September 27, 2024 • 59 mins
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.
Speaker 2 (00:06):
Listen, bullshit, man, Yeah, what's wrong with the bo we got?
Speaker 1 (00:09):
It's trash. It does not slapped.
Speaker 2 (00:12):
Call and response?
Speaker 3 (00:16):
What are you guys even doing?
Speaker 2 (00:19):
I got that much ask years ago.
Speaker 4 (00:22):
They tried to years ago.
Speaker 2 (00:25):
They tried to put me in there.
Speaker 5 (00:27):
That means you're a lion stram.
Speaker 6 (00:33):
I did it with the peck.
Speaker 4 (00:35):
And the rock.
Speaker 1 (00:39):
Oh, come on in, Bonator says he.
Speaker 2 (00:44):
The water's fine.
Speaker 7 (01:16):
Get ready, we're here, get said special radition of the Hustle.
Speaker 5 (01:23):
Season back Baby back, We're back again. We're here to slap.
Speaker 7 (01:28):
It's right, We're here to record a live pre record
episode a Hustle season. Slap tastic, slap tastic coming at you,
slap tastic, strap slap patron. So we have a lot
of slaps, so you might as well just uh get right,
slap zilla.
Speaker 3 (01:48):
Who slap slap?
Speaker 7 (01:54):
I know we have a pluthora we done slap We
have a pluf So yeah, we got a lot to
choose from. Man, my name is Reggie Pace. Oh yeah,
your Reggie Pace.
Speaker 2 (02:08):
By it's time.
Speaker 5 (02:08):
These people probably know I just going to say it.
I just want to make sure I said it though.
Speaker 2 (02:11):
Yeah you did say school.
Speaker 5 (02:12):
Your name is on the screen.
Speaker 2 (02:13):
Hey, I appreciate that too.
Speaker 7 (02:15):
All right, So man, it's hot in this place. I
don't not you hot man? You know, yeah, it's a
little humid.
Speaker 2 (02:22):
He's the water.
Speaker 5 (02:23):
Yeah I had water.
Speaker 2 (02:24):
Now I'm like hot.
Speaker 5 (02:26):
Oh it's okay.
Speaker 2 (02:26):
I tea too, So okay, hot tea, ic mice in
your pants, hot tea cold water. Man, it's making me.
I don't know what's going on.
Speaker 8 (02:34):
What's going on Thereah having a hot flash? I feel
cool as fuck you having a hot flash over there?
Speaker 2 (02:38):
I am having a hot flash.
Speaker 5 (02:41):
So this Pharrell thing but we saw last week.
Speaker 7 (02:44):
We didn't get to it, but yeah I would because
it has the princesses in high school band O Nice,
which is uh yeah yeah, which is like like twenty
minutes away from where I grew up.
Speaker 8 (02:57):
Uh I played at that school. That's why the march
competition was yeah, ye, all right, classic, bring.
Speaker 2 (03:04):
This Genia Beach History. He just also canceled the or
postponed something. It's a postpone.
Speaker 5 (03:12):
I thought it was all there was gonna be one.
There's gonna be more than one.
Speaker 2 (03:16):
This one is canceled, right, he's gonna be in the spring, right, yeah,
it's gonna be in the spring.
Speaker 5 (03:20):
Okay, well good, it's not canceling. Yeah yeah, yeah, all right.
Speaker 7 (03:23):
So the name of this song, and it's also is
there anybody else on there than then? Oh no, it's
just Cavaliers Marching Man. This is so this is for
his biopic, which is like lego animation.
Speaker 2 (03:35):
So actually the I think people are getting confused. This
is actually going to be a documentary. It's a documentary
in lego form. So they interested they layers. Yeah yeah,
so no, so yeah, so like there's a documentary. No,
it's gonna be a document lego lego, but it's true. Yeah, true.
And then and then he has then he has the
(03:57):
movie that's more like, uh, that's based on his childhood.
That's the music that's coming out. That's a different next Yeah,
that's coming out next year. So yeah, this is this
is what they made it clear in some interview that read.
But yeah, it's a documentary in lego form. All right,
so that's two different still really cool.
Speaker 5 (04:13):
I did not understand that.
Speaker 7 (04:14):
Yeah, okay, all right, now we got that straight song
it's called piece by piece.
Speaker 5 (04:26):
Shot all right, just started.
Speaker 9 (04:29):
We're right my home around in.
Speaker 6 (04:33):
No one's following up. Let me know what I mean,
you know what.
Speaker 10 (04:38):
The time.
Speaker 11 (04:39):
Let it be this that the case, crazy dreams only
(05:00):
way everybody's mine.
Speaker 2 (05:02):
When it was.
Speaker 6 (05:03):
Time I got bodies.
Speaker 12 (05:09):
Don't try this girl, girls, girl.
Speaker 6 (05:17):
Every girl's easy for guys. But one of them move.
Speaker 3 (05:27):
It takes that try.
Speaker 2 (05:31):
Stuff, silly.
Speaker 6 (05:44):
Thing so good inside. I don't be told you to
any other way. But days of days.
Speaker 13 (06:00):
You want to die, bring reconds to keep stacking high.
Speaker 14 (06:06):
Hi, Hi.
Speaker 2 (06:13):
Man Phoece piece Pisma series.
Speaker 9 (06:18):
This is.
Speaker 6 (06:20):
Finish.
Speaker 5 (06:21):
I haven't heard of father back.
Speaker 12 (06:24):
Piece face, black face face fire pace.
Speaker 15 (06:29):
There you go and then got them feel so good.
Speaker 6 (06:39):
To eating on the way. But these days, the days
you're like to bring reconds, keep stacking high.
Speaker 2 (06:57):
Hi, Hi, all right, all right Virginia native.
Speaker 7 (07:09):
Okay, I thought we're in here A lot more of
the band people were just chopped into that synth.
Speaker 16 (07:16):
Right.
Speaker 8 (07:17):
It was just like I guess buried in that synth.
That bump boom bum bum bum bump. But it doesn't
sound like no high school kids.
Speaker 7 (07:23):
Yeah, it doesn't sound It's like the drum lines was
in there the drum thing, definitely, Yeah, I really didn't.
Speaker 5 (07:30):
Is it maybe just the the percussion the drum line
that's on this, maybe not horns.
Speaker 2 (07:35):
Or I would guess they're in there.
Speaker 5 (07:39):
My guess is that. My guess is that they're in there.
Speaker 7 (07:41):
Yeah, I did, but I didn't hear any except for
that percussion. Yeah, that was I feel. You know, it's
being from me and Farrell were like from the same place,
you know, pretty much pretty much.
Speaker 5 (07:56):
Uh, don't do prinstance in high school like that.
Speaker 7 (07:59):
If I was the parent of one of the kids
on that ship, I mean like, I don't hear my boy.
Speaker 5 (08:04):
I don't hear my boy, my daughter. I don't hear
my children on this. Turn my son up. Yeah, I
like worse parents.
Speaker 7 (08:13):
Yeah, look, your son is on a Pharrell so no,
turn them up though, But I don't believe I don't.
Speaker 5 (08:19):
Know your son, not even that good.
Speaker 7 (08:23):
I don't hear any any horns. I could definitely say,
oh yeah, that's from a marching band.
Speaker 5 (08:28):
Look they're in there.
Speaker 2 (08:30):
They sound good.
Speaker 5 (08:32):
Turn my kid up, turn turn my son up. FU,
that's funny. They shuffling.
Speaker 15 (08:39):
You know.
Speaker 8 (08:39):
I'm not mad at this. I'm gonna I'm gonna let
this get a little baby party slap. After a while,
I felt like, I feel like anytime a song is shuffling,
it's like got a time limit on it, you know
what I mean, Like it's under three minutes. Yeah, you
have to get out of there because something it starts
to get like monotonous, you know, even even though there
was mad ship going on.
Speaker 2 (08:59):
You know.
Speaker 5 (08:59):
I just think that is like what happens with shuffles.
You know, that's just an idea.
Speaker 8 (09:05):
Shuffles are hard to make because if you don't have
because like the groove is taking up so much space
in your mind of like like what's going on with
the song, and like it immediately makes most people make
a phrase that's only four bars longer. You know, it
becomes like this loop thing, which is like if it
wasn't shuffling, it gives you you feel like you can
(09:25):
move whenever you want, you know what I mean. But
like it becomes very like metronomic immediately. It's like, oh,
two bars of this and then two bars of that,
two bars of this.
Speaker 7 (09:35):
You know, great way to play gospel though, yeah, yeah,
the shoffle, yeah, I mean, the groove has got it
all but yeah, I'm not mad at this.
Speaker 2 (09:42):
Okay, Uh, yeah, I'm not mad at this either. I
thought it was interesting how yeah, how they panned all
of the like drums and stuff out and yeah, you know, yeah,
that was just interesting. I wish they just put the
drum line because yeah, you really can't hear the horns,
(10:03):
so that was that's a little troubling.
Speaker 5 (10:05):
But uh, but we're making an assumption. We don't. We
ain't looking at no liner notes.
Speaker 2 (10:09):
Facts, you know what I mean. I mean that I
don't hear him.
Speaker 5 (10:14):
I don't hear my boy on that.
Speaker 2 (10:17):
That's amazing sketch. But I thought that was an entertaining
song and it really kind of brings back that old
N E R D Neptune sound starting him starting with
that kind of sound. I think it's him definitely saying
AO Chad. He said he ain't speaking. Still, I know
that's what I'm saying. I think this is an AO
(10:37):
like I can do this, like I got the sound
right here.
Speaker 5 (10:41):
No, it ain't all of it.
Speaker 2 (10:42):
It's I know, I'm not saying it's all of it,
but it's that is the those clavs and the way
then tones. Yeah, that's the tone that is the part
of the big part of the Neptune sound. So he
was definitely saying a O, Chad.
Speaker 8 (10:57):
I didn't get that, man, I feel like you a
little bit a little chat Chad would put some sauce
on it. Facts would there had been some digital triangles
in there, Yeah, some another section, some other chord section.
Speaker 2 (11:11):
But I thought this was cool. I definitely, I definitely
feel like he could have done a little bit more.
But I feel like that if it's like the theme
piece of the soundtrack for the documentary or whatever, then
it's cool. It sounds good.
Speaker 7 (11:26):
Yeah, man, I thought there's drums, would have been cool
if they're through the whole thing.
Speaker 2 (11:31):
Yeah, And it was.
Speaker 7 (11:33):
It was very very close to the end of song.
And even heard them. And I remember that there's supposed
to be a Marchie band on this.
Speaker 16 (11:40):
Oh that's right.
Speaker 5 (11:41):
I really have embodied this guy.
Speaker 7 (11:42):
Yeah man, yeah, so like I thought we were in
for something too long for the band to come in
first of all.
Speaker 5 (11:48):
Yeah, man, I couldn't even hear my boy. Yeah, listen,
I'm thinking.
Speaker 7 (11:53):
I'm thinking from the point of view the people. A
very empathetic person. I feel for those parents and no.
Speaker 5 (12:02):
I wasn't really that into it.
Speaker 16 (12:04):
It was terrible.
Speaker 5 (12:05):
I think.
Speaker 7 (12:05):
I'm sure you know it's great in a lego in
a documentary about something portrayed by lego people. Sure, perfect,
I agree. Yeah, but whatever, all right, all right, I
got next. Well, here's here's some dude that another person.
(12:28):
Like many of these I have never heard of, but
this guy is a little different from the ones I've
never heard because usually it's a rapper, and this dude
looks like, I don't know, he's got this brewery.
Speaker 2 (12:36):
Pull him up.
Speaker 5 (12:37):
We have to have a segment for you guessing who
somebody is based off the.
Speaker 2 (12:42):
Art they match the name. Yeah, yeah, I don't.
Speaker 5 (12:46):
Know who you're talking about.
Speaker 2 (12:47):
Sometimes they just be putting people that this dude right here,
his name is Sean Mendez.
Speaker 5 (12:53):
Okay, I didn't know what he looks like.
Speaker 7 (12:55):
Feeling himself on this man, he's a he's he's been
a pop star for a long time.
Speaker 3 (12:59):
Man.
Speaker 2 (12:59):
Yeah, he's yeah, he's another mental health artis you know
what I'm saying? Like, he's definitely he's a pop start
pop star. No, but he's like he's trying to hear
this is a rebrand he's been rebranding for a little while.
Speaker 5 (13:11):
I don't know the track man.
Speaker 2 (13:12):
The last record he came out with was like, you know,
John Mayer esque, I don't like that.
Speaker 5 (13:16):
What's it like?
Speaker 17 (13:16):
Now?
Speaker 2 (13:17):
I think it's a little more, you know, so I
think it's different. Is obviously he's you know, he's taking
a break. It's coming back refreshed, you know, revitalize whatever.
All right, all right, well this song fortunately he's only
two and a half minutes. Look at that, all right,
nobody knows ses, oh boy, figuring it out, definitely about
(13:45):
to figure it out.
Speaker 5 (13:46):
Better be a young man, a man, young man figuring
it out.
Speaker 9 (13:49):
And touch fucks.
Speaker 7 (13:55):
When you say drums thickified boy, think about the bull drugs.
Speaker 17 (14:01):
In the gitter.
Speaker 6 (14:05):
And it feels like shore, your.
Speaker 17 (14:13):
So, your so, and that kid jumps clippant.
Speaker 3 (14:30):
Turn that up.
Speaker 15 (14:31):
Where does it go?
Speaker 13 (14:38):
Where does it go?
Speaker 14 (14:43):
Boy?
Speaker 9 (14:51):
H goes.
Speaker 3 (14:56):
Even amateur?
Speaker 12 (14:58):
Everyone knows.
Speaker 3 (15:02):
Girls right, And I lived for those moments.
Speaker 2 (15:09):
The body is up and anything can happen.
Speaker 3 (15:15):
I'm so close to the sun, so.
Speaker 17 (15:28):
Your not in love?
Speaker 3 (15:40):
Where it.
Speaker 9 (15:46):
All kinds of.
Speaker 2 (15:48):
Shout dog in the background, the dog, there are some dogs.
Speaker 5 (15:55):
I think I heard somebody's guitar become unblooded.
Speaker 3 (15:59):
Joke.
Speaker 2 (16:01):
A lot of atmosphere on this.
Speaker 5 (16:04):
Yeah, I think I think one of the pots was
stuck on the reverb machine.
Speaker 7 (16:09):
Oh my god, I think the mic kind of fell
off and was touching the front of the gig drum.
Speaker 5 (16:13):
I think so to the Michael touching it here. Man,
these guys are falling asleep there on.
Speaker 2 (16:18):
They fucking started the session off with a bunch of
craton passing.
Speaker 16 (16:22):
Out and I don't care. What are you talking about,
high dude, No way, no, no, no, no, no, I
don't like it.
Speaker 2 (16:34):
Man.
Speaker 7 (16:35):
It was like somehow too serious and kind of like,
I don't know, serious, kind of like weird.
Speaker 5 (16:43):
He's like, whoa hell.
Speaker 2 (16:48):
He's doing you know what he's trying to do. He's
trying to do black Pumas. So he's trying to do
trying to do like the black pumas, trying to be black,
like trying to try to come with the powerful gods.
Just doing a lot, man, just doing a lot. And
he doesn't it's not he doesn't have that kind of voice.
Speaker 5 (17:09):
It's like he's trying to like squeeze some pain out.
Speaker 2 (17:11):
Yeah, like pain. He's trying to squeeze pain.
Speaker 3 (17:14):
Pain.
Speaker 5 (17:15):
Listening to it.
Speaker 2 (17:16):
He's literally switching his budgets just to get those blues licks.
Speaker 5 (17:21):
I'm like he lost his voice after that ship. So, Kelly,
it's an off.
Speaker 2 (17:29):
The product. What did you think of the product? It
was just a lot going on.
Speaker 7 (17:33):
I felt like I felt like they got into it
and they just kept turning knobs until.
Speaker 2 (17:39):
I feel like, I feel like this is an artist produced. Yes,
it sounds over produced. Actually it's the band. It's the
band that's playing this. They're all like the writers and
so it's everybody has.
Speaker 8 (17:55):
It's just thick Ify is just going crazy on the
on the kick Insnare the reverb is very loud, but
that I didn't hate it, but then it got by
the time everybody started doing shit, it was just sound
like a tornado in the background, just like it's just
it did and that by the time that piano came in,
(18:15):
and then all and then all of a sudden, all
these weird like there's a synth.
Speaker 5 (18:18):
It's like someone synth came in for a second.
Speaker 7 (18:21):
Like sizzling, like like bacon or something like somebody was
shaking the jar peanuts or something.
Speaker 5 (18:27):
Back there.
Speaker 8 (18:29):
I thought I heard something, Yeah, I thought I heard
someone's guitar become unplugged for a second.
Speaker 2 (18:32):
It's like, ah, but nah, I don't can't see why
I would listen to this again. I can't. I can't
do that. Nobody likes you.
Speaker 7 (18:42):
That was actually by Sean actually kind of crazy, Sean,
bring back the slaps, bro. Yeah, man, this is not
bring back the slabs man. Yeah, you need to bring
back to slap all right, here's another one. Uh you great,
just how you are, man, don't let them break you
down like this. Yeah, man, got you hollering like this,
so uh, that's what it is. This album art, let
Me break you down album Paradise. Uh, this looks like
(19:05):
they run a fucking camp to be MC. It's like
this is the bro sure and it's like come come
with me, come with Fat Joe, d J collin in
this chick.
Speaker 9 (19:17):
This looks like.
Speaker 2 (19:19):
This looks like a bad super group.
Speaker 5 (19:23):
Around with the pros.
Speaker 2 (19:24):
No, it looks like a TV show.
Speaker 8 (19:25):
It does like a TV show, the reality show HBO
show about them, like trying to start a record label
or something.
Speaker 2 (19:30):
Fat and that's what it looks like. It just looks
weird label. But for kids who was on this, on this,
that's that's fat Joe Anita the Yeah Yeah, the singer
and DJ called Okay, it's about to be some Latin
funk trap you think dance dance trap funk Steven style.
Speaker 5 (19:52):
Yeah, oh wow.
Speaker 2 (19:53):
No songs called Paradise justin Bieber song.
Speaker 5 (19:57):
Here we go, uh uh uh A.
Speaker 16 (20:02):
Lady shop like I got it.
Speaker 2 (20:04):
We the best mule shell ships.
Speaker 7 (20:07):
If it was up to down, they would want to
sit a d with holes in it so we can't
get to the yacht.
Speaker 5 (20:13):
Another one that would be going back there.
Speaker 18 (20:17):
So Joe now they Joe Now, I'm worldwide. Yeah everywhere
I go. Now Bore Now, Mommy, slow down, I'm undefeated.
When they're coming knocking horse down, yup bo Now Babby
slowed down.
Speaker 5 (20:29):
She wants another in the berk.
Speaker 18 (20:31):
She get both now, pretty little things getting Tom Brown
should be on somebody yacht with your toes out. I'm
the bigger, the best of the bigger, the boss. The
ts shan't keep hitting the cross. I don't know if
it's real. I just know that it's aft.
Speaker 5 (20:44):
She just got it done.
Speaker 18 (20:45):
So she's showing it all set back and for she
just rocking the head. Hey may have to leave the
spot up with the stars in the rooms. She rocked
on her wrists. She want to make take tocks in
the whip track.
Speaker 3 (20:58):
She want to make sh from the ludn't.
Speaker 2 (21:05):
Get Suirasa was impression a vieling.
Speaker 3 (21:11):
It was like.
Speaker 2 (21:14):
He was like, boo, now take the slow now for
part of that from the bed to the flow.
Speaker 18 (21:20):
Now boo, now this show now got the friends sick
the turns, just go now.
Speaker 17 (21:26):
Where no water front question, lady, you know I need
a real feeling dog.
Speaker 2 (21:38):
Oh yeah, I thought you can fast forward.
Speaker 5 (21:42):
I thought maybe gonna need That was her part coming in.
There's a lot of like thirty seconds of these songs.
Speaker 2 (21:47):
Man, she sounds and she even sounds bored on the song.
Speaker 7 (21:50):
Yeah.
Speaker 5 (21:51):
Man, man, that sounds a tired.
Speaker 8 (21:53):
They could they could have got to do her part.
That sounds like that sounds like like one was so
much ship on it. So it's not every every plug
in you can think of on that joint.
Speaker 2 (22:09):
Got serious.
Speaker 8 (22:10):
She got she got the Siri app. They got everything
going off the on the vocal. Look, man, I kind
of liked the beat they had, like a friend's uh, like,
you know, what are they good for?
Speaker 9 (22:20):
You know?
Speaker 5 (22:21):
It's kind of beat what I'm talking about friends. How
many of us have them?
Speaker 2 (22:25):
Yeah, it's the eighties.
Speaker 8 (22:28):
I like the beat, but man, they didn't they didn't
really do nothing with it. No, it's not DJ Kalen's
fault if he brought that beat to the table.
Speaker 2 (22:36):
They just didn't do nothing. Really, fat Joe's fault, really,
because he's the one that's like, I mean DJ Khaled,
he could say whatever he wants on the beginning of
the track, it'll be fine. The beat is fire though.
What did he say at the beginning of that what
you want to it's on a dingy?
Speaker 16 (22:50):
Yeah, yeah, we.
Speaker 9 (22:56):
We the best.
Speaker 5 (22:59):
If it was up to down the whole cate so
we can't get to the yacht.
Speaker 7 (23:05):
Another one man ran the holes in it get to
the yacht and it scared me too, And like he
has his voice going through different ways.
Speaker 5 (23:15):
It scared me when it came in.
Speaker 9 (23:16):
It was like, what is he?
Speaker 5 (23:17):
Is he rapping?
Speaker 2 (23:18):
I think the same person that did this did the
James Headfield vocals from uh we did it?
Speaker 5 (23:25):
Yeah?
Speaker 2 (23:25):
For the job rules drop him in there. It just
sounds weird, man, But.
Speaker 8 (23:32):
Nah, they just didn't do nothing with this. That look
Anita girl. Man feels like paradise. Oh baby, feels like paradise.
You can't come on man and y'all getting paychecks for
this man.
Speaker 17 (23:47):
They just m her.
Speaker 2 (23:49):
That was like they just memo her like a quick,
quick five K. Just throw this on here real quick
and just uh. I mean it's probably more than five.
Obviously definitely a vemo.
Speaker 8 (23:59):
I like her too, but nah, that ain't They should
have got Shakiro. Shakira would have killed that beast. Shakiro
would would have killed it. She would have crushed this.
I Needa sounds so fucking tired on this. She's gonna
dance in the video. They try to make it go
off like that, well so far nope. James already answer, Uh,
it's terrible.
Speaker 5 (24:21):
This picture is.
Speaker 2 (24:22):
The picture is terrible.
Speaker 5 (24:23):
Don't know what's going with that picture is.
Speaker 7 (24:24):
It's infuriating. Dj Kell looks like he's about to sell
a house. It's like he's like, hey, you know what,
but h yeah, and god fat Joe looks.
Speaker 5 (24:39):
I don't even know what's going on with the scarf
around his head.
Speaker 2 (24:42):
I don't understand.
Speaker 5 (24:43):
I was sensitive to the sun on top of my head.
Speaker 2 (24:46):
That's fashions. Yeah, that's just like fashion that some style
of ship and it looks fine, but like, I mean,
it just looks like a strange Uh. The cover art
is just terrible.
Speaker 5 (24:56):
They look awkward together.
Speaker 2 (24:57):
They did not spend any money or time on this.
That's pretty bad cover. All right, cool, it feels like
paradise look ish?
Speaker 19 (25:06):
Uh?
Speaker 5 (25:07):
The weekend?
Speaker 2 (25:09):
All right?
Speaker 5 (25:10):
Wait?
Speaker 8 (25:10):
I think this is uh, this is a this is
a trick. Yeah, what's the word we have for it?
It's a goof? How it's not a goof? But it's
like this is like kind of the commercial. That song
is like the commercial?
Speaker 3 (25:22):
What is it? Is it?
Speaker 2 (25:23):
The first? Is the first single? Okay? Never mind? Carry on?
Have you heard this?
Speaker 5 (25:27):
I think so? Is this the one that I don't
want to say? I'll wait to have this.
Speaker 2 (25:30):
I haven't heard anything. Oh okay, never mind, I have
heard nothing from this. Carry on, okay, let me uh,
I just we'll see let me pull up already. Weekend
Predictions song is Dancing in the Flame? Wait all right,
hold on, do we want to predict it? We want
to predict you are when you already heard it? You
already heard it? So what do you think is going
(25:52):
to start?
Speaker 7 (25:52):
Like?
Speaker 2 (25:52):
Start with James, It's.
Speaker 7 (25:54):
Gonna start with uhraw like a drum machine to start
with kick and stare.
Speaker 2 (26:00):
All right, I think it's gonna start with his vocals
like I think he's gonna start I know, ready sorr.
I heard, I'm do my impression right now. He's gonna
go and then like and then like the song is
gonna kick in.
Speaker 5 (26:13):
I can't remember how his vocals alone.
Speaker 2 (26:16):
It's gonna be vocals alone, like and he's gonna do yeah,
and it's gonna it's gonna come in like or something. Alright,
that's what That's what I'm I'm feeling like. It's definitely
gonna be like something like that ship. Okay, yep, all
(26:37):
right here we got the flames. Oh nobody gets the points.
Speaker 20 (26:44):
Traffic. Wow, we race. It's called the upend making because
I've been chasing another.
Speaker 12 (27:04):
Oh oh, can't wait to see your face crash when
with sweat chest, legs les be your the pay But
it's my miss undress.
Speaker 13 (27:27):
When it's in the place, it's in this.
Speaker 10 (27:41):
World, can't you they sail the way radio scrab you
won't you to be in the role where you headlights
and you say holds another cant wait to see your
(28:09):
face crash?
Speaker 12 (28:11):
Went on sweet chest legs must be your dog blade.
But if by miss someday.
Speaker 15 (28:24):
We desn't in the ft.
Speaker 13 (28:28):
Get this.
Speaker 2 (28:38):
See this bridge again?
Speaker 17 (28:40):
That weren't that fuck?
Speaker 2 (28:43):
That wouldn't that probably.
Speaker 14 (28:46):
Faded barely made it the fires fade chi, But it's
the beautiful amazing because I can't taste.
Speaker 5 (28:58):
It again, it's weirdl.
Speaker 2 (29:06):
Canadians man tasted well. They can sell that for sure.
That that is a syllable song, you know. Uh, the
first singles for him A lot of the times, sometimes
(29:26):
they really work and sometimes they don't. I don't remember
that for that. Uh The Alman has uh blinding lights
on it. I mean that save your tears whatever, whatever,
the first song that came out. People don't even reference
that song hardly at all as much as they do
blinding Lights and save your teers. I mean they still
play that ship all the all the time. This kind
(29:48):
of has that kind of catchy major epop kind of vitub. Yeah.
Speaker 8 (29:57):
I mean he's going this doesn't sound like American music,
doesn't It just sounds like European pop music.
Speaker 2 (30:03):
Yeah yeah, yeah, yeah yeah. And you know he can
do that kind of stuff.
Speaker 5 (30:09):
That's his bag. He's international. He gives like it's like
a robot pop you know what I mean.
Speaker 2 (30:16):
I mean he's like one of the biggest selling artists,
like for real, I mean his that that uh that
After Hours record, I mean that's sold like five million
or something, like nobody sells ship like that. Yeah, it's
passable for me. I'm gonna I'm gonna uh, I'm gonna
give that a baby slap because I like to product
(30:37):
a lot. I'm not crazy about everything else about I like,
you know, his voice and stuff, but it feels kind
of like we're treading on the same kind of ground,
you know, and he was kind of pushing pretty far
ahead with that After Hour shit. You know. So it's cool,
(30:58):
this is cool. I'm with it.
Speaker 5 (31:00):
I like the beat.
Speaker 2 (31:01):
It's definitely fun, you know.
Speaker 5 (31:02):
But go ahead, James, uh uh.
Speaker 7 (31:08):
I am not even for him, like this is I
like some of his stuff, but not this.
Speaker 2 (31:16):
Yeah, no way, it's yeah, you kind of hit it
on the head with the It's.
Speaker 5 (31:19):
Very European, very very e d m M.
Speaker 7 (31:23):
Only like only ship that you hear in a club,
Like nobody listens to it outside of that context. It
seems like, uh yeah, nobody's sitting around getting worked one
listening to this in the background, I feel like it's
that type of thing.
Speaker 8 (31:36):
Uh yeah, so no thanks now, Yeah, so this song
I saw that I be my brain was tainted because
this is like the song that was a commercial for
like the new iPhone, and it's like the music video
is shot on the new iPhone. First of all, got
to be the one of the quietest drops of an
iPhone since we've been adults. Yeah, it's like this used
(31:57):
to be like a mountdown and like, yeah, yeah, people
used to hear about it, Oh shit, new camera like whatever,
but people ain't said shit about.
Speaker 2 (32:05):
This this phone.
Speaker 8 (32:06):
Huh So anyway, so they're using the weekend, so yeah,
they and that song is that video for this song
is shot on the iPhone? Got anyway?
Speaker 2 (32:15):
Interesting? Man, this kind of.
Speaker 5 (32:17):
Sounds like something you had on a hard drive. Man,
I'm gonna lie. I like it, think it.
Speaker 8 (32:20):
I think it sounds good. I think he always sounds good,
you know what I mean. Like he's one of those
artists in which he always sounds he always sounds good.
But this song it's a little it's a little like
flat for me, you know, even for him, there's no
moment in which he kind of breaks out. There's no
moment in which, like the texture changes. Yeah enough, you know,
(32:43):
but maybe that's just my I can't let his slap.
Speaker 5 (32:47):
I like him.
Speaker 2 (32:48):
I like him.
Speaker 5 (32:49):
It's not my favorite. Yeah, you gotta hold him to
a higher standard.
Speaker 2 (32:52):
It's not my favorite. Okay, you know I'm ready.
Speaker 5 (32:55):
I'm waiting to bring back some slaps like starboards slaps. Yeah,
I mean bring that bag. I mean, let's hope you
can do it again.
Speaker 2 (33:03):
I was death funk man, Like, I want them to
come back so bad they have to.
Speaker 7 (33:08):
They should just work with him and nobody else. I'll
bet I'll be into that.
Speaker 2 (33:13):
But man, I mean, dude, that tour. If they had
done that tour Bringdom Access Memories with like a live band,
oh man, it would have fucking crushed.
Speaker 9 (33:24):
Man.
Speaker 2 (33:25):
They just were like, we.
Speaker 8 (33:26):
Made enough, We're gonna go, uh raise our kids and
do classic Yeah.
Speaker 2 (33:32):
I can't.
Speaker 5 (33:32):
I can't condone that. Don't listen to that stuff?
Speaker 2 (33:35):
All right?
Speaker 7 (33:36):
Next one, uh friends Ferdinand? Oh okay, all right, well
don't get excited.
Speaker 2 (33:45):
Who knows?
Speaker 11 (33:46):
Uh?
Speaker 5 (33:47):
The song is called the Audacious.
Speaker 9 (33:50):
Here would go with riff one, But did you ever
get the ferry lay with this? So I'm saying, come
on thee.
Speaker 21 (34:10):
I don't reading in the seaming the stitching gun. So
you rip a little hard until that a rip comes
a run, feel the fabric cover existence, Come on spell
hey there, we don't care a coobe standing where where
(34:36):
uniaked and freezing to you roam.
Speaker 15 (34:41):
Freezer to south Field's no one to save, so you
just carry.
Speaker 6 (35:01):
We know that the same sweet.
Speaker 22 (35:05):
Sat with a plastic carrier bag in each hand, and
winter looso.
Speaker 9 (35:23):
You are stand under the holly tree.
Speaker 7 (35:27):
With exasperated feelings and write songs.
Speaker 9 (35:31):
So before you don't know a joke said? No serious
and most serious that I've ever.
Speaker 15 (35:40):
Beer, I've ever been, so sounds.
Speaker 2 (35:50):
No one's the same, So just carry that. It turn up,
turn a rack up.
Speaker 8 (36:03):
Sorry my face, possibly a sweet made it seem like
I want to I did like I can't help my face.
Speaker 9 (36:08):
That's why.
Speaker 5 (36:11):
My brain, my brain wants to stop.
Speaker 2 (36:13):
Watch your face.
Speaker 5 (36:14):
I'm sorry, your face may look like you don't want
to hit it no more head?
Speaker 9 (36:19):
Did you ever get the fees on that job?
Speaker 3 (36:21):
Will just come on?
Speaker 2 (36:22):
Done?
Speaker 6 (36:23):
No feeling of reason your.
Speaker 5 (36:26):
Face because the resplicated for a second.
Speaker 2 (36:30):
Now, relax, we didn't just to ready time to come.
Speaker 13 (36:39):
No stop, Auntie, I'm doing.
Speaker 6 (36:52):
Please seem just carry.
Speaker 16 (36:57):
All right.
Speaker 7 (36:58):
That's like in the song we got it all right,
God damn you got it.
Speaker 2 (37:05):
All right.
Speaker 7 (37:08):
There's a lot going on. It's a lot going on.
Started off sounded real crazy, and then I kind of
started to like it. And then it dropped into this
like Billy Joel's song kind of sounding ship for a
second there. Then I was Then then the drums got stereo. Yeah,
and then it was doing everything. It was hitting all
the buttons on the board.
Speaker 2 (37:29):
Man, fade out, fade out.
Speaker 5 (37:34):
The whole band is all leaning over the board like.
Speaker 9 (37:36):
Everybody's like doing study.
Speaker 5 (37:38):
Everybody wins. Yeah, yeah, this is I'm gonna say, this
is falls squarely under not for me.
Speaker 17 (37:47):
Respect that.
Speaker 5 (37:48):
It's just just not for me.
Speaker 2 (37:50):
James.
Speaker 5 (37:51):
That was great.
Speaker 7 (37:52):
Uh, I would have even been fine with it. Sounded
like the ship was broken for the whole song that
was that was starting to grow.
Speaker 5 (37:58):
Yeah, it's like different, what is Yeah?
Speaker 7 (38:01):
What is more anti establishment than like going the opposite
of whatever thick of eye is happening, or like it's like, hey,
let's take all the bass out of it out fuck it,
just keep it out of there.
Speaker 5 (38:14):
Fuck them.
Speaker 2 (38:15):
I really respect that go fund your self production attitude.
Speaker 5 (38:20):
But then they stereo the drums and for a thick
if I free recording. I really did like it. I
thought it was that's pretty cool.
Speaker 2 (38:30):
Yeah.
Speaker 17 (38:32):
Yeah.
Speaker 2 (38:33):
Threw me off for a second, and then I was like,
wait a minute, Okay. The chorus, I was like, is
it the Beatles? And I was like, no, it's like
Mott the Hoople or something like that, going more like glam.
Speaker 3 (38:48):
Yeah.
Speaker 2 (38:48):
No, Billy was taking off of the British ship though,
so I mean like he's it's kind of it's kind
of in that though, but yeah, because yeah, so it's
it really brings in a lot of seventies influence. But
also this this the sixties ship. I really actually enjoyed
(39:09):
when they faded the drums back up. They faded the
drum and they just came in right there. I was like, Okay,
that's what we're doing. We're just we don't give a
fuck on this one. And also they've kind of always
been like that. Their songs have always been kind of
like undine to me. Yeah, yeah, but uh, this is cool,
this is cool. I like this, so I'll let it
(39:32):
slap all right, bad Yeah not bad at all.
Speaker 7 (39:38):
There's this other thing on here that I'm pretty sure
we didn't do, but I don't think I had the
art for it. It's uh, it's called this is a
weird name. It looks like it's a goo for something,
but it's not. Uh black ink part one?
Speaker 9 (39:52):
What is this?
Speaker 20 (39:52):
Yeah?
Speaker 2 (39:53):
That is Ah. That was a suggestion pretty from from
one of our Maiden King, Yes, from one of our
friendsh Warren Campbell. Okay, hit us up one and and said, uh,
he would like to know if we think that was slappith.
Speaker 5 (40:06):
All right, let's do it.
Speaker 2 (40:08):
How do you spell the name.
Speaker 5 (40:11):
Bizou?
Speaker 2 (40:12):
This is the name of the artist, uh p y
z o W with an exclamation point. So you gotta
go with what's the artist?
Speaker 5 (40:18):
He was bis.
Speaker 7 (40:22):
Maiden King is the other person in Sam GERALDI know
some blacky name people, but let's you sound like it's
called black ink black?
Speaker 2 (40:34):
Okay? All right?
Speaker 7 (40:37):
Stabbing at the turn all on, turn on the spark
them joints line.
Speaker 2 (41:00):
Port it.
Speaker 20 (41:05):
I wanna.
Speaker 2 (41:08):
Got he's got his lips all on the mic. Pause.
Speaker 9 (41:17):
They said, right, but.
Speaker 2 (41:18):
You know, but you thought too much. If you write it,
it might come in.
Speaker 19 (41:24):
There are things you felt you don't want friends to
feel so you bite your pen and you suck it in,
black dripping down your chin.
Speaker 4 (41:37):
Keep the page, his mic, keep it in, but it
pours in your mouth and it stays here and it
doesn't try your lungs.
Speaker 2 (41:50):
There are songs you could write.
Speaker 5 (41:52):
You don't want to be sung.
Speaker 9 (42:03):
Every brother.
Speaker 2 (42:10):
You fed?
Speaker 6 (42:11):
You cry? You piss off, big guy? What wall man?
One little to blacket drip out of.
Speaker 3 (42:35):
You said?
Speaker 6 (42:37):
You don't know face with not sure, but you're not skin.
Speaker 19 (42:48):
It's not a big soft of touch this.
Speaker 3 (42:56):
Down?
Speaker 6 (43:00):
How come I never seen why shirt?
Speaker 19 (43:05):
Worse that all about where they did the hospitals, things
that welcome mad.
Speaker 14 (43:15):
And when you get a black song, lifetime luf time.
Speaker 6 (43:21):
Still away, wish did too small?
Speaker 19 (43:26):
Light?
Speaker 2 (43:41):
You feed?
Speaker 15 (43:43):
You cry?
Speaker 2 (43:45):
You piss off the big guy?
Speaker 12 (43:49):
What you all that one little drop of blacket get
out of your man.
Speaker 2 (44:11):
Gets some get some.
Speaker 17 (44:30):
How much is least that check?
Speaker 3 (44:33):
Its okay?
Speaker 5 (44:37):
Well I'll go first? Uh yeah man?
Speaker 8 (44:41):
Yeah, he in there killing it so like it's not
like somebody that made it all by themselves, you know,
and then maybe like got some ship on it, you know,
extra extra points for having the day triangle in there. Yeah,
I'm gonna let this lab. Yeah, I had a good time.
I agree, it was a good It was a good time.
(45:01):
Will Doobie Brothers.
Speaker 5 (45:04):
And a little bit of that. Uh, I didn't notice that.
Speaker 7 (45:06):
It sounds like the guy walked in to the rehearsal
iding goes, I just found this thing. Have you ever
got you guys ever heard It's It's called vocal About
I'm about to rise the whole album. Yeah, about to
absolutely him. I'm glad he bought one of those too,
or whatever got him inspired.
Speaker 5 (45:25):
Yeah, man, good for him.
Speaker 2 (45:26):
Uh, I liked it.
Speaker 5 (45:28):
I don't know who as far as you know, being
the actual band.
Speaker 22 (45:34):
Uh.
Speaker 2 (45:35):
I can't gather what these two other artists do. Yeah,
I'm definitely just vocal or what.
Speaker 7 (45:43):
But yeah, uh yeah, I enjoyed it. I really did
like a lot of things going on and cool court
changes and that type of thing. Saying the name of
the artists again, uh, Biz and then Biz and then
Maiden King and Sam uh Jane the guald sound shout
out to y'all sound this.
Speaker 2 (46:03):
This is actually Warren's friend from Chicago.
Speaker 7 (46:06):
I figured they probably they look like they look like
they know Warren. Also, they they they have like.
Speaker 2 (46:12):
The amount of followers on here of like a not
the weekend band.
Speaker 7 (46:17):
Uh, they got people, they got some listeners in Istanbul sounds.
I'm seeing right here International these guys.
Speaker 2 (46:24):
Good for you all, okay, yeah, hell yeah, yeah, that's
that's awesome. I love I love that ship. I love
the sound of it. The ship at the beginning was
really interesting, you know. I mean, we're having a little joke,
a little jokey joke, but I was I think I.
Speaker 3 (46:41):
Was just.
Speaker 5 (46:43):
I mean what I said I was.
Speaker 2 (46:44):
I wasn't joking either. I was joking, but no, I
mean I enjoyed it though, and uh, from top to bomb,
especially once the band kicked in. You know, I feel
like that we'll talk about how things will go too
long and this and that. I think everything really is
timed out amazingly on this song, but like for switching up,
and the drums had a little bit thick if only.
Speaker 5 (47:06):
I think they definitely did not too much.
Speaker 2 (47:09):
It was no, it was nice. I really liked it.
And the guitar ship, I'm wondering if this cat is
a guitar player.
Speaker 7 (47:16):
At least there's at least two guitar players. Yeah, what
the picture I'm seeing is the.
Speaker 2 (47:22):
Guitar is like really up there, like you can really
hear what's happening with it the whole way it was.
It was great. So, yeah, fantastic.
Speaker 7 (47:30):
Oh you gonna let me give it a I don't
think I gave you one of those no, no, yeah, cool,
Yeah I enjoyed that.
Speaker 5 (47:37):
So we're all in the ingredients that this deserves.
Speaker 2 (47:41):
What fuck?
Speaker 7 (47:42):
Yeah, well that's a that's a great I don't know
if we have any more songs that.
Speaker 2 (47:48):
We haven't done. Are you sure? Did we do?
Speaker 5 (47:53):
We did? Let me go back out.
Speaker 7 (47:55):
So there's a three D last week Friends, Sean Man Weekend,
Pharrell ll cool Ja, we already did. We did Future Islands,
leam Bridges, we did Toroy Moy did we do? That's okay,
let's do that.
Speaker 2 (48:11):
Let's do that to Moy.
Speaker 7 (48:13):
Yeah, okay, that's right, because we did. Yeah, we skipped
this one. So this one's called Madonna.
Speaker 2 (48:19):
Uh okay, this is him? This is him.
Speaker 7 (48:23):
I think there's an He always brings somebody around. Let
me pull this up.
Speaker 5 (48:27):
He always likes to bring.
Speaker 7 (48:28):
He has been doing a lot of collabs, collab in Yeah,
he loves it. I want to hear an album from
a social butterfly. Oh yeah, here is Don Tolliver.
Speaker 2 (48:39):
Okay is on? Maybe we did hear this?
Speaker 5 (48:41):
Maybe no we didn't, Okay.
Speaker 2 (48:42):
Now we didn't.
Speaker 5 (48:43):
All right, all right, here we go.
Speaker 23 (48:51):
Your mama, Don, it's so hard of fun. I think
I'm on need some calm questions on your mind and
then come with coms questions on your mon I think I.
Speaker 3 (49:12):
Love all the trauma you do say.
Speaker 9 (49:16):
They say, I.
Speaker 6 (49:17):
Love song your voyd, have your skates on?
Speaker 9 (49:22):
I mighty employed?
Speaker 3 (49:23):
I think a simple thank God anoy you, but I
can see some power.
Speaker 9 (49:37):
I'm about to get him my car.
Speaker 6 (49:39):
She about to part that brother, tell you your your
soup side, your soupside, don't mind me.
Speaker 3 (49:56):
Twenty back it up, make sa street twenty one, little
home like you my right.
Speaker 23 (50:06):
Your mamma, dona the void change or you will we
switches zooming on.
Speaker 6 (50:12):
Tom's my little truck. Don't ask me my son.
Speaker 3 (50:16):
It's eything, honest.
Speaker 6 (50:20):
You know what I'm saying.
Speaker 13 (50:22):
Did say a love song?
Speaker 9 (50:24):
Employed?
Speaker 2 (50:25):
Have your skins on?
Speaker 3 (50:27):
And might employed? You can go.
Speaker 2 (50:33):
A robot right there, But I.
Speaker 9 (50:33):
Can't see so far. I'm about to get in my car.
Speaker 6 (50:37):
She about to part that bomb show you who you.
Speaker 9 (50:40):
Started up the repeat?
Speaker 3 (50:42):
He was super so yeah you super song, your moor,
your moment.
Speaker 7 (50:51):
Tongue against same nick question, that's it. Huh Yeah, it's
like another forties as upright.
Speaker 2 (51:00):
I don't think there's any anything cool. It's gonna happen
now and then done. Tolliver definitely does pretty short songs too,
I think. Yeah. I mean it's like part of the
wave man those al right, I guess, I guess it
was all right. I mean, now it's not alright. I
don't like that.
Speaker 7 (51:16):
I've heard some of this other stuff my boy Toro
Dough and uh I like it, and this I do
not like. I did, I did not like this just
sounds kind of like I don't know, maybe it's good
the Don Tolliver thing. You know, I don't know how
much if this is more of one than the other,
but or it.
Speaker 5 (51:35):
Seems like a good mix honestly of the two of
their things. You know, Yeah, I don't. I don't like this.
Speaker 7 (51:44):
Yeah it was I liked the sounds that were being used,
but nothing but then it was just stayed there and
like nothing happened.
Speaker 3 (51:53):
You know.
Speaker 8 (51:56):
It's like kind of like a soft Travis Scott song
or something, but describe. Yeah, this is not my favorite
from either of them, honestly, not just not this groove.
It's it's it's a vibe I could see there, Like
this is a vibe, you know what I mean, just
going to start this ship.
Speaker 7 (52:13):
Over and maybe they have more songs, maybe there's more
more ship going like you know, but nah, this is
this is not for me.
Speaker 2 (52:20):
Yeah, it's a little. Yeah, it doesn't feel substantial enough
almost to warrant a review like a single.
Speaker 17 (52:29):
It doesn't really.
Speaker 2 (52:30):
Yeah, it feels like it's just like made for TikTok
or something. They didn't say anything. This also sounds like
a hard drive song.
Speaker 5 (52:40):
Pass it back and forth. Yeah, I don't understand.
Speaker 2 (52:43):
Uh yeah, I don't know. Sometimes I feel like it's
like not irresponsible, but like it's like, dude, don't put
some of these Don't try to playlist every fucking song,
you know what I mean, Like some of the stuff
is not made for it, especially when you're going against
the three four minute songs. It's like, I'm like, don't
(53:04):
fucking try to playlist every single song that you put out.
Some of them are not made for this. Yeah, you
know what I'm saying. Some of them aren't singles. Some
of them are Lucy's Lucy Vibe and like in a
real way. So it's like that's I think that's when
I get confused when we talk about singles and stuff
like that, because I'm just like, is this even a
single or you just want to throw it out there.
Speaker 5 (53:26):
I mean, it is a single. Some people just don't,
I guess not people.
Speaker 8 (53:29):
But we don't really look at it that way anymore,
you know, because it's not like, oh, you hear this
song and it's like that song's gonna go to the album.
It's just like everything seems so disposable. Yeah, you know
what I mean, it's just like some song, you know.
Speaker 2 (53:45):
Yeah, I think that's what I think. And I think
that's what I always go back to when when I like,
I'm listening to this old man time, when I go
back to like serious XM or whatever, and I'm like
listening to the groove, you know, and it's like a
bunch of nineties stuff. But like these were singles, like
they so they really talked about what the band was
(54:05):
about or what the artist was about, you know what
I mean, Like when you put a single out, it
was about I mean, like, I think, I think there
are artists that still do that. You know, a lot
of the time. I think when Weekend puts out a single,
a lot of the times it's a good one.
Speaker 10 (54:18):
You know.
Speaker 2 (54:18):
It's like some of these cats, it's just like they
just throw shit out there, and I get it. But
I'm like, throw this in with a couple others. Don't
playlist this like, but throw it in with a few
other songs that are a minute or too long, and
just do that. Pick which song you feel like you
work the hardest song whatever.
Speaker 5 (54:41):
It's just like a vibe.
Speaker 20 (54:42):
Man.
Speaker 2 (54:42):
It's like, but see, the thing is people think that
the songs that they didn't put effort into will be
the song, and sometimes that will be the thing that
the song that is the easiest.
Speaker 8 (54:52):
I guess it does work out that way sometimes, so
that I mean that can happen. This doesn't feel that way.
This doesn't feel that way.
Speaker 2 (54:59):
So yeah, it's disappointed. It's it's not disappointing whatever. I mean.
Tory Moyes kind of does whatever he wants at this point.
He does all kinds of stuff, but he was also
like a singles kind of artist for me for a
while when he would come out with the record and
have the first single. It would be very representative of
what the album was and sounded awesome. It made excited
(55:20):
a while for me. Yeah, it's been a while for
me too on that note. So disappointing, that's it, Yeah,
I give you. Uh, I don't think so. I was
just saying a bunch of stuff that was that was
nobody likes you. I think, yeah, that's that's Uh, nobody
(55:41):
likes you to be taken lightly.
Speaker 5 (55:44):
We don't. We don't like it. We don't want to
have to do you don't want to do that.
Speaker 7 (55:47):
You know.
Speaker 2 (55:48):
If there's one thing we're not liar, well, yeah, but
the truth can hurt. It's like punishing somebody.
Speaker 5 (55:54):
Trash Toy will be trash on this song.
Speaker 2 (55:56):
Sometimes he'd be trash. You know, try again, but you know,
game over for today. I mean, we're the only cats
that are like literally critiquing it in this way for real. Like,
I don't think I don't know who's like doing that.
You know what I'm saying, you heard, you'll be hearing
it here first.
Speaker 7 (56:10):
I'm sure absolutely nobody is commenting on music on the
internet at all.
Speaker 2 (56:15):
I mean, maybe I don't know. I mean I wouldn't know,
not with this professional insight. Yeah, not with this kind
of insight. He would he would complain about Top four,
he would listen to this Siattle would never He's on
to go, like, what is wrong, dude? Most of his
videos are He's like, why pop music is failing? Why
(56:36):
pop pop music band? I'm sorry, I think why do
you mean?
Speaker 5 (56:40):
Why is what doesn't make sense?
Speaker 2 (56:42):
How is it failing? He's failing? He'll be He says
that ship all the fucking time. Like half the videos
of Algorithm, Yeah, humor Algorithm. Why does it feel like
these things are falling apart? Why radio was dying? Why
is it?
Speaker 7 (56:55):
Like Taylor Swift in the Ariana Grande and Sabina Carpenter
are definitely not failing.
Speaker 8 (57:00):
No, I know you're talking about Harry Styles every every year.
Pop stars are doing fine. I mean, yeah, bop stars
are doing fine.
Speaker 7 (57:09):
We don't need any more, uh, Taylor shipt videos from
fucking rick. If you talk to the the gen X rockers,
few interviews with them before they get too old, will.
Speaker 8 (57:18):
Be like us and and actually listen to the new
Steely Dan or whatever. Yeah, like, give them, give them
a shot. They want to listen to the old Ship
for the rest of their lives and then cry.
Speaker 5 (57:27):
All the time like you're not allowed to complain. Listen
to the new Sting album and tell us what you
think about.
Speaker 2 (57:33):
Check it out, Listen to it.
Speaker 5 (57:34):
Let me tell you you don't want to do that.
Speaker 9 (57:37):
You know what I'm saying.
Speaker 5 (57:38):
Listen to the Sting song.
Speaker 2 (57:39):
It's yeah, right, you don't want everybody to come back, right, Like,
I mean for real, that's that's Sting ship.
Speaker 5 (57:45):
Stoping with that that ship.
Speaker 2 (57:46):
That ship is unbelievable. I couldn't believe how bad that was.
And then when I thought about the artwork again, when
I thought about I was like, the artwork is this bullshit?
Speaker 5 (57:57):
Made this into Listen to the new his out songs.
Listen to those those three songs.
Speaker 2 (58:04):
Bro, that's just gonna be a hit. I hate it,
but like it's gonna be a hit.
Speaker 7 (58:08):
He was.
Speaker 5 (58:11):
Long enough.
Speaker 2 (58:11):
Quavero was performing it at the VMA's That's a clip
of this guy and watching and like people are singing
along with their like oh ship, and I'm like, you're
fucking kidding me. He just flew that over.
Speaker 7 (58:23):
It's people have never heard that song before, where it
came from. The song has been in mad commercials.
Speaker 5 (58:30):
Yeah, Kuevo people, they don't watch those commercials. You know,
they grew up on that song.
Speaker 2 (58:36):
They grew up on it. They grew up on it.
They grew up on it.
Speaker 21 (58:38):
Man.
Speaker 5 (58:38):
They're like, oh, this is a this is about to
be a hit.
Speaker 2 (58:40):
But like new kids, yeah, you're right, but there's probably
a lot of new kids that have not you know,
they never heard. They're like, damn fly Away, that's probably
gonna be his number one song Spotify now. I bet,
I bet you alright, I want to get.
Speaker 10 (58:57):
Dude.
Speaker 2 (58:57):
That ship sucks, all right, y'all, Thanks peace, Thanks
Speaker 1 (59:02):
Bye, and sadly the podcast is no more
This is basically a podcast that consists of a bunch
of people sitting around and pretending that they have a personality.
Speaker 2 (00:06):
Listen, bullshit, man, Yeah, what's wrong with the bo we got?
Speaker 1 (00:09):
It's trash. It does not slapped.
Speaker 2 (00:12):
Call and response?
Speaker 3 (00:16):
What are you guys even doing?
Speaker 2 (00:19):
I got that much ask years ago.
Speaker 4 (00:22):
They tried to years ago.
Speaker 2 (00:25):
They tried to put me in there.
Speaker 5 (00:27):
That means you're a lion stram.
Speaker 6 (00:33):
I did it with the peck.
Speaker 4 (00:35):
And the rock.
Speaker 1 (00:39):
Oh, come on in, Bonator says he.
Speaker 2 (00:44):
The water's fine.
Speaker 7 (01:16):
Get ready, we're here, get said special radition of the Hustle.
Speaker 5 (01:23):
Season back Baby back, We're back again. We're here to slap.
Speaker 7 (01:28):
It's right, We're here to record a live pre record
episode a Hustle season. Slap tastic, slap tastic coming at you,
slap tastic, strap slap patron. So we have a lot
of slaps, so you might as well just uh get right,
slap zilla.
Speaker 3 (01:48):
Who slap slap?
Speaker 7 (01:54):
I know we have a pluthora we done slap We
have a pluf So yeah, we got a lot to
choose from. Man, my name is Reggie Pace. Oh yeah,
your Reggie Pace.
Speaker 2 (02:08):
By it's time.
Speaker 5 (02:08):
These people probably know I just going to say it.
I just want to make sure I said it though.
Speaker 2 (02:11):
Yeah you did say school.
Speaker 5 (02:12):
Your name is on the screen.
Speaker 2 (02:13):
Hey, I appreciate that too.
Speaker 7 (02:15):
All right, So man, it's hot in this place. I
don't not you hot man? You know, yeah, it's a
little humid.
Speaker 2 (02:22):
He's the water.
Speaker 5 (02:23):
Yeah I had water.
Speaker 2 (02:24):
Now I'm like hot.
Speaker 5 (02:26):
Oh it's okay.
Speaker 2 (02:26):
I tea too, So okay, hot tea, ic mice in
your pants, hot tea cold water. Man, it's making me.
I don't know what's going on.
Speaker 8 (02:34):
What's going on Thereah having a hot flash? I feel
cool as fuck you having a hot flash over there?
Speaker 2 (02:38):
I am having a hot flash.
Speaker 5 (02:41):
So this Pharrell thing but we saw last week.
Speaker 7 (02:44):
We didn't get to it, but yeah I would because
it has the princesses in high school band O Nice,
which is uh yeah yeah, which is like like twenty
minutes away from where I grew up.
Speaker 8 (02:57):
Uh I played at that school. That's why the march
competition was yeah, ye, all right, classic, bring.
Speaker 2 (03:04):
This Genia Beach History. He just also canceled the or
postponed something. It's a postpone.
Speaker 5 (03:12):
I thought it was all there was gonna be one.
There's gonna be more than one.
Speaker 2 (03:16):
This one is canceled, right, he's gonna be in the spring, right, yeah,
it's gonna be in the spring.
Speaker 5 (03:20):
Okay, well good, it's not canceling. Yeah yeah, yeah, all right.
Speaker 7 (03:23):
So the name of this song, and it's also is
there anybody else on there than then? Oh no, it's
just Cavaliers Marching Man. This is so this is for
his biopic, which is like lego animation.
Speaker 2 (03:35):
So actually the I think people are getting confused. This
is actually going to be a documentary. It's a documentary
in lego form. So they interested they layers. Yeah yeah,
so no, so yeah, so like there's a documentary. No,
it's gonna be a document lego lego, but it's true. Yeah, true.
And then and then he has then he has the
(03:57):
movie that's more like, uh, that's based on his childhood.
That's the music that's coming out. That's a different next Yeah,
that's coming out next year. So yeah, this is this
is what they made it clear in some interview that read.
But yeah, it's a documentary in lego form. All right,
so that's two different still really cool.
Speaker 5 (04:13):
I did not understand that.
Speaker 7 (04:14):
Yeah, okay, all right, now we got that straight song
it's called piece by piece.
Speaker 5 (04:26):
Shot all right, just started.
Speaker 9 (04:29):
We're right my home around in.
Speaker 6 (04:33):
No one's following up. Let me know what I mean,
you know what.
Speaker 10 (04:38):
The time.
Speaker 11 (04:39):
Let it be this that the case, crazy dreams only
(05:00):
way everybody's mine.
Speaker 2 (05:02):
When it was.
Speaker 6 (05:03):
Time I got bodies.
Speaker 12 (05:09):
Don't try this girl, girls, girl.
Speaker 6 (05:17):
Every girl's easy for guys. But one of them move.
Speaker 3 (05:27):
It takes that try.
Speaker 2 (05:31):
Stuff, silly.
Speaker 6 (05:44):
Thing so good inside. I don't be told you to
any other way. But days of days.
Speaker 13 (06:00):
You want to die, bring reconds to keep stacking high.
Speaker 14 (06:06):
Hi, Hi.
Speaker 2 (06:13):
Man Phoece piece Pisma series.
Speaker 9 (06:18):
This is.
Speaker 6 (06:20):
Finish.
Speaker 5 (06:21):
I haven't heard of father back.
Speaker 12 (06:24):
Piece face, black face face fire pace.
Speaker 15 (06:29):
There you go and then got them feel so good.
Speaker 6 (06:39):
To eating on the way. But these days, the days
you're like to bring reconds, keep stacking high.
Speaker 2 (06:57):
Hi, Hi, all right, all right Virginia native.
Speaker 7 (07:09):
Okay, I thought we're in here A lot more of
the band people were just chopped into that synth.
Speaker 16 (07:16):
Right.
Speaker 8 (07:17):
It was just like I guess buried in that synth.
That bump boom bum bum bum bump. But it doesn't
sound like no high school kids.
Speaker 7 (07:23):
Yeah, it doesn't sound It's like the drum lines was
in there the drum thing, definitely, Yeah, I really didn't.
Speaker 5 (07:30):
Is it maybe just the the percussion the drum line
that's on this, maybe not horns.
Speaker 2 (07:35):
Or I would guess they're in there.
Speaker 5 (07:39):
My guess is that. My guess is that they're in there.
Speaker 7 (07:41):
Yeah, I did, but I didn't hear any except for
that percussion. Yeah, that was I feel. You know, it's
being from me and Farrell were like from the same place,
you know, pretty much pretty much.
Speaker 5 (07:56):
Uh, don't do prinstance in high school like that.
Speaker 7 (07:59):
If I was the parent of one of the kids
on that ship, I mean like, I don't hear my boy.
Speaker 5 (08:04):
I don't hear my boy, my daughter. I don't hear
my children on this. Turn my son up. Yeah, I
like worse parents.
Speaker 7 (08:13):
Yeah, look, your son is on a Pharrell so no,
turn them up though, But I don't believe I don't.
Speaker 5 (08:19):
Know your son, not even that good.
Speaker 7 (08:23):
I don't hear any any horns. I could definitely say,
oh yeah, that's from a marching band.
Speaker 5 (08:28):
Look they're in there.
Speaker 2 (08:30):
They sound good.
Speaker 5 (08:32):
Turn my kid up, turn turn my son up. FU,
that's funny. They shuffling.
Speaker 15 (08:39):
You know.
Speaker 8 (08:39):
I'm not mad at this. I'm gonna I'm gonna let
this get a little baby party slap. After a while,
I felt like, I feel like anytime a song is shuffling,
it's like got a time limit on it, you know
what I mean, Like it's under three minutes. Yeah, you
have to get out of there because something it starts
to get like monotonous, you know, even even though there
was mad ship going on.
Speaker 2 (08:59):
You know.
Speaker 5 (08:59):
I just think that is like what happens with shuffles.
You know, that's just an idea.
Speaker 8 (09:05):
Shuffles are hard to make because if you don't have
because like the groove is taking up so much space
in your mind of like like what's going on with
the song, and like it immediately makes most people make
a phrase that's only four bars longer. You know, it
becomes like this loop thing, which is like if it
wasn't shuffling, it gives you you feel like you can
(09:25):
move whenever you want, you know what I mean. But
like it becomes very like metronomic immediately. It's like, oh,
two bars of this and then two bars of that,
two bars of this.
Speaker 7 (09:35):
You know, great way to play gospel though, yeah, yeah,
the shoffle, yeah, I mean, the groove has got it
all but yeah, I'm not mad at this.
Speaker 2 (09:42):
Okay, Uh, yeah, I'm not mad at this either. I
thought it was interesting how yeah, how they panned all
of the like drums and stuff out and yeah, you know, yeah,
that was just interesting. I wish they just put the
drum line because yeah, you really can't hear the horns,
(10:03):
so that was that's a little troubling.
Speaker 5 (10:05):
But uh, but we're making an assumption. We don't. We
ain't looking at no liner notes.
Speaker 2 (10:09):
Facts, you know what I mean. I mean that I
don't hear him.
Speaker 5 (10:14):
I don't hear my boy on that.
Speaker 2 (10:17):
That's amazing sketch. But I thought that was an entertaining
song and it really kind of brings back that old
N E R D Neptune sound starting him starting with
that kind of sound. I think it's him definitely saying
AO Chad. He said he ain't speaking. Still, I know
that's what I'm saying. I think this is an AO
(10:37):
like I can do this, like I got the sound
right here.
Speaker 5 (10:41):
No, it ain't all of it.
Speaker 2 (10:42):
It's I know, I'm not saying it's all of it,
but it's that is the those clavs and the way
then tones. Yeah, that's the tone that is the part
of the big part of the Neptune sound. So he
was definitely saying a O, Chad.
Speaker 8 (10:57):
I didn't get that, man, I feel like you a
little bit a little chat Chad would put some sauce
on it. Facts would there had been some digital triangles
in there, Yeah, some another section, some other chord section.
Speaker 2 (11:11):
But I thought this was cool. I definitely, I definitely
feel like he could have done a little bit more.
But I feel like that if it's like the theme
piece of the soundtrack for the documentary or whatever, then
it's cool. It sounds good.
Speaker 7 (11:26):
Yeah, man, I thought there's drums, would have been cool
if they're through the whole thing.
Speaker 2 (11:31):
Yeah, And it was.
Speaker 7 (11:33):
It was very very close to the end of song.
And even heard them. And I remember that there's supposed
to be a Marchie band on this.
Speaker 16 (11:40):
Oh that's right.
Speaker 5 (11:41):
I really have embodied this guy.
Speaker 7 (11:42):
Yeah man, yeah, so like I thought we were in
for something too long for the band to come in
first of all.
Speaker 5 (11:48):
Yeah, man, I couldn't even hear my boy. Yeah, listen,
I'm thinking.
Speaker 7 (11:53):
I'm thinking from the point of view the people. A
very empathetic person. I feel for those parents and no.
Speaker 5 (12:02):
I wasn't really that into it.
Speaker 16 (12:04):
It was terrible.
Speaker 5 (12:05):
I think.
Speaker 7 (12:05):
I'm sure you know it's great in a lego in
a documentary about something portrayed by lego people. Sure, perfect,
I agree. Yeah, but whatever, all right, all right, I
got next. Well, here's here's some dude that another person.
(12:28):
Like many of these I have never heard of, but
this guy is a little different from the ones I've
never heard because usually it's a rapper, and this dude
looks like, I don't know, he's got this brewery.
Speaker 2 (12:36):
Pull him up.
Speaker 5 (12:37):
We have to have a segment for you guessing who
somebody is based off the.
Speaker 2 (12:42):
Art they match the name. Yeah, yeah, I don't.
Speaker 5 (12:46):
Know who you're talking about.
Speaker 2 (12:47):
Sometimes they just be putting people that this dude right here,
his name is Sean Mendez.
Speaker 5 (12:53):
Okay, I didn't know what he looks like.
Speaker 7 (12:55):
Feeling himself on this man, he's a he's he's been
a pop star for a long time.
Speaker 3 (12:59):
Man.
Speaker 2 (12:59):
Yeah, he's yeah, he's another mental health artis you know
what I'm saying? Like, he's definitely he's a pop start
pop star. No, but he's like he's trying to hear
this is a rebrand he's been rebranding for a little while.
Speaker 5 (13:11):
I don't know the track man.
Speaker 2 (13:12):
The last record he came out with was like, you know,
John Mayer esque, I don't like that.
Speaker 5 (13:16):
What's it like?
Speaker 17 (13:16):
Now?
Speaker 2 (13:17):
I think it's a little more, you know, so I
think it's different. Is obviously he's you know, he's taking
a break. It's coming back refreshed, you know, revitalize whatever.
All right, all right, well this song fortunately he's only
two and a half minutes. Look at that, all right,
nobody knows ses, oh boy, figuring it out, definitely about
(13:45):
to figure it out.
Speaker 5 (13:46):
Better be a young man, a man, young man figuring
it out.
Speaker 9 (13:49):
And touch fucks.
Speaker 7 (13:55):
When you say drums thickified boy, think about the bull drugs.
Speaker 17 (14:01):
In the gitter.
Speaker 6 (14:05):
And it feels like shore, your.
Speaker 17 (14:13):
So, your so, and that kid jumps clippant.
Speaker 3 (14:30):
Turn that up.
Speaker 15 (14:31):
Where does it go?
Speaker 13 (14:38):
Where does it go?
Speaker 14 (14:43):
Boy?
Speaker 9 (14:51):
H goes.
Speaker 3 (14:56):
Even amateur?
Speaker 12 (14:58):
Everyone knows.
Speaker 3 (15:02):
Girls right, And I lived for those moments.
Speaker 2 (15:09):
The body is up and anything can happen.
Speaker 3 (15:15):
I'm so close to the sun, so.
Speaker 17 (15:28):
Your not in love?
Speaker 3 (15:40):
Where it.
Speaker 9 (15:46):
All kinds of.
Speaker 2 (15:48):
Shout dog in the background, the dog, there are some dogs.
Speaker 5 (15:55):
I think I heard somebody's guitar become unblooded.
Speaker 3 (15:59):
Joke.
Speaker 2 (16:01):
A lot of atmosphere on this.
Speaker 5 (16:04):
Yeah, I think I think one of the pots was
stuck on the reverb machine.
Speaker 7 (16:09):
Oh my god, I think the mic kind of fell
off and was touching the front of the gig drum.
Speaker 5 (16:13):
I think so to the Michael touching it here. Man,
these guys are falling asleep there on.
Speaker 2 (16:18):
They fucking started the session off with a bunch of
craton passing.
Speaker 16 (16:22):
Out and I don't care. What are you talking about,
high dude, No way, no, no, no, no, no, I
don't like it.
Speaker 2 (16:34):
Man.
Speaker 7 (16:35):
It was like somehow too serious and kind of like,
I don't know, serious, kind of like weird.
Speaker 5 (16:43):
He's like, whoa hell.
Speaker 2 (16:48):
He's doing you know what he's trying to do. He's
trying to do black Pumas. So he's trying to do
trying to do like the black pumas, trying to be black,
like trying to try to come with the powerful gods.
Just doing a lot, man, just doing a lot. And
he doesn't it's not he doesn't have that kind of voice.
Speaker 5 (17:09):
It's like he's trying to like squeeze some pain out.
Speaker 2 (17:11):
Yeah, like pain. He's trying to squeeze pain.
Speaker 3 (17:14):
Pain.
Speaker 5 (17:15):
Listening to it.
Speaker 2 (17:16):
He's literally switching his budgets just to get those blues licks.
Speaker 5 (17:21):
I'm like he lost his voice after that ship. So, Kelly,
it's an off.
Speaker 2 (17:29):
The product. What did you think of the product? It
was just a lot going on.
Speaker 7 (17:33):
I felt like I felt like they got into it
and they just kept turning knobs until.
Speaker 2 (17:39):
I feel like, I feel like this is an artist produced. Yes,
it sounds over produced. Actually it's the band. It's the
band that's playing this. They're all like the writers and
so it's everybody has.
Speaker 8 (17:55):
It's just thick Ify is just going crazy on the
on the kick Insnare the reverb is very loud, but
that I didn't hate it, but then it got by
the time everybody started doing shit, it was just sound
like a tornado in the background, just like it's just
it did and that by the time that piano came in,
(18:15):
and then all and then all of a sudden, all
these weird like there's a synth.
Speaker 5 (18:18):
It's like someone synth came in for a second.
Speaker 7 (18:21):
Like sizzling, like like bacon or something like somebody was
shaking the jar peanuts or something.
Speaker 5 (18:27):
Back there.
Speaker 8 (18:29):
I thought I heard something, Yeah, I thought I heard
someone's guitar become unplugged for a second.
Speaker 2 (18:32):
It's like, ah, but nah, I don't can't see why
I would listen to this again. I can't. I can't
do that. Nobody likes you.
Speaker 7 (18:42):
That was actually by Sean actually kind of crazy, Sean,
bring back the slaps, bro. Yeah, man, this is not
bring back the slabs man. Yeah, you need to bring
back to slap all right, here's another one. Uh you great,
just how you are, man, don't let them break you
down like this. Yeah, man, got you hollering like this,
so uh, that's what it is. This album art, let
Me break you down album Paradise. Uh, this looks like
(19:05):
they run a fucking camp to be MC. It's like
this is the bro sure and it's like come come
with me, come with Fat Joe, d J collin in
this chick.
Speaker 9 (19:17):
This looks like.
Speaker 2 (19:19):
This looks like a bad super group.
Speaker 5 (19:23):
Around with the pros.
Speaker 2 (19:24):
No, it looks like a TV show.
Speaker 8 (19:25):
It does like a TV show, the reality show HBO
show about them, like trying to start a record label
or something.
Speaker 2 (19:30):
Fat and that's what it looks like. It just looks
weird label. But for kids who was on this, on this,
that's that's fat Joe Anita the Yeah Yeah, the singer
and DJ called Okay, it's about to be some Latin
funk trap you think dance dance trap funk Steven style.
Speaker 5 (19:52):
Yeah, oh wow.
Speaker 2 (19:53):
No songs called Paradise justin Bieber song.
Speaker 5 (19:57):
Here we go, uh uh uh A.
Speaker 16 (20:02):
Lady shop like I got it.
Speaker 2 (20:04):
We the best mule shell ships.
Speaker 7 (20:07):
If it was up to down, they would want to
sit a d with holes in it so we can't
get to the yacht.
Speaker 5 (20:13):
Another one that would be going back there.
Speaker 18 (20:17):
So Joe now they Joe Now, I'm worldwide. Yeah everywhere
I go. Now Bore Now, Mommy, slow down, I'm undefeated.
When they're coming knocking horse down, yup bo Now Babby
slowed down.
Speaker 5 (20:29):
She wants another in the berk.
Speaker 18 (20:31):
She get both now, pretty little things getting Tom Brown
should be on somebody yacht with your toes out. I'm
the bigger, the best of the bigger, the boss. The
ts shan't keep hitting the cross. I don't know if
it's real. I just know that it's aft.
Speaker 5 (20:44):
She just got it done.
Speaker 18 (20:45):
So she's showing it all set back and for she
just rocking the head. Hey may have to leave the
spot up with the stars in the rooms. She rocked
on her wrists. She want to make take tocks in
the whip track.
Speaker 3 (20:58):
She want to make sh from the ludn't.
Speaker 2 (21:05):
Get Suirasa was impression a vieling.
Speaker 3 (21:11):
It was like.
Speaker 2 (21:14):
He was like, boo, now take the slow now for
part of that from the bed to the flow.
Speaker 18 (21:20):
Now boo, now this show now got the friends sick
the turns, just go now.
Speaker 17 (21:26):
Where no water front question, lady, you know I need
a real feeling dog.
Speaker 2 (21:38):
Oh yeah, I thought you can fast forward.
Speaker 5 (21:42):
I thought maybe gonna need That was her part coming in.
There's a lot of like thirty seconds of these songs.
Speaker 2 (21:47):
Man, she sounds and she even sounds bored on the song.
Speaker 7 (21:50):
Yeah.
Speaker 5 (21:51):
Man, man, that sounds a tired.
Speaker 8 (21:53):
They could they could have got to do her part.
That sounds like that sounds like like one was so
much ship on it. So it's not every every plug
in you can think of on that joint.
Speaker 2 (22:09):
Got serious.
Speaker 8 (22:10):
She got she got the Siri app. They got everything
going off the on the vocal. Look, man, I kind
of liked the beat they had, like a friend's uh, like,
you know, what are they good for?
Speaker 9 (22:20):
You know?
Speaker 5 (22:21):
It's kind of beat what I'm talking about friends. How
many of us have them?
Speaker 2 (22:25):
Yeah, it's the eighties.
Speaker 8 (22:28):
I like the beat, but man, they didn't they didn't
really do nothing with it. No, it's not DJ Kalen's
fault if he brought that beat to the table.
Speaker 2 (22:36):
They just didn't do nothing. Really, fat Joe's fault, really,
because he's the one that's like, I mean DJ Khaled,
he could say whatever he wants on the beginning of
the track, it'll be fine. The beat is fire though.
What did he say at the beginning of that what
you want to it's on a dingy?
Speaker 16 (22:50):
Yeah, yeah, we.
Speaker 9 (22:56):
We the best.
Speaker 5 (22:59):
If it was up to down the whole cate so
we can't get to the yacht.
Speaker 7 (23:05):
Another one man ran the holes in it get to
the yacht and it scared me too, And like he
has his voice going through different ways.
Speaker 5 (23:15):
It scared me when it came in.
Speaker 9 (23:16):
It was like, what is he?
Speaker 5 (23:17):
Is he rapping?
Speaker 2 (23:18):
I think the same person that did this did the
James Headfield vocals from uh we did it?
Speaker 5 (23:25):
Yeah?
Speaker 2 (23:25):
For the job rules drop him in there. It just
sounds weird, man, But.
Speaker 8 (23:32):
Nah, they just didn't do nothing with this. That look
Anita girl. Man feels like paradise. Oh baby, feels like paradise.
You can't come on man and y'all getting paychecks for
this man.
Speaker 17 (23:47):
They just m her.
Speaker 2 (23:49):
That was like they just memo her like a quick,
quick five K. Just throw this on here real quick
and just uh. I mean it's probably more than five.
Obviously definitely a vemo.
Speaker 8 (23:59):
I like her too, but nah, that ain't They should
have got Shakiro. Shakira would have killed that beast. Shakiro
would would have killed it. She would have crushed this.
I Needa sounds so fucking tired on this. She's gonna
dance in the video. They try to make it go
off like that, well so far nope. James already answer, Uh,
it's terrible.
Speaker 5 (24:21):
This picture is.
Speaker 2 (24:22):
The picture is terrible.
Speaker 5 (24:23):
Don't know what's going with that picture is.
Speaker 7 (24:24):
It's infuriating. Dj Kell looks like he's about to sell
a house. It's like he's like, hey, you know what,
but h yeah, and god fat Joe looks.
Speaker 5 (24:39):
I don't even know what's going on with the scarf
around his head.
Speaker 2 (24:42):
I don't understand.
Speaker 5 (24:43):
I was sensitive to the sun on top of my head.
Speaker 2 (24:46):
That's fashions. Yeah, that's just like fashion that some style
of ship and it looks fine, but like, I mean,
it just looks like a strange Uh. The cover art
is just terrible.
Speaker 5 (24:56):
They look awkward together.
Speaker 2 (24:57):
They did not spend any money or time on this.
That's pretty bad cover. All right, cool, it feels like
paradise look ish?
Speaker 19 (25:06):
Uh?
Speaker 5 (25:07):
The weekend?
Speaker 2 (25:09):
All right?
Speaker 5 (25:10):
Wait?
Speaker 8 (25:10):
I think this is uh, this is a this is
a trick. Yeah, what's the word we have for it?
It's a goof? How it's not a goof? But it's
like this is like kind of the commercial. That song
is like the commercial?
Speaker 3 (25:22):
What is it? Is it?
Speaker 2 (25:23):
The first? Is the first single? Okay? Never mind? Carry on?
Have you heard this?
Speaker 5 (25:27):
I think so? Is this the one that I don't
want to say? I'll wait to have this.
Speaker 2 (25:30):
I haven't heard anything. Oh okay, never mind, I have
heard nothing from this. Carry on, okay, let me uh,
I just we'll see let me pull up already. Weekend
Predictions song is Dancing in the Flame? Wait all right,
hold on, do we want to predict it? We want
to predict you are when you already heard it? You
already heard it? So what do you think is going
(25:52):
to start?
Speaker 7 (25:52):
Like?
Speaker 2 (25:52):
Start with James, It's.
Speaker 7 (25:54):
Gonna start with uhraw like a drum machine to start
with kick and stare.
Speaker 2 (26:00):
All right, I think it's gonna start with his vocals
like I think he's gonna start I know, ready sorr.
I heard, I'm do my impression right now. He's gonna
go and then like and then like the song is
gonna kick in.
Speaker 5 (26:13):
I can't remember how his vocals alone.
Speaker 2 (26:16):
It's gonna be vocals alone, like and he's gonna do yeah,
and it's gonna it's gonna come in like or something. Alright,
that's what That's what I'm I'm feeling like. It's definitely
gonna be like something like that ship. Okay, yep, all
(26:37):
right here we got the flames. Oh nobody gets the points.
Speaker 20 (26:44):
Traffic. Wow, we race. It's called the upend making because
I've been chasing another.
Speaker 12 (27:04):
Oh oh, can't wait to see your face crash when
with sweat chest, legs les be your the pay But
it's my miss undress.
Speaker 13 (27:27):
When it's in the place, it's in this.
Speaker 10 (27:41):
World, can't you they sail the way radio scrab you
won't you to be in the role where you headlights
and you say holds another cant wait to see your
(28:09):
face crash?
Speaker 12 (28:11):
Went on sweet chest legs must be your dog blade.
But if by miss someday.
Speaker 15 (28:24):
We desn't in the ft.
Speaker 13 (28:28):
Get this.
Speaker 2 (28:38):
See this bridge again?
Speaker 17 (28:40):
That weren't that fuck?
Speaker 2 (28:43):
That wouldn't that probably.
Speaker 14 (28:46):
Faded barely made it the fires fade chi, But it's
the beautiful amazing because I can't taste.
Speaker 5 (28:58):
It again, it's weirdl.
Speaker 2 (29:06):
Canadians man tasted well. They can sell that for sure.
That that is a syllable song, you know. Uh, the
first singles for him A lot of the times, sometimes
(29:26):
they really work and sometimes they don't. I don't remember
that for that. Uh The Alman has uh blinding lights
on it. I mean that save your tears whatever, whatever,
the first song that came out. People don't even reference
that song hardly at all as much as they do
blinding Lights and save your teers. I mean they still
play that ship all the all the time. This kind
(29:48):
of has that kind of catchy major epop kind of vitub. Yeah.
Speaker 8 (29:57):
I mean he's going this doesn't sound like American music,
doesn't It just sounds like European pop music.
Speaker 2 (30:03):
Yeah yeah, yeah, yeah yeah. And you know he can
do that kind of stuff.
Speaker 5 (30:09):
That's his bag. He's international. He gives like it's like
a robot pop you know what I mean.
Speaker 2 (30:16):
I mean he's like one of the biggest selling artists,
like for real, I mean his that that uh that
After Hours record, I mean that's sold like five million
or something, like nobody sells ship like that. Yeah, it's
passable for me. I'm gonna I'm gonna uh, I'm gonna
give that a baby slap because I like to product
(30:37):
a lot. I'm not crazy about everything else about I like,
you know, his voice and stuff, but it feels kind
of like we're treading on the same kind of ground,
you know, and he was kind of pushing pretty far
ahead with that After Hour shit. You know. So it's cool,
(30:58):
this is cool. I'm with it.
Speaker 5 (31:00):
I like the beat.
Speaker 2 (31:01):
It's definitely fun, you know.
Speaker 5 (31:02):
But go ahead, James, uh uh.
Speaker 7 (31:08):
I am not even for him, like this is I
like some of his stuff, but not this.
Speaker 2 (31:16):
Yeah, no way, it's yeah, you kind of hit it
on the head with the It's.
Speaker 5 (31:19):
Very European, very very e d m M.
Speaker 7 (31:23):
Only like only ship that you hear in a club,
Like nobody listens to it outside of that context. It
seems like, uh yeah, nobody's sitting around getting worked one
listening to this in the background, I feel like it's
that type of thing.
Speaker 8 (31:36):
Uh yeah, so no thanks now, Yeah, so this song
I saw that I be my brain was tainted because
this is like the song that was a commercial for
like the new iPhone, and it's like the music video
is shot on the new iPhone. First of all, got
to be the one of the quietest drops of an
iPhone since we've been adults. Yeah, it's like this used
(31:57):
to be like a mountdown and like, yeah, yeah, people
used to hear about it, Oh shit, new camera like whatever,
but people ain't said shit about.
Speaker 2 (32:05):
This this phone.
Speaker 8 (32:06):
Huh So anyway, so they're using the weekend, so yeah,
they and that song is that video for this song
is shot on the iPhone? Got anyway?
Speaker 2 (32:15):
Interesting? Man, this kind of.
Speaker 5 (32:17):
Sounds like something you had on a hard drive. Man,
I'm gonna lie. I like it, think it.
Speaker 8 (32:20):
I think it sounds good. I think he always sounds good,
you know what I mean. Like he's one of those
artists in which he always sounds he always sounds good.
But this song it's a little it's a little like
flat for me, you know, even for him, there's no
moment in which he kind of breaks out. There's no
moment in which, like the texture changes. Yeah enough, you know,
(32:43):
but maybe that's just my I can't let his slap.
Speaker 5 (32:47):
I like him.
Speaker 2 (32:48):
I like him.
Speaker 5 (32:49):
It's not my favorite. Yeah, you gotta hold him to
a higher standard.
Speaker 2 (32:52):
It's not my favorite. Okay, you know I'm ready.
Speaker 5 (32:55):
I'm waiting to bring back some slaps like starboards slaps. Yeah,
I mean bring that bag. I mean, let's hope you
can do it again.
Speaker 2 (33:03):
I was death funk man, Like, I want them to
come back so bad they have to.
Speaker 7 (33:08):
They should just work with him and nobody else. I'll
bet I'll be into that.
Speaker 2 (33:13):
But man, I mean, dude, that tour. If they had
done that tour Bringdom Access Memories with like a live band,
oh man, it would have fucking crushed.
Speaker 9 (33:24):
Man.
Speaker 2 (33:25):
They just were like, we.
Speaker 8 (33:26):
Made enough, We're gonna go, uh raise our kids and
do classic Yeah.
Speaker 2 (33:32):
I can't.
Speaker 5 (33:32):
I can't condone that. Don't listen to that stuff?
Speaker 2 (33:35):
All right?
Speaker 7 (33:36):
Next one, uh friends Ferdinand? Oh okay, all right, well
don't get excited.
Speaker 2 (33:45):
Who knows?
Speaker 11 (33:46):
Uh?
Speaker 5 (33:47):
The song is called the Audacious.
Speaker 9 (33:50):
Here would go with riff one, But did you ever
get the ferry lay with this? So I'm saying, come
on thee.
Speaker 21 (34:10):
I don't reading in the seaming the stitching gun. So
you rip a little hard until that a rip comes
a run, feel the fabric cover existence, Come on spell
hey there, we don't care a coobe standing where where
(34:36):
uniaked and freezing to you roam.
Speaker 15 (34:41):
Freezer to south Field's no one to save, so you
just carry.
Speaker 6 (35:01):
We know that the same sweet.
Speaker 22 (35:05):
Sat with a plastic carrier bag in each hand, and
winter looso.
Speaker 9 (35:23):
You are stand under the holly tree.
Speaker 7 (35:27):
With exasperated feelings and write songs.
Speaker 9 (35:31):
So before you don't know a joke said? No serious
and most serious that I've ever.
Speaker 15 (35:40):
Beer, I've ever been, so sounds.
Speaker 2 (35:50):
No one's the same, So just carry that. It turn up,
turn a rack up.
Speaker 8 (36:03):
Sorry my face, possibly a sweet made it seem like
I want to I did like I can't help my face.
Speaker 9 (36:08):
That's why.
Speaker 5 (36:11):
My brain, my brain wants to stop.
Speaker 2 (36:13):
Watch your face.
Speaker 5 (36:14):
I'm sorry, your face may look like you don't want
to hit it no more head?
Speaker 9 (36:19):
Did you ever get the fees on that job?
Speaker 3 (36:21):
Will just come on?
Speaker 2 (36:22):
Done?
Speaker 6 (36:23):
No feeling of reason your.
Speaker 5 (36:26):
Face because the resplicated for a second.
Speaker 2 (36:30):
Now, relax, we didn't just to ready time to come.
Speaker 13 (36:39):
No stop, Auntie, I'm doing.
Speaker 6 (36:52):
Please seem just carry.
Speaker 16 (36:57):
All right.
Speaker 7 (36:58):
That's like in the song we got it all right,
God damn you got it.
Speaker 2 (37:05):
All right.
Speaker 7 (37:08):
There's a lot going on. It's a lot going on.
Started off sounded real crazy, and then I kind of
started to like it. And then it dropped into this
like Billy Joel's song kind of sounding ship for a
second there. Then I was Then then the drums got stereo. Yeah,
and then it was doing everything. It was hitting all
the buttons on the board.
Speaker 2 (37:29):
Man, fade out, fade out.
Speaker 5 (37:34):
The whole band is all leaning over the board like.
Speaker 9 (37:36):
Everybody's like doing study.
Speaker 5 (37:38):
Everybody wins. Yeah, yeah, this is I'm gonna say, this
is falls squarely under not for me.
Speaker 17 (37:47):
Respect that.
Speaker 5 (37:48):
It's just just not for me.
Speaker 2 (37:50):
James.
Speaker 5 (37:51):
That was great.
Speaker 7 (37:52):
Uh, I would have even been fine with it. Sounded
like the ship was broken for the whole song that
was that was starting to grow.
Speaker 5 (37:58):
Yeah, it's like different, what is Yeah?
Speaker 7 (38:01):
What is more anti establishment than like going the opposite
of whatever thick of eye is happening, or like it's like, hey,
let's take all the bass out of it out fuck it,
just keep it out of there.
Speaker 5 (38:14):
Fuck them.
Speaker 2 (38:15):
I really respect that go fund your self production attitude.
Speaker 5 (38:20):
But then they stereo the drums and for a thick
if I free recording. I really did like it. I
thought it was that's pretty cool.
Speaker 2 (38:30):
Yeah.
Speaker 17 (38:32):
Yeah.
Speaker 2 (38:33):
Threw me off for a second, and then I was like,
wait a minute, Okay. The chorus, I was like, is
it the Beatles? And I was like, no, it's like
Mott the Hoople or something like that, going more like glam.
Speaker 3 (38:48):
Yeah.
Speaker 2 (38:48):
No, Billy was taking off of the British ship though,
so I mean like he's it's kind of it's kind
of in that though, but yeah, because yeah, so it's
it really brings in a lot of seventies influence. But
also this this the sixties ship. I really actually enjoyed
(39:09):
when they faded the drums back up. They faded the
drum and they just came in right there. I was like, Okay,
that's what we're doing. We're just we don't give a
fuck on this one. And also they've kind of always
been like that. Their songs have always been kind of
like undine to me. Yeah, yeah, but uh, this is cool,
this is cool. I like this, so I'll let it
(39:32):
slap all right, bad Yeah not bad at all.
Speaker 7 (39:38):
There's this other thing on here that I'm pretty sure
we didn't do, but I don't think I had the
art for it. It's uh, it's called this is a
weird name. It looks like it's a goo for something,
but it's not. Uh black ink part one?
Speaker 9 (39:52):
What is this?
Speaker 20 (39:52):
Yeah?
Speaker 2 (39:53):
That is Ah. That was a suggestion pretty from from
one of our Maiden King, Yes, from one of our
friendsh Warren Campbell. Okay, hit us up one and and said, uh,
he would like to know if we think that was slappith.
Speaker 5 (40:06):
All right, let's do it.
Speaker 2 (40:08):
How do you spell the name.
Speaker 5 (40:11):
Bizou?
Speaker 2 (40:12):
This is the name of the artist, uh p y
z o W with an exclamation point. So you gotta
go with what's the artist?
Speaker 5 (40:18):
He was bis.
Speaker 7 (40:22):
Maiden King is the other person in Sam GERALDI know
some blacky name people, but let's you sound like it's
called black ink black?
Speaker 2 (40:34):
Okay? All right?
Speaker 7 (40:37):
Stabbing at the turn all on, turn on the spark
them joints line.
Speaker 2 (41:00):
Port it.
Speaker 20 (41:05):
I wanna.
Speaker 2 (41:08):
Got he's got his lips all on the mic. Pause.
Speaker 9 (41:17):
They said, right, but.
Speaker 2 (41:18):
You know, but you thought too much. If you write it,
it might come in.
Speaker 19 (41:24):
There are things you felt you don't want friends to
feel so you bite your pen and you suck it in,
black dripping down your chin.
Speaker 4 (41:37):
Keep the page, his mic, keep it in, but it
pours in your mouth and it stays here and it
doesn't try your lungs.
Speaker 2 (41:50):
There are songs you could write.
Speaker 5 (41:52):
You don't want to be sung.
Speaker 9 (42:03):
Every brother.
Speaker 2 (42:10):
You fed?
Speaker 6 (42:11):
You cry? You piss off, big guy? What wall man?
One little to blacket drip out of.
Speaker 3 (42:35):
You said?
Speaker 6 (42:37):
You don't know face with not sure, but you're not skin.
Speaker 19 (42:48):
It's not a big soft of touch this.
Speaker 3 (42:56):
Down?
Speaker 6 (43:00):
How come I never seen why shirt?
Speaker 19 (43:05):
Worse that all about where they did the hospitals, things
that welcome mad.
Speaker 14 (43:15):
And when you get a black song, lifetime luf time.
Speaker 6 (43:21):
Still away, wish did too small?
Speaker 19 (43:26):
Light?
Speaker 2 (43:41):
You feed?
Speaker 15 (43:43):
You cry?
Speaker 2 (43:45):
You piss off the big guy?
Speaker 12 (43:49):
What you all that one little drop of blacket get
out of your man.
Speaker 2 (44:11):
Gets some get some.
Speaker 17 (44:30):
How much is least that check?
Speaker 3 (44:33):
Its okay?
Speaker 5 (44:37):
Well I'll go first? Uh yeah man?
Speaker 8 (44:41):
Yeah, he in there killing it so like it's not
like somebody that made it all by themselves, you know,
and then maybe like got some ship on it, you know,
extra extra points for having the day triangle in there. Yeah,
I'm gonna let this lab. Yeah, I had a good time.
I agree, it was a good It was a good time.
(45:01):
Will Doobie Brothers.
Speaker 5 (45:04):
And a little bit of that. Uh, I didn't notice that.
Speaker 7 (45:06):
It sounds like the guy walked in to the rehearsal
iding goes, I just found this thing. Have you ever
got you guys ever heard It's It's called vocal About
I'm about to rise the whole album. Yeah, about to
absolutely him. I'm glad he bought one of those too,
or whatever got him inspired.
Speaker 5 (45:25):
Yeah, man, good for him.
Speaker 2 (45:26):
Uh, I liked it.
Speaker 5 (45:28):
I don't know who as far as you know, being
the actual band.
Speaker 22 (45:34):
Uh.
Speaker 2 (45:35):
I can't gather what these two other artists do. Yeah,
I'm definitely just vocal or what.
Speaker 7 (45:43):
But yeah, uh yeah, I enjoyed it. I really did
like a lot of things going on and cool court
changes and that type of thing. Saying the name of
the artists again, uh, Biz and then Biz and then
Maiden King and Sam uh Jane the guald sound shout
out to y'all sound this.
Speaker 2 (46:03):
This is actually Warren's friend from Chicago.
Speaker 7 (46:06):
I figured they probably they look like they look like
they know Warren. Also, they they they have like.
Speaker 2 (46:12):
The amount of followers on here of like a not
the weekend band.
Speaker 7 (46:17):
Uh, they got people, they got some listeners in Istanbul sounds.
I'm seeing right here International these guys.
Speaker 2 (46:24):
Good for you all, okay, yeah, hell yeah, yeah, that's
that's awesome. I love I love that ship. I love
the sound of it. The ship at the beginning was
really interesting, you know. I mean, we're having a little joke,
a little jokey joke, but I was I think I.
Speaker 3 (46:41):
Was just.
Speaker 5 (46:43):
I mean what I said I was.
Speaker 2 (46:44):
I wasn't joking either. I was joking, but no, I
mean I enjoyed it though, and uh, from top to bomb,
especially once the band kicked in. You know, I feel
like that we'll talk about how things will go too
long and this and that. I think everything really is
timed out amazingly on this song, but like for switching up,
and the drums had a little bit thick if only.
Speaker 5 (47:06):
I think they definitely did not too much.
Speaker 2 (47:09):
It was no, it was nice. I really liked it.
And the guitar ship, I'm wondering if this cat is
a guitar player.
Speaker 7 (47:16):
At least there's at least two guitar players. Yeah, what
the picture I'm seeing is the.
Speaker 2 (47:22):
Guitar is like really up there, like you can really
hear what's happening with it the whole way it was.
It was great. So, yeah, fantastic.
Speaker 7 (47:30):
Oh you gonna let me give it a I don't
think I gave you one of those no, no, yeah, cool,
Yeah I enjoyed that.
Speaker 5 (47:37):
So we're all in the ingredients that this deserves.
Speaker 2 (47:41):
What fuck?
Speaker 7 (47:42):
Yeah, well that's a that's a great I don't know
if we have any more songs that.
Speaker 2 (47:48):
We haven't done. Are you sure? Did we do?
Speaker 5 (47:53):
We did? Let me go back out.
Speaker 7 (47:55):
So there's a three D last week Friends, Sean Man Weekend,
Pharrell ll cool Ja, we already did. We did Future Islands,
leam Bridges, we did Toroy Moy did we do? That's okay,
let's do that.
Speaker 2 (48:11):
Let's do that to Moy.
Speaker 7 (48:13):
Yeah, okay, that's right, because we did. Yeah, we skipped
this one. So this one's called Madonna.
Speaker 2 (48:19):
Uh okay, this is him? This is him.
Speaker 7 (48:23):
I think there's an He always brings somebody around. Let
me pull this up.
Speaker 5 (48:27):
He always likes to bring.
Speaker 7 (48:28):
He has been doing a lot of collabs, collab in Yeah,
he loves it. I want to hear an album from
a social butterfly. Oh yeah, here is Don Tolliver.
Speaker 2 (48:39):
Okay is on? Maybe we did hear this?
Speaker 5 (48:41):
Maybe no we didn't, Okay.
Speaker 2 (48:42):
Now we didn't.
Speaker 5 (48:43):
All right, all right, here we go.
Speaker 23 (48:51):
Your mama, Don, it's so hard of fun. I think
I'm on need some calm questions on your mind and
then come with coms questions on your mon I think I.
Speaker 3 (49:12):
Love all the trauma you do say.
Speaker 9 (49:16):
They say, I.
Speaker 6 (49:17):
Love song your voyd, have your skates on?
Speaker 9 (49:22):
I mighty employed?
Speaker 3 (49:23):
I think a simple thank God anoy you, but I
can see some power.
Speaker 9 (49:37):
I'm about to get him my car.
Speaker 6 (49:39):
She about to part that brother, tell you your your
soup side, your soupside, don't mind me.
Speaker 3 (49:56):
Twenty back it up, make sa street twenty one, little
home like you my right.
Speaker 23 (50:06):
Your mamma, dona the void change or you will we
switches zooming on.
Speaker 6 (50:12):
Tom's my little truck. Don't ask me my son.
Speaker 3 (50:16):
It's eything, honest.
Speaker 6 (50:20):
You know what I'm saying.
Speaker 13 (50:22):
Did say a love song?
Speaker 9 (50:24):
Employed?
Speaker 2 (50:25):
Have your skins on?
Speaker 3 (50:27):
And might employed? You can go.
Speaker 2 (50:33):
A robot right there, But I.
Speaker 9 (50:33):
Can't see so far. I'm about to get in my car.
Speaker 6 (50:37):
She about to part that bomb show you who you.
Speaker 9 (50:40):
Started up the repeat?
Speaker 3 (50:42):
He was super so yeah you super song, your moor,
your moment.
Speaker 7 (50:51):
Tongue against same nick question, that's it. Huh Yeah, it's
like another forties as upright.
Speaker 2 (51:00):
I don't think there's any anything cool. It's gonna happen
now and then done. Tolliver definitely does pretty short songs too,
I think. Yeah. I mean it's like part of the
wave man those al right, I guess, I guess it
was all right. I mean, now it's not alright. I
don't like that.
Speaker 7 (51:16):
I've heard some of this other stuff my boy Toro
Dough and uh I like it, and this I do
not like. I did, I did not like this just
sounds kind of like I don't know, maybe it's good
the Don Tolliver thing. You know, I don't know how
much if this is more of one than the other,
but or it.
Speaker 5 (51:35):
Seems like a good mix honestly of the two of
their things. You know, Yeah, I don't. I don't like this.
Speaker 7 (51:44):
Yeah it was I liked the sounds that were being used,
but nothing but then it was just stayed there and
like nothing happened.
Speaker 3 (51:53):
You know.
Speaker 8 (51:56):
It's like kind of like a soft Travis Scott song
or something, but describe. Yeah, this is not my favorite
from either of them, honestly, not just not this groove.
It's it's it's a vibe I could see there, Like
this is a vibe, you know what I mean, just
going to start this ship.
Speaker 7 (52:13):
Over and maybe they have more songs, maybe there's more
more ship going like you know, but nah, this is
this is not for me.
Speaker 2 (52:20):
Yeah, it's a little. Yeah, it doesn't feel substantial enough
almost to warrant a review like a single.
Speaker 17 (52:29):
It doesn't really.
Speaker 2 (52:30):
Yeah, it feels like it's just like made for TikTok
or something. They didn't say anything. This also sounds like
a hard drive song.
Speaker 5 (52:40):
Pass it back and forth. Yeah, I don't understand.
Speaker 2 (52:43):
Uh yeah, I don't know. Sometimes I feel like it's
like not irresponsible, but like it's like, dude, don't put
some of these Don't try to playlist every fucking song,
you know what I mean, Like some of the stuff
is not made for it, especially when you're going against
the three four minute songs. It's like, I'm like, don't
(53:04):
fucking try to playlist every single song that you put out.
Some of them are not made for this. Yeah, you
know what I'm saying. Some of them aren't singles. Some
of them are Lucy's Lucy Vibe and like in a
real way. So it's like that's I think that's when
I get confused when we talk about singles and stuff
like that, because I'm just like, is this even a
single or you just want to throw it out there.
Speaker 5 (53:26):
I mean, it is a single. Some people just don't,
I guess not people.
Speaker 8 (53:29):
But we don't really look at it that way anymore,
you know, because it's not like, oh, you hear this
song and it's like that song's gonna go to the album.
It's just like everything seems so disposable. Yeah, you know
what I mean, it's just like some song, you know.
Speaker 2 (53:45):
Yeah, I think that's what I think. And I think
that's what I always go back to when when I like,
I'm listening to this old man time, when I go
back to like serious XM or whatever, and I'm like
listening to the groove, you know, and it's like a
bunch of nineties stuff. But like these were singles, like
they so they really talked about what the band was
(54:05):
about or what the artist was about, you know what
I mean, Like when you put a single out, it
was about I mean, like, I think, I think there
are artists that still do that. You know, a lot
of the time. I think when Weekend puts out a single,
a lot of the times it's a good one.
Speaker 10 (54:18):
You know.
Speaker 2 (54:18):
It's like some of these cats, it's just like they
just throw shit out there, and I get it. But
I'm like, throw this in with a couple others. Don't
playlist this like, but throw it in with a few
other songs that are a minute or too long, and
just do that. Pick which song you feel like you
work the hardest song whatever.
Speaker 5 (54:41):
It's just like a vibe.
Speaker 20 (54:42):
Man.
Speaker 2 (54:42):
It's like, but see, the thing is people think that
the songs that they didn't put effort into will be
the song, and sometimes that will be the thing that
the song that is the easiest.
Speaker 8 (54:52):
I guess it does work out that way sometimes, so
that I mean that can happen. This doesn't feel that way.
This doesn't feel that way.
Speaker 2 (54:59):
So yeah, it's disappointed. It's it's not disappointing whatever. I mean.
Tory Moyes kind of does whatever he wants at this point.
He does all kinds of stuff, but he was also
like a singles kind of artist for me for a
while when he would come out with the record and
have the first single. It would be very representative of
what the album was and sounded awesome. It made excited
(55:20):
a while for me. Yeah, it's been a while for
me too on that note. So disappointing, that's it, Yeah,
I give you. Uh, I don't think so. I was
just saying a bunch of stuff that was that was
nobody likes you. I think, yeah, that's that's Uh, nobody
(55:41):
likes you to be taken lightly.
Speaker 5 (55:44):
We don't. We don't like it. We don't want to
have to do you don't want to do that.
Speaker 7 (55:47):
You know.
Speaker 2 (55:48):
If there's one thing we're not liar, well, yeah, but
the truth can hurt. It's like punishing somebody.
Speaker 5 (55:54):
Trash Toy will be trash on this song.
Speaker 2 (55:56):
Sometimes he'd be trash. You know, try again, but you know,
game over for today. I mean, we're the only cats
that are like literally critiquing it in this way for real. Like,
I don't think I don't know who's like doing that.
You know what I'm saying, you heard, you'll be hearing
it here first.
Speaker 7 (56:10):
I'm sure absolutely nobody is commenting on music on the
internet at all.
Speaker 2 (56:15):
I mean, maybe I don't know. I mean I wouldn't know,
not with this professional insight. Yeah, not with this kind
of insight. He would he would complain about Top four,
he would listen to this Siattle would never He's on
to go, like, what is wrong, dude? Most of his
videos are He's like, why pop music is failing? Why
(56:36):
pop pop music band? I'm sorry, I think why do
you mean?
Speaker 5 (56:40):
Why is what doesn't make sense?
Speaker 2 (56:42):
How is it failing? He's failing? He'll be He says
that ship all the fucking time. Like half the videos
of Algorithm, Yeah, humor Algorithm. Why does it feel like
these things are falling apart? Why radio was dying? Why
is it?
Speaker 7 (56:55):
Like Taylor Swift in the Ariana Grande and Sabina Carpenter
are definitely not failing.
Speaker 8 (57:00):
No, I know you're talking about Harry Styles every every year.
Pop stars are doing fine. I mean, yeah, bop stars
are doing fine.
Speaker 7 (57:09):
We don't need any more, uh, Taylor shipt videos from
fucking rick. If you talk to the the gen X rockers,
few interviews with them before they get too old, will.
Speaker 8 (57:18):
Be like us and and actually listen to the new
Steely Dan or whatever. Yeah, like, give them, give them
a shot. They want to listen to the old Ship
for the rest of their lives and then cry.
Speaker 5 (57:27):
All the time like you're not allowed to complain. Listen
to the new Sting album and tell us what you
think about.
Speaker 2 (57:33):
Check it out, Listen to it.
Speaker 5 (57:34):
Let me tell you you don't want to do that.
Speaker 9 (57:37):
You know what I'm saying.
Speaker 5 (57:38):
Listen to the Sting song.
Speaker 2 (57:39):
It's yeah, right, you don't want everybody to come back, right, Like,
I mean for real, that's that's Sting ship.
Speaker 5 (57:45):
Stoping with that that ship.
Speaker 2 (57:46):
That ship is unbelievable. I couldn't believe how bad that was.
And then when I thought about the artwork again, when
I thought about I was like, the artwork is this bullshit?
Speaker 5 (57:57):
Made this into Listen to the new his out songs.
Listen to those those three songs.
Speaker 2 (58:04):
Bro, that's just gonna be a hit. I hate it,
but like it's gonna be a hit.
Speaker 7 (58:08):
He was.
Speaker 5 (58:11):
Long enough.
Speaker 2 (58:11):
Quavero was performing it at the VMA's That's a clip
of this guy and watching and like people are singing
along with their like oh ship, and I'm like, you're
fucking kidding me. He just flew that over.
Speaker 7 (58:23):
It's people have never heard that song before, where it
came from. The song has been in mad commercials.
Speaker 5 (58:30):
Yeah, Kuevo people, they don't watch those commercials. You know,
they grew up on that song.
Speaker 2 (58:36):
They grew up on it. They grew up on it.
They grew up on it.
Speaker 21 (58:38):
Man.
Speaker 5 (58:38):
They're like, oh, this is a this is about to
be a hit.
Speaker 2 (58:40):
But like new kids, yeah, you're right, but there's probably
a lot of new kids that have not you know,
they never heard. They're like, damn fly Away, that's probably
gonna be his number one song Spotify now. I bet,
I bet you alright, I want to get.
Speaker 10 (58:57):
Dude.
Speaker 2 (58:57):
That ship sucks, all right, y'all, Thanks peace, Thanks
Speaker 1 (59:02):
Bye, and sadly the podcast is no more
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