got nothing for this. I don't know,
I got nothing.
Speaker 9 (27:05):
This groove like hurts my body, like groove makes it
like makes it feels like it makes my heart beat
weird or something.
Speaker 2 (27:15):
Okay, you know, I can't like, I can't nod my head.
Speaker 1 (27:18):
That's what happened when I heard that fanogram. So it's
like I can't even listen to this song because it
bothers me, just like I can't even like move my
shoulders to it. It's like, damn, this is people out
here listening to ship like this. I mean, I don't know,
I don't know.
Speaker 2 (27:35):
Yeah, I can't. I can't, I can't. I have nothing
to say. I'm speechless.
Speaker 5 (27:40):
This kind of feels like that ringo Ai thing that
happened a while back.
Speaker 8 (27:43):
Yeah, I mean, hearing him through that much auto tune
is is uh is frustrating. And then Alison Krause comes
out like and she's like, you know, creeping whispering, like
the grudge in the ear, like super coming up behind
your shoulder, and it's just.
Speaker 5 (28:00):
Like, this is strange.
Speaker 8 (28:01):
I'm like, this is what y'all doing now, I'm like
T Boone Burnette, this is what you do? You had
an uh auto tune is just like and it just
makes everything so sound so.
Speaker 5 (28:12):
Not natural in a real way.
Speaker 8 (28:16):
In the background, takes you out of the song. I
couldn't tell what was happening. After a certain point, I'm
just like, what this is This doesn't really feel like
a song. It just feels like he just like got
Ringo to play like sixteen bars and then like they
just added on people you know, and just like just
just cut and paste this whole thing. It's just to
(28:37):
beat those that the beat like, hey man, don't Ringo
is one of the country you know, his first record
I think was a country.
Speaker 1 (28:46):
He's a country enthusiast, but I wouldn't say he's a
real country musician, not a country man.
Speaker 5 (28:51):
He sure is.
Speaker 2 (28:52):
He just dropped the country song. We just heard it.
Speaker 5 (28:55):
Everybody can be.
Speaker 1 (28:56):
Let's what Oliver Anthony thinks about. He's already on country
right trash? So yes, yes, that's a no, yeah, likes
you well listen. Uh there's another song that Josh sentess
and this one actually I am curious to see what
it so hear what it sounds like?
Speaker 17 (29:14):
Argument?
Speaker 2 (29:15):
Damn man, that was crazy.
Speaker 1 (29:17):
Yeah, I know that's that's insane. I think you knew
it was gonna go like that. Uh So this is
this is a h Jordi greep.
Speaker 18 (29:26):
Uh.
Speaker 5 (29:26):
This song is called blues. Oh body, who's Jody.
Speaker 1 (29:31):
Jeordy like Jordy LaForge of Star trek Okay with the
G greep like creep with the G. Get what's going
good anyway? This song is called creep with Ye that's
his last name.
Speaker 5 (29:48):
Oh oh that song.
Speaker 4 (30:09):
Yeah, you're all grown up. You have your own stove
in your own pair of oven doves. Let's see.
Speaker 18 (30:20):
You have arrangements and assignations. You come up appearances and
have a reputation. You sit in the park and work
on your sonnets. You're talking about yourself in.
Speaker 3 (30:31):
The past attempts.
Speaker 18 (30:33):
You have opinions that can't be shaken on Morrow's firm.
Speaker 5 (30:40):
Do you know what I mean?
Speaker 6 (30:41):
You know what I mean? You know what I mean?
Speaker 5 (30:42):
You know what I mean, You know what I mean,
You know what I mean.
Speaker 4 (30:46):
Do you know what I mean? You know what I mean,
You know what I mean, you know what I mean.
It's your favorite turn of phrase.
Speaker 12 (30:53):
You know what I mean, you know what I mean,
you know what I mean.
Speaker 3 (30:55):
You know what I mean.
Speaker 2 (30:56):
It's your second favorite turn of phrase.
Speaker 18 (31:06):
You can speak English better than anyone, and you can
curse like no one ever has done. And you have
a bigger dick than any man who's ever lived.
Speaker 5 (31:16):
And you can come more.
Speaker 18 (31:17):
Than one hundred stallions and a room that smells of
cigarettes and carry on under a sheets, freezing cold with
damp you voyage far and wide across play the ocean,
step and marsh on celestial bridges, and knock down doors
and climbing windows, and listening. Listen, listen, listen, listen, listen, listen, listen.
(31:40):
Can you hear that the signs of life not yet awake?
The stirring, the screwing up of eyes, a blanket that
forms mountains, the valley between knee and cheek, the steep
side down to the feet, the toe talking out, we
touch shut discipline by.
Speaker 1 (32:00):
Record, you only get skip boarded or as there's a universe.
Speaker 18 (32:05):
Will screw spiller a toilet, some perji of toombs.
Speaker 2 (32:09):
You know, not to work from us work, I guess
my schunks.
Speaker 19 (32:12):
You know God would like your way.
Speaker 2 (32:14):
You are ready to admit tomorrow.
Speaker 3 (32:15):
The assault forms a pantas stage a mod You.
Speaker 14 (32:18):
Are ready to take the blame or every time about them.
Speaker 18 (32:22):
But the Jarry is out to lunch.
Speaker 1 (32:25):
Nice dude, I just want to go a little bit
before you see if there's a sleep for okay, okay, hold.
Speaker 6 (32:32):
Up, like find where that happens.
Speaker 4 (32:34):
Oh, your that's.
Speaker 3 (32:35):
Gonna crow A little mouths before that sells.
Speaker 18 (32:41):
SR Money on stage of sil Warm sou Your.
Speaker 2 (32:44):
Heart Were Last Time Free, I'm so look.
Speaker 20 (32:48):
You in the face and ask why have you m
why have little strain? Show your brain my brain to
your loss s comes stranger.
Speaker 4 (32:59):
Y're so.
Speaker 1 (33:22):
That's a real snare drum right there. Up, There's there's
a lot going on. There's kind of like it's like
if Scratch Acid was a prog band. It's kind of crazy.
Speaker 2 (33:34):
It's all that got that like monologue thing going on
in there.
Speaker 9 (33:38):
Yeah, monologue kind of threw me off actually at first.
I mean I feel like I was kind of feeling
it until the monologue came in, but then he was
kind of I don't know who it was, but it
kind of was adding to the vibe, you know.
Speaker 5 (33:48):
Definitely.
Speaker 9 (33:49):
I was like, I could have done without talking about
Dickson Balls in the middle of this song, but you know,
the band was crushing it.
Speaker 2 (33:56):
It's like, but it's I don't like losing the darkness
with the monologue thing.
Speaker 1 (34:02):
I like, I couldn't think of any other type of
accompaniment though, for that particular one that would sound.
Speaker 9 (34:07):
Better than this, just like instead of a solo, right,
it's like a talk Yeah, talk rapping, just talk rap
art jazz. Uh, I'm gonna let I'm gonna let this
slap because it's interesting in the band's playing this ass off.
Speaker 5 (34:24):
Yeah.
Speaker 9 (34:25):
I like the riff, you know, because like that's kind
of what makes some jazz stuff stick out than other things,
is because there's an actual riff, right, It's like so
much you hear jazz and it's like chords plus melody
as opposed to like a riff happening as the melody,
you know, like.
Speaker 1 (34:42):
A set intro or something like all the things you
are intro. It sounds really cool and you know distinct. Yeah,
I gotta i'ma let it right, all right.
Speaker 2 (34:52):
Nice.
Speaker 1 (34:52):
I'm also I'm gonna say that was great, not your
typical slapping type of thing, but it's just like that's
pretty bad.
Speaker 2 (35:01):
It's cool.
Speaker 5 (35:02):
That's pretty badass, man.
Speaker 9 (35:03):
And I think it was a little more on the
low fi side of uh, like vibe and it sounds
like a live recording, yes, And but I it's very
refreshing to hear that.
Speaker 5 (35:15):
Yeah, So I really liked it a lot.
Speaker 1 (35:18):
Also, we should start getting our listeners just to send
us the slaps, because the the.
Speaker 2 (35:23):
Best slaps that the variety.
Speaker 1 (35:26):
Yeah, and it's a bigger variety, and all the good
ones seem to be ones that we did not add ourselves.
Speaker 4 (35:31):
Yeah.
Speaker 5 (35:32):
So yeah, it's helpful definitely.
Speaker 2 (35:34):
Is of these songs new?
Speaker 9 (35:36):
Yeah, our listeners, our Hussies know some of them. Some
of them they've been sending them. Not new songs, well,
I mean new songs. I'm picking the new ones at
least dear new songs.
Speaker 5 (35:49):
It's near the end of the year.
Speaker 2 (35:50):
It's kind of cool us out.
Speaker 5 (35:51):
It's cool to do some slaps we missed, you know,
because we again, I mean we many of them. There's
so many. Uh yeah, you know, I'm going to let
it slap.
Speaker 1 (36:00):
Uh.
Speaker 8 (36:01):
It felt a little berkeley Ish to me initially. Initially
when the first hinting of it, I was like, all right,
you know, hold up. And then it got more cool,
and then the way that they developed that I was
thrown off a little bit by the ship.
Speaker 5 (36:17):
But then I started liking the spoken words stuff. Yeah,
it grew on me.
Speaker 8 (36:21):
And then the way that they built that back up
to like several times, you know, and then that released
with the two guitars, I mean, so it sounds like
two guitars bass and drums, right, I think because that's
what it felt like.
Speaker 5 (36:36):
And yeah, it did feel live. I loved it.
Speaker 8 (36:40):
I mean it was just the perfect like cool tension
release thing that doesn't really get doesn't really seem to
happen as much in music, h.
Speaker 5 (36:50):
You know, for real.
Speaker 2 (36:51):
I mean, but this is jazz though it didn't have
a melody, but.
Speaker 8 (36:54):
Even in jazz, you know, it's just like sometimes it's
not there isn't that, there isn't all it's all or
it's all released.
Speaker 5 (37:02):
It's just like super soft ship. You know what I'm saying.
Speaker 8 (37:04):
It's like, this is cool when you can you could
be able to digest that in you know, a decent
amount of time.
Speaker 5 (37:10):
You did do it fast forward, but I mean was
it five minutes song?
Speaker 1 (37:13):
You said, yes, that's not it's like, oh, actually it's
almost six minutes, you know, not horrible, but yeah, that
was cool.
Speaker 2 (37:22):
Yeah, so let me.
Speaker 5 (37:25):
We did I think we did that on last night?
Speaker 11 (37:27):
Do we do?
Speaker 5 (37:28):
Sam Fender? I'm sorry, Sam, Yeah, we're doing a show here.
Uh Sam Fender.
Speaker 2 (37:37):
I'm not familiar with Sam Fenders.
Speaker 5 (37:38):
Neither am I. It's on the list. Oh wait wait
we did voids last night? Right, yes, Okay, unfortunately.
Speaker 2 (37:45):
Yeah, okay, now I know, all right, weal. I don't
know who this guy is. I don't know how we
got it on here.
Speaker 5 (37:52):
Uh but yeah, it's.
Speaker 8 (37:53):
Called people watching, miss an. It's another newer slap, maybe
indie slap.
Speaker 5 (37:59):
I'm not sure I'm fine with that. Yeah, new ship,
this guy, let's check it out. Might be guitar player,
might not see Sam Finder, I din guitar.
Speaker 16 (38:19):
Right, I don't know.
Speaker 3 (38:31):
Who watch on louis welcome and the list of the
glamor frock gives me a break and feeling home.
Speaker 21 (38:39):
It gives me a moment now he who used to
feel so invincible, I used to feel lose love both dreaming,
no back in the gas we're.
Speaker 3 (38:50):
Screaming the song.
Speaker 4 (38:51):
It's just the beauty.
Speaker 15 (38:52):
If you wouldn't quell Mike.
Speaker 3 (38:55):
Who feels.
Speaker 11 (39:06):
Oh my.
Speaker 3 (39:09):
Felt truly.
Speaker 11 (39:22):
Everybody on the train, somebody's son.
Speaker 3 (39:29):
Straight tonight, can't start.
Speaker 11 (39:34):
I see a time people.
Speaker 19 (39:37):
Loot in the fucking Springsteen Melancamp.
Speaker 9 (39:51):
Yes, you're definitely getting his melodicamp springste He's got covered
in dinner.
Speaker 1 (39:59):
Or something stitched in that before the way back on
the People watch, so the wall colop talking, I'm gonna
get my stuff.
Speaker 5 (40:09):
I'm gonna leave people.
Speaker 2 (40:11):
Watch the way back home. We got we got that.
I canna turn it back up, man, put it back
all the way up.
Speaker 9 (40:28):
Least to me, this is not as bad as that
Alexon proud ship, because like it's way man, he's not
in my head the man.
Speaker 4 (40:34):
I can listen to the man. They sound good.
Speaker 5 (40:37):
I'm still not good.
Speaker 2 (40:43):
All right, right back to it, all right, that's not
This song is five minutes then no held.
Speaker 9 (40:48):
Half halfway through, right, but again, let's go, let's get
a let's get it fast.
Speaker 13 (40:52):
For it.
Speaker 8 (40:55):
Was that?
Speaker 5 (40:55):
Was that a minute for it? To ten seconds?
Speaker 18 (40:57):
For it?
Speaker 4 (40:57):
I can't tell its facts? All right?
Speaker 9 (41:00):
Oh because the saxophone solo, weaight to the records and
really hit every piece of it.
Speaker 4 (41:11):
Had I'm buried too.
Speaker 5 (41:14):
That was a saxophone.
Speaker 2 (41:15):
I didn't get a saxophone. He's still in there, yeah,
just the saucer.
Speaker 5 (41:20):
Both, yeah, the saxophone. Yeah, bro, that's just so scared
of having saxophone on the song. I'm telling you, you
know what.
Speaker 9 (41:29):
I was about to let this slap just because I
thought this was fine. You know, It's like, oh, he's
doing kind of a bruce springsting impression, and I think
it sounds good. But the way they got my man
buried the saxophone player buried right there, I can't let
a slap. Nope, it's about that. You can hear Clarence
Clemons when he came in. It's so I'm not even
sure that it's.
Speaker 1 (41:49):
A saxophone man was I'm trying to say they scared
of the saxophone bro.
Speaker 5 (41:53):
No oh yeah, And for me, obviously I funk. Now,
absolutely not. I'm fine with it. The chorus is I mean,
it is one hundred percent he said.
Speaker 9 (42:07):
The chorus, he said, the chorus is the first line,
like the chorus is in the verse, and then it
comes back again and he says that line again as
people watch. Then he says two other lines, and he
says that line four more times. Yeah, that's ridiculous.
Speaker 5 (42:22):
People watch, people.
Speaker 2 (42:27):
Why are you and someone?
Speaker 8 (42:30):
People watch with the way back? Sometimes I'm still fine
with it though. It's it is an appealing song that
it's very interesting. It's like it's kind of like it's nice.
It's dressed up as another song and then it turns
into a Springsteene song because it's a very that's a
little very catchy keyboard guitar riff at the beginning that.
Speaker 5 (42:55):
That ship. That ship was cool.
Speaker 8 (42:56):
Anyways, I liked it, so yeah, I'm gonna let that go.
I'm gonna let that one. That one fly sax solo
is definitely fucked up. I don't know why they did
you dirty like that.
Speaker 2 (43:07):
That was crazy.
Speaker 5 (43:07):
They don't. They don't need to be scared of the saxophone. Bro,
I'm still not convinced it's actually saxophone. I think that's player.
It was, man, it was, dude, it definitely was. He
definitely did a saxophone thing. But too bad.
Speaker 2 (43:18):
I'm never gonna listen to it again to check that out,
no way to find out.
Speaker 8 (43:23):
I'm curious about this Sam Finder guy that it sounds.
You wonder if he's from the UK or something.
Speaker 9 (43:28):
I don't know, I never heard of him. Yeah, it
sounds good. I mean his like that is a type
of music. This is the type of American music that
we just don't. We don't sit here and listen to
Ryan Adams and ship in here.
Speaker 5 (43:43):
So no, it's fact. Oh yeah, yeah, that's kind of right.
Speaker 9 (43:45):
It's like Ryan Adams, you know both. Yeah, Ryan, don't
tell them that, Yeah, future islands. You know he didn't
have he wasn't eating his microphone like that dude was
on that song. But it's the same ship, you know, Like.
Speaker 5 (44:00):
Like you said, everybody twenty eight earlier.
Speaker 2 (44:02):
That's hilarious.
Speaker 5 (44:03):
Everybody is everybody twenty eight? All right, let's do uh,
let's do one more more?
Speaker 4 (44:09):
Okay, Uh.
Speaker 5 (44:11):
Fontaine's DC.
Speaker 4 (44:12):
Do we know who that is?
Speaker 5 (44:13):
Yeah?
Speaker 8 (44:13):
That's like a rock Yeah, it's a hard rock band
or something that's like breaking out right now?
Speaker 5 (44:18):
Oh really because the art and everything looks like it's
like a pop girl.
Speaker 1 (44:24):
Uh. Lots of hearts on ship. Uh and pink it's
it looks like a girl thing. But anyway, bog is
the name of the song.
Speaker 7 (44:32):
What is it called?
Speaker 5 (44:33):
Girls? Bugs?
Speaker 1 (44:37):
Tell me you're telling me this? This song is made
by dudes. I'll believe you girls man, I think so.
Speaker 5 (44:42):
All right, Okay, let's listen to these nancies.
Speaker 4 (44:52):
Sounds pretty sensitive.
Speaker 5 (45:01):
But I changed my name is Thomas you can cruz so.
Speaker 7 (45:05):
That I am in the sky because I want to
jem didn't I say I wanted to.
Speaker 4 (45:13):
Money.
Speaker 3 (45:13):
I've changed too far?
Speaker 7 (45:14):
You Yeah, twenty eight years A comment to wear that
range chased me down to Gordy again.
Speaker 3 (45:23):
Now I'm higher than anyone here.
Speaker 15 (45:27):
I'm there a more thn on me, right, she.
Speaker 3 (45:45):
Baby, I swear it and I wanted to call, but
I'm my way around.
Speaker 7 (45:51):
That happened too far and she's a am you aganecky
Hall You don't I find a seam there.
Speaker 8 (45:58):
Are rodos in law.
Speaker 7 (45:59):
Well we shots don't swim the fun on the way
cast a sweet rain side of a red in it.
I'm reflected all other day and our fade in the
night chet.
Speaker 4 (46:15):
Many apol shye.
Speaker 3 (46:18):
Father man of your night, see.
Speaker 5 (46:23):
You separate shatchets.
Speaker 3 (46:25):
I promise suit man.
Speaker 7 (46:28):
Suit yet well that she curls off with his favorite song.
Speaker 15 (46:33):
He's he'll be a smile in.
Speaker 3 (46:35):
Heaven for warm as long as.
Speaker 7 (46:37):
There as nobody built on me there since ThReD ain't
not feeling on me. Yeah yeah, they threw me out
like god, it's a wedding for them.
Speaker 5 (46:47):
No wonder, this is like a show.
Speaker 22 (46:49):
I have to say, said, I get higher than I's
like ast shot and I would fade in the night yet.
Speaker 5 (47:00):
Shadowing us on.
Speaker 23 (47:03):
To because it sounds like a bridge.
Speaker 4 (47:17):
It's like go stand end of the song. Advance.
Speaker 2 (47:20):
Let's not like see too that pi.
Speaker 6 (47:23):
Yeah, it feels like a bridge.
Speaker 2 (47:24):
But it's like they have a lot they have like
a free chorus, the like that happened before that other chorus,
but it was only like four bar right now, that's it.
Speaker 5 (47:34):
Just go ahead, I see under the song, Yeah go away.
Speaker 1 (47:38):
It kind of reminds you of some of those British
bands in the early nineties that I guess got attention
because of Oasis, and some of them were kind of
this is good, if not better, but it says a
very early nineties yeah type of thing to it, not
a bad way or anything like that.
Speaker 5 (47:55):
I like the way it sounds and everything.
Speaker 1 (47:57):
This is a thing where I'm not sure what to
give it yet because it's this might come back, it
would go to yeah, come back to back to you.
Speaker 15 (48:06):
Yeah.
Speaker 5 (48:06):
Uh, you know, it's it's all right. I like the
sound of it. It's like a lot of reverb.
Speaker 2 (48:13):
Everybody is in the playing in the bathroom, you know,
it's the whole band in the bathroom.
Speaker 8 (48:17):
It's a nice it's a nice version. Yeah, it doesn't
it's not like too much, but it's just enough like
on everyone. So I'm not I'm not against that. The
drums came in at the right spot.
Speaker 5 (48:32):
I was sure.
Speaker 9 (48:32):
I mean I was getting a little pissed off. I
was like, they're gonna let my man had to go
through the whole first and chorus with just the floor
to Yeah, it's like it's no.
Speaker 8 (48:41):
But he came in at the right time. And his
drums sounded pretty good. I liked his high hat sound.
It sounded like they were like they sounded small. They
sounded like they were like thirteen's or something. They had
like a different kind of sound to them. Different sizzle, yeah,
different kind of sizzle, yeah, for sure. And them his
(49:01):
symbols sounded like really good.
Speaker 2 (49:02):
They sounded good.
Speaker 5 (49:03):
So I just and he The way he came in
was very interesting.
Speaker 8 (49:06):
But he's got in the pocket like by the like
the second bar, yeah, second bar, he was just like
cock cock co it is just came in and then
like second bar he was like settled. And then that
chorus hit and it was like it doesn't feel like
a chorus though, and that's like my only thing. I'm like,
it feels like another another part of the song. But
(49:28):
I like the vibe also kind of kind of rhyd
me of old R E M two, you know, like
that era, like ninety ninety one, yeah, ninety two. Yeah,
So I'm gonna let that slap.
Speaker 9 (49:42):
I'm on the fence about whether or not this slaps,
but I did, like, I liked a lot about it.
I like I like the way the melody fit. I
like the way the whole thing fit together, like them
ding ding d don't boom dan dang. I like the
way that was rocking. I just I feel like it
was missing some some music or something. It's like missing
(50:04):
a guitar player. Yeah, like a guitar player, like some
some fire. It's missing like a little bit of like
a little bit of a distinctness somewhere, like somebody should
have could have kicked kicked it out, you know. Distortion
pedal come in like much harder in that last in
that second section or something. So in that way, it
(50:25):
did feel kind of soft. Mhmm hmmm. I'm on the fence.
I don't hate this, but I can't. I'm not gonna
let it slap. I don't hate it, though.
Speaker 1 (50:39):
I'm in the same boat, like I want to give
it a baby powder slab, but we're just talking about
baby powder slabs.
Speaker 11 (50:48):
Hm.
Speaker 5 (50:51):
I'm not mad at this.
Speaker 2 (50:52):
It reeah, and it reminds you of stuff that I
really like, but especially stuff you.
Speaker 5 (50:58):
Uh, you know, I'll give it. I'm gonna give it
a baby powder.
Speaker 2 (51:01):
I'm happy that. Yeah, I'm happy about that.
Speaker 5 (51:02):
Yeah, yeah, yeah, I think it deserves it.
Speaker 2 (51:05):
Yeah to them?
Speaker 6 (51:06):
Uh, what time is it?
Speaker 5 (51:09):
One more? Shoot? Okay?
Speaker 2 (51:11):
Right on time? I guess you one more or three
more slaps? Did we do?
Speaker 5 (51:18):
Did we do?
Speaker 2 (51:19):
Delta sleep last night? That band Delta what Sleep Sleep? Nothing?
Speaker 1 (51:24):
Nope, No, I don't think so Okay, this song is
called the Distance, Okay, Delta selec that cake song.
Speaker 5 (51:30):
Yeah, let's hope this one's good too.
Speaker 2 (51:32):
I don't know if I put that.
Speaker 5 (51:33):
I don't know who knows that one?
Speaker 1 (51:35):
Is?
Speaker 2 (51:35):
This one that was put on? Says the Hustle season
put it on, But.
Speaker 5 (51:39):
Yeah, I guess I added it, but I don't know.
We're sleep you asleep when you cook that. I don't know.
Speaker 1 (51:43):
We're going to listen to this, whether it was put
on by a bot or you. Twenty twenty four, it's
any showing all right?
Speaker 4 (52:08):
Okay, so yeah, it's from our friend of the show
Rob alright.
Speaker 5 (52:17):
Sounds like I got here.
Speaker 4 (52:19):
That's flocks the fuck got to night all Ship down.
Speaker 9 (52:30):
That's why why grant it even its thing.
Speaker 15 (52:33):
That good and mean.
Speaker 22 (52:36):
I've been lost, man, find a way beyond that distance.
Speaker 3 (52:46):
Stay next for the day where.
Speaker 22 (52:51):
Every night I'll find asleep wad here.
Speaker 4 (53:16):
You've got the key who opened up, but weary hard
you want to have it all, Please do it back
for I. Love is justify. I just want you by
my son.
Speaker 3 (53:30):
The world is reaching non exist and stay in morning.
Speaker 4 (53:36):
These days it's time.
Speaker 3 (53:39):
Will I want to end. It's not.
Speaker 4 (53:50):
Strange witches and send the wait.
Speaker 22 (53:57):
Work at me.
Speaker 3 (54:06):
I'm steps I found at im as I'm found.
Speaker 11 (54:20):
Them shows I'm not.
Speaker 2 (54:24):
At the steps.
Speaker 22 (54:26):
I think that the sis.
Speaker 6 (55:11):
I said.
Speaker 2 (55:11):
One thing I like about this is, uh, the the
heavy guitar tones are using.
Speaker 5 (55:17):
Usually you don't hear over.
Speaker 1 (55:18):
Stuff that has the harmonic and melodic content of this song.
And the way they're using that type of guitar tone
and almost sounds like some of the guitars are tuned down.
I don't know, but like, you don't hear that over
this type of stuff that often. I think that's like
pretty uh unique. It's that new school modern rock shit. Yeah,
(55:39):
but it doesn't sound not like how musicool butt rock
sounded when It's kind of.
Speaker 9 (55:44):
Like I think all of the influences of like anime
rock getting mixed in with like music school.
Speaker 2 (55:52):
Kids, you know what I mean, and video game culture.
Speaker 9 (55:56):
You hear that crunch, but you also hear a lot
of chords flying around, even though Mario he used a
lot of chords flying around, you know. And I feel
like that's like this thing that is happening right now
that I'm way into it. The singing actually was the
part that stuck out the most. I feel like they
should have spent a little more time on that, on
the way that way that vocal sounded, you know what
I mean, like put a little something, give it a
(56:18):
little razzle, dazzle or this is this is my take.
Speaker 2 (56:22):
This is my take. God Kelly one that the dry.
Speaker 9 (56:25):
But I feel like they could have, like with the
amount of time and nerdery that was put into those guitars,
I felt like some more could have gone into vocal production,
like move them around, you know, and like do some
dope shit. Anyway, this is not this is We're just
talking about art now. So I think this definitely slaps
h and I'm gonna check out the rest of the album.
Speaker 8 (56:46):
Yeah, yeah, absolutely, Yeah, No, I thought that they did
do great with that because his vocal was very centered.
What he was talking about it was kind of not
I didn't like that much. I didn't like what he
was talking about distance because at first I was like,
is you or is you not trying to like do
it with the lady, And then all of a sudden
(57:07):
he's like existence, and.
Speaker 2 (57:09):
Like, I feel like it's nebulous.
Speaker 9 (57:11):
That's what also made me think of like anime rock
and which is kind of just like go fight, go fight, win.
Speaker 1 (57:17):
Yeah, it was going to distance. You know what's crazy
of that whole song. I have no recollection of any
of the lyrics. None, I can't.
Speaker 5 (57:26):
I couldn't even tell you, and I I never even
heard that.
Speaker 1 (57:29):
I would just be going by the title of song
hoping I'm right, like I have no I mean, I
remember the song and the music stuff.
Speaker 5 (57:35):
I just have no I don't hear words ever could have.
Speaker 2 (57:39):
Done with that.
Speaker 8 (57:40):
Yeah, I mean, you know, I thought the vocals were
fine because they did do some cool stuff with it.
Speaker 5 (57:44):
With the vocals later with the boom, that was cool.
I mean, the the main vocal that was cool.
Speaker 2 (57:50):
I liked.
Speaker 8 (57:51):
I liked the way his tone was I really enjoyed it,
and I like how they just you know, doubled it up.
It was kind of like the Food Fighters way, they
just like double triple that. But the Food Fighting alone.
Speaker 9 (58:01):
After they would have done a crazy instrumental rockout, they've
grown when they just came back right back to you
know what I mean, like they were just going haam
and I could have I'm gonna have taken it. Yeah, yeah,
I could have taken anything.
Speaker 5 (58:17):
But that's the other thing. I was like, I'm also like,
is you rock or is you not right?
Speaker 8 (58:22):
Yeah, because because because they really were like alluding to
it a lot during the song, and then finally in
the middle they kind of like rock out some and
I'm like.
Speaker 2 (58:31):
It's still kind of soft, but I'm like it's off.
Speaker 5 (58:35):
It's like really tempered out, you know. So I really
do like it.
Speaker 8 (58:39):
But you know, I have some questions, right and I
think i'll be they'll be answered through the album, so
I'll definitely get into that.
Speaker 6 (58:47):
Yeah.
Speaker 5 (58:47):
Shout out to a friend of the show, Rob who
is a slap or not come Yeah slaps due. He
did say it's like I talk about is dude talk
about it? I don't know what dude talks about but
I'm even going yet, go ahead. God was good.
Speaker 1 (59:04):
The vocal thing or lack of whether it's uh, the
interesting vocal parts of the production of it didn't really
bother me. I wouldn't have complained, uh if it had
been a little more front and center than just part
of and it's mixed, like it's like another guitar or
something like that.
Speaker 4 (59:23):
Uh, But I was fine with it.
Speaker 5 (59:25):
I thought it was pretty good though. So what's the
name of this group again, Delta Sleep, Delta Sleep Sleep.
I think I put like Delta Spirit or something. Oh yeah,
does Sleep? Yeah, right Spirit? Not an airline?
Speaker 2 (59:41):
Two airlines?
Speaker 5 (59:42):
Two airlines? All right, Well, that's that's pretty good.
Speaker 8 (59:46):
Yeah, that's it for the SLA episode. Man, hope you
guys have a wonderful holiday and we'll.
Speaker 5 (59:51):
See you soon.
Speaker 3 (01:00:45):
And sadly the podcast is no more
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